Tag: Britain

Opening Lines: The Poster by James Marshall

On February 22, 2024

In adventure, Blog, dystopian, Fiction, history, Opening Lines Blog

After a bit of a break, I’m pleased to be bringing back my #openinglines blog feature.

It’s always a pleasure to share the work of fellow authors, but this time it is particularly good to be able to share with you the first 500 words of a novel written by one of my former students.

I knew James had what it took to become a fabulous writer the moment I read the first short story he created for me a mini-fiction class a few years ago.

Over to you James…

Blurb

Seemingly abandoned by their parents, siblings Lena and Alek are caught up at different ends of a war – while Lena designs propaganda posters in Plymouth, Alek is forced into the army. Both dream of escape, of another life … but as the war continues and they find each other, they start to question who they can really trust.

When survival is everything, is everyone an enemy?

“It’s brilliant. I was completely engrossed. This isn’t the type of novel I would typically read but I was riveted.” Leslie Wells.

Introduction

“Bad men need nothing more to compass their ends, than that good men should look on and do nothing.” John Stuart Mill.

In order to set the background of the story, I read a lot of books about East Germany. I wanted to tell a story about what could happen to young people if they didn’t pay attention to the world around them. What would a group of young women do to get food on the table and shoes on her feet?

As fast as I could write the dystopian aspect of this novel, real events were catching up with the fiction. I wrote about conscripts being used in a political war in the second piece I ever sent to Jenny.

In the week of publication of The Poster, the head of the British armed forces stated that conscription would have to be introduced in a war with Russia. I am hoping no further similarities occur.

Opening 500 words of The Poster

Alek Wasilewski hurdled the yellow gorse bush and sprinted towards the cover of a low stone wall. The enemy was dug in on the edge of a copse seventy-five metres ahead. Alek pushed his heavy helmet back up over his sweaty forehead, his chest heaving as he tried to regain his breath. His section commander, Swales, was signalling to the rest of the boys to catch up.

‘Get a fucking move on,’ Swales said.

Alek wiped his palms on his combat trousers. His neck ached from the rifle sling and helmet strap, his calves were burning from his too-tight combat boots, and he needed to pee.

Swales made several hand signals to accompany his instructions to the section. ‘We’ll have to go around to the left following the stone wall.’ He pointed at Murdo and Trowbridge. ‘You two stay here and lay down covering fire. The rest of you, follow me.’

Alek gripped his empty rifle and bent as low as he could to follow Swales, keeping his head below the wall. His knees groaned after thirty metres and screamed after sixty. He sighed when Swales held up his fist to signal a stop.

‘Hold it here.’ Swales dropped to his stomach.

Alek copied Swales and wriggled forward, thankful that his legs could rest.

‘Check ammo; fix bayonets,’ Swales said. ‘Ski and I will take the left trench. Evans and Williams, the middle trench, and you two –’ Swales pointed at the last members of the section – take the right-hand trench.’

Alek pretended to check his ammo and fix his bayonet. They had neither ammo nor bayonets but had to go through the motions.

‘Ready?’ Swales said.

Alek nodded.

‘Go!’ Swales jumped over the wall.

Alek vaulted the wall and then ran forward. ‘Bang, Bang!’ he shouted, firing invisible rounds from the hip.

Swales dropped to one knee, yelling, ‘Bang, bang!

Alek ran past him and knelt, aiming at the two men in the left trench who were also shouting ‘bang’ as Swales ran a zig-zag pattern to the edge of the trench. Alek leapt up to sprint and jumped into the trench.

‘Bang, bang!’ He pointed his rifle at the enemy soldier still standing.

The soldier did a theatrical spin and dive, clutching his chest and wriggling his legs before letting out one last groan. He grinned at Alek.

‘Stop! End-Ex,’ Corporal Sanderson, their training instructor, shouted from above them. He waved his clipboard in the air and beckoned the support soldiers up to the position. ‘Well done, Swales,’ he said. ‘Good effort from your team.’ He pointed to Murdo and Trowbridge as they walked towards the copse. ‘I can see why you put those slackers in the fire support team.’

Swales turned and winked at Alek.

