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Tag: fiction

Guest Post from Jennifer Young: Looking For Charlotte Blog Tour

I’m delighted to be able to welcome Jennifer Young to my site today, as part of her blog tour for her new release, Looking For Charlotte.

Over to you Jennifer…

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About the Journey: Looking For Charlotte

They say there are only seven basic plots. I have a book about that, in fact, but as it’s almost 700 pages long and I’m time-poor I haven’t yet got round to reading it. But everyone who has (well done, by the way) tells me that it’s true and there’s nothing original in this world.

I didn’t deliberately set out to pick one of those seven, though I have done in the past. As it happens, though, my latest book, Looking For Charlotte, fits more closely to an obvious plot device than anything I’ve ever attempted, even the variations-on-a-theme-by-Shakespeare trilogy that I’m working on (the theme is Romeo and Juliet, since you ask).

Looking For Charlotte by Jennifer Young

The clue is in the name. Looking For Charlotte is a journey or, as it’s referred to in the book, a quest. ‘Quest’ is a wonderful, evocative word, old-fashioned to the point of medieval, bringing to mind knights on noble steeds undertaking challenges set for them by mistresses or magicians, with the ultimate objective (in which they pretty much always succeed) of winning the hand of a fair lady.

The quest which my very modern heroine, Flora, undertakes isn’t one laid on her by a wicked witch, or even something she has to do to save her relationship, win promotion or achieve fame (all of which are perfectly worthy objectives). It’s much deeper than that, and it’s also entirely self-imposed.

When Flora sees on the news the story of a toddler abducted and almost certainly murdered by her father (who then killed himself) her reaction is to take up the search for the child where the police have given up. No-one makes her do it. No-one forces her to go out looking for a lonely grave, puts the spade in the boot of the car and hands her the key, points a dramatic finger and says to her: ‘Go’.

So why does she go? It’s partly to absolve her own guilt at mistakes she’s made in the past. It’s partly to do good to someone else, a stranger. Personally she has nothing not gain from it but yet she goes, undertaking a journey which is both physical and emotional. And when it ends, on a moor in the wild north-east of Scotland on a wild-weather day to the accompaniment of birdsong, the story ends.

In success, or in failure? That’s for me to know and you, if you wish, to find out. Read on…

Excerpt

They parted just beyond the bridge across the Ness, Grace heading up the pedestrian streets and Flora cutting across to the library, fronted by the long line of cars full of Saturday shoppers manoeuvering towards the car parks. She wasn’t a regular library user, but once the idea had taken her she remembered that there was something she wanted to check.

In the reference section, she stood for a moment before selecting the Ordnance Survey map that covered the area south of Ullapool. She knew it quite well. When the children were young they’d gone walking there regularly, able to reach the open spaces without pushing the slowest (usually Amelia, though Beth was the youngest) too hard. They’d graduated to more difficult walks, then stopped walking altogether. Eventually she had developed a fondness for the slightly less bleak terrain to the south of Inverness, where she went occasionally with Philip and his brother, or with a colleague from work. She hadn’t been out all year, not since before Christmas, in fact, and even then they’d been rained off not very far in and driven back to the comfort of a tea shop in Grantown-on-Spey.

A nostalgic yearning for a good long walk swept over her as she unfolded the map and smoothed it out across one of the desks. She and Danny used to look at maps together plotting their routes. His stubby forefinger, with its bitten nails, had traced the most challenging route to start, sliding along the steep and craggy ridges until he remembered the children and reluctantly redrew, shorter, safer.

She thought she knew the place where Alastair Anderson had left his car, and found it easily enough. Under her fingers the map was a flat web of never-parallel lines, of ugly pock-marking that told of steep, loose rocks and inhospitable terrain, just the type of place they used to walk. Somewhere up here, Charlotte Anderson was buried. Carried there, already dead? Or walked there and then killed? Surely neither was realistic; surely they would have found her, with their dogs and their mountain rescue helicopters scouring the ground for new scars, and all the rest of the equipment they had at their disposal.

Looking at the map had been a mistake. It was obvious now. Besides, she couldn’t see it any more; all she could see was the image of Suzanne Beauchamp, that beautiful face with the cold façade, like a wax death mask from Madame Tussauds. More poignant, of course, since it must hide a struggle, a struggle to conceal or to suppress a deadly mixture of grief and guilt.

‘Go away!’ she said softly to this mirage of a grieving woman, a little afraid of its power. ‘Go away!’ And then, in the only defence left to her, she began to fold the map away…

****

Blurb

Divorced and lonely, Flora Wilson is distraught when she hears news of the death of little Charlotte Anderson. Charlotte’s father killed her and then himself, and although he left a letter with clues to her grave, his two-year-old daughter still hasn’t been found. Convinced that she failed her own children, now grown up and seldom at home, Flora embarks on a quest to find Charlotte’s body to give the child’s mother closure, believing that by doing so she can somehow atone for her own failings.

As she hunts in winter through the remote moors of the Scottish Highlands, her obsession comes to challenge the very fabric of her life — her job, her friendship with her colleague Philip Metcalfe, and her relationships with her three children.

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GIVEAWAY!

