Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

Category: thriller Page 1 of 3

Will there ever be outlaw justice?

Continuing the story of potter’s daughter, Mathilda of Twyford, Outlaw Justice, opens in winter 1331 – and a storm is coming in the shape of Sir Richard de Willoughby.

Outlaw Justice

Blurb

England, 1331: Corrupt official, Sir Richard de Willoughby, has been appointed Justice of the Peace, with powers to hunt – and kill – those who oppose him. First on his list? The notorious Coterel brothers and their associates – the Folvilles…

The Folvilles must decide whether to flee into outlawry or take the law into their own hands – but is killing de Willoughby really the answer?

Robert de Folville is keen to dispose of the justice, but Robert’s ingenious wife, Mathilda, has a plan… one that could potentially rid them of Willoughby and yet see them escape the hangman’s noose. But these are tumultuous times and Mathilda must first put herself at great personal risk. Could the tale of a missing noblewoman, overheard by chance, be the key to solving a problem of life or death?

A gripping tale of real-life Robin Hoods, Outlaw Justice is the latest in the critically acclaimed ‘The Folville Chronicles’ series by Jennifer Ash.

Outlaw Justice

Ever since she first came to the attention of the Folville family – as a kidnap victim – Mathilda of Twyford – has been learning that justice for the people of England comes at a high price. Often, it is those who purport to uphold the law, that break it the most…

Prologue

30th November 1331

‘Lady Isabel is safe, my Lord?’

‘I’ve seen her escorted to her mother in Lincolnshire by trusted friends. Her ravings these past few months have become intolerable. It’s not good for the children. I increasingly fear for her sanity.’

Keeping his countenance neutral, Bennett removed his master’s cloak. ‘May I be of assistance, my Lord? A drink after your journey perhaps?’

‘You may be of assistance by saying nothing of this to anyone. If King Edward were to hear of my wife’s shameful state, he might deem me unworthy of the office he so recently bestowed upon me.’

Bennett dipped his head respectfully and withdrew into the kitchen. He’d worked for Sir Richard de Willoughby long enough to know when to keep his mouth shut.

Damping down the kitchen fire for the night, absorbed in thought, the steward headed towards Lady Willoughby’s chamber. He’d seen no signs of mental instability. He’d heard no ravings. He had, however, heard a row between her and her husband earlier that day. The one and only time in her whole miserable marriage she’d stood up to her lord.

Pushing his mistress’s door open, Bennett surveyed the scene. Lady Isabel’s travelling cloak hung over the back of a chair by the window. Her hairbrush sat on her side table, and her riding boots waited patiently by the door.

A furrow formed on the steward’s forehead as he closed the chamber door, locking it securely behind him.

If you’d like to find out what happens next, Outlaw Justice it is available as both an ebook and paperback. It can be read as a standalone novel, or as part of #TheFolvilleChronicles

The Outlaw’s Ransom – mybook.to/theoutlawsransom

The Winter Outlaw- mybook.to/thewinteroutlaw

Edward’s Outlaw – mybook.to/EdwardsOutlaw

Outlaw Justice – mybook.to/OutlawJustice

Happy reading everyone,

Jennifer x

Opening Lines with J.A. Corrigan : The Nurse

This week’s Opening Lines come from The Nurse, a fabulous new thriller from the pen of J.A. Corrigan.

Over to you Julie…

I began writing this novel back in 2018 after Rose, the main character, knocked heavily on my door. It’s the book that found me an agent, and then subsequently a publisher too.

I loved using my medical background in the story, and also loved setting parts of the story in geographical locations with which I’m familiar.

Theo’s character took a little longer to develop, although once he introduced himself my fingertips spun across my keyboard! I do like reading dual timeline stories, and with Rose’s tale I knew instinctively that this had to be a story of past and present, interweaved and interspersed, and with both Rose and Theo as the viewpoint characters.

***

Blurb:

When you hear her story, will you believe her?

Rose Marlowe is a hard-working nurse, a loving wife, and a merciless killer. Or so she says. Despite her confession, it is hard to believe that this beautiful, kind woman could have killed her vulnerable patient in cold blood.

Down-on-his luck author and ex-journalist, Theo Hazel, is convinced that there’s more to what happened than Rose is telling, and so decides to visit her behind bars to write her story. His first surprise comes when Rose reveals that the victim was not a stranger to her.

As time goes on, it seems that Rose is letting Theo see behind her perfect mask. With each new visit, he learns terrible new things about her heart-breaking past. With each new visit, he becomes more and more convinced that she can’t be a killer. But is he trying to free an innocent woman, or falling prey to a calculating murderer?

A gripping and unputdownable thriller that will keep you guessing into the early hours of the morning. Perfect for fans of The Silent Patient, Shari Lapena and JP Delaney.

FIRST 500 WORDS

Prologue

Queen’s Hospital, Derbyshire, May 2015

This new space is too quiet. No music, no background chatter, nothing. The young man tries to move his lips to ask if someone can put the radio on, but the muscles in his face won’t obey his command. He can breathe, obviously, and hear, but he can’t move, or speak. Can’t seem to open his eyes either. A male voice, he thinks his doctor, told him that he’s been brought out of an induced coma and moved from intensive care. He’s now in the hospital’s high dependency unit. As well as silence, a dense humidity envelops him in this new room. He wishes a nurse would take off the sheet.

He attempts to remember something about his life, anything, but the fog inside his brain is making it difficult. He tries to move again, but his limbs are utterly unresponsive. Then a familiar aroma enters the unfamiliar room. It’s the nurse, he thinks. She smells of cinnamon and she’s the one who talks to him. He likes that. The other members of staff never talk; they perform their duties and leave.

She’s moving around his bed, but she hasn’t spoken. His mother smelt of cinnamon a long time ago, and it’s as if his senses and subconscious are working to create another plane of time. A fragmented memory stabs. His mother has been here to see him – before, when he was in intensive care – and told him something she thought he couldn’t hear. She didn’t think he’d pull through.

He listens hard. He won’t know for certain who’s in the room until they speak.

What did his mother tell him? Her words are somewhere inside his mind. He will remember. Soon.

He gives up attempting to think and instead allows himself to give in to sleep, and to his relief, a curtain begins to close across his consciousness. It is only the smell of cinnamon that stops him from drawing the other in the matching pair. Then a voice speaks.

‘I’m so sorry.’

He’s uncertain of its timbre, unsure if it’s a man or a woman, doubtful of the smell, and panic begins to press inside him. Something is very wrong.

