Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

Tag: self published

Guest blog from Richard Dee: What is Steampunk anyway?

It’s my pleasure to invite friend, fellow author, and member of the Exeter Author Association, Richard Dee to my site today. Richard’s latest book, A New Life in Ventis is available on pre-order now!

Over to you Richard…

Thanks Jenny for the invitation, now a few of you might be wondering what a Steampunk author is doing here, plugging his next work. Aren’t we straying a little off-piste?

And what is Steampunk anyway?

There are many interpretations of the genre, here’s mine.

Picture a world, a world without oil, without electricity. Imagine a place where the steam engine is King, driving vehicles and industry. Where portable power is provided by clockwork engines; powered by coiled springs. It’s conventional to depict this world as Victorian, because it gives us a reference point, it’s the nearest we can get in our experience. And let’s be honest; the costumes are pretty cool too!

But when you think about it, if oil and electricity had not been utilised in our society, where would our Victorian’s be today? Could we have vast aircraft, with jet engines powered by coal gas? Could we have clockwork computers, printing onto paper? Or mechanically driven moving picture shows? Of course we could, and so much more.

Who knows what else might have been invented by necessity? And what are the limits of the technology? Might the world even be a better place?

That’s an awful lot of questions in two paragraphs.

So you could say that a Steampunk world is really just a different us. Even though I called my Country Norlandia, it could just as easily be an England that went in a different direction. And as it’s us, the people in my world are no different to the people in Jenny’s or anyone else’s stories. They have the same emotions, the same vices and the same tales to tell.

My fictional world of Norlandia and the stories set there have romance, corruption, revenge, heroes, villains and all the other elements of any adventure, the only difference is that they are set against the background of smoking chimneys, coal dust and the whirring gears of fantastic machines. The technology is a character, not the main event. In the same way as a village or a beach, or even, dare I say it, a coffee shop?

Once I started creating the world, I realised that I could adapt a lot of what we have today and invent new ways to make it work differently. By keeping it practical and useful but just slightly ‘not the way it’s done here’ it enhances the difference in the setting. Things like the gas powered jet engine, it’s perfectly possible but not quite how we do it. And you can also have fun creating those little bits of back story that give the place its atmosphere, like the suggestion of myth and magic in exotic foreign lands, the novelty of Cofé and how the lack of instant communication makes people behave differently.

Anyway, if you wanted to learn the intricacies of Fantasy World building you wouldn’t be here, I’ll get back to the story.

A New Life in Ventis, the novel I came here to tell you about, is the second one that I have set in Norlandia. It follows the further adventures of Horis Strongman, an ordinary person who finds himself thrust into extraordinary circumstances. He’s a city boy, naive and out of place in the country. Luckily he finds a feisty sidekick in Grace, and then there’s his new friend Maloney, an ex-soldier with a mechanical arm and a dislike of authority, to keep him safe and on track.

In the first book, The Rocks of Aserol, published in 2016, Horis is the unwitting pawn in a conspiracy. Sent to be the expendable minion, he discovers a secret, falls in love and is rescued from the fate his unscrupulous superiors intended. He sets off to make things right.

A reviewer commented: – There’s something of a ripping yarn about this excellent tale of adventure. False accusations, discoveries kept secret, villains who murder to get their way, and the whiff of requited love – it’s all here in this classic steampunk saga.

That story was complete, or so I thought, I moved on to other projects. Then I started getting requests to continue the adventures from readers. One said, so, what becomes of the hero? All I’ll say is, the story does have an end but there are still questions unanswered. I think Mr Dee would disappoint quite a few readers if he didn’t come up with a sequel – or better still – a series.

And another commented, I absolutely adored it but the ending!!!!!!  What’s going to happen next? Please tell me you’ve written a sequel.

Seeing those remarks made me wonder, what could happen next? I knew that I had to continue the story; A New Life in Ventis was the result.

In the second book Horis experiences the joy of reunion, he discovers that the bad guys are still out to get him and will stop at nothing in their pursuit. He also learns…, well that would be telling.

Here’s what one of my fantastic team of beta readers said: – “A New Life in Ventis took off with a bang, and kept up the tempo throughout the entire story. Overall, it is another excellent book!”

And, if my editor is to be believed, there needs to be a third part to the tale as well. There are certainly enough possibilities, enough machines and fiendish adversaries to justify many more adventures for Horis, Grace and Maloney. And who knows, maybe Horis will find the quiet life he craves.

We will have to see what happens; the creation of the world so far has already resulted in an alarming amount of research and invention. Sufficient to make a book of short stories, Tales from Norlandia, which; incidentally, is now available exclusively from my website.

Here’s a chapter from A New Life in Ventis to give you a flavour of the story.

In the Provincial Hotel, Asero

Sayrah Faith was unused to flattery. So that when the stranger leant over the reception desk in the Provincial Hotel and complimented her on her appearance; she was unsure just how to reply. Flustered, she put her hand to the side of her head, patting her tightly wound hair.

