Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

Category: medieval Page 4 of 10

Happy Valentine’s Day: Robin Hood Style

Valentines

To celebrate St. Valentine’s Day, I thought I’d share a little of Romancing Robin Hood– my part romance/part medieval mystery novel- with you.

Romancing Robin Hood is a contemporary romance is based on the life of Dr Grace Harper, a medieval history lecturer with a major Robin Hood obsession. So much so, that instead of writing a textbook on medieval life, Grace is secretly writing a novella about a fourteenth century girl called Mathilda, who gets mixed up with a real outlaw family of the day, the Folvilles. As you read Grace’s story, you can read the medieval mystery she is writing alongside!

The problem is, Grace is so embroiled in her work and passion for outlaws, that real life is passing her by.

RH- E Flynn

With her wedding approaching fast, Grace’s best friend Daisy can’t help wishing a similar happiness to her own for her Robin Hood loving friend…

Extract

…Daisy hadn’t grown up picturing herself floating down the aisle in an over-sequinned ivory frock, nor as a doting parent, looking after triplets and walking a black Labrador. So when, on an out-of-hours trip to the local vet’s surgery she’d met Marcus and discovered that love at first sight wasn’t a myth, it had knocked her for six.

She’d been on a late-night emergency dash to the surgery with an owl a neighbour had found injured in the road. Its wing had required a splint, and it was too big a job for only one pair of hands. Daisy had been more than a bit surprised when the locum vet had stirred some long-suppressed feeling of interest in her, and even more amazed when that feeling had been reciprocated.

It was all luck, sheer luck. Daisy had always believed that anyone meeting anybody was down to two people meeting at exactly the right place, at exactly the right time, while both feeling precisely the right amount of chemistry. The fact that any couples existed at all seemed to Daisy to be one of the greatest miracles of humanity.

She pictured Grace, tucked away in her mad little office only living in the twenty-first century on a part-time basis. Daisy had long since got used to the fact that her closest friend’s mind was more often than not placed firmly in the 1300s. Daisy wished Grace would finish her book. It had become such a part of her. Such an exclusive aim that nothing else seemed to matter very much. Even the job she used to love seemed to be a burden to her now, and Daisy sensed that Grace was beginning to resent the hours it took her away from her life’s work. Maybe if she could get her book over with – get it out of her system – then Grace would stop living in the wrong timeframe.

Daisy knew Grace appreciated that she never advised her to find a bloke, settle down, and live ‘happily ever after,’ and she was equally grateful Grace had never once suggested anything similar to her. Now she had Marcus, however, Daisy had begun to want the same contentment for her friend, and had to bite her tongue whenever they spoke on the phone; something that happened less and less these days.

Grace’s emails were getting shorter too. The long paragraphs detailing the woes of teaching students with an ever-decreasing intelligence had blunted down to, ‘You ok? I’m good. Writing sparse. See you soon. Bye G x’

The book. That in itself was a problem. Grace’s publishers and colleagues, Daisy knew, were expecting an academic tome. A textbook for future medievalists to ponder over in the university libraries of the world. And, in time, that was exactly what they were going to get, but not yet, for Grace had confided to Daisy that this wasn’t the only thing she was working on, and her textbook was coming a poor third place to work and the other book she couldn’t seem to stop herself from writing.

‘Why,’ Grace had forcefully expounded on their last meeting, ‘should I slog my guts out writing a book only a handful of bored students and obsessive freaks like myself will ever pick up, let alone read?’

As a result, Grace was writing a novel, ‘A semi-factual novel,’ she’d said, ‘a story which will tell any student what they need to know about the Folville family and their criminal activities – which bear a tremendous resemblance to the stories of a certain famous literary outlaw! – and hopefully promote interest in the subject for those who aren’t that into history without boring them to death.’

It sounded like a good idea to Daisy, but she also knew, as Grace did, that it was precisely the sort of book academics frowned upon, and she was worried about Grace’s determination to finish it. Daisy thought it would be more sensible to concentrate on one manuscript at a time, and get the dry epic that everyone was expecting out of the way first. Perhaps it would have been completed by now if Grace could focus on one project at a time, rather than it currently being a year in the preparation without a final result in sight. Daisy suspected Grace’s boss had no idea what she was really up to. After all, she was using the same lifetime of research for both manuscripts. She also had an underlying suspicion that subconsciously Grace didn’t want to finish either the textbook or the novel; that her friend was afraid to finish them. After all, what would she fill her hours with once they were done?

Daisy’s mobile began to play a tinny version of Nellie the Elephant. She hastily plopped a small black guinea pig, which she’d temporarily called Charcoal, into a run with his numerous friends, and fished her phone from her dungarees pocket.

‘Hi, Marcus.’

‘Hi honey, you OK?’

‘Just delivering the tribe to their outside quarters, then I’m off to face the horror that is dress shopping.’

Her future husband laughed, ‘You’ll be fine. You’re just a bit rusty, that’s all.’

‘Rusty! I haven’t owned a dress since I went to parties as a small child. Thirty-odd years ago!’

‘I don’t understand why you don’t go with Grace at the weekend. It would be easier together wouldn’t it?’

Daisy sighed, ‘I’d love to go with her, but I’ll never get her away from her work more than once this month, and I’ve yet to arrange a date for her to buy a bridesmaid outfit.’

‘Well, good luck, babe. I’m off to rob some bulls of their manhood.’

Daisy giggled, ‘Have fun. Oh, why did you call by the way?’

‘Just wanted to hear your voice, nothing else.’

‘Oh cute – ta.’

‘Idiot! Enjoy shopping.’

