Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

Category: Historical fiction Page 1 of 24

Summer Wedding: Romancing Robin Hood

While I’m on my summer holiday , I thought I’d leave you a little something to read …

Romancing Robin Hood is a contemporary romance is based on the life of Dr Grace Harper, a medieval history lecturer with a major Robin Hood obsession. So much so, that instead of writing a textbook on medieval life, Grace is secretly writing a novella about a fourteenth century girl called Mathilda, who gets mixed up with a real outlaw family of the day, the Folvilles. (This story is shown as Grace writes it within the novel)

The problem is that Grace is so embroiled in her work and passion for outlaws, that real life is passing her by. A fact that the unexpected wedding announcement of her best friend Daisy, has thrown into sharp focus…

Blurb

Dr Grace Harper has loved the stories of Robin Hood ever since she first saw them on TV as a girl. Now, with her fortieth birthday just around the corner, she’s a successful academic in Medieval History, with a tenured position at a top university.

But Grace is in a bit of a rut. She’s supposed to be writing a textbook on a real-life medieval gang of high-class criminals – the Folvilles – but she keeps being drawn into the world of the novel she’s secretly writing – a novel which entwines the Folvilles with her long-time love of Robin Hood – and a feisty young girl named Mathilda, who is the key to a medieval mystery…

Meanwhile, Grace’s best friend Daisy – who’s as keen on animals as Grace is on the Merry Men – is unexpectedly getting married, and a reluctant Grace is press-ganged into being her bridesmaid. As Grace sees Daisy’s new-found happiness, she starts to re-evaluate her own life. Is her devotion to a man who may or may not have lived hundreds of years ago really a substitute for a real-life hero of her own? It doesn’t get any easier when she meets Dr Robert Franks – a rival academic who Grace is determined to dislike but finds herself being increasingly drawn to…

Here’s an extract from Romancing Robin Hood

…Daisy hadn’t grown up picturing herself floating down the aisle in an over-sequinned ivory frock, nor as a doting parent, looking after triplets and walking a black Labrador. So when, on an out-of-hours trip to the local vet’s surgery she’d met Marcus and discovered that love at first sight wasn’t a myth, it had knocked her for six.

She’d been on a late-night emergency dash to the surgery with an owl a neighbour had found injured in the road. Its wing had required a splint, and it was too big a job for only one pair of hands. Daisy had been more than a bit surprised when the locum vet had stirred some long-suppressed feeling of interest in her, and even more amazed when that feeling had been reciprocated.

It was all luck, sheer luck. Daisy had always believed that anyone meeting anybody was down to two people meeting at exactly the right place, at exactly the right time, while both feeling precisely the right amount of chemistry. The fact that any couples existed at all seemed to Daisy to be one of the greatest miracles of humanity.

She pictured Grace, tucked away in her mad little office only living in the twenty-first century on a part-time basis. Daisy had long since got used to the fact that her closest friend’s mind was more often than not placed firmly in the 1300s. Daisy wished Grace would finish her book. It had become such a part of her. Such an exclusive aim that nothing else seemed to matter very much. Even the job she used to love seemed to be a burden to her now, and Daisy sensed that Grace was beginning to resent the hours it took her away from her life’s work. Maybe if she could get her book over with – get it out of her system – then Grace would stop living in the wrong timeframe.

Daisy knew Grace appreciated that she never advised her to find a bloke, settle down, and live ‘happily ever after,’ and she was equally grateful Grace had never once suggested anything similar to her. Now she had Marcus, however, Daisy had begun to want the same contentment for her friend, and had to bite her tongue whenever they spoke on the phone; something that happened less and less these days.

Grace’s emails were getting shorter too. The long paragraphs detailing the woes of teaching students with an ever-decreasing intelligence had blunted down to, ‘You ok? I’m good. Writing sparse. See you soon. Bye G x’

The book. That in itself was a problem. Grace’s publishers and colleagues, Daisy knew, were expecting an academic tome. A textbook for future medievalists to ponder over in the university libraries of the world. And, in time, that was exactly what they were going to get, but not yet, for Grace had confided to Daisy that this wasn’t the only thing she was working on, and her textbook was coming a poor third place to work and the other book she couldn’t seem to stop herself from writing.

 

‘Why,’ Grace had forcefully expounded on their last meeting, ‘should I slog my guts out writing a book only a handful of bored students and obsessive freaks like myself will ever pick up, let alone read?’

As a result, Grace was writing a novel, ‘A semi-factual novel,’ she’d said, ‘a story which will tell any student what they need to know about the Folville family and their criminal activities – which bear a tremendous resemblance to the stories of a certain famous literary outlaw! – and hopefully promote interest in the subject for those who aren’t that into history without boring them to death.’

It sounded like a good idea to Daisy, but she also knew, as Grace did, that it was precisely the sort of book academics frowned upon, and she was worried about Grace’s determination to finish it. Daisy thought it would be more sensible to concentrate on one manuscript at a time, and get the dry epic that everyone was expecting out of the way first. Perhaps it would have been completed by now if Grace could focus on one project at a time, rather than it currently being a year in the preparation without a final result in sight. Daisy suspected Grace’s boss had no idea what she was really up to. After all, she was using the same lifetime of research for both manuscripts. She also had an underlying suspicion that subconsciously Grace didn’t want to finish either the textbook or the novel; that her friend was afraid to finish them. After all, what would she fill her hours with once they were done?

Daisy’s mobile began to play a tinny version of Nellie the Elephant. She hastily plopped a small black guinea pig, which she’d temporarily called Charcoal, into a run with his numerous friends, and fished her phone from her dungarees pocket.