“Oh sir, you should not,” she answered breathlessly, unaware that her normally well-hidden feminine instincts had made her react in the same way as the girls she considered ‘flighty’. The cheap novels she read so avidly described such situations as this, but she had never been part of one herself. She found that she quite liked the sensation it produced. It was just as the novels had described it.

“How may I help you?” she asked, attempting to strike the sort of pose that ‘heroines’ did. In her bone corset and tight gown and with her stomach sucked in she found the posture uncomfortable. Still, she reasoned, it might be worth holding it for a while longer.

“I’m looking for a room,” the man replied. Sayrah was on safer ground here. She pulled the pencil from behind her ear and automatically licked the point. Then she thought that perhaps she should not have done, as the man’s eyes widened. Flustered again she opened the ledger and ran her finger down the page.

“We have a single available,” she began but the man shook his head.

“Oh no, a double room for me,” he said. “I may be on my own but I do prefer comfort, a single bed leaves me no room to spread myself, don’t you agree?”

He was tall and thin, with a heavy moustache and side whiskers yet had an air of mystery and excitement about him. Sayrah was unworldly; in her mind she could hear her mother’s voice. ‘Double beds are only for marriage and the worst kind of adventures,’ she had used to say. Sayrah had never been a party to these ‘adventures’ and although she was aware of their nature had never been in a position to experience them. In her life thus far, men had treated her at best with indifference, it was because of her plainness and larger body she was sure, but this man had a twinkle in his eye and a kind face. Perhaps he was what the novels referred to as ‘the one’.

“I couldn’t say,” she blurted, then realised that wasn’t the right answer for a worldly wise woman to give. She blushed but the man never noticed.

“Now, my dear,” the man continued, “where might I get a good meal tonight with pleasant ambience? I know,” he added, “perhaps you could accompany me, I wish to know all about Aserol and I’m sure we might have an enjoyable time.”

Maloney was sat in the porter’s office, close to the desk, reading a news-sheet, his ears pricked up at the conversation. Sayrah was unable to hear the insincerity in the stranger’s voice and he did not like to think of her being gulled by a stranger. And there was another possibility; this may be an attempt to elicit information about Horis and Grace.

Since he had returned to work, Maloney had been alert, waiting for such a moment, he had no doubt that Terrance would seek Horis and Grace out for revenge and he wondered if this was just the start of things. Sayrah was an easy target for an unscrupulous agent after all. He merely needed to flatter her and she would be his. Maloney put down his sheet and crossed to the door, to better hear what else transpired.

“There is an excellent eatery on the sea promenade,” Sayrah said, she had never tried it but had longed to. As she walked alone some nights she had looked through the windows at the couples inside and wished herself there, in happy communion with ‘the one’. Pride would not allow her to go alone, perhaps tonight might be her chance to sample its fare. “It is called the Icthyus.”

“After the piscorae,” said the man. “Very well, I will call by speaker and arrange a table, is eight of the clock suitable for you?”

“Why yes,” said Sayrah. “I will be delighted to accept.”

“Good,” said the man. “Where is your speaker booth? I will set the wheels in motion.”

Maloney’s office was between the desk and the speaker room; he busied himself as the man passed then went to the other wall and listened carefully. He could hear the man on the speaker as he called the operator. But instead of asking for the eatery, he heard him ask for a number in Bingham. That was a town halfway to Metropol City. That alone served to warn him that his suspicions might be well founded.

The connection was made. “I am in Aserol,” he said, “with good news. Already I have a possible source of information; about one of the persons you wish me to find.”

There was a space while the other party replied, Maloney could not hear the words but guessed that the man was speaking to Terrance, or perhaps some representative of the government.

The man suddenly laughed.

“Some old spinster at the hotel where I suspect the three met. I think that the two were employees and your man was the guest. I’ve turned on my considerable charm and I have the lady eating from my hand. I will try to get more information from her tonight.”

There was silence as the other person spoke. The man laughed again. “If I must, if there is no other way,” he said. “But I would rather not; hopefully she will tell me before I have to do that.”

Again there was the silence. “Very well,” the man said. “I will report to you again at this time tomorrow, assuming that I survive the night.” Maloney heard the click as the call ended, then the noises as a second call was quickly made and a table at the eatery was booked.

Maloney stretched and straightened, peering through his door he saw the man speaking to Sayrah; no doubt he was confirming their meeting.

