Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

Category: Robin of Sherwood

ONLY 99p Romancing Robin Hood

From today, until 11th March, you can purchase the #kindle version of Romancing Robin Hood for ONLY 99 pence.

67% OFF!!!

Blurb

When you’re in love with a man of legend, how can anyone else match up?

Dr Grace Harper has loved the stories of Robin Hood ever since she first saw them on TV as a teenager. Now, with her fortieth birthday just around the corner, she’s a successful academic in Medieval History—but Grace is stuck in a rut.

Grace is supposed to be writing a textbook on a real-life medieval criminal gang—the Folvilles—but instead she is captivated by a novel she’s secretly writing. A medieval mystery which entwines the story of Folvilles with her long-time love of Robin Hood—and a feisty young woman named Mathilda of Twyford.

Just as she is trying to work out how Mathilda can survive being kidnapped by the Folvilles, Grace’s best friend Daisy announces she is getting married. After a whirlwind romance with a man she loves as much as the creatures in her animal shelter, Daisy has press-ganged Grace into being her bridesmaid.

Witnessing Daisy’s new-found happiness, Grace starts to re-evaluate her own life. Is her devotion to a man who may or may not have lived hundreds of years ago really a substitute for a real-life hero of her own? Grace’s life doesn’t get any easier when she meets Dr Robert Franks—a rival academic who she is determined to dislike but finds herself being increasingly drawn to… If only he didn’t know quite so much about Robin Hood.

Suddenly, spending more time living in the past than the present doesn’t seem such a good idea…

Available from: Amazon UK | Amazon US | Amazon CA | Amazon AU

Here are a few of the lovely things people have said about Romancing Robin Hood:

“As a scholar of the Robin Hood legend, this novel is right up my street. (Watling St. – where 14th century highwaymen lurk.) The main part of the novel follows medieval historian Dr. Grace Harper . As Grace’s best friend is getting married, Grace discovers a romance of her own. But outside of academic, Grace is writing historical fiction based on the real-life 14th century crime family – The Folvilles. (Jenny Kane in her Jennifer Ash persona has spun this off element into a superb series.) Amazon.com

“I normally don’t really read romance novels but the historical part around the legends of Robin Hood made me curious. I wasn’t disappointed: loveable characters that I could identify with, funny and a very personal feeling to it. Thoroughly enjoyed it.” Amazon UK

“I had always wanted to read a Jenny Kane book. so I was thrilled to bits when I won a signed copy of Romancing Robin Hood. It was a brilliant book and I would recommend it if you are thinking of trying Jenny Kane for the first time.” Amazon UK

“I love Jenny Kane’s books and this one is no exception. Grace is such an engaging character, so in love with her hero, Robin Hood, that she almost misses the hero right under her nose. The pacey plot and sparkling dialogue held me right to the end. A recommended read for all romance lovers out there.” Amazon UK 

“As a massive fan of all things Robin Hood I was intrigued by this book. I am not a big romance fan but this story was absorbing and witty. A lovely twist on historical and fiction. I look forward to reading more by this lovely lady who I happen to of met at a Robin Hood convention.” Amazon UK

“This book had my heart from the start – how I loved Robin of Sherwood back in the 80’s!  Grace is stuck in the middle ages – well not really – but she might as well be – living, breathing, teaching and ever so slightly obsessed by one of the great British stories – Robin Hood.  I loved the idea of having the book Grace is writing in the story – I was just as keen to see this story wrapped up as I was the modern day romance…” Amazon UK

“Lovely engaging take on an old, old story. Terrific heroine and very intelligently written dual narrative. I loved it.” Carol McGrath (Best selling historical fiction author)

“This was one of the most original romances I’ve read. I just loved the addition of the mini medieval crime story within Grace’s quest to find a love in the modern world – a love to rival her affection for her outlaw heroes of literature and TV!” Amazon UK

“I really, really, really liked this story! In the beginning I wasn’t so sure about all the hoping back and forth from Dr Grace Harpers story to on of her own she is writing. I ended up wanting more of each. Jenny would tease us a little with one then tease us a little more with the other. Grace is a REALLY BIG Robin Hood fan and her life is revolved around him. She is supposed to be writing a textbook for her college but she is coming up with her own novel instead and of course you know what it is going to be about. One sad thing about Grace is that she compares everyman she meets to Robin. Is she ever going to find a man like him? Well she just might in this story but things do get a little hairy. How will it end you ask? Sorry I can’t tell you but I DEFINITLY recommend you read this story. Go on a little medieval journey with Grace to see what kind of Robin Hood story she comes up with. I’m pretty sure you won’t be disappointed. I received this book as a gift from the author.” Amazon UK

