Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

Category: Audio Page 1 of 3

The Barren Author: staring Richard O’Brien and Sophie Aldred

As many of you will know, I have been lucky enough, over the last few years, to work for the brilliant Spiteful Puppet on several Robin of Sherwood projects.  However, there are far more strings to their bow than that. (See what I did there?!!)

Spiteful Puppet’s latest project is something truly special – and how could it not be, with the incredible Richard O’Brien and Sophie Aldred at the helm!

It is my pleasure, to be able to bring you all the info…. why not take a peep?

(Artwork- by Robert Hammond)

‘Rocky Horror’ legend Richard O’Brien
stars in ‘The Barren Author’
a new six-part audio comedy-drama
inspired by the fantastical stories of Baron Munchausen
His co-star is Sophie Aldred – Dr Who companion ‘Ace’

Forty-seven years after he created the sci-fi stage and film cult favourite ‘The Rocky Horror Show’, Richard O’Brien has taken a rare acting role to star in ‘The Barren Author’, a new 6-part audio comedy-drama inspired by the stories of Baron Munchausen by Rudolf Erich Raspe.

Richard O’Brien recording ‘The Barren Author’ in his native New Zealand

O’Brien plays The Brigadier, who is telling the tale in sessions via video calls to the mysterious Smith (Sophie Aldred). But is she all she says she is, and what – in fact – is she? A publisher, a psychiatrist, or in league with
forces of evil?
The original Munchausen stories about a fictional German nobleman first appeared in 1785 in the book ‘Baron Munchausen’s Narrative of his Marvellous Travels and Campaigns in Russia’.and told of his impossible
achievements as a sportsman, soldier, and traveller including riding on a cannonball, fighting a 40-foot crocodile, and travelling to the Moon.

Sophie Aldred in London

‘The Barren Author’, written by Paul Birch, produced and directed by Barnaby Eaton-Jones, is not a literal
adaptation of the Munchausen stories but takes instead the satirical, provocative and absurd spirit of the original tales and reimagines them for 2020.

Richard O’Brien said: “I find it enjoyable being allowed to play someone who views the truth as a moveable feast. Should I improve on doing so, I shall, most likely, turn my future ambition towards running some great nation; or other.”
Sophie Aldred said:“This was the best fun I could have hoped for in the airing cupboard all lockdown! I loved being the straight woman to Richard O’Brien’s ridiculous character’s funny. I can’t wait to hear the whole thing spliced together.”
Producer/Director Barnaby Eaton-Jones said: “I’ve always loved the madness and satirical bite of the Baron Munchausen tales, and was bowled over by Terry Gilliam’s film version in 1988 as a youngster, but I’d had an idea kicking around for a while of taking the core concept, keeping some of the well-known elements, and updating the tales in a contemporary setting. I wanted to keep the surreal nature and that blurring of fantasy and reality (is it real or is it not?). I am very lucky to share a sense of humour and a close friendship with the writer I asked to adapt my treatment, Paul Birch, and his six episodes really have flown off into a direction that’s extraordinary. The great thing about audio is all of this scope can be achieved, whereas would have been astronomical for television or film! Right from the very start, I could hear Richard O’Brien’s voice in my head as our main character and I was so bowled over that the scripts excited him enough to take on the role (and suggesting his own creative enhancements to them – which is always the sign of an actor properly engaging with the material). Pairing him with Sophie Aldred, who’s a delight as his confidante and possible future nemesis, just created the perfect chemistry for a must-listen-to-tale in six half hour episodes. My fingers are crossed for people loving it enough to ask for another series of escapades!”

You can listen to a trailer for this fabulous adventure – as well as enjoy an article about The Barron Author in the Radio Times!! (yes- the Radio Times!!!)  – Radio Times article: https://www.radiotimes.com/news/radio/2020-10-30/barren-author-trailer-richard-o-brien-exclusive/

Richard O’Brien
Richard, who was born in 1942, began his life in the world of entertainment in 1965 when, at the age of 23, he rode horses in British-made movies. He had no desire to become a full-time stuntman and, wisely, took himself off to an evening
drama school, which claimed to adhere to the teaching principles of Stanislavski, Lee Strasberg, Stella Adler and anyone else that had decided to embrace the more ‘naturalistic’ approach to acting, commonly known as the Method.
In 1967, Richard became an ASM and understudy in a musical touring version of ‘The Barretts of Wimpole Street’, retitled as ‘Robert and Elizabeth’. He worked backstage in many West End theatres, most notably the Cambridge Theatre at Seven Dials, where, among other duties, he shone a limelight upon John Hanson who, at the age of 46, may well have been the oldest Student Prince that the world had ever laid eyes upon. In 1969, Richard joined an ensemble group in a joyous
production of Gulliver’s Travels at the Mermaid Theatre. This show was designed and directed by Sean Kenny.
The choreographer was a young Japanese Canadian called David Toguri and, the following year, Richard auditioned for him once again and joined the cast of the British touring production of the American ‘hippie’ musical ‘Hair’. After Hair came ‘Jesus Christ Superstar’, which was directed by Jim Sharman. The following year, 1973, Jim cast Richard in a Sam Shepard
play at the Royal Court Theatre’s Theatre Upstairs. It was here that he met Richard Hartley, his music partner of 40 years. ‘The Rocky Horror Show’ opened in July of the same year and, slowly but surely, became the biggest cult musical of all time.
Other highlights of Richard’s career are, of course, ‘The Crystal Maze’, a game show that warmed the autumn nights for Channel 4; the Child Catcher in the first stage production of ‘Chitty Chitty Bang Bang’; performing for the Queen in the
gardens of Buckingham Palace upon Her Majesty’s 80th birthday, and playing Fagin in a New Zealand production of ‘Oliver!’.
In a career that has spanned nearly 50 years, Richard has acted with some of the biggest and best-known names in the industry and, lately, he has won over a new and younger crowd of fans as the voice of Lawrence Fletcher, the father of
‘Phineas and Ferb’, in the Disney cartoon series of the same name.
He is 78 years of age and refuses to make eye contact with the Grim Reaper.

