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Tag: Jan Ruth

Guest Post from Jan Ruth: Sweet Nothings

Today I’m delighted to welcome Jan Ruth back to my site with a wonderfully equine blog.

Over to you Jan…

SWEET NOTHINGS

My passion for horses, whispering, and the inspiration behind the Midnight Sky Series

Just when you think you know everything about a subject, along comes someone to blow apart a lifetime of assumptions. Monty Roberts’ father was virtually destroyed by his son’s belief in ‘horse-whispering’, as a far more humane and less exhausting method of breaking and training horses. It’s no secret that Monty took a severe beating for it.

A remarkable man, Roberts went on to foster disadvantaged children, using much the same wisdom and insight he’d learnt through studying horses and their social groups in the wild. It’s too easy – and often misguided – to bestow animals with human emotion, but maybe trust is rooted in the same place in humans as in horses, and observation and interpretation is all that’s required to make a valuable connection, regardless of language. And isn’t whispering usually far more effective than shouting? Much the same as writing good fiction; and if we’re talking analogies there’s nothing worse than clunky dialogue. Is Natural Horsemanship simply natural dialogue?

Jan Ruth Banner Midnight Sky

Guido Louis Leidelmeyer: “In the words of the horse: ‘Listen’ by observing me, and communication between us will come naturally and silently. In my words: Can I help you do that?”

As with most things that work well, it’s based on a simple concept of alignment with nature. Horses like to hang in a crowd (herd), follow the leaders – usually the older mares – and be out in the open simply because if there’s a predator, they’re more likely to bolt, than stand and fight. That’s about it. If a horse is singled out he is more likely to turn to us without fear or aggression once he comes to realise that we are not predatory, and as a surrogate leader can offer the ultimate protection. And that’s where the ‘following’  or ‘joining-up’ comes in.

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This principle works with wild/un-handled horses as well as re-training by reiterating the relationship of horse and leader for equines who have formed bad habits, or those with anxiety issues.

Actually, most bad habits stem from anxiety and a lack of leadership. It’s a little like your pet dog – and dare I say children, too? – needing to know they’re safe and secure place in the family pack, although the body language between dogs and horses is rather different. Flattened ears in a dog is more likely to mean subservient greetings whereas a horse … well, watch out!

Not everyone agrees that these principles are quite so cut and dried, and as is often the case with a lot of unquantified skills, there is perhaps some sixth-sense at work gleaned from years of experience. There are many equine behavourists who claim the ‘following’ principle is flawed. But the proof is in the pudding. I’ve watched Guido use these techniques on a couple of riding-school horses – both of whom he’d never ‘met’ – with amazingly fast results: 20 minutes to resolve a problem with electric clippers on a mare which had for some 12 years, aggressively avoided the issue. The owner was quite rightly, open-mouthed. But the problem isn’t solved in its entirety, as Guido explained: Tilly’s owner needed to learn and understand the process for herself, and as is the case with most success stories, a certain measure of self-belief is required. It’s this psychological leadership which is perhaps where the sixth-sense bridges that gap between human and equine.

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Horses have been a lifetime’s passion for me. No surprise that they feature in most of my novels, more so in MIDNIGHT SKY and the sequel: PALOMINO SKY.  Both books draw on the principles of horse-whispering and the power of self-belief – but I take on this theme in a fictional sense rather than a technical sense. It’s so easy to swamp the narrative with too much unwanted detail. And yet, it’s the minutiae of life which underpins the storyline in PALOMINO SKY. As with horse-whispering, it’s the observation of perhaps something seemingly inconsequential which can change an entire situation. If you’re not horse savvy or enjoy only a passing interest, I’ve tried to portray the equine aspect as secondary to the storyline in these books. On the other hand, horse enthusiasts will hopefully embrace the setting!

