Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

Tag: writing Page 12 of 27

Guest Blog from Lucy V Hay – 3 HABITS OF EFFECTIVE BOOK REVIEWERS

Today I’m joined by my friend and Devon Writers business partner, Lucy V Hay – this is advice you can’t afford to ignore.

Over to you Lucy…

3 HABITS OF EFFECTIVE BOOK REVIEWERS

by @LucyVHayAuthor

1)They know what they like. I’m a big ‘grip lit’ fan – in other words, I’m most interested in female protagonists who are probably NOT police (or other related authoritative figures). I like mysteries, thrillers, unreliable narrators and characters who are not your ‘usual’, meaning I like diverse casts and I don’t feel have to necessarily ‘like’ characters to relate to their journeys. Plot-wise, I like strong concepts and prefer a fast pace with unexpected twists and turns. I favour psychological torment over actual graphic violence generally speaking. In terms of writing style, I like prose that’s lean, visual and sharp, almost literary.

That’s not to say I never read male protagonists, police procedurals or novels with torture and splatter in. I even read romance from time to time! But I favour ‘grip lit’ because ultimately I want to be entertained. Obvious, really!

effective book bloggers

BOOK REVIEWER TOP TIP: Know who you are, what you like and let people know – then you’re more likely to be approached by publishers, small presses and individual authors who have ARCs you would love to read.

2) They know their opinion is one of many. I don’t see the point in ‘hate reading’, so I always stop reading if I am not enjoying a book.  My time is limited as a busy working Mum of three, why would I waste it on something I am not enjoying? What’s more, I never review books I haven’t finished. But most importantly, I recognise that just because I don’t like a book, doesn’t mean someone else won’t LOVE it! As book reviewers, we have to realise our opinion is just one of many.

BOOK REVIEWER TOP TIP: If you’re not enjoying a book, why not pass the baton on to another reader? You could always say to the ARC giver, ‘this wasn’t for me, but I think X would love it’.

3) They have a strategy. I keep a record of the books I’m reading and have read via my Goodreads page, plus I share my top crimefiction picks based around a theme on my ‘Best of 3’ feature on my blog. I also try and post to my blog at least twice a week, plus five or six times in Facebook groups and Twitter chats about reading and writing. In other words, in any given week, my fellow readers should hear approximately ten times from me.

But it’s NOT all about me and what *I* like: I also invite fellow crime fiction fans to submit THEIR ‘Best of 3’ picks to my blog, plus I also invite authors and screenwriters to take part in an interview feature called Criminally Good. Once a month, I’ll do an author chat on my FB page, CRIME, INK too

BOOK REVIEWER TOP TIP: Decide in advance how you will build up your platform. And try and stick to the 80/20 rule – if you’re talking about yourself and your site 20% of the time, make sure you’re taking about others (and their books or picks!) 80% of the time!

Good luck out there!

***

Lucy Hay

BIO: @LucyVHayAuthor is currently writing her first psychological thriller novel. She is also a script editor for movies and has written the nonfiction book, Writing & Selling Thriller Screenplays (Kamera Books). Join The Criminally Good Book Club to sign up for news, offers and giveaways.

Devon Writers

***

Many thanks Lucy.

Jenny x

Guest Post from Karl Drinkwater: Thinking Manchester in the year 2000…

I’m delighted to welcome Karl Drinkwater to my blog today to chat about his writing, and the influence the city of Manchester has had on his words. Why not put your feet up for five minutes and join us for a chat?

Karl Drinkwater

Hi Karl, where are you from?

I’m originally from Manchester. Therefore I grew up miserable. This gradually softened to a perpetual grumpiness and a desire to create a better world through fiction. I now live in Wales. It’s like Manchester with hills and greenery.

Manchester (1)

Which books did you want to talk about today?

Cold Fusion 2000, and 2000 Tunes. They were my most recent novels, both set in Manchester in the year 2000, shortly after I left for Wales. When you leave a place you see it in a different light, the good and the bad. And you see yourself in a different light too. A teeny bit of that will bleed between the covers.

Karl Drinkwater ColdWhat inspired you to write the books?

I think I was getting things out of my system with these books. They’re love letters to Manchester, its music, its city, whilst also being critical of some aspects. And they’re also more traditional love stories after a fashion, about nerds and difficult people being able to find love and happiness and contentment. Both books are set in the same summer with crossover places, themes, situations and characters that sometimes mirror each other.

Karl Drinkwater 2000 TunesWhat type of research did you have to do for your book?

Since both novels were set in a very real place I wanted to reflect that, and show how the geography of an area affects our perception of it. The difficulty was that the city centre had changed a lot in the last sixteen years. Many of the places in the novel have already been lost, renamed, altered or closed. 2000 Tunes opens outside The Haçienda, one of the world’s most famous nightclubs: just before it was demolished for luxury flats. I had to combine my memories of the city at the time with archival photos and discussions; my diaries were useful too. I built the city back up as it used to be and then let the characters breathe into that space.

There were also the elements related to the protagonist nerds. In Cold Fusion 2000 we have Alex, who is obsessed with with poetry … and hardcore physics. Luckily I’ve studied literature and astronomy at university, but I still had to learn more to fully get into his head. In 2000 Tunes Mark is obsessed with the music of Manchester. Again, it’s a love of mine, but the amount of detail I had to research so that I could draw parallels between songs based on dates, musicians, locations and so on as Mark does … that was a whole other level. Some of the research led to a series of blog posts all about the songs Mark thinks are the best examples of Manchester music (and which also form the chapter names in the novel). You’ll find the posts here.

Manchester (4)Why the year 2000?

It was a time when people thought the world might suddenly change for the better. What fools we were. But it’s an interesting liminal time, totally appropriate for coming-of-age stories about obsessive nerds, the amazing women they fall in love with, and the life-changing decisions they confront.

Do you prefer to plot your story or just go with the flow?

It has to be a bit of both. I plot so that macro-scale events work well, with escalation, reversals and so on. So if I sit down to write a scene I know that the two characters will begin arguing, and eventually come to blows, and say things they’ll regret, or reveal things they shouldn’t – but the details of what, and when, and how aren’t decided in advance. They come naturally from the characters interacting. Reviews often praise my realistic dialogue, and I think if you let the words and actions be authentic to the characters then the scene will flow; and often surprise the author.

Links

Website: http://karldrinkwater.uk

Facebook: https://www.facebook.com/karlzdrinkwater/

Twitter: https://twitter.com/karldrinkwater

Newsletter: http://eepurl.com/bIkYp5

Purchase: Amazon UK / Amazon US

****

Manchester (6)

Extract from 2000 Tunes

Samantha Rees thrust money into the taxi drivers hand and hurried away. Stopped, smoothed down her black skirt. Was it too short?

