Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

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Opening Lines: Simon Farrant’s Famously Ordinary

Opening Line’s blog day is upon us.

Today, Simon Farrant is joining me to share the first 500 words from his very first novella, Famously Ordinary.

Over to you Simon…

 

Hello! I’m Simon Farrant, and this is my submission for the great 500 words blog. I haven’t heard of this concept before and I think it is intriguing. I hope that you enjoy the excerpt!

My book is called Famously Ordinary about a man called James Dean!

Many years ago I met a young man called James Dean while I worked in a mobile phone shop. I wondered what it would be like to have the name of a famous person. Of course, being British, I didn’t ask him.

Fast forward to last year, and I started to write stories. The young man came back to mind; I wanted to write a horror short story for an anthology. As it happened, the anthology never came about. This was good news for me in an unexpected way because a year later I rejigged the story and this novella was born.

I hope that you enjoy it!

The Blurb:

‘James Dean is an ordinary man with a famous name. But when he sees his father die in a traumatic car crash, something in James’ subconscious snaps with lethal consequences.

Caught in the perfect storm of grief and anger, James has blood on his hands. With the famous name weighing heavily on his subconscious mind, will his conscious mind be able to save him from himself?‘

***

The First 500 words:

James Dean hated his name.

Several times a week he thought about why he didn’t have a regular name. James blamed his father; he more than likely took charge of naming him. Like most things in his parents’ relationship, his father liked to think he was ‘the man of the house’ and dominated all the decisions. He decided what companies to use for utilities, and everything else. Denise sometimes asked to be more involved, but she got nowhere.

Dean Dean, his father, was hung up on his name, but unlike his son, he tried to not let it show to the outside world. Being from an older generation, it wasn’t the done thing to let your emotions shine through. James survived school and college unscathed; youthful ignorance meant most of the kids didn’t connect to the movie star, and those who did thought having the same name as a famous person was cool. Still, he had a lot to be happy and content about. James had a nice job in the same warehouse his father worked in that paid well, a nice car he had chosen because it was what he wanted rather than just being what he was able to afford after scraping the money together to buy it, and a nice detached house with an integral garage. He could buy nice new clothes as and when he wanted, which he was grateful for because he didn’t like to wear the same clothes repeatedly. Nice. Such a small word, James thought, but damning by faint praise.

James believed his life was normal, like other successful people. Yet he aspired to be something more. His mind was always on fast forward, daydreaming. He was fascinated by the adverts on television for the RAF Reserves. That looked extraordinary; he just needed a push in that direction. He hoped Dean would dare him to apply and say he thought James wasn’t cut out for it just so he could prove him wrong.

To entertain himself when he saw someone on the street, he would often invent a story about them for a few minutes. These stories were detailed, and they came to life in his imagination when he saw them play out in his mind’s eye.

Facebook didn’t yet have a group for ‘Normal People with a Famous Name’. Maybe no one wanted to start one for fear of the unknown and the inevitable ribbings, or maybe because they just wanted to keep a low profile.  Perhaps they didn’t even pay their moniker any attention at all. Maybe James needed to see a psychiatrist to help him with his problems, but he was in denial that his mind was a swirling pit with unseen depths. In his daydream world, which he was sure was created by having the hated name, the characters he created were normal people with the curse of stupid famous names. James had always been bitter, even as a schoolboy. He hid behind a mask of fake smiles…

***

Buy Link:

Mybook.to/famouslyordinary

My social links:

Facebook.com/simonfarrantofficial

Twitter – @asfarrant

Email – simon@farrantfiction.com

Bio:

It is true, what they say; you never know where life is going to take you.

I’m lucky enough to have had a diverse experience of life thus far.
Back in 1975, yeah I’m ancient, I was born in Doncaster; a town in South Yorkshire, England. I’m proud of my Yorkshire roots.

Over the following few decades, I lived in various places. I went to university in Derby and gained a HND and a BA (Hons). Since then, I lived and worked in a few more places before finding the love of my life.
We moved in together, got married and had three kids. What an adventure; it started almost fifteen years ago. Since then, I am proud to have served as a Special Constable. I wanted to join up full time, but life had another plan. At the time, I was working for a major national supermarket as a HGV (large truck) driver, which I did for over a decade. I became ill, I think it was during 2011, but the illness never went away. Now I am disabled with various chronic illnesses, which resulted in my losing my job about four years ago.
I did wonder where life would take me next.
Mark Nye, a superb writer and a friend, asked for submissions for an anthology. I wrote a short story called Famously Ordinary. To my delight, Mark told me it was a good story. By then, I had caught the writing bug!
The anthology was never actually published, so I made it into this novella, which, I feel, is a much better story.

***

Many thanks Simon,

Good luck with your first publication.

Don’t forget to come back for Jane Risdon’s first 500 words next week.

Happy reading,

Jenny. xx

 

Interview with Julie Ryan: Going Greek

I’m delighted to welcome Julie Ryan to my place today. We are chatting fiction, the Greek Islands and romance.

Grab a cuppa and come and join in!

What inspired you to write your book?

I lived in Greece in my twenties but it wasn’t until I was at home in Gloucestershire years later that I idly began to wonder how my life would have been different if I’d stayed there. I began writing what I thought would be a short story but ‘Jenna’s Journey’ took on a life of its own. I love the idea of ‘What if..?” and gave my book a kind of ‘sliding doors’ double ending.

Do you model any of your characters after people you know? If so, do these people see themselves in your characters?

A lot of my friends look at my characters to see if they can see themselves in my books. The truth is I may take an element from someone I know and then mix it with the looks of a person I’ve seen on TV and the voice of someone I overheard on the bus. I don’t consciously base my characters on anyone I know but if you look closely enough you may find just a little bit of you in there.

What type of research did you have to do for your book?

I chose to base my book on what I know so that’s why it’s set in Greece in 1987. I didn’t have the opportunity to go back and see how Greece has changed so I deliberately set the story on a fictional island. I did do a lot of online research into Greek customs as well as getting out all my old photos and a map of Athens from the period. I think setting it during the time I lived there gives the book a sense of authenticity that I wouldn’t have got by just Googling it.

Which Point of View do you prefer to write in and why?

It really depends. I chose third person for most of Jenna’s Journey but sometimes find myself using first person too. The characters and storyline usually decide for me as I often find that I need to switch person if it’s just not working. Third person is useful as the narrator can tell the overall story from different characters’ points of view, whereas first person means you are usually limited to just one character.