As she clicked her battered blue mobile shut and slid it back into her working clothes, Daisy thought of Grace again. Perhaps she should accidentally invite loads of single men to the wedding to tempt her friend with. The trouble was, unless they wore Lincoln Green, and carried a bow and quiver of arrows, Daisy very much doubted whether Grace would even notice they were there…

 

If that extract has whetted your appetite for more, Romancing Robin Hood is available in paperback, and e-formats from all good retailers- including…

Kindle –
(Available via KDP for those who subscribe)
Paperback-

 

Happy Valentine’s Day,

Jenny x

 

Why Did I Write Romancing Robin Hood?

It is said that everyone has one book in them. This isn’t the case with me- so far I’ve taken part in the creation of over 200 books. Having said that however, one book always needed to be released from my imagination – and that book was Romancing Robin Hood.

This novel sat in my mind for decades, just waiting for the moment to be right.

 

Many many many years ago, when I was a teenager, I was a bit- shall we say unusual? I suspect the words ‘odd’ and ‘eccentric’ would be more accurate, but I’ll let you make your own mind up on that!!!

I never did the pop or film star crush thing. Never had pictures of Duran Duran or Wham on my wall. Adam Ant didn’t look up at me from my pencil case, and I did not wake up to see a life sized poster of Morrissey’s backside complete with gladioli (or whatever flower it was) sticking out of his backside!!

Nor was I into the Pac Man craze (I am so giving my age away here!), and the background to Manic Minor drove me nuts! I didn’t buy Jackie, or indulge in spending my money on Cosmopolitan.

It wasn’t that I didn’t like music or playing the odd game of tennis on the Atari- but I had a different sort of fascination.

RH- RoS 2

Cast of Robin of Sherwood

Robin Hood!!

I know what you’re thinking- you’re thinking that I had a crush on Jason Connery or Michael Praed- but nope. Sorry- neither of those lovely boys are my type at all.

It all started because I was ill for ages and ages when I was 14. I missed a lot of school. But as always in life, timing is everything- and I was saved by an instant and unshakeable love for the series of Robin of Sherwood that was being aired on ITV at the time. It was the third series- I hadn’t seen either of the first two. (I have now- lots!) As I was at home so much, my parents rented one of those new fangled video recorders from Radio Rentals so I could record stuff and watch it when I liked. (Thanks Mum and Dad- still grateful for that!!)

The VCR arrived the same day as the episode of Robin of Sherwood called Adam Bell was aired- I recorded it and watched it 8 times the next day- and then again, and again and again. Now- over 20 years later- I can still quote the script!! (Okay- that’s nothing to be proud of- see- I’m a bit odd!!)

It wasn’t the tight tights that had captured my heart though- it was the story. The whole story. All of it. I wanted to know everything- EVERYTHING- that could possibly be known about Robin Hood. No film, book (nonfiction or fiction), was safe from me.

RH- E Flynn

Errol Flynn- The Adventures of Robin Hood

 

My walls disappeared under posters of RH- any posters- from Errol Flynn, to Richard Greene, to the statue up in Nottingham, to the gorgeous Ray Winstone who played Will Scarlet (Okay- you have me there- I had – still do- have a ‘thing’ for Ray Winstone- there is such a twinkle in those eyes!!!)

The interest became an obsession (In RH not Ray Winstone). When I was better my parents took me to Sherwood- I learnt archery, I read medieval political poems and ballads- I wanted to know the truth- did he exist or didn’t he?

I did a project on RH for my A’ level History. Then I went to university and did a specialist course in Medieval Castle and Ecclesiastical Architecture…I was a medieval junky!! It seemed only natural to do a PhD on the subject- and that is exactly what I did!

Robin Hood Statue- Nottingham

Robin Hood Statue- Nottingham

By this time of course, I was pretty certain how and why the RH legend had begun- but I wanted to know who had influenced it into the form we know today, and how the real recorded crimes and daily life of the thirteenth and fourteenth century had affected those stories… (forget thinking RH was around with Richard I or King John- it ain’ happening!!)

It was my PhD that taught me to write- (a tome of epic proportions that is still knocking around my old Uni library gathering dust, while e-versions of it are scattered around many American Universities). Rather than finish off my love of RH- my PhD polished it to perfection!! (Although nothing could make me like the latest BBC series or the Russell Crowe or Taron Egerton films.)

I guess it was only a matter of time before I decided to write a novel about a Robin Hood obsessed historian.

Blurb-

Dr Grace Harper has loved the stories of Robin Hood ever since she first saw them on TV as a girl. Now, with her fortieth birthday just around the corner, she’s a successful academic in Medieval History, with a tenured position at a top university.

But Grace is in a bit of a rut. She’s supposed to be writing a textbook on a real-life medieval gang of high-class criminals – the Folvilles – but she keeps being drawn into the world of the novel she’s secretly writing – a novel which entwines the Folvilles with her long-time love of Robin Hood – and a feisty young girl named Mathilda, who is the key to a medieval mystery…

Meanwhile, Grace’s best friend Daisy – who’s as keen on animals as Grace is on the Merry Men – is unexpectedly getting married, and a reluctant Grace is press-ganged into being her bridesmaid. As Grace sees Daisy’s new-found happiness, she starts to re-evaluate her own life. Is her devotion to a man who may or may not have lived hundreds of years ago really a substitute for a real-life hero of her own? It doesn’t get any easier when she meets Dr Robert Franks – a rival academic who Grace is determined to dislike but finds herself being increasingly drawn to.

