The Perfect Blend: Coffee and Kane


Opening Lines: A Spell in the Country by Heide Goody and Iain Grant

We’re off into the world of comedy fantasy and cosy crime for this week’s Opening Lines.

With thanks to Heide Goody and Iain Grant for sharing the first 500 words from A Spell in the Country.

Blurb

Dee is a Good Witch but she wonders if she could be a better witch. 
She wonders if there’s more to life than Disney movie marathons, eating a whole box of chocolates for dinner and brewing up potions in her bathtub. So when she’s offered a chance to go on a personal development course in the English countryside, she packs her bags, says goodbye to the Shelter for Unloved Animals charity shop and sets a course for self-improvement.

Caroline isn’t just a Good Witch, she’s a fricking awesome witch.
She likes to find the easy path through life: what her good looks can’t get for her, a few magic charms can. But she’s bored of being a waitress and needs something different in her life. So when a one night stand offers her a place on an all-expenses-paid residential course in a big old country house, she figures she’s got nothing to lose.

Jenny is a Wicked Witch. She just wishes she wasn’t.
On her fifteenth birthday, she got her first wart, her own imp and a Celine Dion CD. She still has the imp. She also has a barely controllable urge to eat human children which is socially awkward to say the least and not made any easier when a teenager on the run turns to her for help. With gangsters and bent cops on their trail, Jenny needs to find a place outside the city where they can lay low for a while.

For very different reasons, three very different witches end up on the same training course and land in a whole lot of trouble when they discover that there’s a reason why their free country break sounds too good to be true. Foul-mouthed imps, wererats, naked gardeners, tree monsters, ghosts and stampeding donkeys abound in a tale about discovering your inner witch.”

First 500 words…

Chapter 1 – The Three Witches

The Good Witch of Northfield

Dee Finch didn’t consider herself to be just a good witch. Of course she was a good witch. That kind of thing was in the blood. No, Dee wasn’t just a good witch; she was a good witch, and that meant being good and doing good; whenever and wherever, whatever people might think. So Dee felt compelled to tell the young man in the shopping precinct that his hat was on fire.

“Your hat is on fire, poppet,” she said.

Surprisingly, the young man responded with a delighted smile. “Well, that’s the final question answered.”

Not the reaction Dee expected. It wasn’t as if it was the kind of hat one could set on fire without being instantly aware of it. If, say, he had been wearing a bowler hat, one might imagine a small fire on the crown might go unnoticed for a minute or two. But this was a woolly hat with a minor conflagration where a bobble might be.

Dee imagined that the young man had absent-mindedly put a roll-up behind his ear, and forgotten that it was already lit. It was the only immediately obvious explanation.

“Your hat is on fire,” she said again.

“Indeed,” he said. “Let me just—” He flipped through the papers on the clipboard in his hand.

“On fire,” she repeated.

“Yep.” He clicked his pen and put a tick in a box. “Now, would you have a few minutes to complete the rest of the survey?”

“Survey?”

Dee felt she had lost her grip on the situation. The man’s hat was on fire and, on a fundamental level, she wanted it dealt with. But now he was talking about a survey and had a look in his eye which suggested his day had been a long struggle to get people to participate.

“What kind of survey?” asked Dee. “I can’t be too long, sweetness. I was only popping out for some safety pins and a bottle of linctus for Mrs Binder.”

“It’s all about trying to become a better you,” said the young man.

“And you do understand what I mean when I say your hat is on fire?” she said.

“I do. Now, can I take your name?”

“Yes. It’s Dee Finch. Miss.”

 

Dee returned to the Shelter for Unloved Animals charity shop with a brochure from the young survey-taker and a great deal to think about.

“Thank God you’re here,” said Mr Tilbury. “It’s been bedlam since you left.”