The bell rang. “Porter,” called Sayrah, “there are bags to take up.”

~~~~

A New Life in Ventis will be released on November 1st 2018 as an eBook and paperback.

You can find more about Norlandia and The Rocks of Aserol at richarddeescifi.co.uk/rocks

Tales from Norlandia is available as an eBook at richarddeescifi.co.uk/shop 

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Many thanks for dropping by today Richard, and for sharing such a great story. Good luck with your new release!

Happy reading,

Jenny xx

Guest Interview with Stephanie Harte: Kitty Murphy’s Ticket to Paradise

Followers of this blog will know that last month I was privileged enough to meet a whole host of writing, both established and fresh off the block, at the Tiverton Literary Festival. One such new comer, the delightful Stephanie Harte, instantly impressed me with her total passion for the craft, and so I quickly snapped up the chance to interview her about her first novel- Kitty Murphy’s Ticket to Paradise.

So, it’s time to get cosy folks. Kick off the shoes, grab a cuppa. Cut some cake, and let the interview commence…

coffee and cake

What inspired you to write your book?

I had dreamt of writing a book for years but had always been put off by such a daunting task. It would be a massive challenge, and I was filled with self-doubt, so I easily talked myself out of it every time the idea resurfaced. But something changed and on New Year’s Eve 2013 after one or two glasses of bubbly I decided to make a resolution, this year I’m going to do it. The time had come, and I finally felt ready to put pen to paper. I wanted to write a novel that would embrace my Irish heritage and pay homage to my dad’s incredible sense of humour and many quirky sayings.

What type of research did you have to do for your book?

Having been a teenager in the 80s, I vividly remember what it was like, the music I listened to and the terrible clothes and make-up I wore. I thought it would be fun to write a book set in this era and provide some readers with a nostalgic trip down memory lane. For those lucky enough not to have a first-hand account of when big hair and shoulder pads were the height of fashion it would turn back the clock to a time when they were. So I relied on my very fond memories of the decade to write the novel and as a fact-finding exercise, purely in the line of research, I started making cocktails again just for old times’ sake.

Do you prefer to plot your story or just go with the flow?

I do a combination of both. I like to have a basic outline of the story from start to finish that I use to guide me, but I don’t stick rigidly to it. Then I go with the flow and see how the story unfolds as I begin to write. I enjoy inventing my characters and choosing names for them and every character I introduce adds another dimension to the story. I love being in the zone when ideas keep popping into my head quicker than I can type and completely lose track of time.

Book Cover

What excites you the most about your book?

This is my debut novel. I loved writing it because I was able to reminisce about the past. Although Kitty Murphy’s Ticket to Paradise is a work of fiction, it contains loads of incidents that actually happened to my friends and family. Many of the places that I wrote about in my book I visited on holiday. So it’s almost like a memoir, a record of my personal experiences and memories, and a chronicle of my teenage years. I thoroughly enjoyed the process of writing a novel and found it totally addictive.

Anything else you’d like to share with us?

I’ve just started writing my second novel that is about a girl called Violet Adams. It’s set in the 60s, and so far my research has been fascinating. Learning about hippies, marijuana, magic mushrooms and naked yoga has been a very enlightening experience and once again I find myself engrossed in the process. I just hope my computer doesn’t get seized.  The strange web searches I’ve been conducting would certainly raise a few eyebrows if anyone checked the history.

You can buy Kitty Murphy’s Ticket to Paradise from-

http://www.amazon.co.uk/Kitty-Murphys-Ticket-Paradise-Stephanie-ebook/dp/B00SYWNEUE

The paperback will be available to buy soon.

You can follow Stephanie on Facebook at-

https://www.facebook.com/profile.php?id=100008107800355

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Steph Harte

Bio-

Stephanie Harte was born and raised in North West London where she still lives with her husband Barry, daughter Sarah, son James and Cairn terrier Ruby.

She was educated at St Michael’s Catholic Grammar school in Finchley. After leaving school, she trained in Hairdressing and Beauty Therapy at London College of Fashion.

She worked for many years as a Pharmaceutical Buyer for the NHS, based at Barnet General Hospital purchasing stock for North London hospitals including, Edgware General, Finchley Memorial, Napsbury & peripheral sites. Her career path led her to work for an international export company whose markets included The Cayman Islands and Bermuda.

Since 2007 Stephanie has been teaching regular Beauty Therapy workshops at a London based specialist residential clinic that treats children with severe eating disorders.

Stephanie Harte was born and raised in North West London where she still lives with her husband Barry, daughter Sarah, son James and Cairn terrier Ruby.

She was educated at St Michael’s Catholic Grammar school in Finchley. After leaving school, she trained in Hairdressing and Beauty Therapy at London College of Fashion.

She worked for many years as a Pharmaceutical Buyer for the NHS, based at Barnet General Hospital purchasing stock for North London hospitals including, Edgware General, Finchley Memorial, Napsbury & peripheral sites. Her career path led her to work for an international export company whose markets included The Cayman Islands and Bermuda.

Since 2007 Stephanie has been teaching regular Beauty Therapy workshops at a London based specialist residential clinic that treats children with severe eating disorders.

Kitty Murphy’s Ticket to Paradise is her debut novel she is currently writing her second.

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Many thanks for dropping by today Stephanie! I wish you much success with your first novel.

Happy reading,

Jenny x

 

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