MIDNIGHT SKY is currently 99p/99c myBook.to/MidnightSky

PALOMINO SKY is released this week myBook.to/PalominoSky

Palomino Sky Cover LARGE EBOOK

PALOMINO SKY

A golden promise for the future in a lonely palomino mare, but life deals a cruel hand for James and Laura.

James is still running from the past after the loss of his wife, and a devastating accident forces him to face his final demons, but at what cost? Laura is forced deeper into his rural world – a life she once despised – but discovers empathy and hope in the palomino mare she calls Song.

Repercussions abound for Maggie too, when the full extent of her daughter’s dangerous liaison comes to light, leaving the entire family in turmoil. Will James and Laura ever find a golden future, or has life dealt too vicious a blow?

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Grey Horse

Many thanks for such a lovely blog Jan,

Happy reading,

Jenny x

 

Guest Post by Jan Ruth: Christmas in July.

With Christmas on a hop and a skip away, I’m delighted to bring you a festive themed blog from the lovely Jan Ruth.

Over to you Jan…

Christmas music; what’s the first track that springs to mind? It’s usually always Slade, that staple of commercial radio and drunken office parties. And as much as we may hate this stuff being regurgitated every year, it wouldn’t be the same without it, such is the power of music and the way it can ‘set a scene’.

The brief – to myself – was three, longish-short stories set in my usual comfort zone of Snowdonia, North Wales, UK. I wanted to make them all very different from each other, and I’ve chosen three pieces of music which I feel sure heavily influenced my dormant festive muse. I started my Christmas selection back in July and it was a tall order to find the mood when the sun was beating down on the parched Welsh mountains. This is where music plays a massive part, well, that and mince pies. I relied quite heavily on baked goods as husband objected to Christmas music in high summer, and even considering earpieces there’s always a certain level of wailing-along to contend with. So, an empty house, a dangly piece of bald tinsel and plenty of icing sugar…

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Rudolph the Brown-Nosed Reindeer

Rick isn’t looking forward to his lonely corporate Christmas, but it’s the season of goodwill and magic is in the air.

An off-beat love story, with all the hierarchy of the Christmas office party to contend with. It’s time Rick wore his heart on his sleeve, or is it too late? Lessons in love from an unlikely source, in this case, Rudolph. This story has its wry fun, but Rick-the-Reserved is in major denial. Oh, he’s the tall dark sensitive sort but there’s a limit to self-preservation and he’s in danger of losing what’s under his nose. Rejoice by Katherine Jenkins is one of those tracks that seems to become richer with every listen, rather like peeling away the layers of doubt and indecision – something my main character needs to examine. Rick would do well to listen to the lyrics of this track and take some of them to heart. Above all, it managed to transport me to the snowy forest in the story. Can you hear the snow dripping and the fire crackling in the grate?

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Jim’s Christmas Carol

Santa and Satan pay a visit. One brings presents, the other an unwelcome presence.

Paranormal reality? Jim’s played with fire and it’s time he got his comeuppance, but from who? Paranormal isn’t something I seek out to read, let alone write, but Sarah Brightman’s track Angel, was one of the triggers for this story. Jim’s Christmas Carol isn’t a serious tale, it does have an element of farce about it, but Brightman’s track (and especially the video) is interesting in that the words and the imagery can be interpreted in many different ways, a bit like Jim’s Christmas Carol. And a lot like our kaleidoscope of beliefs when it comes to religion, guardian angels and all things paranormal.

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Home for Christmas

Deck the halls with boughs of holly. Fa la-la la-la, la-la la-la. Tis the Season to be jolly…

Romantic-comedy. Pip might accidentally find her true vocation, but the folly of her fibs are about to catch up with her… The local village play, Deck the Halls, not only saves Philippa Lewisham from herself but promises an entirely different direction for New Year. She’s something of an old-fashioned girl, hiding behind a carefully fabricated façade of career-driven feminism – but she’s very much a fun-loving party-girl too, who’s perhaps lost her way a little.