“…Jenny Kane must have spent so much time on her research. I loved Grace’s story. I couldn’t wait to find out what would happen between her and Robert. Robert understands her love for Robin Hood and her academic passion and it was great to see her with a potential soulmate. Mathilda’s story is really good as well. There’s a bit of mystery combined with a lot of politics and some romance. It’s a great mix… fast paced story that has a few unexpected twists.” ajbookreviewclub

Happy bargain hunting!

Jenny x

The Sælvatici: The Influence of Robin Hood with Steven C. Davis

Today, I am delighted to welcome fellow writer and Robin Hood enthusiast, Steven Davis, to talk about his outlaw inspired work, The Sælvatici.

Over to you Steven…

Thanks to Jenny for giving me this opportunity to talk about ‘The Sælvatici’, and Jon Hartless for connecting us.

I’ve always been a Robin Hood fan, even before the seminal series ‘Robin of Sherwood’ (RoS) was broadcast in the 80s. I’ve watched all the Robin Hood films I could find, including a rare and slightly bizarre Russian take on the character (which may be ‘The Arrows of Robin Hood’).

Although I like tales of King Arthur, even from an early age I was more interested in RH as they were a hero of the people, as opposed to the tales of knights and lords that held nowhere near the same interest for me.

I only got to see the third series of RoS as we’d not had a television prior to that – and I was hooked. When I was old enough, I picked up first the videos and then the DVDs. I’ve still only watched the final episode with Michael Praed three times – it’s incredibly well written and still heart-breaking. But what an ending it is – the hero giving his life so that their comrades escape to continue the fight. And then the hook – but I hope you’re already aware of that.

Fast forward to the years 2000 – 2001. I wrote a retelling of the myth cycle, called ‘The Hooded’, heavily influenced by RoS. It was darker and bloodier than RoS, with the heroes more often than not failing or getting tricked. It was intended as a stand-alone, a one-off, but at the end I sent the characters off in different directions so I could bring them back (albeit with the obligatory death of one of the “gang” members). But I wasn’t happy with it – I felt it too episodic and I couldn’t get my head into the central character.

And so nothing happened for a while, and I carried on writing other things.

Fast forwards to 2016. I’d recently joined the Folk Horror Revival group in fb and there were some very interesting ideas in there (and still are – seriously, if you’re not a member, consider joining it if you’re interested in myths and legends, bizarre occurrences, The Wicker Man, that sort of thing). Also of inspiration at the time (and still, now) were bands like The Hare and the Moon and The Stone Tapes, both of whom have echoes of 70s psychedelic and slightly terrifying TV shows in their music.

So I started writing the cycle again, but this time I started digging in to the meat of the characters as well. The character of Little John had always seemed like a poor joke, one that they’d get annoyed with very quickly – “he’s called Little because he’s tall”. So I thought, why not, instead, John of Hathersage. Except, Hathersage wasn’t called Hathersage in that era – a closer approximation is Hereseige. So “Little John” became “Hereseige John”, or, more often, simply Hereseige. I applied the same kind of re-imagining with some research to all of the characters and they were all set – and, indeed, the first of fifteen chapters of that retelling, which includes quite a bit of scene/mood/flavour setting, was written and amounted to 24k words. But, as before, I couldn’t get my head around the Robin character, nor could I find a way to re-interpret him that I was happy with.

A slight diversion now. One of my childhood favourite books was the retelling of the Robin Hood myth cycle that was illustrated by Victor Ambrus (I’m sure he later went on to Time Team as their resident artist). It contains various stories and characters that weren’t picked up on in RoS or subsequent interpretations (more later). [Robin Hood: His Life and Legend by Bernard Miles.]

Historical side note – Nottingham wasn’t previously called Nottingham, I believe. It began with an S, which was simply knocked off to become Nottingham. I’ve left it as Nottingham.