All the moments of his existence come together in a kaleidoscope of images, and he sees his wife, her already burgeoning belly taut, the dark skin of her face translucent with happiness, and as his life ebbs away, he acknowledges that his efforts to find the truth have all been in vain.

The curtains close, with no gap remaining for the light to enter.

He has gone.

Chapter 1

Rose

8 December 2015

My eyes sweep the courtroom and settle on my husband, and I accept my life is over. Despite his love, and perhaps because of it.

I look at the woman who will soon deliver my sentence. She is petite, pretty, and too young to be a judge, surely. A mixture of expressions have passed over her features during the course of my hearing: well-veiled disgust …

***

You can buy    from all good retailers, including:

Amazon UK:  https://amzn.to/2QbhPQN

Amazon US:  https://amzn.to/3tDeHe3

Kobo:  https://bit.ly/3tF0OMD

Apple Books: https://apple.co/3w17c2o

Google Play: https://bit.ly/33z6k91

Waterstones: https://bit.ly/3bl4Sv8

Foyles:  https://bit.ly/3hgtl8N

WH Smiths: https://bit.ly/3vZ8eM9

Bio:

Julie-Ann Corrigan was born in Mansfield, Nottinghamshire. She studied in London, completing a BA (Hons) Humanities degree, majoring in Modern History and English Literature. Travelling in Europe for several years she taught in both Greece and Spain – countries and cultures she found fascinating. On return to the UK she trained and then worked as a Chartered Physiotherapist, before finally succumbing to the writing bug. Currently, she writes full-time and lives in Berkshire with her family.

Website: http://jacorrigan.com

Twitter: https://twitter.com/juliannwriter

Facebook: https://www.facebook.com/jacorrigan

Instagram: https://www.instagram.com/corriganjulieann/?hl=en 

Many thanks for your wonderful Opening Lines, Julie.

Happy reading everyone,

Jenny x

Opening Lines with Alison Knight: The Legacy

This week’s Opening Lines come from friend, and fellow author,

Alison Knight. 

Pop your feet up for five minutes, and have a read…

Hi Jenny,

Thanks so much for inviting me to share the first 500 words of my new book, The Legacy. It starts with a Prologue which is a scene from my previous book, Mine.

Blurb:

An unexpected inheritance. A web of deceit. A desperate escape. 

London, 1969.

James has his dreams of an easy life shattered when his aunt disinherits him, leaving her fortune to her god-daughter, Charlotte. He turns to his friend, Percy, to help him reclaim his inheritance – and to pay off his creditors. But when their plans backfire, James becomes the pawn of Percy and his criminal associates.

Charlotte is stunned when she is told of her windfall. After an attempt at cheating her out of her inheritance fails, James tries to intimidate her. But she is stronger than he thinks, having secrets of her own to guard, and sends him away with a bloody nose and no choice but to retreat for now.

Resigned, James and his spoilt, pampered girlfriend, Fliss, Percy’s sister, travel across France on a mission that promises to free James from the criminals for good. But James isn’t convinced he can trust Fliss, so he makes his own plans to start a new life.

Will James be able to get away, or will his past catch up with him? Will Charlotte’s secrets turn the legacy into a curse?

FIRST 500 WORDS FROM THE LEGACY…

APRIL 1969

A nursing home in Essex

The matron showed them into a private room where Miss Jarvis reclined in bed, propped up by half a dozen pillows. It was obvious that the old woman was very ill, but her eyes were clear, and she smiled when she saw them. Someone had tidied her snowy-white hair, and she wore a pink bed jacket over her nightie.

The man, solicitor Leonard Warwick introduced his companion, Lily Wickham, and she stepped forward and took the old lady’s proffered hand. She was shocked by the frailty of this tiny woman, because her gaze was direct and her voice strong when she spoke.

“I’m delighted to meet you. I understand Mr Irwin is too important these days to visit an old woman.” She sniffed. “I remember that boy when he was in short trousers.”

Lily blinked, and Leonard raised his eyebrows.

Miss Jarvis smiled. “I take it he didn’t mention that I went to school with his mother? No, I thought not. He always was a tricky one, full of his own importance. I’m surprised he wasn’t worried I’d reveal his secrets.” She looked them up and down. “However, I assume he felt he could rely upon your professionalism and my discretion, so I’ll excuse him this time.”

Leonard smiled and opened his briefcase. “He sends his apologies, Miss Jarvis, but he simply couldn’t get away today, I’m afraid. But he didn’t want to let you down, so here we are in his stead. I have your new will here, together with a copy for you to keep. Mrs Wickham and I will be your witnesses.”

They sat in chairs on either side of the bed while Leonard went through the will, clause by clause, making sure Miss Jarvis understood everything. She nodded and waved him on occasionally, saying, “Yes, yes, that hasn’t changed. Go on, go on.”

Eventually Leonard finished. “So, to make absolutely sure, Miss Jarvis, this new will leaves the sum of five thousand pounds to your nephew, and the residue of your estate to your god-daughter.”

“Correct.”

“And this is to supersede your previous will which left five thousand pounds to your god-daughter and the residue to your nephew.”

“That is also correct.”

Leonard hesitated.

“You have a question, Mr Warwick?”

“Forgive me,” he said. “I’m simply wondering if there is a particular reason why you’ve chosen to effectively disinherit your only blood relative.” He raised a hand when she would have replied. “Of course, you are entitled to make whatever provision you wish. I’m simply trying to establish that your nephew won’t have any recourse to a claim against your estate, Miss Jarvis. Such cases can seriously deplete the value of an inheritance for all concerned.”

The old lady leaned forward, pinning Leonard with a steely gaze. “I have also read Bleak House, Mr Warwick. I can assure you, I am in full command of my faculties, and this decision has not been taken lightly.”

She turned to Lily…

***

So there you have it, the first 500 words of The Legacy. This first scene was a minor incident in Mine, but I kept wondering what would happen to Miss Jarvis’s heirs after her death. It was a joy to write and some of the characters from Mine make cameo appearances in The Legacy. I seem to be on a roll now because my next book will follow what happens to James’s girlfriend, Fliss, a few years after the end of The Legacy. Watch this space!

BUY LINK – The Legacy by Alison Knight is published by Darkstroke Books and is available from: https://mybook.to/legacy

Bio

Alison has been a legal executive, a registered childminder, a professional fund-raiser and a teacher. She has travelled the world – from spending a year as an exchange student in the US in the 1970s and trekking the Great Wall of China to celebrate her fortieth year and lots of other interesting places in between.