Dee looked up from the brochure. The shop was empty, apart from Mr Tilbury who was manning the till. Clothes hung unregarded on their racks. Books gathered dust on the shelves. The poster of the charity mascot, Terry the Boss-Eyed Tortoise, with the slogan of ‘Ugly Animals Need Love Too’ still hung slightly askew on the wall. It was so quiet that one could almost hear the creak of time passing.

“Bedlam?” repeated Dee.

“A man came in and wanted to know if we had a book,” said Mr…

***

Buy Links

Amazon UK: https://www.amazon.co.uk/Spell-Country-Heide-Goody-ebook/dp/B078NRFL93

Amazon US: https://www.amazon.com/Spell-Country-Heide-Goody-ebook/dp/B078NRFL93 

***

I hope you enjoyed that. Another fabulous book introduction.

Come back next week for the first 500 words from a book by Jane pollard.

Happy reading,

Jenny xx


Ask a writer: Robin of Sherwood

Two weeks ago I had the pleasure of attending the Hooded Man Event in Gloucester. This gathering was for fans of the 1980’s television show Robin of Sherwood – a show that I have recently written three brand new audio scripts for.

While I was in Gloucester I was busy selling my novels, so I didn’t get to talk to as many people as I would have liked. Since my return to Devon, I’ve been asked a number of questions relating to the writing of those three scripts – The Waterford BoyMathilda’s Legacy – The Baron’s Daughter.

Today, I’m going to attempt to answer those questions. Obviously the answers I give are from my angle only. I don’t work for Spiteful Puppet or ITV- so I have no knowledge as to what the future holds for RoS.

So- in no particular order….

How difficult is it to switch from writing books to script writing for audio?

Script writing is a whole new world. I had never written a script before, so I was learning fast when I wrote The Waterford Boy. I was kindly lent a couple of scripts that Iain Meadows (The Blood that Binds and The Templar’s Promise) had written in the past, so I knew how to format my work, but beyond that I felt my way along. (With help from Iain and Barnaby)

I’ve been a novelist for 12 years, so it was quite a challenge suddenly writing something where I couldn’t describe a scene properly with words. Everything has to be displayed via dialogue and background sound. This meant that writing about someone’s appearance, for example, has to be done via the comments of other characters. The scene in The Waterford Boy, where Robin, Will and Nasir disguise themselves to blend into Nottingham market, was particularly tricky to put together for that very reason.

It was slightly easier writing the two narrated stories- The forthcoming The Baron’s Daughter however, is a full cast reading…so that needed everything explaining via conversation and sound effects. You’ll find out if I managed that in a few months time!

Although writing scripts is a very different skill to writing a novel- I loved it! Let’s hope I get to do some more one day.

Will Robin of Sherwood audio do anything like prequels or sequels for example prequel Rebels of Loxley or the daughters (sons) of Sherwood? Any plans to expand the Robin of Sherwood universe further?

I’d have to say ‘no’ to that. The licence for what Spiteful Puppet can do is strict- plus, there isn’t the mega multi-national audience that you have for other popular shows such as Doctor Who or Star Trek. The prequel angle has been explored a little bit with Mathilda’s Legacy (the story of how the Earl of Huntington met Robert of Huntington’s mother).

However, if you enjoy all stories Robin Hood, then there are many writers who have been inspired by Robin of Sherwood and have expanded into many other directions, from fantasy to comics to legend redevelopment. You only have to look at my fellow audio script writers Paul Kane (The Red Lord) and Tony Lees (The Trial of John Little– coming soon) to find a collection of Robin Hood stories to keep you going for ages.

Do you make drawings to picture parts of your audio-book stories?

The only art work associated with the audio books is the brilliant cover showing both Robin’s.  I am not responsible for that thankfully – which is probably just as well as I have no artistic skill at all! I wish I did.

Once you knew you were doing more than one audio story, did you put your own returning characters (other than the obvious) into the stories, or was that a temptation too far (against the canon)?

