Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

Tag: crime fiction

The Reluctant Investigator: Edward’s Outlaw

In the first two novels of the series, The Outlaw’s Ransom and The Winter Outlaw, Mathilda of Twyford, found herself thrust into situations where she had to get to the bottom of a crime simply to stay alive. However, in book three, Edward’s Outlaw, Mathilda’s reputation for solving mysteries sees her being asked to solve a murder by the sheriff…and she is in no position to say no…

Blurb

January 1330: England is awash with corruption. King Edward III has finally claimed the crown from his scheming mother, Queen Isabella, and is determined to clean up his kingdom.

Encouraged by his new wife, Philippa of Hainault, and her special advisor ‑ a man who knows the noble felons of England very well ‑ King Edward sends word to Roger Wennesley of Leicestershire, with orders to arrest the notorious Folville brothers… including the newly married Robert de Folville.

Robert takes his wife, Mathilda, to Rockingham Castle for her own safety, but no sooner has he left than a maid is found murdered. The dead girl looks a lot like Mathilda. Was the maid really the target ‑ or is Mathilda’s life in danger?

Asked to investigate by the county sheriff in exchange for him slowing the hunt for her husband, Mathilda soon uncovers far more than murder… including a web of deception which trails from London, to Derbyshire, and beyond…

The third thrilling instalment in Jennifer Ash’s The Folville Chronicles series.

***

Mathilda has only been married to Robert de Folville for three days, and already trouble has coming knocking at door of their home; Ashby Folville manor, Leicestershire. A warrant for the brother’s arrest sends Mathilda alone into Rockingham Castle for her own safety. Under the protection of its constable, Robert de Vere, she shelters within the castle while her husband and his brothers are on the run.

Mathilda doesn’t have time to worry about Robert for long, for within only a few days a young girl is dead and the sheriff thrusts the role of detective upon her.

Why would anyone here believe her, even if she did find the killer? The word of a woman, even one who has married into one of the most notorious households in England, is not worth much without substantial evidence. And what if she gets it wrong and accuses the wrong person? Mathilda’s terrified that she might send the wrong person to the gallows.

The pressure on Mathilda to succeed becomes even greater when she begins to wonder if Agnes, the murdered maid, was the intended victim after all. The more Mathilda thinks about it, the more she sees how easy it would have been for the killer to mistake the dead girl for her…Was Mathilda the intended target after all?

 

Extract

Blood hammered in Mathilda’s ears. She had tracked down killers in the past, but never by appointment. The first time had been unintentional, a task she’d stumbled upon to save her father’s honour and her freedom. The second had come with an even higher price tag. The cost of failure would have been her life.

Now, these previous successes had earned her a third attempt, and Mathilda doubted she was up to the task. In Ashby Folville she had Sarah and Adam to back her up, not to mention Robert and his brothers. Here, she was alone but for Daniel, who’d already had a myriad of household duties heaped upon him.

Would her desire to find justice for Agnes, and her equally strong curiosity to uncover what was going on in the castle, be enough to solve the crime. Or crimes?

Whatever her misgivings, Mathilda’s starting point was clear. The sheriff and his associates had not yet left the castle. She wanted to talk to each of them privately. The constable had promised her the freedom of the castle while he’d had little choice but to agree, but would he continue to extend that offer once Wennesley and his comrades had gone to recommence the search for her husband.

Not sure if she was heartened or worried by Sheriff Ingram’s claim that she was unstoppable in her pursuit of felons, Mathilda wiped away the perspiration from her palms.

As she walked towards de Vere’s rooms, Mathilda forced herself to focus. Even if the arresting party remained with the constable, that didn’t mean they would be willing to answer her questions. After all, they hadn’t been there when Agnes had died, yet Mathilda couldn’t shift the uneasy feeling that it was all connected somehow. She had no logical reason for that suspicion beyond the coincidence of Isabella’s abrupt reappearance and the night-time movements of a tall, short-haired man who could have been either of the younger men on the warrant party… or someone else entirely….