Too late if it was.

The white-washed Presbyterian chapel was built on a hill and the graveyard sloped down to dry stone walls. A bank of dying daffodils bent their heads towards her in the breeze. When she was a little girl her uncle had tricked her, making her believe they were really called Taffodils. She shook her head and climbed the steep stone steps, worn from two centuries of comings and goings.

People in black milled around outside under incongruous sunshine. She spied smokers having a quick ciggie behind the holly trees. She’d have joined them if she wasn’t so late. Just a one-off to settle her emotions.

The mourners admitted her, welcomed her. Hugs and questions but she pushed her way through as quickly as she could without seeming rude. It smelt like a flower shop. Overpowering sweetness of the white lilies. Snippets of conversation heard in passing.

“Such a nice day for it …”

“Aye, booked the weather in advance, knowing her.”

“Joined her husband, that’ll be a reunion.”

“Always said they didn’t want to outlive each other.”

“Shouldn’t be in here really, I’m a pub man …”

Inside was dark polished wood set off against pale walls. Pews and a small gallery were filling with those too tired to stand around. She spotted her mam and they hugged. Seconds without words, but which said everything, before Sam moved to arm’s length. “Sorry I’m late. I dropped my bags off at your house first, and the trains were –” but Mam silenced her with a waved hand.

“I knew you’d be here, bach. We waited. She’d have wanted that.”

Despite all the murmurs the atmosphere was hushed, heavy, like a gap in sound before an approaching storm. Noises seemed further away than normal, vitality cut off from conversation, words disconnected from their source, just as Sam’s mother was now disconnected from her source. Organisation rippled through the crowd as people moved to seats. Some mourners had to spill over into the small gallery.

Mamgu was in the coffin at the front. It hurt to look at the box, to picture Mamgu’s face without a living smile on it; so when the minister stepped into the pulpit and began speaking Sam was glad to focus on him instead. The service was in Welsh. Soon there was sniffing and nose blowing as the eulogy continued.

They stood to sing. Calon Lân began, beautiful music and strong voices. Sam tried to sing along but her throat tightened so she mumbled, “Calon lân yn llawn daioni, Tecach yw na’r lili dlos.” A pure heart full of goodness, Is fairer than the pretty lily.

She had to look up as her eyes brimmed, lights hung in threes, the images spilt over and she realised she hadn’t brought a hankie but would definitely need one…

***

Bio

Karl Drinkwater is originally from Manchester but has lived in Wales for nearly twenty years, ever since he went there to do a degree: it was easier to stay than to catch a train back. His longest career was in librarianship (twenty-five years); his shortest was industrial welding (one week).

Sometimes he writes about life and love; sometimes death and decay. He usually flips a coin in the morning, or checks the weather, and decides based on that. His aim is to tell a good story, regardless of genre. When he is not writing or editing he loves exercise, guitars, computer games, board games, the natural environment, animals, social justice and zombies.

http://www.karldrinkwater.uk/p/about.html

***

Many thanks for a great blog Karl.

Happy reading everyone,

Jenny x

Guest Post from Nicola May: Fast Love

I’m delighted to welcome Nicola May back to my blog today, to chat about her brand new novel, Love Me Tinder.

Over to you Nicola…

When I started dating not everybody had a mobile phone, so you would arrange to meet somebody at a certain place, at a certain time and it just happened.

Now to be honest I’m exhausted by all the technology that comes along with it. I mean what happened to good old fashioned courting? Rather than having to work out which is the best mode of communication for progressing the relationship; is he a Facebook messenger type of guy or does Skype float his boat? Can I not instead just pick up the remarkable object that was designed originally for vocal, yes vocal communication and talk to him?

I feel that so much gets misconstrued through messaging and I’m the sort of person who wants to know someone’s real honest feelings from the get go. Modern dating doesn’t encourage this level of intimacy. When someone likes me, I want them to call and show me that, instead of playing the texting game, which seems to have become the norm right now.

The current information overloaded digital world, where people’s minds need to be fed with whatever it is every ten minutes has transferred to the dating game and I think that this fast way of looking for love should slow right down.

To be honest, I don’t think the majority of people give relationships a chance anymore; a slight imperfection in character or looks and you can cruelly replace someone with the touch of a button if you so wish.

love me tindeeeer change position

Maybe you are just looking for Fast Love as in George Michael’s hit song, but if you are looking to settle down I think you should take note of writer, Margaret Atwood who said. ‘If I waited for perfection, I would never write a word.’  There is no such thing as a perfect relationship or person for that matter. And, sadly as you get older you realise that there are rarely the happy ever afters you read about in novel’s like mine.

And, if today’s reality is thinking that you never have to compromise on something to make it work, there are going to be a lot of shocked single people left out there.

Don’t get me wrong, it’s not all doom and gloom. I kept my internet love search as real as I could and actually went on some very fun dates and met some interesting men. I didn’t find my Mr Right, however what I did find was that there was so much to write about!

In fact, almost immediately I realised that the minefield of good, bad and indifferent dates I encountered was a gift for creating interesting and amusing plot fodder, and so the idea for Love Me Tinder was born.

In brief Love me Tinder revolves around heroine, Cali Summers who decides to hit the world of fast love after her marriage breaks down.

Using room 102 in the hotel where she works as her dating ‘lair’, she opens herself up to a world of sex, lies, deception, as well as personal discovery and passionate romance.

This book is for anyone who has immersed themselves into the crazy world of app or internet dating or in fact anyone who wants an insight into what it’s all about.

It is a romantic comedy, but I also wanted to address the issue of fast love in today’s modern world and I hope I have managed to do this in a sympathetic, realistic and head nodding creating manner.

Link to book: https://www.amazon.co.uk/Love-Me-Tinder-Nicola-May-ebook/dp/B01HD2QN4O/ref=sr_1_1?ie=UTF8&qid=1469186443&sr=8-1&keywords=love+me+tinder Twitter: nicolamay1

Website: www.nicolamay.com Love Me Tinder is out NOW as an eBook.
nicola orba

Biography

Nicola lives in Ascot in Berkshire with Stanley her rescue cat. She has a penchant for Prosecco, ripe peaches and flapjacks. Love Me Tinder is her eighth novel.

***

Many thanks Nicola,

Happy reading everyone,

Jenny x

 

 

Interview with Colette Kebell: Retail Therapy

It’s interview time! Today I’m delighted to welcome Colette Kebell for a cuppa and a chat.

coffee and cake

What inspired you to write your book?