As part of the folk-horror era retelling of Robin Hood, I’d written a self-contained piece called ‘Rise of the Sælvatici’ which was the grand final showdown between the Robin character and the Sheriff of Nottingham and the forces of authority that he’d assembled. Whilst the story stalled again, I gave a couple of live performances of it at the Montol festival down in Cornwall (with thanks to Gurdybird for arranging/getting me performance space for that).

Whilst the novel had stalled, I’d started a secret fb group and was doing musical podcast-things for that whilst dreaming of turning into a multi-media thing. Also, around that time, I got Feline & Strange to record some clips and some stills (which I’m still using – Feline does great manic laughter).

Fast forwards once again to the start of the plague years and I started collecting some of the scraps to put together something as a collection of “found tales” – there was far too much ‘good stuff’ written and abandoned to not do something with it. From an old book of poetry that I’d loved, I remembered reading some Anglo-Saxon verse and how it was alliterative as opposed to rhyming, and found that a useful tool to add in for the first part.

‘Lore of the Sælvatici’ was beginning to take shape, intended to set the scene, set in Sherwood or Sherewode as characters called it, depending on their background/race. I wanted it to echo our times as much as possible, shifting in focus slightly to become a battle ground between Norse and Norman, Anglo-Saxon and Celtic and each group vying for power or independence. I brought in religious conflict, with the followers of “The Christ of the East” waging war on the Pagans; and the followers of Cernunnos fighting off the encroaching supporters of Ullr and Wōden.

Except. One thing I’d never quite understood from RoS was why they used Herne as a figure when he was based in Windsor Great Park. So I decided to use Cernunnos instead – but I didn’t. Deliberately. I felt the character/ figure too well known, and so the beloved Forest Lord is slain. However. Eventually, the genius loci arises, but the slaying of a stag is what brings them into being, and thus is the mad god/Stag daughter Caerne brought into existence – a woman, part god, part stag, whose father has been slaughtered though she was born of stag; a child without parents but with powers and capabilities, driven mad by her self-assumed responsibilities and with no one to turn to for explanations or help.

Rather than use the existing tales as an arc, I decided to have the emphasis of the three main novels (being written at the moment) as the attempt of a religious zealot to build, not just a cathedral, but a city, dedicated to ‘The Christ of the East’ in the heart of Sherwood, thereby stamping out Paganism and killing any Anglo-Saxons and Celts who didn’t simply fall down and worship their god.

Of course, it doesn’t quite work that way.

And then one day, a few months ago, I was randomly trawling fb (it’s called research) and I saw a post from a musician friend offering her services as a voice-over artist (Joanna Swan, The Familiars). I remembered the ‘Rise of the Sælvatici’ short piece and that translated into a one-woman radio play incredibly well. And voila, suddenly it was no longer just a text-based world, but there also existed now an audio drama as part of the world. In a satisfying connection, Joanna is also a RoS fan.

‘Lore of the Sælvatici’ was published and has earned some excellent reviews and then another idea came to me, not for a novel, but for a short story; in truth, there will be a number of short stories, each concentrating on only a character or two, so they can be explored in different ways to the novels. That idea was ‘Barrow witch’ – a representative of Wōden, one of his ravens made human, encounters a man who is a trained killer; all would be over for her, but the encounter takes place in front of a barrow where a wise-woman was buried alive. A storm ensues, and things get – interesting. It’s available on Audible as well and is an incredible journey – Joanna has already received a five-star review for it on Audible, and rightly so.

Artwork for both ‘Lore of the Sælvatici’ and ‘Barrow witch’ is by the fantastic John Chadwick.

In terms of inspiration, I should also mention ‘The Black Meadow’ (created by Chris Lambert) and ‘Hopeless, Maine’, (created by Tom and Nimue Brown and others). And the ‘Avebury’ album by The Stone Tapes. All three are worth exploring further.

What exists/ the arc of the Sælvatici:

‘Lore of the Sælvatici’ is the place to start, then ‘Barrow witch’ and finally ‘Rise of the Sælvatici’. When the three ‘Hurnungaz’ novels are written, they’ll take place after ‘Lore’, with ‘Rise’ closing the tale.

What’s next:

‘Hurnungaz’, the first of three novels specifically dealing with the Robin Hood character and their crew is currently being written.

‘The Rolling of the Stones’ a self-contained short story, featuring two minor characters and influenced by Peter Lagan’s interpretations of the song of the same name, is currently being written.

