Jenny Kane & Jennifer Ash

Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

Category: Opening Lines Blog Page 1 of 8

Opening Lines with Lynne Shelby: There She Goes

Opening Lines time is here!

This week Lynne Shelby is with me, sharing the first 500 words- exactly- of her latest romance, There She Goes.

Blurb

When aspiring actress Julie Farrell meets actor Zac Diaz, she is instantly attracted to him, but he shows no interest in her. Julie, who has yet to land her first professional acting role, can’t help wishing that her life was more like a musical, and that she could meet a handsome man who’d sweep her into his arms and tap-dance her along the street…

After early success on the stage, Zac has spent the last three years in Hollywood, but has failed to forge a film career. Now back in London, he is determined to re-establish himself as a theatre actor. Focused solely on his work, he has no time for distractions, and certainly no intention of getting entangled in a committed relationship… 

Auditioning for a new West End show, Julie and Zac act out a love scene, but will they ever share more than a stage kiss?

FIRST 500 WORDS…

On shaking legs, I took one step and then another, until I was standing directly in front of the guy. His mouth lifted in a smile, and he put his arms around me, holding me close against his hard chest. My heart started beating so furiously that I felt sure he must be able to hear it. Telling myself firmly that I could do this, that it wasn’t as if it were the first time, I tilted up my face and looked directly into his eyes. He bent his head and kissed me on the mouth, softly at first, just a brush of his lips, but then more firmly, his hands moving smoothly down my back to settle on my hips. When we came up for air, he led me to the bed and drew me down beside him. We lay facing each other on the bare mattress, our bodies pressed together, and kissed for a long time. I tried, unsuccessfully, to remember his name.

I thought, there can be few professions apart from the obvious that require you to simulate desire for a stranger on a regular basis.

The director said, ‘Cut.’

The guy stopped kissing me, and we both sat up. While the director conferred with his assistant, who’d videoed our audition, I stole a glance at my fellow actor’s profile. He was a few years older than me, I thought, in his mid- to late-twenties, and extraordinarily good-looking, with his dark hair falling over his forehead and just the right amount of stubble on his tanned face. I wondered if he might be Italian, or maybe Spanish.

‘We’ve got all we need for today,’ the director said. ‘Thank you.’

The guy (what was his name?) got off the bed and said, ‘Thank you. Good to have met you.’

I swung my legs over the side of the mattress and stood up. I tried to think of

something, anything, to say that might persuade the director to cast me, but decided that throwing myself at his feet and begging (please, please, please, give me the job. I’m an out of work actress, and my rent’s due next week) would be unprofessional. The dark-haired actor was already heading towards the door of the studio, so I echoed his ‘thank you’, snatched up my bag and coat, and hurried after him.

We’d just stepped out into the corridor when the director’s voice drifted after us quite clearly: ‘Like watching paint dry. Absolutely no sexual chemistry between those two.’ Seriously? At nine a.m. in a cold studio, it hadn’t been easy to act like a girl and boy madly in love – or in lust, as the director had put it – but until that moment, I’d thought the dark-haired guy and I had done pretty well. Apparently, I was mistaken.

The guy shut the door and rolled his eyes. I followed him across the reception area, where a crowd of actors were still waiting to audition, and out into the car park…

***

Buy link for There She Goes:

https://www.amazon.co.uk/There-She-Goes-Lynne-Shelby/dp/1786156555/ref=sr_1_1?crid=R9A40JQVD91D&keywords=there+she+goes+lynne+shelby&qid=1573928576&s=books&sprefix=There+She+Goes+lynn%2Cstripbooks%2C326&sr=1-1 

Bio

Lynne Shelby writes contemporary women’s fiction/romance. Her debut novel, French Kissing, was published when it won a national writing competition. Her latest novel, There She Goes, is set in London’s Theatreland. She has worked at a variety of jobs from stable girl to child actor’s chaperone to legal administrator, but now writes full time. When not writing or reading, Lynne can usually be found at the theatre, or exploring a foreign city –  Paris, New York, Rome, Copenhagen, Seattle, Athens – writer’s notebook, camera and sketchbook in hand. She lives in London with her husband, and has three adult children who live nearby.

Facebook: https://www.facebook.com/LynneShelbyWriter/

Twitter: @LynneB1

Instagram: lynneshelbywriter

Website and Blog: www.lynneshelby.com

***

Many thanks for sharing your great opening lines today Lynne.

Happy reading everyone,

Jenny x

Opening Lines by Kelly Florentia: Her Secret

For this week’s Opening Lines I’m delighted to welcome Kelly Florentia, with the first 500 words from her romantic suspense novel, Her Secret.

Over to you Kelly…

Her Secret is the sequel to my second novel, No Way Back, and follows the ups and downs of girl-about-town, (well, woman-about-town, she’s forty-two), Audrey Fox. The book is set in affluent Muswell Hill, north London. It’s a romantic suspense novel with a thriller edge. It’s about the consequences of rushing into a marriage, secrets, lies, obsessions and….shoes! Although Her Secret is part of a series it can definitely be read as a stand-alone novel.

BLURB:

You know something.
You can’t share it.
You can’t discuss it.
You can’t stop thinking about it.

Audrey Fox never thought she’d tie the knot, especially after wasting eight years of her life with a man who couldn’t commit. But at the age of forty-two, fate throws her a lifeline and she finally has it all; gorgeous husband, thriving career, beautiful family and fabulous friends. Life couldn’t be better….until someone tells her a secret at a boozy dinner party; something that she wishes she could unhear; something that could wreck lives.
Burdened by the secret, Audrey’s perfect life begins to spiral out of control and the cracks begin to show. She longs to tell her husband but is fearful of the consequences; she’s desperate to discuss it with her friends, but her hands are tied. Then one morning, on impulse, Audrey does something drastic, but will she live to regret it? Because there’s no smoke without fire and everyone has secrets…don’t they?