Honestly being made redundant coupled with a hunger to get back to something that I enjoyed both at school and since, though prior to being made redundant, life just seemed to get in the way what with work, home life, dogs, hubby and just plain thinking I had lost any talent I thought I had due to the drudgery of a 9-5 job.

Do you model any of your characters after people you know? If so, do these people see themselves in your characters?

I have loosely modelled a number of my characters not only on myself and my husband but other friends and family.  Other than my husband, of course, none have mentioned to me that they saw themselves in my characters.  I guess I’m pretty good at hiding where my inspiration for each came from. Having said that I’m not sure whether that is a good or bad thing though.  It might sometimes be seen as complimentary to the person or persons involved, though not in every case.  There are a number of characters that I’m sure if those real life people had read my books, despite not recognizing themselves, would still enjoy as I have made even the villains humorous, I just couldn’t resist that one.  Afterall, Chicklit/RomCom are by their very nature meant to be funny, at the very least some of the time.

What type of research did you have to do for your book?

As far as research goes, I basically read a lot, wrote in a round about way about my own life experiences and used the internet as much as I could to fill in any gaps.  I hasten to add that they are far from biographical, but during my 50 years I have led a life during which I was fortunate enough to experience quite a variety of jobs, relationships, locations, foreign travel.  I guess, due to my parents having moved a lot and growing up being moved from place to place, I became rather resilient.  I am quite shy though so although friendships take a while to develop, usually I keep those friends for many years. 

Which Point of View do you prefer to write in and why?

The point of view I’ve used in all the novels is the first person.  Although this limits the descriptions to what the protagonist sees by way of experiences, I feel it is the one that also engages most with the readers, makes them live a life from the protagonist’s point of view.

Do you prefer to plot your story or just go with the flow?

I rarely plot a storyline.  I tend to go with the flow and see where the story takes me as it unfolds.  I did have some input from my husband during the writing process, discussing possible routes to take etc but at the end of the day, if the story doesn’t flow then, to me at least, it seems forced.  I don’t even have an idea of a title when I start off with a new book.  Having said that, one of my current WIPs, the whole story has materialized from my having the title to be begin with, so there is no hard and fast rule. 

What is your writing regime?

Due to having a very supportive husband and the kind of life we have had to lead the past few years, due to attempting to sell our home (which took 2 ½ years) my writing regime is almost non-existent.  I don’t mean to say that I don’t write as obviously if that were the case I wouldn’t have already self-published two books.  Having said that I write when I am in the mood, do marketing when I can, and am still learning the whole self-publishing process so there is plenty to keep me occupied.  My husband has had some involvement too as without him Blue and Green Should Never Be Seen! (Or so Mother Says) would never have been translated into Italian.  That far from simple task fell to my husband and by all accounts he thoroughly enjoyed doing so.  It took quite a while though as he does have a full-time job as well which keeps him pretty busy.

What excites you the most about your book?

I find it incredibly hard to put my finger on any one thing as there are so many elements to the writing process.  The laughter in our household during the writing process came first, as my husband read and discussed each of my books, just to give me another perspective.  Then there is the thrill of receiving each of them back from the copy editor, first sight of the covers, each and every review I read… there are just so many to choose from…

Colette Kebell covers

If you were stranded on a desert island with three other people, fictional or real, who would they be and why?

This one I found to quite a simple question.  The first person that jumped into my head, obviously for their talent, but also basically as a piece of eye candy, would be Hugh Jackman.  I just don’t consider that I could ever get bored of being around him.  Secondly, I would have to think of my survival so although Bear Grylls might come to mind I think I would prefer Robinson Crusoe.  Lastly, but by no means least I would have to say Joanna Lumley as we would certainly have a laugh when things got tough and she is such a trooper.  I could have said Michael McIntyre, but, do I honestly want to be surrounded by men?  With no female company I might just return to my tomboy status of my youth having fought somewhat to find my feminine side.

Anything else you’d like to share with us?

I guess, other than mentioning my books, which I’m sure you will do, I would like to mention that though the going is a little slow on them currently, I have three WIPs.  One is the follow on from Blue and Green Should Never Be Seen!, one is a further Chicklit which this time is set in New York and so I hope I can do it justice never having been there and the third is somewhat of a secret at this point as, just the title on it’s own, might give other authors ideas…

The books links are:

Blue and Green

US: https://www.amazon.com/dp/B00RG43YM4

UK: https://www.amazon.co.uk/dp/B00RG43YM4

The Retail Therapist

US: https://www.amazon.com/dp/B0106J3D9E

UK: https://www.amazon.co.uk/dp/B0106J3D9E

Senza Tacchi non mi Concentro!

It: https://www.amazon.it/dp/B01E2GN02M

As far as e-readers are concerned, I’ve covered all the bases as my books are available from all the usual haunts.  All but the Italian book are also available in paperback, on request from bookshops and libraries worldwide.

Colette Kebell

Bio

After being a Legal Secretary for about 10 years, Colette was on the hunt to find something else that she would find just as interesting. She found that in writing and she hopes you like what you read. She loves fashion with a passion (pardon the pun) and therefore it is not surprising that her debut novel was going to follow that theme.

Her debut novel was “Blue and Green Should Never Be Seen!” which was followed by “The Retail Therapist”, both of these being romantic comedies/Chick Lit, a genre she adores.

When she’s not in writing mode she enjoys experimenting in the kitchen, a task that usually produces good results; as her husband would say, as opposed to “his” experiments which often end in a culinary disaster.  She lives in Coastal Kent, UK with two adorable dogs. Oh yes, and hubby too.

You could also look at her website and see what news is on there at

http://www.ColetteKebell.com  or follow her on either twitter https://www.twitter.com/ColetteKebell   or Facebook https://www.facebook.com/ColetteKebellAuthor

***

Many thanks for a great interview Colette,

Happy reading,

Jenny x

Guest Post from Nell Peters: Birthday Sharing

Somehow we’ve reached the end of another month, so I’m handing over my site to the lovely Anne Polhill Walton- aka crime writer- Nell Peters. Once again Nell has provided a brilliant blog- although a certain Mr Connery may not think so…you’ll see what I mean!