Do you prefer to plot your story or just go with the flow?

I like to have a general idea of where the story ends and then throw in a few characters and a setting and see where it takes me. I can’t possibly plan out all the novel in detail chapter by chapter as it wouldn’t be a surprise to me either. I rather like not knowing where the story is going but it does mean a lot of revisions!

What is your writing regime?

I write when I can and wherever I can. In practice this usually means in the morning at my dining room table once my son has gone to school. I fit it around teaching and am lucky that I work from home. As I’m nearing the end I may take my laptop to bed and write for an hour or so. I also write longhand in a notebook on long car journeys. It really is a case of when inspiration strikes – write! The opposite is also true. If I have writer’s block there is no point just looking at a blank page – I just get on with something else.

What excites you the most about your book?

Finishing it! I’ve always been a reader and admired writers for the pleasure they bring. I never actually thought I had it in me to finish a book. Seeing it in print ranks up there as one of the top three moments of my life, after my wedding and the birth of my son. It’s hard to  believe that I’ve now written four books in total, three in the Greek Island mystery series and a Christmas humorous romance.

***

Blurb for Jenna’s Journey – the first book in the Greek Island Mystery series

Heading to the Greek Isles without telling husband or friends is heady medicine for a failing marriage. Seduced by Grecian sun and sky, Jenna innocently obtains an ancient urn that tangles her into a web of a criminal world more sinister then she could ever have imagined. Romance is always afoot in the Greek Isles and Jenna gets a large helping with the seductive Nikos.
Twenty-five years later, Allie takes this same journey in a story that spans 25 years and intertwines the lives of mother and daughter. Twisty as the streets in a Greek island village, full of unexpected characters and threatening villains, Jenna’s Journey will keep you turning pages far into the night.

***

Buy links

JENNA’S JOURNEY
SOPHIA’S SECRET
PANDORA’S PROPHECY
CALLIE’S CHRISTMAS COUNTDOWN

Bio

Julie Ryan’s roots are in a small mining village in South Yorkshire. After a degree in French Language and Literature, wanderlust kicked in and she lived and worked in France, Poland, Thailand and Greece. Her spirit enriched, her imagination fired, Julie started a series of mystery romances, thrillers set in the Greek Isles.

Jenna’s Journey is the first novel in Julie Ryan’s Greek Islands Series, a series she did not set out to create but which took on its own life and grew, rich and fascinating. This is the first of three published so far and promises to delight readers looking for the hidden dark sides of dream vacations in the Greek Isles.

In a new venture, Julie’s latest book is a short rom-com called Callie’s Christmas Countdown.

A prolific and well-known book review blogger, Julie does her writing and reviewing from rural Gloucestershire, where she lives with her husband, son and dippy cat with half a tail.

You can find Julie on her websites:

Website/blog for book reviews

Blog

Twitter @julieryan18 

***

Many thanks Julie. Do drop around for coffee and cake again!

Happy reading,

Jenny xx

Opening Lines: What’s Mine by Fiona Morgan

It’s that time again!

This week’s ‘Opening Lines’ blog come from the lovely Fiona Morgan. Let’s dive into the first 500 words of What’s Mine.

Blurb

Bronagh seems to have it all; her own flat, a fantastic new job as a party planner and a blossoming romance with long-term friend Max.  Little does she know that some is plotting to take everything away from her.

Elaine, now out of work, having been replaced by Bronagh, is hell-bent on revenge.  She begins a campaign of terror, beginning with abusive text messages, which quickly escalates leading to devastating consequences.

Will Bronagh and Max’s relationship survive the turmoil that ensues? Will Elaine get the revenge she so desperately wants?

Set in Glasgow this is a powerful tale of love, hate, manipulation and control, which examines the wide-ranging consequences and damage inflicted by a callous act of revenge.

I started writing my first book Free to push myself to do something I had always wanted to do and I knew that if I didn’t do it, it wouldn’t get done, so I bought a pad of paper and went for it.  After finishing all the writing and editing, and Free was away being proofread, I felt there was something missing, I had lost friends, so I sat down and started again with What’s Mine.  I love writing, telling my stories and the fact that people not only read them, but are enjoying them is amazing and something I am always grateful for.

Here is the first 500 words of my new book ‘What’s Mine’, I hope you all enjoy it.

Bronagh walks from her job interview at House of Fun part planning fearing the worst, but hoping for the best. She feels she must have come across as a desperate crazy lady, and to a certain extent she is desperate. Desperate to get a start on her own wedding coordinating business.  She has decided that working as a party planner is the best way to gain experience and showcase her talents before breaking out on her own.  At twenty-five years old Bronagh is fed up working in retail shops and pubs, so after her best friend Max, noticed the job advert online and sent her the link, she knew it was time to get her plans, and hopefully her life, started.

Max has always been kind and thoughtful towards her, plus he is absolutely gorgeous.  Bronagh would love fir him to see her in a romantic way, but he never seems to, so she has resigned herself to not being his type and accepting the fact that she will only ever be his best friend, or at least she tries to accept it.

Max is broad shouldered with sandy short hair and crystal blue eyes. He is a good bit taller than her five feet five inches.  She guessed about six foot, and always seemed to have a tall blonde on his arm, which is nothing like her. Bronagh has auburn waves, that shine like copper in the sun, freckles dusting her nose and is a curvy size twelve. She loves her curves and has never wanted to be straight up and down.

She sighs as she makes her way back to her car, a green 1999 W plate Ford Fiesta that could be temperamental at best in the cold weather. She chastises herself, remembering that she needs to stop thinking about Max in a romantic way and stop worrying about the job interview. Trying to put everything out of her mind she mutters to herself, ‘Que Sera Sera’, what will be will be, and what will be should be found out in a few days, or so David and Erin (the married couple who own House of Fun party planners) had said.

The weather that day is clear and bright for a late February afternoon and Bronagh is g;ad to see the sun after a week of rain, so much so it manages to lift her mood and gives her something to smile about. Climbing into her car she turns the key in the Fiesta’s ignition, and after the second try and a few pumps of the accelerator the car roars to life.