Make sure to follow the whole tour—the more posts you visit throughout, the more chances you’ll get to enter the giveaway. The tour dates are here: http://www.writermarketing.co.uk/prpromotion/blog-tours/currently-on-tour/jennifer-young-2/

a Rafflecopter giveaway

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Buy Links

Tirgearr Publishing

http://tirgearrpublishing.com/authors/Young_Jennifer/looking-for-charlotte.htm

Amazon UK

http://amzn.to/1D7pNY6

Amazon US

http://amzn.to/1JmAwBR

Smashwords

https://www.smashwords.com/books/view/526032?ref=cw1985

Author bio

I live in Edinburgh and I write romance and contemporary women’s fiction. I’ve been writing all my life and my first book was published in February 2014, though I’ve had short stories published before then. The thing that runs through all my writing is an interest in the world around me. I love travel and geography and the locations of my stories is always important to me. And of course I love reading — anything and everything.

Links

Facebook

https://www.facebook.com/jenniferyoungauthor

Twitter

@JYnovelist

Website

http://www.jenniferyoungauthor.com/

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Many thanks for visiting today Jennifer. Good luck with the rest of the tour!!

Don’t forget the giveaway folks!!

Happy reading,

Jenny xx

WMS_blogtour

 

Guest Post from Della Galton: The Morning After the Life Before

Writing The Morning After The Life Before was probably one of the worst commercial decisions of my writing career. I knew when I began it – after discussions with my agent – that this book would not be taken on by a big mainstream publisher. Why? Because they deemed its predecessor, Ice and a Slice, not suitable to be sold in a supermarket. They felt it ‘showed alcohol in a bad light’ and might upset their alcohol advertisers. Who knew that supermarkets had so much control over the publishing industry? Tongue firmly in cheek.

Morning After

But… and this is a big but… Why do novelists write books? Love? Money? Fame? Well, for me, this one was a no brainer. It’s feedback from my readers. I have been touched beyond words by the number of people who have emailed and messaged me and left reviews on Amazon for Ice and a Slice. Thank you so much if you are among them.

Knowing you have written a book that has changed people’s lives – in a good way – and that has helped them to face their own demons is priceless. Many, many people asked me if I was writing a sequel to Ice and A Slice. In the end I simply couldn’t not write one. I wrote this novel for all of those people. Once again, I have used my own experiences – as well as researching thoroughly the bits I don’t know about. I do NOT – just for the record – know anything about being a dominatrix. Neither have I ever had a cocaine addiction. Or some of the other wackier things that happen in this novel. But I do know a lot about heartbreak and friendship and love.

ice

 

Heartbreak and friendship and love are some of the themes that run through this novel.

Without giving too much away and spoiling the book for you – The Morning After the Life Before is about how SJ copes – four and a half years on – with sobriety when it seems as though the whole world – even God – is against her.

Will she even cope? Or will she cave in under the pressure?

I must admit I didn’t know the answer to this one when I set out.

And I’m not about to reveal the ending. But here is the beginning.

Chapter One

SJ gave a very deep sigh and glanced once more at the phone. For the last two hours and twenty-two minutes, not that she was counting, the phone had become the focal point of her front room. No, not just her front room – her entire life.

The phone had sat in its cradle on the table by the television. She had sat on the sofa next to it, flicking surreptitious glances at it, while pretending to read Cosmopolitan and occasionally getting up to check that the display was still working in case there was a power cut.

“What if there is a power cut?” she’d said to Penny when they’d done the handover. “I have the plug-in kind of phone – it won’t work unless it has power.”

“I wouldn’t worry – they’ll phone back.”

“But what if they don’t? I thought you said it’s a matter of life and death. What if they’ve spent the last three weeks plucking up the courage to phone the helpline and this is their final desperate plea for help and then no one answers because there’s a power cut. What if they die?”

“They might die anyway,” Penny pointed out, with unnecessary sharpness, SJ thought, considering she was only trying to get things right. And considering that Penny had actually said – when she’d been trying to persuade SJ to sign up for phone service – that the helpline was a matter of life and death.

“We are the fifth emergency service,” she’d said, a mite pompously, SJ had thought. Especially as she hadn’t bothered to explain what she meant. Clearly, as everyone knew, police, ambulance and fire were the first three emergency services. But what was the fourth? And why weren’t they the fourth?

It was slightly crushing to realise that the Alcoholics Anonymous helpline couldn’t be all that important. Not if they were only the fifth.

“What if I miss the phone ringing because I’m out of the room – say I’m in the bathroom?” SJ had asked.

“I thought you said you had a carry-around phone.” There was a gleam of triumph in Penny’s voice.

“Yes I do, but if there was a power cut I’d be using my back up phone. My in-case-of-emergency, old fashioned, plug-straight-into-the-mains phone, wouldn’t I? So I won’t be able to carry that around, obviously.” SJ sighed patiently and resisted the urge to add, ‘so what have you got to say to that then, Miss Goody Two Shoes, know-it-all, pompous Penny?’ Which she would have done without hesitation once when someone like Penny wound her up.

But which she couldn’t do now because she was no longer that person any more. She was no longer judgmental and impatient and prickly – which she’d only ever been because she was lacking in self-esteem obviously. These days, she was serene and calm and peaceful. Serenity was her middle name. She’d considered, in fact, making Serenity her actual middle name by deed poll. Only there didn’t seem much point because no one ever asked you what your middle name was anyway. And deed polls were probably expensive.