‘Lore of the Sælvatici’ is currently being turned into a one-woman radio play, again voiced by Joanna Swan. Intro/theme music has already been created by William Westwater (Dark Sinfonia) and background luting will be provided by Peter Lagan (Songs of Blood and Bone).

At some point, given how many musical artists have already contributed, inspired or offered their songs as inspirations for short stories (Songs of Blood and Bone, Gurdybird and Bleeding Raven have all inspired ideas for short stories) there will be an album (Joanna has also recorded a very impressive chant, loosely based around one of the “found tales” from ‘Lore of the Sælvatici’). This will be for charity.

‘Legends of the Sælvatici’, an anthology of tales either set in ‘Hurnungaz’ or alternative times, or in the current day, is intended to be announced in 2023 with the aim of publishing in 2024, although two pieces by outside contributors have already been accepted for it.

Where to find them:

You can search Amazon for the books and Kindles under my name (Steven C. Davis) and Audible for the two radio plays that are available so far. Signed editions of ‘Lore’ are also available via my Etsy shop – search Etsy for ‘Tenebrous Texts’.

There is also a secret but not-really secret group on fb – just search for ‘The Sælvatici’ and request admission – there’s advance notice on when things are going on, links to audio-podcasts with music that inspires me to write, art, images, and more stuff going on. At some point, there will also be a better website than currently exists to collect everything together properly.

Bio

Steven C. Davis is the author of ‘The Bookshop between the Worlds’ pair of alternate-Earth novels, ‘The Lore of the Sælvatici’, part of a folk-horror retelling of the Robin Hood mythos, ‘Less than Human’, the first of a non-paranormal paranormal romance series, and co-author, with S. J. Stewart, of ‘The Heart’s Cog’ series of NSFW action-adventure novels.

They are the creative director of ‘Tenebrous Texts’ through whom they have also published works from Stu Tovell and Jon Hartless, and have recently signed on Cat Randle.

They are the organiser of the ‘Raising Steam’ festivals and the ‘Raising Steam’ downloads – all in aid of their chosen charity, New Futures Nepal, of whom they are a trustee. The ‘Raising Steam’ downloads are a global phenomenon, gathering Steampunk and alternative independent and unsigned musical artists from the UK and around the globe.

They are the host of the Gothic Alternative Steampunk and Progressive (GASP) radio show which goes out every Thursday at 8pm (UK time). GASP plays music without borders and is deliberately eclectic, playing the best in unsigned and independent regardless of genre.

Links, etc.

Website: https://tenebrousarchives.weebly.com/

Sælvatici radio plays on Audible:

https://www.audible.co.uk/search?keywords=steven+c+davis&ref=a_hp_t1_header_search

Etsy shop: https://www.etsy.com/uk/shop/TenebrousTexts/

Amazon: https://smile.amazon.co.uk/s?k=the+S%C3%A6lvatici&i=stripbooks&crid=2JYOMKW9OG53P&sprefix=the+s%C3%A6lvatici%2Cstripbooks%2C96&ref=nb_sb_noss

Many thanks to Steven today for sharing a little about his writing world.

Happy reading, Jenny x

 

Writing for charidee with Jon Hartless: Blakes 7

Writing for charidee.

The above may take you back a bit. To the 1990s, to be exact, when Paul Whitehouse and Harry Enfield dominated the airwaves with their comedy sketch shows featuring dinosaur-tastic DJs Smashie and Nicey, a couple of characters inspired by several BBC DJs of that time who had been spinning disks, and the same tired old patter, since the year dot.

Nostalgia is, of course, big business. There has always been a yearning for the past, which is regularly seen as a better, simpler time. Quite often, in my view, this is absolute hogwash, as many view the openly racist, sexist, homophobic, disease-dominated, comfort-lite times through rose-tinted glasses. Or, in many cases, through goggles which have been painted completely red.

Not all nostalgia is bad, however, as long as you try and keep an open mind about the era you’re reminiscing over. And nostalgia can indeed be a positive thing, on occasion, as this blog will hopefully show as I finally get to the point and talk about the television of yesteryear.