Sophie Aldred

Sophie Aldred is an English actress and television presenter, best known for her portrayal of Ace alongside Seventh Doctor, Sylvester McCoy.
Aldred was born in Greenwich, London, but grew up in nearby Blackheath. She attended Blackheath High School from 1973 until 1980, before enrolling as a drama student at University of Manchester. She graduated in 1983 and decided to embark on a career in children’s theatre.
In 1987, she was cast as Ace in ‘Doctor Who’. Her tenure on the show spanned the last nine stories of the programme’s original run, which ended in 1989.
Both before and since ‘Doctor Who’, Aldred has had a varied and busy television career, particularly in children’s
programming, where she has presented educational programmes such as ‘Corners’, ‘Melvin and Maureen’s Music-a-grams’, long-running BBC series ‘Words and Pictures’ and also CITV paranormal show ‘It’s a Mystery ‘in 1996. She also played the character Minnie The Mini Magician from Series 8 onwards on CITV’s ‘ZZZap!’ between 1999 and 2001.
Aldred has presented and sung in several BBC Schools Radio series, including ‘Singing Together’, ‘Music Workshop’, ‘Time and Tune’ and ‘Music Box’.
She has also performed on radio and in the theatre. She has also reprised her role as Ace in the charity special ‘Dimensions in Time’ and the Doctor Who audio plays produced by Big Finish Productions. Throughout the 2000s she has worked
extensively as a voice-over artist for television advertisements, and has also provided voices for animated series such as ‘Bob the Builder’ and ‘Dennis & Gnasher’.
Sophie Aldred married Vince Henderson on 12 July 1997. They have two sons, Adam and William.

Paul Birch (Writer)

Based in York, Paul is an award-winning writer, actor, and practitioner. He has made work for and with the BBC, Birmingham Rep, Cheltenham Everyman Theatre, ITV, and York Theatre Royal; to name but a few. His work has twice won him the play-writing residence at Leeds Playhouse and his adaptation of Spiteful Puppet’s ‘Passport To Oblivion’ won the ‘Best Drama Special’ at the 2020 New York Festival Awards. He is the Artistic Director of Out of Character Theatre Company, devising, writing and directing theatre pieces dealing specifically with mental illness.

Barnaby Eaton-Jones (Producer/Director)
Based in Gloucestershire, Barnaby is an award-winning audio writer, director and producer. He revived ‘The
Goodies’ for Audible in 2019 (with Tim Brooke-Taylor, Graeme Garden and Bill Oddie, with guest stars Joanna Lumley and Jon Culshaw) and resurrected and toured the classic radio comedy ‘I’m Sorry I’ll Read That Again’ for stage; as well as a new series for BBC Radio 4 Extra. He co-adapted, directed and produced the spy
thriller ‘Passport To Oblivion’ (starring George Lazenby, Terence Stamp and Glynis Barber) which recently won Best Drama Special at the New York Festivals Awards in April 2020. He produces, directs and writes the new
‘Robin of Sherwood’ audios (with ITV Global), which features all the original cast of this classic 1980’s television series – Ray Winstone, Jason Connery, Clive Mantle and Nickolas Grace, to name but a few. He is the Creative Director of Spiteful Puppet Entertainment Ltd, who – in 2019 and 2020 – produced the highly successful musical cabaret ‘Musik’, performed by Frances Barber, written by Jonathan Harvey, and with music by the Pet Shop Boys.

Spiteful Puppet

Spiteful Puppet Entertainment Limited has provided audio content for BBC Radio, ITV Global and Audible; as well as
originating theatre work for the Edinburgh Festival, the West End and touring provincial theatres. They have partnered with publisher Chinbeard Books for a range of critically acclaimed books which have encompassed cult television shows and original content. They are primarily known for audio drama and comedy; winning a host of awards for their expertise in this particular field. We always count ourselves very lucky that we get to work with great voice actors, composers, studio engineers and sound designers who enable us to bring our stories to life.

Creative Team
Sound Design Joseph Fox
Music Abigail Fox
Songs Darrel Maclaine
Design and Illustration Robert Hammond
Sound Engineer Nigel Masters at The Boat Shed Studios, New Zealand
Produced by Spiteful Puppet in association with AUK

‘The Barren Author’
is OUT NOW
Price: £3.99 each episode or £19.95 for all 6
if bought together
www.spitefulpuppet.com 

Happy listening,

Jenny xx

Download Today: Fitzwarren’s Well

A brand new Robin of Sherwood story is available to download from Spiteful Puppet!

Fitzwarren’s Well is a full cast (acted not narrated) audio story, staring Judi Trott as Marion.

Fancy a trailer care of the Radio Times? (Yes! The Radio Times!!!) Here you go –https://www.radiotimes.com/news/tv/2020-07-01/robin-of-sherwood-classic-tv-series-returns-for-new-story-recorded-in-lockdown/?fbclid=IwAR1AvsHxbXospBSUlL0WKsGLoJChdh_Jx4obcSkArUfNU2cXytGoxmlZD8g

Here’s the blurb-

Will Scarlet is regretting buying new boots as he walks home from Lichfield, desperate to get back to Sherwood. A worried Marion intercepts him with terrible news of a sickness that has laid low the rest of the outlaws.

A journey to the Lady of the Well is their one hope.

But the Lady will only help those she deems worthy… and someone is busy convincing her that they are not.

***

Richard Carpenter’s ROBIN OF SHERWOOD
‘FITZWARREN’S WELL’
By Jennifer Ash

Starring JUDI TROTT as Maid Marion

Featuring JON CULSHAW, SARAH GREENE and IAN OGILVY

With DANIEL ABINERI and BARNABY EATON-JONES

(Set during Series Three, between ‘Rutterkin’ and ‘The Time of the Wolf’)

Artwork: Anthony Lamb
Sound Design: Joseph Fox
Soundtrack: Arpeggio Creative
Produced & Directed by Barnaby Eaton-Jones

Television series Robin Of Sherwood © HTV/Goldcrest Films & Television 1983. Created by Richard Carpenter, with grateful thanks to his Estate.

Once upon a time a 14 year old girl fell in love with a story. The Robin Hood story.

Almost 34 years later, that same girl has – by some miracle – found herself writing for Spiteful Puppet – the power behind the new Robin of Sherwood audios and books – and adding, in a very small way, to that same story.

It is such a joy! Not only do I get to write lines for characters from my favourite television show – I also get to write for incredible guest stars.

The story of Fitzwarren’s Well evolved from an idea that Barnaby Eaton Jones – Spiteful Puppet’s producer, script editor, budget juggler, and actor – had not long after lockdown was imposed.

He wanted a tale that reflected – but did not copy – our current socially isolated situation.

The story was to involve two of Robin Hood’s outlaws (Marion and Will Scarlet), and two extra characters with whom they could interact – in this case Herne and a man called Fitzwarren. Obviously, we are in lockdown, so only actors with their own audio equipment could be involved in this production.

You will notice from the cast list above however, that rather than having a cast of four, we have a cast of six. This is because, when I was writing the story I accidentally invented the ‘Lady of the Well’ – and once I’d got her in my head, I couldn’t shift her.