‘Hi, Marcus.’

‘Hi honey, you OK?’

‘Just delivering the tribe to their outside quarters, then I’m off to face the horror that is dress shopping.’

Her future husband laughed, ‘You’ll be fine. You’re just a bit rusty, that’s all.’

‘Rusty! I haven’t owned a dress since I went to parties as a small child. Thirty-odd years ago!’

‘I don’t understand why you don’t go with Grace at the weekend. It would be easier together wouldn’t it?’

Daisy sighed, ‘I’d love to go with her, but I’ll never get her away from her work more than once this month, and I’ve yet to arrange a date for her to buy a bridesmaid outfit.’

‘Well, good luck, babe. I’m off to rob some bulls of their manhood.’

Daisy giggled, ‘Have fun. Oh, why did you call by the way?’

‘Just wanted to hear your voice, nothing else.’

‘Oh cute – ta.’

‘Idiot! Enjoy shopping.’

As she clicked her battered blue mobile shut and slid it back into her working clothes, Daisy thought of Grace again. Perhaps she should accidentally invite loads of single men to the wedding to tempt her friend with. The trouble was, unless they wore Lincoln Green, and carried a bow and quiver of arrows, Daisy very much doubted whether Grace would even notice they were there…

RH- RoS 2

Buy Links Romancing Robin Hood is available from all good paperback and e-retailers including…

Happy reading,

Jenny x

Interview with Carryl Church: Secrets at the Ambrose Café

Today  I’m delighted to be interviewing author, Carryl Church, about her second historical novel, Secrets at the Ambrose Café.

Grab a cuppa and put your feet up for five minutes, and come and say hello.

What inspired you to write Secrets at the Ambrose Café?

The 1920s has held a fascination for me since my teenage years when two of my favourite television series were The House of Eliott and Jeeves and Wooster – I read the novels too! I relished the idea of setting a story in that period.

Inspiration for me often starts with a location. In the case of this book, it was Deller’s Café – a chain of beautiful catering establishments with branches in Exeter, Paignton and Taunton. The main Exeter branch in particular really captured my imagination. Built in the baroque style and with a decadent interior encompassing many architectural features – it was said to be one of the finest buildings in Exeter. In Agatha Christie’s novel The Sittaford Mystery, her characters visit Deller’s Café in a chapter bearing the cafe’s name. Sadly, Deller’s was damaged by an incendiary bomb in the Exeter Blitz of 1942 and demolished in the subsequent rehabilitation of the High Street – a loss still keenly felt.

I wanted the artistic freedom to make the location my own, so The Ambrose Café was born, but I named my character Della in a nod to the wonderful institution that inspired the story. As soon as I saw my book cover, I was delighted that it captured the sumptuous café of my imagination so well.

What type of research did you have to do for your book?

I started with the Exeter Memories website which is a great resource if you’re interested in the history of the city. I then found a website dedicated to Deller’s Café which included wonderful photographs of the interiors, staff, details of the menus and numerous banquets the café hosted.

For a more detailed look at the 1920s, my background as a Film and Photography Archivist was a great help. I searched the National Archives database and discovered a series they’d produced called ‘the roaring twenties’ which offered fantastic insight into the period gleaned from the 1921 census. For building an authentic picture of post WW1 society and the political and psychological impact of the war, I searched the Imperial War Museum database and listened to oral histories. I worked for the Imperial War Museum as an Archivist many years ago and had seen footage from the period to draw upon too. I also read widely around the subject and although Deller’s Café is no longer there, I visited the locations in Exeter.

Do you model any of your characters after people you know? If so, do these people see themselves in your characters?

I can honestly say I never consciously model my characters on people I know. I think if I did, I’d find it too restrictive. I figure out who my characters are by writing them. I always knew this book would be about two women. I could see Della in her apron working away in the kitchen and the rest grew from there.

Which Point of View do you prefer to write in and why?

Close third person comes naturally. I’ve written short stories in first person, but I prefer to stick with what works for me. However, I enjoy reading in a variety of POV.

Do you prefer to plot your story or just go with the flow?

A little of both. When I first started writing, I’d just see where the story took me which meant I often disappeared down a few blind alleys. Now I appreciate the benefit of having a framework and an idea of where the story is going but I like to leave room for my characters to surprise me. It makes them feel more alive on the page.

What is your writing regime?

I tend to write seven days a week and I’m not very good at taking breaks. I’m up early to get my son to school. I have a writing room in our attic, and I’m usually at my laptop by 7am where I’ll eat breakfast. If I’m in the midst of the story and its flowing or I’m editing, I’ll often get thirty to forty minutes done and find it quite a productive time before getting organised for the school run. Once I’m back, I’ll go for a walk then I’m at my desk for the rest of the morning. I have a back and neck injury, so I have to take regular breaks but sometimes I forget and pay for it later. In the afternoons I tend to focus on other things like admin or research. I usually have a second burst of writing in the evening followed by some yoga to try and undo the damage I’ve done sitting at my desk for too long! At weekends this is broken up by family time, but I still take the opportunity to slip away and write when I can. As soon as one book is finished, I’ll start on the next.

What excites you most about your book?

The characters. One in particular – Mr Gillespie. I won’t give any spoilers, but he almost wrote himself and at times I had to stop him stealing every scene! He brought me a lot of joy.

Blurb:

Two women. Two different worlds. One secret that could ruin them both.

