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Arthur Dux Bellorum

I’m delighted to welcome back historical novelist, Tim Walker, to my site today. Robin Hood is stepping aside for a moment to make way for King Arthur!

Over to you Tim…

Blurb

From the ruins of post-Roman Britain, a warrior arises to unite a troubled land 

Britain in the late Fifth Century is a troubled place – riven with tribal infighting and beset by invaders in search of plunder and settlement. King Uther is dead, and his daughter, Morgana, seizes the crown for her infant son, Mordred. Merlyn’s attempt to present Arthur as the true son and heir of Uther is scorned, and the bewildered teenager finds himself in prison. Here our story begins…

Arthur finds friends in unexpected quarters and together they flee. Travelling through a fractured landscape of tribal conflict and suspicion, they attempt to stay one step ahead of their pursuers, whilst keeping a wary eye on Saxon invaders menacing the shoreline. Arthur’s reputation as a fearsome warrior grows as he learns the harsh lessons needed to survive and acquire the skills of a dux bellorum, a lord of war.

Tim Walker’s Arthur Dux Bellorum is a fresh look at the Arthurian legend, combining myth, history and gripping battle scenes. Although in a series, it can be read as a standalone novel.

Fans of Bernard Cornwell, Conn Iggulden and Mathew Harffy will enjoy Walker’s A Light in the Dark Ages series and its newest addition – Arthur Dux Bellorum.

***

Extract from Arthur Dux Bellorum by Tim Walker

MERLYN LED HIS gang through the streets of sleeping Venta, beneath the glow of a pale moon. He glanced about for any signs of movement before rounding a corner, where he came face-to-face with a large, growling dog, its bared teeth and arched back indicating a readiness to strike. He held an arm up to indicate his followers should stop and dropped to eye level with the dog. He whispered in a soothing tone and slowly pulled a piece of roasted boar skin from inside his tunic and offered it. The dog approached, sniffing. Merlyn carefully patted its head and was relieved to see its tail wagging. “Come on,” he urged his followers, allowing the dog to tag along beside him.

They avoided a watchman’s tower at the corner of the wooden stockage that housed the royal buildings, and lined up in the shadow of a warehouse opposite the doorway to the kitchen. Merlyn checked both ways and studied the parapet above the wooden barrier across the street before running across to the door. He rapped the code and waited for a response. Sure enough, he heard bolts being withdrawn and he stood back, gripping his staff in both hands, ready to strike.

Morgaise’s face peered out from under a hood and he smiled with relief. “Come quickly,” she whispered. “The guards are drunk and sleeping.”

Merlyn waved for his men to follow and then entered the compound. Once all eight were inside, Varden, their leader, detailed one man to watch the doorway and two others to scout the yard and be in readiness to cover their escape.

Merlyn turned to Morgaise and asked, “Do you know where the sword of Ambrosius is?”

“The one Artorius pulled from the stone? Yes, it hangs on the wall in the Great Hall, behind the throne and under Mordred’s banner.”

When Varden returned to his side, Merlyn conveyed this information in a whisper. With a nod from Merlyn, Morgaise led them into the kitchen and out into a passageway that connected the hall to the sleeping quarters. She met Anne halfway along the narrow hallway, who indicated they should take a left turn. At the top of a circular stairwell Anne whispered to Merlyn, “At the bottom you will find the jailor sleeping on a wooden bed, but the night watchman is awake. He has the keys to the cells.”

Merlyn nodded. “Anne shall lead us down and Morgaise shall remain here to keep a look out and wait for our return. Varden will go to the hall and get the sword.”

“No,” Morgaise whispered, “the hunting hounds sleep in there by the hearth. They will attack him.”

Varden and Merlyn were confounded by this information. “Barking and snarling hounds would wake the guards,” Merlyn said, deep in thought.

“I sometimes feed the hounds,” Morgaise hissed. “They know me. Let me go there with a plate of meat from the larder and pick the sword on my way out.”

“Will they attack you in the dark?” Varden asked.

“Not if they smell the meats on offer,” she replied.

“Then let us try it,” Merlyn said, not wishing to delay further. “Varden will stand by the door with two men, ready to come to your aid if the hounds are restless,” Merlyn added.

Morgaise led Varden back to the kitchen to raid the larder for joints, whilst Merlyn and the rest of the men descended the stairs behind Anne. At the foot of the stairwell was a chamber lit by a solitary torch glowing from a bracket on the stone wall. To their right was a wooden bed on which slept the large form of Ahern, the gaoler, snoring on his back. Anne crept forward towards the row of cells and bumped into a startled watchman, holding a lantern in which the candle had died.