Barnaby- being a forgiving sort- magically found the brilliant Sarah Greene (of Blue Peter fame) to provide the Lady of the Well’s voice. It has to be said, she plays the role to perfection.

At this point, I thought I’d finished writing the story – but then I received a phone call saying that the fantastic Mr Ian Ogilvy- on hearing that there was an opportunity to bring Lord Edgar of Huntingdon back for a cameo – offered his services. And so, there I was, suddenly writing lines for another of my acting heroes.

The result was Fitzwarren’s Well – of which I’ll say no more, for fear of spoiling the story.

You can buy your copy of Fitzwarren’s Well for download from Spiteful Puppet – here.

 

Happy listening,

Jennifer xx

 

A sip of champagne

 

I’ve been so busy lately, that I’ve been neglecting my blog. I promise the neglect has been for good reasons- which will result in 4 new novels over the next 12 months.  (Yes- I am insane).

Talking of neglect – one of my novels often gets forgotten about when I’m waving my marketing flag – and that’s Another Glass of Champagne. Which is a shame- because I loved every second of writing it. As the last in a series of books (the Another Cup of… range), I frequently forget to shout about it, even though it stands up as a book in its own right, without you having to read the rest of the series first.While Another Cup of Coffee very much involved the figure of bad-boy Jack, in Another Glass of Champagne  he takes the staring role.

 

The novel opens with, after an absence of a few years from his friend’s lives, Jack is heading back to London, with new opportunities, a new skill set, a determination to avoid romance at all costs, and fresh adventures well within his grasp- all of which could be celebrated with a glass of champagne.

The trouble is, knowing Jack, he might well mess it all up…

Blurb

A warm-hearted, contemporary tale about a group of friends living in a small corner of busy London, by bestselling author Jenny Kane.

Fortysomething Amy is shocked and delighted to discover she s expecting a baby not to mention terrified! Amy wants best friend Jack to be godfather, but he hasn’t been heard from in months. When Jack finally reappears, he s full of good intentions but his new business plan could spell disaster for the beloved Pickwicks Coffee Shop, and ruin a number of old friendships…

Meanwhile his love life is as complicated as ever and yet when he swears off men for good, Jack meets someone who makes him rethink his priorities…but is it too late for a fresh start?

 Author Kit has problems of her own: just when her career has started to take off, she finds herself unable to write and there s a deadline looming, plus two headstrong kids to see through their difficult teenage years…will she be able to cope?

Extract

Staring out of the train window, Jack exhaled a long, slow breath. Was this how Amy had felt when she had first come to Richmond after her years of self-imposed exile in Scotland? Sort of excited, but absolutely terrified at the same time? 

Jack wondered if, once he’d worked up the courage to go and see her, Amy would notice the parallels between their situations. A smile crossed his face. However she reacted, she would forgive him for not being in touch over the past few years. Amy always forgave him. For everything.

In his mind, he’d left Richmond for a good reason. Although he knew Amy accepted he’d needed to leave, he was less sure she understood why – which was why he’d decided to break off even phone and email contact with her. It was also why he hadn’t told any of his friends where he was; just to see if that helped.

It wasn’t that Jack wasn’t happy for Amy and Paul to be living the fairytale, but the fact that they were together, while he was still alone, was sometimes hard to take – especially when he knew Amy’s love could have been his if only he’d been prepared to risk it all those years ago. This nagging thought – one he accepted was utterly ridiculous, as he knew that he’d never have been able to ignore his sexuality, even for Amy – made him a rather less kind human being than he would have liked. He knew that until he could get past feeling he was missing out on something that all his friends took for granted, they were better off without him and the chip on his shoulder. Amy would understand, he was sure. Kit, on the other hand, might not be as understanding…

Jack’s smile disappeared. Years ago, back when they were dating, Kit would have forgiven him anything – but since Amy had come back into his life, and both women had become good friends in their own right, Kit had become much stronger. Jack had learnt that Kit had always hated how he could make her doubt her strength and resilience. These days she was so much more equipped to deal with him and his bullshit – and he knew it.

Perhaps he shouldn’t be coming back. After all, he knew he was as emotionally messed-up as ever – but he had to go somewhere, and anyway, whether he wanted to admit it or not, he’d been getting homesick.  Plus he’d had to get away from Kent…

Opening his eyes, Jack sighed as the train’s sudden slowing announced that they were arriving at St Pancras. Here he was again. Back in London, fleeing from yet another cock-up in his love life, and with nowhere to call home. He wished he hadn’t so rashly sold his place in Mortlake – he’d got far less than it was worth, too, in his haste to make a clean break.  

There were several Tube connections to Richmond Jack could have chosen to see his old friends straight away, but as he stood in the bustling station, he found himself unable to move a step further.  It wasn’t like him to be assailed by doubt, but this time it was different. Whatever he did, he always managed to upset people. He never meant to; usually he never even saw his offences coming.

On this occasion however, he knew that if he was going to go ahead with his latest plan and really make it work, he was going to cause trouble for some of his friends…

***

If you’d like to find out if Jack finally finds the person of his dreams, and how his latest escapade impacts on the lives of the Pickwicks crew, then you can buy Another Glass of Champagne from all good bookshops and from online retailers including-

Happy reading,

Jenny x

PS- Please note that the paperback and ebook covers are different- the inside is the same!

Coffee, Champagne and Writer’s Block

In our look back at my Another Cup of series…we reach the final novel to feature Amy, Kit, Jack and friends: Another Glass of Champagne.

Blurb

A warm-hearted, contemporary tale about a group of friends living in a small corner of busy London, by bestselling author Jenny Kane.

Fortysomething Amy is shocked and delighted to discover she’s expecting a baby – not to mention terrified! Amy wants best friend Jack to be godfather, but he hasn’t been heard from in months.

When Jack finally reappears, he’s full of good intentions – but his new business plan could spell disaster for the beloved Pickwicks Coffee Shop, and ruin a number of old friendships… Meanwhile his love life is as complicated as ever – and yet when he swears off men for good, Jack meets someone who makes him rethink his priorities…but is it too late for a fresh start?

Author Kit has problems of her own: just when her career has started to take off, she finds herself unable to write – and there’s a deadline looming, plus two headstrong kids to see through their difficult teenage years…will she be able to cope?

A follow-up to the runaway success Another Cup of Coffee.

Available from:

Paperback edition available from Amazon UK and Amazon US, and eBook version available from Amazon UK and Amazon US.