I urge you my friends, to read right to the bottom of the blog today. Life is full of twists of fate, some kind, some not so kind…

Birthday cake

Thank you, Jenny – and hello again, everyone J

As I mentioned in my last post here, Jenny and I celebrate our birthdays in July – both on the 13th in fact. Unlucky for some – most especially me, as I was born on a Friday, according to my mother … which explains a lot. So, too late now for you to shower us with impressive gifts this year, but most definitely a red-letter date in your 2017 diary. We share our big day with Sir Patrick Stewart, who boldly went – although not being a fan of Star Trek, Captain Kirk was at the helm last time I saw the programme. Then there’s Ian Hislop of Private Eye, who has also on occasion boldly gone, but in his case into print, closely followed by a court appearance, defending a libel case. Harrison Ford joins the line-up too, he of Han Solo and Indiana Jones fame. I’ve never seen Star Wars – do I sense a theme here, as in I seem to avoid anything with ‘star’ in the title? I do quite like Starbucks however, but only for tea as I don’t drink coffee (just don’t tell coffee addict Jenny!)

With four sons, I was unable to avoid all the Indiana Jones films – did I really read recently they are making another? Seriously? Harrison Ford is well into his seventies and his on-screen father, Sean Connery, is more than ten years older than that! They’ll surely be cavorting around, wronging rights from their bath chairs? Probably pushed around by scantily-clad beauties, though, as Hollywood OAPs are somewhat more attractive than the common or garden variety – they perhaps don’t need their Winter Fuel Allowance either, in sunny California.

There is a Connery connection to Jenny – not Sean, but his nipper Jason (he of the long, flowing locks), who played the eponymous role in the last of the Robin of Sherwood TV series many years ago. Where does the Jenny link come in, I hear you ask – go on, please ask, or I’ll have to think of something else to prattle on about (imagine a sad, pleading face here – oh, and violins playing). Well, Jen has had a bit of a thing about Robin Hood since she was a wee gel – one of her books is even entitled Romancing Robin Hood (and a sequel is brewing) – you don’t get much more dedicated than that. After a gap of thirty years, surviving members of the original TV cast have reprised their roles in The Knights of the Apocalypse – an audio drama crowdfunded by fans. We could speculate that they went for an audio production because there simply wouldn’t be enough Polyfilla available for the cast to appear recognisably on screen, but that would be cruel. I have seen a pic of Jason C, however – gravity has taken effect with a vengeance and his only hair now is sprouting from his chin. Whatever … while our ardent groupie Madam Kane managed to blag a ticket and hobnob with the stars at the premier performance (I’ve seen those pics too!), for me the best thing is that the production company is called Spiteful Puppet – genius name!

I digress: our communal birthday was on a Wednesday this year, but both Jen and I had the main event the weekend before – in my case, a family invasion for a BBQ on the Sunday. #4 son arrived early with his family, acting quite strangely (not wholly unusual), and holding a large cardboard box. When I asked what was in said box, he said he’d brought a load of crisps along because it’s not something we ever buy (true) and guests might just fancy a scrunch or two. He then sat me down and told me to immediately open the gift he shoved under my nose – a large bag of Pavlova the chicken’s favourite bird seed was revealed. Card next; on the left hand side were the questions ‘Do you know who Svetlana Alexievich is?’ and ‘What is she famous for?’

I coaxed the long-dormant brain cell into life and gave him my answers, before being dragged outside (in my slippers! Tsk!) to inspect the crisp box … even I (Miss Hopelessly Naive 1802) was beginning to smell a rat by then. When the box was opened and tipped up gently on the grass, not a rat but a chicken emerged! A sister/playmate for Pavlova! Double trouble! And she had already been named Svetlana after the Nobel Lit Prize winner by #4 (maybe the school fees weren’t 100% wasted, after all?)

Bluebell

Svet is a magnificent Bluebell hen – her plumage has a definite blue hue in a certain light, and she was sixteen weeks old when she moved in. She is bigger than Pav with feet large enough to support a strapping 25 lb turkey, perhaps even a Pterodactyl. #4 lives more rurally than us and he chose Svet from a farm local to him, where numerous birds were housed in a large pen with a sandy floor. She was picked up on BBQ day and transported to her slightly more glamorous life – a third of an acre with grass underfoot – on the back seat, just as carefully strapped in as the GDs.

chickenPavlova was doing one of her nesting stints when Svetlana arrived and so they didn’t meet until the next morning, when Pav came to feed – she was a little put out, but feathers didn’t actually fly and since then, while not yet bosom (or chicken breast) buddies, peace has been declared and there is no battle of the beaks to rule the roost. They really couldn’t be more different in personality (yes, they do have personalities!) – while Pav is quite skittish and aloof, rather like a cat who tolerates our presence as long as we know our place and keep her well fed, Svet is really laid back and friendly and follows us around like an adoring puppy. She doesn’t even mind the Grands chasing her and also talks incessantly (which the old chick on the block has never done, apart from very loud crowing when she thinks it’s chow time) making sort of mewling noises, rather like a Moomin with feathers.

Finally, I have reached the conclusion that the OH has been around my warped sense of humour for way too long and has lost his immunity. When no one was looking, he retrieved one of those Nando’s chicken on a stick things (liberated from the restaurant years ago by one of the boys) and stuck it in the grass by the communal food receptacle. Really!

NandosToodles! NP

***

PS-

OK, that was my original post for Jenny, written a couple of weeks in advance.

I’m so very sad to report that both Pavlova and Svetlana have since been killed – most likely suspect a cat new to the neighbourhood, that I’ve spotted in the garden at all hours of the day and night.

I know this is a first world problem – that there is dreadful carnage and unimaginable human suffering globally, to which the loss of two spoiled chickens cannot possibly compare, but I do so miss them. For instance, there is no one to greet me when I take an early morning stroll in the garden – they’d spot me a mile off and speed toward me with their silly run-trot, Pavlova making the most unholy din. Of course, I realise they were after food and not my scintillating conversation, but they always made me smile. And Svetlana, being a cheeky young upstart, had taken to sitting on the back door mat if the door was open, a few yards away from me when I was using my lap top at the table – just hanging out.

Goodbye, and thank you, little feathered friends. XX

***

Many many thanks fro such a great blog Nell. I shall certainly miss hearing about your chicken friend’s adventures. Pavlova in particular had become a very definite character in her own right. Thank you for sharing so much of her mischief with us on this blog. Hugs. Jenny xxx

(I can’t begin to imagine what the very lovely Mr C junior is thinking if he is reading this right now!!)

***

Bio

Nell Peters writes psychological crime novels and is published by Accent Press. Her next protagonist is going to be a chicken.

By Any toher name bus

mybook.to/BAON

Hostile witness bus

mybook.to/hostilewitness

Release Blitz from Laura Wilkinson: The Family Line

I’m delighted to bring you the blurb, and an exclusive extract, from the first novel to leave the well aimed pen of my lovely friend, Laura Wilkinson.

