Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

Category: Contemporary fiction Page 49 of 61

Release Blitz from Laura Wilkinson: The Family Line

I’m delighted to bring you the blurb, and an exclusive extract, from the first novel to leave the well aimed pen of my lovely friend, Laura Wilkinson.

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Set in a much-changed Britain in the mid-twenty-first century, The Family Line is the debut novel from acclaimed writer Laura Wilkinson, now revised and proudly reissued by Accent Press. An original exploration of identity, love and what it means to be a parent.

The Family Line

Blurb

Three women. One secret. A child with a deadly disease

Megan is a former foreign correspondent whose life is thrown into turmoil when her son is diagnosed with a terminal illness: a degenerative disease passed down the mother’s line. In order to save him, Megan will have to unearth the truth about her origins and about a catastrophic event from the past. She must confront the strained relationship she has with her mother, make sense of the family history that has been hidden from her all her life, and embark on a journey of self-discovery that stretches halfway around the world.

An exclusive extract:

Megan sat alone outside the office of an eminent doctor resident at the hospital. It was nine fifteen; her appointment had been scheduled for nine o’clock. She was grateful for the reprieve and didn’t understand why she didn’t want to go in.

She wore heeled sandals and a knee-length dress, cut from black cotton with bracelet sleeves and a slash neck. Her cheeks were dusted with a soft pink blush and her lips coated in a sheer gloss. She had looked elegant and quite lovely in her bedroom mirror but now she felt overdressed and wished she had worn her regulation black jeans. She had been keen to make a good impression, but she resented this desire to impress. What was she trying to prove? That she was a good mother? Surely only a vain, selfish woman would be concerned about appearance when discussing her child’s development? She wiped away the gloss with the back of her hand. She studied her pale shins, the blue veins visible beneath the surface in the harsh hospital light. A nurse told her the consultant was ready. Megan took a deep breath and stood.

He faced the window, his back to the door, and looked out onto a pleasant garden bordered with hydrangeas, hebe and St John’s Wort. The air was cool in the sparse, smart office though Megan felt perspiration gathering under her arms and across her brow with every click of her heels on the floor. The doctor commented on the fine weather, reminding her that each day comes but once, never to return, and as such should be treasured. Platitudes. She looked at the garden. It was beautiful but nothing compared to her boy.

When the doctor finally spun his chair to face her, Megan knew the news wasn’t good, and though her stomach churned she told herself it would not be anything insurmountable. After all, this wasn’t oncology or the ER. After asking her to take a seat, Mr Barnet, a phlegmatic, saturnine individual, informed her that Cerdic had a rare congenital condition, a hereditary disease, passed from mother to son, which would rob Cerdic’s body of its ability to function. ‘AMNA. It stands for Alekseyev Motor Neuron Atrophy, named after the Russian scientist who first discovered the defective gene. For reasons that have never been quite explained the condition appears to be more prevalent amongst the peoples of the East, the Slavs in particular,’ he said.

Megan’s mouth dried, her lips seemed to be welded together. She struggled to push the words out. ‘How serious is it?’

‘Very. I am sorry.’

‘What will it do to him?’ She could feel the thick white spit at the corners of her mouth. She went to wipe it away and realised that her hands were shaking.

‘It starts in the muscles as cells break down and are gradually lost. The muscles weaken over time. Your son has trouble jumping and climbing, yes?’ He didn’t wait for a reply. ‘By five years old AMNA boys are unable to walk far, and by seven or eight most are in a wheelchair. Nerve cells in the brain weaken, eventually failing to send messages to muscles and other vital organs like the lungs. Sufferers lose control of their bodies and minds. The average life expectancy …’ Megan watched his mouth move without hearing more words. Sunlight illuminated his form and she felt angry with the sun for shining.

‘How long do we have?’

He curled his lips inward. ‘If he reaches sixteen, it will be a miracle, of sorts,’ he said, delivering the news as if it were quotidian, finishing with a standard, ‘Do you have any further questions?’

Megan experienced a sensation similar, she imagined, to being eviscerated. It was as if he had ripped out her intestines, thrown them to the floor and squashed them underfoot, before asking if there was anything he could do to help with the pain.

She remembered the night Cerdic was born. Sweltering and still. Even the sea was silent. She stayed up all night, her body throbbing, unable to take her eyes from him, afraid that if she blinked he would disappear as miraculously as he had arrived. She remembered how, when he was tiny and slept in a cot in her room, she would wake to the sound of silence and rush to his bedside, placing a palm in front of his mouth, checking he still breathed. Like all mothers in the black moments she imagined a hundred ways he might be taken from her but nothing like this. She never, ever, imagined this.

Reeling from the shock, and working hard to control her spiralling emotions and liquid gut, she said, ‘There must be something we can do.’

‘As you will appreciate much research was abandoned, or more accurately put on hold, after 2025. Cerdic’s condition is, mercifully, extremely rare, and as such it has not been high priority for many, many years. In the past decade research has restarted. But it is a slow process, Mrs Evens.’ He returned to his garden as he spoke, and Megan thought there was nothing merciful about this disease.

‘Has this research thrown anything up yet?’ she said, adding, ‘It’s Miss Evens.’

Mr Barnet commented on a blackbird that hopped on the lawn before replying with indistinct mumblings.

Megan’s patience evaporated though she believed the consultant’s rudeness was not deliberate. She pressed for a clear reply.

‘There are signs to indicate that matching stem cell and blood plasma transplants, from suitable donors, can slow the progression of the disease. It works best if the donors are relatives, close relatives. Scientists believe they can stop the disease in its tracks altogether if administered early enough with a perfectly matched donor though there is no conclusive proof as yet.’

‘It is worth a try, Mr Barnet.’

‘Worth a try.’ He nodded absentmindedly.

‘Then we try it.’ Megan’s tone was polite but firm – this was not a request.

‘There is no sibling?’

‘There’s me.’

The consultant spoke of the viability of samples from her, Cerdic’s father, compatibility. He explained that it was most unusual, unheard of, for the mother, the carrier, to match, to be a suitable donor. She knew he meant no malice or blame – why would he? – but it pained her nevertheless. He rambled on, explaining the minutiae of technical detail. She twisted the ring on her left hand. Her mind flooded with images of Hisham. She would have to contact him. She knew there would be no question of him not helping but she allowed herself the irrational hope that contacting Hisham might not be necessary, that she might be the one in a million, in a manner of speaking. She left Mr Barnet’s office brim full of fear and hope, clutching a referral and a name for her son’s killer.

To buy: http://amzn.to/2ahSStC

Praise for the first edition:

Wilkinson ably navigates the tender, sometimes fraught exchanges between her protagonists. Though its scope is ambitious, and could easily have veered off-course, deft interweaving of complex themes makes for a haunting début.’ For Books’ Sake.

‘This is a compelling story that raises important issues and will linger in the mind long after the last page has been turned.’ Joanna Caney, New Books Magazine.

‘This mind-blowingly original novel asks big questions about a woman’s right to choose when to have children…  Ultimately, it questions how far is too far… This is a book that will haunt your dreams.’Pam McIlroy, Books at Broadway.

