Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

Tag: fiction

Guest Post from Lorna Peel: Writing Genealogy Fiction

I’m delighted to welcome Lorna Peel to my site today as part of her blog tour to celebrate the release of her latest work, Only You.

Over to you Lorna…

Writing Genealogy Fiction

Genealogy is the fastest growing hobby in the United Kingdom and North America. So I find it surprising that there aren’t more novels with a family history theme to appeal to this vast and ever-expanding market. Is it because people have a preconceived idea in their heads that all genealogists are nerds and geeks and only want to interact with dead people? I hope not, because in the many libraries and archives I have undertaken research in, I have seen genealogists, both amateur and professional, of all ages and from all walks of life. So the clichéd image of the nerdy genealogist is something I want to try and do away with.

I have always enjoyed reading thrillers and mysteries, but I didn’t want to write a predictable police procedural. A novel featuring a genealogist, or someone who teaches family history evening classes in Jane Hollinger’s case, is a great way of offering a new perspective on romantic fiction as it combines mystery with history. It also gave me the chance to write about what I know.

Just as in police detective work, researching family histories involves interviews, collecting evidence, following clues, piecing together puzzles and finding missing links. To keep this vital part of the story accurate, I drew on my experience researching my own varied family history. Only You will appeal to romantics, genealogists and mystery fans, combining the obsessions of this compelling hobby with a dark, outwardly impenetrable mystery in a unique way.

Only You

Excerpt:

The phone rang and she jumped. The number displayed was unfamiliar and she closed her eyes, hoping that it wasn’t yet another double-glazing salesperson.

“Hello?”

“Jane Hollinger?” a male voice asked.

“Yes.”

“This is Robert Armstrong. I hope you don’t mind, I found the number for your old genealogy research service in an old Yellow Pages.”

Mind? Her heart began to thump. “Er, no, not at all.”

“It’s just that I actually did start on my family tree and I’ve come across something a bit weird.”

“Weird?”

“Yeah, I found the birth, marriage, and death indexes on the net and it looks as though I had a twin brother I knew nothing about.”

“Are you sure?” She managed to sound calm.

“Positive. There was another name on the list above mine, a Michael David Armstrong. My full name is Robert David Armstrong, so I thought it was a bit weird and I ordered the birth certificate.”

“You’ve known nothing about a twin at all?”

“Nothing. No one’s ever said that I was a twin. It says nothing about me being a twin on my birth certificate.”

“Did you check the death indexes? Maybe he died soon after he was born?”

“No, I haven’t had time yet. What do you think? Strange, eh?”

“It is strange,” she admitted. “I think you should have a chat with your parents.”

There was a long silence and she began to squirm. She took the phone into the kitchen and sat down at the table.

“My parents and I don’t see eye-to-eye, actually. They didn’t want me to become an actor. We haven’t spoken in years.”

Blimey, how did he manage to keep that out of the press? “Oh, I see. Well, what about grandparents? Aunts, uncles?”

“I was close to my maternal grandparents, but they’re both dead now.” She heard a wry laugh. “I’m not making this very easy for you, am I?”

He could say that again. “Well, the first thing you should do is to try and see whether Michael David Armstrong is still alive.”

“Yes. But if he is, he could be anywhere.”

“I know. I’m more used to tracing dead people!” she laughed.

“You think I should make contact and speak to my parents?”

“That’s not for me to say.”

“You get on with your parents?” he asked.

“Yes, very well. Do you have any other brothers or sisters?”

“No, I don’t, that’s why this is so weird. I had no idea I had a twin brother.”

“Search forward in the General Register Office death indexes when you’ve time.”

“Yes, I will. Look, thanks, Jane.”

“No problem.”

“Mitch Burns is well and truly dead now, by the way,” he continued.

“I won’t say I’m sorry to hear that!”

“I thought not. Look, can I buy you a drink sometime as a thank you?”

“There’s no need,” she heard herself tell him and pulled an agonised face. “You bought me the lovely roses.”

“I heard Diana tell Dave they were probably stolen.” He laughed. “Mitch Burns was a bastard and probably would have stolen them. From a cemetery, I’d say!”

“Why play someone like that?” Her curiosity got the better of her.

“To see if I could. And to make sure that I’m not typecast. I’d hate to be offered the same type of roles all the time.”

“So the sex-mad genealogist is next?”

“Yes. In a couple of weeks. Which might give me enough time to try and solve the mystery of the missing twin.”

“Look, about that drink…” she began.

