The Perfect Blend: Coffee and Kane


Currently Browsing: Fiction

Arthur Dux Bellorum

I’m delighted to welcome back historical novelist, Tim Walker, to my site today. Robin Hood is stepping aside for a moment to make way for King Arthur!

Over to you Tim…

Blurb

From the ruins of post-Roman Britain, a warrior arises to unite a troubled land 

Britain in the late Fifth Century is a troubled place – riven with tribal infighting and beset by invaders in search of plunder and settlement. King Uther is dead, and his daughter, Morgana, seizes the crown for her infant son, Mordred. Merlyn’s attempt to present Arthur as the true son and heir of Uther is scorned, and the bewildered teenager finds himself in prison. Here our story begins…

Arthur finds friends in unexpected quarters and together they flee. Travelling through a fractured landscape of tribal conflict and suspicion, they attempt to stay one step ahead of their pursuers, whilst keeping a wary eye on Saxon invaders menacing the shoreline. Arthur’s reputation as a fearsome warrior grows as he learns the harsh lessons needed to survive and acquire the skills of a dux bellorum, a lord of war.

Tim Walker’s Arthur Dux Bellorum is a fresh look at the Arthurian legend, combining myth, history and gripping battle scenes. Although in a series, it can be read as a standalone novel.

Fans of Bernard Cornwell, Conn Iggulden and Mathew Harffy will enjoy Walker’s A Light in the Dark Ages series and its newest addition – Arthur Dux Bellorum.

***

Extract from Arthur Dux Bellorum by Tim Walker

MERLYN LED HIS gang through the streets of sleeping Venta, beneath the glow of a pale moon. He glanced about for any signs of movement before rounding a corner, where he came face-to-face with a large, growling dog, its bared teeth and arched back indicating a readiness to strike. He held an arm up to indicate his followers should stop and dropped to eye level with the dog. He whispered in a soothing tone and slowly pulled a piece of roasted boar skin from inside his tunic and offered it. The dog approached, sniffing. Merlyn carefully patted its head and was relieved to see its tail wagging. “Come on,” he urged his followers, allowing the dog to tag along beside him.

They avoided a watchman’s tower at the corner of the wooden stockage that housed the royal buildings, and lined up in the shadow of a warehouse opposite the doorway to the kitchen. Merlyn checked both ways and studied the parapet above the wooden barrier across the street before running across to the door. He rapped the code and waited for a response. Sure enough, he heard bolts being withdrawn and he stood back, gripping his staff in both hands, ready to strike.

Morgaise’s face peered out from under a hood and he smiled with relief. “Come quickly,” she whispered. “The guards are drunk and sleeping.”

Merlyn waved for his men to follow and then entered the compound. Once all eight were inside, Varden, their leader, detailed one man to watch the doorway and two others to scout the yard and be in readiness to cover their escape.

Merlyn turned to Morgaise and asked, “Do you know where the sword of Ambrosius is?”

“The one Artorius pulled from the stone? Yes, it hangs on the wall in the Great Hall, behind the throne and under Mordred’s banner.”

When Varden returned to his side, Merlyn conveyed this information in a whisper. With a nod from Merlyn, Morgaise led them into the kitchen and out into a passageway that connected the hall to the sleeping quarters. She met Anne halfway along the narrow hallway, who indicated they should take a left turn. At the top of a circular stairwell Anne whispered to Merlyn, “At the bottom you will find the jailor sleeping on a wooden bed, but the night watchman is awake. He has the keys to the cells.”

Merlyn nodded. “Anne shall lead us down and Morgaise shall remain here to keep a look out and wait for our return. Varden will go to the hall and get the sword.”

“No,” Morgaise whispered, “the hunting hounds sleep in there by the hearth. They will attack him.”

Varden and Merlyn were confounded by this information. “Barking and snarling hounds would wake the guards,” Merlyn said, deep in thought.

“I sometimes feed the hounds,” Morgaise hissed. “They know me. Let me go there with a plate of meat from the larder and pick the sword on my way out.”

“Will they attack you in the dark?” Varden asked.

“Not if they smell the meats on offer,” she replied.