‘ This is an interesting and emotional début, and is highly recommended.’ Michelle Moore, Book Club Forum.

 ‘… a fantastic debut novel which surpassed my expectations.  I totally agree with one Amazon reviewer; this has got BBC 3-part drama written all over it! Simply fabulous!’ Kirsty, Book Love Bug.

LW 2 No 1 - dark, smile

About Laura

After working an actress and journalist, now Laura writes novels and short stories. She is published by award-winning independent press, Accent. Her novel, Public Battles, Private Wars, was a Welsh Books Council Book of the month; Redemption Song, is an insightful look at learning to forgive and love again after significant loss. The Family Line is set in a near future Wales and looks at identity and parenting. ‘It will haunt your dreams’ Books at Broadway. Alongside writing, she works as an editor for literary consultancies, Cornerstones and The Writing Coach, and runs workshops on self-editing and the art of fiction. She’s spoken at festivals and events nationwide, including London Metropolitan University, GladLit, University of Kingston, The Women’s Library and Museum in Docklands. www.laura-wilkinson.co.uk   Twitter @ScorpioScribble Facebook: Laura Wilkinson Author

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Happy reading everyone,

Jenny xx

 

 

News Flash! Abi’s House goes on holiday…

Forgive the major brevity of this blog post lovely readers. I am currently engaged in a battle with a flu virus which is currently- I’m sad to say- ahead on points! (Not had a cup of coffee in 6 days. My family are all wearing hard hats and carrying shields in case I crack at any moment.)

This being the case, I am trying to take it easy- but I couldn’t wait another moment before I told you some very good news!

The most popular of all my bestselling books – Abi’s House– is to go on sale in Turkey! Who could have guessed that what the good people of Turkey craved was a feel good Cornish romance, with added coffee, and a side order of fish and chips?

Abi's House new cover

I am thrilled to bits! can’t wait to see what the Turkish version looks like when it comes out!!!

Anyway- I just wanted to pop my head out from the duvet to share this with you. Off to bed again now. Presuming I don’t still have flu, then the edits to the sequel of Abi’s House (Abi’s Neighbour), will begin in earnest very soon. You can read part two of the adventure’s of Abi Carter, Max, Beth, and Jake in Sumer 2017.

Sennen

In the meantime, you can find Abi’s House here- (as well as in all good bookshops)-

Kindle

Paperback
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Happy reading,
Jenny x

 

Release Blitz: Melody Bittersweet and the Girl’s Ghostbusting Agency by Kitty French

MELODY BITTERSWEET AND THE GIRLS’ GHOSTBUSTING AGENCY by Kitty French

OUT NOW

UK: http://amzn.to/1TCU5Q7

US: http://amzn.to/1Z2CQpB

An absolutely hilarious, totally entertaining, spookily sexy read that you won’t be able to put down!

Melody-Bittersweet-and-The-Girls-Ghostbusting-Agency-


Life’s tricky for Melody Bittersweet. She’s single, she’s addicted to sugar and super heroes, her family are officially bonkers and … she sees dead people. Is it any wonder no-one’s swiping right on Tinder?
Waking up lonely on her twenty-seventh birthday, Melody finally snaps. She can’t carry on basing all of her life decisions on the advice of her magic 8 ball; things havegot to change.

Fast forward two months, and she’s now the proud proprietor of her very own ghostbusting agency – kind of like in the movies but without the dodgy white jumpsuits. She’s also flirting with her ex Leo Dark, fraternising with her sexy enemy in alleyways, and she’s somehow ended up with a pug called Lestat.

Life just went from dull to dynamite and it’s showing no sign of slowing up anytime soon. Melody’s been hired to clear Scarborough House of its incumbent ghosts, there’s the small matter of a murder to solve, and then there are the two very handsome, totally inappropriate men hoping to distract her from the job…

Welcome to Chapelwick, home of the brand new and hilarious Girls Ghostbusting Agency series, where things really do go bump in the night.

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Chapter One

‘So, what do you do with your spare time, Melody?’

I look my date square in his pretty brown eyes and lie to him. ‘Oh, you know. The usual.’ I shrug to convey how incredibly normal I am. ‘I read a lot . . . Go to the movies. That kind of thing.’

I watch Lenny digest my words, and breathe a sigh of relief when his eyes brighten.

‘Which genre?’

‘Movies or books?’ I ask, stalling for time because, in truth, I don’t get much in the way of spare time to do either.

‘Movies. Action or romance? No, let me guess.’ He narrows his eyes and studies me intently. ‘You look like a sucker for a rom-com.’

‘Do I?’ I’m genuinely surprised. I’m five foot three and look more like Wednesday Addams than a Disney princess. Maybe Wednesday Addams is over-egging it, but you get the idea; I’m brunette and my dress sense errs on the side of edgy. I don’t think anyone has ever looked at me and thought whimsy. Maybe Lenny sees something everyone else has missed, me included. I quite like that idea, mainly because everyone who knows my family has a head full of preconceptions about me, based on the fact that my family are all crackers.

Four Weddings?’ He shrugs hopefully.

I nod, not mentioning that the only part of that particular movie I enjoyed was the funeral.

The Holiday?’

Again, I try to look interested and hold my tongue, because I’m sure he doesn’t want to hear that I’d rather stick needles in my eyes than ever watch an over-optimistic Kate Winslet drag some old guy around a swimming pool again.

I’m relieved when the bill arrives and we can get out of there, because so far Lenny has turned out to be a pretty stellar guy and somehow I’ve managed to convince him that I walk on the right side of the tracks. Maybe this time, things will be different.

Lenny pulls his dull, salesman’s saloon into the cobbled cartway beside my building and kills the engine. I don’t mind dull. In fact, my life could really use a bit of dull right now, so I shoot him my most seductive smile, cross my fingers that my mother will be in bed, and invite him in for coffee.

Oh, just when it had all been going so well. Why couldn’t I have just given him a goodnight kiss, with maybe the smallest hint of tongue as a promise, then sent him on his way? He’d have called for a second date, I’m sure of it.

But no. I got greedy, pulled him by the hand through the dark back door, placing my finger against my lips to signal he should be quiet as we tip-toed past my mother’s apartment and up the old wooden staircase to my place.

He rests his hand on my waist as I turn the key, and a small thrill shoots down my back. Look at me, winning at this being-an-adult thing today! Dinner with an attractive man, sparkling conversation, and now back to mine for coffee . . . and maybe even a little fooling around. It’s not that I’m a virgin or anything, but it would be fair to call my love life patchy of late. By ‘of late’ I mean the last two years, ever since Leo Dark and I called things off. Well, by Leo and I, I mean Leo called things off, citing conflict of interests. Ha. Given that he was referring to the fact that my mad-as-a-bag-of-cats family are the only other psychics in town besides him, he was, at least in part, right.

But enough of Leo and my lamentable love life. Right now, all I want is for Lenny not to know anything at all about my peculiar family, to keep seeing me as a cool, regular, completely normal girl, and then to kiss me.

‘You remind me of Clara Oswald,’ Lenny whispers behind me at the top of the stairs. ‘All big brown eyes and clever one-liners. It’s very sexy.’