Alek slumped to the bottom of the cool trench and blinked as salty sweat ran into his eyes. He took a swig of the lukewarm water from his canteen, wishing it was ice-cold lemonade. He had forgotten its taste but could see…

You can follow his writing journey on Substack here
You can buy, The Poster,’ here

Bio

James is a 54-year-old father of two, husband of one. He lives and works in Devon,UK, running a sports club for local children and young adults in Willand.

He started fiction writing under the tutelage of Jenny Kane at her Imagine writing group in Cullompton.

He won the ‘Pen to Print’ 2022 short story competition, and ‘The Poster,’ has been shortlisted for their 2023 ‘Book Challenge Award.’

Apart from writing, James is a Masters weightlifter, a keen barbecuer, and an avid reader.

***

Happy reading everyone,

Jenny xx

Opening Lines with Tim Walker: Arthur Rex Brittonum

By Jenny Kane

On June 4, 2020

In Blog, Historical fiction, history

I’m delighted to welcome Tim Walker back to my blog today, with the Opening Lines from the latest novel in his A Light in the Dark Ages series, Arthur Rex Brittonum.

Blurb

From the decay of post-Roman Britain, Arthur seeks to unite a troubled land

Arthur Rex Brittonum (‘King of the Britons’) is an action-packed telling of the King Arthur story rooted in historical accounts that predate the familiar Camelot legend.

Britain in the early sixth century has reverted to tribal lands, where chiefs settle old scores with neighbours whilst eyeing with trepidation the invaders who menace the shore in search of plunder and settlement.

Arthur, only son of the late King Uther, has been crowned King of the Britons by the northern chiefs and must now persuade their counterparts in the south and west to embrace him. Will his bid to lead their combined army against the Saxon threat succeed? He arrives in Powys buoyed by popular acclaim at home, a king, husband and father – but can he sustain his efforts in unfamiliar territory? It is a treacherous and winding road that ultimately leads him to a winner-takes-all clash at the citadel of Mount Badon.

Tim Walker’s Arthur Rex Brittonum picks up the thread from the earlier life of Arthur in 2019’s Arthur Dux Bellorum, but it can be read as a standalone novel.

Fans of Bernard Cornwell, Conn Iggulden and Mathew Harffy will enjoy Walker’s A Light in the Dark Ages series and its newest addition – Arthur Rex Brittonum.

First 500 words

“Pull harder you wretches!” bellowed the captain, turning his warty head away from the pursuing ships to urge his crew to greater effort, gnarled hands gripping the tiller so firmly his knuckles shone white in the gloom. Low grey clouds scudded overhead, driven on by strong westerly gusts that blew into the lone sail intermittently, like puffs of air from bellows feeding a fire. Soft rain slanted across the faces of the desperate crew and passengers on the deck of the thirty-foot merchant rig, its eight oarsmen dashing their oars into the choppy green of the Hibernian Sea as angry whitecaps pointed the way to the green and grey shorelines rising before them.

“Row for your lives, the western savages are gaining on us!” Random words were snatched away by the fitful rage of Manannan, the dread god of sailors, who inhabited the narrow sea between Britannia’s western coast and the land of Hibernia. It was across these waters that wild tribesmen habitually raided the comparatively wealthy and orderly Britannia, now left unguarded following Rome’s withdrawal.

A cluster of six passengers huddled beside the burly captain at the stern, holding onto ropes or the side rail as their ship rolled in the waves that carried them to shore. Those who had voided their guts on deck or over the side turned pale faces to see the three black sails gaining on them through the gathering storm.

Barinthus clasped the charm around his neck and muttered a prayer to Fortuna. “I shall sacrifice the finest kid I can find in your temple at Deva, should you see fit to deliver us there in safety.”

The well-fed Armorican had chartered the ship in the port of Dinan on the northwest coast of what had once been Roman Gaul and was transporting his cargo of fine wines, jars of olive oil, rolls of silk and linen, and some live quails in crates to sell to the nobles of western Britannia. He pulled the fox fur collar of his cloak tighter against the rain and looked down at his sodden calf leather boots, then to the crates of squawking birds that slid from side to side across the deck of the lurching vessel, noting their clucks of displeasure at every roll and shower of sea spray.