It would be so tempting to do that. I would love to write more about Mathilda of Huntington if the chance ever arose. (Unlikely!) However, the answer to the question is ‘no’. The stories are slotted into the ready made framework of the existing episodes, and so any onward play with my own invented characters wouldn’t be practical – although it would be fun for me as writer.

However, I have enjoyed making reference to the characters we know and love. I took great pleasure, for example, in referencing Lord Edgar in Mathilda’s Legacy– Robert’s mother clearly had very little time for her future brother-in-law….

It is wonderful to be able to play with the nostalgia we all feel for the characters we loved – and the ones we loved to hate.

Which was your favourite of the audio scripts you’ve written?

Tricky one.

The Waterford Boy will always be special because it was my first script- and it made a dream come true. Never did I think I’d write for the best TV show of all time (to me anyway!) Judi Trott read it so beautifully as well. I have to confess to listening to it often just to hear her lovely voice.

The Baron’s Daughter was also special because it was my first full cast script. I got to put words into Michal Praed’s mouth – and who wouldn’t want to do that???

However- if pushed- I think Mathilda’s Legacy is my favourite. Partly because it was the first one I heard as a completed audio. The second I heard Michael Craig read my words- and then the famous theme music burst into life- I was a star struck 14 year old unable to believe that  I was listening to a story I’d created.

It was also quite something being given the responsibility of inventing (to some extent- David of Huntington was married to Mathilda) Robert of Huntingdon’s mother. I hope you all like the woman I created to be a future heroes mother.

Which was your favourite RoS episode?

That is an impossible question. I love them all. To narrow it down – it was either Adam Bell (first one I ever saw) or Herne’s Son parts one and two or The Prisoner…or…..

Many thanks to everyone who has sent questions to me since the HM3. I have been overwhelmed by the kindness showed to me after I fiddled with your favourite stories. I promise, if I am ever lucky enough to write more, I will continue to try as hard as I can to be true to the Robin of Sherwood ethos, and write stories to make you feel as though you have been transported back to 5.35 on a Saturday afternoon in the 1980’s. Well – I’ll try anyway!

Nothing’s forgotten,

Jennifer x


London Hat Hunting Mission Blog Tour: Interview with Winnie Mak Tselikas

Today I’m welcoming Winnie Mak Tselikas to my site to chat a little about her brand new children’s book, London Hat Hunting Mission, as part of her fabulous blog tour.

Let’s get started…

What inspired you to write your book?

I am Chinese from Hong Kong and my husband is half French half Greek, we have a 3-yr old son. Having grown up in a traditional Chinese family and now having my own multicultural family gave me food for thought on my own cultural root, role as a mum, and the world I want my son to be in. I believe the world can become a better place when people can better appreciate themselves as they are and at the same time respect the differences in others. So when I found that I couldn’t find a nice black rag doll for my son easily, it inspired me to create multicultural doll characters so that children from different part of the world can be represented in toys and books.

When I first moved to London, the diversity of people I got to meet here amazed me. The idea of this story in London comes naturally when I want to write a storybook that explores cultural diversity.

Do you model any of your characters after people you know? If so, do these people see themselves in your characters?

I chose the name of one character after my Indian friend. I develop the characters base on an existing personality model, so each character has his/her own personality. For example, Lea is logical and analytical while Parth likes hands on experience.

Have you always loved hats??

I don’t love hats in particular but I find it an illustrative way to introduce cultural diversity to children on picture books. I also like to imagine everyone having a unique invisible hat that controls how we think. While each of us has a different hat, I can’t really expect other people think like I do.

What excites you the most about your book?

It excites me each time when I hear from parents or teachers that they think positively of my book. I am also happy to receive plenty of interest from schools when I approach them on an upcoming book tour around London, so the opportunities to tell the story in front of a big group of children excite me too!

Any more books on the horizon?

My plan is to make the Adventure in One Dear World a series for the dolls and Mr Globe to travel around the world! I will probably set the scene of my next book in Paris. Later on, I would like to incorporate more cultural elements such as language, food, festivals in the future books/products I develop so children can have an all round experience through the stories.