“I’ve got you curious now, haven’t I?” He chuckled. “I can gather all my stuff together and meet you in The Crown sometime?”

“Yes.” It came out as a squeak. She quickly covered the mouthpiece and cleared her throat. “When would suit you?”

“Tomorrow? I can’t do Tuesday because I have an interview with a journalist.”

“Tomorrow’s fine. Eight o’clock?”

“Eight o’clock it is. I’ll see you then.”

She ended the call and put the handset down on the table. She had almost talked herself out of a drink with Robert Armstrong. “You stupid, stupid cow.”

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Blurb:

Jane Hollinger is the wrong side of thirty, divorced and struggling to pay the mortgage her cheating ex left her with. As a qualified genealogist, teaching family history evening classes is a way for her to make ends meet. But she begins to wonder if it’s such a good idea when a late enroller for the class is a little… odd. “Badly-blond Bloke” both scares and intrigues Jane, and when she discovers he is her all-time favourite actor and huge crush, Robert Armstrong, she’s stunned. Even more stunning to Jane is the fact that Robert is interested in her romantically. He’s everything she ever dreamed of, and more, but can she overcome her fear of living in the public eye to be with the man she loves?

http://www.tirgearrpublishing.com/authors/Peel_Lorna/only-you.htm

lorna-peel

About me:

Lorna Peel is an author of contemporary and historical romantic fiction. She has had work published in three Irish magazines – historical articles on The Stone of Scone in ‘Ireland’s Own’, on The Irish Potato Famine in the ‘Leitrim Guardian’, and Lucy’s Lesson, a contemporary short story in ‘Woman’s Way’. Lorna was born in England and lived in North Wales until her family moved to Ireland to become farmers, which is a book in itself! She lives in rural Ireland, where she write, researches her family history, and grows fruit and vegetables. She also keeps chickens (and a Guinea Hen who now thinks she’s a chicken!).

http://lornapeel.com

http://twitter.com/PeelLorna

http://www.facebook.com/LornaPeelAuthor

http://pinterest.com/lornapeel

http://www.goodreads.com/LornaPeel

Thank you for featuring me on your blog, Jenny!

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Thanks again for coming by Lorna! Don’t miss any of the other stops on Lorna’s tour – http://www.writermarketing.co.uk/prpromotion/blog-tours/currently-on-tour/lorna-peel

Happy reading,

Jenny xx

 

 

Introducing Kelly Hambly – The Town Halloween Forgot

Today I’m pleased to be able to introduce one of the newest voices from the Accent Press stable, Kelly Hambly. Kelly’s new book, is one of the very first of Accent’s brand new Young Adult/Teenage fiction publications.

Release Blitz!!

The Town Halloween Forgot, The Curse of Willow Creek is Kelly Hambly’s debut novel with Welsh publisher, Accent Press. Kelly is a Welsh author of Fantasy and horror. She lives in Swansea with her husband and two children.

The Town Halloween Forgot

Halloween is a YA novel, inspired by her children and the move to their new house, where she states her kids were convinced the hallway was haunted. Whether it is or isn’t, this gave her an idea to write a young adult fantasy novel. It took about a year to write and she was even going to self-publish it, until she decided on a whim to try her luck with a publisher. As her children were her main influence, she even named the main character, Danny, after her son.

Sometimes Halloween is all trick, and no treat. Danny Hallows is no ordinary fifteen year old. After his parents’ divorce, he relocates to a small Welsh town called Willow Creek where he accidentally sets off the beginnings of a 600 year old prophecy. Discovering his family are related to the last witch of the 1656 witch trials, he is faced with protecting his family’s legacy and saving Halloween from the dark sorceress Morwenna, who is hell bent on revenge for what Danny’s great-grandmother did to her all those years ago. Can Danny stop the prophecy before it’s too late?

 

You can follow Kelly on Twitter @celtic_nimueh

Book links http://goo.gl/5PDj5U  (UK) http://goo.gl/aorOvi  (US)

Facebook https://www.facebook.com/pages/KA-Hambly-Author

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I hope that has whetted your appetite for a bit of an autumnal spooky read!! Good luck with your first book Kelly!

Happy reading,

Jenny xx

 

There’s a Cow in the Flat – My First Picture Book is OUT NOW

I am delighted to be able to announce that my very first children’s story, There’s a Cow in the Flat is out NOW!!