FIRST 500 WORDS – HER SECRET

IF YOU COULD TURN BACK TIME, WHAT WOULD YOU DO DIFFERENTLY? I stare at the swirly white writing set against the backdrop of a sunset in wry amusement. It’s just the type of thing you’d expect from Vicky, right up her street. I heart my sister-in-law’s Instagram post, just to show my support, notching up her likes to thirty-six. She’ll love that. I don’t bother adding a comment to the twenty-four already listed. I’m not into dwelling on the past, not anymore. I’ve let go–moved on. I’m a new woman now with a new name.

I slide my thumb up lazily, a picture of a fluffy cat fills the screen followed by a bouquet of flowers, then a photo of my gorgeous nephews with George, my brother, looking awful, eyes half closed, mouth ajar. George will have a fit when he sees it. I laugh as I pinch the screen to zoom in, but as I gaze at their familiar faces on my iPhone, curiosity burns in my chest like a hot rod. I flick back to Vicky’s meme and click on ‘View all 24 comments.’ A quick peek at what her followers think won’t hurt, will it?

Comment 1: I’d stay on at school – Did that and came away with two A levels, not a great help in my job as a junior web designer but nice to have all the same.

Comment 2: I would have had my kids later in life – Of no interest.

I slide my thumb up the screen. Comment 3 (from someone called xx_timetraveller_x99): I’d travel more – I’m not that keen on flying, to be honest. The furthest I’ve travelled is the four and a half hour flight to Cyprus, and that was only to visit my parents, because, much too my protest, they retired there earlier this year. But no sooner had I waved them off at Heathrow Airport blubbing hysterically like a five-year-old child abandoned by her parents, than I was sipping a vodka and tonic on a British Airways flight to Larnaca. Pathetic, I know, for a grown, married woman. What can I say? I miss them terribly.

Comment 4: I’d have started using anti-wrinkle cream as soon as I could read! – I snort at that one. I suppose we’d all like to turn the clock back where youth is concerned. Although, thanks to my mum’s genes, I’m often told I look much younger than my forty-two years. I certainly feel it.

I read the next few comments with a smile on my face. Vicky’s got some amusing friends, no wonder she spends so much time on social media, despite my brother’s protests. But it’s the eighth comment that catches my attention. That makes me sit bolt upright in my seat.

Comment 8: I wouldn’t have rushed into marriage. The writing becomes a blur and I have to blink a few times, then as I glance up at the road I cry out in horror. “Watch out!” My mobile phone…..

***

Buy a copy from Amazon https://www.amazon.co.uk/Her-Secret-page-turning-sequel-Back-ebook/dp/B07CK9JHM1/ref=as_li_ss_tl?ie=UTF8&linkCode=sl1&tag=books0c3-21&linkId=0ef3dd3a9d2e1d3c82daf2ed05fb72fb

BIO:

Kelly Florentia was born and bred in north London, where she continues to live with her husband Joe. HER SECRET (2018) is her third novel and the sequel to NO WAY BACK (2017).

Kelly has always enjoyed writing and was a bit of a poet when she was younger. Before penning her debut The Magic Touch, relaunched and updated in 2019, she wrote short stories for women’s magazines. To Tell a Tale or Two… is a collection of her short tales. In January 2017, her keen interest in health and fitness led to the release of Smooth Operator – a collection of twenty of her favourite smoothie recipes.

As well as writing, Kelly enjoys reading, running, drinking coffee, scoffing cakes, watching TV dramas and spending way too much time on social media. She is currently working on her fourth novel.

Website: www.kellyflorentia.com

Twitter: @kellyflorentia

Facebook: @KellyFlorentiaAuthor

Instagram: @kellyflorentia

***

Many thanks for your opening lines, Kelly.

Happy reading everyone,

Jen xx

Opening Lines with Anna Legat: Sandman

This week’s ‘Opening Lines’ come from Anna Legat, creator of the DI Gillian Marsh Mysteries.

Why not sit back and enjoy the first 500 words (exactly) of her crime novel, Sandman?

Blurb

When the heart declares bankruptcy, bad things happen to good people…

When Christmas shoppers board the 7.15pm train from London Paddington to Bath Spa, they don’t expect to never see their loved ones again. Retired Major Oscar Holt is on that train returning from a fishing expedition with a ten-year old Tommy, and so are Harry and Will – father and son reunited for the first time after a tragedy that occurred years ago in Zimbabwe. Charlie and his mates board that train, on their way to a stag do. Andrzej is driving the train – it is his last job before he goes back to his wife and daughter in Poland.

When a co-ordinated terrorist attack derails the train, the passengers are left fighting for their lives.

As the manhunt for the terrorists begins, D I Gillian Marsh must act on her instincts to find the ones responsible for this tragic attack.

FIRST 500 WORDS…

A convoy of five jeeps cuts across the desert at blinding speed – a series of five bullets. The vehicles stir the eroded soil and a cloud of dust lifts and lingers, irritating the eyes and nostrils of the men inside. Haji is well used to desert sand, but some of the fighters – youngsters brought up in Europe’s wetlands – don’t have a clue. They haven’t learnt to cover their mouths, so their throats are dry, their voices gravelly and they grind sand between their teeth. They drink gallons of water from plastic bottles recovered from humanitarian relief drops, most of which never reach their intended recipients. The truth of the matter is that the intended recipients are either dead or have long evacuated this area. There is no point letting water go to waste. Water has the value of pure gold in these parts – you don’t say no to it when it falls from the sky free of charge. The youngsters waste it; Haji doesn’t. It would be a sacrilege. Saving water is in his blood. Besides, the more you drink, the more you need. Haji is like a camel – he can go without water for days. He is ready for when there is no water, and that time will come because this is desert.

The whites of the young men’s eyes and teeth flash in their sun-ripened faces as they laugh and make plans for their destiny. They’re excited to make war – they see it as an opportunity to earn glory. For Haji, war is an everyday necessity, like water is for them. In war there is no retirement, only death. You live war – you die war. No exceptions. Haji watches the blossoming youth, his hooded eyes narrowed as if he is dazzled by them. Their beards are black, his is laced with dusty grey – the colour of the desert sand. He has sand embedded in the pores of his skin. Back home, in Afghanistan, his brothers used to say Haji was made of sand, for he could disappear into it without a trace. He is even better at it now that he is sixty years of age, grey and musty – an invisible old man.