Lord, I think he’s just brushed a kiss against the back of my neck! My door sticks sometimes so I shoulder it open, aiming for firm and graceful but, I fear, ending up looking more like a burly police SWAT guy ramming it down. Thankfully, Lenny seems to take it in his stride and follows me into my apartment. Then I flick on the table lamp only to discover that my mother is standing on my coffee table in a too-short, too-sheer, baby-blue negligee with her arms raised towards the ceiling and her head thrown back.

‘Shit!’ Lenny swears down my ear, clearly startled. He isn’t to blame. My mother’s a striking woman, ballerina-tall and slender with silver hair that falls in waves well beyond her shoulder blades. It isn’t grey. It’s been pure silver since the day she was born, and right now she looks as if she’s just been freshly crucified on my coffee table.

I sigh as I drop my bag down by the lamp. So much for me being normal.

‘Err, mother?’

Slowly, she takes several heaving breaths and opens her eyes, changing from crazy lady to almost normal human lady. She stares at us.

‘For God’s sake, Melody,’ she grumbles, taking her hands from above her head and planting them on her hips. ‘I almost had the connection then. He’s hiding out in the loft, I’m sure of it.’

I risk a glance over my shoulder at Lenny, who sure isn’t kissing my neck anymore.

He lifts his eyebrows at me, a silent ‘what the hell?’ and then looks away when my mother beckons to him like a siren luring a fisherman onto the rocks.

‘Your hand, please, young man.’

‘No!’ I almost yell, but Lenny is already across the room with his hand out to help her down. My mother eyes me slyly as she steps from the table, keeping a firm hold of Lenny’s hand.

‘Long lifeline,’ she murmurs, tracing her red talon across Lenny’s palm.

‘Mother,’ I warn, but my somber, cautionary tone falls on her selectively deaf ears. I expected nothing else, because she’s pulled this trick before. Admittedly, the standing-on-the-table thing is a new twist, but she’s got form in scoping out my prospective boyfriends to make sure they’ll fit in with our screwball family from the outset. Not that her romantic gauge is something to put any stock in; Leo passed her tests with flying colours and look how that ended up. I got my heart broken and he got a spot on morning TV as the resident psychic. Where’s the justice in that?

Look, we may as well get the clanky old skeleton out of the family closet early on here, people. It’s going to come out sooner or later, and despite my attempts to pull the wool over Lenny’s eyes, there’s never any running away from this thing for long.

My name’s Melody Bittersweet, and I see dead people.

It’s not only me. I’m just the latest in a long line of Bittersweets to have the gift, or the curse, depending on how you look at it. My family has long since celebrated our weirdness; hence the well-established presence of our family business, Blithe Spirits, on Chapelwick High Street. We’ve likely been here longer than the actual chapel at the far end of the street. That’s probably why, by and large, we’re accepted by the residents of the town, in a ‘they’re a bunch of eccentrics, but they’re our bunch of eccentrics,’ kind of way. What began as a tiny, mullion-windowed, one-room shop has spread out along the entire row over the last two hundred years; we now own a run of three terraced properties haphazardly knocked into one, big, rambling place that is both business and home to not only me, but also to my mother, Silvana, and her mother, Dicey. Gran’s name isn’t actually Dicey, it’s Paradise, officially, but she’s gone by Dicey ever since she met my Grandpa Duke on her fifteenth birthday and he wrote Dicey and Duke inside a chalk heart on the back wall of the building. He may as well have written it on her own racing heart.

‘Silvana!’

Speak of the devil. Does no one go to bed around here?

I open my door to find Gran on the threshold with her hand raised, poised to knock. I guess I should be glad she’s slightly more respectably dressed, if a floor-length, purple shot-silk kimono, bearing huge technicolor dragons could be considered as such. Her usually pin-curled gold hair is piled elegantly on her head and she wears a slash of fire-engine-scarlet lipstick for good measure. Most people couldn’t carry the look off, but thanks to her poise, confidence and couldn’t-care-less attitude, Grandma Dicey wears it with artful success. She glides past me without invitation and gazes at my mother and Lenny, who are still hand-in-hand on the rug.

God.

First thing tomorrow morning, I swear, I’m going to look for a new place to live, somewhere, anywhere, that is not in the same building as my mother and my gran. Don’t get me wrong, it’s a charming old place and I love my family dearly. It’s not even as if I don’t have my own space here, because, theoretically at least, I do. Mum and Gran have the ground floor apartment behind Blithe Spirits, and I have the smaller flat upstairs, at the back. In lots of ways this makes me fortunate; I get to have a nice little home of my own and stay close to my family. It would all be fine and dandy, were it not for the fact that my family are officially bonkers and liable to come up and let themselves into my flat – using the spare key I gave them for dire emergencies only – and embarrass the shit out if me.

‘Why is Silvana entertaining a man half her age in your flat?’ Gran looks from me to my mother. ‘You should have said you were expecting company, darling. I’d have gone out.’ She touches her hand lightly against her hair. ‘Put a towel on the doorknob or something, isn’t that the modern way to signal these things? Don’t come a knockin’ if the caravan’s rockin’?’

She looks spectacularly pleased with herself, and one glance at Lenny tells me that he knows he’s way out of his depth with these two and is in the process of writing me off as the worst date he’s ever had. His eyes slide from me to the door, and I can almost hear him begging me to let him go unharmed.

‘He’s not mum’s date, he’s mine. Or else, he was,’ I mutter, and then I’m distracted as a beer-bellied pensioner in a soup-stained shirt slowly materialises through the ceiling, his flannel trousers not quite meeting his bony ankles. Stay with me; I see dead people, remember? As do my mother and my grandmother, who also watch him descend with matching expressions of distaste.

‘Finally,’ my mother spits, dropping Lenny’s hand so she can round on the new arrival. ‘Two hours I’ve been chasing you around this bloody building. Your wife wants to know what you’ve done with the housekeeping she’d hidden in the green teapot. She says you better not have lost it on the horses or she’s had it with you.’

Grandma Dicey rolls her eyes. ‘I rather think she’s had it with him anyway. He’s been dead for six weeks.’

‘You’re a fine one to talk, given that you still sleep with your husband twenty years after he died.’ Mother flicks her silver hair sharply. Touché.

Lenny whimpers and bolts for my front door, turning back to me just long enough to splutter ‘something’s come up, gotta go,’ before he hoofs it out and down the stairs two at a time.

I listen to the outside door bang on its hinges and wonder what came up. Probably his dinner.

Interview with Julie-Ann Corrigan: Falling Suns

It’s interview time on my blog today. I’m delighted to welcome Julie Ann Corrigan over for coffee and cake, and to talk about her brand new book, Falling Suns.

coffee and cake

What inspired you to write your book?

I was inspired initially by the overwhelming and horrible thought of something terrible happening to my child and how I would cope, especially if the perpetrator of the crime ended up being someone known to the family. Once I had decided whom the perpetrator would be in my fictional story I then became inspired to explore both mental illness and institutional corruption.

Do you model any of your characters after people you know? If so, do these people see themselves in your characters?

There are some aspects of Rachel that I do recognise in myself, but unsure what that says about me!

