Opening Lines by Janet Few: Barefoot on the Cobbles
This week’s opening lines comes from fellow Devon based author, Janet Few.
Pop your feet up for five minutes, and take a read of the first 500 words of Barefoot on the Cobbles…
Barefoot on the Cobbles – a Devon tragedy by Janet Few
In the euphoria of the armistice a young woman lay dying. Daisy had grown up, barefoot on the cobbles, in a village on the rugged North Devon coast; she was mindful of the perils of the uncertain sea. Her family had also been exposed to the dangers of disease and the First World War but for Daisy, it was her own mother who posed the greatest threat of all. What burdens did that mother, an ordinary fisherman’s wife, carry? What past traumas had led, inexorably, to this appalling outcome?
Vividly recreating life at the dawning of the twentieth century, Barefoot on the Cobbles is based on a real tragedy that lay hidden for nearly a hundred years. Rooted in its unique and beautiful geographical setting, here is the unfolding of a past that reverberates unhappily through the decades and of raw emotions that are surprisingly modern in character.
More details about the novel, including information about how to obtain a copy, can be found at http://bit.do/bfotc; alternatively, visit the publisher’s website https://bluepoppypublishing.co.uk.
Opening Lines
The magistrate was saying something. Polly, with throat tightening and heat rising, struggled to focus. He repeated his question but she was transfixed, unable to answer. Images and incidents from the past kaleidoscoped before her eyes. She saw her childhood home in the secluded Devon valley, her courtship with Alb, her firstborn being put into her arms. Her daughter, Daisy, skipping barefoot down the Clovelly cobblestones, living, loving, laughing. Daisy, bone thin and dying. Daisy, whose passing had somehow, in a way that Polly couldn’t comprehend, led to her being here in this crowded, claustrophobic courtroom, with every eye upon her. She must compose herself, pay attention, escape from this nightmare. All she wanted to do was dream of the past, both good and bad times but somehow more certain, safer, predictable. Times before everything began to spiral terrifyingly out of control.
Mr Lefroy, the solicitor, had assured her that she wouldn’t hang; this was a manslaughter charge not murder. Nonetheless, phantom gallows haunted Polly’s restless nights. Even when she calmed and the hangman’s noose receded, there was still prison. Prison meant Holloway. Polly’s hazy and fragmented impression of Holloway was gleaned from the terror-ridden stories of suffragettes’ force-feeding, that the pre-war newspapers had revelled in. Or would they say she was mad? Echoes of insanity had touched her in the past. There were barely acknowledged tales of people she knew who had been locked away. When compared to the prospect of prison, the asylum at Exminster was somehow more familiar but no less formidable.
Polly knew she must concentrate, breathe slowly, think about what she should say. Mr Lefroy had explained that all she needed to do was to keep calm and tell the truth, so difficult in this alien environment with all these well-to-do folk looking on. Faces. Faces whirled and blurred in front of her. There was Alb, shuffling in his chair and running his finger round the restrictive collar that she had helped him to fasten only this morning. He looked lost and bewildered, barely recognisable without his beloved trilby hat. Faces of the villagers, reproachful and remote. Mr Collins, her accuser, cold and self-possessed. Mrs Stanbury, gossiping neighbour, once a friend maybe but now here as a witness for the prosecution. Then, overlaying all of these, the vision of Daisy. Daisy looking like a young lady in her new hat, proudly setting off for her first job beyond the security of the village. Daisy fighting, screaming, twisting her head away from the spoon that held the broth that might save her. Daisy dying.
Was it really her fault, as they were saying? Polly wondered. Could she have done any more? She was a mother; mothers should protect their children. She had tried, she really had, struggled in vain to shield them all from harm. The enormity of her many failures consumed her. There was Bertie, not quite the full shilling, Violet and her troubles, the worry over Leonard while he’d been away at sea during…
***
You can find Janet at https://thehistoryinterpreter.wordpress.com/
Many thanks for sharing your first 500 words today Janet,
Happy reading everyone,
Jenny x
Meet Jack: Another Cup of Coffee
I’m on my travels this weekend, so I thought I’d leave you with a little something to read – an extract from the very first book in the Another Cup of…series, Another Cup of Coffee. In particular, a little about Jack…
First of all however, here’s the blurb for you-
Thirteen years ago Amy Crane ran away from everyone and everything she knew, ending up in an unfamiliar city with no obvious past and no idea of her future. Now, though, that past has just arrived on her doorstep, in the shape of an old music cassette that Amy hasn’t seen since she was at university. Digging out her long-neglected Walkman, Amy listens to the lyrics that soundtracked her student days.