“Someone might be trying to get through right now while we’re talking,” Penny said wearily.

“Right. I see. Yes, okay. Point taken.”

“Someone might be dying right now. So maybe if I could just put the phone down, SJ? Please – if you’re ready to take over. Are you?”

“Of course. Sorry. Um bye.”

“Goodbye, SJ.”

Penny disconnected. The phone rang almost immediately and SJ was so surprised she dropped the handset. Then when she reached to pick it up she knocked over her cup of calming peppermint tea which was on the glass-topped coffee table between her and the phone. Oh crap. The phone was still ringing. The tea pooled across the glass and began to drip down the wooden leg.

Double crap. What if there was some raging, desperate, suicidal alcoholic on the other end of the phone? What if they were pissed off because they hadn’t been able to get through? What if they shouted at her? What if they were an utter maniac? Don’t judge, SJ. Deep breaths, in, out, in, out, in, out. Try to stay calm. Serene and calm is where it’s at. If you feel serene your voice will be serene. Nothing to it. She punched the green button with a finger, intending to say, ‘Yep,’ in that ultra-cool voice that ultra-cool receptionists – usually the ones that worked in PR and marketing companies – were fond of using.

What actually came out of her mouth wasn’t yep. It was yip. She tried again. “Yip, yep, yip, yap.” Oh crap. Now she sounded like the next door neighbour’s Jack Russell terrier.

“SJ it’s me.” Penny’s voice held a note of incredulity. “I’m just – er checking that the phone line transferred okay. “Is – everything all right?”

“It’s fine. Absolutely fine. Couldn’t be better. Sorry, I was practising my – um – my dog whisperer voice. I’m doing evening classes.”

“You’re doing evening classes in dog whispering!”

“Yep. I mean yip. Yip yip, yap, yippety yip – ha ha! What do you think?”

“Very – er – authentic, but do you suppose you could do it when you’re not answering the helpline?”

“Of course. Sure. Sorry.”

SJ disconnected and put her head in her hands, before realising belatedly that her elbows were now in a pool of peppermint tea. Fantastic. Why had she ever thought she could do this? She must be mad. She shouldn’t have volunteered. She should have contented herself with making tea at meetings or acting as treasurer. Even she couldn’t make too much of a hash-up of that. What did she know about giving up drinking anyway? What was she going to say to someone if they did phone up the AA helpline? Oh it’s easy – you just swap your vodka for a mug of peppermint tea. Nothing to it. No one was going to believe that, were they? Everyone knew it wasn’t easy to give up. Not when you’d been drinking on a daily basis for months, or years, or possibly even decades.

She’d only managed to give up because she’d had an utterly brilliant counsellor who she’d gone to see, week after week after week. And let’s face it she probably wouldn’t have done that if he hadn’t also been utterly gorgeous and if she hadn’t also had the most humungous crush on him. Would she have given up drinking at all if she hadn’t fallen in love with her counsellor?

Ironically, it was the thought of the utterly gorgeous Kit that snapped her out of the beating herself up mood she’d fallen into. She cleared up the peppermint tea spillage – grabbed her iPad from the kitchen and found her latest To Do list. At the top of the page she wrote:

Things not to say when answering the AA helpline

  1. Yip or yap, or yippety yip – or any possible derivative of the word yip.
  2. Yep. (Mainly because it was very hard to inject a decent amount of empathy and sympathy and understanding into the word yep. Yes with a question mark would be better – or yeah if you stretched it out a bit or maybe even yo – that was a pretty cool word around youngsters, these days. Except that yo didn’t sound very sympathetic either. Yo dude – you gotta problem with your drinking? Hey that’s tough. And anyway she wasn’t exactly young. Forty-two might be the answer to life, the universe and everything – but as an age it was well over the hill. How on earth had she got to forty-two anyway?)
  3. “Hello, this is the Alcoholics Anonymous helpline – how can I help?”

That would have made the most sense. But unfortunately she couldn’t say that in case it was her mother phoning, or her sister, Alison, or her best friend, Tanya. Not that her mother and her sister and Tanya didn’t know she was a recovering alcoholic. But there were people in her life, these days, who didn’t know. And it wasn’t the sort of thing she wanted to advertise when she answered her own phone. That was the trouble – she had no way of telling whether she was answering a call diverted from the helpline or whether it was someone who wanted to speak to her. It was a conundrum.

Although not that much of one because the phone hadn’t rung for – what – coming up for three hours now anyway. Soon her phone service shift would be over and she could go back to doing her housework or planning her Poetry and a Pint session. In fact, what the heck, why didn’t she do that now? What was she waiting for?

She had barely reached the door when the phone began to ring. SJ stared at it in surprise. She wasn’t imagining it, was she? It was ringing? She took a deep breath and strolled back into the room. This time she was going to get it right. She would be pleasant, polite, with a touch of concern. She would be relaxed, calm, the model helpline attendant. She felt her chest swell a little with pride at the thought. This was her chance to make a difference.

She picked up the phone. “Hello, can I help you?” Oh so simple – why hadn’t she thought of that before?

“Hello,” the girl’s voice was tearstained. “Is that the AA?”