In her mid-forties Alison went to university part-time and gained a first-class degree in Creative Writing at Bath Spa University and an MA in the same subject from Oxford Brookes University, both while still working full-time. She signed her first three-book publishing contract a year after she completed her master’s degree.

The Legacy is her fifth novel and the second book published by Darkstroke Books. It is a drama set in 1960s London and France, exploring how we don’t always get what we want and how we shouldn’t count our chickens before they’re hatched. Her previous Darkstroke book, Mine, is a drama also set in 1960s London, based on real events in her family, exploring themes of class, ambition and sexual politics. Some of the characters from Mine also appear in The Legacy, although this is a standalone story.

Alison teaches creative and life-writing, runs workshops and retreats with Imagine Creative Writing Workshops (www.imaginecreativewriting.co.uk) as well as working as a freelance editor. She is a member of the Society of Authors and the Romantic Novelists’ Association.

She lives in Somerset, within sight of Glastonbury Tor.

SOCIAL MEDIA LINKS 

www.facebook.com/alison.knight.942

www.alisonroseknight.com

@Alison_Knight59 on Twitter

www.imaginecreativewriting.co.uk

www.darkstroke.com/dark-stroke/alison-knight/

Many thanks Alison,

Happy reading everyone,

Jenny x

 

Opening Lines with Morwenna Blackwood: Glasshouse

This week I am delighted to be welcoming former Imagine ‘Novel in a Year’ student, friend and fellow author, Morwenna Blackwood, to my blog to share the ‘Opening Lines’ from 

Glasshouse.

Over to you Morwenna…

Thanks for having me again, Jenny!

Glasshouse is my second thriller. It stands alone as a story, but is part of the series that began with my debut novel, The (D)Evolution of Us. I have seven books in the series planned, and they run alongside, rather than follow on from, each other. I wanted to capture a point in time, and explore its events through the eyes of interconnected people.

BLURB

From the Hippocratic Oath (translated By WHS Jones):

Now if I carry out this oath, and break it not, may I gain for ever reputation among all men for my life and for my art; but if I break it and forswear myself, may the opposite befall me.

Psychiatrists, Drs Whittle and Grosvenor, have dedicated their lives to helping their patients, but their approach, and the complications it reveals, lead them into relationships that harm not only themselves.

As their lives entangle, both men find that doing “no harm” is not as cut-and-dried as they perceived.

Can the patients in their care really trust them? Or are more sinister motives at work?

FIRST 500 WORDS

Prologue

Spring 1999

Julia

I hit the brakes. There’s a couple crying on the pelican crossing outside the hospital. I miss them by inches. The man holds the woman back when she starts screaming at me; maybe he’s seen the state of my face. Once he’s pulled her clear of the road, I stamp on the accelerator, and abandon the car in the ambulance bay.

A few of the smokers outside the main entrance scowl and shout things at me, but I barely register them and push my way through to the big plan of the hospital that takes up most of the wall in the reception area. I scan the list of wards for the one Sasha told me Elizabeth is in, locate it on the map, and run down the corridor.

I’m not worried that I’m causing a scene – I figure that people will think I’m a desperate relative trying to make it to a dying loved one in time – so I don’t stop running until I reach the ward. I stand in the crowd of people around the nurses’ station and look for her name on the board; I can’t believe my luck: she’s tucked away in the far corner, with the curtains closed around her bed. Hiding in plain sight, I rush down the ward to her bed, check there are no doctors in with her, and slip behind the curtain.

Elizabeth looks tiny in the bed, like a child. I note that her hair is dark. She is lying down, and I can’t see her face. There are tubes and wires attached to her, and a monitor is beeping steadily. My hands are clenched, and I’m suddenly aware that they’re sweating. I approach the head of the bed. Elizabeth’s eyes are closed, and she is breathing regularly. I presume 3she’s asleep – if she was in an induced coma, she’d be in a more secure ward, surely.

I stand there, running my fingers across my damp palms, looking at her. She’s pretty – that’s evident even under the oxygen mask. I consider pulling all the plugs out of the wall but check myself – the monitors will be alarmed. I try to remember all the episodes of Casualty I’ve seen. I sit down in the inevitable uncomfortably upright chair next to her bed, absentmindedly moving the spare cushion that was on the seat, onto the moving table thing that holds a dry plastic tumbler, and a jug of water. I sit like this for some minutes before the obvious occurs to me. This whole situation started with her. If Erazmus hadn’t met her, I would not have lost my baby. I stand, pick up the cushion, pull the mask from her face, try to commit her features to memory, and using both hands, I press the cushion into her face.

Autumn 1998

Lizzie

The patterns, the symbolism – it’s like a code that I’m beginning to decipher. I sketch the moments that seem important, in the hopes that one day…

***

Here are my buy-links…

mybook.to/devolution for The (D)Evolution of Us

mybook.to/glasshousenovel for Glasshouse

BIO

When Morwenna Blackwood was six years old, she got told off for filling a school exercise book with an endless story when she should have been listening to the teacher/eating her tea/colouring with her friends.  The story was about a frog.  It never did end; and Morwenna never looked back.

Born and raised in Devon, Morwenna suffered from severe OCD and depression, and spent her childhood and teens in libraries.  She travelled about for a decade before returning to Devon.  She now has an MA in Creative Writing from the University of Exeter, and lives with her husband, son and three cats in a cottage that Bilbo Baggins would be proud of.

Morwenna is the author of best-selling psychological thriller, The (D)Evolution of Us, and her second novel, Glasshouse, also published by darkstroke, is released today.

When she is not writing, Morwenna works for an animal rescue charity, or can be found down by the sea.

She often thinks about that frog.

Here are my social media links and website…

www.morwennablackwoodauthor.com

www.amazon.com/author/morwennablackwood

www.facebook.com/morwennablackwood

Instagram: morwennablackwood_

Twitter: MorwennaBlackw1

Many thanks for sharing your opening lines, Morwenna.

Happy reading,

Jenny xx

Opening Lines with Ashley Lister: Cursed (Blog Tour: Day Four)

This week, I’m delighted to welcome back the brilliant Ashley Lister, with the opening lines to his brand new release,

Cursed.

This blog forms part of Ashley’s blog tour for the book – so make sure you check out all the other stops.

Over to you Ashley…

Below are the opening lines to Cursed, the third in my series of dark tales from Innsmouth.