“Then let us try it,” Merlyn said, not wishing to delay further. “Varden will stand by the door with two men, ready to come to your aid if the hounds are restless,” Merlyn added.

Morgaise led Varden back to the kitchen to raid the larder for joints, whilst Merlyn and the rest of the men descended the stairs behind Anne. At the foot of the stairwell was a chamber lit by a solitary torch glowing from a bracket on the stone wall. To their right was a wooden bed on which slept the large form of Ahern, the gaoler, snoring on his back. Anne crept forward towards the row of cells and bumped into a startled watchman, holding a lantern in which the candle had died.

“Oy, what are you doing here?” he growled. Merlyn and his companions shrunk back into the shadows, leaving Anne to answer him.

“I… followed my cat down the steps. Have you seen him?”

“No, I have not…” was all he managed in reply as Merlyn stepped forward and banged his head with the ball at the end of his wooden staff. The young gaoler fell to the floor, unconscious, and they checked whether the sleeping man had been disturbed by the clatter of the lamp on the floor. Ahern grunted and rolled over, facing the wall. Anne picked up the keys from the stricken man and passed them to Merlyn. They moved cautiously down a flight of a dozen steps to a tunnel lined with locked doors. A burning torch fixed to the wall lighted their way. Anne plucked it from its sconce…

***

Tim Walker is an independent author based in Windsor, UK. His background is in marketing, journalism, editing and publications management. He began writing an historical series, A Light in the Dark Ages (set in Fifth Century Britain), in 2015, starting with Abandoned, set at the time the Romans left Britain. This was extensively revised and re-launched as a second edition in 2018.

Book two, Ambrosius: Last of the Romans, was published in 2017 and the third installment, Uther’s Destiny, was published in March 2018 (winner of One Stop Fiction book of the month award, April 2018). The adventure continues from March 2019 in the fourth book, Arthur, Dux Bellorum.

His creative writing journey began in July 2015 with the publication of a book of short stories, Thames Valley Tales. In September 2017 he published a second collection of short stories – Postcards from London. These stories combine his love of history with his experiences of living in London and various Thames Valley towns.

In 2016 he published his first novel, a dystopian political thriller, Devil Gate Dawn, following exposure through the Amazon Scout programme. In 2017 he published his first children’s book, The Adventures of Charly Holmes, co-written with his 12-year-old daughter, Cathy, followed In 2018 by a second adventure, Charly & The Superheroes.

Author Website: http://timwalkerwrites.co.uk

Newsletter sign-up: http://eepurl.com/diqexz

Amazon Author Page: http://Author.to/TimWalkerWrites

Facebook Page: http://facebook.com/TimWalkerWrites

Twitter: http://twitter.com/timwalker1666

 


Opening Lines with K.M. Pohlkamp: Apricots and Wolfsbane

This week’s opening lines comes from the amazing K.M. Pohlkamp; an aerospace engineer who works in Mission Control no less! In contrast to her up to the minute profession, she has written a fascinating historical novel…Apricots and Wolfsbane.

Over to you…

The world’s first known serial killer was a woman.

That fact struct me after reading an article about forgotten females from history. Locusta was a female poison assassin from Rome (Gaul) who discovered it was more lucrative to use her knowledge of herbs to kill than heal. As a female engineer, I relate to the struggle of going against traditional gender stereotypes. Locusta must have faced challenges, but her gender would have been an asset in a field where surprise provided an advantage. There is not much known about Locusta, which incited my imagination. And the more I thought about her life, a story began to weave in my mind.

At the same time, my priest gave a sermon about the ease of falling into a cycle of sin and penance. How often we realize our actions are incorrect and then feel guilt but after awhile the guilt wears and it becomes easy to commit the sin again. Of course he was talking about minor offenses, but as a matter of reductio ad absurdum, I applied this concept to a murderer and placed Locusta’s inspiration at the height of the Catholic Church in Tudor England.

Synopsis of Apricots and Wolfsbane

Lavinia Maud craves the moment the last wisps of life leave her victim’s bodies—to behold the effects of her own poison creations. Believing confession erases the sin of murder, her morbid desires are in unity with faith, though she could never justify her skill to the magistrate she loves.