Audio bookhttps://www.amazon.co.uk/Another-Glass-of-Champagne/dp/1520035659/ref=tmm_abk_swatch_0?_encoding=UTF8&qid=&sr=

https://www.amazon.com/Another-Glass-of-Champagne/dp/1520035659/ref=tmm_abk_swatch_0?_encoding=UTF8&qid=&sr=

***

In the final novel of the series, Another Glass of Champagne, Kit, mum of twins, and wife to bookshop owner Phil, suddenly finds herself unable to write at all, but he can’t understand why. Surely writer’s block is something that can be easily shaken off- or is just a myth invented by those who can’t be bothered to write today…or is it?

Not even sitting at her usual table in the corner of Pickwicks Coffee House, (run by her friend Peggy) is helping the words become unstuck…

writers block

Extract

When she got back, Kit found Peggy looking thoughtful, ‘Why have you closed your work down, honey? I usually steal a read of your latest work in progress when I think you’re not looking.’ ‘I haven’t got much done today.’

Kit mumbled. ‘It’s been a mulling things over sort of a day.’ Changing the subject, she said, ‘Scott says there are some sandwiches ready for your lunch when Megan comes back through.’

‘Good, I’m starving.’

‘Are you and Megan managing alright with only two of you on the serving team? It’s already busy, but by July it’s going to be packed between eleven and two.’

‘Actually, Scott and I were talking about that over the weekend. Would your Helena fancy giving us a hand and earning some money before she heads off to university? Where is she going again?’ Flinching slightly, and hoping Peggy hadn’t noticed, Kit said, ‘She’s aiming for Bath to do Chemistry, and Thomas’s hoping to be off to Exeter. Assuming they get their grades, that is.’

‘Of course they will. What’s Thomas going to study?’

‘History.’

‘Sounds good. So, do you think Helena will want the job? It would save me a lot of bother with adverts and stuff.’

Kit nodded. She knew exactly how much time it took to go through interviews and training staff in this place, so someone who was already familiar with Pickwicks layout would be a real advantage to Peggy. ‘I’ll ask her. Helena’s bank balance could certainly do with a top-up. Goodness knows it’s time she stood on her own two feet financially.’

Megan came back into the café and Peggy got up to go and have her lunch before another influx of customers forced her to forego her only real break of the day. As an afterthought, she turned back to Kit. ‘If you’d rather your daughter wasn’t here during the day, just say. I mean, this is your office after all!’

‘I don’t mind at all. I’ll ask her this evening, assuming she comes home She seems to live at her mates’ houses these days.’

‘Making the most of seeing her friends before she heads west, I suppose.’

Peggy waved as she disappeared into the kitchen, to what Kit hoped wasn’t a tuna sandwich, before she could see the tell-tale glint of tears fighting to form at the corner of her eyes. Cross with herself for being so emotional, Kit looked at her screen. Peggy had opened a new document and typed the words You can talk to me, you know. Love Peggy xx across the top of the page.

Kit should have known that she couldn’t hide anything from Peggy. The manageress knew her habits better than anyone, having been host to them for the past decade or so. Kit didn’t even want to guess how many cups of coffee, scones, and slices of toast she’d consumed at that table in that time. Just the thought of the amount of butter she’d spread over her early morning snacks was enough to make her feel as though her hips were expanding right there on the seat.

Making her mind up to talk to Peggy soon, she picked up her mobile and sent Helena a text, telling her about the possible employment opportunity at Pickwicks. Kit wasn’t sure if she did actually want Helena around all day while she was writing. But then, she thought, I’m not exactly writing now, am I…

***

You may be thinking that Kit sounds like a real writer you’ve come across- and you’d be right. Kit and I are pretty much the same person- but with huge exaggerations into fiction of course!! For a start, I do not have twins!

However, a little while ago I did suffer a bout of writer’s block. I had been a little flippant about the condition until then- but now I know it is truly horrid. Feeling all the words backing up in your head and not being able to get them out is just awful- especially when you live for your words! I lost weeks to the confusion of not being able to compose even the simplest sentences.

If you want to discover if Kit manages to get to the root of her own word block, and see what else the Pickwick’s crew are up to, then you can buy Another Glass of Champagne from all good bookshops and eBook retailers, including-

http://www.amazon.co.uk/s/ref=nb_sb_noss?url=search-alias%3Daps&field-keywords=Another+Glass+of+Champagne+Jenny+Kane

http://www.amazon.com/s/ref=nb_sb_noss/188-7813436-7626710?url=search-alias%3Daps&field-keywords=Another+Glass+of+Champagne+Jenny+Kane

***

Happy reading,

Jenny x

The Story Behind Another Cup of Coffee

I’ve been thinking back to how the “Another Cup of…” series, which began with the novel, Another Cup of Coffee, first saw the light of day. It was certainly a long time in the making!

 

Blurb

Thirteen years ago Amy Crane ran away from everyone and everything she knew, ending up in an unfamiliar city with no obvious past and no idea of her future. Now, though, that past has just arrived on her doorstep, in the shape of an old music cassette that Amy hasn’t seen since she was at university.

Digging out her long-neglected Walkman, Amy listens to the lyrics that soundtracked her student days. As long-buried memories are wrenched from the places in her mind where she’s kept them safely locked away for over a decade, Amy is suddenly tired of hiding.

 It’s time to confront everything about her life. Time to find all the friends she left behind in England, when her heart got broken and the life she was building for herself was shattered. Time to make sense of all the feelings she’s been bottling up for all this time. And most of all, it’s time to discover why Jack has sent her tape back to her now, after all these years…

With her mantra, ‘New life, New job, New home’, playing on a continuous loop in her head, Amy gears herself up with yet another bucket-sized cup of coffee, as she goes forth to lay the ghost of first love to rest…

***

As the blurb says, it took Amy thirteen years to come to her senses and sort her life out – it took me thirteen years to write how she did just that! Not that I’ve been sat puzzling at the pages everyday in all that time- far from it.

Are you sitting comfortably? Then I’ll begin the story of my story…

The idea for Another Cup of Coffee came to me all that time ago, but was originally only intended to be a short story for a competition. I had never written a story before beyond the requirements of school homework, although I had written poetry, some of which I’d been lucky enough to have published. The story, Getting It Back, was all about a quiet girl, who’s cut herself off from her old life after her heart had been broken, and told of how, out of the blue, a package had arrived through the post that made her look at her life afresh. That package was an old fashioned cassette tape, which had a variety of different songs recorded onto it- as was the craze in the 1980’s and early 90’s.

That short story was not well written, and quite rightly got nowhere at all. I gave up writing after that. I’d only entered the competition so that I had a project to do that would occupy my mind and keep me awake. I had a one year old at the time- and she never slept and was a pain to feed- totally the opposite of now bless her!!