“Oy, what are you doing here?” he growled. Merlyn and his companions shrunk back into the shadows, leaving Anne to answer him.

“I… followed my cat down the steps. Have you seen him?”

“No, I have not…” was all he managed in reply as Merlyn stepped forward and banged his head with the ball at the end of his wooden staff. The young gaoler fell to the floor, unconscious, and they checked whether the sleeping man had been disturbed by the clatter of the lamp on the floor. Ahern grunted and rolled over, facing the wall. Anne picked up the keys from the stricken man and passed them to Merlyn. They moved cautiously down a flight of a dozen steps to a tunnel lined with locked doors. A burning torch fixed to the wall lighted their way. Anne plucked it from its sconce…

***

Tim Walker is an independent author based in Windsor, UK. His background is in marketing, journalism, editing and publications management. He began writing an historical series, A Light in the Dark Ages (set in Fifth Century Britain), in 2015, starting with Abandoned, set at the time the Romans left Britain. This was extensively revised and re-launched as a second edition in 2018.

Book two, Ambrosius: Last of the Romans, was published in 2017 and the third installment, Uther’s Destiny, was published in March 2018 (winner of One Stop Fiction book of the month award, April 2018). The adventure continues from March 2019 in the fourth book, Arthur, Dux Bellorum.

His creative writing journey began in July 2015 with the publication of a book of short stories, Thames Valley Tales. In September 2017 he published a second collection of short stories – Postcards from London. These stories combine his love of history with his experiences of living in London and various Thames Valley towns.

In 2016 he published his first novel, a dystopian political thriller, Devil Gate Dawn, following exposure through the Amazon Scout programme. In 2017 he published his first children’s book, The Adventures of Charly Holmes, co-written with his 12-year-old daughter, Cathy, followed In 2018 by a second adventure, Charly & The Superheroes.

Author Website: http://timwalkerwrites.co.uk

Newsletter sign-up: http://eepurl.com/diqexz

Amazon Author Page: http://Author.to/TimWalkerWrites

Facebook Page: http://facebook.com/TimWalkerWrites

Twitter: http://twitter.com/timwalker1666

 


A little peep at: The Winter Outlaw

Let’s take a peep inside The Folville Chronicles – Book Two: The Winter Outlaw .

Blurb

1329:  It is the dead of winter. The notorious Folville brothers are on edge. There are rumours of an unknown outlaw terrorising the Leicestershire countryside—a man who has designs on the Folville family’s criminal connections.

Determined to stop this usurper in his tracks, Robert Folville unearths a man hiding in one of Ashby-Folville’s sheep shelters. A steward from far-off West Markham in Nottinghamshire, the cold, hungry Adam Calvin claims he knows nothing of any threat to the Folville family. He has troubles of his own, for he is being pursued by vengeful sheriff, Edmund de Cressy, for a crime he did not commit.

Mathilda of Twyford, newly betrothed to Robert de Folville, believes Adam’s story, but with rumours about a vendetta against the family growing, the Folville brothers are suspicious of every stranger.

***

Here’s the prologue to whet your appetite…

Prologue: Winter 1329

Adam Calvin’s vision blurred as his eyes streamed in the cold. His breath came in wheezing puffs. He needed to rest, but he daren’t. Not yet.

It was only as the vague outline of a cluster of homes and workshops came into view in the distance that he realised where his legs had been taking him. Slowing his pace, but not stopping, Adam risked a glance over his shoulder. He’d expected to see dogs, horses and men chasing him, but there was nothing. No one.

Scanning the scene ahead, making sure he wasn’t running into trouble as well as away from it, Adam exhaled heavily and aimed for a building he hoped was still standing.

The last time he’d visited the tiny village of Walesby there had been an old grain store on its outskirts. Built too close to the point where the frequently flooding Rivers Maun and Meden merged, the grain store had paid the price of a poor location. Long since abandoned in favour of a superior bake house, it was a perfect temporary hiding place for a man on the run.

Adam had no breath left with which to sigh for relief when he saw the neglected grain store. Uttering a prayer of thanks to Our Lady for the fact the building hadn’t been pulled down, he lifted the worn latch. He eased his way into the damp space, which was stuffed with rotting sacks containing all manner of rubbish.