“Yes it is.”

There was a small silence and SJ wondered if she’d sounded sympathetic enough. Maybe she’d been a bit matter of fact, or even abrupt. She sat back down on the sofa, pressing the phone close to her ear. “Are you okay?” she said softly.

“I don’t think I am,” said the girl and now she sounded so scared and so vulnerable that SJ forgot all about herself and how she was coming across and she just wanted to say something, anything that would help – even if it was only for a few moments, a few seconds.

“You’ve done the hardest part,” she said. “You’ve just phoned for help. You’ve made a phone call that could save your life. I know how hard it is to do that. I did it myself once.”

“Did you used to drink a lot then? I mean, really a lot. I don’t just mean wine. I mean, well, bottles and bottles of voddie?” The girl’s voice grew a little fainter and SJ realised she’d drawn away from the phone. She could hear sounds in the background, the clink of a bottle against a glass and the unmistakable glug of liquid.

“Are you drinking now?”

“No,” the girl said. There was a pause and SJ heard her swallowing and the slur in her voice when she spoke again. “No, I’m not drinking. I’m not phoning for myself. I’m phoning about a friend.”

“And is your friend able to come to the phone, honey?”

Another pause to swallow. “No – not really. She’s er… she’s asleep. Maybe when she wakes up.”

“Sure,” SJ said, knowing there was no friend. “So tell me about you. Are you okay?”

There was another long pause followed by a little beep and SJ realised as she held the phone away from her ear again that the display was blank – that the girl had hung up. She sat back on the sofa feeling terribly sad and also a little sick. So her very first call and she’d done nothing. Nothing at all. Somewhere out there was a very scared, very lonely, very drunk young girl and she – SJ – had been utterly powerless to help her.

***

And if you’d like to read on for a mere £1.99 – less than the price of a glass of Chardonnay! Please click here.

Thank you 🙂

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Bio

Della Galton is a novelist, short story writer, and journalist.  Writing is her passion.When she is not writing she enjoys walking her dogs in the beautiful Dorset countryside where she lives.

Ice and a Slice

The Morning After The Life Before

della

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Many thanks Della, for a fabulous blog!!!

Happy reading,

Jenny xx

 

 

COVER & BLURB REVEAL- Abi’s House

It’s not long now until my next novel, Abi’s House, will be ready to hit the shelves!

Here is the first glimpse of the cover and blurb!!

Abi's House_edited-1

Blurb

Newly widowed at barely thirty, Abi Carter is desperate to escape the Stepford Wives-style life that Luke, her late husband, had been so keen for her to live.

Abi decides to fulfil a lifelong dream. As a child on holiday in a Cornwall as a child she fell in love with a cottage – the prophetically named Abbey’s House. Now she is going to see if she can find the place again, relive the happy memories … maybe even buy a place of her own nearby?

On impulse Abi sets off to Cornwall, where a chance meeting in a village pub brings new friends Beth and Max into her life. Beth, like Abi, has a life-changing decision to make. Max, Beth’s best mate, is new to the village. He soon helps Abi track down the house of her dreams … but things aren’t quite that simple. There’s the complicated life Abi left behind, including her late husband’s brother, Simon – a man with more than friendship on his mind … Will Abi’s house remain a dream, or will the bricks and mortar become a reality?

 

Pre order links coming soon!!

Happy reading,

Jenny xx

 

Guest Post from Jennifer Young: No Time Like Now

Today I’m delighted to welcome Jennifer Young to my site as part of her brand new blog tour.

Over to you Jennifer…

tourbutton_jenniferyoung

When I launched my current novel, No Time Like Now, with a day-long Facebook party, the most excitable thread of the whole day related to science.

Remember science? Those long, long lessons which always seemed to be on a Friday afternoon; the teacher who nipped into the chemicals cupboard for a quick smoke; the spotty kids at the back who cared nothing about learning and everything for as much disruption as you can possibly cause with the help of a bunsen burner?

Science isn’t like that in my book. “Scientists are totally sexy” cooed one poster. “ They’ve made science cool, so therefore scientists are cool. It only makes sense,” enthused another. Examples of sexy scientists on our TV screens abound. Some of them should probably be blushing.

In No Time Like Now, science is represented by Tim Stone, a smouldering geologist hero whose passions extend beyond rocks and very much towards embracing our heroine, Megan. (She isn’t a scientist, although her rival for his affections is.) But this is romantic suspense so nothing is straightforward.

Tim, proud of being a scientist, is driven by a need to know things. He’s proud of his ability to ask questions, filter the information and find the answers. “I’m a scientist,” he tells the rather more touchy-feely Megan. “It isn’t enough for me to know that things happen — I have to know why they happen. I have to understand how things work, what went right or wrong. That’s what drives me.”

So he’s the smart one the bright one — but she’s the one with the emotional intelligence, the one who understands that there’s more to life than plain fact, that the whole really can be more (or less) than the sum of its parts.

In the event, Tim’s desire for answers leads him into a very tricky situation and he’s dependent on Megan for his rescue. But his lack of emotional intelligence has already dashed their relationship onto the rocks (so to speak).

So there we are. A broken romance but one that a leaves passion still burning. A series of questions with dangerous answers. And the biggest question that Megan has to answer is: do you love him?