When I began writing Falling Suns, and as I began to draw the characters, I think that more than taking the templates from one individual character, I drew characteristics from a number of people I’ve come across in my life. For example, Michael Hemmings is very much a mixture of patients I did come into contact with as a student physiotherapist working within mental health; although I have to add here, I never met one as psychotic as Hemmings, thank goodness!

Mrs Xú is very much like a few Chinese alternative therapists I have met. Stanley resembles a drama teacher who once taught me, but he is also like someone else I once knew ..
Falling Suns Final

Which Point of View do you prefer to write in and why?

I think my natural point-of-view is first person and past tense. However, recently (but not in Falling Suns) I have started experimenting with present tense. Interestingly, when I first started writing I always wrote in third person and past tense.

What I’ve learnt is that once you start writing the story whether in a novel or short work, the storyline and tone will often dictate which tense and point-of-view to use.

Do you prefer to plot your story or just go with the flow?

I plot the beginning, middle and end, and then I fill in the rest! Generally I do go with the flow, but I do have four or five plot points that I use to build my story around. And as I write, often the plot might change, or I will add aspects that weren’t apparent to me when I first began the story.

faalling suns pre

If you were stranded on a desert island with three other people, fictional or real, who would they be and why?

The Dalai Lama. He has such a lovely open face and talks such sense.

Usain Bolt. So I could admire his body all day!

Adele. She comes across as so much fun, so down-to-earth. And I will never tire of listening to her voice and lyrics.

I feel I should have a writer on this list. DM Thomas. The White Hotel is my favourite book of all time and I once spoke with him via email, and I know he would never bore me.

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Falling Suns – Extract

Liam and I found ourselves outside the court building, greeted by a muddy sky that was still visible in the wispy fog of the late afternoon. It had rained continuously for the last forty-eight hours, but as we caught sight of the insatiable media the downpour was the least of our problems.

I pulled my wool beret over courtroom warm ears and looked down towards the slippery wet ground. Our barrister had told us to say nothing, which was physically easy, as I felt I would never speak again. For the past seven weeks the dry atmosphere of the courtroom had robbed me of a proper voice, as Hemmings’ act had robbed me of a proper life. Tom Gillespie caught Liam’s arm, whispering things that I didn’t even try to catch. My existence seemed to be disappearing into a void; the small bit of life that Hemmings had left for me, plucked away during the trial.

I loitered in the entrance of the court building, thinking that I would smell Joe. I did not. A coolness ran through me, a purl of motion in between the crevices of my spine.

Joe wasn’t with me.

As we left, Tom squeezed my arm lightly but didn’t attempt to give me a familiar kiss on the cheek. Liam and I had slowed down his investigation by holding back information about Joe’s state of mind the day he had run, and in so doing we had compromised our relationship with him. In my previous life, I’d been talking to Tom about going back to work. Once upon a time that thought had excited me.

Tom walked quickly to a waiting car. He slipped into the driver’s seat and glanced towards me, nodding slightly. He wanted to get away.

I felt a gentle jab in my back. It was Jonathan. I’d hardly spoken to him throughout the trial. As I turned towards him, so did Liam, his face sullen.

‘You need to get away from here as quickly as possible.’ Jonathan smiled thinly. ‘Can’t take away the nature of the vulture. I should know.’

‘We’re fine, Jonathan. Rachel knows how to handle this stuff,’ Liam said.

‘Does she, Liam?’ Jonathan said quietly.

Very obviously Liam elbowed past him, only to move a few inches nearer to the street.

‘We’re just about to leave, Jonathan,’ I said. ‘Are you free to come over? I’ve hardly seen you …’ I didn’t care what Liam thought. Not anymore.

At that moment in my peripheral vision I caught sight of my dad and mother leaving too. Dad saw me and moved his head towards the car park, indicating that he’d accompany Margaret to the car and then return. I couldn’t face her, and the silent accusation that this was all my fault.

Joe’s murder was somehow my fault.

I looked at Jonathan. ‘Come over, please?’ To Liam I said: ‘Can we wait for Dad?’

‘The place is crawling with press.’ Liam said. ‘We need 41

to go.’ He cast his eyes around. ‘Too late.’
Already journalists surrounded us. I recognised a few from the local papers, the nationals, too. Flashes and tussling ensued as our barrister made his way forward. Sean Skerrit, QC for the Crown Prosecution Service was older than he looked, something that I think went against him in court. I’d always felt the jury resented a young prosecution, especially if the jury was mainly young, which this one had been.

Sean directed his speech towards Liam and I felt invisible, useless, but too tired to complain. ‘I intend to give a statement.’ Sean said to Liam. ‘You and Rachel go home. I’ll call later. Better I do this alone.’

‘This means a life sentence?’ I asked Sean, hope in my voice.

He grimaced. ‘A do-good mental health tribunal could well decide to let him out within five years, if he plays the game.’ He caught my eye. ‘But hopefully that won’t be the case.’

‘But it could be the case … couldn’t it?’

‘I hope not, Rachel,’ Sean said, with leaden heaviness in his voice. I’d got the distinct impression that Sean Skerrit QC didn’t like to lose, and had taken Hemmings’ sentence as a direct affront to his professional agility.

Did I think of revenge then? Deep inside I think I did.

Sean ran slender and well-manicured fingers through his mane. Not one grey hair in his boot-polish black hair. He turned slightly to accommodate a photographer, and looking at the lens said to me: ‘We’ll talk later.’

‘I’ll come over, Rachel,’ Jonathan said, ‘just for a short time. I have to be back in London.’ He was already moving away.

‘Good,’ I said to Jonathan’s back.

My dad had made his way over. He wavered and I recognised the vacillation with which I’d grown up. I guessed my mother wanted to talk to me, but I had no intention of going to my childhood home today to argue with her. Not today.

‘Your mum wants to talk to you,’ Dad said.
I sighed. ‘I’ll come over tomorrow. I promise, I will.’ ‘She’s asked me to bring her over to yours … now.

She’s waiting in the car.’ He pulled at the sleeve of his jacket.

‘Charlotte’s made food, Alan. Both of you come and eat at ours,’ Liam said to Dad, avoiding looking at me, knowing there was no way I’d want my mother anywhere near me. He was functioning on automatic, something he’d seemed to be doing since Joe had gone. He felt as guilty as me, sometimes I thought more so. We still hadn’t talked about the affair, not properly, not directly. Although Liam was aware I knew something.

I watched my father. A patient man, a kind man. How could he love my mother? How could anyone love my mother? Joe hadn’t loved her. But he had tried.

‘We’ll drive over now,’ my dad said. He turned to return to his wife.

Liam pushed me gently into our waiting car. A PC whom I recognised sat ready in the driving seat. From the backseat, I saw his forced and sad smile in his rear-view mirror. The pity again.

We drove southwards towards home, passing the local park on the way. It had been built around the time Joe had been born, overlooking the main road, on elevated ground. The council’s thinking: where the kids could be seen.

Liam broke the short silence. ‘I’d rather Jonathan Waters didn’t turn up today.’

‘He’s my friend.’ I stared through the window. ‘You can’t have an opinion on this. He’s been good to me.’

Liam didn’t answer.