“I fear they will soon be upon us!” he yelled at the captain, who fixed him with a filthy look that spoke of regret at accepting the charter. “I have outrun many Frankish pirates around the rocky bays of Armorica where I know the reefs, but these waters are unknown to me. Let us hope we make beach before the rocks rip out our keel.”

They were now in surf that sent rows of churning white-capped waves, like advancing lines of ghostly shield men, towards a shore that revealed itself as a shingle beach before towering pock-marked cliffs. The shrill cries of gulls seemed to foretell their impending doom as the roar of waves breaking on the beach…

You can buy Arthur Rex Brittonum from all good retailers, including-

Kindle: http://mybook.to/ArthurRex

i-book; Kobo; Nook; other: https://books2read.com/ArthurRexBrittonum

Paperback: http://mybook.to/ArthurRexPaperback

Bio

Tim Walker is an independent author living near Windsor in the UK. He grew up in Liverpool where he began his working life as a trainee reporter on a local newspaper. He then studied for and attained a degree in Communication studies and moved to London where he worked in the newspaper publishing industry for ten years before relocating to Zambia where, following a period of voluntary work with VSO, he set up his own marketing and publishing business.

His creative writing journey began in earnest in 2013, as a therapeutic activity whilst undergoing and recovering from cancer treatment. He began writing an historical fiction series, A Light in the Dark Ages, in 2014, following a visit to the near-by site of a former Roman town. The aim of the series is to connect the end of Roman Britain to elements of the Arthurian legend, presenting an imagined history of Britain in the fifth and early sixth centuries.

His new book, published in June 2020, is Arthur, Rex Brittonum, a re-imagining of the story of King Arthur (book five in the series). It follows on from 2019’s Arthur Dux Bellorum, the story of young Arthur (book four in the series), that received recognition from two sources in 2019 – One Stop Fiction Book of the Month in April, and an honourable mention in the Coffee Pot Book Club Book of the Year (Historical Fiction) Awards. The series starts with Abandoned (second edition, 2018); followed by Ambrosius: Last of the Romans (2017); and book three, Uther’s Destiny (2018). Series book covers are designed by Canadian graphic artist, Cathy Walker. Tim is self-published under his brand name, timwalkerwrites.

Tim has also written two books of short stories, Thames Valley Tales (2015), and Postcards from London (2017); a dystopian thriller, Devil Gate Dawn (2016); Perverse (verse and short fiction, 2020); and two children’s books, co-authored with his daughter, Cathy – The Adventures of Charly Holmes (2017) and Charly & The Superheroes (2018) with a third in the pipeline – Charly in Space.

Find out more about the author at – http://www.timwalkerwrites.co.uk

Author Website: http://timwalkerwrites.co.uk

Goodreads Author Page: https://www.goodreads.com/timwalker1666

Amazon Author Page: http://Author.to/TimWalkerWrites

Facebook Page: http://facebook.com/TimWalkerWrites

Twitter: http://twitter.com/timwalker1666

Many thanks Tim.

Happy reading everyone,

Jenny x

Arthur Dux Bellorum

By Jenny Kane

On March 11, 2019

In Blog, Fiction, Historical fiction, history, Jennifer Ash, medieval, Romance

I’m delighted to welcome back historical novelist, Tim Walker, to my site today. Robin Hood is stepping aside for a moment to make way for King Arthur!

Over to you Tim…

Blurb

From the ruins of post-Roman Britain, a warrior arises to unite a troubled land

Britain in the late Fifth Century is a troubled place – riven with tribal infighting and beset by invaders in search of plunder and settlement. King Uther is dead, and his daughter, Morgana, seizes the crown for her infant son, Mordred. Merlyn’s attempt to present Arthur as the true son and heir of Uther is scorned, and the bewildered teenager finds himself in prison. Here our story begins…

Arthur finds friends in unexpected quarters and together they flee. Travelling through a fractured landscape of tribal conflict and suspicion, they attempt to stay one step ahead of their pursuers, whilst keeping a wary eye on Saxon invaders menacing the shoreline. Arthur’s reputation as a fearsome warrior grows as he learns the harsh lessons needed to survive and acquire the skills of a dux bellorum, a lord of war.