***

Edwards’ Outlaw can be read as a standalone book, or as part of The Folville Chronicles.

If you’d like to read Edward’s Outlaw, – or any of The Folville Chronicles, they are available in eBook format and paperback from all good reatilers, including…

The Outlaw’s Ransom – mybook.to/theoutlawsransom

The Winter Outlaw- mybook.to/thewinteroutlaw

Edward’s Outlaw – mybook.to/EdwardsOutlaw

Outlaw Justice – mybook.to/OutlawJustice

Happy reading,

Jennifer xx

Opening Lines with Jane Risdon: Undercover Crime Shorts

For this week’s Opening Lines, I’m delighted to welcome a great friend to my blog, the fabulous author, Jane Risdon.

Over to you Jane…

Hi Jenny,

Thanks for asking me back to your fab Opening Lines which I enjoy reading so much and contributing towards.

My 500 Opening Lines come from the opening story in my very first collection of short crime stories under one cover for the first time: Undercover: Crime Shorts

Undercover: Crime Shorts features seven short stories which satisfy most fans of crime fiction and its sub-genres (not my words but those of a reviewer) and it was hard to put the collection together when you consider I have over one hundred short stories from which to choose.

These stories are designed to keep you on the edge of your seat and to be read during a train/bus journey perhaps or before bed. When you want read something you can finish in under an hour with more twists and turns than Spaghetti Junction.

I was so pleasantly surprised when upon release the collection shot into the Amazon Best-seller ratings at #18 in the UK and #333 in the USA – the first day!  Sadly, it coincided with me being in Facebook jail for a week at the same time, so promoting was a nightmare. I have no idea of which crime I was being convicted, but they have their own rules.

I chose Sweet Sable – The Red Siren, as my opening chapter in the book. It is set in Hollywood in 1939 at the height of the night-club age, when clubs were where singers got to show off their talents and where they stood a chance of hooking a ‘Sugar Daddy,’ and ‘Stage Door Johnnies,’ were on the hunt for a conquest and a quick lay.

A Great Grandfather was a ‘Stage Door Johnnie,’ in London, back in the day – my inspiration comes from so many sources!

Back to my story: The Mafia has a hold on Las Vegas and Hollywood and nearly everyone is in hock to them one way and another, even politicians. Corruption is rife in 1939.

Sable is a nightclub singer with another string to her bow and she uses her good looks, her sexy voice, and diva performances to snare rich men whose egos need stroking – this is how she makes her ‘additional’ living; snaring, hooking, and then stinging her male lovers – enriching herself by blackmailing them and adding to her ‘retirement fund.’

If any play rough, well, she can play rough too…

Before she is about to go on stage with the nightclub’s resident band she has a visit to pay and we meet her as she breaks into the offices of one of her ‘marks,’ before rushing back to prepare for her performance.

I’ve used Hollywood for this story because it ties into some research I had to undertake a while back when writing another Hollywood-based story about the apparent suicide of an up-and-coming young starlet. It’s called Cue Murder, and features in an anthology I contributed towards – Cons, Dames and G-Men published by Stab in the Dark Crime Writers.

Elisabeth Risdon

I used my husband’s late, great aunt, movie actress Elizabeth Risdon, for my research into the era of the silver screen in the late 1930s and I was able to go back to this research for Sweet Sable. Elizabeth’s career was long and successful. She began on stage in England and then Broadway, moving with ease into the Silent Movie era and later starred with many screen greats such as John Wayne and Cary Grant in over 100 movies during the Golden Age of Hollywood, until her death in the mid-1950s.

Lupe Velez

It was her roles with Lupe Velez – The Mexican Spitfire – which inspired Cue Murder and subsequently Sweet SableThe Red Siren.