So the story was shelved, and I didn’t go back to it for two years went, you guessed it- I had another child- and I remembered the story I’d written. Being the type of person who never throws anything away, I dug it back out, and in fits and bursts I turned it into a novel based on my experiences as a student, my time as an archaeologist, and a friends music obsession.

I’ll be honest- it was not a good read. So again, I shelved it.

Then, a few years later my children went to school- and as is fairly well documented, I had an idea for a very different type of story- an erotic story which I simply had to write down. The result was a persona I called Kay Jaybee. (Kay is for OVER 18’S ONLY)

Such was the unexpected success of Kay Jaybee, that I had no time to look at my first early attempt at a novel for years. I also had no confidence in it at all. I had become Kay, and Kay was good at stories that oozed kink- I wasn’t sure I could do a story that kept the pages turning without it.

It wasn’t until ‘Kay’ had a handful of novels, novellas and short stories under her belt, that I decided the time had come to prove to myself that I could do more- and so I rewrote Another Cup of Coffee– and to my surprise it was taken by a publisher.

 

So- if you fancy delving into the story of Amy, her ex boyfriend Jack, and his best friend, erotica writer and Mum, Kit (sound familiar at all?), then why not give Another Cup of Coffee a sip

You can buy Another Cup of Coffee as either a paperback or an eBook from Amazon and all good online and high street book stores, including-

http://www.bookdepository.com/Another-Cup-Coffee-Jenny-Kane/9781783751129 

Then – if you enjoy this novel- there are three seasonal follow on novella’s (available in Jenny Kane’s Christmas Collection as well as standalone Kindle publications), and the novel, Another Glass of Champagne, to read afterwards!

 

 

Happy reading and coffee drinking,

Jenny xx

Ask a writer: Robin of Sherwood

Two weeks ago I had the pleasure of attending the Hooded Man Event in Gloucester. This gathering was for fans of the 1980’s television show Robin of Sherwood – a show that I have recently written three brand new audio scripts for.

While I was in Gloucester I was busy selling my novels, so I didn’t get to talk to as many people as I would have liked. Since my return to Devon, I’ve been asked a number of questions relating to the writing of those three scripts – The Waterford BoyMathilda’s Legacy – The Baron’s Daughter.

Today, I’m going to attempt to answer those questions. Obviously the answers I give are from my angle only. I don’t work for Spiteful Puppet or ITV- so I have no knowledge as to what the future holds for RoS.

So- in no particular order….

How difficult is it to switch from writing books to script writing for audio?

Script writing is a whole new world. I had never written a script before, so I was learning fast when I wrote The Waterford Boy. I was kindly lent a couple of scripts that Iain Meadows (The Blood that Binds and The Templar’s Promise) had written in the past, so I knew how to format my work, but beyond that I felt my way along. (With help from Iain and Barnaby)

I’ve been a novelist for 12 years, so it was quite a challenge suddenly writing something where I couldn’t describe a scene properly with words. Everything has to be displayed via dialogue and background sound. This meant that writing about someone’s appearance, for example, has to be done via the comments of other characters. The scene in The Waterford Boy, where Robin, Will and Nasir disguise themselves to blend into Nottingham market, was particularly tricky to put together for that very reason.

It was slightly easier writing the two narrated stories- The forthcoming The Baron’s Daughter however, is a full cast reading…so that needed everything explaining via conversation and sound effects. You’ll find out if I managed that in a few months time!

Although writing scripts is a very different skill to writing a novel- I loved it! Let’s hope I get to do some more one day.

Will Robin of Sherwood audio do anything like prequels or sequels for example prequel Rebels of Loxley or the daughters (sons) of Sherwood? Any plans to expand the Robin of Sherwood universe further?

I’d have to say ‘no’ to that. The licence for what Spiteful Puppet can do is strict- plus, there isn’t the mega multi-national audience that you have for other popular shows such as Doctor Who or Star Trek. The prequel angle has been explored a little bit with Mathilda’s Legacy (the story of how the Earl of Huntington met Robert of Huntington’s mother).

However, if you enjoy all stories Robin Hood, then there are many writers who have been inspired by Robin of Sherwood and have expanded into many other directions, from fantasy to comics to legend redevelopment. You only have to look at my fellow audio script writers Paul Kane (The Red Lord) and Tony Lees (The Trial of John Little– coming soon) to find a collection of Robin Hood stories to keep you going for ages.

Do you make drawings to picture parts of your audio-book stories?

The only art work associated with the audio books is the brilliant cover showing both Robin’s.  I am not responsible for that thankfully – which is probably just as well as I have no artistic skill at all! I wish I did.

Once you knew you were doing more than one audio story, did you put your own returning characters (other than the obvious) into the stories, or was that a temptation too far (against the canon)?

It would be so tempting to do that. I would love to write more about Mathilda of Huntington if the chance ever arose. (Unlikely!) However, the answer to the question is ‘no’. The stories are slotted into the ready made framework of the existing episodes, and so any onward play with my own invented characters wouldn’t be practical – although it would be fun for me as writer.

However, I have enjoyed making reference to the characters we know and love. I took great pleasure, for example, in referencing Lord Edgar in Mathilda’s Legacy– Robert’s mother clearly had very little time for her future brother-in-law….

It is wonderful to be able to play with the nostalgia we all feel for the characters we loved – and the ones we loved to hate.

Which was your favourite of the audio scripts you’ve written?

Tricky one.

The Waterford Boy will always be special because it was my first script- and it made a dream come true. Never did I think I’d write for the best TV show of all time (to me anyway!) Judi Trott read it so beautifully as well. I have to confess to listening to it often just to hear her lovely voice.

The Baron’s Daughter was also special because it was my first full cast script. I got to put words into Michal Praed’s mouth – and who wouldn’t want to do that???

However- if pushed- I think Mathilda’s Legacy is my favourite. Partly because it was the first one I heard as a completed audio. The second I heard Michael Craig read my words- and then the famous theme music burst into life- I was a star struck 14 year old unable to believe that  I was listening to a story I’d created.

It was also quite something being given the responsibility of inventing (to some extent- David of Huntington was married to Mathilda) Robert of Huntingdon’s mother. I hope you all like the woman I created to be a future heroes mother.

Which was your favourite RoS episode?

That is an impossible question. I love them all. To narrow it down – it was either Adam Bell (first one I ever saw) or Herne’s Son parts one and two or The Prisoner…or…..

Many thanks to everyone who has sent questions to me since the HM3. I have been overwhelmed by the kindness showed to me after I fiddled with your favourite stories. I promise, if I am ever lucky enough to write more, I will continue to try as hard as I can to be true to the Robin of Sherwood ethos, and write stories to make you feel as though you have been transported back to 5.35 on a Saturday afternoon in the 1980’s. Well – I’ll try anyway!

