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Tag: Chris Chalmers

Opening Lines with Chris Chalmers: Dinner At The Happy Skeleton

This week’s opening lines features the latest novel by Chris Chalmers.

I have to say, Dinner at the Happy Skeleton, sounds a hell of a lot of fun!

Over to you Chris…

Dinner At The Happy Skeleton – The Blurb:

Dan is the kind of gay man for whom the Noughties might have been named. Warm, witty and serially promiscuous, his heart melts at the sight of a chocolate brown Labrador — but with men it’s a different matter. He’s thirty-nine and as single as ever, not counting the couple he just met online. An arrangement that looks oddly like it’s going somewhere, until Dan gets fired from his job in advertising. With time-out and a payoff in his pocket, summer presents a world of possibilities; just as the memories surface of the ex he blames for the thinly-veiled chaos of his life.

From London to Ljubljana, a yen for closure sets Dan on the trail of the man who fed his ego into a shredder. Through an eerie encounter at the home of the Olympiad and a sleepover at the Dutch Embassy, run-ins with a fading porn star and the celestial manifestation of Margaret Thatcher, he ultimately confronts his past. Until, with his Big Four-O rapidly approaching, destiny beckons from where he least expects it.

‘In Dan, Chris Chalmers has created his most appealing protagonist yet … An eye-opening, always entertaining romp through modern sexual mores, with a sweet beating heart of true feeling at its core.’ SUZI FEAY, literary journalist

YOU MIGHT AS WELL ASK THE DONALD…

If you’re planning a late summer getaway, here’s a suggestion for a poolside page-turner with a difference.

Literary critic and Booker Prize nominee Philip Hensher called Dinner At The Happy Skeleton, ‘the perfect novel for a sunny afternoon. Full of charm and vim and sauce…’ And unless it’s the last white-chocolate Magnum in the shop, I’m not about to argue with him about anything.

Expect mid-life crises, bed-hopping, fun and adventures off the tourist trail, as Dan the out-of-work advertising man blows his latest redundancy cheque on a hedonistic summer of self discovery. What begins as the chance to take time out from his career turns into a quest to trace the ex that serial-singleton Dan blames for the smouldering ruins of his love-life.

Working on the principle that asking any author for an objective view of their novel is like asking Donald Trump to recommend a skyscraper, I’ll say no more. Try the first 500 words of Dinner At The Happy Skeleton for yourself. And if you like them, get in quick because the ebook is 99p till the end of August.

I call that sauce for your sun-lounger and a bargain to boot.

FIRST 500 WORDS…

CHAPTER ONE

I love waking up next to Jack. He is five foot five, comedy small, so not what you’d call any of my types. But his skin is naturally smooth as a baby’s; a bonus in a man of thirty-four. I nuzzle his head under my chin and try not to think of the spider-legs running amok over my own shoulders. The red lights on his ceiling say 07:18. Another seven minutes till we are officially behind schedule.

‘I need a slash,’ he growls, in a voice cracked by dawn.

‘Do Thunderbird Four,’ I say. ‘If you loved me you would …’

Jack is cute, with chipmunk eyes and cheeks you want to bite. He is a living Action Man, compact and perfectly proportioned with hair like a tennis ball. But he doesn’t love me really.

Thank God.

He tuts as his head disappears. The hummock under the duvet shifts and deflates until his feet appear at the bottom of the bed. The rest of him follows as he folds into a heap on the carpet and crawls for the door … It lacks the smooth entry and splosh of the little yellow submarine exiting the belly of Thunderbird Two. But it makes me laugh, every time.

At that moment there’s a clink of china and a swish of designer silk as the bedroom door opens, narrowly missing Jack’s head.

‘Brew,’ says Phil, stepping over him.

He puts three mugs on the bedside table. Then he slips out of his dressing gown and climbs back into the bed.

*

A threesome isn’t something you go looking for. No, scratch that – it’s exactly what you go looking for when you’ve been around the block as many times as I have. You just don’t expect it to turn into anything.

I met Jack and Phil online the previous August. We chatted, suggestively, two or three times. I enjoyed the frisson of not knowing which of the two guys in the photos I was talking to, and since for once they were both quite tasty,it didn’t matter.