He tries to catch up on some sleep while his young comrades boast and joke, and issue bloody threats to Assad and the West as the convoy heads for the Iraqi border. What border, Ismail asks cockily, there are no borders. Show me the border, he shouts and waves his machine gun. The boy is twenty-five at the most, and he sounds the same as those British soldiers that Haji has come across in Helmand Province. Others call him Geordie-Is, and that is supposed to account for his accent. Something to do with where he comes from, not that it makes any difference here except when Geordie-Is gets to appear in a video to send a message – loud and clear – to the Infidels. He loves that. He can talk for Asia, and he takes credit…

***

About the series:

My crime series The DI Gillian Marsh Mysteries include Swimming with Sharks, Nothing to Lose, Thicker than Blood, Sandman and finally Nobody Among Equals, which is due to be published under the Headline-Accent imprint next year.

Sandman is the latest instalment in the series. In this book DI Marsh has to take on a seasoned Afghani veteran of two wars, the war against the Soviets in the eighties and the latest War on Terror. Things turn personal for Gillian when Sandman’s action affect those closest to her, Tara her daughter and her future son-in-law.

Bio

A globe-trotter and Jack-of-all-trades, Anna Legat has been an attorney, legal adviser, a silver-service waitress, a school teacher and a librarian. She read law at the University of South Africa and Warsaw University, then gained teaching qualifications from Wellington College of Education (Victoria University, New Zealand). She inhabited far-flung places where she delighted in people-watching and collecting precious life experiences for her stories. She writes, reads, lives and breathes books and can no longer tell the difference between fact and fiction.

Links

https://annalegatblog.wordpress.com/

Amazon UK: https://www.amazon.co.uk/Sandman-betrayal-hunting-justice-Mysteries-ebook/dp/B07MZBG5Z3/ref=sr_1_1?keywords=anna+legat&qid=1571839304&sr=8-1

Waterstones: https://www.waterstones.com/book/sandman/anna-legat/9781786154958

Twitter- @LegatWriter

https://www.facebook.com/AnnaLegatAuthor/

***

Many thanks for your opening lines Anna,

Happy reading everyone,

Jenny x

Opening Lines: Dark Magic by Tom Williams

This week’s Opening Lines is just perfect for Halloween.
Please welcome Tom Williams, with the first 500 words of his latest novella, Dark Magic.
Over to you Tom…
Here’s a Halloween treat – the first 500 words of my novella, Dark Magic. It’s a big change from the historical fiction I usually write. I’m not sure quite how to describe it. It’s part thriller, part supernatural horror story (don’t worry, it’s not scary), and part (I hope) comedy. It grew out of an evening spent with a bunch of magicians and a few drinks and it just sort of grew by itself. It’s being published today, as Halloween seems a particularly appropriate launch date. I hope you love it.
Blurb
Two magic shows: the Maestros of Magic touring the country, playing provincial theatres; the Carnival of Conjurors successful in the West End. When the Maestros learn that the Conjurors are using real magic – Black Magic – to do their tricks they decide that they must use their own, distinctly unmagical, stage skills to stop them. Soon people are dying on stage – but can the Maestros really beat a team that has the devil on their side?
FIRST 500 WORDS
“Baby’s blood?”

“That’s what it says. Mix in baby’s blood and use that to mark the pentagram.”

There were six of them, and Claudia looked from face to face waiting for someone to say that this was a ridiculous idea. She could, she supposed, have said it herself, but it was not as if anybody would have listened. Nobody ever listens to the magician’s beautiful assistant.

In fairness, they didn’t exactly rush to agree with the plan either. When Jerry spoke, he had the decency to sound embarrassed.

“Does it have to be a human baby?”

Jerry’s role in their conjuring show was to do the tricks that appealed mainly to children. It brought in family audiences, but the other magicians secretly – or, to be honest, not that secretly – despised him. Still, Claudia thought that one or two might have taken his side here, but Daniel didn’t allow time for any of them to join Jerry in questioning his plan.

“It’s true that it doesn’t specify human.” Daniel smiled. It was an unconvincing smile and Claudia thought he did it mainly to show off his teeth. They were quite startlingly white, though marred, in her opinion, by rather over-developed canines. “But human seems fairly clear from the context.”

“Well, could we try it with something else first?”

Daniel’s smile vanished. It was as if someone had flipped a switch. Where there had been a big white smile, all you noticed now was a very square jaw and full, but rather sulky, lips. And, if you raised your eyes to his, something about his irises that made you look away again very quickly.

“It’s hardly as if the other ingredients were easily come by. We don’t want to mess it up and have to do it again.”

They were quiet at that. Claudia had the impression that they were all thinking of different things. She reckoned they would say the worst was the virgin’s tears. Despite all the tired old jokes, finding a virgin had been the easy bit. It was keeping her crying for long enough to collect a vial of tears that had been wearing on their nerves.

After a pause, long enough for all of them to remember details they would rather have forgotten, Daniel spoke again.

“Baby’s blood, then.”

There was an uncomfortable nodding of heads.

“How much blood are we talking about?” That was Tor – almost certainly not his real name but there was something about the way he looked at you if you questioned him which discouraged you from asking twice. He was an illusionist, constantly fretting about the mechanical details of his act. “And what about clotting? Are we going to add an anti-clotting agent?” Claudia remembered an illusion that involved an arm being cut off. Tor had been dissatisfied with the stage blood most magicians used and had experimented with various concoctions of his own. Claudia had never enquired as to what they were, but one had clotted and spoiled the act and…

***

Links
Bio
TOM WILLIAMS has published six books of historical fiction but this is his first contemporary story and his first novella (33,000 words). He has spent far too much time hanging round with magicians.

***
Many thanks Tom.
Happy reading everyone,
Jenny x

Opening Lines: The Weekender by Fay Keenan

One of the lovely things about running the ‘Opening Lines’ series, is that I get to read so many beginnings from authors I’ve followed for years as well as lots of new voices.