***

Sitting in her bright red 64 plate Audi TT, Elaine glowers at the redheaded woman that has just left David and Erin’s house. That is, was her her job the redhead had just been interviewed for and she has no right getting it, unless, Elaine thinks, the redhead was part of the plan to get her fired all along! In Elaine’s opinion they had no…

***
Huge thank you Fiona- another fabulous opening sequence!
Come back next Thursday fro some opening lines from Jennifer Wilson.
Happy reading,
Jenny x

The Bridesmaid’s Dilemma Blog Tour: Opening Lines

I’m delighted to be hosting Karen King as she embarks upon a blog tour for her new rom com, The Bridesmaid’s Dilemma. Why not settle down a enjoy the very beginning of Karen’s latest publication?

Over to you Karen…

Thanks so much for inviting me over, Jenny. The Bridesmaid’s Dilemma is my third romcom for Accent Press and is mainly set in Majorca. Whenever I’m at a resort I always admire how the reps deal with the various holiday makers, the activities they do with them from poolside exercises, kids clubs and putting on shows. I was on the aeroplane once with a stag party, and they were quite raucous but seemed nice guys, so the idea of a travel rep having a holiday romance with a guy from a stag party that books into her hotel probably stemmed from these two things. The setting was definitely inspired by a trip to Majorca with my husband a couple of years ago to celebrate our third anniversary. It’s a beautiful island, and we actually took a trip to the Caves of Drach which feature in the novel. I really had fun writing this book and hope that readers love Jess and Eddie as much as I do.

Here’s a bit about the book:

Fun-loving travel rep Jess doesn’t want to be chief bridesmaid at her snooty cousin’s wedding, but it will cause a family feud if she refuses. She doesn’t want to fall in love either but when a raucous stag party arrives at her Majorcan hotel, Jess hits it off instantly with best man, Eddie. A summer romance is exactly what commitment-phobe Jess needs and, as the stag-do draws to a close, so does the holiday fling. She has no intentions of carrying on the summer fun but when Eddie turns up again, Jess is faced with a big dilemma.
Will this bridesmaid get the happy-ever-after she never knew she wanted?

The Bridesmaid Dilemma is published on 7 June, in paperback and as an ebook. You can n preorder it here:

https://tinyurl.com/y8z6k8ut

Opening Lines

Jess stretched out on the sunbed, factor fifteen and the parasol protecting her already golden skin from the heat of the afternoon sun. It was lovely to finally have the chance to relax by the pool. As usual, the morning had been full-on. She and Libby – lounging on the sunbed next to her – were in charge of the Fitness Classes and had spent two hours jumping, bending, stretching, and jogging on the spot with a group of holidaymakers. Being a holiday rep with Time of Your Life Holidays was fun but exhausting.

‘This is heaven. I could lie here all day.’

‘Me too. This week’s been so hectic. It’s going to be non-stop now the schools have broken up.’ Libby sighed. ‘Lucky you, having next weekend off. I wouldn’t mind flying back home for a few days.’

‘I’d like it a lot more if I didn’t have to be chief bridesmaid at Charlotte’s wedding,’ Jess replied. ‘That’s going to be a barrel of fun – not.’

Her first reaction when her cousin Charlotte had asked her to be chief bridesmaid was astonishment – she and Charlotte had never got on and usually tried to avoid each other.

Her second reaction had been panic. She didn’t do weddings, or frothy dresses, and she knew that Charlotte, with her obsession for perfection, would be the bridezilla from hell. She couldn’t refuse though, not when she knew how much it meant to her mum. And so, Jess had reluctantly agreed, even though she suspected that she’d only been asked because Charlotte had no sisters and precious few friends – even the other two bridesmaids were sisters of her fiancé, Russell.

‘It might not be that bad. And I bet the best man is a hunk. You know what they say about the chief bridesmaid and best man,’ Libby teased. ‘It’s compulsory for them to have a dance together and a few kisses – at the very least.’ She grinned at Jess and cocked her head to one side. ‘What’s her fella like?’

‘No idea, never met him. I haven’t seen Charlotte for years. All I know is that his name’s Russell and his work involves something to do with exports.’

‘I can’t believe your cousin doesn’t have a Facebook page. We could have a nose then, see what this Russell is like.’

‘Charlotte “doesn’t approve of society’s obsession with social media.”’ Jess made finger quotes as she said the words. It would have been a lot easier to keep in touch with Charlotte if she was on Facebook – and if she was less of a nightmare person – but as it was, wedding-related messages were coming solely through email.

‘She sounds a right barrel of laughs. So, you’ve no idea who the best man is?’

‘Mum said he’s an old school friend of Russell’s. I expect he’ll be very staid and boring. Russell will be, too. Charlotte’s boyfriends always are.’

Author Bio

Karen King writes sassy, heart-warming romance and edgy YA with a heart. ‘The Bridesmaid’s Dilemma ‘ is her third romcom for Accent Press. Her second title, ‘The Cornish Hotel by the Sea’ rose to #3 in the Amazon Bestseller Holiday Charts in the UK, #2 in Australia and was in the top hundred overall bestsellers. Her first title, I do?… or do I? has recently been published in France under the title ‘Un Fiancé Inattendu’. In addition, Accent Press have republished her earlier romance novels, ‘The Millionaire Plan’ and ‘Never Say Forever’.

Karen has also written several short stories for women’s magazine and had 120 children’s books published. She started her writing career writing scripts and articles for Jackie and other teen and children’s magazines.

She is member of the Romantic Novelists’ Association, the Society of Authors and the Society of Women Writers and Journalists,

When she isn’t writing, Karen likes travelling, watching the ‘soaps’ and reading. Give her a good book and a box of chocolates and she thinks she’s in Heaven.

Author links

Website: http://www.karenking.net/

Twitter: @karen_king

Karen King Romance Author Facebook Page

Karen King Young Adult Books Facebook Page

Pinterest: https://uk.pinterest.com/karenkingauthor/

Instagram: https://www.instagram.com/karenkingauthor/?hl=en

Bookbub: https://www.bookbub.com/profile/3187489145

***

Good luck with your new book Karen,

Happy reading everyone,

Jenny x

Performances in the Great War: Blog Tour with Freda Lightfoot

I’m welcoming Freda Lightfoot to my place today as part of her Blog Tour for  Girls of the Great War.