No Time Like Now by Jennifer Young

Read on…

Excerpt

When youve finished your coffee, Megan or Catalina will show you your room.

Im going to finish getting the supper ready. Could Cat do it?

Yes, Ill do it.

Tim placed his mug on the worktop. That suited him fine. He didnt particularly want to spend time with Megan either. If its okay with you, perhaps we could go now and I can get unpacked and settled in.

This way. Delighted to help, Catalina led him through the lounge where the briefing meeting was already getting rowdy, into the hall where he retrieved his luggage from among the rest of the kit, and up several half flights of stairs. Im sorry, were really busy this week so we had to put you in the attic.

Itll keep me fit.When shed gone, he dropped his rucksack in the corner and took a look round. It was a nice enough room, not too big but clean and bright, with a comfortable bed and crucially plenty of desk space. He stood for a moment looking out of the window. Checked his phone. Stood and stared out of the window again as he turned things over in his head. And over, and over, because the past was like a snake that just kept rearing its ugly head to strike.

So, Megan McLeod. It was only for a month. And shed made it clear how she was going to handle it, so hed handle it that way, too. Remain polite, always be civil. Give nothing away. And above all, never forgive.

 About No Time Like Now

Hiding away from a disastrous past, Megan McLeod is getting along nicely in her job as housekeeper at a university field centre in Majorca. But the arrival of geological researcher, Tim Stone, throws everything into disarray — because Tim was the father of the baby she lost some years before and the two of them had parted very messily indeed.

As if having Tim on the scene wasn’t bad enough, he’s there with his new partner, Holly. But when in the course of his research he comes upon something extremely nasty along the cliffs of north Majorca, he’s forced to turn to Megan for help.

DON’T MISS THIS GIVEAWAY! –

http://www.rafflecopter.com/rafl/display/8b9ec5be91/

Buy it from:

Tirgearr Publishing

http://tirgearrpublishing.com/authors/Young_Jennifer/no-time-like-now.htm

Amazon US

http://www.amazon.com/gp/product/B00OYFRSGG/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00OYFRSGG&linkCode=as2&tag=lucyfelt-20&linkId=NPR7KQYM5GOLFW4G

Amazon UK

http://www.amazon.co.uk/gp/product/B00OYFRSGG/ref=as_li_tl?ie=UTF8&camp=1634&creative=19450&creativeASIN=B00OYFRSGG&linkCode=as2&tag=lucyfelthouse-21&linkId=MPO2NS76J5TOUBU6

Smashwords

https://www.smashwords.com/books/view/487736?ref=cw1985

 

About Jennifer Young

Jennifer Young is an Edinburgh-based writer, editor and copywriter. She is interested in a wide range of subjects and writing media, perhaps reflecting the fact that she has both arts and science degrees. Jennifer has been writing fiction, including romantic fiction, for a number of years with several short stories already published. No Time Like Now is her second published novel; her first novel, Thank You For The Music, is also set on the Balearic island of Majorca.

Find me on

Facebook

https://www.facebook.com/jenniferyoungauthor

Twitter

@JYnovelist

Blog

http://jenniferyoungauthor.blogspot.co.uk/

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Many thanks Jennifer,

Happy reading everyone,

Jenny x

Guest Post from Lorna Peel: Writing Genealogy Fiction

I’m delighted to welcome Lorna Peel to my site today as part of her blog tour to celebrate the release of her latest work, Only You.

Over to you Lorna…

Writing Genealogy Fiction

Genealogy is the fastest growing hobby in the United Kingdom and North America. So I find it surprising that there aren’t more novels with a family history theme to appeal to this vast and ever-expanding market. Is it because people have a preconceived idea in their heads that all genealogists are nerds and geeks and only want to interact with dead people? I hope not, because in the many libraries and archives I have undertaken research in, I have seen genealogists, both amateur and professional, of all ages and from all walks of life. So the clichéd image of the nerdy genealogist is something I want to try and do away with.

I have always enjoyed reading thrillers and mysteries, but I didn’t want to write a predictable police procedural. A novel featuring a genealogist, or someone who teaches family history evening classes in Jane Hollinger’s case, is a great way of offering a new perspective on romantic fiction as it combines mystery with history. It also gave me the chance to write about what I know.

Just as in police detective work, researching family histories involves interviews, collecting evidence, following clues, piecing together puzzles and finding missing links. To keep this vital part of the story accurate, I drew on my experience researching my own varied family history. Only You will appeal to romantics, genealogists and mystery fans, combining the obsessions of this compelling hobby with a dark, outwardly impenetrable mystery in a unique way.

Only You

Excerpt:

The phone rang and she jumped. The number displayed was unfamiliar and she closed her eyes, hoping that it wasn’t yet another double-glazing salesperson.

“Hello?”

“Jane Hollinger?” a male voice asked.

“Yes.”

“This is Robert Armstrong. I hope you don’t mind, I found the number for your old genealogy research service in an old Yellow Pages.”

Mind? Her heart began to thump. “Er, no, not at all.”

“It’s just that I actually did start on my family tree and I’ve come across something a bit weird.”

“Weird?”

“Yeah, I found the birth, marriage, and death indexes on the net and it looks as though I had a twin brother I knew nothing about.”

“Are you sure?” She managed to sound calm.