As for the day we met – well, that was all quite Cynthia Payne …

So I’m sweaty and hungover, eager for fun if knackered from the night before, as I trudge up Denmark Hill with a rucksack full of sex toys. It takes me a while to find the address in a neat and tidy street that feels (no pun intended) anally suburban. Multi-hued children on tricycles clatter over paving stones, and though the net curtains don’t actually twitch like flamenco hems it feels like they should.

The taller one answers the door and shows me into the kitchen, where the shorter one is emptying the dishwasher from Sunday lunch. A tiny telly plays on the granite worktop as I tear a can of Fosters from the four-pack I picked up at Sainsbury’s.

‘I didn’t know what to bring,’ I say, my rucksack betraying otherwise as it thuds on the terracotta flags.

BIO and SOCIAL LINKS:

Chris Chalmers lives in South-West London with his partner, a quite famous concert pianist. He has been the understudy on Mastermind, visited 40 different countries, and swum with iguanas. Aside from his novels, his proudest literary achievement is making Martina Navratilova ROFLAO on Twitter.

You’ll find him on Facebook @chrischalmersnovelist, on Twitter @CCsw19, and at www.chrischalmers.net

BUY LINK, paperback and ebook:

https://www.amazon.co.uk/Dinner-Happy-Skeleton-Chris-Chalmers-ebook/dp/B076X98C31/ref=tmm_kin_swatch_0?_encoding=UTF8&qid=1566576917&sr=8-1 

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Another fabulous set of opening lines!

Thanks Chris.

Happy reading everyone,

Jenny x

Opening Lines: Light From Other Windows by Chris Chalmers

Opening Lines time is here! This week Chris Chalmers is with me to share the first 500 words of his novel, Light From Other Windows.

Light From Other Windows — Blurb

How many secrets can a family hide?

19-year-old Josh Maitland is at the end of a gap-year trip round the world when the tsunami hits the Canary Islands. His family are devastated at the loss of someone they thought would outlive them all: mother Diana, advertising executive and shatterer of glass ceilings; older siblings Rachel and Jem, each contemplating a serious relationship after years of sidestepped commitment; and stepfather Colin, no stranger to loss, who finds himself frozen out by his wife’s grief.

Only with the discovery of the private blog Josh was writing for his friends does the significance of his travels become clear. It reveals secrets he knew about everyone in his family — and one about himself that will change the way they think of him forever.

Can bring tears to your eyes on one page and make you laugh the next.” SUZI FEAY, literary journalist

“Once again Chris Chalmers combines sensitivity and wit in his observation of human behaviour with a cracking storyline. Unputdownable.” PENNY HANCOCK, bestselling author of Tideline

You can choose your friends but…

How I was inspired to write Light From Other Windows — by Chris Chalmers

In every novel I’ve written, there’s been someone or something I can point to and say ‘Yep — that’s me!’ In the case Light From Other Windows, it’s not a character so much as a position within the family.

Nineteen-year-old Josh Maitland is the youngest child of three by a good decade. His older brother and sister feel more like secondary parents than siblings — and that was certainly the case when I was growing up. I was always “the little one”, which was nice in a way when I was very young; when I was eight or nine, my big sister was earning a living and kind enough to give me pocket money. And since she and my brother had long since left home I was ostensibly an only child, with all the advantages of full parental attention that can bring.

The trouble is, roles within the family have a habit of sticking. In my case until I was in my thirties, with a successful career and home of my own, when I realised my siblings still saw me just as they always had. It wasn’t malicious. Far from it, they’re both lovely people. But it took a flashpoint to end it; an argument in which the worm turned and told them he’d had enough of being treated like a man-child. My brother and sister were very contrite. In their defence, I don’t think either of them knew they had been doing it.

So that’s the dynamic I was working with in this book. The events are fiction. Unlike Josh, I didn’t go on a gap-year trip round the world, and mercifully I’ve never been caught in a tsunami. But the subtle way the members of the Maitland family perceive each other is very much based on personal experience.