Scrabbling awkwardly over the first few rows of musty sacks, Adam made himself a man-sized gap at the back of the room. Sinking down as far as he could, hoping both the sacks and the dark would shield him long enough for his cramped limbs to rest, he did his best to ignore the putrid stench and allowed his mind to catch up on events.

Only a few hours ago everything in Adam’s life had been as it should be.

He’d been fast asleep in his cot in the small private room his status as steward to Lord John de Markham gave him.

Had given him.

Adam wasn’t sure what time it had been when he’d been shaken to his senses from sleep by Ulric, the kitchen boy. He suspected it hadn’t been much more than an hour after he’d bedded down for the night.

Ulric, who’d frantically reported that a hue and cry had been called to capture Adam, had urged his master to move quickly. The sheriff had unexpectedly arrived and there had been a brief meeting between him, the Lord Markham and one other unknown man. An anxious Ulric had said that rumours were flying around like snowflakes in the wind.

Some of the household staff were saying Adam had stolen something, some that there had been a death; a murder.

Either way, for his own safety, Steward Calvin had to leave. Fast.

Confused, scared and angry that his good name was being questioned; without having time to find out what was going on or defend himself, Adam had grabbed his scrip. Pulling on his boots and cloak, with Ulric’s help he’d headed through the manor via the servants’ walkways.

The only item Adam hadn’t been able to find to take with him was his knife. Contenting himself with lifting one from Cook’s precious supplies as he ran through the kitchen, he’d left the manor that had been his home for the past twenty years.

With a fleeting nod of gratitude to his young helper, Adam had fled into the frosty night. Only minutes later he’d heard the calls of the hue and cry; echoes of the posse’s footfalls thudding against the hard, icy earth.

Now, wiping tears of exhaustion away with the back of his hand, Adam strained his ears through the winter air. All he could hear was the busy work of the mice or rats who were taking as much advantage of the building as he was.

Glad of the water pouch Ulric had stuffed in his scrip, Adam took a tiny sip. He didn’t know how long it would have to last him. Closing his eyes, he rested his head against the sacks that boxed him in and tried to think.

Had he outstripped the hue and cry? If they were nearby, taking the chance to rest while waiting for him to run again, then Adam was sure he’d have heard something ‑ but there were no muttered voices, no horses panting and no hounds barking at his scent.

Adam managed to get his breathing under control. He’d been part of the hue and cry on occasions himself, and he knew such groups didn’t tend to chase their quarry far, or for long. Especially not on a cold winter’s night, when they could be tucked up in bed before the demands of the next working day.

With growing confidence that he’d chosen his bolthole well, Adam allowed himself to relax a fraction. Few people lived in Walesby since the most recent of many destructive floods, and its location meant he was only a few steps from the edge of Sherwood Forest. A desperate man could easily disappear into the woodland’s depths.

As the hours ticked on, Adam became convinced that the pursuit had stopped. However, he knew that by the morning the hue and cry would be replaced with soldiers if the sheriff barked the order. His bolthole wouldn’t stay safe for long.

Yet that wasn’t what concerned Adam the most. He wanted to know what he was supposed to have done that warranted his midnight flight. How could he even begin to go about clearing his name if he didn’t know what he was accused of?

In the meantime, where was he going to go?

***

Ever since I did my PhD (on medieval crime and its portrayal in the ballad literature of the fourteenth century), I have wanted to use what I learnt to tell a series of stories. Although I’ve written all sorts of things between 1999, when my PhD finished, and now – I still wasn’t sure it would ever happen.  Yet, here I am! The first three novels – one short – two long – are out in the world – and book four is in the planning stages!

You can buy The Winter Outlaw from Amazon and all good book retailers-

UK: http://ow.ly/RsKq30j0jev 
US: http://ow.ly/EvyF30j0jfk  

Happy reading,

Jen xx


What if a child was caught up in the Crusades?

Today I’m delighted to welcome Wayne Turmel to my blog, with a fascinating insight to the development of his protagonist, Lucca le Pou.

Over to you Wayne…

As an author, I’m asked all the time: “Where do your characters come from?” My standard response is, “when a mommy and daddy character love each other very much…. “ but that’s not necessarily true.

In the case of Lucca le Pou, the 10-year-old hero of two of my historical novels, his creation was an interesting look at how an authors—at least my—twisted mind works.

Given that Lucca is a very optimistic and funny character, it started rather bleakly. This photograph was sent around the world at the height of the Syrian Civil War. (To be clear, it was at the height of anyone caring about it, the war continues, and people keep dying.)