You can buy this crime/romance/modern/medieval novel from all good retailers, including-

Amazon – mybook.to/RomancingRH

Happy reading

Jenny

xxx

 

 

 

 

Criminal Inspiration: Folville Thinking

Although it cannot be categorically stated that the compilers of the Robin Hood ballads were influenced by the actual criminal gangs of the day, it is highly likely. Why wouldn’t the writers of the past be influenced by the political and local economic situation around them, just as we are today? If you study the literature and the criminal records of the thirteenth and fourteenth centuries- as I did for five years- many similarities can be noted between the actions of gangs like the Folvilles, and those detailed in the ballads and political songs.

The earliest mention found (to date) of the name Robin Hood in literature appears in the poem The Vision of Piers Plowman, which was written by William Langland in c.1377. This was a protest poem complaining about the harsh conditions endured by the poor in the Fourteen Century. Not only did it mention Robin Hood, but it also makes reference to a real outlaw gang, the Folvilles.

“And some ryde and to recovere that unrightfully was wonne:

He wised hem wynne it ayein wightnesses of handes,

And fecchen it from false men with Folvyles lawes.”

In 1310, John de Folville, Lord of Ashby Folville, died, leaving his widow Alice and seven sons. The eldest son, also John, inherited the Ashby-Folville manor. Historical records show that John lived largely within the bounds of the law. However, his brothers, Eustace, Laurence, Richard, Robert, Thomas and Walter formed a criminal gang which became notorious. Between the mid 1320’s and 1330’s, the Folville brothers ran the town of Ashby Folville and its surrounds as a base for criminal activity.

The first crime that brought the Folvilles to the notice of the authorities was the murder of the Baron of the Exchequer, Roger Belers. Over the following decade, the Folville brothers’ travelled the countryside assaulting those they considered deserving of such treatment, and holding people and places to ransom. They hired themselves out as mercenaries, willing to commit crimes for the right price. In fact, if you look closely enough at the criminal activities of the Folville family and the Robin Hood ballads, you’ll see a great number of similarities. So many in fact, that I began to wonder if the ballad writers had been influenced by the actions of Folvilles – or if Folvilles had been influenced by the popularity of the ballads.

It was this latter theory that forms the inspiration behind The Folville Chronicles (The Outlaw’s Ransom, The Winter Outlaw, Edward’s Outlaw and Outlaw Justice).

These medieval murder mysteries show Robert de Folville and his brothers using the ballads of Robin and his outlaws as a code of behaviour. Be warned however- this isn’t the code of behaviour we associate with Robin Hood today. There’s no robbing the rich to give to the poor in the fourteenth century. The original ballads were all about punishing the greedy, lazy and the cruel. There was never any question of any money gained from such punishments being given away.

Perhaps it was inevitable that my doctoral research, combined with my love for the stories of Robin Hood, would eventually inspire my novels.

Writers, filmmakers and poets ever since the tales were first spoken, have all adapted the outlaw figure to fit their imagination, and to appeal to the audience of the age. The Robin Hood needed by the fourteenth century listener isn’t going to be the same one demanded of the Tudor population, and that version of the hero has been reinvented again and again ever since. From the wonderfully thigh slapping Errol Flynn, the mystical Robin’s portrayed by Michael Praed and Jason Connery in the 1980’s, to the pantomime figure presented in the late 90’s by Kevin Costner, and the PVC nightmare of the most recent incantation by Taron Egerton…perhaps each generation gets the Robin Hood it deserves?

In 1332 the Folville gang committed their most serious crime. They kidnapped the Justice of the Peace, Sir Richard Willoughby, on the road between Melton Mowbray and Grantham, near Waltham-on-the-Wolds. A ransom of 1,300 marks was demanded for his safe return. While the Folvilles’ waited for the ransom to be paid, they stole over a hundred pounds of goods from Willoughby, while they dragged him from wood to wood.

The implications of Willoughby’s kidnap were fair reaching. However, to go into them here would be to ruin the aforementioned fourth novel. I will say however, that the kidnap and ransom of nobles passing through their land, the targeting of corrupt officials, and the general gang activity employed by the Folvilles, echo similar incidents within the Robin Hood ballads, from The Lytell Geste to the later tales, such as Robin Hood and Guy of Gisborne.

Rather than tell the story of the Folville brothers through their eyes, I introduced an outsider; a fictional protagonist to see their world with fresh eyes. Enter Mathilda of Twyford.

We first meet Mathilda in Book One of the Chronicles, The Outlaw’s Ransom.  A nineteen year old unmarried woman, Mathilda’s life revolves around looking after her father and brothers, running the home and the family pottery business since the death of her mother. Her life changes abruptly when she is forced to get to know the notorious Folville family rather better than she would have liked – and Mathilda finds herself surrounded by criminals and under a very frightening type of suspicion…

Blurb- The Outlaw’s Ransom

When potter’s daughter Mathilda is kidnapped by the notorious Folville brothers as punishment for her father’s debts, she fears for her life. Although of noble birth, the Folvilles are infamous throughout the county for using crime to rule their lands—and for using any means necessary to deliver their distinctive brand of ‘justice’.

Mathilda must prove her worth to the Folvilles in order to win her freedom. To do so, she must go against her instincts and, disguised as the betrothed of Robert de Folville, undertake a mission that will send her to Bakewell in Derbyshire, and the home of Nicholas Coterel, one of the most villainous men in England.

With her life in the hands of more than one dangerous brigand, Mathilda must win the trust of the Folville’s housekeeper, Sarah, and Robert Folville himself if she has any chance of survival.

Never have the teachings gleaned from the tales of Robyn Hode been so useful…

Extract from The Outlaw’s Ransom

…The Folville didn’t say anything else, but satisfied himself with watching Mathilda as she stood, half bowed, before him. She wasn’t shaking now. He’d noticed how hard she had fought within herself to still her external reactions to his news of her change in circumstance and had admired her self-control. It was almost as if she had an offended dignity about her rather than terror; an unusual reaction from a prisoner in the presence of a Folville.