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I love the drunken fun of the Pogues song, Fairytale of New York. It never fails to make me feel Christmassy, and lots of scenes in Deck the Halls take place in the village pub and the old school hall with a jangly old piano. In this story I flirt with romantic-comedy and yes it does have a happy ever after, but I can’t bear mushy sentiment in books, film or music, so for me, The Pogues track IS Christmas.

Merry Christmas! Nadolig Llawen!

Buy link for HOME FOR CHRISTMAS: myBook.to/Home4Xmas

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Bio

Jan Ruth lives in Snowdonia, North Wales, UK.

This ancient, romantic landscape is a perfect setting for Jan’s fiction, or simply day-dreaming in the heather. Jan writes contemporary stories about people, with a good smattering of humour, drama, dogs and horses.

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Many thanks Jan- and a very Happy Christmas.

Happy reading everyone,

Jenny xx

Guest Post from Jan Ruth: Wild, Dark and Silent

It is with great pleasure that welcome Jan Ruth to my blog today, to talk about her book, Wild Water, which is set in the beautiful splendour of on of my favourite places in Britain, the Welsh Hills.

Over to you Jan…

Wild Water 2

Wild, Dark and Silent: A testimony to the Welsh Hills.

The close of July saw the re-release of WILD WATER.

Although this is the second title Accent Press have released, it’s actually my first novel, a book which has endured the longest journey of all to arrive fully polished and published. It began as a humble paper copy – remember those? – and went through several transformations before arriving in a much less frazzled state.

This is the story of Jack Redman, the wronged alpha male who’s trying to make the best decisions for his family but more often than not, gets kicked in the teeth. How often we read novels in the contemporary genres which consistently root for the female character – nothing wrong with a strong woman of course – but no one seemed to be telling these stories from the male viewpoint, at least not twenty years ago when I began my quest. Divorce still seems heavily weighted towards the partner with the children, and the mother is usually awarded custody unless there are extenuating circumstances which can be proved. Most of the time this is all well and good, but there are a great number of cases where our ancient system is fully exploited. Sadly, a lot of the initial storyline was prompted by real-life experience but there’s no better starting point than this for fiction in the family-saga genre. Jack Redman is a victim not only of the court system injustices but of its inability to deal with the speed and complications of contemporary family life.

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The Wild Water series is strongly rooted in Conwy, a medieval town in North Wales. In the main I’ve used real places, and I do love the mix of historical buildings as a backdrop to a modern tale. Links to Welsh history and heritage are unavoidable in Wales and it’s the visible remains of quarries, castles and farmsteads which give the area a strong sense of the past. And there’s richness in the landscape here which has certainly inspired my writing. St. Celynin’s seventh century church in the hills for example, is an evocative piece of living history and a landmark which is included throughout the series. It’s exactly the sort of place Anna, with her natural spiritualism, might seek sanctuary. Nestled in the hills 927 feet above the sea, its pretty inaccessible and best approached on foot, but this is no hardship.

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Some of the area is chocolate-box pretty, a lot of it isn’t. The struggle to make a living in this community is mostly based on farming or tourism, although the mussel industry is alive and well. Since I know little about these subjects, Jack Redman emerged as an estate-agent. I like to be slightly unconventional with my characters because another great killer of readability is sameness, and cliché.

It was both daunting, and a pleasure to write the follow-up, Dark Water; to be republished by Accent Press on October 8th.

Dark Water

The story picks up three years after the end of Wild Water , and Jack is in for another bumpy ride. Dark Water is, as the title might suggest, a darker story partly because my writing style has changed over twenty years, but also because I introduced an element of crime. It’s too easy to become lazy with a sequel and repeat much of what has gone before. The resurgence of Simon Banks created plenty of tension, and a fresh challenge for me to write some of the story from his perspective. New characters such as Clarissa Harrison-Smith and Peter Claymore, breathed new life into the original cast. When I brought Claymore into the story, he had to have a purpose and a passion, and his persona took root in one of the most fascinating buildings in Conwy – sadly in a state of disrepair – but the real life situation fitted perfectly with what I had in mind for the plot.