Nothing’s forgotten,

Jennifer x

Paul Kane: Living and Breathing Robin Hood

Robin Hood obsessive alert!!!!

You’ve been warned…

I’m delighted to welcome Paul Kane to my place today. Fellow Robin Hood fan, writer of an audio script for Robin of Sherwood- and author of very much more.

Over to you Paul…

When Jen very kindly asked me to contribute a blog to her site regarding my connection with the Robin Hood legend, I started to think about how long he’s been in my life. From an early age, bank holidays were very often spent at Sherwood Forest – we lived about 20 minutes away from it. So, as well as learning about the legend – about Robin and Marion, Little John and Friar Tuck, Will Scarlet – I was breathing the same air they did back then, soaking up the atmosphere.

Then along came Richard Carpenter’s Robin of Sherwood, which I would sit and watch religiously with my dad, and Saturday teatimes would never really be the same. Of course, back then I had no idea it had been created by the same man who came up with the wonderful Catweazle, I just knew that this was a version of Hood I could get behind. As well as having all the traditional elements to it, the robbing the rich to give to the poor and so on, it also had a supernatural slant: I mean, come on, the very first episode was called ‘Robin Hood and the Sorcerer’… doesn’t get any better than that! Except, actually, it did – and as we tuned in every week we would marvel at witches, demons, Satanic cults and woodland gods. I was in seventh heaven!

Even when it came time for Michael Praed to step down from the title role, the changeover to Jason Connery was handled seamlessly. In fact, I loved it even more not knowing what was going on at the end of ‘The Greatest Enemy’. Had Robin come back from the dead, was he a ghost? No, in fact what had happened was a clever segue into that other origins story, Robert of Huntingdon taking over the mantle from Robin of Loxley – but both of them Herne’s sons. Wonderful stuff!

Then, sadly, the show finished and I mourned its passing. I watched all the other adaptations over the years – some of which even included elements that Richard had invented, like the Saracen – but none ever came close for me. Only repeated viewings of his series, when it became available, would do. At the same time, my own writing career had started to take off, moving on from journalism to short stories and finally novels and scripts, as well as taking on the job of Special Publications Editor for the British Fantasy Society and helping to run their yearly convention, FantasyCon. It was around 2006 or 2007 that I spotted a shout out for pitches from Rebellion, the publishers of 2000 AD (another staple of my formative years). They were moving into novels, in particular those which would be part of a shared universe called ‘The Afterblight Chronicles’ – set in a future where 90% of the world’s population had died out from the A-B Virus.

I knew commissioning editor Jon Oliver from my time on the convention circuit, so I threw over a few ideas – one of which was a post-apocalyptic version of Hood. It just seemed like an obvious choice, once society had crumbled and mad dictators had taken over, to bring that legend back to life. It would be part of the Chronicles, but also a very distinct story in its own right. Luckily, Jon agreed, and suddenly I was writing my first mass market paperback: Arrowhead. Needless to say, my version was heavily influenced by RoS, whilst still going its own way; it had to really, as my Robin – Robert Stokes – was facing tanks and attack helicopters. Also needless to say, I was delighted when the book was so well received that another was commissioned shortly after the first’s release (a terrific launch ten years ago at FantasyCon in, appropriately, Nottingham).

I remember I had some vague notion about doing the whole ‘death of Hood’ legend – firing the arrow into the sky and all that – when it came to writing the sequel Broken Arrow. Thankfully, Jon talked me out of it saying: “When you have a hero like that on your hands, you don’t kill him off that quickly.” He was absolutely right, of course, and after that novel came Arrowland, forming a trilogy of books Rebellion released as the omnibus Hooded Man (which sold out of its first print run incredibly quickly). Not only that, but the novels had put me on the radar of…none other than Richard Carpenter, or Kip as I came to know him. He loved them, offered me a glowing quote, and even gave his grandson a copy to read. Imagine my joy at that – things had pretty much come full circle.

Or had they?

Spin on a few years, during which I’d pursued a couple of my other passions (the work of Clive Barker and Sir Arthur Conan Doyle, even crossing them over in books like Sherlock Holmes and the Servants of Hell) and mourned the sad passing of Kip himself. The world is still a poorer place without him. Rebellion had also asked me to continue the Hooded Man story with a novella which caught up with the characters a few years later, Flaming Arrow. And I was very excited to hear that RoS was returning in the form of a full cast audio adaptation of Kip’s Knights of the Apocalypse from Spiteful Puppet, something I reviewed for Sci-Fi Bulletin.

More audios followed, some of which I also reviewed – and during the course of this I got chatting with that lovely chap Barnaby Eaton Jones, of Spiteful Puppet. I mentioned the Hooded Man books, sent him a copy, and the next thing I knew I was being asked to pitch a RoS audio myself. As luck would have it again, I’d just finished my first audio script – a full cast drama adaptation of The Hellbound Heart for Bafflegab, which would star Tom Meeten (The Ghoul), Neve McIntosh (Doctor Who) and Alice Lowe (Prevenge) – so I felt confident enough to have a crack… sort of. It was still RoS and there was massive amount of performance anxiety, as you can probably appreciate.

But anyway, I began to think about elements of the show I’d loved myself and what we hadn’t seen so far in it. And, personally, I’d always thought it would be cool to see Robin and his band go up against a vampire, or at the very least someone who thought he was a vampire. I jotted down some ideas for a tale which pitted them against a Vlad the Impaler-type character, driven from his homeland and now a mercenary – and right there and then, The Red Lord was born.

I was over the moon when the pitch was commissioned, and even more thrilled when the script itself was passed – with a few minor tweaks – by SP and ITV. It was then that Barnaby told me it was being recorded soon, narrated by none other than Ian Ogilvy. Ian had played Lord Edgar in RoS, but also another quite well known character from my childhood. My better half Marie will tell you when that news came in, I screamed: “You’ll never guess who’s doing my audio! Only the Saint!” Yes, I don’t mind admitting I am that much of a geek…

And so it’s done, is totally wonderful, and something I’m incredibly proud of. Well, I would be, having lived and breathed Robin Hood – and Robin of Sherwood – all these decades. I hope the fans like it, after all I am one too, and I like to think that somewhere Kip is smiling as well.

Does this mean that everything’s finally come full circle now? Perhaps – but who can tell what the future will bring? Not me, that’s for sure. For now, though, I just feel incredibly fortunate to have had not one but two bites of the cherry.