Tim Walker’s Arthur Dux Bellorum is a fresh look at the Arthurian legend, combining myth, history and gripping battle scenes. Although in a series, it can be read as a standalone novel.

Fans of Bernard Cornwell, Conn Iggulden and Mathew Harffy will enjoy Walker’s A Light in the Dark Ages series and its newest addition – Arthur Dux Bellorum.

***

Extract from Arthur Dux Bellorum by Tim Walker

MERLYN LED HIS gang through the streets of sleeping Venta, beneath the glow of a pale moon. He glanced about for any signs of movement before rounding a corner, where he came face-to-face with a large, growling dog, its bared teeth and arched back indicating a readiness to strike. He held an arm up to indicate his followers should stop and dropped to eye level with the dog. He whispered in a soothing tone and slowly pulled a piece of roasted boar skin from inside his tunic and offered it. The dog approached, sniffing. Merlyn carefully patted its head and was relieved to see its tail wagging. “Come on,” he urged his followers, allowing the dog to tag along beside him.

They avoided a watchman’s tower at the corner of the wooden stockage that housed the royal buildings, and lined up in the shadow of a warehouse opposite the doorway to the kitchen. Merlyn checked both ways and studied the parapet above the wooden barrier across the street before running across to the door. He rapped the code and waited for a response. Sure enough, he heard bolts being withdrawn and he stood back, gripping his staff in both hands, ready to strike.

Morgaise’s face peered out from under a hood and he smiled with relief. “Come quickly,” she whispered. “The guards are drunk and sleeping.”

Merlyn waved for his men to follow and then entered the compound. Once all eight were inside, Varden, their leader, detailed one man to watch the doorway and two others to scout the yard and be in readiness to cover their escape.

Merlyn turned to Morgaise and asked, “Do you know where the sword of Ambrosius is?”

“The one Artorius pulled from the stone? Yes, it hangs on the wall in the Great Hall, behind the throne and under Mordred’s banner.”

When Varden returned to his side, Merlyn conveyed this information in a whisper. With a nod from Merlyn, Morgaise led them into the kitchen and out into a passageway that connected the hall to the sleeping quarters. She met Anne halfway along the narrow hallway, who indicated they should take a left turn. At the top of a circular stairwell Anne whispered to Merlyn, “At the bottom you will find the jailor sleeping on a wooden bed, but the night watchman is awake. He has the keys to the cells.”

Merlyn nodded. “Anne shall lead us down and Morgaise shall remain here to keep a look out and wait for our return. Varden will go to the hall and get the sword.”

“No,” Morgaise whispered, “the hunting hounds sleep in there by the hearth. They will attack him.”

Varden and Merlyn were confounded by this information. “Barking and snarling hounds would wake the guards,” Merlyn said, deep in thought.

“I sometimes feed the hounds,” Morgaise hissed. “They know me. Let me go there with a plate of meat from the larder and pick the sword on my way out.”

“Will they attack you in the dark?” Varden asked.

“Not if they smell the meats on offer,” she replied.

“Then let us try it,” Merlyn said, not wishing to delay further. “Varden will stand by the door with two men, ready to come to your aid if the hounds are restless,” Merlyn added.

Morgaise led Varden back to the kitchen to raid the larder for joints, whilst Merlyn and the rest of the men descended the stairs behind Anne. At the foot of the stairwell was a chamber lit by a solitary torch glowing from a bracket on the stone wall. To their right was a wooden bed on which slept the large form of Ahern, the gaoler, snoring on his back. Anne crept forward towards the row of cells and bumped into a startled watchman, holding a lantern in which the candle had died.

“Oy, what are you doing here?” he growled. Merlyn and his companions shrunk back into the shadows, leaving Anne to answer him.

“I… followed my cat down the steps. Have you seen him?”