Exeter, 1925. Della Wilde has set aside her dream of moving to Paris to study at the renowned Le Cordon Bleu, choosing instead to support her family torn apart by war. By day, she works at the prestigious Ambrose Café, serving the city’s elite — she feels utterly invisible. Until a chance encounter with rebellious Alice Winters, the daughter of a powerful MP, upends Della’s world.

Alice is a woman caught between duty and desire. She secretly yearns to be an artist but is expected to marry a respectable suitor and raise a family. Della, with her sharp wit and quiet strength, is unlike anyone she has ever known. She makes Alice feel alive.

So she draws Della into her orbit — first as a muse for her secret art, then as something infinitely more intimate. But in a world where reputations are easily shattered, their growing bond is a danger that threatens not only their futures, but those around them.

As Alice risks scandal and Della faces the consequences of following her heart, they must decide: will they allow others to choose their path, or dare to forge their own?

This historical tale of courage, forbidden love and self-discovery is perfect for fans of Sarah Waters, Cynthia Ellingsen, Fiona Valpy or Rhys Bowen. 

You can buy Secrets at the Ambrose Café from all good retailers, including Amazon: https://amzn.eu/d/dIlEnja

Audible: https://www.audible.co.uk/pd/Secrets-at-the-Ambrose-Cafe-Audiobook/B0F8W2K986?source_code=ASSGB149080119000H&share_location=pdp

Bio:

Carryl writes historical fiction with a focus on the 20th Century. Her writing explores love in turbulent times, both romantic and familial. The people we’re given and those we choose for ourselves.

An early fascination with cinema led to a career as a Film and Photography Archivist. Years spent watching archive footage gave her a unique insight into how people lived in the early 20th century now brought vividly to life in her stories.

Originally from the Isle of Wight, Carryl now lives in Devon. The local landscape and locations are an inspiration for her novels. Carryl has a BA in Media and Literature and an MA in Film and Television Archiving. After working in Media Archives for seventeen years, including The Imperial War Museum and The BBC, she now writes full-time in the company of her cat, Ditsy.

Website: https://carrylchurch.co.uk/

Instagram: @CarrylChurch

Facebook: Carryl Church

Many thanks for joining us today Carryl.

Happy reading everyone,

Jenny xx

Dreaming of outlaw justice: Folville Chronicles

Continuing the story of potter’s daughter, Mathilda of Twyford, Outlaw Justice, opens in winter 1331 – and a storm is coming in the shape of Sir Richard de Willoughby.

Outlaw Justice

Blurb

England, 1331: Corrupt official, Sir Richard de Willoughby, has been appointed Justice of the Peace, with powers to hunt – and kill – those who oppose him. First on his list? The notorious Coterel brothers and their associates – the Folvilles…

The Folvilles must decide whether to flee into outlawry or take the law into their own hands – but is killing de Willoughby really the answer?

Robert de Folville is keen to dispose of the justice, but Robert’s ingenious wife, Mathilda, has a plan… one that could potentially rid them of Willoughby and yet see them escape the hangman’s noose. But these are tumultuous times and Mathilda must first put herself at great personal risk. Could the tale of a missing noblewoman, overheard by chance, be the key to solving a problem of life or death?

A gripping tale of real-life Robin Hoods, Outlaw Justice is the latest in the critically acclaimed ‘The Folville Chronicles’ series by Jennifer Ash.

Outlaw Justice

Ever since she first came to the attention of the Folville family – as a kidnap victim – Mathilda of Twyford – has been learning that justice for the people of England comes at a high price. Often, it is those who purport to uphold the law, that break it the most…

Prologue

30th November 1331

‘Lady Isabel is safe, my Lord?’

‘I’ve seen her escorted to her mother in Lincolnshire by trusted friends. Her ravings these past few months have become intolerable. It’s not good for the children. I increasingly fear for her sanity.’

Keeping his countenance neutral, Bennett removed his master’s cloak. ‘May I be of assistance, my Lord? A drink after your journey perhaps?’

‘You may be of assistance by saying nothing of this to anyone. If King Edward were to hear of my wife’s shameful state, he might deem me unworthy of the office he so recently bestowed upon me.’

Bennett dipped his head respectfully and withdrew into the kitchen. He’d worked for Sir Richard de Willoughby long enough to know when to keep his mouth shut.

Damping down the kitchen fire for the night, absorbed in thought, the steward headed towards Lady Willoughby’s chamber. He’d seen no signs of mental instability. He’d heard no ravings. He had, however, heard a row between her and her husband earlier that day. The one and only time in her whole miserable marriage she’d stood up to her lord.

Pushing his mistress’s door open, Bennett surveyed the scene. Lady Isabel’s travelling cloak hung over the back of a chair by the window. Her hairbrush sat on her side table, and her riding boots waited patiently by the door.

A furrow formed on the steward’s forehead as he closed the chamber door, locking it securely behind him.

If you’d like to find out what happens next, Outlaw Justice it is available as both an ebook and in paperback. It can be read as a standalone novel, or as part of #TheFolvilleChronicles

The Outlaw’s Ransom – mybook.to/theoutlawsransom

The Winter Outlaw- mybook.to/thewinteroutlaw

Edward’s Outlaw – mybook.to/EdwardsOutlaw

Outlaw Justice – mybook.to/OutlawJustice

Happy reading everyone,

Jennifer x

For the love of Will Scarlet…

There’s little chance that, if you’re a regular visitor to my blog, you can have missed the fact that I’m rather fond of all things Robin Hood.

It’s also unlikely, that you’ll have been able to avoid knowing that I’m lucky enough to write novellas and audios scripts for the ITV television show, Robin of Sherwood.