As long-buried memories are wrenched from the places in her mind where she’s kept them safely locked away for over a decade, Amy is suddenly tired of hiding. It’s time to confront everything about her life. Time to find all the friends she left behind in England, when her heart got broken and the life she was building for herself was shattered. Time to make sense of all the feelings she’s been bottling up for all this time. And most of all, it’s time to discover why Jack has sent her tape back to her now, after all these years…
With her mantra, New life, New job, New home, playing on a continuous loop in her head, Amy gears herself up with yet another bucket-sized cup of coffee, as she goes forth to lay the ghost of first love to rest…
***
Let me introduce you to Jack. It has to be said, that Jack does not start off as the nicest man in the world- a real bad boy. And yet- perhaps for that very reason- he has become the most popular character in the series. This extract comes from very early on, and we find him in the shower, very much wishing he hadn’t sent an old fashioned mix tape to his ex-girlfriend, Amy…
****
The power shower thundered, sending a searing-hot cascade of water down onto Jack’s head. Squeezing far too much shampoo into his hands, he began to viciously scrub his short hair. What the hell had he been thinking? Well, actually, he hadn’t been thinking, had he? He never looked beyond himself. The moment. The day. He was so stupid. So angry with himself.
Why had he posted that tape? And more immediately, where was he? And how soon was he going to able to get away from whoever it was he’d spent the night with? Jack could feel the familiar sensation of suffocation closing in on him as he abandoned his hair and began to furiously soap his torso.
He was a shit.
But then you have to be good at something.
And now Amy was coming here. It hadn’t crossed his mind that she’d even visit, let alone move her entire life back south. And not just south, but bloody London. Being back in touch, and hopefully forgiven, was one thing when she was safely tucked away in Scotland. But here. Face to face. Jack hadn’t banked on that at all.
He really didn’t want to see Rob today. It was his fault this had happened. Rob had come into work one day, back in the summer, going on about how worried he and Paul were for Amy. How she seemed to have placed herself completely off the emotional scale. The combination of bright sunshine, happy reminiscences, and the weight of a conversation he and Amy had never had, had brought his buried guilt racing to the surface.
Then, a few days later, Paul had visited Jack and Rob’s bookshop, passing through on one of his rare visits between his archaeological digs. He’d been sorting out some of his university mementos, and had come across a load of photographs.
They were all there, at university, more years ago than was acceptable if Jack was still going to pass himself off as thirty at the clubs he frequented. Amy, Rob and Paul huddled together in a muddy ditch, laughing. Rob, Paul and him, pints of Tiger lager in hand, outside their favourite pub. Paul, Amy and him, all cuddled together on Rob’s battered and suspiciously stained brown sofa. Amy and him. Amy and him together. Smiling. Together.
That had been the killer. That was the photo that had made him think. Her eyes had shone at the camera. If Jack was honest, so had his. So, in a state of happy but unrealistic nostalgia, he’d gone home, dragged a box of assorted junk out from under his bed, and pulled out the tape.
He had weighed the clear plastic box in his hand. It was time to explain. If Amy was half the girl he used to know then she’d forgive him. And suddenly, from nowhere, Jack had found that he really, really needed to be forgiven.
That was why he’d put Unfinished Sympathy on Amy’s tape. He wanted her to understand that he knew he’d hurt her. That he, himself, had been hurt by having to leave her. But for reasons he hadn’t totally understood at the time, he’d felt he had no choice. A fact which had led him to the record the unbearably twee, but wholly accurate, I Will Always Love You. It seemed to say how sorry he was. It said everything he’d wanted to say then, but couldn’t. He was sorry, really he was. But for Amy to turn up here! Bloody hell.
Stepping out of the shower, Jack began to dry himself with a suitably punishing rough brown towel. Now he was going to have to tell Rob he’d returned the tape, and have another go at talking to Kit.