At the start of the 16th century in Tudor England, Lavinia’s marks grow from tavern drunks to nobility, but rising prestige brings increased risk. When the magistrate suspects her ruse, he pressures the priest into breaking her confessional seal, pitting Lavinia’s instincts as an assassin against the tenets of love and faith. She balances revenge with her struggle to develop a tasteless poison and avoid the wrath of her ruthless patron.

With her ideals in conflict, Lavinia must decide which will satisfy her heart: love, faith, or murder—but the betrayals are just beginning.

Apricots and Wolfsbane was shortlisted for the 2017 Chaucer Historical Fiction Awards and received 5-stars from Readers’ Favorite.

***

And the first 500 words of Apricots and Wolfsbane:

The violent display of convulsions lasted longer than I anticipated.

With my boots propped on the table, I remember watching beads of wax roll down the candle, marking time between my victim’s spasms. The brothel room was sparse, and the bed in the corner remained undisturbed. I had assumed the role of temptress that evening, but delivered a different climax.

I savored the fear on my victim’s face as much as my own unlaced mead. The sweetness of both danced on my palate. His repulsive gagging, however, I endured with patience.

My target focused upon me. His hand shook, reaching out in a misplaced plea for aid. Instead, I raised my goblet in a final toast while he turned purple. He glanced towards his spilled glass, and then studied my face with new understanding. With his last remnants of life, he pieced together what I had done. Those little moments made the act so delicious. And as his body collapsed upon the floor, I added one more success to my mental tally.

Murder just never got old.

The scratching of my chair sliding across the uneven floor broke the sudden, serene silence of the room. Driven by curiosity, my boots echoed with each step towards my victim.

The man’s eyes contained a lingering remnant of vibrancy despite the departure of the soul they once served. White froth percolated from his open mouth, overflowing the orifice to trail down his neck. It was not an honorable death, but my client had paid for certainty, not dignity.

Curious, I examined the large ruby on the victim’s pointer finger which matched the client’s description — an ornate setting with a coat of arms on one side of the gem and a mare’s head on the opposite. The worked piece of silver did not seem important enough to procure my service, but as a professional, I had not asked for justification, only payment. Material significance so often motivated patrons to fill my coffers. I recognized the inherent sin, but I never judged a client’s reason. I was not qualified to cast the first stone.

I did admire my victim. After all, he was a fellow criminal. I believed his talents as a thief must have been remarkable to pilfer the ring unnoticed from the finger of its owner. I often boasted of my own sleight of hand, but admittedly, I could not accomplish such a feat. Though in my defense, assassin clearly trumped thief.

After donning the black leather gloves concealed within the lacings of my bodice, I returned to business. I pushed the tipped chair out of the way and pulled on the ring, but my motion abruptly halted.

Caught at the knuckle, the gem did not budge.

I stared at his limp hand, dumbfounded, before a flame of focus burst through my body. How I craved and savored that rush. That high, and the feeling of power, motivated my ghastly craft all those years. Despite the stress, I never lost control of my…

 

About the author

K.M. Pohlkamp is a blessed wife, proud mother of two young children, and an aerospace engineer who works in Mission Control. She operated guidance, navigation and control systems on the Space Shuttle and is currently involved in development of upcoming manned-space vehicles. A Cheesehead by birth, she now resides in Texas for her day job and writes to maintain her sanity. Her other hobbies include ballet and piano. K.M. has come a long way from the wallpaper and cardboard books she created as a child. Her debut historical fiction novel, Apricots and Wolfsbane, was published by Filles Vertes Publishing.

Links:

Watch the book trailer

Visit GoodReads and see what others are saying

Amazon.com

Amazon UK

Google Play 

***

Many thanks for some great opening lines.