Over the past 12 months, I’ve been busy writing the last few stories, that have come under my remit, to commemorate the 40th anniversary celebrations.

The latest of these to be revealed is The Scathlock Woman, a story that takes the reader into the world of Will Scarlet’s family, and their tavern in Lichfield.

Blurb

Fira Scathlock wants to follow in the footsteps of her uncle, Will Scarlet, as she’s tired of working in her father’s tavern and yearns for adventure.

Sergeant Sparrow wants Lichfield’s taxes to be delivered to Nottingham safely, but both times previously they’ve been stolen. Is it a case of third time unlucky?

Will wants the rumours of trouble at his brother’s tavern to be false, because – even though his brother serves the finest ale in Lichfield – he’ll have to leave his outlaw friends behind to help him…

(Cover design by Robert Hammond.)

Buy links:

Paperback: https://www.amazon.co.uk/dp/0722356005/

eBook: https://www.amazon.co.uk/Robin-Sherwood…/dp/B0FBGFF57T/ 

When I first found Robin of Sherwood, at the age of 14, I fell in love with the entire story. I loved all of the characters, goodies and baddies, alike. However, it was the character of Will Scarlet, that had the biggest impact on me.

It’s no secret that there’s something appealing about ‘a bad boy’ – and Ray Winstone plays a brilliant bad boy – but with Richard Carpenter’s interpretation of Will Scarlet – formally Scathlock – you get so much more than a hired thug.

I was recently asked, as part of a discussion on the brilliant In the Greenwood podcast, which of Robin Hood’s companions I would want to accompany me in Sherwood. I didn’t hesitate to answer, Will Scarlet, But why him?

Simply put, the character of Will Scarlet in this particular interpretation of the Robin Hood legend is so layered, that you are presented with a level of loyalty that is unyielding, a bravery born of the need to survive, and a vulnerability that comes from a tragic past. This is a Scarlet that, while often intimating to an enemy, would look after his friends at whatever cost. He also needs friendship – whether he likes to accept that fact or not.

When I was younger, my parents were convinced I loved Robin of Sherwood because I was smitten with Ray Winstone. In fact, I was in love with the way in which the character he played so perfectly was created. And I still am.

To be able, therefore, to put words into the mouth of Will Scarlet, to create some family for him, is an honour I do not take likely.

  I hope you enjoy The Scathlock Woman.

 Nothings forgotten.

Jennifer x

Tiny Taster: Edward’s Outlaw

It’s time for another Tiny Taster.

This week it’s the turn of the third novel in #TheFolvilleChronicles – Edward’s Outlaw.

In the first two novels of the series, The Outlaw’s Ransom and The Winter Outlaw, Mathilda of Twyford, found herself thrust into situations where she had to get to the bottom of a crime simply to stay alive. However, in book three, Edward’s Outlaw, Mathilda’s reputation for solving mysteries sees her being asked to solve a murder by the sheriff…and she is in no position to say no…

Blurb

January 1330: England is awash with corruption. King Edward III has finally claimed the crown from his scheming mother, Queen Isabella, and is determined to clean up his kingdom.

Encouraged by his new wife, Philippa of Hainault, and her special advisor ‑ a man who knows the noble felons of England very well ‑ King Edward sends word to Roger Wennesley of Leicestershire, with orders to arrest the notorious Folville brothers… including the newly married Robert de Folville.

Robert takes his wife, Mathilda, to Rockingham Castle for her own safety, but no sooner has he left than a maid is found murdered. The dead girl looks a lot like Mathilda. Was the maid really the target ‑ or is Mathilda’s life in danger?

Asked to investigate by the county sheriff in exchange for him slowing the hunt for her husband, Mathilda soon uncovers far more than murder… including a web of deception which trails from London, to Derbyshire, and beyond…

The third thrilling instalment in Jennifer Ash’s The Folville Chronicles series.

***

Mathilda has only been married to Robert de Folville for three days, and already trouble has coming knocking at door of their home; Ashby Folville manor, Leicestershire. A warrant for the brother’s arrest sends Mathilda alone into Rockingham Castle for her own safety. Under the protection of its constable, Robert de Vere, she shelters within the castle while her husband and his brothers are on the run.

Mathilda doesn’t have time to worry about Robert for long, for within only a few days a young girl is dead and the sheriff thrusts the role of detective upon her…

Extract

Blood hammered in Mathilda’s ears. She had tracked down killers in the past, but never by appointment. The first time had been unintentional, a task she’d stumbled upon to save her father’s honour and her freedom. The second had come with an even higher price tag. The cost of failure would have been her life.

Now, these previous successes had earned her a third attempt, and Mathilda doubted she was up to the task. In Ashby Folville she had Sarah and Adam to back her up, not to mention Robert and his brothers. Here, she was alone but for Daniel, who’d already had a myriad of household duties heaped upon him.

Would her desire to find justice for Agnes, and her equally strong curiosity to uncover what was going on in the castle, be enough to solve the crime. Or crimes?

Whatever her misgivings, Mathilda’s starting point was clear. The sheriff and his associates had not yet left the castle. She wanted to talk to each of them privately. The constable had promised her the freedom of the castle while he’d had little choice but to agree, but would he continue to extend that offer once Wennesley and his comrades had gone to recommence the search for her husband.

Not sure if she was heartened or worried by Sheriff Ingram’s claim that she was unstoppable in her pursuit of felons, Mathilda wiped away the perspiration from her palms.