He hadn’t deliberately failed to tell Kit about Amy. Specific conversations about individual exes had never come up. Jack was pretty sure that Rob hadn’t mentioned Amy to Kit either. Amy had been part of their old life, and Kit was part of their current one. Simple.
Jack knew he had to see Kit soon, before someone else filled her in. He wasn’t sure why he’d walked out on her now he came to think about it. At least she’d understand. Kit always understood. After all, they’d remained friends. Great friends. They had moved on smoothly.
‘Talk about my past catching me up,’ he muttered to his sleep-deprived reflection as he dragged a borrowed razor over his chin. ‘It’s pretty much tripped me up, into a pile of shit, and it’s entirely my fault. Bloody sentimental tape!’
Approaching his bookshop, Jack peered up at the sign which swung, pub-like, from its low eaves, and silently thanked his grandfather for the money he’d left him.
Even though he’d attained a first degree in Ecology, Jack had never had any intention of taking up a career in that arena. The idea of running a bookshop had started as a faint possibility; an option amongst many. It had developed into a dream, and then, when he’d accidentally come across the empty premises in Kew, it had blossomed into an exciting and challenging project.
Now Reading Nature was a source of real pride, and despite his self-inflicted gloom, Jack got a kick of achievement from seeing its single bay-windowed frontage ahead of him. Through the glass Jack could see Rob’s cropped ginger-haired head bent over the counter. He was busy sorting the mornings post into to do, to send out, bills to pay, and junk to recycle, piles.
‘Morning,’ Rob smiled up at his friend as he came in, but adjusted his expression as he saw the cloud hanging across Jack’s face. ‘What’s up? Club no good last night?’
‘It was fine, busy, you know.’
‘Not really, mate, but then I’m a boring old married fart.’
Jack attempt at a smile failed, ‘I’ve done something stupid. I think.’
Rob pulled a face that clearly said, “No change there then,” but simply said, ‘Go on.’
‘I’ve got in touch with Amy…’
****
If you’d like to read the first novel in the series, it is available as an eBook, and as a paperback from all good online stores and bookshops, including…
Happy Reading,
Jenny xx
Opening Lines with Sonja Price: The Giants Look Down
I’m delighted to welcome friend and fellow Romantic Novelist Association member, Sonja Price, to my place today.
Sit back and enjoy her opening lines from The Giants Look Down.
Driving to work one day, my imagination was ignited by a report on the radio about the Great Earthquake of 2005. In addition to news of the devastating tragedy, I discovered that the Vale of Kashmir is breathtakingly beautiful. Some of the highest mountains in the world cradle a valley lush in sycamore woods and fields of saffron interspersed with a necklace of lakes. A spectacular place to set a story, it also boasts a rich history of maharajas, princes and princesses. But this paradise has been spoilt by strife since the mostly Muslim Vale of Kashmir chose to become part of its Hindu neighbour, India.
There must be a story in there somewhere, I thought. What would happen if a 10-year-old Hindu girl called Jaya decided to become a doctor much to chagrin of her mother and the patriarchal society of 1960s Kashmir? My aim was to entertain and amuse the reader and not want to take sides. At the same time, I tried to depict the situation as sensitively and genuinely as possible. Drawing attention to the plight of Kashmiris could surely not be a bad thing in itself, could it?
I love to write about unfamiliar terrain and going to Kashmir, if only in my mind with the help of online resources, picture books and interviews with Indians, has been a wonderful journey that started in my car!
First 500 words from The Giants Look Down
Kashmir 1967
When I was ten, I found out what I wanted to be. In fact, I can remember the very day I decided to become a healer. On that late summer’s morning, I could still see my breath when I climbed up into our battered old Land Rover. You know what those kinds of vehicles are like. I was up high, and I felt so much bigger anyway because I was in the front next to Pa. If I shut my eyes and concentrate, I can still smell his pipe smoke lingering on the leather seats. The radio was on that morning because Pa, being such a huge cricket fan, had started listening to the Ashes long before the sun cut the peaks of the Nun Kun. In India, you hear talk of three things on every village corner: cricket, movies and politics. The Vale of Kashmir was no exception.