Happy reading everyone,

Jenny


Romancing Robin Hood: A tasty taster

Romancing Robin Hood is a contemporary romance is based on the life of Dr Grace Harper, a medieval history lecturer with a major Robin Hood obsession. So much so, that instead of writing a textbook on medieval life, Grace is secretly writing a novella about a fourteenth century girl called Mathilda, who gets mixed up with a real outlaw family of the day, the Folvilles. (Which you can also read about within this same novel)

The problem is that Grace is so embroiled in her work and passion for outlaws, that real life is passing her by. A fact that the unexpected wedding announcement of her best friend Daisy, has thrown into sharp focus…

 

Extract from Romancing Robin Hood

…Daisy hadn’t grown up picturing herself floating down the aisle in an over-sequinned ivory frock, nor as a doting parent, looking after triplets and walking a black Labrador. So when, on an out-of-hours trip to the local vet’s surgery she’d met Marcus and discovered that love at first sight wasn’t a myth, it had knocked her for six.

She’d been on a late-night emergency dash to the surgery with an owl a neighbour had found injured in the road. Its wing had required a splint, and it was too big a job for only one pair of hands. Daisy had been more than a bit surprised when the locum vet had stirred some long-suppressed feeling of interest in her, and even more amazed when that feeling had been reciprocated.

It was all luck, sheer luck. Daisy had always believed that anyone meeting anybody was down to two people meeting at exactly the right place, at exactly the right time, while both feeling precisely the right amount of chemistry. The fact that any couples existed at all seemed to Daisy to be one of the greatest miracles of humanity.

She pictured Grace, tucked away in her mad little office only living in the twenty-first century on a part-time basis. Daisy had long since got used to the fact that her closest friend’s mind was more often than not placed firmly in the 1300s. Daisy wished Grace would finish her book. It had become such a part of her. Such an exclusive aim that nothing else seemed to matter very much. Even the job she used to love seemed to be a burden to her now, and Daisy sensed that Grace was beginning to resent the hours it took her away from her life’s work. Maybe if she could get her book over with – get it out of her system – then Grace would stop living in the wrong timeframe.

Daisy knew Grace appreciated that she never advised her to find a bloke, settle down, and live ‘happily ever after,’ and she was equally grateful Grace had never once suggested anything similar to her. Now she had Marcus, however, Daisy had begun to want the same contentment for her friend, and had to bite her tongue whenever they spoke on the phone; something that happened less and less these days.

Grace’s emails were getting shorter too. The long paragraphs detailing the woes of teaching students with an ever-decreasing intelligence had blunted down to, ‘You ok? I’m good. Writing sparse. See you soon. Bye G x’

The book. That in itself was a problem. Grace’s publishers and colleagues, Daisy knew, were expecting an academic tome. A textbook for future medievalists to ponder over in the university libraries of the world. And, in time, that was exactly what they were going to get, but not yet, for Grace had confided to Daisy that this wasn’t the only thing she was working on, and her textbook was coming a poor third place to work and the other book she couldn’t seem to stop herself from writing.

‘Why,’ Grace had forcefully expounded on their last meeting, ‘should I slog my guts out writing a book only a handful of bored students and obsessive freaks like myself will ever pick up, let alone read?’

As a result, Grace was writing a novel, ‘A semi-factual novel,’ she’d said, ‘a story which will tell any student what they need to know about the Folville family and their criminal activities – which bear a tremendous resemblance to the stories of a certain famous literary outlaw! – and hopefully promote interest in the subject for those who aren’t that into history without boring them to death.’

It sounded like a good idea to Daisy, but she also knew, as Grace did, that it was precisely the sort of book academics frowned upon, and she was worried about Grace’s determination to finish it. Daisy thought it would be more sensible to concentrate on one manuscript at a time, and get the dry epic that everyone was expecting out of the way first. Perhaps it would have been completed by now if Grace could focus on one project at a time, rather than it currently being a year in the preparation without a final result in sight. Daisy suspected Grace’s boss had no idea what she was really up to. After all, she was using the same lifetime of research for both manuscripts. She also had an underlying suspicion that subconsciously Grace didn’t want to finish either the textbook or the novel; that her friend was afraid to finish them. After all, what would she fill her hours with once they were done?

Daisy’s mobile began to play a tinny version of Nellie the Elephant. She hastily plopped a small black guinea pig, which she’d temporarily called Charcoal, into a run with his numerous friends, and fished her phone from her dungarees pocket.