TV has long been an area of warmth, comfort, and fun for hordes of fans who fondly remember a childhood spent watching such shows as Doctor Who, The Prisoner, The Avengers and so on. Indeed, our own Jenny Kane has a side-line going in producing stories within the framework of the beloved 1980s telefantasy Robin of Sherwood.

These old shows still hold a substantial fanbase of original and new viewers, with those who watched as kids often sharing their fan passions with their own children, meaning that TV is now something straddling, and joining together, the generations.

Of course, on the downside, the toxicity of some fans is truly horrendous, with gatekeeping being a common issue across many fandoms. See the rampant misogyny over the casting of Jodie Whittaker in Doctor Who as one prime example.

But at its best, you can find the fans combining to create new content, be it books, audio dramas, documentaries, and even new filmed episodes, all inspired by their beloved shows. And as they can’t (usually) do any of this for profit as they don’t hold the required licenses, they instead often do it to raise money for charity. (Thus finally tying in with the title of this blog. Bet you thought I’d forgotten that, didn’t you?)

One recent example I was lucky enough to be involved in was a new collection of fan-created content set around the final series of Blake’s 7. For those who don’t know, Blakes 7 (minus the apostrophe) was a low-budget BBC science fiction show that ran for four seasons from 1977-1981, and followed a small band of freedom fighters in their battle against the evil Federation.

The budget for this epic space opera was non-existent. Sets wobbled, spaceships flipped between models and cardboard cut-outs, robots were extras sprayed silver, and aliens were… what you’d expect on a 1970s BBC budget. Only slightly worse.

What saved the show was a dedicated cast and crew overcoming the budgetary issues to take on a heady brew of great concepts, great characters, and (occasional) great writing. The freedom fighters, for example, weren’t the young innocent heroes of typical pop culture fare, but were instead a mixed bag of idealists, criminals, and extremists – some of whom didn’t even want to be in the revolution. The totalitarian Federation, meanwhile, was headed up by the glam diva, Servalan, who wore long frocks and high heels no matter what the situation or environment, and who quite often ended the episode by killing her underlings. And the final episode still stands, for me, as one of the best of any TV show, regardless of genre.

Merchandise was a given, including toys, jigsaws, novel tie-ins, and – crucially – annuals. Three of these were produced, as a tie-in with seasons 1-3, while a fourth was planned but for some reason never saw the light of the day. And this is where modern-day fandom comes in.

Fast forward to now(ish) and dedicated fan Grahame Robertson decided to create an annual for the final season of Blakes 7, a substitute for the official book that never appeared. To do that he needed stories, artwork, and articles. He put a call out on social media and had an immediate, positive response. Indeed, the response was so positive, he had too many stories for the project, despite expanding it exponentially until it resembled something not unlike an encyclopedia in terms of girth.

Grahame’s response to this was very sensible. He decided to do an extra anthology for all the stories that wouldn’t fit into the annual. The result? The Blakes 7 Annual 1982, and the Scorpio Tales anthology. Two beautiful books stuffed full of fan enthusiasm, skill, and dedication. And this also means twice the money for charity; at the time of writing, the annual alone has raised over £2000 for both Axminster and Lyme Cancer Support, and Save the Children UK.

Unfortunately, not every fan project moves forward. I also contributed to a non-profit Doctor Who anthology entitled We Are The Master, but the editor seems to have run foul of BBC lawyers, (despite all funds raised going to mental health charities), and hence the whole project has been derailed. I hope this is only a temporary setback, but there seems to be no trace of it anywhere online, so this may, alas, be permanent.

But at least we have something out there made by a few of the fans, for the enjoyment of everyone, and the benefit of those who need it. Which is a nice way to go into 2022.

The Blakes 7 annual can be found at: https://www.lulu.com/en/gb/shop/carol-ramsay-and-grahame-robertson/b7-annual-1982/hardcover/product-4e6jrz.html?page=1&pageSize=4

The Blakes 7 anthology, Scorpio Tales, can be found at: https://www.lulu.com/en/gb/shop/carol-ramsay-and-grahame-robertson/scorpio-tales/paperback/product-5nqm7r.html?page=1&pageSize=4

BIO

Jon Hartless was born back in the 1970s, and feels very old. He contributed the short story “Space Rats in the Maze” to the Scorpio Tales anthology. He is also the author of the Poppy Orpington Chronicles, a Steampunk motor racing series which can be found at: https://www.amazon.co.uk/gp/product/B08MV8KMYN?ref_=dbs_p_pwh_rwt_anx_a_lnk&storeType=ebooks

Many thanks Jon. Got to love Blakes 7!