“No, I have not…” was all he managed in reply as Merlyn stepped forward and banged his head with the ball at the end of his wooden staff. The young gaoler fell to the floor, unconscious, and they checked whether the sleeping man had been disturbed by the clatter of the lamp on the floor. Ahern grunted and rolled over, facing the wall. Anne picked up the keys from the stricken man and passed them to Merlyn. They moved cautiously down a flight of a dozen steps to a tunnel lined with locked doors. A burning torch fixed to the wall lighted their way. Anne plucked it from its sconce…

***

Tim Walker is an independent author based in Windsor, UK. His background is in marketing, journalism, editing and publications management. He began writing an historical series, A Light in the Dark Ages (set in Fifth Century Britain), in 2015, starting with Abandoned, set at the time the Romans left Britain. This was extensively revised and re-launched as a second edition in 2018.

Book two, Ambrosius: Last of the Romans, was published in 2017 and the third installment, Uther’s Destiny, was published in March 2018 (winner of One Stop Fiction book of the month award, April 2018). The adventure continues from March 2019 in the fourth book, Arthur, Dux Bellorum.

His creative writing journey began in July 2015 with the publication of a book of short stories, Thames Valley Tales. In September 2017 he published a second collection of short stories – Postcards from London. These stories combine his love of history with his experiences of living in London and various Thames Valley towns.

In 2016 he published his first novel, a dystopian political thriller, Devil Gate Dawn, following exposure through the Amazon Scout programme. In 2017 he published his first children’s book, The Adventures of Charly Holmes, co-written with his 12-year-old daughter, Cathy, followed In 2018 by a second adventure, Charly & The Superheroes.

Author Website: http://timwalkerwrites.co.uk

Newsletter sign-up: http://eepurl.com/diqexz

Amazon Author Page: http://Author.to/TimWalkerWrites

Facebook Page: http://facebook.com/TimWalkerWrites

Twitter: http://twitter.com/timwalker1666

Apaches, Blues and Cadillacs – The ABC of Growing Up With American As A Second Language

By Jenny Kane

On October 25, 2017

In Blog, Contemporary fiction, Fiction

I’m delighted to welcome Richard Wall to my place with a fascinating blog about living- and writing- with the duel influences of American and British culture.

Over to you Richard…

Apaches, Blues and Cadillacs – The ABC of Growing Up With American As A Second Language

The USA has been in the news lately for all the wrong reasons. A new president who comes across as petulant, ignorant and divisive, and a spate of mass shootings is giving a great nation extremely bad press when it comes to world opinion.

As ever, the actions of the “few” has created a backlash of bad feeling towards the “many” – ordinary Americans just trying to get on with their lives.

America, it seems, is like Marmite. But whether you love the place with a passion or hate it and all it stands for, there is no denying the huge cultural impact the United States has made on life in Great Britain since the end of WW2.

Opinion varies as to whether this is a good thing or not, but what follows is my personal viewpoint.

As a writer, people often ask me why, as an Englishman, my stories contain so many references to American culture. Well, you could say I had no choice in the matter! Despite growing up in the backwater of a small market town in rural Herefordshire, I’ve been around Americans all my life.

I was born in 1962 and my g-g-generation was (I think) probably the first to be subjected daily to the American way of life without ever having to leave British shores. In the early 1960’s, television technology advanced and TV sets became accessible to more and more UK households; the numbers of channels and programmes increased and TV influences from across the pond came thick and fast. As a result of this, I, like everyone else in my age-group, grew up with American as a second language, absorbing an influence that reflects strongly in my writing.

My earliest memories are of watching John Wayne movies on our old black and white TV, and then playing cowboys and indians (I always wanted to be Geronimo, leader of the Apaches). I watched Neil Armstrong step onto the moon and news reports of the Vietnam war.

There were also countless US TV shows: Champion The Wonder Horse, Casey Jones, Bonanza, Kojak, Starsky and Hutch, The Rockford Files, M*A*S*H, Taxi, and many more.

When I began to take an interest in music I learned that blues men from the 1930’s inspired the Beatles, the Rolling Stones (also in their 50th year), Led Zeppelin and other British bands who took this music back to America to a white audience who were largely unaware of their own musical heritage.

American movies introduced me to classic American cars: Steve McQueen’s 1969 Ford Mustang (Bullitt), Gene Hackman’s 1971 Pontiac Le Mans (The French Connection), Jim Rockford’s Pontiac Firebird and Barry Newman’s Dodge Challenger (Vanishing Point).