Elizabeth Risdon: https://en.wikipedia.org/wiki/Elisabeth_Risdon

Lupe Velez: https://en.wikipedia.org/wiki/Lupe_V%C3%A9lez

FIRST 500 WORDS from the Opening Chapter:

Sweet Sable – The Red Siren

Closing the safe door quietly and with an expert spin of the dial the black-clad woman straightened up, slinging the grip with her haul over her shoulder. She stood listening intently before moving towards the office door. Again she waited, her ears straining, before gently prising the door open and stepping silently into the corridor of darkened offices; she eased the door closed calculating she had barely two minutes before the night-watchman made his rounds, trying the doors and checking the building was secure.

The woman headed for the fire escape where she’d made her entrance to the three storey building some ten minutes earlier. Gently raising the window she climbed out on to the metal staircase with the athletic grace of a ballet dancer, giving the dark alley below a quick once-over to ensure no-one was around she hastily made her way down the rusting stairs. Her tar- toned unremarkable and unmemorable automobile was parked across the street, hidden in the gloom of another narrow alleyway. Glancing at her wrist-watch – an expensive pay-off from a married lover – she knew she’d better step on the gas. She’d less than fifteen minutes to get back to the night-club, park her car at the darkest end of the outside lot, and leg it back to her dressing-room with enough time to change into her gown for her last set of the evening.

The red-head chuckled to herself as she repaired her lipstick pouting seductively at herself in the mirror, waiting for the stagehand to knock on her door with her final call. She was buzzing. She’d done it again, she’d pulled it off. It was better than any sex she’d ever had, and that was saying something. She chuckled, puckered her ample lips and blew herself a huge wet kiss.

*****

As the spotlight found its mark the band-leader nodded to the scarlet-clad shapely figure who took up position in front of the microphone. Her hips swayed in time to the jazz trumpet and she took her cue.  Her sultry sable-clad tones sucked her audience into her lair.

The figures outlined in the flickering candle-light adorning circular tables dotted around the smoke-hazed, expectant venue, stopped talking and turned their heads towards the elevated stage where Desi Garcia’s Syncopators went into full swing behind Sweet Sable, also known as the Red Siren – neither was her real name but no-one cared. When her song ended there was a moment’s silence before they pounded their tables shouting, ‘more, more.’

Sweet Sable wiggled her slender but shapely hips, leaned over the stage giving more than an eye-full of her full bosom on display in her tight-fitting strapless gown and blew huge smackers into the air, aimed at no-one in particular but the full-blooded men in the audience got the message and so did their partners who silently seethed.

Her set over for the evening Sweet Sable made her way back to her dressing room, accepting compliments and congratulations on her ‘wonderful performance,’ smiling, blowing kisses…

***

Undercover: Crime Shorts is available from Waterstones in Paperback: ISBN 9780359397839

And from most digital platforms including Amazon, Barnes & Noble etc for Kindle, Phone and Tablet and from Lulu in Paperback too.

Buy links:

https://books2read.com/b/4jD0wo

https://www.barnesandnoble.com/w/under-cover-crime-shorts-jane-risdon/1130007355

https://www.amazon.co.uk/dp/B07RFRVL4P

http://www.lulu.com/…/under…/paperback/product-24082039.html

Social Media:

https://www.facebook.com/JaneRisdon2/

https://janerisdon.com

https://www.amazon.co.uk/Jane-Risdon/e/B00I3GJ2Y8

https://accentpressbooks.com/collections/jane-risdon

https://twitter.com/Jane_Risdon

https://www.instagram.com/janerisdonwriter/

https://www.pinterest.co.uk/janerisdon2/

mewe.com/i/janerisdon

Author Interview on The Authors Show.com:

https://www.wnbnetworkwest.com/ 

Many thanks for visiting today Jane,

Happy reading everyone,

Jenny xx

Book review: Kitty Peck and the Daughter of Sorrow

I was recently delighted to be asked to read and review the third book in Kate Griffin’s ‘The Kitty Peck Mysteries.