There's a Cow in the Flat

I can’t tell you how excited I am about this. I wrote this story for my children when they were very small. It was then polished and developed during a handful of creative story telling sessions I taught at two different primary schools- Crombie Primary in Aberdeenshire and then- right down the other end of Britain- at Heathcoat Primary School in Devon.

It’s been 6 years since I took There’s a Cow in the Flat (and all my other children’s stories), into a school, and I’m really looking forward to taking it back on the road again- but this time, with a copy of the published book in my hand, rather than just a handful of well remembered notes!!!

Blurb

A cow has managed to stray into Oscar’s third storey flat! But how? Has she beamed in from outer space? Is she an acrobatic circus cow? She certainly really loves eating all the furniture! As Oscar imagines how the cow could have got into the flat, he and his Mum try everything they can to get her out again, before there is no sofa left! The cow however, has other ideas…

I would like to extend a HUGE thank you to the wonderful illustrator Ryan Doherty for bringing my cow, Oscar, and his mum to life with his brilliantly bright pictures, and to Hush Puppy Books for letting me add another literary genre to my bow!

I’ll be back to tell you more about Oscar’s adventure soon, but for now- here are those all important buy links!!

Amazon US

Amazon UK

Happy reading

Jenny xx

 

 

Guest Post by Victoria Addis: Love and Romance in Children’s Fiction

I am honoured to be able to share this wonderful blog with you today from the Charing Hermit herself, Victoria Addis!

Over to you Victoria…

Love and Romance in Children’s Fiction

Love and romance are central themes, not just in literature but in life. Relationships forming, ending or carrying through into old age are the framework on which families, friendships and the ties that bind are built and tested. Where the intricacies of romantic love may take centre stage in adult and young adult fiction of any genre, the rules are slightly different when writing for children.

When thinking about romance in books for children, our first thought is probably of fairy tales, with their downtrodden Princesses and handsome Prince Charmings playing out a form of idealised love. The main characters in these stories are always teenagers or adults and usually one-dimensional. Without much cause for identification with the characters, children enjoy these stories for the excitement of the plot and the fun of the “bad guys”. The romantic element has its appeal in the security of familial love, and in the wish to play grown ups.

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Contemporary children’s fiction usually features characters that readers can relate to. Main characters are usually children themselves and are either a type of everyman girl or boy thrown into strange circumstances such as Harry Potter or unusual characters that draw readers to them through their quirks, like the Baudelaire children from A Series of Unfortunate Events.

Romance in these novels is not centralised through the main characters as it is in fairy tales. Contemporary children’s fiction works with an undercurrent of romantic possibility in its protagonists and a backdrop of true romance, relationships and sexuality in its older, secondary characters.

Romantic relationships are just as necessary in children’s fiction as they are when writing for adults. In order to create depth in a fictional world, romantic love and its darker themes must play a part.

A Series of Unfortunate Events strikes this balance really well. The romantic possibility between Violet Baudelaire and the Duncan Quagmire opens up a bridge to the adult world while remaining within the understanding of a younger audience. The darker undertones of Violet’s relationship with Count Olaf and plot lines surrounding her sexualisation add depth to the general sense of danger associated with the novels “bad guy”.

In his Wardstone Chronicles (or Spooks Books) series, Joseph Delaney exploits romantic possibility in the uneasy friendship between the apprentice Tom Ward and the witch Alice Dean. Tom’s mistrust of Alice has a hint of misogyny about it, echoing the Spook’s treatment of his witch-wife Meg Skelton who he keeps locked up and controlled. As with A Series of Unfortunate Events, the romantic possibility plays into other themes, adding depth to the writing by illuminating feminist issues.

The Harry Potter series provides an excellent example of romance and romantic themes in children’s fiction, as it grows from children’s literature into the realm of young adult. The difference between the first and second halves of the series is marked.

At first, relationships are friendships filled with romantic possibility; Ginny’s shyness around Harry, Hermione and Ron’s constant sniping at each other, and they are complimented by romantic relationships in older, secondary characters, notably Percy Weasley and Penelope Clearwater. In later books, these relationships become more complex and emotional as the characters mature.

The main difference between romantic possibility in children’s fiction and first relationships in young adult fiction is the move from curiosity to experience. Romantic possibility in children’s fiction is unsure, maybe even unnoticed by the characters and certainly less subject to emotional baggage. In children’s fiction romantic relationships and their complications are a necessary background feature, which come to take centre stage as the readership ages.

So, how do you write romantic possibility into your children’s book?

1)      All relationships are built on friendships, so introduce characters for your main characters to take an interest in or even to take a disliking to.