The tiny red figure of Lord Vishnu, the protector, bobbed about under the rear-view mirror as I scanned the skies for golden eagles. I spotted one, riding the winds, soaring and circling before dropping hundreds of feet to pluck a groundhog from the mountain slopes. All around us, tiny mauve and yellow flowers danced in the breeze as the snowy summits of Pir Panjal meditated in the early morning sun. Beneath them, rocks gave way to forests, emerald green valleys and the glint of the Jhelum River. In the far distance, Wular Lake slumbered peacefully under its blanket of mist. Above us, the Thajiwas glacier sparkled ice blue beside the cone-like peak of Gwash Brari where settlements hugged its foothills. All Pa’s territory, because he was the only doctor for miles. The crowd roared and the man on the radio was getting terribly excited when a posh voice cut in:
‘News has just reached us that a suicide attack in Indian-administered Kashmir has killed three people, including the bomber, and injured more than seventeen. The explosion occurred in the Nowgam area on the outskirts of Srinagar, the region’s summer capital. A Pakistan-based Islamic militant group has claimed responsibility for the explosion in a telephone call to local news agency Current News Service.’
Pa switched off the radio. ‘Madmen! Outsiders! Trying to turn us against each other! Sufi, Hindu, Sikh, what does it matter? We’ve been smoking beedi together in the teahouses of Dal Lake for centuries. Long before the British came. Long before Partition. Now they make us play the Great Game and fight like cockerels. Should I not attend to Mrs Durrani because she is a Muslim? And Kaliq? Should we throw our beloved servant out? How could the gods tolerate bloodshed in our beautiful vale?’
I certainly didn’t understand. How could grown-ups fight and kill each other when we children were always being told to be nice to each other? Diwali, our festival of light, includes their Muslim god Ali and Ramadan includes our Lord Ram, so how were we so different? It didn’t make any sense.
About the author: Sonja lives in Somerset with her family and dog. She’s a member of the Romantic Novelists’ Association and her short stories have appeared in Stories For Homes, the Shelter Anthology of Short Stories and In these Tangles, Beauty Lies, an anthology in aid of the Beanstalk Trust for children with reading difficulties. Her debut novel The Giants Look Down (2016) made her a finalist for the Joan Hessayon Award. She’s currently working on the story about a widow’s quest to resolve the mysterious circumstances surrounding her husband’s death out in the Canadian Wilds.
Links:
Website: www.sonja-price.com
Twitter: @PriceSonja
Facebook: Sonja Price Author
You can find The Giants Look Down as a paperback or e-book on:
AMAZON UK: https://www.amazon.co.uk/Giants-Look-Down-Sonja-Price/dp/0719819954
Many thanks Sonja,
Happy reading everyone,
Jenny xx
Arthur Dux Bellorum
I’m delighted to welcome back historical novelist, Tim Walker, to my site today. Robin Hood is stepping aside for a moment to make way for King Arthur!
Over to you Tim…
Blurb
From the ruins of post-Roman Britain, a warrior arises to unite a troubled land
Britain in the late Fifth Century is a troubled place – riven with tribal infighting and beset by invaders in search of plunder and settlement. King Uther is dead, and his daughter, Morgana, seizes the crown for her infant son, Mordred. Merlyn’s attempt to present Arthur as the true son and heir of Uther is scorned, and the bewildered teenager finds himself in prison. Here our story begins…
Arthur finds friends in unexpected quarters and together they flee. Travelling through a fractured landscape of tribal conflict and suspicion, they attempt to stay one step ahead of their pursuers, whilst keeping a wary eye on Saxon invaders menacing the shoreline. Arthur’s reputation as a fearsome warrior grows as he learns the harsh lessons needed to survive and acquire the skills of a dux bellorum, a lord of war.
Tim Walker’s Arthur Dux Bellorum is a fresh look at the Arthurian legend, combining myth, history and gripping battle scenes. Although in a series, it can be read as a standalone novel.
Fans of Bernard Cornwell, Conn Iggulden and Mathew Harffy will enjoy Walker’s A Light in the Dark Ages series and its newest addition – Arthur Dux Bellorum.
***
Extract from Arthur Dux Bellorum by Tim Walker
MERLYN LED HIS gang through the streets of sleeping Venta, beneath the glow of a pale moon. He glanced about for any signs of movement before rounding a corner, where he came face-to-face with a large, growling dog, its bared teeth and arched back indicating a readiness to strike. He held an arm up to indicate his followers should stop and dropped to eye level with the dog. He whispered in a soothing tone and slowly pulled a piece of roasted boar skin from inside his tunic and offered it. The dog approached, sniffing. Merlyn carefully patted its head and was relieved to see its tail wagging. “Come on,” he urged his followers, allowing the dog to tag along beside him.