He wondered if she’d been taught her letters. Most families didn’t waste their time teaching their womenfolk such things, but Mathilda of Twyford was clearly sharp and capable. With her mother gone, she’d run the household, and he imagined she did that job well. He saw that his family’s plan for this girl might work, but only if she kept that nerve. Otherwise… well, she wouldn’t be the first to die during his family’s quest to maintain their position.

Breaking the silence that had stretched out between them he said, ‘I recall you have questions for me. I can see your head jarring with them.’

‘If I may, my Lord?’

‘You may, although I should caution you, I may not choose to offer a reply.’

Mathilda licked her lips and ran her clammy palms down her grubby belted surcoat, which largely hid her brother’s leather hose, and flexed her numb bare toes.

‘Please, my Lord, who are you?’

This produced a bark of laughter, ‘You are well-mannered despite the indignity of being thrust, if only for a short while, into our cell. I am Robert de Folville, one of seven brothers of this manor.’

Mathilda curtsied, more out of natural impulse than any feelings of reverence towards this man, whom she knew for certain, had been party to at least one murder. ‘You are kin to my Lord Eustace, my Lord?’

‘Yes, girl, I am.’ He cocked his head to one side. ‘That worries you?’

‘He is a man I have been taught to fear, forgive my impudence, my Lord.’

He snorted. ‘I would rather have honest impudence than bluff and lies. So, you have been instructed by your father to be wary of us?’

‘Not only my father, sir.’ Abruptly worried that her boldness might place her family in more danger, Mathilda clamped her mouth shut. Seeing, however, that the Folville wasn’t cross, but had an expression of acceptance on his face, Mathilda braved a further question.

‘Where is my father, my Lord, and Matthew and Oswin, my brothers?’

Robert de Folville paused and, after a moment’s consideration, gestured for the servant boy to bring her a chair. Mathilda was glad to be allowed to sit down, but was puzzled at the equal status she was being afforded after her earlier abuse, as Folville sat next to her, leaning uncomfortably close to her slight, tense frame….

***

I never dreamt, back when I was a medieval history student at the University of Leicester, that I’d be a writer one day. Nor did I think I’d use all the research I did back then to create fictional adventures based on historical events.

I honestly can’t believe my luck.

BUY LINKS

The Outlaw’s Ransom – The Folville Chronicles Book One

The Winter’s Outlaw – The Folville Chronicles Book Two

Edward’s Outlaw – The Folville Chronicles Book Three

Outlaw Justice – The Folville Chronicles Book Four

The first three novel are also available as an e-boxsethttps://www.amazon.co.uk/Folville-Chronicles-Box-Set-Books-ebook/dp/B07V387V3K/ref=sr_1_1?keywords=The+Folville+Chronicles+Box+set&qid=1572970631&sr=8-1

You can also find the Robin of Sherwood audio scripts I’ve written here – www.spitefulpuppet.com

Happy reading,

Jen x

HAPPY CHRISTMAS

I would like to wish you each and every one of you…

A VERY MERRY CHRISTMAS!

Many many thanks for all your support over the last year.

I hope you are all having a truly peaceful – and safe – Christmas, with extra coffee and a mince pie or three.  Jenny xx

 

 

 

Meet The Winter Outlaw

As I’m up to my eyes in words at the moment, I thought I’d leave you a little something to read from The Folville Chronicles – Book Two – while I crack on!

The Winter Outlaw .

Blurb

1329:  It is the dead of winter. The notorious Folville brothers are on edge. There are rumours of an unknown outlaw terrorising the Leicestershire countryside—a man who has designs on the Folville family’s criminal connections.

Determined to stop this usurper in his tracks, Robert Folville unearths a man hiding in one of Ashby-Folville’s sheep shelters. A steward from far-off West Markham in Nottinghamshire, the cold, hungry Adam Calvin claims he knows nothing of any threat to the Folville family. He has troubles of his own, for he is being pursued by vengeful sheriff, Edmund de Cressy, for a crime he did not commit.

Mathilda of Twyford, newly betrothed to Robert de Folville, believes Adam’s story, but with rumours about a vendetta against the family growing, the Folville brothers are suspicious of every stranger.

***

Here’s the prologue to whet your appetite…

Prologue: Winter 1329

Adam Calvin’s vision blurred as his eyes streamed in the cold. His breath came in wheezing puffs. He needed to rest, but he daren’t. Not yet.

It was only as the vague outline of a cluster of homes and workshops came into view in the distance that he realised where his legs had been taking him. Slowing his pace, but not stopping, Adam risked a glance over his shoulder. He’d expected to see dogs, horses and men chasing him, but there was nothing. No one.

Scanning the scene ahead, making sure he wasn’t running into trouble as well as away from it, Adam exhaled heavily and aimed for a building he hoped was still standing.

The last time he’d visited the tiny village of Walesby there had been an old grain store on its outskirts. Built too close to the point where the frequently flooding Rivers Maun and Meden merged, the grain store had paid the price of a poor location. Long since abandoned in favour of a superior bake house, it was a perfect temporary hiding place for a man on the run.

Adam had no breath left with which to sigh for relief when he saw the neglected grain store. Uttering a prayer of thanks to Our Lady for the fact the building hadn’t been pulled down, he lifted the worn latch. He eased his way into the damp space, which was stuffed with rotting sacks containing all manner of rubbish.

Scrabbling awkwardly over the first few rows of musty sacks, Adam made himself a man-sized gap at the back of the room. Sinking down as far as he could, hoping both the sacks and the dark would shield him long enough for his cramped limbs to rest, he did his best to ignore the putrid stench and allowed his mind to catch up on events.