Happy reading everyone,

Jenny. x

Seventeen years…and counting

This week sees the 17th anniversary of the first time I wrote a story since I was at school – a story that was (miraculously) published three months after it was written. That story was a work of erotica! A fact that, in itself, seems impossible to me – a shy, self-conscious, paranoiac woman who has never quite got used to the fact that people actually want to by her books!

I still maintain that- if that very first story hadn’t been published- I’d never have picked a pen up for fiction creation ever again.

As with any anniversary, I have found myself reflecting on all that has happened to me ‘writing wise’ over the past decade and a half. (A reflection that is echoed in this same blog over on my Kay page – which is strictly for over 18’s only.)

What a roller coaster ride the last 17 years have been. Or perhaps it’s been more of a carousel, a long roundabout of constant ups and downs, but where, ultimately you always end up back where started, and yet you can’t quite stop the ride to get off…?

My first piece of erotica was a written on a paper serviette in a café in Aberdeenshire. I swear the idea came to be from nowhere. I don’t know why I was suddenly thinking about a cross dressing male who liked to have his arse spanked- but that is exactly what happened.

It took some time for me to be brave enough to do anything with the story. It was a couple of weeks before it made it onto a proper piece of paper, and several more before it was typed onto my computer and edited into shape. The amount of courage it took me to look up erotica publishers on the Internet- and the covert way I went about it- seems laughable now.

I sent off my story- which I rather unimaginatively had called Jen and Tim to Cleis Press- never expecting to hear anything again, and in the meantime, I’d written a rather kinky poem called Regrets, which I sent to the much missed Oysters and Chocolate web site. Then, I told myself to leave it alone, to look after my children and take up knitting or something. I never expected to hear back from either publisher. I certainly never expected to get both pieces taken- and I truly never expected the buzz the feeling of acceptance gave me- that was it- I was hooked- an addict to the acceptance of a publisher for the rest of my life!

It took 40 short story and poetry publications before I was brave enough to write something longer, and when I did, I cheated.

The Collector is both an anthology and a short novel- a set of different erotic stories- one for every genre within the discipline. I learnt a great deal from writing that book- and I still hold it in great affection.

Now, 17 years later, with over 150 erotic short stories to my name, plus a great many novellas and novels, I am still addicted, still hungry for the ‘yes’ of a publisher. Having a back record to your name never guarantees a story will be taken, and nor should it. Each new tale I write has to be worth publication on its own merits; it shouldn’t be published just because KJB or Jenny Kane or Jennifer Ash wrote it.

Over the past 7 years, I’ve had less time to write erotica as I have been fortunate to have some success with my romantic fiction, my medieval crime and my audio scripts. Plus, a few years ago now, I set up a creative writing tutoring business called Imagine, (with my friend and colleague, Alison Knight)  – and am now in the fabulous position of seeing some of my #novelinayear students having their own works published.

With the #MillGrange series about to come to an end – with the publication of Winter Fires at Mill Grange in November – and a brand new series of romcoms already in production, it’s looking as if the next two years will be as busy as the last.

I also have several exciting ‘irons in the fire’ that I can’ tell you about yet. Believe me though- when I can, you’ll definitely hear the shouts of delight coming from my little corner of Devon.

I’m also busy with my Robin of Sherwood work. I’m SO excited about the annual coming out this November. I honestly never dreamt I’d have a story in an annual! This is the 1987 annual that was never written at the time – well, it has been now! You can order your copy here.

Here’s to the next year and beyond!

And a HUGE thank you to all of you for supporting me. Without readers there are no writers.

Happy reading,

Jenny x

 

 

Download Today: Fitzwarren’s Well

A brand new Robin of Sherwood story is available to download from Spiteful Puppet!

Fitzwarren’s Well is a full cast (acted not narrated) audio story, staring Judi Trott as Marion.