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This house was built in 1589 by the vicar of Conwy. Since then it’s been a pub, a tearoom and an antique shop. It’s full of spooky atmosphere with cellars, trap doors and secret passages, and apparently there used to be an escape tunnel which led to the quay. Haunted? Most certainly!

It’s exactly the sort of place someone like Claymore would want to renovate and bring to life, and the perfect setting for Anna to develop in her own right as a serious artist. Her portrait of Llewellyn the Great is the centrepiece of her launch but of course, this is fiction and nothing goes to plan! The comedy and tragedy of Jack’s life rumbles on. In his own words: Raping and pillaging is still rife, even in the modern world.

You can find the buy links for Wild Water at – Mybook.to/wildwater

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ABOUT JAN RUTH

Jan was born in Cheshire and moved to North Wales in 1998, although she has always maintained a strong connection with the area from a much earlier age. Her feel for the Welsh landscape is evident in all of her work.

The real story began at school, with prizes for short stories and poetry. She failed all things mathematical and scientific, and to this day struggles to make sense of anything numerical.

Her first novel – written in 1986 – attracted the attention of an agent who was trying to set up her own company, Love Stories Ltd. It was a project aiming to champion those books of substance which contained a romantic element but were perhaps directed towards the more mature reader and consistently fell through the net in traditional publishing. Sadly, the project failed to get the right financial backing.

Many years later Jan’s second novel, Wild Water, was taken on by Jane Judd, literary agent. Judd was a huge inspiration, but the book failed to find the right niche with a publisher. It didn’t fall into a specific category and, narrated mostly from the male viewpoint, it was considered out of genre for most publishers and too much of a risk.

Amazon changed the face of the industry with the advent of self-publishing; opening up the market for readers to decide the fate of those previously spurned novels. Jan went on to successfully publish several works of fiction and short story collections. Jan is now pleased to announce that throughout 2015, she will be re-published with Accent Press.

ABOUT MY BOOKS

Fiction which does not fall neatly into a pigeon hole has always been the most difficult to define. In the old days such books wouldn’t be allowed shelf space if they didn’t slot immediately into a commercial list. Today’s forward-thinking publishers – Accent Press being one of them – are far more savvy.

As an author I have been described as a combination of literary-contemporary-romantic-comedy-rural-realism-family-saga; oh, and with an occasional criminal twist and a lot of the time, written from the male viewpoint.

No question my books are Contemporary and Rural. Family and Realism; these two must surely go hand-in-hand, yes? So, although you’ll discover plenty of escapism, I hope you’ll also be able to relate to my characters as they stumble through a minefield of relationships, family, working, pets, love …

I hesitate to use the word romance. It’s a misunderstood and mistreated word in the world of fiction and despite the huge part it plays in the market, attracts an element of disdain. If romance says young, fluffy and something to avoid, maybe my novels will change your mind since many of my central characters are in their forties and fifties. Grown-up love is rather different, and this is where I try to bring that sense of realism into play without compromising the escapism.

Jan Ruth. 2015.

Discover more about Jan Ruth: Jan writes a variety of posts – funny, serious, informative – about Snowdonia and it’s landscapes. Horses and history, her inspiration to write fiction set in Wales and her publishing journey so far.

BLOG: https://janruthblog.wordpress.com/

Connect with Jan:

FACEBOOK:https://www.facebook.com/pages/JAN-RU…

TWITTER: https://twitter.com/JanRuthAuthor

Find her books:

WEBSITE: http://janruth.com/

AMAZON: http://www.amazon.co.uk/Jan-Ruth/e/B0…

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Many thanks Jan. What a fantastic post. It reminds me how long it’s been since I explored the beauty of the Welsh countryside.

Happy reading,

Jenny x

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