Someone once said; “if you can’t see the beauty in an old American car, then you’ve got no soul.”

American writers, such as: Stephen King, Andrew Vachss, Elmore Leonard, John Steinbeck, and Langston Hughes (and lately Ran Walker), added layers of depth and context to my TV and film influences, and gave me an ear for US colloquialisms.

When I finally realised my dream and visited the USA (Florida, and Rhode Island, courtesy of a nuclear submarine), I found it every bit as cool and exciting as I imagined it to be as a child.

Since then I have returned many times; visiting California, Oklahoma, New Mexico, Texas, Colorado and including one memorable road trip through Tennessee, Arkansas, Louisiana and the Mississippi Delta, visiting blues heritage sites and seeing with my own eyes the places where my blues heroes were born, lived and died.

All of these lifetime influences have been bubbling and fermenting in a cultural stew that I hope adds flavour to my writing.

My first short story to be published on Amazon was ‘Evel Knievel and The Fat Elvis Diner”

An Englishman in Oklahoma is watching a storm approaching when he receives an email on his phone. As he waits for the email to download, it causes him to reflect on his childhood in 1970’s England, his relationship with his father and the journey that brought him to the USA.

‘Five Pairs of Shorts’ a collection of short stories, some with strong American influences, followed soon after.

In 2015 came my first novel, Fat Man Blues, inspired by the Mississippi road trip, and which has attracted a great deal of interest (and praise) across the world since its release. Fat Man Blues has opened the doors to a fascinating world where I have been extremely fortunate to meet and become friends with talented and creative people from across the planet.

Earlier this year I wrote another short story: ‘Hank Williams’ Cadillac’:

Vince and Stu’s road trip through Texas is cut short when Stu’s ancient Honda breaks down in the quiet town of Rambling. Nearby is Bubba’s used-car lot, containing a collection of classic American cars. Following a bizarre encounter with a talking crow, and a deal signed in blood, Stu trades in his Honda for a powder-blue 1952 Cadillac convertible. Back on the road, the two buddies continue their journey in style, until a series of Burma Shave road signs and an encounter in a cemetery changes things forever.

This was inspired by a road trip with friends, from Oklahoma City to Colorado, which took us along parts of Route 66, where glimpses of the America from my childhood imagination can still be seen. By the way, the cover photograph (taken by me in 2012) features the beautiful 1955 Cadillac in which we took a tour of Memphis.

The American influence continues with another short story due to be released at the end of the year. Beelzebub Jones will accompany the spaghetti western-themed concept album of UK Blues Man, Andrew ‘HalfDeaf’ McClatchie.

So, America. Good guys or bad guys?

Well, my personal view is that I’m British and proud to be so, but I can also speak American, because I grew up with it. At the end of the day we are all just people.

Ordinary Americans just want a quiet life, like we all do, and are among the friendliest people on the planet.

In the town of Kingfisher, Oklahoma, I was honoured to meet a WW2 veteran who, it transpired, fought in North Africa around the same time as my late father. He shook my hand with an iron grip and said: “In North Africa we had everything and the Brits had nothing. I got nothing but respect for them; you push ’em back and push ’em back and push ’em back until they’re up against the wall and then they come back at you like tomcats…”

These words from an American made me proud to be British.

Oh, and I love Marmite.

***

Richard Wall can be found loitering around www.richardwall.org

***

Many thanks for sharing your blog with us today Richard. Great stuff.

Happy reading,

Jenny x

Guest Post from Tim Walker: Postcards from London

By Jenny Kane

On September 14, 2017

In Blog, Contemporary fiction, Fiction

Today I’m delighted to be able to welcome Tim Walker to my site. A successful independent author and former journalist, Tim is sharing a short story from his new collection, Postcards from London. All I’ll say is- this is a must read for any Beatles fan!

So pop the kettle on, put your feet up for five minutes, and indulge a few moments of reading pleasure.

***

Blurb to Postcards of London

The city of London is the star of this collection of fifteen engaging stories from author Tim Walker. Drawing on the vivid history of the city where he has both lived and worked, Postcards from London celebrates the magnificently multifaceted metropolis that is home to 8.8 million people.