Fancy a trailer care of the Radio Times? (Yes! The Radio Times!!!) Here you go –https://www.radiotimes.com/news/tv/2020-07-01/robin-of-sherwood-classic-tv-series-returns-for-new-story-recorded-in-lockdown/?fbclid=IwAR1AvsHxbXospBSUlL0WKsGLoJChdh_Jx4obcSkArUfNU2cXytGoxmlZD8g

Here’s the blurb-

Will Scarlet is regretting buying new boots as he walks home from Lichfield, desperate to get back to Sherwood. A worried Marion intercepts him with terrible news of a sickness that has laid low the rest of the outlaws.

A journey to the Lady of the Well is their one hope.

But the Lady will only help those she deems worthy… and someone is busy convincing her that they are not.

***

Richard Carpenter’s ROBIN OF SHERWOOD
‘FITZWARREN’S WELL’
By Jennifer Ash

Starring JUDI TROTT as Maid Marion

Featuring JON CULSHAW, SARAH GREENE and IAN OGILVY

With DANIEL ABINERI and BARNABY EATON-JONES

(Set during Series Three, between ‘Rutterkin’ and ‘The Time of the Wolf’)

Artwork: Anthony Lamb
Sound Design: Joseph Fox
Soundtrack: Arpeggio Creative
Produced & Directed by Barnaby Eaton-Jones

Television series Robin Of Sherwood © HTV/Goldcrest Films & Television 1983. Created by Richard Carpenter, with grateful thanks to his Estate.

Once upon a time a 14 year old girl fell in love with a story. The Robin Hood story.

Almost 34 years later, that same girl has – by some miracle – found herself writing for Spiteful Puppet – the power behind the new Robin of Sherwood audios and books – and adding, in a very small way, to that same story.

It is such a joy! Not only do I get to write lines for characters from my favourite television show – I also get to write for incredible guest stars.

The story of Fitzwarren’s Well evolved from an idea that Barnaby Eaton Jones – Spiteful Puppet’s producer, script editor, budget juggler, and actor – had not long after lockdown was imposed.

He wanted a tale that reflected – but did not copy – our current socially isolated situation.

The story was to involve two of Robin Hood’s outlaws (Marion and Will Scarlet), and two extra characters with whom they could interact – in this case Herne and a man called Fitzwarren. Obviously, we are in lockdown, so only actors with their own audio equipment could be involved in this production.

You will notice from the cast list above however, that rather than having a cast of four, we have a cast of six. This is because, when I was writing the story I accidentally invented the ‘Lady of the Well’ – and once I’d got her in my head, I couldn’t shift her.

Barnaby- being a forgiving sort- magically found the brilliant Sarah Greene (of Blue Peter fame) to provide the Lady of the Well’s voice. It has to be said, she plays the role to perfection.

At this point, I thought I’d finished writing the story – but then I received a phone call saying that the fantastic Mr Ian Ogilvy- on hearing that there was an opportunity to bring Lord Edgar of Huntingdon back for a cameo – offered his services. And so, there I was, suddenly writing lines for another of my acting heroes.

The result was Fitzwarren’s Well – of which I’ll say no more, for fear of spoiling the story.

You can buy your copy of Fitzwarren’s Well for download from Spiteful Puppet – here.

 

Happy listening,

Jennifer xx

 

The Power of Three: New and Exclusive Robin of Sherwood story

There are many questions an author gets asked on a regular basis.

The top three are-

  1. Where do you get your ideas from?
  2. Have you done everything you write about? (Usually reserved for my erotica books – and no, of course I haven’t!)
  3. How do you actually write a book?

I can add one other question to this list- and I would say it would rank at number 2 on my ‘most asked questions’ list.

When are you going to write another Robin of Sherwood story?

Answer – just done one!

I’m delighted to announce that the lovely folk at Spiteful Puppet (with permission from Chinbeard Books and the Richard Carpenter estate), have commissioned me to write the very first Robin of Sherwood story, that isn’t based on a television episode or an audio recording.

Yep- it’s the very first standalone novel.

Blurb

Why had Herne called Marion to his cavern and not Robin? And why was she afraid to tell him what the Lord of the Trees had shown her?

Forced to face his personal nightmares and his darkest secret, the Hooded Man needs his friends more than ever, but the outlaws are afraid… and no one knows who to trust.

To make matters worse, an old enemy is stalking Sherwood – but which one?

***

It will be available from 22nd May.

You can pre-order from…

The Power of Three (Paperback)

Hope you like it!

Happy reading,

Jen x

Powered by WordPress & Theme by Anders Norén