They avoided a watchman’s tower at the corner of the wooden stockage that housed the royal buildings, and lined up in the shadow of a warehouse opposite the doorway to the kitchen. Merlyn checked both ways and studied the parapet above the wooden barrier across the street before running across to the door. He rapped the code and waited for a response. Sure enough, he heard bolts being withdrawn and he stood back, gripping his staff in both hands, ready to strike.
Morgaise’s face peered out from under a hood and he smiled with relief. “Come quickly,” she whispered. “The guards are drunk and sleeping.”
Merlyn waved for his men to follow and then entered the compound. Once all eight were inside, Varden, their leader, detailed one man to watch the doorway and two others to scout the yard and be in readiness to cover their escape.
Merlyn turned to Morgaise and asked, “Do you know where the sword of Ambrosius is?”
“The one Artorius pulled from the stone? Yes, it hangs on the wall in the Great Hall, behind the throne and under Mordred’s banner.”
When Varden returned to his side, Merlyn conveyed this information in a whisper. With a nod from Merlyn, Morgaise led them into the kitchen and out into a passageway that connected the hall to the sleeping quarters. She met Anne halfway along the narrow hallway, who indicated they should take a left turn. At the top of a circular stairwell Anne whispered to Merlyn, “At the bottom you will find the jailor sleeping on a wooden bed, but the night watchman is awake. He has the keys to the cells.”
Merlyn nodded. “Anne shall lead us down and Morgaise shall remain here to keep a look out and wait for our return. Varden will go to the hall and get the sword.”
“No,” Morgaise whispered, “the hunting hounds sleep in there by the hearth. They will attack him.”
Varden and Merlyn were confounded by this information. “Barking and snarling hounds would wake the guards,” Merlyn said, deep in thought.
“I sometimes feed the hounds,” Morgaise hissed. “They know me. Let me go there with a plate of meat from the larder and pick the sword on my way out.”
“Will they attack you in the dark?” Varden asked.
“Not if they smell the meats on offer,” she replied.
“Then let us try it,” Merlyn said, not wishing to delay further. “Varden will stand by the door with two men, ready to come to your aid if the hounds are restless,” Merlyn added.
Morgaise led Varden back to the kitchen to raid the larder for joints, whilst Merlyn and the rest of the men descended the stairs behind Anne. At the foot of the stairwell was a chamber lit by a solitary torch glowing from a bracket on the stone wall. To their right was a wooden bed on which slept the large form of Ahern, the gaoler, snoring on his back. Anne crept forward towards the row of cells and bumped into a startled watchman, holding a lantern in which the candle had died.
“Oy, what are you doing here?” he growled. Merlyn and his companions shrunk back into the shadows, leaving Anne to answer him.
“I… followed my cat down the steps. Have you seen him?”
“No, I have not…” was all he managed in reply as Merlyn stepped forward and banged his head with the ball at the end of his wooden staff. The young gaoler fell to the floor, unconscious, and they checked whether the sleeping man had been disturbed by the clatter of the lamp on the floor. Ahern grunted and rolled over, facing the wall. Anne picked up the keys from the stricken man and passed them to Merlyn. They moved cautiously down a flight of a dozen steps to a tunnel lined with locked doors. A burning torch fixed to the wall lighted their way. Anne plucked it from its sconce…
***
Tim Walker is an independent author based in Windsor, UK. His background is in marketing, journalism, editing and publications management. He began writing an historical series, A Light in the Dark Ages (set in Fifth Century Britain), in 2015, starting with Abandoned, set at the time the Romans left Britain. This was extensively revised and re-launched as a second edition in 2018.
Book two, Ambrosius: Last of the Romans, was published in 2017 and the third installment, Uther’s Destiny, was published in March 2018 (winner of One Stop Fiction book of the month award, April 2018). The adventure continues from March 2019 in the fourth book, Arthur, Dux Bellorum.
