Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

Tag: memories

Opening Lines with Judith Barrow: The Memory

This week, I’m delighted to welcome, Judith Barrow, to share the Opening Lines from her incredibly moving novel,

The Memory.

Over to you Judith…

Many people have asked me what was the inspiration for The Memory and my answer is always – memories: memories of being a carer for two of my aunts who lived with us, memories of losing a friend in my childhood; a friend who, although at the time I didn’t realise, was a Downs’ Syndrome child. But why I started to write the story; a story so different from my other four books, I can’t remember. Because it was something I’d begun years ago and was based around the journal I’d kept during that decade of looking after my relatives.

But what did begin to evolve when I settled down to writing The Memory was the realisation of why I’d been so reluctant to delve too far into my memories. The isolation, the loneliness, that Irene Hargreaves, the protagonist, endures; despite being married to Sam, her loving husband, dragged up my own feelings of being alone so much as a child. That awareness of always being on the outside; looking in on other families, relationships and friendships had followed me; had hidden deep inside my subconscious. And now, as a contented wife and mother, with steady enduring friendships, it unsettled me. Many people, and as a creative writing tutor I’m one, say that writing is cathartic. Working through Irene’s memories; especially that one memory that has ruled her life, made me acknowledge my own. And that’s fine. I always say to my students, if you don’t feel the emotions as you write, then neither will your reader. In The Memory I’m hoping the reader will sense the poignant, sad times with Irene, but will also rejoice with her in the happier memories.

BLURB

Mother and daughter tied together by shame and secrecy, love and hate.

I wait by the bed. I move into her line of vision and it’s as though we’re watching one another, my mother and me; two women – trapped.

Today has been a long time coming. Irene sits at her mother’s side waiting for the right moment, for the point at which she will know she is doing the right thing by Rose.

Rose was Irene’s little sister, an unwanted embarrassment to their mother Lilian but a treasure to Irene. Rose died thirty years ago, when she was eight, and nobody has talked about the circumstances of her death since. But Irene knows what she saw. Over the course of 24 hours their moving and tragic story is revealed – a story of love and duty, betrayal and loss – as Irene rediscovers the past and finds hope for the future.

“…A book that is both powerful and moving, exquisitely penetrating. I am drawn in, empathising so intensely with Irene that I feel every twinge of her frustration, resentment, utter weariness and abiding love.” Thorne Moore

“Judith Barrow’s greatest strength is her understanding of her characters and the times in which they live; The Memory is a poignant tale of love and hate in which you will feel every emotion experienced by Irene.” Terry Tyler

The new novel from the bestselling author of the Howarth family saga.

FIRST 500 WORDS.

Chapter One 2001 – Irene 

There’s a chink of light from the streetlamp coming through the vertical blinds. It spreads across the duvet on my mother’s bed and onto the pillow next to her head. I reach up and pull the curtains closer together. The faint line of light is still there, but blurred around the edges.

Which is how I feel. Blurred around the edges. Except, for me, there is no light.

I move around the bed, straightening the corners, making the inner softness of the duvet match the shape of the outer material; trying to make the cover lie flat but of course I can’t. The small round lump in the middle is my mother. However heavily her head lies on the pillow, however precisely her arms are down by her sides, her feet are never still. The cover twitches until centimetre by centimetre it slides to one side towards the floor like the pink, satin eiderdown used to do on my bed as a child.

In the end I yank her feet up and tuck the duvet underneath. Tonight of all nights I want her to look tidy. I want everything to be right.

She doesn’t like that and opens her eyes, giving up the pretence of being asleep. Lying face upwards, the skin falling back on her cheekbones, her flesh is extraordinarily smooth, pale. Translucent almost. Her eyes are vague under the thick lines of white brows drawn together.

I ignore her; I’m bone weary. That was one of my father’s phrases; he’d come in from working in the bank in the village and say it.

‘I’m bone weary, Lil.’ He’d rub at the lines on his forehead. ‘We had to stay behind for half an hour all because that silly woman’s till didn’t add up.’ Or ‘… because old Watkins insisted I show the new lad twice how I leave my books at night; just so he knows, as though I might not go in tomorrow.’ Old Watkins was the manager, a job my father said he could do standing on his head but never got the chance.

And then, one day, he didn’t go into the bank. Or the day after that. Or ever again.

 

I wait by the bed. I move into her line of vision and it’s as though we’re watching one another, my mother and me; two women – trapped.

‘I can’t go on, Mum.’ I lift my arms from my side, let them drop; my hands too substantial, too solid to hold up. They’re strong – dependable, Sam, my husband, always says. I just think they’re like shovels and I’ve always been resentful that I didn’t inherit my mother’s slender fingers. After all I got her fat arse and thick thighs, why not the nice bits?

I’ve been awake for over a day. I glance at the clock with the extra-large numbers, bought when she could still tell the time. Now it’s just something else for her to stare at, to puzzle…

You can buy The Memory from all good retailers, including-

Honno Page: https://bit.ly/2XL0zCi

Amazon: http://amzn.to/2klIJzN

BIO

Judith Barrow, originally from Saddleworth, a group of villages on the edge of the Pennines, has lived in Pembrokeshire, Wales, for over forty years.