***

Links

Website: www.jacorrigan.com

Twitter: @julieannwriter https://twitter.com/julieannwriter

Author Facebook Page: https://www.facebook.com/jacorrigan/

Buying links:

Amazon

https://www.waterstones.com/book/falling-suns/julie-ann-corrigan/j-a-corrigan/9781786152497

https://bookshop.theguardian.com/catalog/product/view/id/414323/

http://www.whsmith.co.uk/products/falling-suns/9781786152497

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Bio

JA Corrigan lives in Berkshire and shares her life with a husband, one teenage daughter and a very cute cockapoo. When not writing she is to be found mooching in the garden during the summer and often in the mini gym at the bottom of that garden in winter-time.

***

Many thanks Julie- great interview,

Happy reading,

Jenny x

Guest Post from Jackie Buxton: Glass Houses

I’m delighted to welcome Jackie Buxton to my blog today. Jackie is currently celebrating the launch of her brand new novel, Glass Houses, and is sharing some of the background- and a juicy extract- with us today.

Over to you Jackie…

BLURB

‘When she sent that text, all our lives changed for ever…’ 51 year old Tori Williams’ life implodes when she sends a text while driving on the M62 motorway and allegedly causes the horrific crash in which three people die. Public and press are baying for her blood, but Tori is no wallflower and refuses to buckle under their pressure or be a pariah in society. Instead, she sets about saving the nation. But can she save Etta, the woman who saved her life? Or will Etta’s secret be her downfall? This incredibly topical and contemporary morality tale appeals across generations and will find favour with fans of authors such as Liane Moriarty, Marian Keyes and Kathryn Croft.

Glass Houses COVER

BLOG POST

Many years ago, the picture of a car crash, with a woman slumped over the steering wheel, and a stranger holding her hand until the emergency services arrived, pressed itself into my brain so forcefully that I was worried I was having a premonition about a real life incident. I wasn’t, thankfully. Instead, it seemed the gods of book writing had sent me the idea for my novel: one with a guilty protagonist, who could be any one of us. As I started to plot Tori’s character, a driver who texts from the wheel and becomes Public Enemy Number One, I realised that two separate news items were really behind the car crash image.

The first was the face of Gary Hart, the driver of the Land Rover involved in the Selby rail crash in 2001. He’d had little sleep the night before, chosen to drive the next day, and fallen asleep at the wheel with the most tragic of consequences. It was a horrendous scene. 10 people died, 82 were seriously injured and Gary Hart survived.

He was public enemy number one.

But when I saw his face in the media, I kept thinking that his wasn’t the face of a killer, it was the face of someone who’d done something stupid, selfish perhaps, but not intentional. His life would also be changed forever. Maybe he didn’t need us to chastise him any more than he would chastise himself. It was easy to criticise him – he doesn’t come across well in front of the camera – and people did. But I couldn’t help thinking that I’d driven tired before. I’d been lucky. There was no perfect storm for me, I managed to get off the motorway before something catastrophic happened and we all lived to see another day. I wondered if Gary Hart was any more guilty than I was, just because the consequences of his actions were so very different.

The second news item was the film of the charismatic mother of a boy who’d been killed in the 7/7 London bombing in 2005. She stood on a box in a crowd and everybody listened. She wasn’t talking vengeance, hatred and justice, she was talking about forgiveness. I was struck by how much more powerful and effective this type of reaction was, than the undoubtedly human and more usual reaction of anger and revenge.

This shot me back to a childhood thought which has appeared and re-appeared all though my life. It’s the paradox of the human condition. How often do we hear people say, Oh, we all make mistakes,’ and, ‘Nobody’s perfect, we all have our foibles,’ and yet we see families feuding, colleagues resigning and neighbours not speaking because they are not able to forgive someone who didn’t behave ‘perfectly’. Sometimes this anger lasts a lifetime and beyond. As a child, and a rather idealistic adult, I couldn’t help feeling that the world would be a better place if we didn’t get quite so cross or, perhaps more importantly, we endeavoured to become ‘uncross’ as quickly as possible.

By the way, I’m not pretending I’m perfect. That’s the point, really.

I wanted to explore forgiveness, guilt and atonement and the image of the woman slumped over the wheel, with a stranger willing her to stay alive, gave me Tori and Etta and the framework to get started. I chose a text sent from the motorway to be Tori’s crime. I wanted it to be something that was a conscious act that most of us would find abhorrent, and yet if we looked closer, we might find we’d done similar ourselves. I wanted to play with this phenomenon that people can be guilty because it happened and not guilty because it didn’t. My dream for Glass Houses is that as well as being entertained by Tori and Etta’s stories, not to mention Tori’s antics as she clumsily tries to re-build her life and Etta’s ability to self-destruct, readers will be interested in this conundrum, too.

***

Extract: the beginning of the first chapter

THERE WAS BLOOD on the steering wheel. Etta stared at her fingers as they gripped the rim. She uncurled them, flexed them in and out, then turned over her hands to examine the grooves in her skin. She smiled – a surface wound. Just a surface wound. Her half-chewed nails had plunged into her palms.

She patted her face, her arms, her legs: everything was in place. Her neck was stiff but it moved. Her feet ached so she lifted one and carefully replaced it, then lifted the other. Nothing broken. She undid her seatbelt, leaned back against her seat and forced out a long, whistling sigh.

“Thank you,” she whispered, looking up as if to acknowledge the powers-that-be who’d looked after her.

She wrinkled her nose. Her eyes darted to the foot well where she saw her flask smashed into too many pieces to count, drowned in a puddle of milky coffee. She reached for her phone where it had fallen, narrowly missing the liquid, but she froze before she could lift it to her ear. Her engine had cut and the radio silenced but it was more than that. She placed the phone on her lap. The silence was too loud.

In the rear-view mirror she saw stationary vehicles. She held her breath, cast her eyes to the side, to the stream of cars travelling as if in slow motion in the other direction. Tentatively she turned back to the front. The smashed side window of the Jeep was only a few paces ahead of her.

Not again.

“M62, yes, eastbound.” She picked her way quickly over the mess of twisted metal and fragments of glass, covering her mouth against the stench of burning rubber. “Junction? I don’t—”

She dropped her phone, stared at the door to the Jeep which had come away in her hand. It was heavy. She let it fall and covered her ears as it smashed against the ground. She bent down to look inside the Jeep. Her body crumpled and she sank to her knees.

***

Bio

Jackie Buxton is a writer, editor and teacher of creative writing, living in Yorkshire with her husband and two teenage daughters. Jackie used her recent experience of an aggressive form of breast cancer to inform and dispel some myths about a cancer diagnosis via her popular blog: Agenthood and Submissionville. Her posts became the frame-work of self-help memoire, Tea & Chemo (Urbane Publications, November 2015) which receives heart-warming feedback, and has a five star rating from over 75 reviews. Jackie’s award-winning short stories can be found in three anthologies, as well as appearing regularly in Chase Magazine. When not writing or reading, over-seeing house and teens, Jackie can be found running, cycling or tripping up though the beautiful Yorkshire countryside.