Make sure you check out all of the blogs in the tour for your chance to take part in a great giveaway (details below)

Over to you Freda…

Thank you so much for inviting me on your blog. Entertainment was a place where soldiers could escape the harsh realities of their dangerous life. They were always overjoyed to see these performances. Concerts took place to liven up the troops. Two or three concerts a day were often available and most popular. Drama presented a particular challenge: contemporary comedies and romances were played with canteen furniture, and the scenery was often a backdrop of night sky. Violin solos, string quartets, operatic arias, all were performed behind the front lines. It was not unusual for the audience to be in their hospital beds, or wheeled out of the wards, even if rain beat down upon them. Shows were also given on ships, and out in the wild country or desert.

Back in England the war naturally brought a surge in patriotism, both in drama and cinema. Music hall was one of the dominant forms in World War One. Theatre managers, newspaper editors, civic leaders and even clergymen insisted that people wanted cheering up and were not expected or even allowed to use their brains or be presented with serious matter. The war was expected to end by Christmas. Many plays were written about the suffering, but the emphasis was more on the humorous to attract the masses. Soldiers on leave flocked to the theatres with their sweethearts, eager to be amused and entertained. There were many famous performers such as Harry Lauder, Vesta Tilley dressed as a soldier, Gertie Gitana and others, all popular with troops out in the war and for soldiers and their families back home.

After the war, popular tastes began to change. Entertainment then preferred Charleston, jazz and syncopation. Performers would often entertain cinema audiences between films. Queues too would be entertained by dancing dogs or a man playing a banjo or accordion. Then a collection would be taken up for the soldiers and sailors. Benefit performances were held to raise money to entertain wounded soldiers; just as there were Tank Weeks, or fund raising for an ambulance.

In Girls of the Great War, Cecily, having lost the love of her life, eagerly goes to entertain the soldiers in France, filled with the need to help and overcome depression, Her sister, mother and Johnny, a drummer friend, accompanied her, a part of which proved to be a problem. I was inspired to write this because I’d been involved in amateur dramatics for much of my life. I still love the theatre, and have collected many books on the history of it and famous actors. Writing about it was a joy, and I have touched on this theme in one or two others of my books.

*** 

Excerpt of Cecily’s first performance in Girls of the Great War:

There was no proper stage, no curtains, dressing rooms or footlights, but they did have acetylene gas lamps glimmering brightly around the boxes. They worked for hours rehearsing and enduring more instructions from Queenie on what and how they should perform. Cecily suffered a flutter of panic as she became aware of hundreds more men gathering in the audience. A few were seated on boxes or benches, the rest of the area packed with a solid mass standing shoulder to shoulder. Many had been patiently waiting hours for the concert to start. Looking at the state of them it was evident that many had come direct from the trenches where they’d probably been trapped in horrific conditions for months. Those unable to move from their tent pulled the flaps open so that they too could hear the concert.

Heart pounding and nerves jangling, Cecily felt the urge to turn and run as the moment for the concert to start came closer. Was her mother right and she couldn’t sing well at all? Would they roar and boo at her as they had that time at Queenie?

She steadied her breathing, smoothed down her skirt with sweaty fingers and when she walked on stage the men gave a loud cheer of welcome. The excitement in their faces filled her with hope and as she stepped forward to the front of the boxed stage the audience instantly fell silent, looking enthralled and spellbound. She exchanged a swift glance with Merryn, counted one, two, three, four . . . and her sister and Johnny both began to play, sounding most professional. Cecily started to sing:

There’s a Long, Long Trail A-winding.

Into the land of my dreams,

Where the nightingales are singing

And a white moon beams:

As she sang, her fears, depression and worries vanished in a surge of elation, soaring into a new life, and bringing these soldiers pleasure and relief from the war. When the song was over she received a tumultuous applause, cheers, whistles and roars of appreciation from them. Smiling broadly she went on to sing ‘Roses of Picardy’, followed by ‘Pack Up Your Troubles in Your Old Kit Bag’ and many other popular favourites. Most of the Tommies would readily join in to sing the chorus whenever Cecily invited them to do so. Others would weep, as if fraught with emotion because they were homesick and felt greatly moved by this reminder of England. Then would again cheer and roar with happiness at the end, urging her to sing an encore.

‘You are doing quite well,’ her mother casually remarked during the short interval, a comment Cecily greatly appreciated. ‘Now sing some of those jolly music hall songs that I recommended.’

‘Right you are.’

Cecily went on to sing ‘Burlington Bertie From Bow’and ‘Fall In And Follow Me’. These brought bright smiles and laughter to all the Tommies’ faces. She finished with ‘Your King and Country Want You’, bringing forth loud cheers of agreement. How she loved singing to these soldiers. If she hadn’t been a star before, she certainly felt like one now.

Blurb
Cecily Hanson longs to live life on her own terms—to leave the shadow of her overbearing mother and marry her childhood sweetheart once he returns from the Great War. But when her fiancé is lost at sea, this future is shattered. Looking for meaning again, she decides to perform for the troops in France.

Life on the front line is both rewarding and terrifying, and Cecily soon finds herself more involved—and more in danger—than she ever thought possible. And her family has followed her to France. Her sister, Merryn, has fallen for a young drummer whose charm hides a dark side, while their mother, Queenie—a faded star of the stage tormented by her own secret heartache—seems set on a path of self-destruction.

As the war draws to a close and their hopes turn once again to the future, Cecily and Merryn are more determined than ever to unravel the truth about their mother’s past: what has she been hiding from them—and why?

Buy links:

Amazon UK: https://amzn.to/2wKaX2y

Amazon US: https://amzn.to/2rGc528

Bio

I was born in a small mill town in Lancashire. My mother comes from generations of weavers, and my father was a shoe-repairer. I still remember the first pair of clogs he made for me. After several years of teaching, I opened a bookshop in Kendal, Cumbria. And while living in the rural Lakeland Fells, rearing sheep and hens, I turned to writing. I wrote over fifty articles and short stories for magazines such as My Weekly and Woman’s Realm, before finding my vocation as a novelist and became a Sunday Times Bestselling author. I’ve now written over forty-eight novels, mostly sagas and historical fiction, my three latest books, including Girls of the Great War, out in May are published by Amazon Lake Union. I spend warm winters living in Spain, and the rainy summers in Britain.

Website: www.freda@fredalightfoot.co.uk

Facebook: http://www.facebook.com/pages/Freda-Lightfoot-Books/149641371839646

Twitter: @fredalightfoot

Goodreads: https://www.goodreads.com/author/show/448774.Freda_Lightfoot

My Blogspot: http://www.fredalightfoot.blogspot.com/

If you wish to be kept up to date on new titles and contests, sign up on my website http://www.fredalightfoot.co.uk  to subscribe to my Newsletter: I only send out 4 or 5 a year so your inbox won’t be flooded.