Blurb :

Four little Londoners, Hope, Jun, Lea and Parth, come from a different cultural background, are good friends living in London. They are travelling to the iconic places around the city in search of magic hats to cure Mr Globe’s headache.

 The book is illustrated with a mix of real life photographs of iconic places in London and digital illustration so children can have a vivid visual experience of London and at the same time open up their world of imagination.

Buy Link: https://onedearworld.com/products/childrensbook-london-hat-hunting-mission 

Amazon UK –https://amzn.to/2HbY6e6

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Links:

Homepage: https://www.onedearworld.com

Bio:

Winnie Mak Tselikas is a believer in diversity. Born and raised in Hong Kong, she studied engineering, worked in commercial sales and in 2011 switched to education upon moving to London. There, she met her half-French, half-Greek husband and they had a son, who now has family in China, France, Greece, HK, the UK and the US. Winnie considers her son to be a world citizen rather than of a particular nationality or culture. Inspired by her family and London’s diversity, she founded One Dear World and created the lovely adventures of Mr. Globe and the little Londoner dolls.

Social Media Links –

www.facebook.com/onedearworld

www.twitter.com/onedearworld

www.instagram.com/onedearworld

***

(This is a Rachel’s Ransom Resources Blog Tour)

Don’t forget to catch every leg of the blog tour!

Happy reading,

Jenny x

 


Paul Kane: Living and Breathing Robin Hood

Robin Hood obsessive alert!!!!

You’ve been warned…

I’m delighted to welcome Paul Kane to my place today. Fellow Robin Hood fan, writer of an audio script for Robin of Sherwood- and author of very much more.

Over to you Paul…

When Jen very kindly asked me to contribute a blog to her site regarding my connection with the Robin Hood legend, I started to think about how long he’s been in my life. From an early age, bank holidays were very often spent at Sherwood Forest – we lived about 20 minutes away from it. So, as well as learning about the legend – about Robin and Marion, Little John and Friar Tuck, Will Scarlet – I was breathing the same air they did back then, soaking up the atmosphere.

Then along came Richard Carpenter’s Robin of Sherwood, which I would sit and watch religiously with my dad, and Saturday teatimes would never really be the same. Of course, back then I had no idea it had been created by the same man who came up with the wonderful Catweazle, I just knew that this was a version of Hood I could get behind. As well as having all the traditional elements to it, the robbing the rich to give to the poor and so on, it also had a supernatural slant: I mean, come on, the very first episode was called ‘Robin Hood and the Sorcerer’… doesn’t get any better than that! Except, actually, it did – and as we tuned in every week we would marvel at witches, demons, Satanic cults and woodland gods. I was in seventh heaven!

Even when it came time for Michael Praed to step down from the title role, the changeover to Jason Connery was handled seamlessly. In fact, I loved it even more not knowing what was going on at the end of ‘The Greatest Enemy’. Had Robin come back from the dead, was he a ghost? No, in fact what had happened was a clever segue into that other origins story, Robert of Huntingdon taking over the mantle from Robin of Loxley – but both of them Herne’s sons. Wonderful stuff!

Then, sadly, the show finished and I mourned its passing. I watched all the other adaptations over the years – some of which even included elements that Richard had invented, like the Saracen – but none ever came close for me. Only repeated viewings of his series, when it became available, would do. At the same time, my own writing career had started to take off, moving on from journalism to short stories and finally novels and scripts, as well as taking on the job of Special Publications Editor for the British Fantasy Society and helping to run their yearly convention, FantasyCon. It was around 2006 or 2007 that I spotted a shout out for pitches from Rebellion, the publishers of 2000 AD (another staple of my formative years). They were moving into novels, in particular those which would be part of a shared universe called ‘The Afterblight Chronicles’ – set in a future where 90% of the world’s population had died out from the A-B Virus.

