Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

Author: Jenny Kane Page 77 of 108

News Flash! Abi’s House goes on holiday…

Forgive the major brevity of this blog post lovely readers. I am currently engaged in a battle with a flu virus which is currently- I’m sad to say- ahead on points! (Not had a cup of coffee in 6 days. My family are all wearing hard hats and carrying shields in case I crack at any moment.)

This being the case, I am trying to take it easy- but I couldn’t wait another moment before I told you some very good news!

The most popular of all my bestselling books – Abi’s House– is to go on sale in Turkey! Who could have guessed that what the good people of Turkey craved was a feel good Cornish romance, with added coffee, and a side order of fish and chips?

Abi's House new cover

I am thrilled to bits! can’t wait to see what the Turkish version looks like when it comes out!!!

Anyway- I just wanted to pop my head out from the duvet to share this with you. Off to bed again now. Presuming I don’t still have flu, then the edits to the sequel of Abi’s House (Abi’s Neighbour), will begin in earnest very soon. You can read part two of the adventure’s of Abi Carter, Max, Beth, and Jake in Sumer 2017.

Sennen

In the meantime, you can find Abi’s House here- (as well as in all good bookshops)-

Kindle

Paperback
***
Happy reading,
Jenny x

 

Release Blitz: Melody Bittersweet and the Girl’s Ghostbusting Agency by Kitty French

MELODY BITTERSWEET AND THE GIRLS’ GHOSTBUSTING AGENCY by Kitty French

OUT NOW

UK: http://amzn.to/1TCU5Q7

US: http://amzn.to/1Z2CQpB

An absolutely hilarious, totally entertaining, spookily sexy read that you won’t be able to put down!

Melody-Bittersweet-and-The-Girls-Ghostbusting-Agency-


Life’s tricky for Melody Bittersweet. She’s single, she’s addicted to sugar and super heroes, her family are officially bonkers and … she sees dead people. Is it any wonder no-one’s swiping right on Tinder?
Waking up lonely on her twenty-seventh birthday, Melody finally snaps. She can’t carry on basing all of her life decisions on the advice of her magic 8 ball; things havegot to change.

Fast forward two months, and she’s now the proud proprietor of her very own ghostbusting agency – kind of like in the movies but without the dodgy white jumpsuits. She’s also flirting with her ex Leo Dark, fraternising with her sexy enemy in alleyways, and she’s somehow ended up with a pug called Lestat.

Life just went from dull to dynamite and it’s showing no sign of slowing up anytime soon. Melody’s been hired to clear Scarborough House of its incumbent ghosts, there’s the small matter of a murder to solve, and then there are the two very handsome, totally inappropriate men hoping to distract her from the job…

Welcome to Chapelwick, home of the brand new and hilarious Girls Ghostbusting Agency series, where things really do go bump in the night.

***

Chapter One

‘So, what do you do with your spare time, Melody?’

I look my date square in his pretty brown eyes and lie to him. ‘Oh, you know. The usual.’ I shrug to convey how incredibly normal I am. ‘I read a lot . . . Go to the movies. That kind of thing.’

I watch Lenny digest my words, and breathe a sigh of relief when his eyes brighten.

‘Which genre?’

‘Movies or books?’ I ask, stalling for time because, in truth, I don’t get much in the way of spare time to do either.

‘Movies. Action or romance? No, let me guess.’ He narrows his eyes and studies me intently. ‘You look like a sucker for a rom-com.’

‘Do I?’ I’m genuinely surprised. I’m five foot three and look more like Wednesday Addams than a Disney princess. Maybe Wednesday Addams is over-egging it, but you get the idea; I’m brunette and my dress sense errs on the side of edgy. I don’t think anyone has ever looked at me and thought whimsy. Maybe Lenny sees something everyone else has missed, me included. I quite like that idea, mainly because everyone who knows my family has a head full of preconceptions about me, based on the fact that my family are all crackers.

Four Weddings?’ He shrugs hopefully.

I nod, not mentioning that the only part of that particular movie I enjoyed was the funeral.

The Holiday?’

Again, I try to look interested and hold my tongue, because I’m sure he doesn’t want to hear that I’d rather stick needles in my eyes than ever watch an over-optimistic Kate Winslet drag some old guy around a swimming pool again.

I’m relieved when the bill arrives and we can get out of there, because so far Lenny has turned out to be a pretty stellar guy and somehow I’ve managed to convince him that I walk on the right side of the tracks. Maybe this time, things will be different.