‘Hi, Marcus.’

‘Hi honey, you OK?’

‘Just delivering the tribe to their outside quarters, then I’m off to face the horror that is dress shopping.’

Her future husband laughed, ‘You’ll be fine. You’re just a bit rusty, that’s all.’

‘Rusty! I haven’t owned a dress since I went to parties as a small child. Thirty-odd years ago!’

‘I don’t understand why you don’t go with Grace at the weekend. It would be easier together wouldn’t it?’

Daisy sighed, ‘I’d love to go with her, but I’ll never get her away from her work more than once this month, and I’ve yet to arrange a date for her to buy a bridesmaid outfit.’

‘Well, good luck, babe. I’m off to rob some bulls of their manhood.’

Daisy giggled, ‘Have fun. Oh, why did you call by the way?’

‘Just wanted to hear your voice, nothing else.’

‘Oh cute – ta.’

‘Idiot! Enjoy shopping.’

As she clicked her battered blue mobile shut and slid it back into her working clothes, Daisy thought of Grace again. Perhaps she should accidentally invite loads of single men to the wedding to tempt her friend with. The trouble was, unless they wore Lincoln Green, and carried a bow and quiver of arrows, Daisy very much doubted whether Grace would even notice they were there…

 

Blurb

Dr Grace Harper has loved the stories of Robin Hood ever since she first saw them on TV as a girl. Now, with her fortieth birthday just around the corner, she’s a successful academic in Medieval History, with a tenured position at a top university.

But Grace is in a bit of a rut. She’s supposed to be writing a textbook on a real-life medieval gang of high-class criminals – the Folvilles – but she keeps being drawn into the world of the novel she’s secretly writing – a novel which entwines the Folvilles with her long-time love of Robin Hood – and a feisty young girl named Mathilda, who is the key to a medieval mystery…

Meanwhile, Grace’s best friend Daisy – who’s as keen on animals as Grace is on the Merry Men – is unexpectedly getting married, and a reluctant Grace is press-ganged into being her bridesmaid. As Grace sees Daisy’s new-found happiness, she starts to re-evaluate her own life. Is her devotion to a man who may or may not have lived hundreds of years ago really a substitute for a real-life hero of her own? It doesn’t get any easier when she meets Dr Robert Franks – a rival academic who Grace is determined to dislike but finds herself being increasingly drawn to…

 

Buy Links Romancing Robin Hood is available from all good paperback and e-retailers.

***

Happy reading,

Jenx


End of the Month: From Harry Corbett to MASH via David Nivan

I’m never sure why, seeing as it’s only two or three days shorter than the other months of the year, but February goes to fast. It always feels at least a week shorter than all the other months.

The plus side of this, is that Nell Peters is back already with her latest End of the Month blog.

Over to you Nell…

Hello, and top of the morning to y’all. Come on in out of the cold and grab a hot beverage to warm your cockles, so to speak.

The actor, Harry Corbett was born in Burma on this day in 1925, the youngest of seven children. His father, George, was serving with the British army as part of the Colonial defence forces, but the boy was sent back to England aged just eighteen months to be brought up by his aunt, after his mother died of dysentery. As an adult, Corbett enlisted in the Royal Marines during World War II, serving on the heavy cruiser HMS Devonshire. Is there such a thing as a light cruiser, I wonder? In 1945, he was posted to the Far East, and reportedly killed two Japanese soldiers while engaged in hand-to-hand fighting. Yikes.

Back in Blighty, after a spot of desertion, he trained as a radiographer before moving into acting, initially in repertory – it was then he added the middle initial H to his name, to avoid confusion with the guy who found fame with his hand stuck up Sooty’s bottom. If asked, he would claim that the H stood for ‘hennyfink’. What a wag. Although acknowledged as an accomplished Shakespearean actor, Corbett was best known for his role as Harold Steptoe, a rag and bone man who lived with his irascible father, Albert (played by Wilfrid Brambell, who was actually only thirteen years older than Harry) in a dilapidated house, attached to their junkyard and stabling for the cart horse, Hercules. The series ran from 1962 until the Christmas special in 1974.