Thanks for reading, thank you Jen for letting me waffle on, and finally may Herne protect you all!

Buy Links

Hooded Man:
Flaming Arrow:
The Red Lord:

Paul Kane is the award-winning, bestselling author and editor of over seventy books – including the Arrowhead trilogy (gathered together in the sellout Hooded Man omnibus, revolving around a post-apocalyptic version of Robin Hood), The Butterfly Man and Other Stories, Hellbound Hearts, The Mammoth Book of Body Horror and Pain Cages (an Amazon #1 bestseller). His non-fiction books include The Hellraiser Films and Their Legacy and Voices in the Dark, and his genre journalism has appeared in the likes of SFX, Rue Morgue and DeathRay. He has been a Guest at Alt.Fiction five times, was a Guest at the first SFX Weekender, at Thought Bubble in 2011, Derbyshire Literary Festival and Off the Shelf in 2012, Monster Mash and Event Horizon in 2013, Edge-Lit in 2014, HorrorCon, HorrorFest and Grimm Up North in 2015, The Dublin Ghost Story Festival and Sledge-Lit in 2016, plus IMATS Olympia and Celluloid Screams in 2017, as well as being a panellist at FantasyCon and the World Fantasy Convention, and a fiction judge at the Sci-Fi London festival. A former British Fantasy Society Special Publications Editor, he is currently serving as co-chair for the UK chapter of The Horror Writers Association. His work has been optioned and adapted for the big and small screen, including for US network primetime television, and his audio work includes the full cast drama adaptation of The Hellbound Heart for Bafflegab, starring Tom Meeten (The Ghoul), Neve McIntosh (Doctor Who) and Alice Lowe (Prevenge), and the Robin of Sherwood adventure The Red Lord for Spiteful Puppet/ITV narrated by Ian Ogilvy (Return of the Saint). Paul’s latest novels are Lunar (set to be turned into a feature film), the Y.A. story The Rainbow Man (as P.B. Kane), the sequel to REDBlood RED – the award-winning hit Sherlock Holmes & the Servants of Hell and Before (a recent Amazon Top 5 dark fantasy bestseller). He lives in Derbyshire, UK, with his wife Marie O’Regan and his family. Find out more at his site www.shadow-writer.co.uk which has featured Guest Writers such as Stephen King, Neil Gaiman, Charlaine Harris, Robert Kirkman, Dean Koontz and Guillermo del Toro.

***

WOW- what a guest!! Thanks Paul- I am humbled by your productivity.

Many thanks for visiting today,

Jen xx

 

The Hooded Man 3: A different angle

Unusually for me, when it came to writing this round up of the weekend just past, I have been puzzling over a blank page.

The reason for this is clear – I’m still in the ‘coming down from a high’ zone. I’m not alone in this. Facebook this week is full of my fellow Hooded Man Event attendees suffering from post-event blues.

If ever there was a mark of an event’s success, it’s that people feel slightly bereft when it’s over- a bereavement that is undercut with happy hope – and the reassurance that in 2 years time it will all happen again.

Anyone who follows this blog cannot have failed to notice that I am fond of anything and everything to do with Robin Hood. Again, I’m not alone- especially when it comes to folk who are devoted to the 1980’s television show, Robin of Sherwood.

The Hooded Man 3 (HM3), was held in Gloucester this weekend just past. It was a two day celebration of Robin of Sherwood. It doesn’t matter that the show hasn’t aired for over 30 years- the loyalty of the fans is absolute- the friendship between the cast members is clear to see- and the atmosphere that buzzed around the hotel venue was 100% positive and happy.A great deal was going on- autographs were being signed, photos were taken, Bowlore performed incredible shows within their tented medieval stronghold, and talks were held….I however, can’t really tell you about these things. I saw the HM3 from a different perspective.This was my second adventure as a stall holder at a HM event. Last time was fabulous- I only had one book to sell (Romancing Robin Hood), and so had lots of time to wander around, chat to the cast, and meet lots of people.

This time…wow!!

So, let me back track a little.

In 2016 I was lucky enough to be invited to sell Romancing Robin Hood at the HM2 event by the lovely Barnaby Eaton-Jones (organiser and all round hardworking guy). As I mentioned above it was just fantastic. (The blog I wrote after the event is still available here if you want to take a peep) A week after that event I had an even bigger stroke of luck- I was invited to attend the premiere of the very first Robin of Sherwood audio revival- The Knights of the Apocalypse- in London.

I didn’t know it at the time, but this was the moment when Barnaby and fellow audio write, Iain Meadows, began to consider putting together a short series of Robin of Sherwood audio stories, to be narrated by the original cast.  It was also that moment when- again unknown to me- I was being considered as a writer for one of these stories.To cut a long story short- 2 years later, here I am having written three different Robin of Sherwood audios. The Waterford Boy (narrated by Judi Trott a.k.a Maid Marion), Mathilda’s Legacy (narrated by Michael Craig a.k.a Earl of Huntingdon), and the forthcoming The Baron’s Daughter, which will be a full cast read story.

One of the highlights of HM3 was signing this script for a fan of the show, and chatting to Judi about the recording of the audio story. Judi did such a good job of reading my story, I was amazed to discover how nervous she’d been about doing it. As a writer for the show (still in shock about that to be honest) I was allowed to go into the green room with all the cast and crew, I took part in a panel, and had photographs taken with the cast. However, I was so busy on my stall that I never did get into the green room to chat to the cast between events. This is NOT a complaint. I had a ball talking to everyone as they came by my book stall to talk about Robin of Sherwood and the influence it had on my work- especially Romancing Robin Hood- and how that novel has now spun off into The Folville Chronicles series.I sold out of The Winter Outlaw on day one, and by the end of day two, my stall was more of a place to come and say hello, than a place from which to buy things! It was just wonderful.There were plenty of other things to see and buy, including the real Albion from series 2 and 3, Herne himself stood proudly over us, and RoS inspired gifts and DVD’s were available.  An auction of original Robin of Sherwood merchandise made a small fortune for charity- and the banquet and after event disco and bar chatter went onto 3am! On the Sunday- while the world was ever so slightly the worse for drink and lack of sleep- I was privileged enough to take part on a panel about the audio books. In the company of producer, Barnaby Eaton Jones, fellow writer, Tony Lees, the brilliant Alex and Verity who provided the ‘Clannad-ish’ music for the new series, and the amazing Nickolas Grace (a.k.a the Sheriff of Nottingham), we shared our thoughts and experiences of what it is like to write for a show that aired when we were children.