Lenny pulls his dull, salesman’s saloon into the cobbled cartway beside my building and kills the engine. I don’t mind dull. In fact, my life could really use a bit of dull right now, so I shoot him my most seductive smile, cross my fingers that my mother will be in bed, and invite him in for coffee.

Oh, just when it had all been going so well. Why couldn’t I have just given him a goodnight kiss, with maybe the smallest hint of tongue as a promise, then sent him on his way? He’d have called for a second date, I’m sure of it.

But no. I got greedy, pulled him by the hand through the dark back door, placing my finger against my lips to signal he should be quiet as we tip-toed past my mother’s apartment and up the old wooden staircase to my place.

He rests his hand on my waist as I turn the key, and a small thrill shoots down my back. Look at me, winning at this being-an-adult thing today! Dinner with an attractive man, sparkling conversation, and now back to mine for coffee . . . and maybe even a little fooling around. It’s not that I’m a virgin or anything, but it would be fair to call my love life patchy of late. By ‘of late’ I mean the last two years, ever since Leo Dark and I called things off. Well, by Leo and I, I mean Leo called things off, citing conflict of interests. Ha. Given that he was referring to the fact that my mad-as-a-bag-of-cats family are the only other psychics in town besides him, he was, at least in part, right.

But enough of Leo and my lamentable love life. Right now, all I want is for Lenny not to know anything at all about my peculiar family, to keep seeing me as a cool, regular, completely normal girl, and then to kiss me.

‘You remind me of Clara Oswald,’ Lenny whispers behind me at the top of the stairs. ‘All big brown eyes and clever one-liners. It’s very sexy.’

Lord, I think he’s just brushed a kiss against the back of my neck! My door sticks sometimes so I shoulder it open, aiming for firm and graceful but, I fear, ending up looking more like a burly police SWAT guy ramming it down. Thankfully, Lenny seems to take it in his stride and follows me into my apartment. Then I flick on the table lamp only to discover that my mother is standing on my coffee table in a too-short, too-sheer, baby-blue negligee with her arms raised towards the ceiling and her head thrown back.

‘Shit!’ Lenny swears down my ear, clearly startled. He isn’t to blame. My mother’s a striking woman, ballerina-tall and slender with silver hair that falls in waves well beyond her shoulder blades. It isn’t grey. It’s been pure silver since the day she was born, and right now she looks as if she’s just been freshly crucified on my coffee table.

I sigh as I drop my bag down by the lamp. So much for me being normal.

‘Err, mother?’

Slowly, she takes several heaving breaths and opens her eyes, changing from crazy lady to almost normal human lady. She stares at us.

‘For God’s sake, Melody,’ she grumbles, taking her hands from above her head and planting them on her hips. ‘I almost had the connection then. He’s hiding out in the loft, I’m sure of it.’

I risk a glance over my shoulder at Lenny, who sure isn’t kissing my neck anymore.

He lifts his eyebrows at me, a silent ‘what the hell?’ and then looks away when my mother beckons to him like a siren luring a fisherman onto the rocks.

‘Your hand, please, young man.’

‘No!’ I almost yell, but Lenny is already across the room with his hand out to help her down. My mother eyes me slyly as she steps from the table, keeping a firm hold of Lenny’s hand.

‘Long lifeline,’ she murmurs, tracing her red talon across Lenny’s palm.

‘Mother,’ I warn, but my somber, cautionary tone falls on her selectively deaf ears. I expected nothing else, because she’s pulled this trick before. Admittedly, the standing-on-the-table thing is a new twist, but she’s got form in scoping out my prospective boyfriends to make sure they’ll fit in with our screwball family from the outset. Not that her romantic gauge is something to put any stock in; Leo passed her tests with flying colours and look how that ended up. I got my heart broken and he got a spot on morning TV as the resident psychic. Where’s the justice in that?

Look, we may as well get the clanky old skeleton out of the family closet early on here, people. It’s going to come out sooner or later, and despite my attempts to pull the wool over Lenny’s eyes, there’s never any running away from this thing for long.

My name’s Melody Bittersweet, and I see dead people.