Imagine Iron Age fishermen, open-mouthed to see Roman galleys, rowed by slaves, dropping anchor at their village – a place the Romans would turn into the port and fortified town of Londinium. These Romans were the first of many men of vision who would come to shape the city we see today.

London’s long and complex history almost defies imagination, but the author has conjured citizens from many familiar eras, and some yet to be imagined. Turn over these picture postcards to explore his city through a collage of human dramas told in a range of genres. See the tumult of these imagined lives spotlighted at moments in London’s past, present and, who knows, perhaps its future.

Let it Be

A flash fiction postcard in Postcards from London by Tim Walker…

A bright, chilly January morning in 1969 saw Brian on the West End beat. Rounding the corner into Savile Row, he found a small crowd gathering outside Apple Records, the headquarters of world-famous pop group, The Beatles. First bobby on the scene, he asked a young man what was going on.

“We’ve heard a rumour that The Beatles are going to play on the rooftop,” the excited youth said.

PC Brian Smith radioed it in, and was told to enter the building and wait for further instructions. He squeezed past busy roadies carrying equipment up three steps and into the narrow front door of what was a large grey stone converted townhouse – glancing at a row of framed gold records on the walls before his eyes settled on the receptionist. Her pretty face, heavily made-up with Mary Quant mascara on long lashes framed by a lacquered brown bob, wore a pensive look. She hesitated before confirming that the band would be giving a brief performance of their new songs on the rooftop.

“Can I see the manager please?” Brian asked, showing initiative.

“Would that be the Apple General Manager or the manager of The Beatles?” she asked, holding a white phone to her neck.

“Erm, both, if I may… Emily.” He said stiffly, leaning forward to read her name on a green Apple badge.

She punched some numbers on her switchboard and spoke in a quiet voice. “A police officer would like to see you.”

Brian gazed over her head at pictures of his music heroes, the Fab Four. The smell of weed drifted into the room from what looked like the post room behind reception. Emily, seeing him sniff the air, hurriedly pushed shut the door.

“Mr Taylor, the GM, will see you in his office. You’ll have to walk up the stairs, I’m afraid, as there’s no lift. All the way to the fourth floor, left at the top of the stairs.”

Brian thanked her and followed a film crew carrying camera equipment and tripods up the narrow staircase. His radio crackled into life and he stepped into the first floor corridor to improve reception. His CO told him he had no report of permission being granted to hold a public performance on the rooftop, but was unsure if they would be breaking any laws by doing so in their own building, unless it was so loud that it caused a disturbance.

“Find out what you can and report back,” he said tersely. “I’m sending more bobbies for crowd control outside the building.”

Brian looked about him and saw the name ‘John’ on an office door. He pushed the door open and found himself looking at John Lennon, sat with his feet on a desk, leaning back in a swivel chair, smoking a joint.

“Oh, hell, is this a raid?” he asked, looking momentarily startled as he saw Brian’s uniform.

“Erm, no, Mr Lennon. I’m just here to find out about this concert on the roof. Would you mind telling me what it’s all about?”

John pointed to a chair and sat up, squeezing the lit end of his joint and throwing it in a bin.

“Sorry about that, Officer…?”

“PC Brian Smith,” he said, easing himself into a leather armchair, cradling his helmet in his arms. “Oh, don’t worry about that, I’m a big fan, you know.”

“Glad to hear it,” John said, leaning over the desk to shake his hand. “We’ve just decided to play some of our latest tunes for our next album on the roof and make a promo film, if you know what I mean?”

“Erm, yes, but if you make too much noise you’ll disturb the other businesses in the area and we’re bound to get complaints. My boss tells me you’ve not notified the police, and a crowd is already gathering in the street, so maybe…”

John got to his feet and put his arm around Brian’s shoulders. “Look, PC Brian, it’s just a few songs and won’t take long. Why don’t you come up onto the roof and watch? Honest, we won’t make that much noise. You see, the wind will carry our music away into the ether.”

John guided Brian up the stairs, collecting the other Beatles as he went.

“You see, Brian, each of us has our own floor, because we can’t stand the sight of each other after ten years together, ain’t that right Ringo?”