His creative writing journey began in July 2015 with the publication of a book of short stories, Thames Valley Tales. In September 2017 he published a second collection of short stories – Postcards from London. These stories combine his love of history with his experiences of living in London and various Thames Valley towns.
In 2016 he published his first novel, a dystopian political thriller, Devil Gate Dawn, following exposure through the Amazon Scout programme. In 2017 he published his first children’s book, The Adventures of Charly Holmes, co-written with his 12-year-old daughter, Cathy, followed In 2018 by a second adventure, Charly & The Superheroes.
Author Website: http://timwalkerwrites.co.uk
Newsletter sign-up: http://eepurl.com/diqexz
Amazon Author Page: http://Author.to/TimWalkerWrites
Facebook Page: http://facebook.com/TimWalkerWrites
Twitter: http://twitter.com/timwalker1666
Opening Lines with K.M. Pohlkamp: Apricots and Wolfsbane
This week’s opening lines comes from the amazing K.M. Pohlkamp; an aerospace engineer who works in Mission Control no less! In contrast to her up to the minute profession, she has written a fascinating historical novel…Apricots and Wolfsbane.
Over to you…
The world’s first known serial killer was a woman.
That fact struct me after reading an article about forgotten females from history. Locusta was a female poison assassin from Rome (Gaul) who discovered it was more lucrative to use her knowledge of herbs to kill than heal. As a female engineer, I relate to the struggle of going against traditional gender stereotypes. Locusta must have faced challenges, but her gender would have been an asset in a field where surprise provided an advantage. There is not much known about Locusta, which incited my imagination. And the more I thought about her life, a story began to weave in my mind.
At the same time, my priest gave a sermon about the ease of falling into a cycle of sin and penance. How often we realize our actions are incorrect and then feel guilt but after awhile the guilt wears and it becomes easy to commit the sin again. Of course he was talking about minor offenses, but as a matter of reductio ad absurdum, I applied this concept to a murderer and placed Locusta’s inspiration at the height of the Catholic Church in Tudor England.
Synopsis of Apricots and Wolfsbane
Lavinia Maud craves the moment the last wisps of life leave her victim’s bodies—to behold the effects of her own poison creations. Believing confession erases the sin of murder, her morbid desires are in unity with faith, though she could never justify her skill to the magistrate she loves.
At the start of the 16th century in Tudor England, Lavinia’s marks grow from tavern drunks to nobility, but rising prestige brings increased risk. When the magistrate suspects her ruse, he pressures the priest into breaking her confessional seal, pitting Lavinia’s instincts as an assassin against the tenets of love and faith. She balances revenge with her struggle to develop a tasteless poison and avoid the wrath of her ruthless patron.
With her ideals in conflict, Lavinia must decide which will satisfy her heart: love, faith, or murder—but the betrayals are just beginning.
Apricots and Wolfsbane was shortlisted for the 2017 Chaucer Historical Fiction Awards and received 5-stars from Readers’ Favorite.
***
And the first 500 words of Apricots and Wolfsbane:
The violent display of convulsions lasted longer than I anticipated.
With my boots propped on the table, I remember watching beads of wax roll down the candle, marking time between my victim’s spasms. The brothel room was sparse, and the bed in the corner remained undisturbed. I had assumed the role of temptress that evening, but delivered a different climax.
I savored the fear on my victim’s face as much as my own unlaced mead. The sweetness of both danced on my palate. His repulsive gagging, however, I endured with patience.
My target focused upon me. His hand shook, reaching out in a misplaced plea for aid. Instead, I raised my goblet in a final toast while he turned purple. He glanced towards his spilled glass, and then studied my face with new understanding. With his last remnants of life, he pieced together what I had done. Those little moments made the act so delicious. And as his body collapsed upon the floor, I added one more success to my mental tally.
Murder just never got old.
The scratching of my chair sliding across the uneven floor broke the sudden, serene silence of the room. Driven by curiosity, my boots echoed with each step towards my victim.
The man’s eyes contained a lingering remnant of vibrancy despite the departure of the soul they once served. White froth percolated from his open mouth, overflowing the orifice to trail down his neck. It was not an honorable death, but my client had paid for certainty, not dignity.