As she walked towards de Vere’s rooms, Mathilda forced herself to focus. Even if the arresting party remained with the constable, that didn’t mean they would be willing to answer her questions. After all, they hadn’t been there when Agnes had died, yet Mathilda couldn’t shift the uneasy feeling that it was all connected somehow. She had no logical reason for that suspicion beyond the coincidence of Isabella’s abrupt reappearance and the night-time movements of a tall, short-haired man who could have been either of the younger men on the warrant party… or someone else entirely….

***

Edwards’ Outlaw can be read as a standalone book, or as part of The Folville Chronicles.

If you’d like to read Edward’s Outlaw, – or any of The Folville Chronicles, they are available in eBook format and paperback from all good retailers, including…

The Outlaw’s Ransom – mybook.to/theoutlawsransom

The Winter Outlaw- mybook.to/thewinteroutlaw

Edward’s Outlaw – mybook.to/EdwardsOutlaw

Outlaw Justice – mybook.to/OutlawJustice

Happy reading,

Jennifer xx

Modern Romance: Robin Hood Style

Today, I thought I’d share a little of Romancing Robin Hood– my part romance/part medieval mystery novel- with you.

Romancing Robin Hood is a contemporary romance is based on the life of Dr Grace Harper, a medieval history lecturer with a major Robin Hood obsession. So much so, that instead of writing a textbook on medieval life, Grace is secretly writing a novella about a fourteenth century girl called Mathilda, who gets mixed up with a real outlaw family of the day, the Folvilles. As you read Grace’s story, you can read the medieval mystery she is writing alongside!

The problem is, Grace is so embroiled in her work and passion for outlaws, that real life is passing her by.

RH- E Flynn

With her wedding approaching fast, Grace’s best friend Daisy can’t help wishing a similar happiness to her own for her Robin Hood loving friend…

Extract

…Daisy hadn’t grown up picturing herself floating down the aisle in an over-sequinned ivory frock, nor as a doting parent, looking after triplets and walking a black Labrador. So when, on an out-of-hours trip to the local vet’s surgery she’d met Marcus and discovered that love at first sight wasn’t a myth, it had knocked her for six.

She’d been on a late-night emergency dash to the surgery with an owl a neighbour had found injured in the road. Its wing had required a splint, and it was too big a job for only one pair of hands. Daisy had been more than a bit surprised when the locum vet had stirred some long-suppressed feeling of interest in her, and even more amazed when that feeling had been reciprocated.

It was all luck, sheer luck. Daisy had always believed that anyone meeting anybody was down to two people meeting at exactly the right place, at exactly the right time, while both feeling precisely the right amount of chemistry. The fact that any couples existed at all seemed to Daisy to be one of the greatest miracles of humanity.

She pictured Grace, tucked away in her mad little office only living in the twenty-first century on a part-time basis. Daisy had long since got used to the fact that her closest friend’s mind was more often than not placed firmly in the 1300s. Daisy wished Grace would finish her book. It had become such a part of her. Such an exclusive aim that nothing else seemed to matter very much. Even the job she used to love seemed to be a burden to her now, and Daisy sensed that Grace was beginning to resent the hours it took her away from her life’s work. Maybe if she could get her book over with – get it out of her system – then Grace would stop living in the wrong timeframe.

Daisy knew Grace appreciated that she never advised her to find a bloke, settle down, and live ‘happily ever after,’ and she was equally grateful Grace had never once suggested anything similar to her. Now she had Marcus, however, Daisy had begun to want the same contentment for her friend, and had to bite her tongue whenever they spoke on the phone; something that happened less and less these days.

Grace’s emails were getting shorter too. The long paragraphs detailing the woes of teaching students with an ever-decreasing intelligence had blunted down to, ‘You ok? I’m good. Writing sparse. See you soon. Bye G x’

The book. That in itself was a problem. Grace’s publishers and colleagues, Daisy knew, were expecting an academic tome. A textbook for future medievalists to ponder over in the university libraries of the world. And, in time, that was exactly what they were going to get, but not yet, for Grace had confided to Daisy that this wasn’t the only thing she was working on, and her textbook was coming a poor third place to work and the other book she couldn’t seem to stop herself from writing.

‘Why,’ Grace had forcefully expounded on their last meeting, ‘should I slog my guts out writing a book only a handful of bored students and obsessive freaks like myself will ever pick up, let alone read?’

As a result, Grace was writing a novel, ‘A semi-factual novel,’ she’d said, ‘a story which will tell any student what they need to know about the Folville family and their criminal activities – which bear a tremendous resemblance to the stories of a certain famous literary outlaw! – and hopefully promote interest in the subject for those who aren’t that into history without boring them to death.’

It sounded like a good idea to Daisy, but she also knew, as Grace did, that it was precisely the sort of book academics frowned upon, and she was worried about Grace’s determination to finish it. Daisy thought it would be more sensible to concentrate on one manuscript at a time, and get the dry epic that everyone was expecting out of the way first. Perhaps it would have been completed by now if Grace could focus on one project at a time, rather than it currently being a year in the preparation without a final result in sight. Daisy suspected Grace’s boss had no idea what she was really up to. After all, she was using the same lifetime of research for both manuscripts. She also had an underlying suspicion that subconsciously Grace didn’t want to finish either the textbook or the novel; that her friend was afraid to finish them. After all, what would she fill her hours with once they were done?

Daisy’s mobile began to play a tinny version of Nellie the Elephant. She hastily plopped a small black guinea pig, which she’d temporarily called Charcoal, into a run with his numerous friends, and fished her phone from her dungarees pocket.

‘Hi, Marcus.’

‘Hi honey, you OK?’