This week I’m welcoming established writer and friend, Fay Keenan, is sharing the first 500 words of her brand new novel, The Weekender.

Over to you Fay…

‘The Weekender’ is the first in a new series of novels set in the fictional town of Willowbury in Somerset, which, in the right light, can look a lot like the iconic town of Glastonbury! Inspired by several things, including an old photograph, a lifelong love of politics, many visits to Glastonbury and the real life campaign to get new generation drugs for cystic fibrosis patients, the novel centres around Holly, a wellbeing shop owner, and Charlie, the new member of parliament for the area. Ideologically they seem to be on different sides, but soon it becomes clear they may have more in common than they think! Set in both Willowbury and Westminster, this book is both a love story and an exploration of what happens when you find yourself in the middle of what could be, literally, a heart breaking matter of life and death.

Blurb

When Charlie Thorpe met Holly Renton, they were not a match made in heaven…

Holly lives and works in the beautiful town of Willowbury in Somerset. An incorrigible optimist, she is determined to change the world for the better.

Charlie Thorpe on the other hand, is the ultimate pragmatist. As Willowbury’s new member of parliament, he has to be. While he’s determined to prove himself to the town, as far as Holly’s concerned, he’s just another politician on the make.

But when their paths cross again, it’s clear they’ve got more in common than they think. Can Holly and Charlie overcome their differences and work together, or are they destined to be forever on opposite sides? And why does Holly have a funny feeling she has met Charlie before…

Let Fay Keenan whisk you away to a world of glorious country views, unforgettable characters and once-in-a-lifetime love. Perfect for all fans of Fern Britton, Veronica Henry and Erica James.

FIRST 500 WORDS…

‘White sage is all very well,’ Holly Renton reflected, ‘but the ashes are a bugger to get out of the carpet.’ Earlier that morning, before the shop had opened, Holly had carried out a ritual called smudging, which was meant to purify the energy in a building, promote positivity and remove negative energies. Picking up the dustpan and brush, she emptied the pungent remains of the dried herb bundle she’d ignited and then wafted around the windows and doors of the shop into the bin.

‘I know you recommend this all the time for other people’s houses, but why are you so bloody obsessed with doing it in the shop?’ Rachel, Holly’s sister, glanced down at where Holly was still brushing the rug under the mullioned front window of ComIncense, the shop specialising in herbal remedies and well-being aids that Holly ran in the sleepy but nonetheless New Age small town of Willowbury and smiled. Just beyond the shop’s counter, the door that led to Holly’s small back yard was open and Harry, Rachel’s three-year-old son and Holly’s nephew, was playing happily with a set of wooden animal-shaped blocks in their own lorry, which had come from a box of assorted toys that Holly kept specifically for the younger customers. Holly didn’t believe, unlike some of her business-owning neighbours, that children should be banned from places like hers, and since the early-spring weather was warm and pleasant, Harry had trundled out into the sunlight to play.

‘You’ve got to refresh places from time to time,’ Holly replied. ‘Especially when there’s been a lot of negative energy about, and since all of the scandal with Hugo Fitzgerald, I really felt like this place needed a spiritual cleanse!’

‘You can say that again,’ Rachel reached under the wooden apothecary’s dresser that displayed countless jars and pots of dried herbs and flowers, all purporting to be of some spiritual or physical benefit, to retrieve one of the toy llamas that Harry had thrown under it. ‘What a way to go…’

‘Oh, I don’t know,’ Holly replied, still sweeping. ‘At least, having had a massive coronary, he wouldn’t have known much about it.’

‘But what a waste of a good plate of scones and jam!’ Rachel grinned. ‘Mum told me that his constituency agent found him face down in them at his desk.’

‘I wouldn’t have fancied digging him out of them,’ Holly said. ‘But from the size of him, the heart attack was an accident waiting to happen. And gossip has it, he had his finger in a lot of pies, not just the odd plate of scones.’

‘Oh, you know how the rumour mill goes into overdrive when something like this happens.’ Rachel, who had more of a tendency to see the good in people than her sister did, dismissed Holly’s comments with a wave of her hand. ‘I mean, I’m not saying he wasn’t a prat, but nothing was ever proven about his financial misdemeanours. Although, I have to admit, since…

***

You can pre-order The Weekender via-

tiny.cc/theweekender and on Kobo at https://www.kobo.com/gb/en/ebook/the-weekender-9

Bio

Fay Keenan is the author of the bestselling Little Somerby series of novels. She has led writing workshops with Bristol University and has been a visiting speaker in schools.  She teaches English in a local secondary school and  lives in Somerset. Fay’s new series for Boldwood will begin with The Weekender, in November 2019.

***

Many thanks for your fabulous 500 words Fay.

Happy reading everyone,

Jenny 

Opening Lines: The Prosecco Effect by Cheri Davies

This week I’m delighted to welcome a good friend, Cheri Davies, to my blog to share the ‘Opening Lines’ from her romantic novella,

The Prosecco Effect.

BLURB

Can love shine brighter than a super trouper spotlight for Felicity and Orlando?

Felicity Joy is a fallen star: axed from the leading role in a TV drama and jilted at the altar, her life is a mess. A six month theatrical tour of Italy offers escape: a chance to rebuild her career, mend her broken heart and indulge in her favourite cuisine.

Orlando Locatelli is an Italian restaurateur superstar. But his family are big trouble and his theatre director father has a penchant for his leading ladies.

Damaged by secrets and with careers their number one priority, Felicity and Orlando aren’t looking for love. But when they meet, the attraction is instant.

Will theirs be a brief encounter or can they overcome their fears to be together forever?

An uplifting, irresistible romance set in Italy and the glamorous world of show business – a perfect, sunny read

Buy here: mybook.to/ProseccoEffect

FIRST 500 WORDS…

In all her thirty-eight years Felicity Joy hadn’t felt as wretched as she did that glorious spring morning. Given her bad start in life that was really saying something. As she scuttled along, her chin held low against her chest, the sun warmed the back of her neck, the edges of the cheap wig scratched against her jawline. Despite hours in front of the bathroom mirror, trowelling on concealer, cooling gel and foundation, she was startled when she caught a glimpse of her reflection in a shop window.