Must have been interesting on set, as Corbett smoked sixty fags a day (until his first heart attack in 1979, when he cut down to twenty), and Brambell was an alcoholic and gay – at a time when homosexual acts were against the law (decriminalised 1967). It was a second heart attack that killed Harry H in March 1982, aged fifty-seven – he was survived by his second wife, a son and daughter, Susannah, who played Ellie, Peter Pascoe’s wife in Dalziel and Pascoe. Outliving Corbett by almost three years, Brambell died of cancer aged seventy-two, in January 1985.

Over in the Soviet Union, it was on 28th February 1953 that Joseph Stalin had a pow-wow with Beria, Bulganin, Khrushchev & Malenkov – it must have been quite a knees-up because the very next day Stalin suffered a massive stroke, which killed him four days later. Perhaps they were celebrating the births of American wrestler Ricky ‘The Dragon’ Steamboat, (real name Richard Blood); Ingo Hoffmann, Brazilian racing driver; and Paul Krugman, American economist and New York Times columnist, who won the Nobel Prize for Economics in 2008?

Mention deoxyribonucleic acid – the molecule that contains the genetic blueprint for cell reproduction – more commonly known as DNA, and most of us could excavate the names Watson and Crick from the memory bank. Officially, it was on this day in Cambridge, also in 1953, that the two scientists were credited with the discovery of the chemical structure of DNA. However, it was at King’s College London, that Rosalind Franklin obtained an image of DNA using X-ray crystallography (the science of determining the arrangement of atoms in crystalline solids), an idea first broached by Maurice Wilkins.

Franklin’s image, known as Photograph 51, was taken by Raymond Gosling in May 1952, when he was working as a PhD student under her supervision. It provided critical evidence in identifying the structure of DNA and was thus a vital contribution to James Watson and Francis Crick’s creation of their famous two-strand, or double-helix, model. There is some doubt that Franklin gave her permission for the image to be used. Of the four main players – Watson, Crick, Wilkins and Rosalind herself, she was the only one with a background in chemistry, and the only one who did not share the Nobel Prize (Physiology/Medicine) in 1962. She died far too young of ovarian cancer on 16th April 1958 – my sister’s first birthday.

Raymond Massey

Had he not died in 1995, Sir Stephen Harold Spender CBE would be loading his birthday cake with a whopping one hundred and ten candles today. He was an English poet, novelist, critic and essayist who highlighted themes of social injustice and the class struggle in his work, which came to prominence during the 1930s. He was big pals with WH Auden and Cecil Day-Lewis – they met as Oxford undergraduates, even though Auden and Spender had both been pupils at Gresham’s School in Norfolk – and along with Christopher Isherwood and Louis MacNeice, they were sometimes referred to as the Oxford Poets. Right now, I am getting nowhere fast with this and I can relate to a line in one of Spender’s poems: As I sit staring out of my window…

Who can remember the coronation ceremony of Liu Bang as Emperor Gaozu of Han on the last day of Feb 202BC, which initiated four centuries of the Han Dynasty’s rule over China? No takers? OK, what about the first boat load of gold rush prospectors arriving in San Francisco from the east coast in 1849 – the very same day that jockey Tom Cunningham won the eleventh Grand National riding a horse called Peter Simple? Still no? I’ll make it easy-peasy then – we all know that when he was sworn in, in 1952 (Charles) Vincent Massey became the first Canadian-born person to serve as Canada’s Governor General since the Canadian Confederation, eight days after his sixty-fifth birthday. We do, don’t we? He was the eighteenth GG, by the way.

Vincent’s younger brother, Raymond Hart Massey, also briefly dabbled on the sidelines of politics when he appeared in a 1964 television advertisement in support of Republican presidential nominee, Barry Goldwater. Massey denounced incumbent US President Lyndon B Johnson’s strategies during the Vietnam War, suggesting that Goldwater had the nous to win the war quickly. Johnson won a landslide victory and the war trundled on until 30th April 1975, when Saigon fell. Taking the hint, perhaps, Raymond went into acting, becoming a US citizen along the way. His film appearances were many and varied and he was no stranger to the TV screen during the 1950s and 60s, most notably playing Dr Gillespie to Richard Chamberlain’s eponymous role as Dr Kildare.