Accidents of birth have a lot to answer for — and so do accidents of promotion (excuse the clunky segue). Light From Other Windows has been out for a while, but with the support of Amazon and its inscrutable algorithms, it has found a very healthy readership. If it’s new to you and you’d like to know more, here are the first 500 words:

 

First 500 words…

PROLOGUE

Funny. The bedroom still had his smell.

She paused in the doorway. The room was bathed in a milky January light; utterly lifeless, like someone had pulled the plug. It was never this quiet when he was here. The little blue chest of drawers was on the desk, just like he said. She left the door ajar and kept to the rug, avoiding the bare boards.

A wad of papers was tucked inside the bottom drawer, and as she yanked it out the drawer came with it. She pushed it back as she unfurled the papers. Licking her thumb, she flicked through for the right one… Ripped-out page from a glossy mag — something about the next iPad… Three old greetings cards (— one from her, ah!)… Flier for some club they’d never been to –  And something else, creased into quarters…

One glimpse of the lion-and-unicorn crest in the corner was enough.

Gotcha!  

She folded up the birth certificate, tucked it into the waistband of her skirt and slipped the rest back in the drawer. As she turned, his posters stared back at her from the wall. A couple of them — more of those god-awful rappers — were new, but some of those rugby pics had been there since they were twelve or thirteen. Mad…

Mad, but typical. He didn’t care! Even his ancient teddy was still there, wedged between the wardrobe and the wall, one paw sticking out like it was hitching a ride from the Teletubbies. When was he going to get rid of —

Laughter! Seeping up from downstairs. Four strides and she was back on the landing. A quick peep over the banister —

All clear. She nipped into the bathroom and flushed.

The casement window on the turn in the stairs sparked a memory: a circular rainbow. She could see the bracelet of sherbet sweets looped over the latch so clearly she could still taste its plasticky fizz… They’d been playing Treasure Hunt at one of his birthday does, his big bro and sis roped in to organise party games and hating it…

The house was shabbier back then.

As she reached the bottom stair, she slid the paper out of hiding and into the pocket of her jacket hooked over the banister. Her hand was on the kitchen door as she checked her watch.

Best not hang around too long. She just had time for a cup of tea if she was going to catch the Post Office.                                                       

CHAPTER ONE

“And finally –” said Diana Maitland, “Brad and Dan?”

Johnnie Grange, her deputy in the advertising agency’s Creative Department, was lounging with his bony knees splayed in a chair on the other side of her desk. The tongue of his ever-present raffia belt dangled tumescently.

“Doing enough to get by, I guess,” he said. “Though that last viral for Nissan kicked the budget into touch…”

Diana looked up from her list. Her ash-blonde bob and Moschino jacket suggested the kindlier judge on a reality show…

Chris Chalmers lives in South-West London with his partner, a quite famous concert pianist. He has been the understudy on Mastermind, visited 40 different countries, and swum with iguanas. Aside from his novels, his proudest achievement in writing is making Martina Navratilova ROFLAO on Twitter.

You’ll find him on Facebook @chrischalmersnovelist, on Twitter @CCsw19, and at www.chrischalmers.net

BUY LINK, paperback and ebook:

https://www.amazon.co.uk/Light-Other-Windows-Chris-Chalmers-ebook/dp/B013GNUDD6/ref=asap_bc?ie=UTF8 

***

Many thanks Chris.

Come back next week to read 500 words from Suzi Stembridge.

Happy reading,

Jenny xx

A PEPPERMINT AND A MAD PARLIAMENTARIAN: Chris Chalmers

Delighted to be joined by Chris Chalmers. Today, he’ll be giving us the low down on the inspiration behind his novel, Five to One.

Over to you, Chris…

Ask what set me off on the road of writing some of my books and I’ll waffle manfully.

Ask me about Five To One, and I can give you a definite answer.

Two, to be exact. Five To One is the story of the day a helicopter crashes on London’s Clapham Common, and how it affects the lives of the people who witness it. It’s not based on fact, thank goodness — though there was a helicopter crash a couple of miles away in Vauxhall a year or two later. But it was inspired by a couple of real-life incidents.