It’s not only me. I’m just the latest in a long line of Bittersweets to have the gift, or the curse, depending on how you look at it. My family has long since celebrated our weirdness; hence the well-established presence of our family business, Blithe Spirits, on Chapelwick High Street. We’ve likely been here longer than the actual chapel at the far end of the street. That’s probably why, by and large, we’re accepted by the residents of the town, in a ‘they’re a bunch of eccentrics, but they’re our bunch of eccentrics,’ kind of way. What began as a tiny, mullion-windowed, one-room shop has spread out along the entire row over the last two hundred years; we now own a run of three terraced properties haphazardly knocked into one, big, rambling place that is both business and home to not only me, but also to my mother, Silvana, and her mother, Dicey. Gran’s name isn’t actually Dicey, it’s Paradise, officially, but she’s gone by Dicey ever since she met my Grandpa Duke on her fifteenth birthday and he wrote Dicey and Duke inside a chalk heart on the back wall of the building. He may as well have written it on her own racing heart.

‘Silvana!’

Speak of the devil. Does no one go to bed around here?

I open my door to find Gran on the threshold with her hand raised, poised to knock. I guess I should be glad she’s slightly more respectably dressed, if a floor-length, purple shot-silk kimono, bearing huge technicolor dragons could be considered as such. Her usually pin-curled gold hair is piled elegantly on her head and she wears a slash of fire-engine-scarlet lipstick for good measure. Most people couldn’t carry the look off, but thanks to her poise, confidence and couldn’t-care-less attitude, Grandma Dicey wears it with artful success. She glides past me without invitation and gazes at my mother and Lenny, who are still hand-in-hand on the rug.

God.

First thing tomorrow morning, I swear, I’m going to look for a new place to live, somewhere, anywhere, that is not in the same building as my mother and my gran. Don’t get me wrong, it’s a charming old place and I love my family dearly. It’s not even as if I don’t have my own space here, because, theoretically at least, I do. Mum and Gran have the ground floor apartment behind Blithe Spirits, and I have the smaller flat upstairs, at the back. In lots of ways this makes me fortunate; I get to have a nice little home of my own and stay close to my family. It would all be fine and dandy, were it not for the fact that my family are officially bonkers and liable to come up and let themselves into my flat – using the spare key I gave them for dire emergencies only – and embarrass the shit out if me.

‘Why is Silvana entertaining a man half her age in your flat?’ Gran looks from me to my mother. ‘You should have said you were expecting company, darling. I’d have gone out.’ She touches her hand lightly against her hair. ‘Put a towel on the doorknob or something, isn’t that the modern way to signal these things? Don’t come a knockin’ if the caravan’s rockin’?’

She looks spectacularly pleased with herself, and one glance at Lenny tells me that he knows he’s way out of his depth with these two and is in the process of writing me off as the worst date he’s ever had. His eyes slide from me to the door, and I can almost hear him begging me to let him go unharmed.

‘He’s not mum’s date, he’s mine. Or else, he was,’ I mutter, and then I’m distracted as a beer-bellied pensioner in a soup-stained shirt slowly materialises through the ceiling, his flannel trousers not quite meeting his bony ankles. Stay with me; I see dead people, remember? As do my mother and my grandmother, who also watch him descend with matching expressions of distaste.

‘Finally,’ my mother spits, dropping Lenny’s hand so she can round on the new arrival. ‘Two hours I’ve been chasing you around this bloody building. Your wife wants to know what you’ve done with the housekeeping she’d hidden in the green teapot. She says you better not have lost it on the horses or she’s had it with you.’

Grandma Dicey rolls her eyes. ‘I rather think she’s had it with him anyway. He’s been dead for six weeks.’

‘You’re a fine one to talk, given that you still sleep with your husband twenty years after he died.’ Mother flicks her silver hair sharply. Touché.

Lenny whimpers and bolts for my front door, turning back to me just long enough to splutter ‘something’s come up, gotta go,’ before he hoofs it out and down the stairs two at a time.

I listen to the outside door bang on its hinges and wonder what came up. Probably his dinner.

Interview with Julie-Ann Corrigan: Falling Suns

It’s interview time on my blog today. I’m delighted to welcome Julie Ann Corrigan over for coffee and cake, and to talk about her brand new book, Falling Suns.

coffee and cake

What inspired you to write your book?

I was inspired initially by the overwhelming and horrible thought of something terrible happening to my child and how I would cope, especially if the perpetrator of the crime ended up being someone known to the family. Once I had decided whom the perpetrator would be in my fictional story I then became inspired to explore both mental illness and institutional corruption.

Do you model any of your characters after people you know? If so, do these people see themselves in your characters?

There are some aspects of Rachel that I do recognise in myself, but unsure what that says about me!