The mop-topped drummer grinned sheepishly as John gathered each group member as they made their way to the roof. Once up there, Brian saw the instruments and speakers set up on a wooden platform, and the camera crew buzzing around their equipment.

“We’re nearly ready, John,” said a smartly-dressed man who looked like he was in charge. He smiled at Brian and held out his hand. “Hi, I’m George Martin. Why don’t you come over here with me? We’ll be starting in a few minutes.”

Brian’s radio crackled and he heard his CO saying, “They’ve barricaded the door, we can’t get in, what’s happening, Smith?”

“I can’t hear you sir, I’ll try to move to get a better reception.” He grinned at George Martin and clipped his radio onto his belt, turning the sound dial down.

After a brief soundcheck, The Beatles started playing. Brian looked down to the street below and saw the crowd had built up considerably, as workers on their lunch break began to converge on the building. Brian knew it would only be a matter of time before his colleagues gained entry. In fact, he had listened with great enthusiasm to five songs before the first of the officers barged their way onto the roof. Turning to George Martin, Brian asked, “How much time do you need?”

Martin smiled and replied, “We’re almost through. Thanks for your support. About ten minutes should do it.”

Brian pushed his way to a burly sergeant and said, “I’ve told them to wind it up, Sarge. Just a few more minutes.” The sergeant glared at him but said nothing. The Beatles were playing a third take of ‘Get Back’ and Paul, seeing that their time was up, cheekily changed the lyrics – “You’ve been playing on the roof again, and you know your Momma doesn’t like it, she’s gonna have you arrested.”

At the end of the song, John cheekily said, “I’d like to say thank you on behalf of the group and ourselves and I hope we’ve passed the audition.”

Brian turned to George Martin who thanked him and shook his hand.

“What will the album be called?” Brian asked.

“Not sure yet – it’ll either be ‘Get Back’ or ‘Let it Be’,” Martin replied.

Brian filed downstairs behind the line of policemen. He would stick to his story that he had negotiated a swift end to the impromptu gig. It was a memory that he would carry forward – much more than another drinking-out story – it was a sense that he had been part of something special that somehow crowned the swinging sixties, and that he was one of the very few privileged people to witness it. That it was to be The Beatles’ last ever performance made it more of a poignant landmark in his London life. It left him with a sense of belonging; a sense of pride; a sense of location on the continuum of history.

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Author Bio-

Tim is an independent author and former journalist based near Windsor in Berkshire, UK.

Born in Hong Kong, he grew up in Liverpool and studied in South Wales, before gravitating to London where he working in newspaper publishing for ten years. In the mid-90s he went to Zambia in Africa to do publishing-related voluntary work. Following this, he stayed on and set up his own publishing and marketing business, before returning to the UK in 2009.

The River Thames was the inspiration for his first book, an anthology of short stories Thames Valley Tales published in July 2015. This collection of fifteen contemporary stories combines modern themes with the rich history and legend associated with towns and places along the Thames Valley.

In 2016 he published his first novel, a near-future/dystopian thriller Devil Gate Dawn and is currently writing an historical fiction series, A Light in the Dark Ages. The first two parts, Abandoned! (a novella) and Ambrosius: Last of the Romans (a novel) are now available from Amazon in e-book and paperback formats. Part Three, Uther’s Destiny, should follow in early 2018.

In January 2017 he published a children’s book, co-written with his 12-year-old daughter Cathy, called The Adventures of Charly Holmes in e-book format. The paperback was published by Xlibris Publishers in February 2017. In September 2017 he published his second collection of short stories, Postcards from London.

Author website: http://timwalkerwrites.co.uk

Author Central: http://Author.to/timwalkerwrites

Twitter: http://twitter.com/timwalker1666

Facebook Page: http://facebook.com/timwalkerwrites

Book Links:

Postcards from London: http://myBook.to/PostcardsFromLondon

Abandoned: http://myBook.to/Abandoned

Ambrosius: Last of the Romans: http://myBook.to/Ambrosius

Devil Gate Dawn: http://myBook.to/DevilGateDawn

Thames Valley Tales: http://myBook.to/ThamesValleyTales

The Adventures of Charly Holmes: http://myBook.to/CharlyHolmes1

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