Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

Category: saga

Opening Lines with Carol McGrath: The Damask Rose

This week’s Opening Lines come from Carol McGrath’s brand new historical novel, The Damask Rose. It forms part of her ongoing #blogtour.

Published today – The Damask Rose is a must for all fans of medieval fiction. 

Sit back and enjoy the first 500 words.

Over to you Carol…

The Damask Rose. Today, 15th April, is Publication Day, so it is really special. Here is the burb for The Damask Rose and a few comments made by other writers who enjoyed it. I hope you will enjoy the blurb and extract that follows:

Blurb

In 1266 Eleanor of Castile, adored wife of the Crown Prince of England, is still only a princess when she is held hostage during the brutal Barons’ Rebellion, and her baby daughter dies. Scarred by privation, a bitter Eleanor swears revenge on those who would harm her family- and vows never to let herself be vulnerable again.

As she rises to become Queen, Eleanor keeps Olwen – a trusted herbalist- who tried to save her daughter-by her side.  But it is dangerous to be friendless in a royal household, and as the court sets out on crusade, Olwen and Eleanor discover then that the true battle for England may not be a matter of swords and lances but one fanned by whispers and spies.

 

Fascinating . . . Brings to life one of the most determined and remarkable queens of the medieval world’ K. J. MAITLAND, author of The Drowned City

* ‘Completely engrossed me from the start . . . A wonderful read‘ NICOLA CORNICK, author of The Forgotten Sister

* ‘Excels at sweeping the reader away on an engrossing journey . . . Great storytelling and superb research‘ JANE JOHNSON, author of Court of Lions

FIRST 500 WORDS

Chapter 1

Windsor Castle

June 21st 1264

On the feast of St John, Lady Eleanor, Lord Edward’s wife, watched the forest from the castle’s lower battlements. Smoke from rebel camp fires twisted above the tree-line. The rebels had plundered her park, hunted stags in her forest, lit fires and cooked her venison. Occasionally a whiff drifted her way reminding her that soon the castle would run out of food. She sighed knowing she would have to consult with Master Thomas, her steward, as to how long they could survive without surrender, before they starved.  Earl Simon’s deputy, Hugh Bigod of Norfolk, had positioned his troops everywhere. They were hidden by willows hanging over the river banks; they were concealed in meadows within corn stalks; they camped amongst beech trees in the king’s deer park.

She saw movement on the edge of the forest. A moment later a rider emerged, galloping along the track towards the castle moat.  She shaded her brow. There had been many messengers demanding she gave up the castle but she always sent them away. She edged along the battlements until she reached a point directly above the gatehouse. There was something familiar about this horseman. Another horseman, a squire she imagined, broke from the trees holding aloft a fluttering pennant. She drew breath. Rather than displaying Montfort’s fork-tailed lion this long curling flag displayed the King’s leopards, gold and silver embroidery glinting in the sun. Her heart began to beat faster, pumping at her chest. It could be a messenger from her husband.

Time stilled as if the scene below was painted into a psalter. Her mantle billowed out and her short veil was nearly blown from her head by a sudden breeze. The castle rooks roosted in trees making loud mewing sounds like babies crying. Bells rang for Vespers. Directly below, her ladies trailed into the chapel, miniature figures with bowed heads and clasped hands. She should attend Vespers since it was the feast of St John, but she remained where she was, watching the rider horse clip clopping along the path competing with the rooks’ unsettling caws.

The knight slowed as he approached the moat and gatehouse, halted, dismounted and removed his helmet. Her eyes fixed on his shock of red hair. The Earl of Gloucester! She knew him well from the days before the barons’ rebellion. If Earl Simon was the devil, Gilbert of Gloucester was Satan’s helper. Tears of disappointment welled up behind her eyes.

Earl Gilbert tugged a scroll from his mantle and with one hand still holding his reins he held it up to the gatehouse guards. Ribbons dangled from a seal. Anger replaced disappointment. If this was a trick, she would have Simon de Montfort’s son, her prisoner, hung from the battlements.

She looked up at the highest range of battlements. ‘Raise your bows,’ she ordered archers positioned above her. ‘Bring Earl Simon’s son out.’ She pointed to the knight below. ‘Gloucester is not to be trusted. Others may…

You can find out what happens next by buyingThe Damask Rose. It is available from all good retailers, including Amazon – tinyurl.com/dk2att32

Queen Eleanor’s Garden, Winchester

Carol McGrath Bio

Following a first degree in English, History and Russian Studies, Carol McGrath completed an MA in Creative Writing from The Seamus Heaney Centre, Queens University Belfast, followed by an MPhil in English from University of London. The Handfasted Wife was shortlisted for the Romantic novel of the Year. The Woman in the Shadows, a best-selling historical novel about Elizabeth Cromwell, wife of Henry VIII’s statesman Thomas Cromwell, was republished by Headline in 2020.  The She-Wolf Queen Trilogy features Ailenor of Provence, Eleanor of Castile and Isabella of France. Carol writes Historical non-fiction for Pen & Sword and Historical fiction for Headline Accent.  Find Carol on her web-site www.carolcmcgrath.co.uk. Links to Twitter, Facebook and my monthly newsletter are all there.

Thank you, Jenny, for hosting my publication day post.

Happy publication day, Carol.

Happy reading everyone,

Jenny x

Opening Lines with Judith Barrow: The Memory

This week, I’m delighted to welcome, Judith Barrow, to share the Opening Lines from her incredibly moving novel,

The Memory.