“Positive. There was another name on the list above mine, a Michael David Armstrong. My full name is Robert David Armstrong, so I thought it was a bit weird and I ordered the birth certificate.”

“You’ve known nothing about a twin at all?”

“Nothing. No one’s ever said that I was a twin. It says nothing about me being a twin on my birth certificate.”

“Did you check the death indexes? Maybe he died soon after he was born?”

“No, I haven’t had time yet. What do you think? Strange, eh?”

“It is strange,” she admitted. “I think you should have a chat with your parents.”

There was a long silence and she began to squirm. She took the phone into the kitchen and sat down at the table.

“My parents and I don’t see eye-to-eye, actually. They didn’t want me to become an actor. We haven’t spoken in years.”

Blimey, how did he manage to keep that out of the press? “Oh, I see. Well, what about grandparents? Aunts, uncles?”

“I was close to my maternal grandparents, but they’re both dead now.” She heard a wry laugh. “I’m not making this very easy for you, am I?”

He could say that again. “Well, the first thing you should do is to try and see whether Michael David Armstrong is still alive.”

“Yes. But if he is, he could be anywhere.”

“I know. I’m more used to tracing dead people!” she laughed.

“You think I should make contact and speak to my parents?”

“That’s not for me to say.”

“You get on with your parents?” he asked.

“Yes, very well. Do you have any other brothers or sisters?”

“No, I don’t, that’s why this is so weird. I had no idea I had a twin brother.”

“Search forward in the General Register Office death indexes when you’ve time.”

“Yes, I will. Look, thanks, Jane.”

“No problem.”

“Mitch Burns is well and truly dead now, by the way,” he continued.

“I won’t say I’m sorry to hear that!”

“I thought not. Look, can I buy you a drink sometime as a thank you?”

“There’s no need,” she heard herself tell him and pulled an agonised face. “You bought me the lovely roses.”

“I heard Diana tell Dave they were probably stolen.” He laughed. “Mitch Burns was a bastard and probably would have stolen them. From a cemetery, I’d say!”

“Why play someone like that?” Her curiosity got the better of her.

“To see if I could. And to make sure that I’m not typecast. I’d hate to be offered the same type of roles all the time.”

“So the sex-mad genealogist is next?”

“Yes. In a couple of weeks. Which might give me enough time to try and solve the mystery of the missing twin.”

“Look, about that drink…” she began.

“I’ve got you curious now, haven’t I?” He chuckled. “I can gather all my stuff together and meet you in The Crown sometime?”

“Yes.” It came out as a squeak. She quickly covered the mouthpiece and cleared her throat. “When would suit you?”

“Tomorrow? I can’t do Tuesday because I have an interview with a journalist.”

“Tomorrow’s fine. Eight o’clock?”

“Eight o’clock it is. I’ll see you then.”

She ended the call and put the handset down on the table. She had almost talked herself out of a drink with Robert Armstrong. “You stupid, stupid cow.”

****

Blurb:

Jane Hollinger is the wrong side of thirty, divorced and struggling to pay the mortgage her cheating ex left her with. As a qualified genealogist, teaching family history evening classes is a way for her to make ends meet. But she begins to wonder if it’s such a good idea when a late enroller for the class is a little… odd. “Badly-blond Bloke” both scares and intrigues Jane, and when she discovers he is her all-time favourite actor and huge crush, Robert Armstrong, she’s stunned. Even more stunning to Jane is the fact that Robert is interested in her romantically. He’s everything she ever dreamed of, and more, but can she overcome her fear of living in the public eye to be with the man she loves?

http://www.tirgearrpublishing.com/authors/Peel_Lorna/only-you.htm

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About me:

Lorna Peel is an author of contemporary and historical romantic fiction. She has had work published in three Irish magazines – historical articles on The Stone of Scone in ‘Ireland’s Own’, on The Irish Potato Famine in the ‘Leitrim Guardian’, and Lucy’s Lesson, a contemporary short story in ‘Woman’s Way’. Lorna was born in England and lived in North Wales until her family moved to Ireland to become farmers, which is a book in itself! She lives in rural Ireland, where she write, researches her family history, and grows fruit and vegetables. She also keeps chickens (and a Guinea Hen who now thinks she’s a chicken!).

http://lornapeel.com

http://twitter.com/PeelLorna

http://www.facebook.com/LornaPeelAuthor

http://pinterest.com/lornapeel

http://www.goodreads.com/LornaPeel

Thank you for featuring me on your blog, Jenny!

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Thanks again for coming by Lorna! Don’t miss any of the other stops on Lorna’s tour – http://www.writermarketing.co.uk/prpromotion/blog-tours/currently-on-tour/lorna-peel

Happy reading,

Jenny xx

 

 

Introducing Kelly Hambly – The Town Halloween Forgot

Today I’m pleased to be able to introduce one of the newest voices from the Accent Press stable, Kelly Hambly. Kelly’s new book, is one of the very first of Accent’s brand new Young Adult/Teenage fiction publications.

Release Blitz!!

The Town Halloween Forgot, The Curse of Willow Creek is Kelly Hambly’s debut novel with Welsh publisher, Accent Press. Kelly is a Welsh author of Fantasy and horror. She lives in Swansea with her husband and two children.