I knew commissioning editor Jon Oliver from my time on the convention circuit, so I threw over a few ideas – one of which was a post-apocalyptic version of Hood. It just seemed like an obvious choice, once society had crumbled and mad dictators had taken over, to bring that legend back to life. It would be part of the Chronicles, but also a very distinct story in its own right. Luckily, Jon agreed, and suddenly I was writing my first mass market paperback: Arrowhead. Needless to say, my version was heavily influenced by RoS, whilst still going its own way; it had to really, as my Robin – Robert Stokes – was facing tanks and attack helicopters. Also needless to say, I was delighted when the book was so well received that another was commissioned shortly after the first’s release (a terrific launch ten years ago at FantasyCon in, appropriately, Nottingham).

I remember I had some vague notion about doing the whole ‘death of Hood’ legend – firing the arrow into the sky and all that – when it came to writing the sequel Broken Arrow. Thankfully, Jon talked me out of it saying: “When you have a hero like that on your hands, you don’t kill him off that quickly.” He was absolutely right, of course, and after that novel came Arrowland, forming a trilogy of books Rebellion released as the omnibus Hooded Man (which sold out of its first print run incredibly quickly). Not only that, but the novels had put me on the radar of…none other than Richard Carpenter, or Kip as I came to know him. He loved them, offered me a glowing quote, and even gave his grandson a copy to read. Imagine my joy at that – things had pretty much come full circle.

Or had they?

Spin on a few years, during which I’d pursued a couple of my other passions (the work of Clive Barker and Sir Arthur Conan Doyle, even crossing them over in books like Sherlock Holmes and the Servants of Hell) and mourned the sad passing of Kip himself. The world is still a poorer place without him. Rebellion had also asked me to continue the Hooded Man story with a novella which caught up with the characters a few years later, Flaming Arrow. And I was very excited to hear that RoS was returning in the form of a full cast audio adaptation of Kip’s Knights of the Apocalypse from Spiteful Puppet, something I reviewed for Sci-Fi Bulletin.

More audios followed, some of which I also reviewed – and during the course of this I got chatting with that lovely chap Barnaby Eaton Jones, of Spiteful Puppet. I mentioned the Hooded Man books, sent him a copy, and the next thing I knew I was being asked to pitch a RoS audio myself. As luck would have it again, I’d just finished my first audio script – a full cast drama adaptation of The Hellbound Heart for Bafflegab, which would star Tom Meeten (The Ghoul), Neve McIntosh (Doctor Who) and Alice Lowe (Prevenge) – so I felt confident enough to have a crack… sort of. It was still RoS and there was massive amount of performance anxiety, as you can probably appreciate.

But anyway, I began to think about elements of the show I’d loved myself and what we hadn’t seen so far in it. And, personally, I’d always thought it would be cool to see Robin and his band go up against a vampire, or at the very least someone who thought he was a vampire. I jotted down some ideas for a tale which pitted them against a Vlad the Impaler-type character, driven from his homeland and now a mercenary – and right there and then, The Red Lord was born.

I was over the moon when the pitch was commissioned, and even more thrilled when the script itself was passed – with a few minor tweaks – by SP and ITV. It was then that Barnaby told me it was being recorded soon, narrated by none other than Ian Ogilvy. Ian had played Lord Edgar in RoS, but also another quite well known character from my childhood. My better half Marie will tell you when that news came in, I screamed: “You’ll never guess who’s doing my audio! Only the Saint!” Yes, I don’t mind admitting I am that much of a geek…

And so it’s done, is totally wonderful, and something I’m incredibly proud of. Well, I would be, having lived and breathed Robin Hood – and Robin of Sherwood – all these decades. I hope the fans like it, after all I am one too, and I like to think that somewhere Kip is smiling as well.

Does this mean that everything’s finally come full circle now? Perhaps – but who can tell what the future will bring? Not me, that’s for sure. For now, though, I just feel incredibly fortunate to have had not one but two bites of the cherry.