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Set in a much-changed Britain in the mid-twenty-first century, The Family Line is the debut novel from acclaimed writer Laura Wilkinson, now revised and proudly reissued by Accent Press. An original exploration of identity, love and what it means to be a parent.

The Family Line

Blurb

Three women. One secret. A child with a deadly disease

Megan is a former foreign correspondent whose life is thrown into turmoil when her son is diagnosed with a terminal illness: a degenerative disease passed down the mother’s line. In order to save him, Megan will have to unearth the truth about her origins and about a catastrophic event from the past. She must confront the strained relationship she has with her mother, make sense of the family history that has been hidden from her all her life, and embark on a journey of self-discovery that stretches halfway around the world.

An exclusive extract:

Megan sat alone outside the office of an eminent doctor resident at the hospital. It was nine fifteen; her appointment had been scheduled for nine o’clock. She was grateful for the reprieve and didn’t understand why she didn’t want to go in.

She wore heeled sandals and a knee-length dress, cut from black cotton with bracelet sleeves and a slash neck. Her cheeks were dusted with a soft pink blush and her lips coated in a sheer gloss. She had looked elegant and quite lovely in her bedroom mirror but now she felt overdressed and wished she had worn her regulation black jeans. She had been keen to make a good impression, but she resented this desire to impress. What was she trying to prove? That she was a good mother? Surely only a vain, selfish woman would be concerned about appearance when discussing her child’s development? She wiped away the gloss with the back of her hand. She studied her pale shins, the blue veins visible beneath the surface in the harsh hospital light. A nurse told her the consultant was ready. Megan took a deep breath and stood.

He faced the window, his back to the door, and looked out onto a pleasant garden bordered with hydrangeas, hebe and St John’s Wort. The air was cool in the sparse, smart office though Megan felt perspiration gathering under her arms and across her brow with every click of her heels on the floor. The doctor commented on the fine weather, reminding her that each day comes but once, never to return, and as such should be treasured. Platitudes. She looked at the garden. It was beautiful but nothing compared to her boy.

When the doctor finally spun his chair to face her, Megan knew the news wasn’t good, and though her stomach churned she told herself it would not be anything insurmountable. After all, this wasn’t oncology or the ER. After asking her to take a seat, Mr Barnet, a phlegmatic, saturnine individual, informed her that Cerdic had a rare congenital condition, a hereditary disease, passed from mother to son, which would rob Cerdic’s body of its ability to function. ‘AMNA. It stands for Alekseyev Motor Neuron Atrophy, named after the Russian scientist who first discovered the defective gene. For reasons that have never been quite explained the condition appears to be more prevalent amongst the peoples of the East, the Slavs in particular,’ he said.

Megan’s mouth dried, her lips seemed to be welded together. She struggled to push the words out. ‘How serious is it?’

‘Very. I am sorry.’

‘What will it do to him?’ She could feel the thick white spit at the corners of her mouth. She went to wipe it away and realised that her hands were shaking.

‘It starts in the muscles as cells break down and are gradually lost. The muscles weaken over time. Your son has trouble jumping and climbing, yes?’ He didn’t wait for a reply. ‘By five years old AMNA boys are unable to walk far, and by seven or eight most are in a wheelchair. Nerve cells in the brain weaken, eventually failing to send messages to muscles and other vital organs like the lungs. Sufferers lose control of their bodies and minds. The average life expectancy …’ Megan watched his mouth move without hearing more words. Sunlight illuminated his form and she felt angry with the sun for shining.

‘How long do we have?’

He curled his lips inward. ‘If he reaches sixteen, it will be a miracle, of sorts,’ he said, delivering the news as if it were quotidian, finishing with a standard, ‘Do you have any further questions?’

Megan experienced a sensation similar, she imagined, to being eviscerated. It was as if he had ripped out her intestines, thrown them to the floor and squashed them underfoot, before asking if there was anything he could do to help with the pain.

She remembered the night Cerdic was born. Sweltering and still. Even the sea was silent. She stayed up all night, her body throbbing, unable to take her eyes from him, afraid that if she blinked he would disappear as miraculously as he had arrived. She remembered how, when he was tiny and slept in a cot in her room, she would wake to the sound of silence and rush to his bedside, placing a palm in front of his mouth, checking he still breathed. Like all mothers in the black moments she imagined a hundred ways he might be taken from her but nothing like this. She never, ever, imagined this.

Reeling from the shock, and working hard to control her spiralling emotions and liquid gut, she said, ‘There must be something we can do.’

‘As you will appreciate much research was abandoned, or more accurately put on hold, after 2025. Cerdic’s condition is, mercifully, extremely rare, and as such it has not been high priority for many, many years. In the past decade research has restarted. But it is a slow process, Mrs Evens.’ He returned to his garden as he spoke, and Megan thought there was nothing merciful about this disease.

‘Has this research thrown anything up yet?’ she said, adding, ‘It’s Miss Evens.’

Mr Barnet commented on a blackbird that hopped on the lawn before replying with indistinct mumblings.

Megan’s patience evaporated though she believed the consultant’s rudeness was not deliberate. She pressed for a clear reply.

‘There are signs to indicate that matching stem cell and blood plasma transplants, from suitable donors, can slow the progression of the disease. It works best if the donors are relatives, close relatives. Scientists believe they can stop the disease in its tracks altogether if administered early enough with a perfectly matched donor though there is no conclusive proof as yet.’

‘It is worth a try, Mr Barnet.’

‘Worth a try.’ He nodded absentmindedly.

‘Then we try it.’ Megan’s tone was polite but firm – this was not a request.

‘There is no sibling?’

‘There’s me.’

The consultant spoke of the viability of samples from her, Cerdic’s father, compatibility. He explained that it was most unusual, unheard of, for the mother, the carrier, to match, to be a suitable donor. She knew he meant no malice or blame – why would he? – but it pained her nevertheless. He rambled on, explaining the minutiae of technical detail. She twisted the ring on her left hand. Her mind flooded with images of Hisham. She would have to contact him. She knew there would be no question of him not helping but she allowed herself the irrational hope that contacting Hisham might not be necessary, that she might be the one in a million, in a manner of speaking. She left Mr Barnet’s office brim full of fear and hope, clutching a referral and a name for her son’s killer.

To buy: http://amzn.to/2ahSStC

Praise for the first edition:

Wilkinson ably navigates the tender, sometimes fraught exchanges between her protagonists. Though its scope is ambitious, and could easily have veered off-course, deft interweaving of complex themes makes for a haunting début.’ For Books’ Sake.