The Town Halloween Forgot

Halloween is a YA novel, inspired by her children and the move to their new house, where she states her kids were convinced the hallway was haunted. Whether it is or isn’t, this gave her an idea to write a young adult fantasy novel. It took about a year to write and she was even going to self-publish it, until she decided on a whim to try her luck with a publisher. As her children were her main influence, she even named the main character, Danny, after her son.

Sometimes Halloween is all trick, and no treat. Danny Hallows is no ordinary fifteen year old. After his parents’ divorce, he relocates to a small Welsh town called Willow Creek where he accidentally sets off the beginnings of a 600 year old prophecy. Discovering his family are related to the last witch of the 1656 witch trials, he is faced with protecting his family’s legacy and saving Halloween from the dark sorceress Morwenna, who is hell bent on revenge for what Danny’s great-grandmother did to her all those years ago. Can Danny stop the prophecy before it’s too late?

 

You can follow Kelly on Twitter @celtic_nimueh

Book links http://goo.gl/5PDj5U  (UK) http://goo.gl/aorOvi  (US)

Facebook https://www.facebook.com/pages/KA-Hambly-Author

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I hope that has whetted your appetite for a bit of an autumnal spooky read!! Good luck with your first book Kelly!

Happy reading,

Jenny xx

 

There’s a Cow in the Flat – My First Picture Book is OUT NOW

I am delighted to be able to announce that my very first children’s story, There’s a Cow in the Flat is out NOW!!

There's a Cow in the Flat

I can’t tell you how excited I am about this. I wrote this story for my children when they were very small. It was then polished and developed during a handful of creative story telling sessions I taught at two different primary schools- Crombie Primary in Aberdeenshire and then- right down the other end of Britain- at Heathcoat Primary School in Devon.

It’s been 6 years since I took There’s a Cow in the Flat (and all my other children’s stories), into a school, and I’m really looking forward to taking it back on the road again- but this time, with a copy of the published book in my hand, rather than just a handful of well remembered notes!!!

Blurb

A cow has managed to stray into Oscar’s third storey flat! But how? Has she beamed in from outer space? Is she an acrobatic circus cow? She certainly really loves eating all the furniture! As Oscar imagines how the cow could have got into the flat, he and his Mum try everything they can to get her out again, before there is no sofa left! The cow however, has other ideas…

I would like to extend a HUGE thank you to the wonderful illustrator Ryan Doherty for bringing my cow, Oscar, and his mum to life with his brilliantly bright pictures, and to Hush Puppy Books for letting me add another literary genre to my bow!

I’ll be back to tell you more about Oscar’s adventure soon, but for now- here are those all important buy links!!

Amazon US

Amazon UK

Happy reading

Jenny xx

 

 

Guest Post by Victoria Addis: Love and Romance in Children’s Fiction

I am honoured to be able to share this wonderful blog with you today from the Charing Hermit herself, Victoria Addis!

Over to you Victoria…

Love and Romance in Children’s Fiction

Love and romance are central themes, not just in literature but in life. Relationships forming, ending or carrying through into old age are the framework on which families, friendships and the ties that bind are built and tested. Where the intricacies of romantic love may take centre stage in adult and young adult fiction of any genre, the rules are slightly different when writing for children.

When thinking about romance in books for children, our first thought is probably of fairy tales, with their downtrodden Princesses and handsome Prince Charmings playing out a form of idealised love. The main characters in these stories are always teenagers or adults and usually one-dimensional. Without much cause for identification with the characters, children enjoy these stories for the excitement of the plot and the fun of the “bad guys”. The romantic element has its appeal in the security of familial love, and in the wish to play grown ups.

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Contemporary children’s fiction usually features characters that readers can relate to. Main characters are usually children themselves and are either a type of everyman girl or boy thrown into strange circumstances such as Harry Potter or unusual characters that draw readers to them through their quirks, like the Baudelaire children from A Series of Unfortunate Events.

Romance in these novels is not centralised through the main characters as it is in fairy tales. Contemporary children’s fiction works with an undercurrent of romantic possibility in its protagonists and a backdrop of true romance, relationships and sexuality in its older, secondary characters.

Romantic relationships are just as necessary in children’s fiction as they are when writing for adults. In order to create depth in a fictional world, romantic love and its darker themes must play a part.

A Series of Unfortunate Events strikes this balance really well. The romantic possibility between Violet Baudelaire and the Duncan Quagmire opens up a bridge to the adult world while remaining within the understanding of a younger audience. The darker undertones of Violet’s relationship with Count Olaf and plot lines surrounding her sexualisation add depth to the general sense of danger associated with the novels “bad guy”.

In his Wardstone Chronicles (or Spooks Books) series, Joseph Delaney exploits romantic possibility in the uneasy friendship between the apprentice Tom Ward and the witch Alice Dean. Tom’s mistrust of Alice has a hint of misogyny about it, echoing the Spook’s treatment of his witch-wife Meg Skelton who he keeps locked up and controlled. As with A Series of Unfortunate Events, the romantic possibility plays into other themes, adding depth to the writing by illuminating feminist issues.

The Harry Potter series provides an excellent example of romance and romantic themes in children’s fiction, as it grows from children’s literature into the realm of young adult. The difference between the first and second halves of the series is marked.