‘Just delivering the tribe to their outside quarters, then I’m off to face the horror that is dress shopping.’

Her future husband laughed, ‘You’ll be fine. You’re just a bit rusty, that’s all.’

‘Rusty! I haven’t owned a dress since I went to parties as a small child. Thirty-odd years ago!’

‘I don’t understand why you don’t go with Grace at the weekend. It would be easier together wouldn’t it?’

Daisy sighed, ‘I’d love to go with her, but I’ll never get her away from her work more than once this month, and I’ve yet to arrange a date for her to buy a bridesmaid outfit.’

‘Well, good luck, babe. I’m off to rob some bulls of their manhood.’

Daisy giggled, ‘Have fun. Oh, why did you call by the way?’

‘Just wanted to hear your voice, nothing else.’

‘Oh cute – ta.’

‘Idiot! Enjoy shopping.’

As she clicked her battered blue mobile shut and slid it back into her working clothes, Daisy thought of Grace again. Perhaps she should accidentally invite loads of single men to the wedding to tempt her friend with. The trouble was, unless they wore Lincoln Green, and carried a bow and quiver of arrows, Daisy very much doubted whether Grace would even notice they were there…

If that extract has whetted your appetite for more, Romancing Robin Hood is available in paperback, and e-formats from all good retailers- including…

Kindle –
(Available via KDP for those who subscribe)
Paperback-

 

Happy reading,

Jenny x

 

Medieval Christmas Thinking

As I’m laid up and not able to write much at the moment, I thought I’d cheat with this year’s Christmas blog, and share one I’ve done before…

Medieval festive traditions.

I’ve been a lover of all things medieval from the first time I clapped eyes on an episode of Robin of Sherwood back in the 1980’s. Since then, I’ve had a fascination with the era- especially the thirteenth and fourteenth centuries- that has never waned. It was this interest that led me to write The Folville ChroniclesThe Outlaw’s Ransom, The Winter Outlaw, Edward’s Outlaw and Outlaw Justice.

The Winter Outlaw, Edward’s Outlaw and Outlaw Justice are all set at Christmas time – so I got to thinking about how many of the festive traditions we have today hail from those medieval days.

Did you know…?

… that the practice of carol singers going from door to door was the result of carollers being banned from the churches.

During the medieval period the word “carol” didn’t refer to just a song, but to singing and dancing in a circle. This was frowned upon by the churchmen of the age as it detracted from the seriousness of the occasion. Carol singers were ordered out onto the streets, and often sang in market places, or in front of rows of houses.

Another church related tradition that had its origins in medieval times is the Christmas crib or Nativity scene. In medieval Italy, in1223, Saint Francis of Assisi used a crib as a teaching tool to explain the Christmas story to the local population. Historians believe that this was the first time animals, such as the sheep and the donkey, were added to the Christmas story, even though the Bible does not mention them.

What about Christmas food? Christmas puddings date from medieval England, although they were rather different than those we eat today. Made from a spicy porridge known as frumenty, with currants and dried fruit stirred into it, along with egg yolks, cinnamon and nutmeg, it was a considerably runnier pudding than the one we’re used to.

The majority of Christmas dinners in the UK this year will feature a roast turkey. However, turkeys didn’t reach Britain until the late fifteenth century. In medieval times the rich ate goose, while the poorer families would roast a woodcock if they could get one. Those lord’s who had royal permission to eat venison, would have deer for their Christmas meal. Traditionally, the heart, liver, tongue, feet, ears and brains of the deer (a concoction known as the umbles), would be mixed together and made into a pie to give to the poor. This treat became known as humble pie.

And how about some entertainment? Whereas today we might go to see our children in a nativity play at Christmas, in the Middle Ages people could look forward to seeing the Mummers. These travelling actors performed plays and dances in villages, manors, and castles. During the winter, mystery plays were traditionally based on the story of Christ’s birth. The part of King Herod within these plays was the first role that can be seen as being the equivalent of a ‘baddie’ in a modern day pantomime, with the crowd often booing when he came on stage.

I hope these few Christmas blasts from the past have made you smile!

Happy reading everyone. 

Thank you for all your support this year. Have a very Happy Christmas.

Jenny xx

Opening Lines with Carryl Church: The Forgotten Life of Connie Harris

This week I’m more than a little proud to be featuring the #openinglines from Carryl Church’s debut novel, The Forgotten Life of Connie Harris, on the day of its publication.

Over to you Carryl…

It’s an absolute honour to be featured on Jenny’s blog today! Ever since I first met Jenny through her wonderful writing courses, I’ve dreamed that one day, my debut novel would feature on Opening Lines. And here I am after many years of words, stubborn persistence and a few tears.

Blurb: The Forgotten Life of Connie Harris by Carryl Church

A woman who dared to dream beyond her circumstances and a legacy that refuses to fade away.

1951, Devon. Connie’s job at the Tivoli cinema provides an escape from her alcoholic father, Frank. There she meets and falls in love with projectionist Charlie. After a whirlwind romance, he splices his proposal into her favourite film, Casablanca, and for the first time, Connie dares to dream of a life beyond the one she’s settled for. Charlie promises her a happy ending, but for Connie, fate has a different plan.

  1. 1996. Seeking fulfilment after his divorce, Eddie takes on the now dilapidated Tivoli cinema. He finds an abandoned film reel with a note – I’m sorry – The film reveals the final frames of Casablanca, with a marriage proposal to someone called Connie Harris . . .