Tea & Chemo cover

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Links

Website:          www.jackiebuxton.com

Blog:                http://jackiebuxton.blogspot.co.uk

Glass Houses:  https://www.amazon.co.uk/Glass-Houses-Jackie-Buxton/dp/1910692840/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=&sr=

Tea & Chemo: https://www.amazon.co.uk/Tea-Chemo-Fighting-Cancer-Living/dp/1910692395/ref=pd_sim_14_2?ie=UTF8&dpID=51VarAHlbnL&dpSrc=sims&preST=_AC_UL160_SR104%2C160_&psc=1&refRID=40W7ZSYWXQPDFB32377Z

***

Many thanks for dropping by today Jackie. Good luck with your new novel.

Happy reading,

Jenny x

Dipping a toe into Cornwall: Abi’s House

This weekend I was lucky enough to indulge in a rare escape to a lovely spa break in Saltash- just over the Devon border, into Cornwall.

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Spoilt by my lovely friends with gorgeous early birthday homemade cakes (thank you Rachael!), and way too much food and wine, I was reminded of the happy friendships in my Cornish novel, Abi’s House – a summer read perfect to cheer up those dull weather days!!

Abi's House_edited-1

As soon as we crossed the famous Tamar Bridge, that separates Cornwall from Devon, I was reminded of Abi Carter – her escape from London to the peace and quiet of Cornwall- and the life changing adventures she had there!

Check this out- I love it!!  – YouTube link https://youtu.be/VAumWAqsp58

You can buy Abi’s House here- http://www.accentpress.co.uk/Book/12915/Abis-House– as well as here…

Kindle

http://www.amazon.co.uk/Abis-House-Jenny-Kane-ebook/dp/B00UVPPWO8/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1426711175&sr=1-1&keywords=Abi%27s+House+Jenny+Kane

http://www.amazon.com/Abis-House-Jenny-Kane-ebook/dp/B00UVPPWO8/ref=sr_1_2?s=books&ie=UTF8&qid=1426711253&sr=1-2&keywords=Abi%27s+House+Jenny+Kane

Paperback

http://www.amazon.com/Abis-House-Jenny-Kane/dp/1783753285/ref=sr_1_1?s=books&ie=UTF8&qid=1426711253&sr=1-1&keywords=Abi%27s+House+Jenny+Kane

http://www.amazon.co.uk/Abis-House-Jenny-Kane/dp/1783753285/ref=sr_1_1?s=books&ie=UTF8&qid=1426711343&sr=1-1&keywords=Abi%27s+House+Jenny+Kane

Here’s a reminder of the blurb!!

Newly widowed at barely thirty, Abi Carter is desperate to escape the Stepford Wives-style life that Luke, her late husband, had been so keen for her to live.

Abi decides to fulfil a lifelong dream. As a child on holiday in a Cornwall as a child she fell in love with a cottage – the prophetically named Abbey’s House. Now she is going to see if she can find the place again, relive the happy memories … maybe even buy a place of her own nearby?

On impulse Abi sets off to Cornwall, where a chance meeting in a village pub brings new friends Beth and Max into her life. Beth, like Abi, has a life-changing decision to make. Max, Beth’s best mate, is new to the village. He soon helps Abi track down the house of her dreams … but things aren’t quite that simple. There’s the complicated life Abi left behind, including her late husband’s brother, Simon – a man with more than friendship on his mind … Will Abi’s house remain a dream, or will the bricks and mortar become a reality?

***

Happy reading everyone,

Jenny xx

PS – Abi’s Neighbour will be out in Summer 2017!!

 

Guest Post from Nell Peters: About 100 Years Ago…

I’m delighted to welcome back Nell Peters for her second ‘end of month’ guest blog of the year! This is a  cracking (and I don’t just mean Pavlova’s eggs) blog post…

Over to you Nell…

Hi Jenny!

I’m afraid that Pavlova the chicken is on the naughty perch at the moment and can’t come out to play. All the attention and fan mail she received after last month’s blog post went straight to her comb and she’s behaving disgracefully. A real poultry diva, in fact. She’s been horribly mean to birds that she deems inferior, has been strutting her stuff like she owns the place and making such a noise, Tim Peake can probably hear her up in his space station. But worst of all, she’s taken to leaving very large deposits right outside the back door. Eeew! That’s it – I’m withdrawing the oxygen of publicity that she craves even more than her dried meal worms, and whether this is a permanent or temporary measure depends entirely upon her behaviour in the immediate future. She can put that in her beak and smoke it. Pavlova is in the hen house.

chicken

Now where was I?

Oh yes, I took a short break recently to meet up with an old friend. About a hundred years ago, I used to share a flat in Kew Gardens with someone I will refer to only as M, to protect the guilty. In case you were wondering, Kew Gardens is a place (now referred to as a village by those fortunate enough to be able to afford the zillion pound price tags of property there) in West London and not just the hallowed centre of horticultural excellence – ergo, we didn’t actually live in a potting shed. There was another girl too – Valerie, but M and I knew each other from ghastly temp jobs we had with British Gas and Valerie was a bit of an also-ran. I wonder whatever happened to her – she was something of a miserable cow (turned her nose up at the rot-gut sherry we used to drink by the bottle, I can’t imagine why) and totally lacked any sense of humour as I recall. Some sort of local government worker, I think, which could explain the comedic bypass.

On Friday evenings M and I used to frequent the local wine bar, run by a rather brassy dame in her forties (she seemed ancient to us then!) who had very amusing affectations, airs and graces, until she’d had one too many glasses – which she did frequently – then all hell let loose and dancing on the tables ensued. Not a pretty sight, as she was a rather large lady, who either didn’t believe in or chose not to invest in controlling underwear. Brassy wasn’t the only entertainment to be had chez Garfield’s – a guy used to sing and play acoustic guitar (both badly), expecting punters to buy him copious amounts of alcohol to keep his tonsils irrigated. It was actually worth buying him a glass or two for the bliss of silence during the (all too short) time it took him to neck the booze.

Kew is within a long stone’s throw of Richmond upon Thames, just two stops on the Tube – where we could have had a much wider choice of great venues to sup the vino, most with some form of decent live music, but there’s a lot to be said for being a short walk from home when the time comes to stagger out the door of a hostelry, especially in Winter. Besides, I always suspected that M used to fancy the singer and that terribly attractive aggressive snarl he shared, if nobody applauded his questionable vocal efforts.

Kew Gardens

Kew Gardens

I was at the flat for only a short time before I got a proper job and moved in not a million miles away with the OH. Valerie and M let my vacant room to a rather dishy Australian guy – and were both bitterly disappointed when they found out he was gay. Unfortunately, he repaid their hospitality by hightailing it back to Oz less than three months later – perhaps he suddenly remembered where he’d left his didgeridoo.

M’s life and mine took very different directions; over the years, I produced a few sprogs and we moved the family to a falling-down house in Norfolk. M visited as frequently as she could and, child duties permitting, I went to see her for some very welcome R&R. Wine was drunk. In abundance. She neither married nor had children – perhaps being the oldest of six had put her off – and eventually moved back to Scotland, from whence she hailed. The visits in both directions became less frequent because of the sheer distance involved and the responsibilities that life throws at us – it didn’t help that the OH would spend long periods working overseas, leaving me in sole charge of four smelly boys.