She stopped and admitted she had looked better. Her blotchy cheeks and red-rimmed, swollen eyes were still visible – to her if no one else. She touched the wig with her fingertips, nail varnish chipped and flaking. The fringe was severe, but she liked the way it grazed her brows, obscuring the fine lines on her forehead, and the bright red hue emphasised the Mediterranean green of her eyes. Note to self: Book some Botox. Through the grimy glass, Felicity caught sight of a man at the counter, staring at her, long and hard. She saw a glint of recognition wash over his dull complexion and shuddered. Turning sharply, she scurried down Frith Street.

Damn Susi. Why on earth did they have to meet in Soho? Why not somewhere less showbizzy? Some place where no one gave a shit, where Felicity wouldn’t know anyone and few would recognise her. Where Felicity Joy, formerly the nation’s sweetheart, fêted actress, model and dancing superstar could blend into the crowds. Where Felicity Joy, jilted lover and talentless, two-timing, heartless harlot could also disappear.

Dodging an abandoned Big Mac she stepped into the gutter, narrowly missing a pile of steaming dog crap. At least the owner had dragged the animal off the pavement, though it was evidently asking too much to pick up the mess. She remembered a line from a favourite play: ‘We are all in the gutter, but some of us are looking at the stars.’ The quote was a personal motto; she’d lived her life by it. Oscar Wilde, the man was a genius, and he’d suffered.

Good grief, Fliss, the poor man went to prison for loving the wrong kind of person; I’m lucky really. Really lucky. And if I repeat this often enough, I will believe it; I will.

She repeated the mantra as she walked but her throat contracted regardless.

I must not cry in the street. I must not cry in the street. I must not cry, full stop.

That would be the very worst thing; it might draw attention and, right now, that was the very last thing she needed. She’d had far too much attention of late – all the wrong sort.

The restaurant was warm and as she raced down the steep steps to the basement room she unzipped her parka. Wafts of basil, fresh tomatoes and pizza dough wafted by – delicious. How she loved Italian. Susi was sitting in the far corner, back to the wall, at…

 

Buy your copy for the bargain price of 99p https://amzn.to/2IKa5fA 

This special price is available for a short time only- so grab your copy now!

***

Bio

Cheri Davies is a mother to ginger boys and author of The Prosecco Effect. A former actor, Cheri loves to write romance and intrigue set in the glamorous world of show business. The Prosecco Effect is the first book in the Stage Door series, following the adventures of Felicity Joy and Orlando Locatelli in Italy. Cheri has published four novels and numerous short stories in another guise. An unsporty girl, Cheri surprised herself, and many others, when she broke the school long jump record aged 12. It was the first time she’d jumped – competitively.

http://cheridaviesbooks.wordpress.com 

***

Many thanks to Cheri for sharing her 500 words with us today

Happy reading,

Jenny x

Opening Lines with Jon Hartless: Rise of the Petrol Queen

For this week’s Opening Lines, I’m delighted to welcome Jon Hartless, to my blog.

Sit back and enjoy the first 500 words of his steampunk novel, Rise of the Petrol Queen; Book 2 in the Poppy Orpington Chronicles.

Over to you Jon…

The Poppy Orpington Chronicles is a Steampunk adventure featuring a young, working-class heroine fighting to survive in a society which dismisses her for her sex, class and disabilities. The saga was inspired by the real-life era of the Bentley Boys, 1920s motor-racing playboys who had the reputation of racing all day and partying all night. The media and public loved them, but reading up on their lives and the time they lived in, all I could see was the elitism, the unfair advantages and opportunities given to those with high birth and money, and the complete invisibility of all those who were not wealthy, titled white men. From that came Full Throttle, the first in the series, followed by the sequel Rise of the Petrol Queen. Book 3, Fall of the Petrol Queen, is almost finished, book 5 is written but nowhere near complete, while book 4 seems to have broken down somewhere….

Blurb:

Poppy Orpington is going racing. With or without your approval.

Following a controversial loss at the Purley Cup, Poppy Orpington and her petrol-fuelled race car, Thunderbus, are dominating the headlines. But not one article is complimentary, or even unbiased.

In spite of these daily slanderous reports on her character, Poppy is determined to make something of herself. She continues racing, she starts up her own factory hoping to sell her father’s patented petrol-run cars, she buys her own house and speaks up for the down-trodden. But all the while she is still seen as just a woman.

A woman unwilling to squeeze into the female mould created by men of power – and so the mould must be broken.

FIRST 500 WORDSRise of the Petrol Queen, book 2 of the Poppy Orpington Chronicles.

Preface

James Henry Birkin, editor

Writing this second book on Poppy Orpington has proved somewhat problematic, not least because a biography demands a traditional linear structure of cause and effect – from birth to success and from success to death. Volume I, Full Throttle, covered Poppy’s early years up to her stunning debut on the Purley racetrack, but despite her tragically curtailed life we are not yet ready to focus upon her passing.

Volume II, Rise of the Petrol Queen, instead concentrates upon the months of February to November 1904 – a time encompassing Poppy’s first full season as a racing driver and also the founding of her famous car company, Thunderbolt Motors. 1904 also witnessed the first sustained outpouring of hatred toward her from the popular press, of which the worst offender was the Daily Post, founded by Lord William Wrohan to propagate his loathing of the poor, the working class, women and foreigners.

Sadly, the paper still operates to the same values today. Not once have the proprietors admitted their culpability in libelling Poppy, nor have they ever admitted to the criminal actions against her by their editor of that time, Harvey McArdle. His behaviour at Poppy’s cottage has been an open secret within the newspaper industry for years, yet this volume – astonishingly – is the first account of the attack ever put before the public.

It was the Post, incidentally, which hung the disparaging nickname of the “Petrol Queen” upon Poppy – a mocking label repeated across many other newspapers. I have included several contemporary articles to demonstrate the media’s attitude toward Poppy and the inevitable strain this placed upon her.