When I wrote it I was living in a flat overlooking the south side of the Common. My desk was at the front window, with a perfect view of the spot where, in my mind’s eye, that helicopter comes down at 12.55 on a fateful, blue-sky summer day. My flat was on a corner above an estate agents, and one night  the previous year I’d been in the kitchen cooking (read: microwaving) my dinner, when I was shaken till my teeth rattled by the loudest bang I’d ever heard in my life. The entire flat shook yet it was over in an instant. I ran to the front room where the main road divided me from the Common. Down on the pavement below stood a few dazed pedestrians looking on — and the rear end of a London black cab, sticking out of the shopfront.

My first thought was that the driver had had a heart attack. He’d clearly veered off the road, across the wide pavement and through the window. Mercifully the shop was shut at the time, and no one was seriously hurt including the driver. Police, ambulance and fire engine all appeared within minutes, and the whole incident soon felt completely surreal. As did the real cause of the crash when I later found out: the taxi driver had choked on a peppermint.

Needless to say the cab was extricated, the window replaced and within a couple of days there was nothing to show it had ever happened. Life moves on, and in London it moves on pretty sharpish. But it did set me thinking about those extraordinary instances when something happens we couldn’t possibly predict. I remembered a local news story from a few years before, when a wall collapsed killing a number of passers-by; ordinary folk on their way to work, or school or the shops. People who left home that day without the slightest inkling they were never coming back. That taxi went through the window at the exact spot you’d find me half a dozen times a day, fumbling for my keys or checking if I’d brought my phone.

The other incident had happened a few years before. This one you might remember: it involved a minor politician and unseemly goings-on in the bushes of Clapham Common, in what was famously referred to as ‘a moment of madness’. Considering what politicians the world over get away with nowadays, it was pretty small stuff. But it was a big story at the time — and I remember the very odd feeling of sitting in bed one Sunday morning, opening the paper on a page-wide photo of the view from my window. It was the edge of the Common, with the sign bolted to the railings that read ‘CLAPHAM COMMON SOUTH SIDE’.

That was the moment when it dawned on me I subconsciously viewed all news — press, broadcast, and the then fledgling online variety — as fiction, or as good as. News wasn’t real; it was stuff that happened in a parallel dimension, with no relevance to me except as an intermittently engaging form of entertainment.

This news story, and later the cab that rattled me and my safe little flat to the core, were the impetus behind Five To One. It’s the story of Ian, Glory, Tony and Mari; four people going about their lives in a quiet corner of south London, when an utterly unforeseeable incident thrusts them into the spotlight and changes them forever.

The opening line of the cover blurb says that ‘Every moment starts somewhere’. And that’s how the book begins — by telling the story of each of them, from the exact moment that will ultimately lead them to be on the Common just before one o’clock that afternoon.

Here’s one of them:

Extract from the first chapter of Five To One

‘I like your radishes. They are werry nice.’

Ian looked up from the compost. He hadn’t heard the back door open. It was Agnes, the nanny to the child of the house, standing on the garden path.

He wiped his hands on his vest. Shading his eyes from the fading sunlight, his fingers framed her in an aura that seemed entirely appropriate. It reminded him of tales of shepherd boys on lonely hillsides, visited by visions of the Virgin Mary and/or a very bright light. Except that the way this particular maiden was looking him over was rather less than virginal.

He’d seen her before: through the window preparing the child’s tea, and hanging out the washing in that lacy T-shirt that exposed her belly button to the breeze. But this was the first time he’d ever heard her speak.

‘Sparkler White-Tips,’ he said, breaking a foolish silence. ‘Top variety for the soil around here.’

Agnes nodded her mane of reddish curls as she opened her hand. Inside were two healthy round roots, cleaned and trimmed and ready to eat. She rolled them deftly, one over the other, like a tennis pro preparing to serve.

‘And they are werry good for childrens. They have a lot of witamins and also iron.’

Her flat, Polish tones pronounced it eye-ron, which to Ian’s surprise he found spectacularly arousing. As if her natural cleavage and the hipbones peeping saucily over her jeans weren’t enough. He leant on his spade to disguise a sudden awkwardness in his all-weather shorts. Watched, as she cradled the pinky-red balls a moment longer. Popped one in her mouth, and crunched.