Over to you Judith…

Many people have asked me what was the inspiration for The Memory and my answer is always – memories: memories of being a carer for two of my aunts who lived with us, memories of losing a friend in my childhood; a friend who, although at the time I didn’t realise, was a Downs’ Syndrome child. But why I started to write the story; a story so different from my other four books, I can’t remember. Because it was something I’d begun years ago and was based around the journal I’d kept during that decade of looking after my relatives.

But what did begin to evolve when I settled down to writing The Memory was the realisation of why I’d been so reluctant to delve too far into my memories. The isolation, the loneliness, that Irene Hargreaves, the protagonist, endures; despite being married to Sam, her loving husband, dragged up my own feelings of being alone so much as a child. That awareness of always being on the outside; looking in on other families, relationships and friendships had followed me; had hidden deep inside my subconscious. And now, as a contented wife and mother, with steady enduring friendships, it unsettled me. Many people, and as a creative writing tutor I’m one, say that writing is cathartic. Working through Irene’s memories; especially that one memory that has ruled her life, made me acknowledge my own. And that’s fine. I always say to my students, if you don’t feel the emotions as you write, then neither will your reader. In The Memory I’m hoping the reader will sense the poignant, sad times with Irene, but will also rejoice with her in the happier memories.

BLURB

Mother and daughter tied together by shame and secrecy, love and hate.

I wait by the bed. I move into her line of vision and it’s as though we’re watching one another, my mother and me; two women – trapped.

Today has been a long time coming. Irene sits at her mother’s side waiting for the right moment, for the point at which she will know she is doing the right thing by Rose.

Rose was Irene’s little sister, an unwanted embarrassment to their mother Lilian but a treasure to Irene. Rose died thirty years ago, when she was eight, and nobody has talked about the circumstances of her death since. But Irene knows what she saw. Over the course of 24 hours their moving and tragic story is revealed – a story of love and duty, betrayal and loss – as Irene rediscovers the past and finds hope for the future.

“…A book that is both powerful and moving, exquisitely penetrating. I am drawn in, empathising so intensely with Irene that I feel every twinge of her frustration, resentment, utter weariness and abiding love.” Thorne Moore

“Judith Barrow’s greatest strength is her understanding of her characters and the times in which they live; The Memory is a poignant tale of love and hate in which you will feel every emotion experienced by Irene.” Terry Tyler

The new novel from the bestselling author of the Howarth family saga.

FIRST 500 WORDS.

Chapter One 2001 – Irene 

There’s a chink of light from the streetlamp coming through the vertical blinds. It spreads across the duvet on my mother’s bed and onto the pillow next to her head. I reach up and pull the curtains closer together. The faint line of light is still there, but blurred around the edges.

Which is how I feel. Blurred around the edges. Except, for me, there is no light.

I move around the bed, straightening the corners, making the inner softness of the duvet match the shape of the outer material; trying to make the cover lie flat but of course I can’t. The small round lump in the middle is my mother. However heavily her head lies on the pillow, however precisely her arms are down by her sides, her feet are never still. The cover twitches until centimetre by centimetre it slides to one side towards the floor like the pink, satin eiderdown used to do on my bed as a child.

In the end I yank her feet up and tuck the duvet underneath. Tonight of all nights I want her to look tidy. I want everything to be right.

She doesn’t like that and opens her eyes, giving up the pretence of being asleep. Lying face upwards, the skin falling back on her cheekbones, her flesh is extraordinarily smooth, pale. Translucent almost. Her eyes are vague under the thick lines of white brows drawn together.

I ignore her; I’m bone weary. That was one of my father’s phrases; he’d come in from working in the bank in the village and say it.

‘I’m bone weary, Lil.’ He’d rub at the lines on his forehead. ‘We had to stay behind for half an hour all because that silly woman’s till didn’t add up.’ Or ‘… because old Watkins insisted I show the new lad twice how I leave my books at night; just so he knows, as though I might not go in tomorrow.’ Old Watkins was the manager, a job my father said he could do standing on his head but never got the chance.

And then, one day, he didn’t go into the bank. Or the day after that. Or ever again.

 

I wait by the bed. I move into her line of vision and it’s as though we’re watching one another, my mother and me; two women – trapped.

‘I can’t go on, Mum.’ I lift my arms from my side, let them drop; my hands too substantial, too solid to hold up. They’re strong – dependable, Sam, my husband, always says. I just think they’re like shovels and I’ve always been resentful that I didn’t inherit my mother’s slender fingers. After all I got her fat arse and thick thighs, why not the nice bits?

I’ve been awake for over a day. I glance at the clock with the extra-large numbers, bought when she could still tell the time. Now it’s just something else for her to stare at, to puzzle…

You can buy The Memory from all good retailers, including-

Honno Page: https://bit.ly/2XL0zCi

Amazon: http://amzn.to/2klIJzN

BIO

Judith Barrow, originally from Saddleworth, a group of villages on the edge of the Pennines, has lived in Pembrokeshire, Wales, for over forty years.

She has an MA in Creative Writing with the University of Wales Trinity St David’s College, Carmarthen. BA (Hons) in Literature with the Open University, a Diploma in Drama from Swansea University. She is a Creative Writing tutor for Pembrokeshire County Council and holds private one to one workshops on all genres.

LINKS

Website: https://judithbarrowblog.com/

Facebook: https://www.facebook.com/judith.barrow.3

Twitter: https://twitter.com/judithbarrow77

Goodreads: https://bit.ly/3kMYXRU

LinkedIn: https://bit.ly/3oNJZxq

***

Many thanks for sharing your Opening Lines today, Judith.

Happy reading everyone,

Jenny x

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