A far better view into Poppy’s character can be gleaned from her numerous letters and diary entries, all vital resources in my attempt to rehabilitate Poppy’s reputation. Unfortunately, this is the last time I can offer a definite insight into her state of mind as Poppy became far more circumspect about recording her feelings after her traumatic encounter with McArdle. For Volumes III and IV, legitimate guesswork coupled with external sources such as letters from third parties, press reports and other publications from the era will have to suffice.

In conclusion, I hope the reader enjoys this return visit to Poppy’s world – her life, her victories and her defeats – and will come away with a little more sympathy and understanding of a most wronged woman whose worst days sadly lay ahead of her.

Chapter One

‘Can my father return home?’ enquired Poppy of the specialist, Doctor Joseph Baxter.

‘Good Lord, no. Although he has been quite lucid this morning, on other days he will suffer a relapse and will be quite helpless in looking after himself – and he then potentially becomes dangerous to others.’

‘Is he still having violent episodes?’ asked Poppy, anguish showing on her face. She had been asking the same question for weeks. As she sat in the hard button-back chair across from Baxter’s polished desk, she hoped today’s answer would be different.

‘There have been a…

***

Buy Links:

https://www.amazon.co.uk/gp/product/B07TKLDQ3G/ref=dbs_a_def_rwt_hsch_vapi_taft_p1_i1

https://www.amazon.co.uk/Full-Throttle-Jon-Hartless-ebook/dp/B06X95NQ6V/ref=pd_sbs_351_1/258-5208768-1596127?_encoding=UTF8&pd_rd_i=B06X95NQ6V&pd_rd_r=d7b731a9-9e6d-40df-a3d4-0866c1e574d0&pd_rd_w=JQHAV&pd_rd_wg=Yh1gl&pf_rd_p=2b420a2f-6593-478e-8b5f-cb43865ff16f&pf_rd_r=84VFM718S960WN0NWNJZ&psc=1&refRID=84VFM718S960WN0NWNJZ

Bio:

Jon Hartless was born in the 1970s and has spent much of his life in the Midlands and Worcestershire. His latest novels, a steampunk motor racing adventure examining the gulf between the rich and the poor, the powerful and the dispossessed, started with Full Throttle in August 2017 and continued with Rise of the Petrol Queen in 2019, both published by Accent Press.

Social media:

Twitter: https://twitter.com/JHartlessauthor?prefetchTimestamp=1569265278580

Facebook: https://en-gb.facebook.com/jonhartlessauthor/

***

Many thanks for your fabulous starting words, Jon.

Happy reading everyone,

Jenny

 

Opening Lines with Richard Gould : Jack & Jill Went Down Hill

Opening Lines is with us once more.

This week I’m welcoming fellow romance writer, Richard Gould to my place to share the first 500 words from his novel,

Jack and Jill Went Down Hill.

 

Thank you, Jenny, for inviting me onto your blog. I write Romance. In case people haven’t noticed, there aren’t that many males writing (nor for that matter, reading) this genre. I didn’t set out to be a romantic fiction author, I just got placed there because I explore relationships, particularly second-chance ones. I use humour to describe my protagonists’ tragi-heroic journeys in pursuit of love, carrying cartloads of baggage as they struggle to balance the pressures of work, friends and families with the search for romance.

Jack & Jill went Downhill starts on Freshers Big Party Night at university. With Jack falling down and Jill tumbling after him, the choice of title became obvious. When they first met, the couple shared the joke that their names matched those of the nursery rhyme, but they fail to recognise that their lives are playing out the plot.

 

Blurb

When Jill terminates the call, she watches as Jack and Sophie walk off, holding hands just as they had done in what seems like a very distant past.

Jack and Jill had experienced fireworks on the night they met – their first night at University. Despite being raised with very different backgrounds, they seem to be the perfect couple. Mutual love can be seen by everyone around them. When they graduate and are thrust into the real world, the cracks start to show. Pressure from work reduces their time together. Family struggles test their loyalties. And inner demons become visible.

Jack is struggling to maintain his focus at work. Succumbing to peer pressure, the late night drinking with colleagues becomes a regular occurrence. Too regular in Jill’s opinion… Can Jill reignite the passion that seems to have withered? Or is Jack too far gone to be rescued? Should Jill walk away to save herself? Whilst dealing with her crumbling marriage, Jill’s own life begins to collapse. Despite the picture-perfect start to their relationship, it becomes clear that the cliché ‘happily ever after’ requires more than just love to make it everlasting.

First 500 words…

For Jack it is love at first sight.

For Jill it is love at first sight.

Freshers Big Party Night at university. The hall is jam-packed with several hundred first year students, alcohol-fuelled to obliterate apprehension. The pre-party big news is that predatory second and third year boys have been banned following the previous year’s behaviour which had been fully exposed in the local press. Britney blasts out of two giant speakers. A floodlit rotating silver ball, suspended from the ceiling, covers the dancers in a shower of white sparkle. Little pairing is yet apparent, this being the first evening. It’s mainly girls dancing with girls, with the boys leaning against walls or by the bar. Looking on, weighing up the talent.

Jill has come along with the girls she’s met on her corridor in the hall of residence. That afternoon they’d reached the kitchen within minutes of each other and had nattered and drunk tea for an hour or so, planning their itinerary for the weekend. The party is a must do and the four of them are now swaying as they karaoke to Craig David’s Fill Me In.

Jack has come alone, uncomfortable, weighing up whether it is the place he wants to be, the ‘it’ referring to the university as well as this event. Earlier that day, having unloaded his car, he’d remained in his room sorting his things, aware of the buzz in the nearby kitchen but unwilling to join his new housemates. That is, of course, assuming he stays.

Freshers Big Party Night is turning out to be a tacky affair. Standing by the bar, he looks down at his plastic beaker and swills the cloudy lukewarm lager before downing the remains and crushing the empty container. Commoners, that’s the unpleasant word he can’t help thinking of to describe the people around him. He watches as they jump up and down on the dance floor, dressed in tasteless cheap clothes. Probably from Primark or H&M or New Look.