Curious, I examined the large ruby on the victim’s pointer finger which matched the client’s description — an ornate setting with a coat of arms on one side of the gem and a mare’s head on the opposite. The worked piece of silver did not seem important enough to procure my service, but as a professional, I had not asked for justification, only payment. Material significance so often motivated patrons to fill my coffers. I recognized the inherent sin, but I never judged a client’s reason. I was not qualified to cast the first stone.
I did admire my victim. After all, he was a fellow criminal. I believed his talents as a thief must have been remarkable to pilfer the ring unnoticed from the finger of its owner. I often boasted of my own sleight of hand, but admittedly, I could not accomplish such a feat. Though in my defense, assassin clearly trumped thief.
After donning the black leather gloves concealed within the lacings of my bodice, I returned to business. I pushed the tipped chair out of the way and pulled on the ring, but my motion abruptly halted.
Caught at the knuckle, the gem did not budge.
I stared at his limp hand, dumbfounded, before a flame of focus burst through my body. How I craved and savored that rush. That high, and the feeling of power, motivated my ghastly craft all those years. Despite the stress, I never lost control of my…
About the author
K.M. Pohlkamp is a blessed wife, proud mother of two young children, and an aerospace engineer who works in Mission Control. She operated guidance, navigation and control systems on the Space Shuttle and is currently involved in development of upcoming manned-space vehicles. A Cheesehead by birth, she now resides in Texas for her day job and writes to maintain her sanity. Her other hobbies include ballet and piano. K.M. has come a long way from the wallpaper and cardboard books she created as a child. Her debut historical fiction novel, Apricots and Wolfsbane, was published by Filles Vertes Publishing.
Links:
Visit GoodReads and see what others are saying
***
Many thanks for some great opening lines.
Happy reading everyone,
Jenny
Romancing Robin Hood: A tasty taster
Romancing Robin Hood is a contemporary romance is based on the life of Dr Grace Harper, a medieval history lecturer with a major Robin Hood obsession. So much so, that instead of writing a textbook on medieval life, Grace is secretly writing a novella about a fourteenth century girl called Mathilda, who gets mixed up with a real outlaw family of the day, the Folvilles. (Which you can also read about within this same novel)
The problem is that Grace is so embroiled in her work and passion for outlaws, that real life is passing her by. A fact that the unexpected wedding announcement of her best friend Daisy, has thrown into sharp focus…
Extract from Romancing Robin Hood
…Daisy hadn’t grown up picturing herself floating down the aisle in an over-sequinned ivory frock, nor as a doting parent, looking after triplets and walking a black Labrador. So when, on an out-of-hours trip to the local vet’s surgery she’d met Marcus and discovered that love at first sight wasn’t a myth, it had knocked her for six.
She’d been on a late-night emergency dash to the surgery with an owl a neighbour had found injured in the road. Its wing had required a splint, and it was too big a job for only one pair of hands. Daisy had been more than a bit surprised when the locum vet had stirred some long-suppressed feeling of interest in her, and even more amazed when that feeling had been reciprocated.
It was all luck, sheer luck. Daisy had always believed that anyone meeting anybody was down to two people meeting at exactly the right place, at exactly the right time, while both feeling precisely the right amount of chemistry. The fact that any couples existed at all seemed to Daisy to be one of the greatest miracles of humanity.
She pictured Grace, tucked away in her mad little office only living in the twenty-first century on a part-time basis. Daisy had long since got used to the fact that her closest friend’s mind was more often than not placed firmly in the 1300s. Daisy wished Grace would finish her book. It had become such a part of her. Such an exclusive aim that nothing else seemed to matter very much. Even the job she used to love seemed to be a burden to her now, and Daisy sensed that Grace was beginning to resent the hours it took her away from her life’s work. Maybe if she could get her book over with – get it out of her system – then Grace would stop living in the wrong timeframe.
Daisy knew Grace appreciated that she never advised her to find a bloke, settle down, and live ‘happily ever after,’ and she was equally grateful Grace had never once suggested anything similar to her. Now she had Marcus, however, Daisy had begun to want the same contentment for her friend, and had to bite her tongue whenever they spoke on the phone; something that happened less and less these days.