 ***

Opening Lines:

July 1951

The body was sprawled at his feet, as if it were nothing to do with him. He flexed his fingers, studying their tremor with mild curiosity. He’d experienced it before, the adrenaline that accompanies taking a life, but not like this.

He snaked one arm under the curve of her delicate spine, the other under her legs, stumbling against the banister as he lifted.

Outside, the street slumbered beneath an anthracite sky. He loaded his cargo into the van and returned to the house. The half-empty bottle of whisky was waiting on the stairs where he’d abandoned it. The burning liquid slid down his throat — an elixir to numb the guilt.

A dog’s bark ricocheted along the huddled terraces as he climbed into the van. He froze. No twitching curtains, no lights. Nobody cares.

With the crunch of gears, he pulled onto the road. The whisky bottle rolled across the front seat, then back as he rounded a bend.

Driving north away from Tiverton, houses gave way to vast emptiness, trees and bushes loomed out of the inky night. The road hugged the river, at the mercy of its bewildering contours. With each passing minute his thirst grew until it threatened to roar like the river beside him. The whisky bottle continued its game. Back and forth. Back and forth. Taunting him.

He pressed on, struggling to focus. The beam from his lights contorted like a kaleidoscope, menacing shadows subverted his vision. A deer skittered before his headlights. He swerved — the bottle fell to the floor with a thud.

At a field gate, he pulled in and cut the engine. Searching the floor for the bottle, he lifted it to his parched lips. The world stilled.

Dank air moistened his face as he stepped from the van. Nothing to see but barren moor, not a sound except for the rustle of trees and his own jagged breath.

He dragged his cargo from the back of the vehicle and launched it over the gate, then followed himself. He heaved the body onto his shoulder, as heavy and cumbersome as his kit bag.

The rough terrain disorientated every step. The ground swelled, then fell away without warning. They landed in a ditch, her body beneath his.

With earth-smeared fingers, he smoothed the hair from her brow.

Here in her shallow grave, the tears came.

He staggered away. The van choked to life. The whisky bottle rolled. The road wound on. He opened the window. Salt air whipped his cheeks.

His eyes grew heavy, the lids snapped shut.

He was flying, and then he wasn’t.

April 1951

Chapter 1

Connie leaned against her locker, re-reading Michael’s letter informing her he’d joined the Navy. She could sense her brother’s guilt through the thin, crisp paper. He’d abandoned her and now he was putting himself out of reach.

‘I can’t deal with him, Con,’ Michael had said to her at their mother’s wake when the few relatives who’d come to pick over the…

You can buy your copy of The Forgotten Life of Connie Harris (as an ebook or in paperback), from all good retailers, including: www.amazon.co.uk/dp/B0CXJ8MVYS/.

Bio:

Originally from the Isle of Wight, Carryl now lives in Devon with her family.

Although writing was always a dream, an early fascination with cinema, and in particular the films of Humphrey Bogart, led to a career as a Film and Photography Archivist. This background not only inspired The Forgotten Life of Connie Harris but continues to impact her other writing. Years spent watching archive footage gave her a unique insight into how people lived in the early 20th century now brought vividly to life in her stories.

Carryl has a BA in Media and Literature and an MA in Film and Television Archiving. After working in Media Archives for seventeen years, including The Imperial War Museum and The BBC, she now writes full-time in the company of her cat, Ditsy.

Links:

Website https://carrylchurch.co.uk/

Follow me on:

Twitter/X: https://X.com/CarrylChurch

Instagram: @carrylchurch

Facebook: @carrylchurchauthor

Many congratulations Carryl, thank you for sharing your opening lines with us.

Happy reding everyone,

Jenny x 

Dreaming of outlaw justice…

Continuing the story of potter’s daughter, Mathilda of Twyford, Outlaw Justice, opens in winter 1331 – and a storm is coming in the shape of Sir Richard de Willoughby.

Outlaw Justice

Blurb

England, 1331: Corrupt official, Sir Richard de Willoughby, has been appointed Justice of the Peace, with powers to hunt – and kill – those who oppose him. First on his list? The notorious Coterel brothers and their associates – the Folvilles…

The Folvilles must decide whether to flee into outlawry or take the law into their own hands – but is killing de Willoughby really the answer?

Robert de Folville is keen to dispose of the justice, but Robert’s ingenious wife, Mathilda, has a plan… one that could potentially rid them of Willoughby and yet see them escape the hangman’s noose. But these are tumultuous times and Mathilda must first put herself at great personal risk. Could the tale of a missing noblewoman, overheard by chance, be the key to solving a problem of life or death?

A gripping tale of real-life Robin Hoods, Outlaw Justice is the latest in the critically acclaimed ‘The Folville Chronicles’ series by Jennifer Ash.

Outlaw Justice

Ever since she first came to the attention of the Folville family – as a kidnap victim – Mathilda of Twyford – has been learning that justice for the people of England comes at a high price. Often, it is those who purport to uphold the law, that break it the most…

Prologue

30th November 1331

‘Lady Isabel is safe, my Lord?’

‘I’ve seen her escorted to her mother in Lincolnshire by trusted friends. Her ravings these past few months have become intolerable. It’s not good for the children. I increasingly fear for her sanity.’

Keeping his countenance neutral, Bennett removed his master’s cloak. ‘May I be of assistance, my Lord? A drink after your journey perhaps?’

‘You may be of assistance by saying nothing of this to anyone. If King Edward were to hear of my wife’s shameful state, he might deem me unworthy of the office he so recently bestowed upon me.’

Bennett dipped his head respectfully and withdrew into the kitchen. He’d worked for Sir Richard de Willoughby long enough to know when to keep his mouth shut.