‘This is a compelling story that raises important issues and will linger in the mind long after the last page has been turned.’ Joanna Caney, New Books Magazine.

‘This mind-blowingly original novel asks big questions about a woman’s right to choose when to have children…  Ultimately, it questions how far is too far… This is a book that will haunt your dreams.’Pam McIlroy, Books at Broadway.

‘ This is an interesting and emotional début, and is highly recommended.’ Michelle Moore, Book Club Forum.

 ‘… a fantastic debut novel which surpassed my expectations.  I totally agree with one Amazon reviewer; this has got BBC 3-part drama written all over it! Simply fabulous!’ Kirsty, Book Love Bug.

LW 2 No 1 - dark, smile

About Laura

After working an actress and journalist, now Laura writes novels and short stories. She is published by award-winning independent press, Accent. Her novel, Public Battles, Private Wars, was a Welsh Books Council Book of the month; Redemption Song, is an insightful look at learning to forgive and love again after significant loss. The Family Line is set in a near future Wales and looks at identity and parenting. ‘It will haunt your dreams’ Books at Broadway. Alongside writing, she works as an editor for literary consultancies, Cornerstones and The Writing Coach, and runs workshops on self-editing and the art of fiction. She’s spoken at festivals and events nationwide, including London Metropolitan University, GladLit, University of Kingston, The Women’s Library and Museum in Docklands. www.laura-wilkinson.co.uk   Twitter @ScorpioScribble Facebook: Laura Wilkinson Author

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Happy reading everyone,

Jenny xx

 

 

Guest Post from Jackie Buxton: Glass Houses

I’m delighted to welcome Jackie Buxton to my blog today. Jackie is currently celebrating the launch of her brand new novel, Glass Houses, and is sharing some of the background- and a juicy extract- with us today.

Over to you Jackie…

BLURB

‘When she sent that text, all our lives changed for ever…’ 51 year old Tori Williams’ life implodes when she sends a text while driving on the M62 motorway and allegedly causes the horrific crash in which three people die. Public and press are baying for her blood, but Tori is no wallflower and refuses to buckle under their pressure or be a pariah in society. Instead, she sets about saving the nation. But can she save Etta, the woman who saved her life? Or will Etta’s secret be her downfall? This incredibly topical and contemporary morality tale appeals across generations and will find favour with fans of authors such as Liane Moriarty, Marian Keyes and Kathryn Croft.

Glass Houses COVER

BLOG POST

Many years ago, the picture of a car crash, with a woman slumped over the steering wheel, and a stranger holding her hand until the emergency services arrived, pressed itself into my brain so forcefully that I was worried I was having a premonition about a real life incident. I wasn’t, thankfully. Instead, it seemed the gods of book writing had sent me the idea for my novel: one with a guilty protagonist, who could be any one of us. As I started to plot Tori’s character, a driver who texts from the wheel and becomes Public Enemy Number One, I realised that two separate news items were really behind the car crash image.

The first was the face of Gary Hart, the driver of the Land Rover involved in the Selby rail crash in 2001. He’d had little sleep the night before, chosen to drive the next day, and fallen asleep at the wheel with the most tragic of consequences. It was a horrendous scene. 10 people died, 82 were seriously injured and Gary Hart survived.

He was public enemy number one.

But when I saw his face in the media, I kept thinking that his wasn’t the face of a killer, it was the face of someone who’d done something stupid, selfish perhaps, but not intentional. His life would also be changed forever. Maybe he didn’t need us to chastise him any more than he would chastise himself. It was easy to criticise him – he doesn’t come across well in front of the camera – and people did. But I couldn’t help thinking that I’d driven tired before. I’d been lucky. There was no perfect storm for me, I managed to get off the motorway before something catastrophic happened and we all lived to see another day. I wondered if Gary Hart was any more guilty than I was, just because the consequences of his actions were so very different.

The second news item was the film of the charismatic mother of a boy who’d been killed in the 7/7 London bombing in 2005. She stood on a box in a crowd and everybody listened. She wasn’t talking vengeance, hatred and justice, she was talking about forgiveness. I was struck by how much more powerful and effective this type of reaction was, than the undoubtedly human and more usual reaction of anger and revenge.

This shot me back to a childhood thought which has appeared and re-appeared all though my life. It’s the paradox of the human condition. How often do we hear people say, Oh, we all make mistakes,’ and, ‘Nobody’s perfect, we all have our foibles,’ and yet we see families feuding, colleagues resigning and neighbours not speaking because they are not able to forgive someone who didn’t behave ‘perfectly’. Sometimes this anger lasts a lifetime and beyond. As a child, and a rather idealistic adult, I couldn’t help feeling that the world would be a better place if we didn’t get quite so cross or, perhaps more importantly, we endeavoured to become ‘uncross’ as quickly as possible.

By the way, I’m not pretending I’m perfect. That’s the point, really.

I wanted to explore forgiveness, guilt and atonement and the image of the woman slumped over the wheel, with a stranger willing her to stay alive, gave me Tori and Etta and the framework to get started. I chose a text sent from the motorway to be Tori’s crime. I wanted it to be something that was a conscious act that most of us would find abhorrent, and yet if we looked closer, we might find we’d done similar ourselves. I wanted to play with this phenomenon that people can be guilty because it happened and not guilty because it didn’t. My dream for Glass Houses is that as well as being entertained by Tori and Etta’s stories, not to mention Tori’s antics as she clumsily tries to re-build her life and Etta’s ability to self-destruct, readers will be interested in this conundrum, too.

***

Extract: the beginning of the first chapter

THERE WAS BLOOD on the steering wheel. Etta stared at her fingers as they gripped the rim. She uncurled them, flexed them in and out, then turned over her hands to examine the grooves in her skin. She smiled – a surface wound. Just a surface wound. Her half-chewed nails had plunged into her palms.

She patted her face, her arms, her legs: everything was in place. Her neck was stiff but it moved. Her feet ached so she lifted one and carefully replaced it, then lifted the other. Nothing broken. She undid her seatbelt, leaned back against her seat and forced out a long, whistling sigh.

“Thank you,” she whispered, looking up as if to acknowledge the powers-that-be who’d looked after her.

She wrinkled her nose. Her eyes darted to the foot well where she saw her flask smashed into too many pieces to count, drowned in a puddle of milky coffee. She reached for her phone where it had fallen, narrowly missing the liquid, but she froze before she could lift it to her ear. Her engine had cut and the radio silenced but it was more than that. She placed the phone on her lap. The silence was too loud.