Thanks for reading, thank you Jen for letting me waffle on, and finally may Herne protect you all!

Buy Links

Hooded Man:
https://www.amazon.co.uk/gp/aw/d/1781081689/ref=mp_s_a_1_1?ie=UTF8&qid=1526485978&sr=8-1&pi=AC_SX236_SY340_QL65&keywords=hooded+man+paul+kane
&dpPl=1&dpID=51v4YFXL7jL&ref=plSrch
Flaming Arrow:
https://www.amazon.co.uk/gp/aw/d/B00XPIBTCW/ref=mp_s_a_1_2?ie=UTF8&qid=1526486007&sr=8-2&pi=AC_SX236_SY340_QL65&keywords=hooded+man+paul+kane&dpPl=1&dpID=
51C%2BYO2wXJL&ref=plSrch
The Red Lord:
https://spitefulpuppet.com/product/the-red-lord/

Paul Kane is the award-winning, bestselling author and editor of over seventy books – including the Arrowhead trilogy (gathered together in the sellout Hooded Man omnibus, revolving around a post-apocalyptic version of Robin Hood), The Butterfly Man and Other Stories, Hellbound Hearts, The Mammoth Book of Body Horror and Pain Cages (an Amazon #1 bestseller). His non-fiction books include The Hellraiser Films and Their Legacy and Voices in the Dark, and his genre journalism has appeared in the likes of SFX, Rue Morgue and DeathRay. He has been a Guest at Alt.Fiction five times, was a Guest at the first SFX Weekender, at Thought Bubble in 2011, Derbyshire Literary Festival and Off the Shelf in 2012, Monster Mash and Event Horizon in 2013, Edge-Lit in 2014, HorrorCon, HorrorFest and Grimm Up North in 2015, The Dublin Ghost Story Festival and Sledge-Lit in 2016, plus IMATS Olympia and Celluloid Screams in 2017, as well as being a panellist at FantasyCon and the World Fantasy Convention, and a fiction judge at the Sci-Fi London festival. A former British Fantasy Society Special Publications Editor, he is currently serving as co-chair for the UK chapter of The Horror Writers Association. His work has been optioned and adapted for the big and small screen, including for US network primetime television, and his audio work includes the full cast drama adaptation of The Hellbound Heart for Bafflegab, starring Tom Meeten (The Ghoul), Neve McIntosh (Doctor Who) and Alice Lowe (Prevenge), and the Robin of Sherwood adventure The Red Lord for Spiteful Puppet/ITV narrated by Ian Ogilvy (Return of the Saint). Paul’s latest novels are Lunar (set to be turned into a feature film), the Y.A. story The Rainbow Man (as P.B. Kane), the sequel to REDBlood RED – the award-winning hit Sherlock Holmes & the Servants of Hell and Before (a recent Amazon Top 5 dark fantasy bestseller). He lives in Derbyshire, UK, with his wife Marie O’Regan and his family. Find out more at his site www.shadow-writer.co.uk which has featured Guest Writers such as Stephen King, Neil Gaiman, Charlaine Harris, Robert Kirkman, Dean Koontz and Guillermo del Toro.

***

WOW- what a guest!! Thanks Paul- I am humbled by your productivity.

Many thanks for visiting today,

Jen xx

 


How research into a tricky topic creates magic on the page: Viking healing taken a step further

I’m delighted to welcome Sarah Dahl to my blog today to give us inside information on how she approaches her research.

Over to you Sara…

How research into a tricky topic creates magic on the page: Viking healing taken a step further

“Healer – The Gift of Dreams” is the fifth Tale in the Tales of Freya collection of sensual short stories.

Viking farmer Magnus is plagued by a demon. Since his wife’s death, the dreaded Mara tortures his body and mind. Powerless, he sends for a healer, the unexpectedly young and beautiful Audr … Are her sensual powers and his unleashed virility enough to banish the demon from his bed?