But children grow more independent with age and gradually they were no longer tied to my apron strings, so a new period evolved in the social lives of M and me. For several years, we have been meeting up intermittently in a variety of UK locations (let’s hear it for bargain air fares and cheap deals on train fares!) – for instance, Edinburgh, Dublin and Newcastle, the latter where we took in the most excruciating ‘Emperor’s New Clothes’ art exhibition (for want of a better description!) at the Baltic Centre. Well I say ‘took in’, but M stomped off in her size eight Doc Martens after about ten seconds – mumbling obscenities – to stick needles in her eyes. But was it art? Actually, no. A bit of a turkey is the kindest description I can manage – but I suppose you have to admire the exhibitor’s nerve. Plus, it was a few years ago now and I can still recall its sheer ghastliness in some detail (I didn’t have M’s nerve to exit, stage left, in a flurry of outrage at the flagrant waste of tax payers’ moolah, and persevered) so it did make an impression of sorts.

We met again most recently in Cambridge – I am now granny to six and M has a huge number of nephews, plus just one niece, so two old ladies sitting in deckchairs, to paraphrase Morecambe and Wise. J She took (very!) early retirement and is travelling a lot, so I was lucky she could fit me in! In all likelihood we will never again Run the World with Bob Geldof (though I’m not sure that he actually ran the first time!), or go on severely bracing hikes here, there and everywhere – or indeed puff, pant and wheeze our way to the top of Arthur’s Seat. That always sounds faintly rude, somehow. I did draw the line, though, at accompanying M to a Wham concert – she bought herself the most awful bright blue synthetic cap thing with ‘George’ plastered all over it, and actually wore it there and back on public transport!

Our main exercise now when we are face to face is talking, catching up generally – and, of course, drinking wine, though not so much as we used to as we’re older and so much wiser. Yeah right!

Just to prove what a wino I am (it was M’s fault – she led me astray), even my two crime novels published by Accent Press are drawn to the bottle.

Nell Peters books

Hostile Witness can be found at mybook.to/hostilewitness and

By Any Other Name is at mybook.to/BAON

See you next month for some more drivel? By the end of July, both Jenny and I will have celebrated our birthdays – actually on the same day, although I suspect she’s decades older than me … J NP

***

Another wonderful blog!! Many thanks Nell!

I shall be raising my coffee up to you on 13th July.

Happy reading,

Jenny x

 

 

My First Time: April Hardy

It’s time for another in my interview series, ‘My First Time’- this week fellow Accent Press author April Hardy is opening the book on her recent publishing beginnings.

First Time

Can you remember writing the first story you actually wanted to write, rather than those you were forced to write at school? What was it about?

I must have been in the third or fourth year at secondary school, and those of us who wished to could hand write a “book” in an exercise book. A selection of these would go into the school library for other students to borrow. Anyone who’d tried to decipher my handwriting had advised me not to bother, as nobody would be able to read it!

So, with that warm encouragement ringing in my ears and a story burning in my mind, I’d grabbed a handful of scrap paper and set to work on a rough copy. My “book” was based on the true story of a woman called Kitty, who had run theatrical digs, a stone’s throw from the Theatre Royal, Drury Lane. My mother and aunty had stayed with her many times when their dance troupe had been working there, and had kept in touch after they’d retired from the theatre.

Kitty’s digs had still been popular in the 1960s when the lease on the building ran out. She was an elderly lady by then and, although she and everyone who knew her fought against it, she was re-housed in the brand spanking new town of Milton Keynes. A Londoner through and through, Kitty had hated the soullessness of the new town. She’d hated its concrete cows, its lack of theatres, history or community. It had been the beginning of the end for her and when she died, shortly before the “book “writing competition, my mother believed she’d died of a broken heart.

My “book” didn’t make it into the library in spite of my slow and painstaking efforts with my handwriting. Apparently it had the requisite beginning, middle and end but, the teacher said, the conclusion was far too fanciful. And too sad. I don’t know what happened to the “book”. I suspect if I could re-read it now I would cringe at my teenage prose.

AprilHardy

What was your first official publication?

Well, that would be a recipe booklet I wrote for the Papadopoulou Biscuit Company when I lived in Athens! Food has always played a big role in my life, and I’d just completed a Diploma in Culinary Arts with an idea (a rather naive one now I look back) of writing cook books for a living!

What affect did that have on your life?

As we moved from Greece to Dubai at that time, the physical product slipped right out of my life. I didn’t even receive the copy I was sent. But the process of writing it certainly re-awakened the writing bug in me.

SITTING PRETTY FINAL COVER! (1) (1) (1) (1)

Does your first published story  reflect your current writing style?

Gosh! My first published story will be my debut novel, Sitting Pretty, a romantic comedy which comes out in July. I certainly hope it will reflect my current writing style as it’s one of three books I have coming out with Accent Press!

What are you working on at the moment?

Well, I’m working on a series of romantic comedies set in and around a trio of fictional villages in the New Forest, which is where I grew up. They are stand alone novels which feature the same settings and, in some cases some of the same characters may pop in and out.

Sitting Pretty is the story of pet sitter Beth, a young woman on the brink of a new life abroad, whose husband dumps her, by phone, just moments after the removal van has driven away with all their worldly goods. Suddenly homeless, Beth goes to some unusual lengths to keep her husband’s behaviour a secret, while she works out how to get him back …

Hazard at the Nineteenth, winner of the 2014 Literary Idol competition at the Emirates Lit Fest, is about bride to be Stella, who is sure someone is trying to sabotage the wedding. But would that someone go as far as trying to bump her off? Or has librarian Stella just read one too many Agatha Christies …

Kind Hearts & Coriander, a runner up in the 2014 Exeter Novel Prize, follows the story of London chef Polly who, on her mother’s death, learns she may be Hampshire hotel magnate, Charles Hetherin’s illegitimate daughter. Tracking him down, in search of answers, she finds more than she bargained on. A whole lot more …

The manuscripts for these are with Accent at the moment, so while I’m waiting to make a start on my edits on these, I’m tapping away at possible opening chapters for the next one in the series.

SittingPrettyPreorderArtwork

Sitting Pretty is out on 7th July 2016- The pre-order link is http://amzn.to/1Ow2T8d

Bio

Since leaving drama school I’ve had an interesting and (hopefully) creative working life, in UK, Greece and now Dubai. I taught infant ballet classes, did pantomime tours and summer children’s shows, interspersed with waitressing and working in hotel kitchens. I spent many years as a dancer, then choreographer, before re-training as a pastry chef in a Swiss hotel school, with a plan to write cook books. But it was having the words “Housewife – not allowed to work” stamped on my residency visa, here in the UAE, that gave me the freedom and the time to devote to something I’d always wanted to do – writing. The first manuscript I completed was a huge learning curve. It was a contemporary romance, set in London and Dubai and, though it remains unpublished, I learnt such a lot writing (and rewriting) it. And whilst at the Winchester Writers’ Conference in 2011, I met lovely Allie Spencer who advised me to apply for the Romantic Novelists’ Association’s New Writers’ Scheme. I spent four years in the scheme, soaking up the wisdom and knowledge of my “readers”. In 2014, I decided to try my hand at romantic comedy which, after all, was what I mostly read. I started writing Kind Hearts & Coriander, expressly to show to agent Luigi Bonomi at that year’s Emirates Lit Fest. It got me signed up by his wife, Alison Bonomi. In 2015, at the Romantic Novelists’ Association’s conference, I met the lovely Hazel Cushion, MD of Accent Press. I’d sent her the opening chapter of Hazard at the Nineteenth and she liked it enough to offer me a three book deal – all these months later and I’m still floating!