This photograph touched me deeply, as it should anyone with a pulse. It got me thinking about children in war time, which led me wonder about children in one of my favorite periods to read about, The Crusades.

By doing what authors do, which is ask “what if?” an awful lot, a character came to mind.

What if… a child was caught up in the Crusades?

What if… that child was a half-French, half-Syrian orphan?

What if… that kid witnessed the Battle of Hattin? (this would spare me writing two separate books, since Hattin is something of an obsession of mine)

What if… I wrote a story aimed at adults but YA audiences, say anyone over 14, could enjoy as well?

What if…  instead of a pathetic, dreary tale of unrelenting sadness, the kid was smart and funny and a survivor? (Think Kipling’s Kim, only during the Crusades)

From those questions, I came up with Lucca the Louse. Lucca is raised in the Hospitaler orphanage (because Templars are so 2017) and takes refuge in the St Lazar leper hospital (because what’s cooler than a whole order of knights who have leprosy?)

I should feel guilty, I suppose, that a young boy’s misery got me thinking about an epic and often funny adventure. But I love Lucca, and so do the readers of Acre’s Bastard, the first book in the series.  I mean, he survives attempted sexual assault, kidnapping and attempted murder and still has time for a good poop joke. The book even starts with his first attempts to see a naked lady. It isn’t all doom and gloom.

With the second book, I had to continue the story because the war continues, and Lucca must flee a dying city. I paired him up with a young Lebanese Druze girl, also an innocent victim of the Holy War, and the two of them risk everything to flee to Tyre. I hope people will love Nahida as much as they do Lucca.

Here’s the synopsis of Acre’s Orphans, out January 21 and available on Amazon worldwide and in good bookstores everywhere:

Ten-Year-old Lucca the Louse narrowly escaped the worst disaster to befall the Kingdom of Jerusalem, but he’s not safe yet. His beloved but doomed city of Acre is about to fall into Saracen hands, and there’s nothing anyone can do to stop it.

Days after his return, he uncovers a plot to rip apart what remains of the Crusader Kingdom. Acre’s only chance lies in the last Crusader stronghold; the port of Tyre.  Carrying an important secret, Lucca—accompanied by a young Lebanese girl, a leprous nun, and a Hospitaler with a dark secret—must make his way through bandit-infested wilderness to seek help. Will he find assistance for those left behind, or will it be too little, too late?

This exciting sequel to “Acre’s Bastard” is a rollicking, humorous and thrilling adventure story that stands alone, but adds to the growing legend of Lucca le Pou.

Thanks for the chance to tell my story, and I hope people enjoy the books!

Author Wayne Turmel

www.WayneTurmel.com

@Wturmel

Amazon https://www.amazon.com/Wayne-Turmel/e/B00J5PGNWU/

 

 

Many thanks for blogging with me to day Wayne,

Happy reading everyone,

Jen x


From modern romance to medieval crime

Moving from writing modern contemporary women’s fiction and romantic comedies to creating medieval murder mysteries isn’t necessarily the most obvious career move for a writer to make. For me however, it felt like a natural progression.

I love writing my stories of Cornish romance and coffee shop based friendship dramas as Jenny Kane. In fact, it was when I was writing my modern chick flick romance, Romancing Robin Hood, that I found I was accidentally writing a medieval mystery at the same time.

Within Romancing Robin Hood, the lead character, Grace Harper, is writing a medieval adventure. It hadn’t been my intention to tell the story Grace was writing alongside her own adventure- but that’s what ended up happening. So, when you read Romancing Robin Hood, not only do you read, Robin Hood lover, Grace’s, modern tale, but you read the murder mystery she is writing as well. It just goes to prove that writers have very little control over their characters. Grace told me to write her novel for her- and so I did!

That novel (which is within Romancing Robin Hood) was separately published as The Outlaw’s Ransom, the story of Mathilda of Twyford and her encounter with a criminal gang in Fourteenth century Leicestershire. Even more surprising to me than the fact I was suddenly writing medieval crime fiction, was that Mathilda wasn’t going to be content with just one story of her own. She wanted a whole series all to herself! So, The Folville Chronicles was born.

The Outlaw’s Ransom, which is only a short novel, was followed by the rather longer novel, The Winter Outlaw– and that in turn has now been succeeded by Edward’s Outlaw– where I got seriously involved in the writing and simply couldn’t stop! Mathilda was so busy solving the given crime, that I hadn’t noticed just how long this story was going to be! So far, every new Folville Chronicle has been almost double the size of the one before!