*****

GIVEAWAY!

Make sure to follow the whole tour—the more posts you visit throughout, the more chances you’ll get to enter the giveaway. The tour dates are here:  http://writermarketing.co.uk/prpromotion/blog-tours/currently-on-tour/freda-lightfoot-3/ 

ENTER HERE– http://www.rafflecopter.com/rafl/display/8b9ec5be184/?

***

Many thanks for stopping by on your tour Freda!

Happy reading everyone,

Jenny x

How research into a tricky topic creates magic on the page: Viking healing taken a step further

I’m delighted to welcome Sarah Dahl to my blog today to give us inside information on how she approaches her research.

Over to you Sara…

How research into a tricky topic creates magic on the page: Viking healing taken a step further

“Healer – The Gift of Dreams” is the fifth Tale in the Tales of Freya collection of sensual short stories.

Viking farmer Magnus is plagued by a demon. Since his wife’s death, the dreaded Mara tortures his body and mind. Powerless, he sends for a healer, the unexpectedly young and beautiful Audr … Are her sensual powers and his unleashed virility enough to banish the demon from his bed?

My heroes: the “simple” people

The Tales of Freya are set in the Viking age, and therefore require a lot of research into the period. I’m quite firm when it comes to the historical aspects of daily life and how people lived together then. The big politics and power play bore me. I don’t write kings and queens – my heroes are healers and housewives, warriors and monks. In every Tale I zoom into the lives of “simple people” and their desires and hopes, then give the stories a sensual and erotic twist. In the end, my characters are changed and set on a new path, which doesn’t always have to be a simple Happy Ever After.

Is there an authenticity of emotions?

Authenticity is key. I have trusted Viking age experts and re-enactors at hand to make sure the details are historically correct and events could have happened the way I write them. Even more important and harder to agree on is the psychological aspect, though: What and how did these people probably feel about certain things? What were their morals, expectations, rules of living together? What was their world view? Over time, I became more certain about what makes believable characters here. Luckily, my readers love the stories’ in-depth exploration of emotions and passions just as much as the authenticity to the period. But there is one very central aspect that so far I only touched lightly: Their spiritual world views and thinking.

Embracing the Vikings’ spiritual lives – finally

Because religion and beliefs are a very delicate and hard-to-grasp subject for today’s people (me included), I so far shied away from including too much spirituality in my stories. Yes, gifts to the spirits and gods were common and pagan rituals central to their lives, but: I didn’t want to overload my short stories with too much side-baggage and completely focus on the central plot line. And I admit to some reluctance to interpret too deeply what little we know today of the Viking spiritual lives. But then: as a self-respecting author setting her stories in the Viking age, I couldn’t avoid the topic forever. I didn’t expect it to be central to a sensual short story, though. Until I read a research piece that surprised me.

Sensuality in healing?

In one text about Viking spirituality the author hinted that, in contrast to  our modern religions and healing, Viking healing rituals might very well have included sensual aspects. That of course made me listen up. Sensuality for healing? A hands-on and personal ritual that wasn’t only comforting and physically and mentally healing – but which included sexual aspects? Unfortunately, we don’t know much more. My experts were at a loss, too. Sources are just too scarce to judge. It was just a side note.

Daring to interpret and make it my own

The topic simmered in my writer’s brain, and I came up with the idea of a female healer (most were then female) and how she could create magic … to heal a desperate young man. Born was the story of the devastated Magnus, who, after the loss of his wife and child, is mentally and physically unable to go on with life. He calls for a healer, and instead of the old woman he expected he and the readers are surprised by young and attractive Audr. She sets to work with him, in a sensual ritual that includes his body and mind. But are her powers stronger than his demons? When she is gone, he finds that the greatest gift was always right in front of him …

Research reading as source for inspiration

The inspiration for this story came, as often, from reading a research piece, and thinking it further, wondering what the historical findings said about the people’s lives in that era. The research I had to do for Audr’s healing rituals was great fun, but I had to flesh out and interpret a lot. Sources are thinly spread and much is tinted by today’s views on the world. Which in turn also means a lot of writing freedom. I created a very personal and intimate ritual for Magnus, and something ignites between him and his healer that goes beyond what I imagine would be Audr’s approach with other patients. Audr’s spell is just too strong …

Author bio:

Sarah Dahl lives on the edge of the rural German Eifel and writes historical fiction (novels and short stories) primarily set in the Viking age. She also works as an editor, translates, and coaches new writers in German and English. She is interested in everyday life in bygone centuries and the human stories that may have occurred behind the hard, historical facts. Her author page is: sarah-dahl.com

Links: mybook.to/HealerSarahDahl

Amazon.com: https://www.amazon.com/dp/B07BVWD3YD

Amazon.co.uk: https://www.amazon.co.uk/gp/product/B07BVWD3YD

Author page: sarah-dahl.com/books

***

Many thanks Sarah; great stuff.

Happy reading everyone,

Jenny x

Opening Lines: Country Rose by Nell Peters

Don’t panic- it isn’t the end of the month!!

Nell Peters is with me today to share her ‘Opening Lines’ rather than her bloggish wisdom. So, get cosy to read the beginning of Nell’s work in progress- Country Rose.

 

Hello! How strange to be lurking on Jen’s blog in the middle of the month. Why am I here? Oh yes, it’s Opening Lines …

I’ve chosen Country Rose, the third book in a psychological/crime series and a work in progress – although in truth, the progress bit has been somewhat lacking over the last year or more. My protagonist is DCI Rose Huntingford, an atypical murder detective who’ll not see forty again and who wages a constant but losing battle with her weight, amongst other things. I’m very fond of her.

The real Rose was my paternal Great Grandmother, born in Kingston upon Thames workhouse in 1876. She and her single mother – also Rose and also born in the workhouse – must have experienced an unimaginable degree of poverty and hardship in those patriarchal Victorian days of extreme inequality. However, it seems Rose was made of stern stuff because she pulled herself up by the bootstraps and married a wealthy landowner. Well done her! The only picture I have of Rose is when she’s in her fifties, I would guess.