Massey married three times. His high-profile estrangement and divorce from second wife, actress Adrianne Allen, was the inspiration for Ruth Gordon and Garson Kanin’s script for the film Adam’s Rib (1949), starring Katherine Hepburn and Spencer Tracy. In a You Couldn’t Make It Up scenario, Massey went on to marry the lawyer who represented him in court, Dorothy Whitney, while his by then former wife, Allen, married the opposing lawyer, William Dwight Whitney. But before they fell out, Massey and Allen produced two children, actors Anna and Daniel Massey.

Like his father, Daniel married three times – first, actress Adrienne Corri (only slightly spooky to pick someone almost sharing his mother’s name); second, actress Penelope Wilton (Calendar Girls (2003), Shaun of the Dead (2004), Pride & Prejudice (2005), The Best Exotic Marigold Hotel (2012), The BFG (2016) and all six series of Downton Abbey – to name but a few); and third wife, Linda Wilton, who is one of Penelope’s two sisters. I’m not saying a word.

Incidentally, Raymond Massey died of pneumonia in Los Angeles, California on July 29th 1983, just shy of his eighty-seventh birthday and on the same day as David Niven, with whom he had co-starred in The Prisoner of Zenda (1937) and A Matter of Life and Death (1946). Niven would have been one hundred and nine years old tomorrow.

On the home front, the sale of the family house completed on time – never thought #2 and I would manage it, but it was handed over duly stripped of all furniture etc and decades of accumulated ‘stuff’. There was so much paperwork to go through, I had to ship quite a lot back to Norfolk, as it was far too time consuming to do it all on site with the deadline looming. Luckily, we have a few spare bedrooms here and I have been able to stash it out of sight for the time being – can’t put it off forever, though.

However, sorting out utility bills and cancelling the many, many insurances – any eventuality/act of God was covered, sometimes in duplicate or triplicate I suspect – had to take precedence. As usual, a Power of Attorney complicates matters and there are extra hoops to jump through before anyone will actually deign to talk to you, but I think I can see the teeniest chink of light at the end of the very long tunnel now. The biggest relief was waking up on the Monday morning following completion, and realising I didn’t have to whiz off to the station to embark upon the four hour journey to Twickenham, where I would stay until Friday.

On 28th February 1983, the final (2.5 hour, 256th) episode of M*A*S*H aired in the US. It was entitled, Goodbye, Farewell and Amen – I think I’ll borrow that and add a cheeky Toodles.

Thanks, Jenny – maybe see you in March?

NP

***

Huge thanks Nell. Another corking blog.

See you next time!

Jenny xx

 


Opening Lines: Walking Wounded by Anna Franklin Osborne

This week’s ‘Opening Lines’ come from the pen of Anna Franklin Osborne, who is sharing the beginning of her wartime novel,

Walking Wounded.

I have always worked in health care, and more recently in education, and like so many other parents, hit a tiny crisis a few years ago when I felt that my purpose in life had narrowed to not an awful lot more than dashing between my two jobs and being a mummy taxi.

I managed to find time to begin singing with a choir, and that helped me feel that I might have a more creative side to myself. One evening, my husband was out and, quite suddenly, I decided to Start Writing. I immediately hit the first obstacles of terrible handwriting and a broken laptop, so my writing career began that night in bed, typing into the note section of my smart phone, with no clear idea of what I wanted to say but resulting in a severe case of RSI and several short stories over the next few nights.

My husband was delighted that I had suddenly found this passion and kept encouraging me to write a novel, which I really felt I did NOT have in me. Later that summer, however, we were walking along a D-Day beach for no other grander reason than our ferry home from France being late, and I began telling our kids about my three great-uncles who were part of that day, and my grandmother who sewed parachutes for the paratroopers jumping over Normandy. Neil looked at me and smiled and said, ‘you do actually have a story there, you know….’