At first, relationships are friendships filled with romantic possibility; Ginny’s shyness around Harry, Hermione and Ron’s constant sniping at each other, and they are complimented by romantic relationships in older, secondary characters, notably Percy Weasley and Penelope Clearwater. In later books, these relationships become more complex and emotional as the characters mature.

The main difference between romantic possibility in children’s fiction and first relationships in young adult fiction is the move from curiosity to experience. Romantic possibility in children’s fiction is unsure, maybe even unnoticed by the characters and certainly less subject to emotional baggage. In children’s fiction romantic relationships and their complications are a necessary background feature, which come to take centre stage as the readership ages.

So, how do you write romantic possibility into your children’s book?

1)      All relationships are built on friendships, so introduce characters for your main characters to take an interest in or even to take a disliking to.

2)      Create tension by having your character respond jealously, dismissively, over- eagerly or with curiosity to them. These emotional reactions are the bedrock of romantic possibility and when used subtly can add great depth without having to lead to a romantic plot line.

3)      Use older characters to introduce more serious elements of love and relationships, especially darker issues.

4)      Use it for a reason- does it say something about your character that they respond with jealousy rather than curiosity? Does it make a larger point about fitting in, feeling wanted? Or does it relate to larger themes in your book, such as the treatment of women?

Of course, romantic relationships need not be a background feature in writing for children; you could always go all out and write a story of very first love. If romance is the central focus in a children’s novel, then the strongest elements will be friendship and curiosity. You can exploit playground knowledge of sex and relationships and the copying of adult behaviours or reach for something deeper with shared experience and meaningful bonds. However you decide to incorporate romance into your children’s novel, it should form a part of your fictional world to give it the authenticity of real life experience.

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Victoria is a postgraduate literature student and children’s writer.

http://thecharminghermit.blogspot.co.uk/

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Many thanks again Victoria- wonderful blog.
Happy reading everyone,
Jenny xx

Author Patrick Whitehurst Gets His Mystery On

Hi, everyone! Thank you to Jenny Kane for having me on her site to talk about the mystery genre and writing – two subjects dear to my heart.

I think most of us have a special place for mysteries, whether that’s watching “Sherlock” or reading “Gone Girl,” which we’re all hoping will be a kick-ass movie this year.

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I got into mysteries in the 1970s as a kid, with “Columbo” and “The Rockford Files,” then “Simon and Simon” and “Magnum P.I.” in the 80s. From there I veered into print mysteries, where I fell in love with Sherlock Holmes and Poirot, then Sam Spade and Phillip Marlowe. Pulp novels quickly became a fascination with me, from Tarzan to The Shadow, and later with modern pulps like The Executioner, The Destroyer and the Nick Carter: Killmaster series.

These days I read nearly everything I can get my hands on, including favorites like Stieg Larsson and James Ellroy, and many, many others. And, while I get turned on by all of them, I’ve found many recent works lack a certain element of fun and, on top of that, a thrilling sense of adventure. I decided to change that when I sat down to write the Barker Mysteries.

Barker is sort of a blend of characters: Holmes meets Tarzan in a way – but he is a man with no memory of his past. He lives with a pack of dogs under Old Fisherman’s Wharf in Monterey, California, and ends up in various situations, from kidnappings to murder plots and everything in between. More than anything, I wanted “Monterey Noir” and “Monterey Pulp” to bring readers into a world of adventure and intrigue, with a little romantic flair thrown in, and not leave them too “heavy” when it’s over.

I also chose to make my lead character a homeless man in the hopes that I could present that segment of our population in a way that might surprise readers. I created a strong, handsome detective who lives on the fringes of society. He’s a homeless man, but not someone to pity.

Both Noir and Pulp hit Amazon and other digital novel sites in 2013. Currently, “Monterey Confidential,” the third entry in the series, sits on my desktop as a work in progress. Unlike the first two, which contain a number of short mysteries that connect to the larger story, Confidential will be a single, longer story that brings Barker face to face with a man from his cloudy past. He’ll also leave his comfort zone of California, for the hot desert of Arizona.

And that’s the great thing about mysteries, whether fun or heavy, the genre is wide open – and as popular as ever – something I should probably thank Benedict Cumberbatch for providing!

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About Patrick Whitehurst

Patrick Whitehurst is an award-winning journalist, artist and author of the Barker Mysteries, first released in 2013 by Deerstalker Editions – a small press publisher based out of San Francisco.

Besides Monterey Noir and Monterey Pulp, he’s written two regional non-fiction books for Arcadia Publishing in their Images of America series. His books, “Williams” and “Grand Canyon’s Tusayan Village,” focus on the rich history found in the two Grand Canyon gateway communities. His fiction has appeared in various anthologies and newspapers around the country.

Over the years, Whitehurst has served as president for the Northern Arizona Authors Association and worked as a book reviewer for Kirkus Discoveries.

Visit Patrick online at www.patrickwhitehurst.blogspot.com for his thoughts on writing, writers, excerpts, and more.

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Many thanks for coming to visit today Patrick!! I love that you love Columbo (one of my earliest TV memories) and Sherlock!! Gotta love a bit of Benedict!!

Happy reading,

Jenny xx

 

 

 

 

 

 

 

 

 

 

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