When I began writing Falling Suns, and as I began to draw the characters, I think that more than taking the templates from one individual character, I drew characteristics from a number of people I’ve come across in my life. For example, Michael Hemmings is very much a mixture of patients I did come into contact with as a student physiotherapist working within mental health; although I have to add here, I never met one as psychotic as Hemmings, thank goodness!

Mrs Xú is very much like a few Chinese alternative therapists I have met. Stanley resembles a drama teacher who once taught me, but he is also like someone else I once knew ..
Falling Suns Final

Which Point of View do you prefer to write in and why?

I think my natural point-of-view is first person and past tense. However, recently (but not in Falling Suns) I have started experimenting with present tense. Interestingly, when I first started writing I always wrote in third person and past tense.

What I’ve learnt is that once you start writing the story whether in a novel or short work, the storyline and tone will often dictate which tense and point-of-view to use.

Do you prefer to plot your story or just go with the flow?

I plot the beginning, middle and end, and then I fill in the rest! Generally I do go with the flow, but I do have four or five plot points that I use to build my story around. And as I write, often the plot might change, or I will add aspects that weren’t apparent to me when I first began the story.

faalling suns pre

If you were stranded on a desert island with three other people, fictional or real, who would they be and why?

The Dalai Lama. He has such a lovely open face and talks such sense.

Usain Bolt. So I could admire his body all day!

Adele. She comes across as so much fun, so down-to-earth. And I will never tire of listening to her voice and lyrics.

I feel I should have a writer on this list. DM Thomas. The White Hotel is my favourite book of all time and I once spoke with him via email, and I know he would never bore me.

***

Falling Suns – Extract

Liam and I found ourselves outside the court building, greeted by a muddy sky that was still visible in the wispy fog of the late afternoon. It had rained continuously for the last forty-eight hours, but as we caught sight of the insatiable media the downpour was the least of our problems.

I pulled my wool beret over courtroom warm ears and looked down towards the slippery wet ground. Our barrister had told us to say nothing, which was physically easy, as I felt I would never speak again. For the past seven weeks the dry atmosphere of the courtroom had robbed me of a proper voice, as Hemmings’ act had robbed me of a proper life. Tom Gillespie caught Liam’s arm, whispering things that I didn’t even try to catch. My existence seemed to be disappearing into a void; the small bit of life that Hemmings had left for me, plucked away during the trial.

I loitered in the entrance of the court building, thinking that I would smell Joe. I did not. A coolness ran through me, a purl of motion in between the crevices of my spine.

Joe wasn’t with me.

As we left, Tom squeezed my arm lightly but didn’t attempt to give me a familiar kiss on the cheek. Liam and I had slowed down his investigation by holding back information about Joe’s state of mind the day he had run, and in so doing we had compromised our relationship with him. In my previous life, I’d been talking to Tom about going back to work. Once upon a time that thought had excited me.

Tom walked quickly to a waiting car. He slipped into the driver’s seat and glanced towards me, nodding slightly. He wanted to get away.

I felt a gentle jab in my back. It was Jonathan. I’d hardly spoken to him throughout the trial. As I turned towards him, so did Liam, his face sullen.

‘You need to get away from here as quickly as possible.’ Jonathan smiled thinly. ‘Can’t take away the nature of the vulture. I should know.’

‘We’re fine, Jonathan. Rachel knows how to handle this stuff,’ Liam said.

‘Does she, Liam?’ Jonathan said quietly.

Very obviously Liam elbowed past him, only to move a few inches nearer to the street.

‘We’re just about to leave, Jonathan,’ I said. ‘Are you free to come over? I’ve hardly seen you …’ I didn’t care what Liam thought. Not anymore.

At that moment in my peripheral vision I caught sight of my dad and mother leaving too. Dad saw me and moved his head towards the car park, indicating that he’d accompany Margaret to the car and then return. I couldn’t face her, and the silent accusation that this was all my fault.

Joe’s murder was somehow my fault.

I looked at Jonathan. ‘Come over, please?’ To Liam I said: ‘Can we wait for Dad?’

‘The place is crawling with press.’ Liam said. ‘We need 41

to go.’ He cast his eyes around. ‘Too late.’
Already journalists surrounded us. I recognised a few from the local papers, the nationals, too. Flashes and tussling ensued as our barrister made his way forward. Sean Skerrit, QC for the Crown Prosecution Service was older than he looked, something that I think went against him in court. I’d always felt the jury resented a young prosecution, especially if the jury was mainly young, which this one had been.