Blurb for Country Rose:

Rose Huntingford has taken a sabbatical following the violent death of a colleague, and rented a cottage away from it all hoping for a quiet life, while dangerously unaware that someone is watching her every move. When an old lag seeks her out to claim he didn’t commit the murder for which he was imprisoned, he winds up dead in her garden, before Rose herself is viciously attacked. And his corpse is just the first, as skeletons aplenty fall from cupboards and the past comes back to haunt those who wrongly thought they were safe from detection after so many years.

Because this is a WIP, I have roughed (very rough!) up a cover – use of (non-copyright) image with thanks to www.pixcove.com 

 

 

First 500 words…

Glancing up briefly at a sky the colour of a dirty dishrag, Rose tossed a generous handful of bird seed in a low arc, and immediately had to intervene as referee when an unseemly scramble ensued, ‘Hey Jasper, ladies first – remember your manners!’ When he ignored her, she resorted to flattery, ‘You’re looking very dapper this morning, by the way.’ She could have sworn the cockerel’s chest swelled with exaggerated masculine pride.

How typical of the male of any species.

Poking his head around the back door, and giving The Watcher a nasty moment, Drew mock-frowned at her; he didn’t need to say ‘you know you’re talking to the chickens, right?’ because his expression did that most eloquently on his behalf. She grinned, shame-faced. ‘Can you pass me the bag of meal worms, please?’

He reached back to the counter and lobbed it her way, ‘There you go. How come you feed them before me?’

‘You are quite capable of getting your own breakfast, whereas Pavlova, Svetlana and Jasper might struggle turning the gas on.’

‘There’s no hope for you … fancy coming back to bed, take pity on a condemned man?’

She shivered in the cool March breeze and pulled her coat firmly around her girth, ‘If you’re hoping for a sympathy shag, you’re out of luck. I promised to meet Liz in town to have coffee and check over wedding stuff, most importantly outfits.’

Once inside, Drew closed the door behind them, ‘Hers or yours?’

‘Both – since I’m Best Woman, we should at least co-ordinate.’ She dragged her coat off by the sleeves and flung it over a chair back.

‘I can’t believe she didn’t invite me.’ His bottom lip jutted like a spoiled child unused to being denied their own way.

Rose shrugged, ‘She can’t stand you, never could – as you well know, and you really don’t help yourself in that respect with your smart-arse remarks – so when I said you’d most likely be out of the country anyway, she didn’t bother wasting an invitation.’

‘But I’d have been your ‘Plus One’! Just an extra flick of the pen away … unless Rob Roy is hoping to dive in there?’

Ah, lovely Rob Carnegie – what are you doing these days?

‘For goodness sake, will you drop it – I’ll almost certainly go on my own. Have you finished packing?’

‘Now you’re trying to get rid of me – I know when I’m not wanted.’ He sniffed loudly, chronically overacting.

Rose was starting to feel tetchy, a combination of dreading Drew leaving so that she’d be on her own again twenty-four seven, and annoyance at his constant probing – which she accepted was a totally unreasonable reaction, after he’d been such a stellar support to her when she’d hit rock bottom, following Lydia’s death. However, she knew deep down that he really did have her best interests at heart and so made a supreme effort to appear bright and breezy, ‘Toast and scrambled eggs?’

‘If you’re sure the chickens won’t object?’

***

If the Opening Lines of Country Rose grab you and you’d like to read the self-published prequels, you can find them here:

Double You (Book I)       www.myBook.to/doubleyou

Santa’s Slays (Book 2)     www.myBook.to/santa

Thank you for having me, Jenny – great idea for a blog series!

Toodles. NP

***

Thanks Nell! Brilliant as ever.

Don’t forget to come back next Thursday for more Opening Lines with Heide Goody

Happy reading,

Jenny xx

 

Romancing Robin Hood: A Hooded Man

My timeslip novel, Romancing Robin Hood, has a special place in my heart for many reasons . It reflects a great deal of my own life within its many pages- it gave me by first taste of writing medieval fiction (the novel is part modern romance and part medieval mystery)- and it gave me a chance to doff my hat to all those who were involved in the recording and production of the ITV series, Robin of Sherwood- a formative part of my upbringing.

Here’s the blurb…

When you’re in love with a man of legend, how can anyone else match up?

Dr Grace Harper has loved the stories of Robin Hood ever since she first saw them on TV as a teenager. Now, with her fortieth birthday just around the corner, she’s a successful academic in Medieval History—but Grace is stuck in a rut.

Grace is supposed to be writing a textbook on a real-life medieval criminal gang—the Folvilles—but instead she is captivated by a novel she’s secretly writing. A medieval mystery which entwines the story of Folvilles with her long-time love of Robin Hood—and a feisty young woman named Mathilda of Twyford.

Just as she is trying to work out how Mathilda can survive being kidnapped by the Folvilles, Grace’s best friend Daisy announces she is getting married. After a whirlwind romance with a man she loves as much as the creatures in her animal shelter, Daisy has press-ganged Grace into being her bridesmaid.

Witnessing Daisy’s new-found happiness, Grace starts to re-evaluate her own life. Is her devotion to a man who may or may not have lived hundreds of years ago really a substitute for a real-life hero of her own? Grace’s life doesn’t get any easier when she meets Dr Robert Franks—a rival academic who she is determined to dislike but finds herself being increasingly drawn to… If only he didn’t know quite so much about Robin Hood.

Suddenly, spending more time living in the past than the present doesn’t seem such a good idea..

 

Little did I know when I wrote Romancing Robin Hood that the book itself would give me a chance to thank the actors and behind the scenes team who worked on the show over 30 years ago- in person.

This weekend I am attending my second Hooded Man Event – this gathering (evey 2 yeaars) brings fans of Robin of Sherwood together- along with the stars themselves- to talk all things RH and medieval. It is a lot of fun and one of the friendliest events I have ever attended.

Last time I went- thanks to my novel-  to sell books from a stand in the corner of the room. I stood and watched the world go by in a sort of RH heaven.

This year however, I am selling 3 books- Romancing Robin Hood, The Outlaw’s Ransom and The Winter Outlaw. The latter 2 books are the direct result of comments made to me at the last event by kind readers.

I will not be staying behind the safety of my book  year – on Sunday afternoon I will be up on the main stage with  fellow writer, Tony Lees, talking about writing audio scripts for Robin of Sherwood. I am still not sure I can quite get my head around that I do that- but I do!!

And all because- four years ago- I wrote a novel called Romancing Robin Hood… I owe that novel BIG time!!