In the rear-view mirror she saw stationary vehicles. She held her breath, cast her eyes to the side, to the stream of cars travelling as if in slow motion in the other direction. Tentatively she turned back to the front. The smashed side window of the Jeep was only a few paces ahead of her.

Not again.

“M62, yes, eastbound.” She picked her way quickly over the mess of twisted metal and fragments of glass, covering her mouth against the stench of burning rubber. “Junction? I don’t—”

She dropped her phone, stared at the door to the Jeep which had come away in her hand. It was heavy. She let it fall and covered her ears as it smashed against the ground. She bent down to look inside the Jeep. Her body crumpled and she sank to her knees.

***

Bio

Jackie Buxton is a writer, editor and teacher of creative writing, living in Yorkshire with her husband and two teenage daughters. Jackie used her recent experience of an aggressive form of breast cancer to inform and dispel some myths about a cancer diagnosis via her popular blog: Agenthood and Submissionville. Her posts became the frame-work of self-help memoire, Tea & Chemo (Urbane Publications, November 2015) which receives heart-warming feedback, and has a five star rating from over 75 reviews. Jackie’s award-winning short stories can be found in three anthologies, as well as appearing regularly in Chase Magazine. When not writing or reading, over-seeing house and teens, Jackie can be found running, cycling or tripping up though the beautiful Yorkshire countryside.

Tea & Chemo cover

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Links

Website:          www.jackiebuxton.com

Blog:                http://jackiebuxton.blogspot.co.uk

Glass Houses:  https://www.amazon.co.uk/Glass-Houses-Jackie-Buxton/dp/1910692840/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=&sr=

Tea & Chemo: https://www.amazon.co.uk/Tea-Chemo-Fighting-Cancer-Living/dp/1910692395/ref=pd_sim_14_2?ie=UTF8&dpID=51VarAHlbnL&dpSrc=sims&preST=_AC_UL160_SR104%2C160_&psc=1&refRID=40W7ZSYWXQPDFB32377Z

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Many thanks for dropping by today Jackie. Good luck with your new novel.

Happy reading,

Jenny x

Birthday Blog: Sherwood in Dartmoor?

This time last year, I shared a birthday blog with you saying that for years I’ve intended to write a story based on the moors of Devon, and yet somehow time, and other work commitments, have never allowed it.

This year for an early birthday present, the lovely Dr K took me for a weekend away on Dartmoor. We weren’t there just to escape from our workaday lives however- I had a mission. I wanted to find a place that could- in my mind at least- double for fourteenth century Sherwood!

Don’t worry dear reader- my increasing age hasn’t addled my brain (well, not much). I am in the midst of writing an entirely medieval sequel to my popular timeslip novel, Romancing Robin Hood, and as it is one heck of a drive up to the midlands from Devon, I wanted to find somewhere more local to visit that would let me feel a little of the forest atmosphere.

RRH- new 2015

When I write I find it essential to experience the location about which I’m writing. Obviously, until they invent time machines, I can’t nip back and feel the medieval air myself- and I have been to Sherwood many times so I have memories to fall back on- but I wanted to stand in a woodland area where I could see nothing modern, hear nothing modern, and soak up the atmosphere.

Only a few minutes along a walk by the side of the Teign Valley, I found what I was looking for. Oak trees, spaced widely, but close enough to form cover. No modern edifices in sight. No buzzing from mobile phones. No planes flew sounds overhead. The air was right. The breeze was right. The scent in the air was right. In my minds eyes Robin Hood himself could have been hiding anywhere close by – or in this case the new outlaw – a less pleasant outlaw who, for now, shall remain nameless…

A wonderful walk later- and a rest by the thirteenth century Fingle bridge (more outlaws are hiding I’m sure), and many new ideas were brewing in my mind for the medieval mystery forming in my head. Mathilda (who you will remember from Romancing Robin Hood), is in for quite an adventure…

And talking of brewing- let’s all settle back with a cuppa-(coffee for me please)- and a nice nibble of birthday cupcake, and contemplate if I am going to kill anybody off- or not…

Happy reading,

Jenny x

Guest Post from Jane Jackson: The Master’s Wife

I’m delighted to welcome one of my fellow Accent authors to the blog today. Jane Jackson is a truly excellent writer, and an all round lovely person. She is here today to share some of the background to her novel, ‘The Master’s Wife.’

Over to you Jane…

When Caseley and Jago Barata’s two young sons die in an epidemic while he’s away at sea, her grief and his guilt create an unbridgeable chasm between them.

Believing he failed his wife when she needed him most, Jago cannot turn to her for comfort. Seeking escape from his guilt he takes up with his former mistress, devastating Caseley when she finds out.

Aware of Jago’s undercover work in Spain, and deeply anxious that increasing unrest in Egypt could lead to war, the British Treasury asks him to carry £20,000 in gold to Egypt to bribe the largest Bedouin tribe to fight on Britain’s side.

What had caused the unrest?   Ambitious to make Egypt more like Europe, Khedive Said then his heir and nephew Ismail had raised money for their expansive but poorly-planned schemes through crushing taxation.  When that wasn’t enough, they took out huge loans at high interest rates from British and European banks.

By 1876 Egypt faced bankruptcy.  Anxious to protect its 44% share in the Suez Canal, Britain demanded – and was granted- joint financial management of Egypt with France. Ismail was deposed in favour of his son Prince Tewfiq, and left for exile in Naples on a train loaded with gold, objets d’art, jewels and furniture.

The poorest Egyptians saw little improvement in their lot. They toiled for overseers employed by large landowners and too often had to choose between buying seed for their own small plots, or a length of cloth to replace the rags that were all they had to wear.

Wilfully blind to their own part in fuelling the upsurge of anger, the ruling elite refused to believe that the fellahin would ever rebel. But the Egyptian poor, who did not want their country ruled by Turks or by Europeans, had found a charismatic leader in Egyptian-born Col. Ahmed Arabi.  (There is a saying that those who don’t learn from history are condemned to repeat it, and I see painful similarities between these events and our current situation)

Jago’s mission to Egypt would take him away from home for at least three months. Desperate to escape a house filled with memories, Caseley pleads to go with him. He is reluctant, concerned for her safety. But she demolishes his argument by pointing out that for her the worst has already happened so what has she to fear?  Besides, the official language in Alexandria is French which she speaks and he doesn’t. if only for this he needs her.

The Master's Wife

Because I’m a plotter, I had mapped out the story’s route. But Caseley and Jago are strong people and once the journey began they took over, reacting in ways I hadn’t planned or expected. This led to unforeseen consequences. It was as much an adventure for me as it was for them. I lived the events with them. I laughed, wept and had my heart in my mouth more than once. Would Jago fulfil his mission?  Could he and Caseley find a way back to each other?