To give a little background, these stories started with the novella Fearless. This was a story that started in Innsmouth University, a fictional world roughly based on the writings of HP Lovecraft. Fearless was followed by Unearthed which remained in the same disquieting location.

This opening scene introduces us to two members of the Explorers Club, an urbex group who break into abandoned locations and share stories of the supernatural.

BLURB

Innsmouth University’s Explorers Club meet once a month to share stories of the supernatural. They meet in empty houses, abandoned buildings and derelict churches. They meet in the dead of night. They tell stories of the impossible, the unbelievable and the most terrible. And now, it appears, their meetings have been cursed.

FIRST 500 WORDS

A fragrance of neglect hung in the air. It was the odour of second-hand clothes in charity shops; the subtle stink of long-forgotten corridors in derelict buildings; and the smell of uninhabited houses.

“This feels wrong,” Stuart whispered. “This is tantamount to burglary.”

“It’s not burglary,” David Middleton assured him. “We’re not stealing anything.”

“I didn’t say it was burglary,” Stuart said. His voice was low and soft, but not so quiet that it hid a note of testiness. “I said it was tantamount to burglary. Tantamount.”

“Did you know,” David began, “here in the UK, only 14 arrests are made for every 100 burglaries?”

Stuart eyed David sceptically. “Is that supposed to make me feel better?”

David shrugged. “I only mention it because, even though what we’re doing isn’t technically burglary, I thought you might be reassured by the fact that so few burglaries result in prosecution.”

They stood in the majestic hallway of the abandoned Porter house. Dark blue shadows swathed them like a shroud. David knew better than to turn on any lights. That was a sure way to draw attention to the fact that the property now hosted illicit visitors. His eyes were used to the lack of light and he could make out the stripe of the regency wallpaper, the flow of the stairs up to the galleried landing and the hanging presence of an unlit chandelier above.

“Why is this place empty?” Stuart asked, peering myopically into the gloom around them.

“It’s a mystery,” David admitted. “The place was owned by a husband and wife: Mr and Mrs Porter. He went missing one night whilst he was out walking the dog.”

“What? Was he murdered or did he do a runner or something?”

David shook his head. “No. Just went missing.”

“Bloody hell,” Stuart muttered.

“Two days later his wife disappeared.”

Stuart sucked an exclamatory breath of surprise. “That’s terrible.”

“It really is,” David agreed. “The executors have put this place on the market at an inflated price, trying to cash in on a lucrative sale, but that’s not going to happen.” He smiled sadly, an expression that couldn’t be seen in the darkness, as he added, “They’re trying to sell an overpriced property in the middle of a very picky buyers’ market.” Glancing around the dark shadows he said, “This property is going to stay empty for a long time.”

Stuart considered him suspiciously. “You seem to know a lot about it.”

David shrugged. “The property is being managed by Murdoch’s, the estate agent where I work.” He lightly jangled a set of keys and added, “That’s how we were able to get in here so easily.” He could have added that it was because he had gained access using his employer’s keys that their presence on the property wasn’t technically burglary or breaking and entering, but he figured there was no sense reminding Stuart about the source of his earlier unease.

Stuart was looking around, his night-blind gaze trying to scour the…

BUY LINKS

Cursed

https://www.amazon.co.uk/Cursed-dark-tale-Innsmouth-Tales-ebook/dp/B08RXJYQLD/ref=sr_1_1?dchild=1&keywords=cursed+ashley+lister&qid=1613210277&s=digital-text&sr=1-1

Unearthed

https://www.amazon.co.uk/Unearthed-Dark-Tale-Innsmouth-Tales-ebook/dp/B08LZJ8JDZ/ref=pd_rhf_dp_p_img_2?_encoding=UTF8&psc=1&refRID=9CF5VEG9T1EEWE66737E

Fearless

https://www.amazon.co.uk/Fearless-dark-tale-Innsmouth-Tales-ebook/dp/B08JVKJKCZ/ref=pd_rhf_dp_p_img_1?_encoding=UTF8&psc=1&refRID=9CF5VEG9T1EEWE66737E

BIO

Ashley Lister is a prolific author of fiction, having written more than fifty full length novels and over a hundred short stories. Aside from regularly blogging about poetry and writing in general, Ashley also teaches creative writing, language and literature in Lancashire, England.

 

Many thanks Ashley,

Happy Reading everyone,

Jenny x

Opening Lines with Victoria Dowd: Body on the Island

I’m delighted to welcome author, and fellow member of the Exeter |Author’s Association, Victoria Dowd, to my site today, to share the Opening Lines from her forthcoming novel, Body on the Island.

Blurb

An uninhabited island.
Ten stranded strangers.
No way to escape.

Ursula Smart (not her real name), realising therapy alone cannot teach her how to survive this life, is determined to make some changes. She signs herself up for a survival course — along with her mother, aunts Charlotte and Mirabelle and Bridget.
But the promised gentle weekend of foraging and camping in the Outer Hebrides swiftly turns into a desperate battle for survival.
Their boat capsizes. Washed up on an uninhabited island, the Smart women face starvation, freezing conditions and — worse — no Wi-Fi.
Then the murders begin.
Someone is killing them off one by one. Will the Smarts escape or will they be next?

A DARKLY COMIC GOLDEN AGE MURDER MYSTERY
Victoria Dowd’s brilliant whodunnit is perfect for fans of Agatha Christie, Anthony Horowitz, Faith Martin and Stuart Turton.

FIRST 500 WORDS

As I’m drowning, I see my Dad’s murdered eyes below me. They are wide in warning. I hear his voice below the waves. ‘Do not come over to this side. There is nothing good here, Ursula. Stay. Stay alive.’

‘Stay alive,’ I call back. ‘Stay alive.’

‘I’m trying!’ It’s not Dad who answers but Mother’s voice shouting back at me, her mouth filling with icy saltwater, before she is thrown out from me on another high wave.

‘Don’t die!’ I shout.

‘That had occurred to me.’ Her eyes are wide like Dad’s. She spins out from me as if she’s been carelessly thrown away.

‘Mother!’ I scream. ‘Hold my hand.’

She reaches and grabs me. We are so small among this broken sea. The freezing spray pits my skin.

‘Ursula,’ Mother shouts. ‘Stay with me!’ Always a command. She scans the mineral black waters quickly. ‘Charlotte?’ Her mouth is wide but the sound is washed away in another wave.

I see a hand rise up across the bow of the listing boat. Aunt Charlotte’s fist, strong and capable above the waves.