Edward's Outlaw

While The Folville Chronicles are medieval murder mysteries- with plenty of other crime going on in the background- I haven’t strayed too far from my romantic fiction roots. Mathilda and Robert de Folville don’t have the most straight forward of starts on their life together…and they aren’t the only ones destined to end up together….

***

If you’d like to read any of the stories mentioned above, the links to my books, romance and otherwise, are available via the menu links at the top of the page, or by clicking on the titles of each mentioned book within this post.

Happy reading everyone,

Jennifer- or should that be Jenny?

xx

 

 


Dead trees and Xmas gifts

Today I’m welcoming historical fiction novelist, Tom Williams, back to my site with a pre-Christmas message!

Over to you Tom…

Yet again, the news is telling us that paper books are very much here to stay. Honestly, they never went away and, equally honestly, e-book’s have become well established and they’re not going to go away either. It’s a non-story, presumably raising its head particularly at this time of year because with Christmas coming we remember that people still buy books as gifts.

It’s weird, this idea that e-books versus paper is like one of the great divides of human-kind, like Mods vs Rockers, Mac vs PC, Corrie vs East-Enders.

I’m a huge e-book fan. I read mainly on an iPad. It lets me carry lots of books with me. It allows me to highlight and make notes on them. (I know some people do that on paper, but I was brought up to see that as vandalism and I still feel uncomfortable with it.) I don’t lose my place. And it’s massively cheaper and easier to get new books. (Given the amount of 19th century reading I do, it’s often the only remotely realistic way to get hold of obscure out-of-print Victorian volumes.) So am I a paper-hating child of new technology? Hardly.

This is the biggest bookcase in the house, but far from the only one.

Practically every room in the house has at least some books propped up in it somewhere (not the bathroom – the steam makes the paper soggy). Paper books are attractive. It’s easier, sometimes, to browse a shelf full of books than to find something useful in an e-library. E-books are easier to search when you know what you want, but they can be frustrating when you’re not exactly sure what you’re looking for. Paper books allow more opportunities for serendipitous discoveries. The original inspiration for Cawnpore was a book I picked up browsing through someone else’s (paper) library, stuck indoors on a wet day. If I’d had an e-reader with me, I’d probably never have come across it.

Bookshops can be very frustrating in their selection of stock. (Try asking for one of my books – or pretty well anything published by a smaller press – at Waterstones and prepare to be told that they can’t get it for you.) But the shelves of temptingly displayed volumes can draw you to books you would never otherwise have discovered.

Paper books can be lent to friends or passed on when they’re finished with. They do, indeed, furnish a room. Old textbooks remind us of our student years, an autographed volume of a special meeting. Most of all, as ‘Super Thursday’ reminds us, paper books can be gifted in a way that e-books cannot. A paper book says that you want to share something you have enjoyed, or that you have thought about the interests and enthusiasms of your friend and sought out a book that matches them. The transfer of digital data from computer to computer does not, for some reason, carry the emotional resonance of the gift of a physical book.

All my books are available in paperback as well as on Kindle. Most good publishers try to produce paper copies, if only for their authors to display proudly on their bookcases. (Second shelf down on the extreme right if you’re checking the photo.) All authors I have ever met want to see their words on paper. It’s odd because, in this digital age, the paperback is probably the first time I’ve seen my book printed out in its entirety. Still, there they are. And you can buy them, and give them to your friends.

Pay attention to that last bit. Buy one for yourself and give others to your friends. And keep a couple spare, for those last-minute gifts.  And remember, a book is for life, not just for Christmas.

Important note

This was a public information announcement on behalf of all writers everywhere. However, I do draw your attention to the fact that paperback copies of all my books cost £5.99 or less. They are available in North America too (though with different covers) and you can buy them on Amazon or through Simon & Schuster.

Details of all my books are on my website (http://tomwilliamsauthor.co.uk). There is lots to read there (and pretty pictures) so do drop by.

Bio

Tom Williams used to write books for business, but he gave it all up to write things that are more fun. His spy stories set in the Napoleonic Wars feature James Burke, who was a real person, though we can’t guarantee that all his adventures were exactly as described. He was a spy, after all, so many of the details are unknown.

Tom also writes about colonialism in the age of Empire.

When he’s not writing Tom spends far too much time dancing tango.

Tom has a website at http://tomwilliamsauthor.co.uk and a Facebook page at https://www.facebook.com/AuthorTomWilliams/ and he tweets as @TomCW99.

***

Many thanks Tom,

Happy reading (and Christmas) everyone,

Jenny x


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