Only a few hours ago everything in Adam’s life had been as it should be.

He’d been fast asleep in his cot in the small private room his status as steward to Lord John de Markham gave him.

Had given him.

Adam wasn’t sure what time it had been when he’d been shaken to his senses from sleep by Ulric, the kitchen boy. He suspected it hadn’t been much more than an hour after he’d bedded down for the night.

Ulric, who’d frantically reported that a hue and cry had been called to capture Adam, had urged his master to move quickly. The sheriff had unexpectedly arrived and there had been a brief meeting between him, the Lord Markham and one other unknown man. An anxious Ulric had said that rumours were flying around like snowflakes in the wind.

Some of the household staff were saying Adam had stolen something, some that there had been a death; a murder.

Either way, for his own safety, Steward Calvin had to leave. Fast.

Confused, scared and angry that his good name was being questioned; without having time to find out what was going on or defend himself, Adam had grabbed his scrip. Pulling on his boots and cloak, with Ulric’s help he’d headed through the manor via the servants’ walkways.

The only item Adam hadn’t been able to find to take with him was his knife. Contenting himself with lifting one from Cook’s precious supplies as he ran through the kitchen, he’d left the manor that had been his home for the past twenty years.

With a fleeting nod of gratitude to his young helper, Adam had fled into the frosty night. Only minutes later he’d heard the calls of the hue and cry; echoes of the posse’s footfalls thudding against the hard, icy earth.

Now, wiping tears of exhaustion away with the back of his hand, Adam strained his ears through the winter air. All he could hear was the busy work of the mice or rats who were taking as much advantage of the building as he was.

Glad of the water pouch Ulric had stuffed in his scrip, Adam took a tiny sip. He didn’t know how long it would have to last him. Closing his eyes, he rested his head against the sacks that boxed him in and tried to think.

Had he outstripped the hue and cry? If they were nearby, taking the chance to rest while waiting for him to run again, then Adam was sure he’d have heard something ‑ but there were no muttered voices, no horses panting and no hounds barking at his scent.

Adam managed to get his breathing under control. He’d been part of the hue and cry on occasions himself, and he knew such groups didn’t tend to chase their quarry far, or for long. Especially not on a cold winter’s night, when they could be tucked up in bed before the demands of the next working day.

With growing confidence that he’d chosen his bolthole well, Adam allowed himself to relax a fraction. Few people lived in Walesby since the most recent of many destructive floods, and its location meant he was only a few steps from the edge of Sherwood Forest. A desperate man could easily disappear into the woodland’s depths.

As the hours ticked on, Adam became convinced that the pursuit had stopped. However, he knew that by the morning the hue and cry would be replaced with soldiers if the sheriff barked the order. His bolthole wouldn’t stay safe for long.

Yet that wasn’t what concerned Adam the most. He wanted to know what he was supposed to have done that warranted his midnight flight. How could he even begin to go about clearing his name if he didn’t know what he was accused of?

In the meantime, where was he going to go?

***

Ever since I did my PhD (on medieval crime and its portrayal in the ballad literature of the fourteenth century), I have wanted to use what I learnt to tell a series of stories. Although I’ve written all sorts of things between 1999, when my PhD finished, and now – I still wasn’t sure it would ever happen.  Yet, here I am! The first three novels – one short – two long – are out in the world – and book four (Outlaw Justice), is in the final stages of edits.

You can buy The Winter Outlaw from Amazon and all good book retailers-

UK: http://ow.ly/RsKq30j0jev 
US: http://ow.ly/EvyF30j0jfk  

Happy reading,

Jen xx

Robin Hood and The Outlaw’s Ransom

With Outlaws Justice – the fourth book in The Folville Chronicles – in the final stages of editing, I thought it would be the perfect time to look back at the beginning of my historical crime/adventure/romance series.

The Outlaw’s Ransom was my very first title under the name of Jennifer Ash.

Blurb

The first in an exciting new series by acclaimed author Jenny Kane writing as Jennifer Ash.

When craftsman’s daughter Mathilda is kidnapped by the notorious Folville brothers, as punishment for her father’s debts, she fears for her life.  Although of noble birth, the Folvilles are infamous throughout the county for disregarding the law – and for using any means necessary to deliver their brand of ‘justice’.

Mathilda must prove her worth to the Folvilles in order to win her freedom. To do so she must go against her instincts and, disguised as the paramour of the enigmatic Robert de Folville, undertake a mission that will take her far from home and put her life in the hands of a dangerous brigand – and that’s just the start of things…

The Outlaw’s Ransom (which originally saw life as part of my contemporary fiction/medieval mystery timeslip novel, Romancing Robin Hood), is a book that’s very close to my heart.  Anyone who follows this blog will know that it is my love of all things Robin Hood which led to me researching the real life criminal gang, the Folville brothers, and considering how they might have been influenced by the outlaw ballads that would have been circulating at the time.

It was interesting to be able to give, what I imagine, the Folville family’s perspective on the Robin Hood stories might be.

rh-and-the-monk

Extract

…Eustace de Folville continued, ‘You know something of us, Mathilda, from living in these parts. And, I have no doubt, my dear brother has explained to you our beliefs on maintaining our lands and beyond, keeping a weather eye on the dealings of all men in this hundred.’

Mathilda bit her tongue in an effort to remain demurely mute, trying to concentrate on what Eustace was saying and not on the unknown fate of her younger brother.

‘He has also, I believe, told you of his fascination with stories,’ Eustace gave Robert a blunt stare; leaving Mathilda to wonder whether it was his brother’s passion for the minstrels’ tales, or the fact he’d shared that belief and interest with a mere chattel, that Eustace disapproved of.