Why so excited? Well, having previously loved Book 1 (Kitty Peck and the Music Hall Murders) and Book 2 (Kitty Peck and The Child of Ill Fortune), I was awaiting part three of the series with plenty of anticipation.

I was not disappointed!

Kitty Peck and the Daughter of Sorrow (OUT TODAY) lives up to – and exceeds – the expectations of the first two instalments in the adventures of Kitty Peck, a young woman who has ‘Paradise’ forced upon her. In this case paradise is an inherited empire of music halls, organised crime, smuggling and protection rackets that used to be held together by her grandmother, the terrifying ‘Lady Ginger.’

Blurb-  Kitty Peck and the Daughter of Sorrow

Summer 1881: the streets of Limehouse are thick with opium… and menace. At eighteen Kitty Peck has inherited Paradise, a sprawling criminal empire on the banks of the Thames. Determined to do things differently to her fearsome grandmother, she now realises that the past casts a long and treacherous shadow. Haunted by a terrible secret and stalked by a criminal cabal intent on humiliation and destruction, Kitty must fight for the future of everyone she cares for…

***

The biggest problem I have with writing this review is my desire not to ruin either this novel, or the two that come before it, for you.

Books one and two were amongst the best Victorian crime thrillers I’ve ever read.

Kitty Peck is unique amongst its peers. It weaves a world of darkness together with a fierce lightness which shines from the loyalty of her friends- but now even those long term alliances are under threat.

As I read, I could feel Kitty’s total frustration. She can’t do what she wants to do any more- she can’t even do what she knows is the right thing to do. Kitty’s every move is tied into knots by the looming twin spectres of Paradise and her domineering- even while absent- grandmother.

Attempting to escape the guilt that has become part of Kitty’s lie- a consequence of events at the end of book two- Kitty turns to opium- but even in her drug fuelled dreams she is hit by the remaindered of what she has been forced to do to survive- and what she must do- and the price that will be paid to do it.

Kitty Peck and the Daughter of Sorrow is tense, fast paced, enthralling, and every single word is worth reading. As with books one and two, not a single sentence is wasted. Every paragraph moves the plot along at such a pace, that you will not want to put the book down once you’ve started to read it.

With the support of Peggy, Lucca, and her grandmothers Chinese bodyguards, Kitty Peck must keep Paradise going. So many people depend on Kitty for their livelihoods- without her they’d be on the streets. After all, Paradise is only one step from hell.

I have no hesitation in awarding Kitty Peck and the Daughter of Sorrow 5 stars.

Blurb for Book One-

Kitty Peck and the Music Hall Murders– Limehouse, 1880

Dancing girls are going missing from ‘Paradise’ – the criminal manor with ruthless efficiency by the ferocious Lady Ginger. Seventeen-year-old music hall seamstress Kitty Peck finds herself reluctantly drawn into a web of blackmail, depravity and murder when The Lady devises a singular scheme to discover the truth. But as Kitty’s scandalous and terrifying act becomes the talk of London, she finds herself facing someone even more deadly and horrifying than The Lady.

Blurb for Book Two-

Kitty Peck and the Child of Ill Fortune– March 1880, Limehouse.

Kitty Peck, a spirited but vulnerable seventeen-year-old, is the reluctant heiress to Paradise, the criminal empire previously overseen by the formidable Lady Ginger. Far from the colour and camaraderie of the music hall where Kitty had been working, this newfound power brings with it isolation and uncertainty. Desperate to reconnect with Joey, her estranged brother, Kitty travels to Paris. Reunited at last, she is unable to refuse his request to take a child back to London. Within days of her return it’s clear that someone has followed them… and this someone is determined to kill the child… and anyone who stands in their way.

Kitty Peck and the Child of Ill-Fortune is a fast-paced historical mystery with breath-taking twists and turns that takes us from the decadent, bohemian world of late 19th-Century Paris to a deadly secret at the heart of the British empire.

***

Happy reading everyone,

Jenny x

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