Jack catches sight of Jill, who picks up his gaze and their eyes fix. There follows the type of chemistry that no scientist has ever been able to explain, the instant drawing together of a man and woman without having spoken a word.

Jill abandons her newfound friends and approaches Jack. Unsure whether he is her target, he remains slouched against the bar.

“Dance?” she mouths, never shy when it comes to talking to strangers.

“I don’t really,” Jack shouts in a vain effort to be heard above the volume of Pink’s Don’t Let Me Get Me.

“Come on,” she urges, extending her hand. Jack inadvertently presents her with the crumpled bit of plastic. He drops it to the floor then takes hold of her.

They dance and dance some more, bumping against a growing number of embryonic couples.

Their attempt to chat is futile.

“Something, something, something, something.”

“What?”

“Something, something, something, something.”

“Sorry, can’t hear you.”

“What?”

“LATER!” this yelled down Jack’s ear.

The absurdity…

***

Buy link

Amazon           mybook.to/JACKANDJILL

Bio

I should start with a confession – my name is Richard and I’m a coward. Since I’m usually placed in Romance or Contemporary Women’s Fiction genres, an agent suggested I use a female pseudonym to increase readership. “No way!” I declared with bold pride, “people are going to have to accept me for who I am.” That evening I considered Rebecca, Rosemary, Rachel and Rita before opting for the cowardly compromise of using R J instead of Richard.

​Following selection onto the New Writers programme of the Romantic Novelists’ Association, two novels have been published by Accent Press – ‘A Street Café Named Desire’ (short-listed for the Joan Hessayon Award) and ‘The Engagement Party’. ‘Jack & Jill went Downhill’ is my first novel published by Endeavour Media. ​I’ve worked in schools, universities and for a national educational charity and have been published in a wide range of educational journals, newspapers and magazines. Although I enjoy writing non-fiction, my true love is as an author of novels that make the reader reflect on the idiosyncrasies of everyday life.

Social Media

Website:          http://www.rjgould.info

Twitter:           https://twitter.com/RJGould_author

Email:              rjgould.author@gmail.com

Facebook:        https://www.facebook.com/richard.gould.14418

Many thanks for joining us today Richard,

Happy reading everyone,

Jenny x

 

 

 

Opening Lines by Lucy V. Hay: Do No Harm

Opening Lines time is upon us.

This week I’m delighted to welcome bestselling author, award winning blogger, writing guru, and owner/manager of the brilliant Bang2Write website, Lucy V. Hay to my place.

Lucy is sharing the first 500 words of debut dark crime/thriller, Do No Harm

BLURB

Till death do us part… After leaving her marriage to jealous, possessive oncologist Maxwell, Lily and her six-year-old son have a second chance at happiness with headteacher Sebastian. Kind but vulnerable, Sebastian is the polar opposite of Maxwell, and the perfect match for Lily. After a whirlwind romance, they marry, and that’s when things start to go wrong… Maxwell returns to the scene, determined to win back his family, and events soon spiral out of control. Lily and Sebastian find themselves not only fighting for their relationship, but also their lives… Chilling, dark and terrifying, Do No Harm is a taut psychological thriller and a study of obsession, from one of the most exciting new voices in crime fiction. ‘Well written, engrossing and brilliantly unique’ – Heat. ‘Prepare to be surprised’ – Closer. ‘A claustrophobic and complex read’ – Culture Fly. ‘Sharp, confident writing’ – Peter James. ‘Original, daring and emotionally truthful’ – Paul Burston.

FIRST 500 WORDS…

I’m early.

I regard the hotel in the wing mirror of my car. I see my own reflection  – my nostrils flaring as I take in the venue. If you’d listened to me, you could have had so much more than this. Modern build on an industrial estate? Ugh.

Behind me I can see the gawdy, fluorescent signs for a chain cinema, a bowling alley, various fast-food restaurants, one of which offers an ‘all you can eat’ buffet bonanza. It’s what the Staceys and Chads like to call an ‘entertainment park’, though I cannot for one second imagine what’s so entertaining about these places. Give me a low-key, low-lit restaurant

with a ludicrously expensive wine list any day.

Oh no, this is no good. If it had been up to me, I would have found you somewhere far more flash to celebrate your nuptials. But that ship has sailed. For now.

I might be down, as they say – but I’m not out.

A group of people appear behind my car. I watch their reflections. They’re in frocks and suits – two couples, the women tottering on high heels, holding on to their men’s elbows. They must be going to your wedding. Then behind them, a tired-looking family: the man is in a shirt and tie, an incongruous pink cloth over one shoulder. He carries a sleeping baby girl in a flowery dress with an overly large bow on the back. The woman wears a trouser suit, the jacket just a smidge too small across her bust. Two little boys in bow ties run ahead of her; she holds her arms out to them as if she’s shepherding geese.

A woman in a purple beautician’s tabard stops next to the wedding party. She smiles and laughs, beckoning them with her. She’s diminutive and young-looking, orange panstick caked on her pale skin. There will be a subterranean salon somewhere in the hotel’s depths. The smell of stale sweat will be masked by scented candles, vanilla or patchouli, but the tang

of human musk will persist. You can scrub the masseuse tables, the floors, the jacuzzi; you can launder the towels, spray liberal amounts of deodorant and air freshener, strip away our clothes, our pretensions. But it’s always there. Flesh – animal, predatory. Demanding domination, submission.

It’s what we all are, underneath it all.

I look at my watch. In just one and a half hours you will be married. I suppose I ought to have prepared myself for this day. I felt sure you would wander – as you claimed you needed to – then return, certain you could do no better. I guess I never thought you would leave me so finally, splashing about in your wake.

I’m such a fool.

***

BIO:

Lucy V Hay is an author of fiction and non-fiction. Publishing as LV Hay, Lucy’s debut crime novel, The Other Twin, is out now and is to be adapted by Agatha Raisin producers Free@Last TV. Her second crime novel, Do No Harm, was a finalist in the Dead Good Books Readers’ Awards 2019. Her next title is Never Have I Ever for Hodder Books, out this December.