2)      Create tension by having your character respond jealously, dismissively, over- eagerly or with curiosity to them. These emotional reactions are the bedrock of romantic possibility and when used subtly can add great depth without having to lead to a romantic plot line.

3)      Use older characters to introduce more serious elements of love and relationships, especially darker issues.

4)      Use it for a reason- does it say something about your character that they respond with jealousy rather than curiosity? Does it make a larger point about fitting in, feeling wanted? Or does it relate to larger themes in your book, such as the treatment of women?

Of course, romantic relationships need not be a background feature in writing for children; you could always go all out and write a story of very first love. If romance is the central focus in a children’s novel, then the strongest elements will be friendship and curiosity. You can exploit playground knowledge of sex and relationships and the copying of adult behaviours or reach for something deeper with shared experience and meaningful bonds. However you decide to incorporate romance into your children’s novel, it should form a part of your fictional world to give it the authenticity of real life experience.

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Victoria is a postgraduate literature student and children’s writer.

http://thecharminghermit.blogspot.co.uk/

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Many thanks again Victoria- wonderful blog.
Happy reading everyone,
Jenny xx

Author Patrick Whitehurst Gets His Mystery On

Hi, everyone! Thank you to Jenny Kane for having me on her site to talk about the mystery genre and writing – two subjects dear to my heart.

I think most of us have a special place for mysteries, whether that’s watching “Sherlock” or reading “Gone Girl,” which we’re all hoping will be a kick-ass movie this year.

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I got into mysteries in the 1970s as a kid, with “Columbo” and “The Rockford Files,” then “Simon and Simon” and “Magnum P.I.” in the 80s. From there I veered into print mysteries, where I fell in love with Sherlock Holmes and Poirot, then Sam Spade and Phillip Marlowe. Pulp novels quickly became a fascination with me, from Tarzan to The Shadow, and later with modern pulps like The Executioner, The Destroyer and the Nick Carter: Killmaster series.

These days I read nearly everything I can get my hands on, including favorites like Stieg Larsson and James Ellroy, and many, many others. And, while I get turned on by all of them, I’ve found many recent works lack a certain element of fun and, on top of that, a thrilling sense of adventure. I decided to change that when I sat down to write the Barker Mysteries.

Barker is sort of a blend of characters: Holmes meets Tarzan in a way – but he is a man with no memory of his past. He lives with a pack of dogs under Old Fisherman’s Wharf in Monterey, California, and ends up in various situations, from kidnappings to murder plots and everything in between. More than anything, I wanted “Monterey Noir” and “Monterey Pulp” to bring readers into a world of adventure and intrigue, with a little romantic flair thrown in, and not leave them too “heavy” when it’s over.

I also chose to make my lead character a homeless man in the hopes that I could present that segment of our population in a way that might surprise readers. I created a strong, handsome detective who lives on the fringes of society. He’s a homeless man, but not someone to pity.

Both Noir and Pulp hit Amazon and other digital novel sites in 2013. Currently, “Monterey Confidential,” the third entry in the series, sits on my desktop as a work in progress. Unlike the first two, which contain a number of short mysteries that connect to the larger story, Confidential will be a single, longer story that brings Barker face to face with a man from his cloudy past. He’ll also leave his comfort zone of California, for the hot desert of Arizona.

And that’s the great thing about mysteries, whether fun or heavy, the genre is wide open – and as popular as ever – something I should probably thank Benedict Cumberbatch for providing!

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About Patrick Whitehurst

Patrick Whitehurst is an award-winning journalist, artist and author of the Barker Mysteries, first released in 2013 by Deerstalker Editions – a small press publisher based out of San Francisco.

Besides Monterey Noir and Monterey Pulp, he’s written two regional non-fiction books for Arcadia Publishing in their Images of America series. His books, “Williams” and “Grand Canyon’s Tusayan Village,” focus on the rich history found in the two Grand Canyon gateway communities. His fiction has appeared in various anthologies and newspapers around the country.

Over the years, Whitehurst has served as president for the Northern Arizona Authors Association and worked as a book reviewer for Kirkus Discoveries.

Visit Patrick online at www.patrickwhitehurst.blogspot.com for his thoughts on writing, writers, excerpts, and more.

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Many thanks for coming to visit today Patrick!! I love that you love Columbo (one of my earliest TV memories) and Sherlock!! Gotta love a bit of Benedict!!

Happy reading,

Jenny xx

 

 

 

 

 

 

 

 

 

 

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