She has an MA in Creative Writing with the University of Wales Trinity St David’s College, Carmarthen. BA (Hons) in Literature with the Open University, a Diploma in Drama from Swansea University. She is a Creative Writing tutor for Pembrokeshire County Council and holds private one to one workshops on all genres.

LINKS

Website: https://judithbarrowblog.com/

Facebook: https://www.facebook.com/judith.barrow.3

Twitter: https://twitter.com/judithbarrow77

Goodreads: https://bit.ly/3kMYXRU

LinkedIn: https://bit.ly/3oNJZxq

***

Many thanks for sharing your Opening Lines today, Judith.

Happy reading everyone,

Jenny x

Why Cornwall?

A few years ago I was asked by Romance Matter’s magazine to write an article about what is it about Britain’s most south westerly county that draws so many creative souls to try and capture its flavour on paper? With the recent publication of A Cornish Escape (previously Abi’s House), I find myself considering that question once again.

Is it the natural geography and geology, the bark-like squawk of the seagulls, the sea, the sand, the salty air, or the aroma of vinegar soaked fish and chips with a promise of an ice cream made from clotted cream to follow?

The sheer majesty of Cornwall, from the haunting spectacle of Tintagel to the crashing of waves against the Battery Rocks in Penzance, alongside the quiet beauty of its villages and narrow country lanes, have conjured and bewitched the imagination of poets, novelists, artists, and potters since mankind first decided that cave walls would look much nicer with pretty pictures on them.

For me however, it wasn’t the scenery which drew me to place the adventures of Abi Carter in Cornwall; it was nostalgia. A nostalgia which I’ve come to learn also applies to a large number of my readers; many of whom have been kind enough to tell me that my stories have transported them back to Cornish childhood holidays.

A Cornish Escape (previously Abi’s House) and its soon to be released sequel, A Cornish Wedding (previously Abi’s Neighbour), are set in the Penwith region of Cornwall. Particularly, the picturesque settlements of Sennen, Sennen Cove, St Just and St Buryan, as well as Penzance.

A Cornish Escape

This very specific area of Cornwall is awash with memories for me. Memories I’ve adapted to form the background of two romance novels.

My Dad was born in Penzance and brought up in a terrace house on Alma Place. His mother, my Nan, ran a lodging house there, taking evacuees in during the Second World War- one of whom never left and became a sort of Great Uncle. My Grandad was a butcher at the long forgotten International Supermarket on St Jews Street; I still can’t conceive how he could cut joints of meat so finely!

Every school summer holiday was spent taking the lifetime long, motorway free, drive from Wiltshire to Penzance. My brother and I would spend weeks building sandcastles on Marazion beach. We’d try and skim pebbles across the surface of the sea (a skill I never mastered), and we’d squint through a pair of my Grandad’s ancient binoculars from the house’s attic bedroom window, straight across the sea and into the windows of St Michael’s Mount.

Each morning we’d wake to the sound of the Scillonian passenger ferry as she made her way from Penzance to the Isles of Sicily. Each evening we’d head to bed with that stretched face feeling that only comes from prolonged exposure to sea air.

I clearly recall the excitement of queuing up outside the fudge shop on St Jews Street in Penzance, desperately trying to make the impossible decision about which flavour of fudge to buy with my pocket money. I remember wondering why the pavements in the centre of Penzance are so high, and sitting with my parents outside various coffee shops along the front; fast melting ice creams dripping all over our hands.

It is this side of Cornwall, the minor events which add up to a feeling of happy security and contentment, that are as important in my novels as the seaside setting and the ready availability of a really good cream tea.

Abi Carter is on a mission to break away from a suffocating and unhappy life on the edge of London. I wanted to relocate her to a place she’d loved as a child. Somewhere that felt friendly and safe before she’d even got there.

While I was thinking about where I could send Abi, I remembered a house I’d seen in Sennen when I was about eight years old. It was an end terrace, halfway up a hill, overlooking the cove. I don’t know if the house has a name, but as soon as the memory came back to me, I called it Abbey’s House; a place destined to become the focus of Abi Carter’s story.

The scene was set. It was time for children’s illustrator, Abi Carter, to go in search of the stone built ex-miners house that, when she was eight years old, her parent’s joked should be hers because she was called Abi.

A Cornish Wedding

Now in her twenties, newly widowed Abi is on her way to Sennen to make friends and start her new life. She is also providing me with a way of sending a literary thank you postcard to the county that forms the basis of my own childhood memories, as well as a memorial to my Grandparents, who formed part of the Penzance community for so many years.

You can buy A Cornish Escape from all good book retailers, including –  https://tinyurl.com/ybzmd75k 

A Cornish Wedding will be launched on 2nd July.

Happy reading – and stay safe.

Jenny x

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