***

If you would like to read Grace’s adventure- not to mention discover what Mathilda of Twyford gets up to in fourteenth century Leicestershire- then you can buy the new look Romancing Robin Hood from all good retailers, including…

Paperback

Amazon UK – https://www.amazon.co.uk/Romancing-Robin-Hood-Jenny-Kane/dp/1999855248/ref=sr_1_2?s=books&ie=UTF8&qid=1517319761&sr=1-2&keywords=romancing+robin+hood+Jenny+Kane

Amazon.com – https://www.amazon.com/Romancing-Robin-Hood-Jenny-Kane/dp/1999855248/ref=sr_1_1?s=books&ie=UTF8&qid=1517404290&sr=1-1&keywords=Romancing+Robin+Hood+Jenny+Kane  

Kindle

So why not treat yourself to a little something to read this weekend while I am away talking to the merry men- and a couple of Robins!

Happy reading,

Jenny and Jennifer xx

Opening Lines from Charlie Laidlaw: The Things We Learn When We’re Dead

It’s that time again! ‘Opening Lines’ day is upon us. This week we are diving straight into the action with the first 500 lines from Charlie Laidlaw’s ‘The Things We Learn When We’re Dead’.

Blurb

The Things We Learn When We’re Dead is a modern fairytale of love and loss.  It’s about the subtle ways in which we change, and how the small decisions that we make can have profound and unintended consequences.

On one level, the book is a simple story of a young woman’s life.  But, for those readers who want to make the connection, The Things We Learn is also a retelling of The Wizard of Oz: how a young woman in ultimately tragic circumstances comes to reassess her life and find a new beginning.

500 Words

Single is the race, single

Of men and gods;

From a single mother we both draw breath.

But a difference of power in everything

Keeps us apart;

For one is as nothing, but the brazen sky

Stays a fixed habituation for ever.

Yet we can in greatness of mind

Or of body be like the Immortals

On the Olympics: Pindar of Thebes, ancient Greek lyric poet

 

The universe is change; our life is what our thoughts make it.

Meditations: Marcus Aurelius Antoninus

121AD – 180AD

End

At the end of her Edinburgh street, where it joined a busier road, was a security camera perched high on a metal pole.  If anyone had been watching they would have seen a slim young woman in a red dress illuminated under a streetlight.  They would have seen that she seemed agitated, her feet fluttering on the pavement’s edge, her hands raised to her face, turning this way and that, and then stepping into the road.  She seemed to be crying, unsure what she was doing.  They would have seen the approaching car and that the young woman was looking in the wrong direction.  When she did hear it, turning in mesmerised surprise, it was too late.  But perhaps nobody had been watching the CCTV screen because it was the driver of the car who called for the ambulance, a small crowd gathering, and who then tried to make the young woman comfortable – talking to her, even pushing his jacket under her head – and waited beside her until the ambulance arrived and the paramedic said that he couldn’t detect a pulse.

On the morning of her death, suicide bombers blew themselves up on London’s transport network.  Three on the Tube and one on a bus.  Dozens were dead, many more maimed.  She watched, appalled, as the news unfolded, curled on the sofa, making cups of coffee that she didn’t drink, while the sun traversed the rooftops and patterned her in shadows.  It seemed a rerun of 9/11 or Bali or Madrid; random and senseless.  That’s what angered her the most: it was carnage without fathomable purpose.  She was alone in her flat; she’d had an argument with her flatmate who had flounced off, muttering darkly and swearing loudly.  But she was used to being alone, to the silence; she welcomed that kind of solitude because it didn’t allow for distraction: it gave her the space to frown over her law books, sucking on a pencil or tapping on her keyboard.  But not today; today she wanted company: someone to share her outrage with, but she didn’t know who to phone.  Instead, she’d make another cup of coffee, set it on the table beside the sofa, and then throw it away when it was stone cold…

***

Bio

Charlie Laidlaw was born in Paisley, Scotland and is a graduate of the University of Edinburgh.  He is a former national newspaper journalist and Security Service intelligence officer, now working as a marketing and PR consultant.  He is married with two grown-up children and lives near Edinburgh.

Social media

www.charlielaidlawauthor.com

T @claidlawauthor

F @charlielaidlawauthor

Buy Link

https://www.amazon.co.uk/s/ref=nb_sb_ss_i_1_19?url=search-alias%3Dstripbooks&field-keywords=the+things+we+learn+when+we%27re+dead&sprefix=the+things+we+learn%2Cstripbooks%2C149&crid=

23Q141W3424RZ 

***

Many thanks Charlie!

Come back next week to enjoy the first 500 words from one of Nell Peters’ novels.

Happy reading,

Jenny xx

The Parliament House Books: John Mayer

We ae taking a step into the world of John Mayer today, with a look at his series, The Parliament House Books.

Why not grab yourself a cuppa, put your feet up and settle down for a read?

Over to you John…

Firstly, please allow me to say how refreshing it is not to be answering the same questions as I normally do for these things.

Well, I’m John Mayer and I write The Parliament House Books. Why? The honest answer is that having lost the community into which I was born and then lost the one where I grew up, both to City Hall ordered demolition I hoped I would find that sense of community in Parliament House; which contains the Scottish Faculty of Advocates. I didn’t. Instead, I found what Lord McEwan called ‘a nest of vipers’. So, in what I think is typical form for me, I created the community I wanted to live amongst. You might say that creating The Parliament House Books was, for me, a kind of necessity. It’s certainly a community I enjoy being amongst.

During my twenty years as an Advocate in the Supreme Courts of Scotland, having written legal text books, journal articles and been published in non-fiction hardback, I thought I could simply start writing fiction. I figured that I had many transferrable skills. After all, when writing complicated legal arguments, you only get one chance to get it right in court. So, having been very successful in my written practise and being very persuasive in oral argument, I’d be an immediate success with The Parliament House Books. Right? Wrong!

I went through two editors and a couple of thousand pounds in trying to learn. What I discovered was that – as the Chinese say about lawyers – if you started in London and laid all the editors in the world end to end, they’d never reach a conclusion. So I took what I thought were the best bits of their advice and just began to write just for myself. I quickly learned that, as with giving love and affection, if you try too hard, it comes out wrongly. You firstly have to feel that honest deep-down feeling and then find a way of bringing it to the surface. Then comes the difficult bit: imparting it in a way that makes the receiver feel that your passion is offered solely for them. That private feeling of connection between author and reader is what makes people keep turning pages.