‘Mirabelle?’ Mother calls.

No response.

‘Mirabelle?’

There are heads floating all around, rising high on the waves before plunging down fast, rollercoastered against the wet shale sky. The water is bitter, and I’m pushed under again. The cold shocks my head as if I’m being baptized in ice water. I can’t feel or move my limbs, yet I’m moving so fast that my eyes, raw with burning salt, are unable to process the changing snapshots of sky and water. I catch a glimpse of Mother’s face again, her eyes are ripe with fear.

Somewhere in another great swell, I lose Mother’s hand.

‘Mother? Mother? Mother!’

I am that lost child in a crowd again, feeling her hand slip from mine.

I’m falling.

I hear screams and see the faces of my other travelling companions full of panic. They don’t seem to see me. I lock with two bewildered eyes for a moment. A woman’s, sea-green and two perfect mirrors of the water. Her head turns before I can make out the face. Then the hands grab her.

I’m thrown high again by another wave.

The hands are on Green Eyes’ shoulders, making their way spider-fast to the crown of her head. Her eyes are wide and pleading now. Fear, desperation reflect on their surface. Then the thin-boned hands push down on her delicate head and the green eyes disappear beneath a spume of white water. Her small hands reach up and twist with tiny dancer’s fingers.

Whoever reaches out and pushes the woman down again has their back to me.

She struggles free for a moment, her mouth gasping above the water, her head tilted back against the waves. The mouth lingers open as if caught on a word that is instantly drowned out. Her head is forced below once more.

In that moment, it’s as if I’m looking at them from the other side of a window. I…

***

If you would like to preorder your copy of Body on the Island, you can find it via all good book retailers including

Amazon UK https://www.amazon.co.uk/dp/B08W9F5ZKC

Amazon.com https://www.amazon.com/dp/B08W9F5ZKC

Bio

Victoria’s novel, Body on the Island, will be published on 23rd February. It’s the sequel to her debut novel, The Smart Woman’s Guide to Murder, which was published in 2020 by Joffe Books and was Classic Mystery’s Book of the Year. It is also a finalist in The People’s Book Prize.

She is an award-winning short story writer, winning the Gothic Fiction prize for short fiction in 2019 and was runner up in The New Writer’s writer of the year award. She has been short listed by Writers’ Forum and long-listed for The Willesden Herald International Short Story Competition. Her work has been published in various literary journals, including Aesthetica: A Review of Contemporary Artists; Between These Shores Literary and Arts Journal; Dream Catcher magazine; and Gold Dust.

She also writes the Adapting Agatha series on her blog which can be found at https://victoriadowd.com/ . She has spoken at various literary festivals about Agatha Christie.

Victoria is originally from Yorkshire and graduated in law from Cambridge University. She was a criminal defence barrister for many years until finally hanging up her wig for more fictional crimes.

Website https://victoriadowd.com/

Twitter https://twitter.com/victoria_dowd

FB https://www.facebook.com/profile.php?id=625505478

Victoria Dowd | Facebook

Instagram https://www.instagram.com/dowdvictoria/

***

Many thanks for popping by with your fabulous opening lines, Victoria.

Happy reading everyone,

Jenny xx

Tom Williams: Something Wicked

I’m delighted to welcome Tom Williams back to my blog today, with a look back over his recent novels, and a look forward to his latest release, Something Wicked.

Over to you Tom…

I’m very grateful to Jenny Kane for the chance to chat to you all on her blog, especially with a new book, Something Wicked on its way.

Until recently all the books I’ve written have been historical novels. I started with The White Rajah, which is set in the mid-19th century, at the height of Britain’s Age of Empire. I hadn’t actually intended to write a historical novel. I wanted to write the Great British Novel (forgive me: it was my first book) dealing with Good and Evil and how power corrupts. But then I was on a visit to Borneo (long story) and I learned about James Brooke who ran part of the island as his own private kingdom. It’s an amazing tale, full of Good and Evil and (at least arguably) the corruption of power, and so everything seemed to come together and I wrote that.

And then I was pigeon-holed as a historical novelist and I wrote more stories about the Age of Empire and they became steadily darker. (Long story short, the Empire did genuinely do a lot of good but its inherent contradictions meant it was pretty well doomed to end badly.) So I escaped into the Napoleonic Wars where the issues of Good and Evil were more straightforward. (Actually they weren’t at all, because depicting the French as Evil while the decadence of the monarchies fighting them has to be depicted as Good begs a whole heap of questions.) Still, the stories were exciting and involved an awful lot of killing Frenchmen, and my dashing hero was brave and women fell at his feet and all the proper tropes were observed. Sadly, as I waded through the gore of battles like the Nile and Talavera and, inevitably, Waterloo, even those stories became a tiny bit more ambiguous too. Also, historical fiction takes ages to write. The other day I wanted to write the beginning of a new story (for there will, in time, be more) and thought I could say, ‘He threw open the shutters and looked out. It was a brilliantly sunny day. Time to put on his uniform and get started.’ Something along those lines, anyway. And then I wondered, ‘What would he have seen when he looked out? Would there have been a view and, if so, of what? And what uniform was he wearing exactly.’ And there followed hours of checking Google street view of a small town in Spain and trying to imagine what it would have looked like 200 years ago, followed by more time spent trying to check out his uniform. Uniforms are one of those things that people who write about military history are expected to know, but their heroes tend to stick to the same regiment, whereas Burke is constantly moving about so he might be wearing any one of a number of British or foreign uniforms. There are some wonderful reference books for this but to collect the entire set to cover against all eventualities is beyond me and Google isn’t nearly as helpful as you would think.

You can see why the idea of writing something set in the here and now might appeal, can’t you? So one night I was sitting getting quietly drunk with a bunch of magicians (as you do) and I thought what fun it would be if these magicians somehow ended up using their skills to defeat another bunch of magicians who were using Black Magic in their stage act. (Yes, Good and Evil sneak into all my books. But isn’t that what most fiction is about in the end?)

Anyway, the story wouldn’t go away and (after changing all the people because I’m reliably informed that libel lawyers are expensive) I ended up writing a novella called Dark Magic. I loved it and lots of readers loved it. It was very light hearted, albeit in a rather gruesome way, and if it didn’t sell that well (nobody associates me with contemporary fiction so it was like starting over) it was much easier to write than the historical stuff, so I decided to do it again.