To sit there, in a packed room, looking at the people I was writing for- the very same people I have a horror of letting down with my words- I felt humbled to be part of something so special and so popular. When Nickolas Grace began to speak about how much the show means to the cast, and how he wanted to do as many audios as he could…the lumps in our throats grew as tears formed in the great man’s eyes. A moving moment indeed.The overriding theme for the weekend however, has to be the laughter and the smiles- of which there were many.

On a personal note I’d like to thank Lesley and Michael for being there for me- and to every single person who said kind things about my work.

Roll on HM4 – just give us all a chance to recover first- there are audio stories to make…

Happy reading- and listening!

Jennifer xxx

PS. I’d better crack on with Book 3!!!

 

 

 

 

 

Robin of Sherwood Audio: Special Announcement

A couple of months ago, with great excitement, I announced that I had written two audio stories for ITV’s 1980’s television show, Robin of Sherwood, under my medieval crime pen name of Jennifer Ash

Those of you who follow this blog will know precisely how much that opportunity would mean to me. Not only have I been a lifelong lover of all things Robin Hood, but I have spent many years researching the history behind the legend.

It is with even greater pleasure therefore, that I can let you in on a secret.

ITV and Spiteful Puppet have just confirmed that they want me to write a third episode!!

I can’t say anything else for now- except that this will be one of a new batch of Robin of Sherwood audio dramas written by authors as passionate about the show as I am!

More news soon!

***

In the meantime- here’s a reminder of my earlier episodes (NOW AVAILABLE)

The first- The Waterford Boy– has been brilliantly narrated by Judi Trott- (a.k.a Marion of Leaford). It tells the story of a simple lad, Alwin of Waterford, who has the misfortune of crossing Guy of Gisborne’s path.

Photo copyright- Kim Jones

The second story – Mathilda’s Legacy -is a slight departure from the Robin of Sherwood episodes which have been written before. Mathilda’s Legacy tells the story of how David, Earl of Huntingdon met his wife- Mathilda, third daughter to the Earl of Chester – mother to Robert of Huntingdon.

photo by Kim Jones

Narrated by the fabulous Michael Craig, (a.k.a Earl of Huntingdon), this extra story was a joy to write. Who wouldn’t want to introduce the world to Robin Hood’s mother? Oh- and there’s a pesky ‘would be’ Sheriff of Nottingham knocking about as well.

You can now buy these audio downloads- as well as 2 other amazing stories from Spiteful Puppet for only £5.99 each-

The Waterford Boy– “Robin is angered by the Sheriff’s new people tax… but his rage is nothing compared to that of Will Scarlet when he hears Alwin mutter the name, D’Marelle.  For Will and the recruiter have met before… many years ago…”

Mathilda’s Legacy– “David realised why his offspring behaved in the way he did. After all, Robert of Huntingdon was Mathilda’s son. He was her legacy.  The moment couldn’t be put off any longer. It was time to tell his son the story of how the Earl had met Robert’s mother…”

And don’t forget….

The Templar’s Promise, read by Phil Rose – “On the run and desperate for help, Brother Michael offers Robin and the outlaws the chance to secure a fortune in gold.  If Robin is to get his hands on it, he must face betrayal and an enemy who is every inch his match…”

and

The Blood That Binds, read by Nickolas Grace – “The Hooded Man will face an adversary who is playing a long game, one that will see Herne’s son fulfil a destiny and set blood against blood in more ways than one…”

***

What more could any Robin Hood fan want?

So check out Spiteful Puppet here for all the download links- https://spitefulpuppet.com/product-category/robin-of-sherwood/

Happy downloading…

Jennifer x

2017-2018: New stories and new adventures

Happy New Year!

Here we are again then- another brand new year. A list of potential new year’s resolutions considered- and dismissed- and a determination that this year will be very much better than the one just past are whizzing around our collective minds.

It has to be said that 2017 was an eventful year. My naughty side (Kay Jaybee) had a novella out in January 2017, and then began the process of re-editing all her old novels. Meanwhile, in May my Jenny Kane side saw her second Cornish romance, Abi’s Neighbour, hit the world.

One of the highlights of 2017 has to have been when the amazing Katie Fforde endorsed my work in contemporary fiction, by providing a fantastic quote to be printed on the cover of Abi’s Neighbour. Having been a Katie Fforde fan for many years, this truly was a magic moment for me.

The publication of Abi’s Neighbour, and it’s previously published sister novel, Abi’s House, led to me being invited to the Penzance Literary festival in July. I had so much fun! Not only did I get to sit on a panel with the lovely Liz Fenwick and Teresa Benison, but I was also invited to teach a Life-writing masterclass.

Teresa Beniton, Jenny Kane, Liz Fenwick

A major change came to my writing life in 2017 with the setting up of Imagine – a creative writing workshop business I set up with my friend and fellow author, Alison Knight.  Although we’ve only been in operation since last Spring, we’ve built up a regular following at our classes, and expansion across SW England (and beyond) is afoot.

Not only do we teach group workshops, but we provide one-one classes, and this March we are running our first writing retreat on Exmoor in the stunning Victorian manor of Northmoor. If you want to have a look at all our Imagine information you can find it here- www.imaginecreativewriting.co.uk 

This decision to set up a creative writing business was something I’d been considering for some time. In 2017, with so many publishers either failing or cutting back on their lines, it felt that the time was right to add another string to my bow…and talking of bowstrings…

I was extremely luck last year to be asked to write a couple of audio scripts for the brand new series of Robin of Sherwood. As a life long fan of the show, it was particularly wonderful to be able to put words into the mouths of my favourite characters!

Produced by Spiteful Puppet- these new audio tales- narrated by original cast embers- are available now!! https://spitefulpuppet.com/product-category/robin-of-sherwood/  With luck- if enough copies are sold- then I’ll be thinking up some more Robin of Sherwood stories in the future!

photo by Kim Jones

Of course, you can’t have the ups without the downs, and 2017 saw the medieval crime novels I’d promised you, take a step back from publication. The publisher they were lined up with decided to streamline, and not take on any new historical fiction. This meant I had to find a new home for my Jennifer Ash work. While this was a little frustrating, I am delighted to say that a new home for my work has now been found!

Romancing Robin Hood, The Outlaw’s Ransom, and The Winter Outlaw will all be out in the near future- and I’m already hard at work writing Edward’s Outlaw, for release in the Winter. Watch out for a very special announcement about that later in the week…

And what of my contemporary women’s fiction? Well- my next Jenny Kane novel is complete- watch this space…

***

2017 saw many new adventures (I’d never written a script before in my life for a start!)- I wonder what new adventures 2018 holds?

I hope you all have a very happy and exciting 2018.

Happy reading,

Jenny xx

 

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