‘The balladeers have become obsessed of late with the injustices of this land. Often rightly so. Naturally the fabled Robyn Hode has become a hero. An ordinary man who breaks the law, and yet somehow remains good and faithful in the eyes of the Church, is bound to be favoured. In years past such a character’s popularity would have been unthinkable, but these days, well …’

Eustace began to pace in front of the fire, reminding Mathilda of how his brother had moved earlier, ‘Now we are empowered by the young King, the Earl of Huntingdon, and Sheriff Ingram, to keep these lands safe and well run, and by God and Our Lady we’ll do it, even if we have to sweep some capricious damned souls to an earlier hell than they were expecting along the way.’

Eustace was shouting now, but not at her. His voice had adopted a hectoring passion, and Mathilda resolved that she would never willingly disappoint this man; it would be too dangerous.

‘Many of the complaints of crimes and infringements that reach my family’s ears are not accurate. Far more felonies are alleged out of spite or personal grievance than are ever actually committed. We require more eyes and ears, girl. Accurate, unbiased eyes and ears.

‘The sheriff of this county is not a bad man. No worse than the rest anyway; but Ingram is sorely stretched. He has not only this shire, but Nottinghamshire and Derbyshire within his writ. The man cannot be everywhere at once. No man can.

‘We are believed to have a band of criminals under our control, Mathilda. This is not true. I’m no Hode, although I am lucky to have the respect of the immediate population, and although I know that respect is because they go in fear of me, I’d rather have that than no respect at all. Hode’s principles I embrace, as I do other outlaw heroes’ who have flouted a law more corrupt than they are. Those such as Gamelyn can give a man a good example to follow. What was it he declared, Robert, to the Justice at his false trial?’

Moving into the light of the table, Robert thought for a second before reeling off a verse he’d probably known by heart since childhood, ‘Come from the seat of justice: all too oft Hast thou polluted law’s clear stream with wrong; Too oft hast taken reward against the poor; Too oft hast lent thine aid to villainy, And given judgment ’gainst the innocent. Come down and meet thine own meed at the bar, While I, in thy place, give more rightful doom And see that justice dwells in law for once.’

Eustace nodded to his brother, who’d already shrunk back into the shadows of the nearest wall, ‘I do not have such a band at my beck and call, Mathilda. When I need help I have to pay for it.’

***

The values that – in my mind at least- the Folville brothers see in the stories of Robin Hood form an important undying theme to this tale- and to Mathilda of Twyford they will make the difference between life and death.

lytell-geste

If you’d like to read my first medieval mystery, then The Outlaw’s Ransom is available in the UK for your Kindle here –

https://jennykane.co.uk/historical-fiction/the-outlaws-ransom/ 

Happy reading everyone,

Jennifer (aka Jenny!!) xx

 

Download Today: Fitzwarren’s Well

A brand new Robin of Sherwood story is available to download from Spiteful Puppet!

Fitzwarren’s Well is a full cast (acted not narrated) audio story, staring Judi Trott as Marion.

Fancy a trailer care of the Radio Times? (Yes! The Radio Times!!!) Here you go –https://www.radiotimes.com/news/tv/2020-07-01/robin-of-sherwood-classic-tv-series-returns-for-new-story-recorded-in-lockdown/?fbclid=IwAR1AvsHxbXospBSUlL0WKsGLoJChdh_Jx4obcSkArUfNU2cXytGoxmlZD8g

Here’s the blurb-

Will Scarlet is regretting buying new boots as he walks home from Lichfield, desperate to get back to Sherwood. A worried Marion intercepts him with terrible news of a sickness that has laid low the rest of the outlaws.

A journey to the Lady of the Well is their one hope.

But the Lady will only help those she deems worthy… and someone is busy convincing her that they are not.

***

Richard Carpenter’s ROBIN OF SHERWOOD
‘FITZWARREN’S WELL’
By Jennifer Ash

Starring JUDI TROTT as Maid Marion

Featuring JON CULSHAW, SARAH GREENE and IAN OGILVY

With DANIEL ABINERI and BARNABY EATON-JONES

(Set during Series Three, between ‘Rutterkin’ and ‘The Time of the Wolf’)

Artwork: Anthony Lamb
Sound Design: Joseph Fox
Soundtrack: Arpeggio Creative
Produced & Directed by Barnaby Eaton-Jones

Television series Robin Of Sherwood © HTV/Goldcrest Films & Television 1983. Created by Richard Carpenter, with grateful thanks to his Estate.

Once upon a time a 14 year old girl fell in love with a story. The Robin Hood story.

Almost 34 years later, that same girl has – by some miracle – found herself writing for Spiteful Puppet – the power behind the new Robin of Sherwood audios and books – and adding, in a very small way, to that same story.

It is such a joy! Not only do I get to write lines for characters from my favourite television show – I also get to write for incredible guest stars.

The story of Fitzwarren’s Well evolved from an idea that Barnaby Eaton Jones – Spiteful Puppet’s producer, script editor, budget juggler, and actor – had not long after lockdown was imposed.

He wanted a tale that reflected – but did not copy – our current socially isolated situation.

The story was to involve two of Robin Hood’s outlaws (Marion and Will Scarlet), and two extra characters with whom they could interact – in this case Herne and a man called Fitzwarren. Obviously, we are in lockdown, so only actors with their own audio equipment could be involved in this production.

You will notice from the cast list above however, that rather than having a cast of four, we have a cast of six. This is because, when I was writing the story I accidentally invented the ‘Lady of the Well’ – and once I’d got her in my head, I couldn’t shift her.

Barnaby- being a forgiving sort- magically found the brilliant Sarah Greene (of Blue Peter fame) to provide the Lady of the Well’s voice. It has to be said, she plays the role to perfection.