 

As I’ve deepened and developed my writing skills, I’ve also learned something of vital importance. That is never to think that my words are chiselled in stone. As I’ve become a better writer, I’ve gone back to the three prequels and the first novel in the series and re-written certain parts. I like that Amazon gives those who’ve bought an earlier edition the chance to get the later one free. I’ve had people write to me and say they were in tears when reading the changes. That’s the phenomenon I was talking about earlier: the private connection between author and reader. It’s very intimate and thus very delicate. It’s a privilege to connect with readers to that depth.

Well, I guess it’s time to talk about the characters who populate the pages of The Parliament House Books. Despite Brogan McLane being a Glaswegian like me, and despite being an Advocate in Parliament House, he as the central character, isn’t me. McLane’s blood brother, Big Joe Mularkey, is also fictional; though he is based on someone whom I know very well. Some characters however, are real, though I lost touch with them many years ago. There is a real Tucker Queen and a real Arab. In the second novel The Order, I had permission to use a real character who is a young blue-haired beauty whose abilities with all things digital are second to none. There is a character which I very much enjoy writing and which is real. I say which and not whom because the character is a place and not a person: it’s the Calton Bar. I see the Calton Bar as the focal point of the community called The Calton in Glasgow. It’s – to coin a phrase from the 90s – a place where everybody knows your name and they’re always glad you came. Many reviewers have said the price of the book is worth paying just for the parts in that Bar.

I once wrote elsewhere that ‘Justice is not automatic. It usually has to be won and often hard won.’ That is not perhaps how we’d like the world to be, but it’s certainly how it is. It is the purpose of lawyers and courts to bring that justice to those to whom it rightfully belongs. When that purity of purpose is usurped, then injustice arrives on the coldest of all possible cold winds. That wind rips through people’s lives and often kills them. I’ve seen it happen many times. On the first morning of a court case that may have taken four or more years to get to the door of the court, clients often said to me ‘Well Mr Mayer, do you think we’ll get our justice?’ I’d have to remind them of what I said at the beginning of their case: ‘If you want justice, the church is down the street. Here in Parliament House you get your legal warrior against their legal warrior. Now keep calm and let me do battle.’

Court battles where the judge favours one side, the behind-the-scenes wriggling of The Crown Prosecution Office, the way old school ranks can close in the blink of an eye, the way personal agendas often take precedence over sworn oaths, all lead to injustice and despair. There’s plenty of injustice to be found in The Parliament House Books, but there’s a brighter side too. Especially that camaraderie found in the Calton Bar amongst people who’ve known and trusted each other all their lives. And of course, there’s the joy of winning when you’ve been on the side of the righteous.

I hope you enjoy your visits to my world called The Parliament House Books.

***

The Trust   

Amazon.com   https://www.amazon.com/dp/B0 756K8X5P      http://tinyurl.com/yd3p7q dg

Amazon.co.uk  https://www.amazon.co.uk/dp /B0756K8X5P

The Bones      

Amazon.com   https://www.amazon.com/dp/B01 N7DKA2Q   http://tinyurl.com/y7c4rso y

 Amazon.co.uk https://www.amazon.co.uk/dp/ B01N7DKA2Q   

The Order      

Amazon.com   https://www.amazon.com/dp/B 013YKCAV4   http://tinyurl.com/y8xabkm w

Amazon co.uk https://www.amazon.co.uk/Orde r-Urban-Scottish-Crime-Parliam ent-ebook/dp/B013YKCAV4

The Trial       

Amazon.com https://www.amazon.com/dp/B00 SYZRN12  OR  http://tinyurl.com/ydbkojj t

Amazon.co.uk  https://www.amazon.com/dp/B0 0SYZRN12

The Prequels

The Cross       

Amazon.com               https://www.amazon.com/dp/B00 Y4GRAUE

 Amazon.co.uk            https://www.amazon.co.uk/dp/B 00Y4GRAUE

The Cycle         

Amazon.com            https://www.amazon.com/dp/B0 0XVOGI5S

Amazon.co.uk          https://www.amazon.co.uk/Cycl e-second-prequel-Parliament-Ho use-ebook/dp/B00XVOGI5S

The Boots

Amazon.com           https://www.amazon.com/dp/B00 YBSXB76

Amazon.co.uk         https://www.amazon.co.uk/dp/B 00YBSXB76

All Three Prequels

Amazon.com    https://www.amazon.com/dp/B06 VSSQBKM  OR  http://tinyurl.com/yaqbkco w

Amazon.co.uk  https://www.amazon.co.uk/dp/B 06VSSQBKM

BIO

John Mayer was born in Glasgow, Scotland, a war-zone where violence and poverty reigned. In 1963 when he heard The Beatles on Radio Caroline, he decided to change his life. Aged 14 he left school because, in his opinion, he wasn’t being taught. For the next year, in all weathers, he cycled 9 miles to and 9 miles from the Mitchell Library in central Glasgow where he devoured books of all kinds and began to understand what more the world had to offer. He became an Apprentice engineer, and soon was teaching men twice his age. In the early 1970s his love of music led him to set up as a Record Producer. He built his own record company trading in 14 countries. After a disheartening court battle with global giants, he left the business world and went back into further education at the University of Edinburgh, becoming an Advocate in the Supreme Courts of Scotland. There he acted for the downtrodden and desperate as well as Greenpeace International. His specialism was in fighting international child abduction.

John has written non-fiction, legal texts and articles; broadcast to tens of millions of people on US and UK radio, appeared on TV and in print media.  Since retiring from the Law, John has enjoyed using his years of very colourful experience to create The Parliament House Books series.

The Trial is the first full length novel in this series. Set in Edinburgh and Glasgow, it is more than a nod to Franz Kafka’s book of the same title. The Trial sees crusading Scottish Advocate, Brogan McLane, fight injustices so casually delivered by Low Life in High Places in the Old Town.

WEBSITE                         https://parliamenthousebooks. weebly.com/

TWITTER URL                 https://twitter.com/johnmay erauthor

FACEBOOK                     https://www.facebook.com/thep arliamenthousebooks/?fref=ts

JOHN MAYER AUTHOR PAGE     https://www.amazon.com/author /jmayer

Author page on Goodreads   http://tinyurl.com/glay5ou

***

Many thanks, John.

Happy reading everyone,

Jenny x

 

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