Winner of Emirates Airline’s Festival of Literature’s Literary Idol 2014

http://aprilhardywritinginthesand.wordpress.com   https://www.facebook.com/april.hardy.399   https://twitter.com/AprilHardyDubai

***

Many thanks April,

Good luck with your debut story,

Jenny x

Summer Reads, Blog Tour News, & a Book Launch: Another Glass of Champagne

It is with great pleasure that I can announce, not only that Another Glass of Champagne has been selected to be part of the Accent Press Summer Read, but that my blog tour is about to begin, and my book launch is only a few days away!

Summer reads

Over the next four days I will be visiting four fellow authors, chatting about Another Glass of Champagne, sharing a few of the secrets behind the story, and giving you a peep at the story itself via some tasty extracts.

jenny kane blog tour

Do drop by the following blog pages each day from 9am and say hello. A massive thank you to my fellow authors for hosting me.

The following links will work from the dates shown.

27th June- Marie Laval – http://marielaval.blogspot.co.uk/2016/06/who-could-resist-another-glass-of.html

28th June- Laura Wilkinson – https://lauracwilkinson.wordpress.com/blog/

29th June – Georgina Troy – http://georginatroy.blogspot.com/

30th June- Helena Fairfax – https://helenafairfax.com/

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On top of all that- on 1st July I am holding my- rather late in the day- book launch for Another Glass of Champagne! This event will be held at my local Costa- where I wrote the novel- and will involve a book quiz for the whole family- with some great prizes! Part of the Tiverton Literary Festival’s occasional events,  and supported by both Accent Press and Costa Coffee, this will be a relaxed, fun, free to enter event, with coffee and cake! If you are anywhere near Tiverton in Devon, I’d love to see you there.

another glass poster costacoffee

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To add the cherry to my cup cake- the first 2 reviews for Another Glass of Champagne are in- and they are both 5 Stars!

“…Going to miss this bunch, a lot…”

“…It’s nice to have the whole gang back together for the series finale, along with a couple of new faces to join in with – and add to – the drama along the way! Jenny Kane has tied up some loose ends perfectly, whilst at the same time creating enough new openings to wish that this wasn’t the last we will see of Jack, Amy, Kit et al…I thoroughly enjoyed this book and was sad to get to the end.”

***

Happy reading everyone- don’t forget to come and say hello to me while I’m blog touring!

Jenny x

The Story Behind Another Cup of Coffee

With all the excitement of my latest novel, Another Glass of Champagne, hitting the mainstream book shelves, I’ve been thinking back to how the series, which began with the novel, Another Cup of Coffee, first saw the light of day. It was certainly a long time in the making!

Another Cup of Coffee - New cover 2015

 

Blurb

Thirteen years ago Amy Crane ran away from everyone and everything she knew, ending up in an unfamiliar city with no obvious past and no idea of her future. Now, though, that past has just arrived on her doorstep, in the shape of an old music cassette that Amy hasn’t seen since she was at university.

Digging out her long-neglected Walkman, Amy listens to the lyrics that soundtracked her student days. As long-buried memories are wrenched from the places in her mind where she’s kept them safely locked away for over a decade, Amy is suddenly tired of hiding.

 It’s time to confront everything about her life. Time to find all the friends she left behind in England, when her heart got broken and the life she was building for herself was shattered. Time to make sense of all the feelings she’s been bottling up for all this time. And most of all, it’s time to discover why Jack has sent her tape back to her now, after all these years…

With her mantra, ‘New life, New job, New home’, playing on a continuous loop in her head, Amy gears herself up with yet another bucket-sized cup of coffee, as she goes forth to lay the ghost of first love to rest…

***

As the blurb says, it took Amy thirteen years to come to her senses and sort her life out – it took me thirteen years to write how she did just that! Not that I’ve been sat puzzling at the pages everyday in all that time- far from it.

Are you sitting comfortably? Then I’ll begin the story of my story…

The idea for Another Cup of Coffee came to me all that time ago, but was originally only intended to be a short story for a competition. I had never written a story before beyond the requirements of school homework, although I had written poetry, some of which I’d been lucky enough to have published. The story, Getting It Back, was all about a quiet girl, who’s cut herself off from her old life after her heart had been broken, and told of how, out of the blue, a package had arrived through the post that made her look at her life afresh. That package was an old fashioned cassette tape, which had a variety of different songs recorded onto it- as was the craze in the 1980’s and early 90’s.

That short story was not well written, and quite rightly got nowhere at all. I gave up writing after that. I’d only entered the competition so that I had a project to do that would occupy my mind and keep me awake. I had a one year old at the time- and she never slept and was a pain to feed- totally the opposite of now bless her!!

So the story was shelved, and I didn’t go back to it for two years went, you guessed it- I had another child- and I remembered the story I’d written. Being the type of person who never throws anything away, I dug it back out, and in fits and bursts I turned it into a novel based on my experiences as a student, my time as an archaeologist, and a friends music obsession.

I’ll be honest- it was not a good read. So again, I shelved it.

Then, a few years later my children went to school- and as is fairly well documented, I had an idea for a very different type of story- an erotic story which I simply had to write down. The result was a persona I called Kay Jaybee.

Such was the unexpected success of Kay Jaybee, that I had no time to look at my first early attempt at a novel for years. I also had no confidence in it at all. I had become Kay, and Kay was good at stories that oozed kink- I wasn’t sure I could do a story that kept the pages turning without it.

It wasn’t until ‘Kay’ had a handful of novels, novellas and short stories under her belt, that I decided the time had come to prove to myself that I could do more- and so I rewrote Another Cup of Coffee– and to my surprise it was snapped up.

So- if you fancy delving into the story of Amy, her ex boyfriend Jack, and his best friend, erotica writer and Mum, Kit (sound familiar at all????), then why not give Another Cup of Coffee a sip

You can buy Another Cup of Coffee as either a paperback or an eBook from Amazon and all good online and high street book stores

Amazon UK- http://www.amazon.co.uk/Another-Cup-Coffee-Jenny-Kane/dp/1783751126/ref=sr_1_1?ie=UTF8&qid=1377605533&sr=8-1&keywords=another+cup+of+coffee

Amazon US – http://www.amazon.com/Another-Cup-Coffee-Jenny-Kane/dp/1783751126/ref=sr_1_1?ie=UTF8&qid=1377605667&sr=8-1&keywords=another+cup+of+coffee+jenny+kane

Then of course- if you enjoy this novel- there are three seasonal follow on novella’s as well as my new novel, Another Glass of Champagne, to read afterwards!

Another Glass Of Champagne

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Happy reading,

Jenny

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