The latest, to be published in the next month or so, also grew out of an overseas trip. Several trips, actually, because I am an enthusiastic tango dancer so, in the days when these things were still possible, I made several visits to Argentina. I love Buenos Aires to the point of obsession. Besides the tango, there is so much cool stuff going on. And there are spectacular things to see, one of which is the cemeteries. These (the famous ones at any rate) are not rows of gravestones but proper necropolises with neat streets full of houses where the dead can make their homes.

Brompton Cemetery

Given that the tango world only wakes up when the sun goes down, the idea that these buildings were inhabited by vampires who came out to dance at night seemed quite obvious. And so, transferred to the almost equally eccentric Brompton Cemetery in London, Something Wicked was born. Fortunately there is (or was, pre-covid) a thriving tango scene in London, where the vampires can indulge themselves. Throw in a murder and a vampire policeman and there is everything you need for a police procedural/vampire mashup that certainly entertained me and I hope will entertain you too.

Don’t worry. I’m back to history later in spring with a story set in Ireland in the run-up to the Irish Revolt of 1798. Poor James Burke is going to have his work cut out steering between Good and Evil in that one!

 

BUY LINKS FOR ALL TOM’S BOOKS-

James Burke, Spy

Burke in the Land of Silver

Burke and the Bedouin

Burke at Waterloo

Burke in the Peninsula

Burke in Ireland: coming in Spring

Contemporary Urban Fantasy

Dark Magic

Something Wicked: to be published in February

BIO

Tom Williams used to write books for business. Now he writes novels set in the 19th century and books about vampires that are generally described as fiction but which are often more realistic than the business books. The stories have given him the excuse to travel to Argentina, Egypt and Borneo and call it research.

The James Burke series are adventure stories about a spy in the age of Napoleon, while the John Williamson Papers are a rather more serious series looking at issues of colonialism in the age of Empire (though they do have quite a lot of adventure too).

Tom lives in London. His main interest is avoiding doing any honest work and this leaves him with time to ski, skate and dance tango, all of which he does quite well. In between he reads old books and spends far too much time looking at ancient weaponry.

LINKS

Tom’s blogs appear regularly on his website, https://tomwilliamsauthor.co.uk where you can also find details of all his books. You can follow him on Twitter as @TomCW99 or Facebook (https://www.facebook.com/AuthorTomWilliams).

***

Happy reading everyone,

Jenny x

Opening Lines with Alison Knight: Mine

Welcoming my good friend, business partner, and all round lovely person, Alison Knight, to my place today.

Put your feet up and enjoy the ‘Opening Lines’ from her brand new novel- Mine.

Over to you Alison…

I’m delighted to be Jenny’s guest today and to share with you the opening lines of my book, Mine, which was published by Darkstroke Books on the 25th November. This novel is very personal for me as it is based on real events in my family. I’m the only one left who can tell this story. It is set in London in the late 1960s and shows how ordinary people ended up in an extraordinary situation.

I wrote it as fiction rather than memoir because much of what really happened is lost. I therefore used memories, newspaper cuttings, court papers and knowledge of the culture of the time to piece together what might have happened.

This was the hardest thing I’ve ever written, but I also think it’s my best work yet. I hope I’ve done the story justice and brought the people involved to life so that the younger generations of my family can get to know a bit more about the people involved. I can’t say much more than that without giving away spoilers! All I can say is that writing Mine has given me the opportunity to understand things that I was too young to realise at the time. The people involved were victims of the prevailing attitudes of their times. If the same things happened in today’s world, I believe the outcome might have been very different.

FIRST FIVE HUNDRED WORDS 

Bow Church, East London, October 1968

A jangling siren broke through into the quiet interior of the church, disturbing hushed conversations.

“What’s all that noise?” asked Lily’s mum. “It sounds like it’s going to come through the flipping door.”

Lily kept her attention on the stained-glass window behind the altar, watching as the soft autumn sunlight made the blues and yellows glow. She felt so alone in the midst of her extended family as they gathered for her youngest sister’s wedding. Her husband Jack was driving the wedding car, so Lily sat beside her mother in the pew reserved for the close family of the bride.

“It’s an ambulance,” she said as its strident warning got louder and louder and then dwindled away as it sped past the building on its way to save some poor soul’s life. “Or maybe a police car, I don’t know. Either way, someone’s in trouble.”

She felt like rushing out of the church and chasing after it – to get them to take her away and lock her up in a ward or even a prison cell. Maybe then she might find some peace. Instead she had to stay where she was, acting as though everything was all right. But it wasn’t. There was nowhere she could go to forget about what a mess her life had become – at home she was losing every battle and at work she was terrified everyone would find out what a bloody mess she’d made of everything. She was so ashamed. It wasn’t supposed to be like this.

 

She hadn’t been happy when her daughter Beverley had decided to hide at the back of the church with her three-month-old baby. If she had to come to the wedding at all, they ought to stick together, hold their heads up high and brazen it out. By hiding in the back, Beverley was accepting that her illegitimate child was something shameful. If she was determined to keep her, Lily told her, she should be prepared for the stares and the comments because they weren’t going to go away. But she’d lost that battle with her daughter as well. She’s mine, Bev had said, and I’m not giving her up. Now everyone would be whispering about how the teenager and her baby had been banished to the back of the church.

Anyone looking at Lily at this moment would think she was a model of calm. Pride wouldn’t let her show just how spitting mad she was, but her hands shook as she smoothed out an imaginary crease in her new tailored dress, then fiddled with the carnation pinned to the matching jacket. Lily knew she looked good. She worked hard to make sure she always did. But she couldn’t find any joy in it today. She took a deep breath, trying to dispel the huge knot of butterflies in her stomach.

She had a headache. It had been there for weeks, squeezing her temples, making her eyes hurt. From the back of the church she heard a …

***

BLURB- Mine by Alison Knight

“What’s mine, I keep.”

London, 1968.

Lily’s dreams of a better life for her family are shattered when her teenage daughter refuses to give up her illegitimate child. It doesn’t help that Lily’s husband, Jack, takes their daughter’s side.

Taking refuge in her work at a law firm in the City, Lily’s growing feelings for her married boss soon provides a dangerous distraction.

Will Lily be able to resist temptation? Or will the decisions made by these ordinary people lead them down an extraordinary path that could destroy them all?

Mine – a powerful story of class, ambition and sexual politics.

Award-winning author of My Name is Leon, Kit de Waal, said this about Mine:

A heart breaking account of love and loss told by a great storyteller. Alison takes you into the heart of the tragedy with compassion, wit and even humour. A beautiful story.”