At this point, I thought I’d finished writing the story – but then I received a phone call saying that the fantastic Mr Ian Ogilvy- on hearing that there was an opportunity to bring Lord Edgar of Huntingdon back for a cameo – offered his services. And so, there I was, suddenly writing lines for another of my acting heroes.

The result was Fitzwarren’s Well – of which I’ll say no more, for fear of spoiling the story.

You can buy your copy of Fitzwarren’s Well for download from Spiteful Puppet – here.

 

Happy listening,

Jennifer xx

 

The Power of Three: New and Exclusive Robin of Sherwood story

There are many questions an author gets asked on a regular basis.

The top three are-

  1. Where do you get your ideas from?
  2. Have you done everything you write about? (Usually reserved for my erotica books – and no, of course I haven’t!)
  3. How do you actually write a book?

I can add one other question to this list- and I would say it would rank at number 2 on my ‘most asked questions’ list.

When are you going to write another Robin of Sherwood story?

Answer – just done one!

I’m delighted to announce that the lovely folk at Spiteful Puppet (with permission from Chinbeard Books and the Richard Carpenter estate), have commissioned me to write the very first Robin of Sherwood story, that isn’t based on a television episode or an audio recording.

Yep- it’s the very first standalone novel.

Blurb

Why had Herne called Marion to his cavern and not Robin? And why was she afraid to tell him what the Lord of the Trees had shown her?

Forced to face his personal nightmares and his darkest secret, the Hooded Man needs his friends more than ever, but the outlaws are afraid… and no one knows who to trust.

To make matters worse, an old enemy is stalking Sherwood – but which one?

***

It will be available from 22nd May.

You can pre-order from…

https://spitefulpuppet.com/product/the-power-of-three-paperback/?fbclid=IwAR3OsPY4WgeLBkEjvpP-n5IGgXOymfs4_ZtC14UtrhyIcGYmC6aBAU04xdE

Hope you like it!

Happy reading,

Jen x

Opening Lines with Carol McGrath: The Silken Rose

Today I’m delighted to welcome Carol McGrath to my blog, as she goes on tour with her brand new historical novel, The Silken Rose.

Why not sit and relax for five minutes, while you enjoy a little background to this, the first of The She Wolf Trilogy – as well as the first 500 words.

Over to you Carol…

The Silken Rose is the first novel in The She Wolf Trilogy, three standalone novels about three medieval queens set during the thirteenth and fourteenth centuries. Ailenor of Provence, Eleanor of Castile and Isabella of France were considered she wolves by later writers but they were reviled by many barons during their reigns because of the influence the exercised over their husbands. Ailenor was guilty of nepotism, Eleanor grabbed lands and built up a property empire and, as for Isabella, say no more, she simply deposed her husband and set up her son Edward III as king in his stead. Their thrilling and intriguing stories are intersected with those of three ordinary women, ordinary in rank but independent and from the merchant class. The first appears in The Silken Rose. She is an embroiderer and Rosalind’s story intersects with that of Queen Ailenor.  Enjoy the short blub and extract. The book is published on 2nd April as an e book and as a paperback on 23rd July. The audio is currently available too.

It is 1236

Ailenor of Provence, cultured and intelligent, is thirteen when she marries Henry III. She is aware of the importance of providing heirs to secure the throne. She will protect England’s throne from those who would snatch it away. She is ruthless in her dealings with Henry’s barons.

Beautiful Ailenor’s shrewd and clever Savoyard uncles can support her, until her power is threatened when Henry’s half-siblings also arrive at court.

Henry and Ailenor become embroiled in an unpopular, expensive war to protect the last English territories in France, sparking conflict with warrior knight, Simon de Montfort, the King’s seneschal. It is the final straw.

Caught in a web of treachery and deceit, ‘she-wolf’ Ailenor’s courage is tested to the limit. Can she control her destiny and protect her family?

First 500 words…

Canterbury, January 1236

The road from Dover to Canterbury was mired with mud so progress was slow. Ailenor, Princess of Provence, had never seen such weather. She tugged back the oiled canvas and peered from her long, box-like carriage into the January landscape. A collection of gaunt faces stared back; figures huddled in heavy cloaks, watching the golden lions of Savoy and Provence pass through Canterbury’s gate into the cramped lanes of the city.

Domina Willelma’s rhythmic snores competed with the splashing of hooves moving laboriously through the gateway, the roll of wheels belonging to sumpter carts, the cracking of whips and the protesting snorts of an escort of three hundred horsemen. All the way from Dover, thirteen year-old Ailenor had listened to rain rattling on the curved roof of the carriage. With a hiss, it dripped through a minute crack onto the box of hot charcoal that warmed her feet.

She let the curtain drop and withdrew into her furs. It’s so different to my golden Provençal fields on which sun shines winter and summer.

A tear slid down her cheek. She instinctively drew her mantle closer. This was not what she imagined after Richard of Cornwall, King Henry’s brother, had visited their castle of Les Baux last year and she had listened to his thrilling tales of romance. England was not the magical land she visualised when she wrote her best poem ever, set in Cornwall, verse Prince Richard admired. Nor was it the green country filled with wild flowers she dreamed of when Henry, King of England, sent for her to become his bride.

She shivered in her damp gown. She had not wanted woollen gowns and underskirts. Rather, she desired velvets, silks and satins, and the finest linen for under-garments. But after two days’ travel over the Narrow Sea and on waterlogged roads she understood the need for warmth. She was now to dwell in a land where winter never ended and summer was but a distant prayer.

The carriage jolted to a halt. Uncle William, the Bishop, thrust his head through the heavy hanging.