My heroes: the “simple” people

The Tales of Freya are set in the Viking age, and therefore require a lot of research into the period. I’m quite firm when it comes to the historical aspects of daily life and how people lived together then. The big politics and power play bore me. I don’t write kings and queens – my heroes are healers and housewives, warriors and monks. In every Tale I zoom into the lives of “simple people” and their desires and hopes, then give the stories a sensual and erotic twist. In the end, my characters are changed and set on a new path, which doesn’t always have to be a simple Happy Ever After.

Is there an authenticity of emotions?

Authenticity is key. I have trusted Viking age experts and re-enactors at hand to make sure the details are historically correct and events could have happened the way I write them. Even more important and harder to agree on is the psychological aspect, though: What and how did these people probably feel about certain things? What were their morals, expectations, rules of living together? What was their world view? Over time, I became more certain about what makes believable characters here. Luckily, my readers love the stories’ in-depth exploration of emotions and passions just as much as the authenticity to the period. But there is one very central aspect that so far I only touched lightly: Their spiritual world views and thinking.

Embracing the Vikings’ spiritual lives – finally

Because religion and beliefs are a very delicate and hard-to-grasp subject for today’s people (me included), I so far shied away from including too much spirituality in my stories. Yes, gifts to the spirits and gods were common and pagan rituals central to their lives, but: I didn’t want to overload my short stories with too much side-baggage and completely focus on the central plot line. And I admit to some reluctance to interpret too deeply what little we know today of the Viking spiritual lives. But then: as a self-respecting author setting her stories in the Viking age, I couldn’t avoid the topic forever. I didn’t expect it to be central to a sensual short story, though. Until I read a research piece that surprised me.

Sensuality in healing?

In one text about Viking spirituality the author hinted that, in contrast to  our modern religions and healing, Viking healing rituals might very well have included sensual aspects. That of course made me listen up. Sensuality for healing? A hands-on and personal ritual that wasn’t only comforting and physically and mentally healing – but which included sexual aspects? Unfortunately, we don’t know much more. My experts were at a loss, too. Sources are just too scarce to judge. It was just a side note.

Daring to interpret and make it my own

The topic simmered in my writer’s brain, and I came up with the idea of a female healer (most were then female) and how she could create magic … to heal a desperate young man. Born was the story of the devastated Magnus, who, after the loss of his wife and child, is mentally and physically unable to go on with life. He calls for a healer, and instead of the old woman he expected he and the readers are surprised by young and attractive Audr. She sets to work with him, in a sensual ritual that includes his body and mind. But are her powers stronger than his demons? When she is gone, he finds that the greatest gift was always right in front of him …

Research reading as source for inspiration

The inspiration for this story came, as often, from reading a research piece, and thinking it further, wondering what the historical findings said about the people’s lives in that era. The research I had to do for Audr’s healing rituals was great fun, but I had to flesh out and interpret a lot. Sources are thinly spread and much is tinted by today’s views on the world. Which in turn also means a lot of writing freedom. I created a very personal and intimate ritual for Magnus, and something ignites between him and his healer that goes beyond what I imagine would be Audr’s approach with other patients. Audr’s spell is just too strong …

Author bio:

Sarah Dahl lives on the edge of the rural German Eifel and writes historical fiction (novels and short stories) primarily set in the Viking age. She also works as an editor, translates, and coaches new writers in German and English. She is interested in everyday life in bygone centuries and the human stories that may have occurred behind the hard, historical facts. Her author page is: sarah-dahl.com

Links: mybook.to/HealerSarahDahl

Amazon.com: https://www.amazon.com/dp/B07BVWD3YD

Amazon.co.uk: https://www.amazon.co.uk/gp/product/B07BVWD3YD

Author page: sarah-dahl.com/books

***

Many thanks Sarah; great stuff.

Happy reading everyone,

Jenny x


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