***

Excerpt:

Gesturing towards an alcove screened from the cabin by the folds of a thick dark curtain, he moved to the open doorway. ‘You know your way around. I want to get underway.’

‘Yes, of course.’

They were husband and wife and as wary as strangers. He disappeared and she heard his boots clang on the chased brass treads of the companionway. Alone now she pressed a gloved hand to her dry throat as her heart thudded. Not too late…With all her heart she hoped so.

Everything was as she remembered: the table designed to fit the narrowing stern and edged with a wooden lip to prevent things sliding off. The shelf above filled with books and sea junk secured by a beautifully turned fiddle rail. The shallow brass lamp suspended beneath the open skylight.

Her gaze moved from the clock and barometer to the squat stove standing on its protective metal plate in front of the forward bulkhead and bracketed by a full coal-bucket and basket of logs.

Through the open skylight came the sounds of a ship making ready for sea: the rattle of blocks, snapping canvas, and the crew’s banter. Six years had passed since her last trip and it was exactly as she remembered.

She crossed to the sleeping alcove. Pushing back the curtain she saw the nightstand. Beneath a hinged lid was an enamel basin. A cupboard underneath held a chamber pot. Light fell across the bed and her breath caught in her throat.

Immediately after proposing to her, Jago had instructed Hammer to widen the narrow berth so it would comfortably accommodate them both.  She had made a mattress to fit and bought new blankets.  In that small private space they had discovered each other, shared their pasts and talked of their plans for the future. Their elder son had been conceived there. She had slept in Jago’s arms, safe, loved, until her advancing pregnancy had made it uncomfortable and unwise.

The berth had been reduced to its original size. Rejection stung like a slap. She lifted the blankets and saw the mattress had been made smaller. Their time together, her presence here, her part in his seafaring life, he had erased it all. She had believed herself numb to further pain. She wasn’t.

***

You can buy The Master’s Wife from all good retailers, including- :  https://www.amazon.co.uk/Masters-Wife-Captains-Honour-Book-ebook/dp/B01DPSLP5C

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JanepinkRS

Bio

I have lived in the same Cornish village nearly all my life.

My first book, a romantic thriller, was published in 1982. After four medical and ten contemporary romances for Harlequin as Dana James published worldwide I began writing longer historical romances. Of the fourteen published as Jane Jackson some remained Cornwall-based, others – set in the C18th and C19th – ventured to foreign shores while maintaining strong Cornish links. After joining the RNA in the early 1990s I reached the shortlist for the Romantic Novel of the Year Award with Eye of the Wind in 2002, and was shortlisted for the Historical Prize in 2010 with Heart of Stone, and in 2016 for The Consul’s Daughter.  Crosscurrents published in 2016 was shortlisted for the Winston Graham Historical Prize. The fourth in my ‘Polvellan Cornish Mysteries’ series, Secrets and Lies written as Rachel Ennis was published in April.

Teaching the Craft of Novel Writing for over twenty years from Ad. Ed. to MA level has been both a pleasure and a privilege. Ten of my former students are now multi-published novelists.

www.janejackson.net

www.facebook.com/JaneJacksonAuthor

www.facebook.com/PolvellanCornishMysteries

***

Many thanks Jane, wonderful blog.

Happy reading,

Jenny x

Guest Post from Ashley Lister: A Touch of Horror

I’m delighted to have a friend popping by today. Ashley Lister is a brilliant poet and novelist- and now he is stretching his literary prowess into the realm of horror.

Over to you Ash…

Blank bookcover with clipping path

Back in May I was lucky enough to attend a writing workshop hosted by the wonderful Jenny Kane. I don’t mention this just to brag or name-drop, although those are two of the main reasons. I mention this because, it wasn’t until I came to write this blog post, that I realized I had already incorporated some of her brilliant workshop ideas into my writing.

I’ll rewind a little. My name is Ashley Lister. I’m a creative writing lecturer and I write in a variety of genres. My most recent title, which was published yesterday, is a horror novel: Raven and Skull. It’s a cheeky story, scary in some parts and funny in others. I hope the book will scare and amuse in equal measures.

And what does this have to do with Jenny Kane’s writing workshop?

Well, the wonderful Ms Kane was suggesting an innovative approach to writing.  She was suggesting that music could be a useful aid for any writer because it can evoke mood. Music could be useful because lyrics can inspire ideas. Music could be useful because rhythm is a great tool for helping with pacing.

I was of the opinion that this wouldn’t work for me because I’m one of those grumpy writers who love to work in silence. If someone tries talking to me, or walks past ‘too loudly’, I throw a dramatic writer’s tantrum and claim that this ‘deafening cacophony’ is going to give me writer’s block. Consequently, the idea of writing whilst music was playing seemed like anathema to my usual process.

Except…

Except I had written this horror novel by that point and I’d written it with a specific piece of music in mind. To be exact, it was this piece of music:

https://www.youtube.com/watch?v=YyknBTm_YyM

This is Danse Macabre by the wonderful Camille Saint-Saëns. Listening to it, the piece does suggest spooky goings-on. There’s some great xylophone playing there, evocative of skeletons in graveyards. There’s a lot of quickening repetition, almost as though we’re listening to dramatic tension building. And there’s a delightful dance theme beneath the whole piece that always makes me think of smiling demons. Most importantly of all, it’s a fun piece of entertainment because it doesn’t seem to take its horror too seriously.

Which is what I’d been hoping to achieve when I wrote Raven and Skull.

Ash- horror

I recently reread the book prior to publication and there is a mention of Danse Macabre in one of the opening chapters. It was whilst I was reading this, and revisiting the music at the same time, that I was struck by how much the spirit of the music is reflected in the story I’ve created. All of which is my way of saying, if you ever find yourself considering Jenny Kane’s wisdom, but wondering if it really does apply to you, rest assured that the lady knows what she’s talking about.

***

Raven and Skull is published by Caffeine Nights and is available from all major retailers, including the following: https://www.amazon.co.uk/Raven-Skull-Ashley-Lister/dp/1910720534/ref=sr_1_2?s=books&ie=UTF8&qid=1466105861&sr=1-2 and

https://www.amazon.com/Raven-Skull-Ashley-Lister/dp/1910720534

***

I’m seriously blushing here! Thanks Ash- I’m glad my workshop helped a little- albeit without you realising it!

God luck with your new book,

Happy reading,

Jenny x

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