BUY LINK: mybook.to/mineknight

 ***

INVITATION TO AN ONLINE BOOK LAUNCH: On Saturday 28th November 2020, Alison will be joining four other authors for a joint event via Zoom called Darkstroke Defined: The five writers will talk about their new books, read extracts and answer questions. For your free ticket, go to: https://www.eventbrite.co.uk/e/darkstroke-defined-tickets-125793372363

BIO-

Alison has been a legal executive, a registered childminder, a professional fund-raiser and a teacher. She has travelled the world – from spending a year as an exchange student in the US in the 1970s and trekking the Great Wall of China to celebrate her fortieth year and lots of other interesting places in between.

In her mid-forties, Alison went to university part-time and gained a first-class degree in Creative Writing at Bath Spa University and an MA in the same subject from Oxford Brookes University, both while still working full-time. Her first book was published a year after she completed her master’s degree.

Mine, published by Darkstroke Books is a domestic drama set in 1960s London based on real events in her family. She is the only person who can tell this particular story. Exploring themes of class, ambition and sexual politics, Mine shows how ordinary people can make choices that lead them into extraordinary situations.

Alison co-manages Imagine Creative Writing with Jenny. She teaches creative and life-writing, runs workshops and retreats as well as working as a freelance editor. She is a member of the Society of Authors and the Romantic Novelists’ Association.

She lives in Somerset, within sight of Glastonbury Tor.

SOCIAL MEDIA LINKS – ALISON KNIGHT

www.imaginecreativewriting.co.uk

www.darkstroke.com/dark-stroke/alison-knight/

www.facebook.com/alison.knight.942

@Alison_Knight59 on Twitter

Many congratulations on your new novel, Alison,

Happy reading everyone,

Jenny xx

Opening Lines with Anna Legat: A Conspiracy of Silence

Today I’m delighted to welcome Anna Legat to my blog. She is not just here to share her Opening Lines, but to reveal the cover for her latest DI Gillian Marsh, detective novel, A Conspiracy of Silence, which you can pre-order now!

Blurb:

When a body is found in the grounds of a prestigious Wiltshire private school, DI Gillian Marsh takes on the case. The young groundsman, Bradley Watson, has been shot dead, pierced through the heart with an arrow.

As the investigation gathers pace, DI Marsh is frustrated to find the Whalehurst staff and students united in silence. This scandal must not taint their reputation. But when Gillian discovers pictures of missing Whalehurst pupil, fifteen-year-old Rachel Snyder, on Bradley’s dead body – photos taken on the night she disappeared, and he was murdered – the link between the two is undeniable.

But what is Whalehurst refusing to reveal? And does Gillian have what it takes to bring about justice?

First 500 words 

Sarah Snyder was waiting in her car. She tapped her blue fingernails in close proximity to the horn, but she held back from sounding it. To kill time, she checked her lipstick in the rear view mirror and rubbed her front teeth to remove a red smudge. She turned on the radio only to hear the part of the news she wasn’t interested in: sport, followed by the weather. She was restless but she was pleased: Rachel was taking her sweet time.

Rachel was chatting to her friends ‑ Rhiannon and a couple of other girls. Only once did she steal a glance in the direction of her mother’s car – just to check Sarah was there, waiting. Reassured, she turned back to her chums and whispered something into Rhiannon’s ear. Whatever she said, it made Rhiannon laugh. Rachel laughed too.

It was an immeasurable relief to see her child happy, having a conversation with other people, and laughing. She was laughing! Sarah was so relieved she wanted to cry.

Only three days ago the picture had been very different. Head down, eyes boring a hole in the ground, Rachel would clutch her bag to her chest and run for the car as if the hounds of hell were after her. She would slump in her seat and mutter under her breath, Drive, Mum, just drive, and not speak for the rest of the day. She would lock herself in her room and brood.

Sarah winced at the memory and pushed it out of her mind. She waited and counted her blessings, of which there were many. She decided she would cancel the GP appointment. There was nothing wrong with Rachel, just the usual growing pains of puberty.

At last Rachel parted company with her friends, waved to someone hidden inside the school, and headed for the car. Her face, still beaming and full of bounce, appeared in the wound-down window.

‘Hi, Mum.’

‘I take it you had a good day?’ Sarah pulled her sunglasses to the tip of her nose and produced an expectant grin.

Rachel made a non-committal noise. She pecked her mother on the cheek and slid into the passenger seat. She was still smiling, addressing her smile to the windscreen and to the view of the tarmac in front of the car, but that was enough for her mother to flick her sunglasses up her nose and start the engine.

‘That good!’

The front right wheel stumbled over the kerb while the rear one rubbed against it as the car lurched sharply across the road to join the line of traffic leaving the school. Were it not a big and sturdy four-wheel-drive, it would have been written off a long time ago. Sarah did not treat it well. She used it more like a bulldozer than a means of transportation.

Accustomed to her mother’s driving antics, Rachel didn’t as much as blink. She bent forward in her seat and began tampering with the radio in search of a…

***

What readers are saying about Anna Legat:

‘Brilliant. I didn’t want to put it down!

‘It’s a rare author who can keep me guessing until the end – and the ending was a shocker

Plenty of twists and turns’

‘A brilliantly complex spaghetti of unrelated sub-plots to challenge any armchair sleuth

I thoroughly enjoyed this book, reading it cover to cover in a weekend’

‘I shall look out for more from Ms Legat’
***

Bio

Anna Legat is a Wiltshire-based author, best known for her DI Gillian Marsh murder mystery series. A globe-trotter and Jack-of-all-trades, Anna has been an attorney, legal adviser, a silver-service waitress, a school teacher and a librarian. She read law at the University of South Africa and Warsaw University, then gained teaching qualifications in New Zealand. She has lived in far-flung places all over the world where she delighted in people-watching and collecting precious life experiences for her stories. Anna writes, reads, lives and breathes books and can no longer tell the difference between fact and fiction.

To find out more: https://annalegatblog.wordpress.com/
Good luck with your new novel Anna.
Happy reading everyone
Jenny xx

Opening Lines from Morwenna Blackwood: The (D)evolution of Us

It is with the greatest of pleasure that I bring you this week’s Opening Lines from Morwenna Blackwood.

Not only is this Morwenna’s debut novel – but it is also a novel written during my very first set of #novelinayear workshops. To say I’m proud of the work Morwenna has produced is an understatement.