Grace’s emails were getting shorter too. The long paragraphs detailing the woes of teaching students with an ever-decreasing intelligence had blunted down to, ‘You ok? I’m good. Writing sparse. See you soon. Bye G x’
The book. That in itself was a problem. Grace’s publishers and colleagues, Daisy knew, were expecting an academic tome. A textbook for future medievalists to ponder over in the university libraries of the world. And, in time, that was exactly what they were going to get, but not yet, for Grace had confided to Daisy that this wasn’t the only thing she was working on, and her textbook was coming a poor third place to work and the other book she couldn’t seem to stop herself from writing.
‘Why,’ Grace had forcefully expounded on their last meeting, ‘should I slog my guts out writing a book only a handful of bored students and obsessive freaks like myself will ever pick up, let alone read?’
As a result, Grace was writing a novel, ‘A semi-factual novel,’ she’d said, ‘a story which will tell any student what they need to know about the Folville family and their criminal activities – which bear a tremendous resemblance to the stories of a certain famous literary outlaw! – and hopefully promote interest in the subject for those who aren’t that into history without boring them to death.’
It sounded like a good idea to Daisy, but she also knew, as Grace did, that it was precisely the sort of book academics frowned upon, and she was worried about Grace’s determination to finish it. Daisy thought it would be more sensible to concentrate on one manuscript at a time, and get the dry epic that everyone was expecting out of the way first. Perhaps it would have been completed by now if Grace could focus on one project at a time, rather than it currently being a year in the preparation without a final result in sight. Daisy suspected Grace’s boss had no idea what she was really up to. After all, she was using the same lifetime of research for both manuscripts. She also had an underlying suspicion that subconsciously Grace didn’t want to finish either the textbook or the novel; that her friend was afraid to finish them. After all, what would she fill her hours with once they were done?
Daisy’s mobile began to play a tinny version of Nellie the Elephant. She hastily plopped a small black guinea pig, which she’d temporarily called Charcoal, into a run with his numerous friends, and fished her phone from her dungarees pocket.
‘Hi, Marcus.’
‘Hi honey, you OK?’
‘Just delivering the tribe to their outside quarters, then I’m off to face the horror that is dress shopping.’
Her future husband laughed, ‘You’ll be fine. You’re just a bit rusty, that’s all.’
‘Rusty! I haven’t owned a dress since I went to parties as a small child. Thirty-odd years ago!’
‘I don’t understand why you don’t go with Grace at the weekend. It would be easier together wouldn’t it?’
Daisy sighed, ‘I’d love to go with her, but I’ll never get her away from her work more than once this month, and I’ve yet to arrange a date for her to buy a bridesmaid outfit.’
‘Well, good luck, babe. I’m off to rob some bulls of their manhood.’
Daisy giggled, ‘Have fun. Oh, why did you call by the way?’
‘Just wanted to hear your voice, nothing else.’
‘Oh cute – ta.’
‘Idiot! Enjoy shopping.’
As she clicked her battered blue mobile shut and slid it back into her working clothes, Daisy thought of Grace again. Perhaps she should accidentally invite loads of single men to the wedding to tempt her friend with. The trouble was, unless they wore Lincoln Green, and carried a bow and quiver of arrows, Daisy very much doubted whether Grace would even notice they were there…
Blurb
Dr Grace Harper has loved the stories of Robin Hood ever since she first saw them on TV as a girl. Now, with her fortieth birthday just around the corner, she’s a successful academic in Medieval History, with a tenured position at a top university.
But Grace is in a bit of a rut. She’s supposed to be writing a textbook on a real-life medieval gang of high-class criminals – the Folvilles – but she keeps being drawn into the world of the novel she’s secretly writing – a novel which entwines the Folvilles with her long-time love of Robin Hood – and a feisty young girl named Mathilda, who is the key to a medieval mystery…
Meanwhile, Grace’s best friend Daisy – who’s as keen on animals as Grace is on the Merry Men – is unexpectedly getting married, and a reluctant Grace is press-ganged into being her bridesmaid. As Grace sees Daisy’s new-found happiness, she starts to re-evaluate her own life. Is her devotion to a man who may or may not have lived hundreds of years ago really a substitute for a real-life hero of her own? It doesn’t get any easier when she meets Dr Robert Franks – a rival academic who Grace is determined to dislike but finds herself being increasingly drawn to…
Buy Links – Romancing Robin Hood is available from all good paperback and e-retailers.
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Happy reading,
Jenx