***

Many thanks Lucy. Cracking opening lines, from a very clever story.

Happy reading everyone,

Jenny

Opening Lines with Chris Chalmers: Dinner At The Happy Skeleton

This week’s opening lines features the latest novel by Chris Chalmers.

I have to say, Dinner at the Happy Skeleton, sounds a hell of a lot of fun!

Over to you Chris…

Dinner At The Happy Skeleton – The Blurb:

Dan is the kind of gay man for whom the Noughties might have been named. Warm, witty and serially promiscuous, his heart melts at the sight of a chocolate brown Labrador — but with men it’s a different matter. He’s thirty-nine and as single as ever, not counting the couple he just met online. An arrangement that looks oddly like it’s going somewhere, until Dan gets fired from his job in advertising. With time-out and a payoff in his pocket, summer presents a world of possibilities; just as the memories surface of the ex he blames for the thinly-veiled chaos of his life.

From London to Ljubljana, a yen for closure sets Dan on the trail of the man who fed his ego into a shredder. Through an eerie encounter at the home of the Olympiad and a sleepover at the Dutch Embassy, run-ins with a fading porn star and the celestial manifestation of Margaret Thatcher, he ultimately confronts his past. Until, with his Big Four-O rapidly approaching, destiny beckons from where he least expects it.

‘In Dan, Chris Chalmers has created his most appealing protagonist yet … An eye-opening, always entertaining romp through modern sexual mores, with a sweet beating heart of true feeling at its core.’ SUZI FEAY, literary journalist

YOU MIGHT AS WELL ASK THE DONALD…

If you’re planning a late summer getaway, here’s a suggestion for a poolside page-turner with a difference.

Literary critic and Booker Prize nominee Philip Hensher called Dinner At The Happy Skeleton, ‘the perfect novel for a sunny afternoon. Full of charm and vim and sauce…’ And unless it’s the last white-chocolate Magnum in the shop, I’m not about to argue with him about anything.

Expect mid-life crises, bed-hopping, fun and adventures off the tourist trail, as Dan the out-of-work advertising man blows his latest redundancy cheque on a hedonistic summer of self discovery. What begins as the chance to take time out from his career turns into a quest to trace the ex that serial-singleton Dan blames for the smouldering ruins of his love-life.

Working on the principle that asking any author for an objective view of their novel is like asking Donald Trump to recommend a skyscraper, I’ll say no more. Try the first 500 words of Dinner At The Happy Skeleton for yourself. And if you like them, get in quick because the ebook is 99p till the end of August.

I call that sauce for your sun-lounger and a bargain to boot.

FIRST 500 WORDS…

CHAPTER ONE

I love waking up next to Jack. He is five foot five, comedy small, so not what you’d call any of my types. But his skin is naturally smooth as a baby’s; a bonus in a man of thirty-four. I nuzzle his head under my chin and try not to think of the spider-legs running amok over my own shoulders. The red lights on his ceiling say 07:18. Another seven minutes till we are officially behind schedule.

‘I need a slash,’ he growls, in a voice cracked by dawn.

‘Do Thunderbird Four,’ I say. ‘If you loved me you would …’

Jack is cute, with chipmunk eyes and cheeks you want to bite. He is a living Action Man, compact and perfectly proportioned with hair like a tennis ball. But he doesn’t love me really.

Thank God.

He tuts as his head disappears. The hummock under the duvet shifts and deflates until his feet appear at the bottom of the bed. The rest of him follows as he folds into a heap on the carpet and crawls for the door … It lacks the smooth entry and splosh of the little yellow submarine exiting the belly of Thunderbird Two. But it makes me laugh, every time.

At that moment there’s a clink of china and a swish of designer silk as the bedroom door opens, narrowly missing Jack’s head.

‘Brew,’ says Phil, stepping over him.

He puts three mugs on the bedside table. Then he slips out of his dressing gown and climbs back into the bed.

*

A threesome isn’t something you go looking for. No, scratch that – it’s exactly what you go looking for when you’ve been around the block as many times as I have. You just don’t expect it to turn into anything.

I met Jack and Phil online the previous August. We chatted, suggestively, two or three times. I enjoyed the frisson of not knowing which of the two guys in the photos I was talking to, and since for once they were both quite tasty,it didn’t matter.

As for the day we met – well, that was all quite Cynthia Payne …

So I’m sweaty and hungover, eager for fun if knackered from the night before, as I trudge up Denmark Hill with a rucksack full of sex toys. It takes me a while to find the address in a neat and tidy street that feels (no pun intended) anally suburban. Multi-hued children on tricycles clatter over paving stones, and though the net curtains don’t actually twitch like flamenco hems it feels like they should.

The taller one answers the door and shows me into the kitchen, where the shorter one is emptying the dishwasher from Sunday lunch. A tiny telly plays on the granite worktop as I tear a can of Fosters from the four-pack I picked up at Sainsbury’s.

‘I didn’t know what to bring,’ I say, my rucksack betraying otherwise as it thuds on the terracotta flags.

BIO and SOCIAL LINKS:

Chris Chalmers lives in South-West London with his partner, a quite famous concert pianist. He has been the understudy on Mastermind, visited 40 different countries, and swum with iguanas. Aside from his novels, his proudest literary achievement is making Martina Navratilova ROFLAO on Twitter.

You’ll find him on Facebook @chrischalmersnovelist, on Twitter @CCsw19, and at www.chrischalmers.net

BUY LINK, paperback and ebook:

https://www.amazon.co.uk/Dinner-Happy-Skeleton-Chris-Chalmers-ebook/dp/B076X98C31/ref=tmm_kin_swatch_0?_encoding=UTF8&qid=1566576917&sr=8-1 

***

Another fabulous set of opening lines!

Thanks Chris.

Happy reading everyone,

Jenny x

Page 1 of 8

Powered by WordPress & Theme by Anders Norén