So, put your feet up with a cuppa, and take a look at The (D)evolution of Us.

Over to you Morwenna…

Once upon a time, I heard about a writing workshop run by best-selling author, Jenny Kane.  It was held in my local café, and as ’twas a dark and stormy day and I’d just been given a pen in the shape of a cactus, I thought I’d go.  I loved it, and at the end, Jenny mentioned that she was thinking of running a Novel in a Year course as part of Imagine Creative Writing.  I signed up there and then (with my new pen).  Over the year, I wrote The (D)Evolution of Us, and with the support of Jenny, my local writers’ group and my brilliant husband, I submitted my manuscript to darkstroke, it was released on Star Wars Day, and we all lived happily ever after…?

***

I spent most of my childhood and teenage years hiding in libraries; now, I carry my own personal one around in my pocket wherever I go.  This doesn’t mean I don’t still stop and lose track of time in bookshops and bookstalls, though.  In fact, this morning, on my lockdown-permitted-exercise walk, some lovely person had left a storage container full of books at the end of their front garden, with a note on it inviting passers-by to pick one, or leave one for others who might be in need of a random lockdown read.  I couldn’t help myself – I paused for a look.

The thing I love most about reading second-hand books is finding bits of other stories inside them: forgotten bookmarks; ticket stubs; Biro-ed dedications; and best of all, notes scrawled in the margins.  In the books I own, I am a margin-scrawler.  My husband says this is defacing someone else’s work, but to me, it’s adding to it.  Stories are inextricably linked, and in any case, what one reader gets from a book will be different to the next, and that’s the beauty of it.  Perception is everything.

The (D)Evolution of Us is an exploration – or explanation – of those ideas.  The novel is a noir existential thriller, set in a small Devon town at the turn of the 21st century, and is told from the view points of the three protagonists, Richard, Kayleigh and Catherine.  The girls are best friends.  Catherine is dead.

Mental illness, personal history, personality and perception drive the actions of all three as they struggle to make sense of their lives and their agency; whilst living in a town where everyone appears to know everything about everyone else, and the days roll away in a work-pub-work-pub cycle.

This is my debut novel, and its origins lie in my own existential dread.  In the end, I decided to wholeheartedly pursue the only thing I’ve ever wanted to do – write – and if there’s ever a starting point to anything, the story of Richard, Kayleigh and Catherine is it for me.

If you come into possession of the paperback, feel free to write in the margins.

***

Blurb

… the water was red and translucent, like when you rinse a paint brush in a jam jar.  The deeper into the water, the darker the red got.  No, the thicker it got.  It wasn’t water, it was human.  It was Cath.

Cath is dead, but why and how isn’t clear cut to her best friend, Kayleigh.  As Kayleigh searches for answers, she is drawn deeper into Cath’s hidden world.  The (D)Evolution of Us questions where a story really begins, and whether the world in our heads is more real than reality.

First 500 words

Prologue

PRIVATE AND CONFIDENTIAL

Dear Dr Farefield,

I reviewed Catherine at The Meadows today. She reported that her OCD was less ‘loud’ than when we last met in November, after the Crisis Team was called. This improvement has coincided with the resuming of clomipramine, which seems likely to have been helpful, as it has been in the past. Catherine agreed to the suggestion that this dose be increased to 200mg: 100mg morning and evening.

Catherine is coping well with life and states that her relationship with Richard is good. However she refuses to tell him about restarting the clomipramine, which is of concern to me. She has also resumed her writing.  I again offered Catherine a course of CBT, but she was resolute that she found it ‘useless’.

Catherine has now found employment in a health food shop but struggles with her OCD when closing down the tills and locking up at the end of the day, though she admits that she recognises that her rituals are entirely irrational.

Overall, in spite of her very significant persisting difficulties, I think that Catherine’s life has improved with the reintroduction of clomipramine.

Yours sinc,

Dr E Whittle

Consultant Psychiatrist

PRIVATE AND CONFIDENTIAL

Dear Dr Farefield,

I met with Kayleigh at The Meadows this morning, where she revealed to me that she is in the first trimester of pregnancy. She had requested the appointment (we were not due to meet again for another six weeks), in order, primarily, to discuss her medication, with regards to her new condition.

I found the fact that she did this encouraging, as I did her general demeanour. She was casually, but neatly, dressed, maintained good eye-contact throughout our interview, and appeared to have a good understanding of her mental health, and how it could impact on her (unborn) child.

We decided together that it would be prudent for Kayleigh to remain taking her lithium for the duration of her pregnancy, with close monitoring from her midwife and the Perinatal Team.

In spite of Kayleigh’s reports of having been ‘stable’ for the last few months, I have suggested that we meet at The Meadows every six weeks for the foreseeable future. I have also asked her to make an appointment for bloods to check her lithium levels as soon as possible – it is critical that she maintains a therapeutic dose.

Yours sinc,

Dr E Whittle

Consultant Psychiatrist

Richard

I’m half-listening to the radio, running a bath for my girlfriend, Cath. She’s sitting on the toilet seat, staring at me. I’m standing in the doorway, staring at her. Then I start to laugh. They’re playing that song by Marillion – Kayleigh – the one her hippy twat of a best mate likes to say she was named for, even though she’s too bloody old. I say she’s a hippy twat – I’d still shag her. She needs a good seeing to – and a good slap. She dots her ‘i’s with hearts, for fuck’s sake! And then the phone rings. Bloody witches. I…

You can buy The (D)evolution of Us from all good retailers, including…

mybook.to/devolution

Bio – When Morwenna Blackwood was six years old, she got told off for filling a school exercise book with an endless story when she should have been listening to the teacher/eating her tea/colouring with her friends.  The story was about a frog.  It never did end; and Morwenna never looked back.

Born and raised in Devon, Morwenna suffered from severe OCD and depression, and spent her childhood and teens in libraries.  She travelled about for a decade before returning to Devon.  She now has an MA in Creative Writing from the University of Exeter, and lives with her husband, son and three cats in a cottage that Bilbo Baggins would be proud of.  When she is not writing, she works for an animal rescue charity, or can be found down by the sea.

She often thinks about that frog.

Amazon Author Central: amazon.com/author/morwennablackwood

FB Page: https://www.facebook.com/morwennablackwood

Twitter: @MorwennaBlackw1

Instagram: morwennablackwood_

***

Many thanks Morwenna- wishing you huge success.

Happy reading Jenny

PS- She really did turn up with a cactus pen xx

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