Walking Wounded was written over a period of a year, on a tiny tablet which I bought specifically because it fitted into my handbag – as I said, ‘if it’s not with me at all times, this just won’t happen.’ I wrote every day in 10 minute bursts while I sat in the school car-park waiting for my daughter to emerge from school, I wrote parked outside ballet lessons and maths lessons, I wrote early in the mornings  while everyone was asleep.

Walking Wounded is a war story and family saga, focusing on those left behind whilst their men folk went to war, how they survived and how their relationships evolved through periods of violence, loss and reunion. The main story is about May, a young woman struggling to find her own identity as the youngest in a large family, forced into a stormy marriage through a mistake she is too proud to admit, and explores the web of loyalty, guilt and duty that shaped the decisions of the women awaiting the return of their men-folk as WW2 draws to a close. Spanning the period from the Armistice of the Great War to the exodus of the Ten Pound Poms to Australia in the 1950s, its internal violence is mirrored by the world stage upon which it is set.

So many of you can find this history in our relatives, but not, sadly, for very much longer. But if you look at your own upbringing, your family’s catch phrases, your own family folk-lore – it doesn’t take much insight to recognise that we have all been shaped, for better or for worse, by these seismic world crises.

First 500 words

1918, Mons, Belgium, 5 a.m.

He awoke with a shock as an icy rivulet of water finally penetrated

the gap between his collar and his neck and trickled

down inside his sodden greatcoat.

With a sigh, Sergeant Edward Peters leant back against the

boards, squinting up with resignation into the rain dripping endlessly

into the deep trench. The rain had woken him from a fitful

sleep, punctuated by the sound of snores from his fellow soldiers,

the occasional muffled curse. He shifted his long frame uncomfortably,

and shuddered with disgust as he felt a rat scuttle across

his legs and drop into the stinking mud next to him. No matter

how many trenches he dug, how many wounds he patched up,

how much blood he saw, he reflected grimly, he would never get

used to the rats. He vowed to himself silently that he would never

tolerate one in the house again when he got back home to London,

that he would fill the house with cats and wage his own tiny

and very personal war against the rodents which had plagued his

life for the past four years.

He smiled as he thought how much Edie would love that. She

loved animals but couldn’t have any in the crowded house she

lived in in Muswell Hill, but, one day, he thought firmly, one day,

they would start afresh and fill their own home with pets and

children. He fumbled in the pocket of his greatcoat then, trying to

extricate something with his clumsy fingers, numbed with cold.

Finally, his fingers alighted on the little photo, and he sat drinking

in the sight of his girl, smiling shyly at him all those miles away but

so close he could feel her.

His eyes filled with tears suddenly, and he had to catch his

breath in that bitter November morning to steady himself.

Then the captain stirred and stumbled out of his shack at the

end of the trench.

‘Time to be up, lads,’ he said quietly passing along the line of

men still sleeping in the bottom of the trench, just inches from the

foul mud, ‘time to get ready.’

Edward gazed one last time at the picture in his hand, then

stuffed it carefully back into his pocket. He blew on his hands and

caught the captain’s eye, nodded grimly at what he saw there.

At 6 a.m. he blew the whistle.

 

1918 London 11 a.m.

Florence Johnson stood stiffly to attention, clutching the hand

of her eldest daughter, Edie, as she listened to the bells pealing

out the Armistice on that cold, wintry morning.

As the sound of the last chime died away, it seemed that all of

London erupted at last into cheers, the sounds of laughter and

joy mingling with the echoes of the great bells. Feeling disorientated

and utterly disconnected with the crowd surging around

them, Florence half-turned towards Edie, immediately saw the

tears running down her cheeks and pulled her close, hugging her

tightly.

***

Buying links:

https://www.amazon.co.uk/Walking-Wounded-Anna-Franklin-Osborne/dp/0993569005/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1520597578&sr=1-3

http://www.goosewingpublications.com/buy

Website:

http://www.goosewingpublications.com/

Social media:

Facebook: @GooseWingPublications

Twitter: @HomeOsborne

Many thanks Anna.

Happy reading everyone,

Jenny x

 

 


« Previous Entries Next Entries »


The Romance Reviews
© 2018 Jenny Kane | Site Designed and Maintained by Writer Marketing Services