Damping down the kitchen fire for the night, absorbed in thought, the steward headed towards Lady Willoughby’s chamber. He’d seen no signs of mental instability. He’d heard no ravings. He had, however, heard a row between her and her husband earlier that day. The one and only time in her whole miserable marriage she’d stood up to her lord.

Pushing his mistress’s door open, Bennett surveyed the scene. Lady Isabel’s travelling cloak hung over the back of a chair by the window. Her hairbrush sat on her side table, and her riding boots waited patiently by the door.

A furrow formed on the steward’s forehead as he closed the chamber door, locking it securely behind him.

If you’d like to find out what happens next, Outlaw Justice it is available as both an ebook and paperback. It can be read as a standalone novel, or as part of #TheFolvilleChronicles

The Outlaw’s Ransom – mybook.to/theoutlawsransom

The Winter Outlaw- mybook.to/thewinteroutlaw

Edward’s Outlaw – mybook.to/EdwardsOutlaw

Outlaw Justice – mybook.to/OutlawJustice

Happy reading everyone,

Jennifer x

The Reluctant Investigator: Edward’s Outlaw

In the first two novels of the series, The Outlaw’s Ransom and The Winter Outlaw, Mathilda of Twyford, found herself thrust into situations where she had to get to the bottom of a crime simply to stay alive. However, in book three, Edward’s Outlaw, Mathilda’s reputation for solving mysteries sees her being asked to solve a murder by the sheriff…and she is in no position to say no…

Blurb

January 1330: England is awash with corruption. King Edward III has finally claimed the crown from his scheming mother, Queen Isabella, and is determined to clean up his kingdom.

Encouraged by his new wife, Philippa of Hainault, and her special advisor ‑ a man who knows the noble felons of England very well ‑ King Edward sends word to Roger Wennesley of Leicestershire, with orders to arrest the notorious Folville brothers… including the newly married Robert de Folville.

Robert takes his wife, Mathilda, to Rockingham Castle for her own safety, but no sooner has he left than a maid is found murdered. The dead girl looks a lot like Mathilda. Was the maid really the target ‑ or is Mathilda’s life in danger?

Asked to investigate by the county sheriff in exchange for him slowing the hunt for her husband, Mathilda soon uncovers far more than murder… including a web of deception which trails from London, to Derbyshire, and beyond…

The third thrilling instalment in Jennifer Ash’s The Folville Chronicles series.

***

Mathilda has only been married to Robert de Folville for three days, and already trouble has coming knocking at door of their home; Ashby Folville manor, Leicestershire. A warrant for the brother’s arrest sends Mathilda alone into Rockingham Castle for her own safety. Under the protection of its constable, Robert de Vere, she shelters within the castle while her husband and his brothers are on the run.

Mathilda doesn’t have time to worry about Robert for long, for within only a few days a young girl is dead and the sheriff thrusts the role of detective upon her.

Why would anyone here believe her, even if she did find the killer? The word of a woman, even one who has married into one of the most notorious households in England, is not worth much without substantial evidence. And what if she gets it wrong and accuses the wrong person? Mathilda’s terrified that she might send the wrong person to the gallows.

The pressure on Mathilda to succeed becomes even greater when she begins to wonder if Agnes, the murdered maid, was the intended victim after all. The more Mathilda thinks about it, the more she sees how easy it would have been for the killer to mistake the dead girl for her…Was Mathilda the intended target after all?

 

Extract

Blood hammered in Mathilda’s ears. She had tracked down killers in the past, but never by appointment. The first time had been unintentional, a task she’d stumbled upon to save her father’s honour and her freedom. The second had come with an even higher price tag. The cost of failure would have been her life.

Now, these previous successes had earned her a third attempt, and Mathilda doubted she was up to the task. In Ashby Folville she had Sarah and Adam to back her up, not to mention Robert and his brothers. Here, she was alone but for Daniel, who’d already had a myriad of household duties heaped upon him.

Would her desire to find justice for Agnes, and her equally strong curiosity to uncover what was going on in the castle, be enough to solve the crime. Or crimes?

Whatever her misgivings, Mathilda’s starting point was clear. The sheriff and his associates had not yet left the castle. She wanted to talk to each of them privately. The constable had promised her the freedom of the castle while he’d had little choice but to agree, but would he continue to extend that offer once Wennesley and his comrades had gone to recommence the search for her husband.

Not sure if she was heartened or worried by Sheriff Ingram’s claim that she was unstoppable in her pursuit of felons, Mathilda wiped away the perspiration from her palms.

As she walked towards de Vere’s rooms, Mathilda forced herself to focus. Even if the arresting party remained with the constable, that didn’t mean they would be willing to answer her questions. After all, they hadn’t been there when Agnes had died, yet Mathilda couldn’t shift the uneasy feeling that it was all connected somehow. She had no logical reason for that suspicion beyond the coincidence of Isabella’s abrupt reappearance and the night-time movements of a tall, short-haired man who could have been either of the younger men on the warrant party… or someone else entirely….

***

Edwards’ Outlaw can be read as a standalone book, or as part of The Folville Chronicles.

If you’d like to read Edward’s Outlaw, – or any of The Folville Chronicles, they are available in eBook format and paperback from all good reatilers, including…

The Outlaw’s Ransom – mybook.to/theoutlawsransom

The Winter Outlaw- mybook.to/thewinteroutlaw

Edward’s Outlaw – mybook.to/EdwardsOutlaw

Outlaw Justice – mybook.to/OutlawJustice

Happy reading,

Jennifer xx

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