Ian Newton was forty-seven. He’d run his own gardening business for eleven years, since a long-forgotten drop in the FTSE lost him the City job he hated. He preferred fresh air and being his own boss to watching screens and fielding calls from Tokyo. His friends joked about the temptations of bored, immaculate housewives, with nothing to do between school runs but sip espresso and wait for the gardener to get his shirt off. But the fact was, he’d never strayed. As a professional, a pessimist and a coward, he automatically assumed any husband would have hit-squad connections if he so much as left a bootprint on the stair carpet. So in all his years of marriage he had never seriously considered being unfaithful, even when Carla was at her most bloodyminded.

Until now.

On a late May afternoon in the Wallaces’ back garden, when Agnes Skirowska smiled and chewed a second radish in the sunlight.

***

Half an hour later, with Jasper at his heels, Ian knocked the earth from his spade and tossed it in the van. Followed by one welly, then the other, swapping them for the moccasins he wore for driving. Another of Carla’s little rules – though God knows why he was sticking to it now …

‘In you go, fella!’

The little West Highland terrier made a mountain of climbing in the passenger door, settling for base camp in the footwell rather than striking out for the summit. By the end of an afternoon, his dog was more tired than he was. Even the earthworms that once whipped him into a snuffling frenzy had lost their allure.

Not many summers left for the old team now, thought Ian, driving with one eye on the furry bundle. Jasper was highly impractical as a gardener’s dog. His white fur showed every sticky bud and bloodied raspberry that clung beyond the canine radar. On one occasion they had narrowly avoided a collision when Ian caught sight of that noble muzzle accessorised by a jaunty feather.

But on this day he looked without seeing. His fingers quivered and his armpits gave off an aroma a little like fear. They were signs of anticipation; of a man about to break new ground without working through the consequences. As they pulled out of Luther Road, Ian ran through his imminent schedule:

Feed dog. Shower. Get changed. Set Sky Plus.

After every glance at Jasper, his eyes trailed back via the dashboard clock. Nine minutes to seven; just sixty-nine minutes to go.

They opened a fraction wider.

***

FIVE TO ONE – Blurb

Every moment starts somewhere                    

 ‘Ninety metres beneath his feet the wake from a dredger unzipped the murky satin of the Thames…’                   

 A care assistant with a secret. A gardener with an eye for more than greenfly. An estate agent and an advertising man, each facing a relationship crisis. And a pilot with nowhere to land.

At twelve fifty-five on a sunny afternoon, five lives converge in a moment of terror as a helicopter crashes on Clapham Common. It’s a day that will change them all forever — and for some, will be their last.

Winner of the Wink Publishing Debut Novel Competition

Nominated for the Polari First Book Award

 ‘A funny, often painfully honest and moving story about the absurdity of modern life and the concerns that propel us. Chalmers writes with a sensitivity and wit that recalls Armistead Maupin’s Tales of the City’ – Penny Hancock, bestselling author of Tideline

 ‘A charming novel that’s cleverly structured and consistently engaging’ — Matt Cain, Editor-in-Chief, Attitude magazine

’A poignant study of genuine love in a big and fantastically diverse city’ – BytetheBook.com

 

BIO

Chris Chalmers lives in South-West London with his partner, a quite famous concert pianist. He has been the understudy on Mastermind, visited 40 different countries, and swum with iguanas. Aside from his novels, his proudest literary achievement is making Martina Navratilova ROFLAO on Twitter.

You’ll find him on Facebook @chrischalmersnovelist, on Twitter @CCsw19, and at www.chrischalmers.net

BUY LINK, paperback and ebook: (THE EBOOK IS ONLY 99p FOR THE WHOLE OF MAY)

https://www.amazon.co.uk/Five-One-Chris-Chalmers-ebook/dp/B0727VVSVH/ref=tmm_kin_swatch_0?_encoding=UTF8&qid=&sr=

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Many thanks for coming by today Chris- great stuff.

Happy reading everyone,

Jenny x

 

 

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