‘We are approaching the palace. Prepare to descend.’ He almost fell off his horse as he pushed his neck further into the carriage to waggle a long finger at Ailenor’s senior lady. ‘Waken that woman at once. Order her to tidy your dress.’ With a grunt, he withdrew before Ailenor could reply.

‘Domina Willelma, wake up.’ Ailenor gently shook her lady’s shoulder. ‘Uncle William says ‑’

‘By our sainted Lady, my child, forgive me. Why have you permitted me to sleep?’ Lady Willelma sat straight up, her dark eyes wide awake.

‘Because, dear Willelma, you have hardly slept since we left Vienne and that was three weeks ago.’

‘I’m neglecting my duty to your mother.’ Willelma opened the tassels of a velvet bag. My mother, Ailenor thought. If only she were here. She would make jests and have me laugh at it all. How can I face this awful land alone?

***

Buy Link https://tinyurl.com/ssdrk28 

Make sure you don’t miss a single stop on this amazing blog tour!

Bio

Following her first degree in English and History, Carol McGrath completed an MA in Creative Writing at The Seamus Heaney Centre, Belfast, followed by an MPhil from University of London.  Her fifth historical novel, The Silken Rose, first in The Rose Trilogy, published by the Headline Group, is set during the High Middle Ages. It features Ailenor of Provence and will be published on April 2nd 2020. Carol was the co-ordinator of the Historical Novels’ Society Conference, Oxford in September 2016.  Visit her website:

Carol’s links are all on her website: www.carolcmcgrath.co.uk

***

You can join in with Carol’s ‘virtual’ book launch tomorrow, on Twitter, from 3pm!

Many thanks fro visiting today Carol.

Good luck with your new novel and the rest of your blog tour.

Jenny x

 

 

 

 

 

Opening Lines: The Outlaw’s Ransom

This week I thought I’d indulge in sharing some of my own ‘Opening Lines.’

Here some the opening lines from, The Outlaw’s Ransom– The Folville Chronicles.

Mathilda thought she was used to the dark, but the night-time gloom of the small room she shared with her brothers at home was nothing like this. The sheer density of this darkness enveloped her, physically gliding over her clammy skin. It made her breathless, as if it was trying to squeeze the life from her.

As moisture oozed between her naked toes, she presumed that the suspiciously soft surface she crouched on was moss, which had grown to form a damp cushion on the stone floor. It was a theory backed up by the smell of mould and general filthiness which hung in the air.

Trying not to think about how long she was going to be left in this windowless cell, Mathilda stretched her arms out to either side, and bravely felt for the extent of the walls, hoping she wasn’t about to touch something other than cold stone. The child’s voice that lingered at the back of her mind, even though she was a woman of nineteen, was telling her – screaming at her – that there might be bodies in here, secured in rusted irons, abandoned and rotting. She battled the voice down. Thinking like that would do her no good at all. Her father had always congratulated his only daughter on her level-headedness, and now it was being so thoroughly put to the test, she was determined not to let him down.

Stretching her fingers into the blackness, Mathilda placed the tips of her fingers against the wall behind her. It was wet. Trickles of water had found a way in from somewhere, giving the walls the same slimy covering as the floor.

Continuing to trace the outline of the rough stone wall, Mathilda kept her feet exactly where they were. In seconds her fingertips came to a corner, and by twisting at the waist, she quickly managed to plot her prison from one side of the heavy wooden door to the other. The dungeon could be no more than five feet square, although it must be about six feet tall. Her own five-foot frame had stumbled down a step when she’d been pushed into the cell, and her head was at least a foot clear of the ceiling. The bleak eerie silence was eating away at Mathilda’s determination to be brave, and the cold brought her suppressed fear to the fore. Suddenly the shivering she had stoically ignored overtook her, and there was nothing she could do but let it invade her…

Here’s the blurb to The Outlaw’s Ransom-

When potter’s daughter Mathilda is kidnapped by the notorious Folville brothers as punishment for her father’s debts, she fears for her life. Although of noble birth, the Folvilles are infamous throughout the county for using crime to rule their lands—and for using any means necessary to deliver their distinctive brand of ‘justice’.

Mathilda must prove her worth to the Folvilles in order to win her freedom. To do so, she must go against her instincts and, disguised as the betrothed of Robert de Folville, undertake a mission that will send her to Bakewell in Derbyshire, and the home of Nicholas Coterel, one of the most infamous men in England.

With her life in the hands of more than one dangerous brigand, Mathilda must win the trust of the Folville’s housekeeper, Sarah, and Robert Folville himself if she has any chance of survival.

Never have the teachings gleaned from the tales of Robyn Hode been so useful…

You can buy The Outlaw’s Ransom for your Kindle or as a paperback from-

Kindle-

https://www.amazon.co.uk/dp/B07B3TNRYN/ref=sr_1_1?ie=UTF8&qid=1519759895&sr=8-1&keywords=the+outlaw%27s+ransom

https://www.amazon.com/dp/B07B3TNRYN/ref=sr_1_1?ie=UTF8&qid=1519760741&sr=8-1&keywords=the+outlaw%27s+ransom

Paperback-

https://www.amazon.co.uk/Outlaws-Ransom-Folville-Chronicles/dp/1999855264/ref=sr_1_2?s=books&ie=UTF8&qid=1520007697&sr=1-2&keywords=the+outlaw%27s+ransom

https://www.amazon.com/Outlaws-Ransom-Folville-Chronicles/dp/1999855264/ref=sr_1_1?s=books&ie=UTF8&qid=1520007771&sr=1-1&keywords=the+outlaw%27s+ransom

(Please note that if you have read Romancing Robin Hood by Jenny Kane and Jennifer Ash- then you will already be familiar with the story with The Outlaw’s Ransom)

Happy reading,

Jen xx

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