Sean directed his speech towards Liam and I felt invisible, useless, but too tired to complain. ‘I intend to give a statement.’ Sean said to Liam. ‘You and Rachel go home. I’ll call later. Better I do this alone.’

‘This means a life sentence?’ I asked Sean, hope in my voice.

He grimaced. ‘A do-good mental health tribunal could well decide to let him out within five years, if he plays the game.’ He caught my eye. ‘But hopefully that won’t be the case.’

‘But it could be the case … couldn’t it?’

‘I hope not, Rachel,’ Sean said, with leaden heaviness in his voice. I’d got the distinct impression that Sean Skerrit QC didn’t like to lose, and had taken Hemmings’ sentence as a direct affront to his professional agility.

Did I think of revenge then? Deep inside I think I did.

Sean ran slender and well-manicured fingers through his mane. Not one grey hair in his boot-polish black hair. He turned slightly to accommodate a photographer, and looking at the lens said to me: ‘We’ll talk later.’

‘I’ll come over, Rachel,’ Jonathan said, ‘just for a short time. I have to be back in London.’ He was already moving away.

‘Good,’ I said to Jonathan’s back.

My dad had made his way over. He wavered and I recognised the vacillation with which I’d grown up. I guessed my mother wanted to talk to me, but I had no intention of going to my childhood home today to argue with her. Not today.

‘Your mum wants to talk to you,’ Dad said.
I sighed. ‘I’ll come over tomorrow. I promise, I will.’ ‘She’s asked me to bring her over to yours … now.

She’s waiting in the car.’ He pulled at the sleeve of his jacket.

‘Charlotte’s made food, Alan. Both of you come and eat at ours,’ Liam said to Dad, avoiding looking at me, knowing there was no way I’d want my mother anywhere near me. He was functioning on automatic, something he’d seemed to be doing since Joe had gone. He felt as guilty as me, sometimes I thought more so. We still hadn’t talked about the affair, not properly, not directly. Although Liam was aware I knew something.

I watched my father. A patient man, a kind man. How could he love my mother? How could anyone love my mother? Joe hadn’t loved her. But he had tried.

‘We’ll drive over now,’ my dad said. He turned to return to his wife.

Liam pushed me gently into our waiting car. A PC whom I recognised sat ready in the driving seat. From the backseat, I saw his forced and sad smile in his rear-view mirror. The pity again.

We drove southwards towards home, passing the local park on the way. It had been built around the time Joe had been born, overlooking the main road, on elevated ground. The council’s thinking: where the kids could be seen.

Liam broke the short silence. ‘I’d rather Jonathan Waters didn’t turn up today.’

‘He’s my friend.’ I stared through the window. ‘You can’t have an opinion on this. He’s been good to me.’

Liam didn’t answer.

***

Links

Website: www.jacorrigan.com

Twitter: @julieannwriter https://twitter.com/julieannwriter

Author Facebook Page: https://www.facebook.com/jacorrigan/

Buying links:

Amazon

https://www.waterstones.com/book/falling-suns/julie-ann-corrigan/j-a-corrigan/9781786152497

https://bookshop.theguardian.com/catalog/product/view/id/414323/

http://www.whsmith.co.uk/products/falling-suns/9781786152497

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Bio

JA Corrigan lives in Berkshire and shares her life with a husband, one teenage daughter and a very cute cockapoo. When not writing she is to be found mooching in the garden during the summer and often in the mini gym at the bottom of that garden in winter-time.

***

Many thanks Julie- great interview,

Happy reading,

Jenny x

Guest Post from Jackie Buxton: Glass Houses

I’m delighted to welcome Jackie Buxton to my blog today. Jackie is currently celebrating the launch of her brand new novel, Glass Houses, and is sharing some of the background- and a juicy extract- with us today.

Over to you Jackie…

BLURB

‘When she sent that text, all our lives changed for ever…’ 51 year old Tori Williams’ life implodes when she sends a text while driving on the M62 motorway and allegedly causes the horrific crash in which three people die. Public and press are baying for her blood, but Tori is no wallflower and refuses to buckle under their pressure or be a pariah in society. Instead, she sets about saving the nation. But can she save Etta, the woman who saved her life? Or will Etta’s secret be her downfall? This incredibly topical and contemporary morality tale appeals across generations and will find favour with fans of authors such as Liane Moriarty, Marian Keyes and Kathryn Croft.

Glass Houses COVER

BLOG POST

Many years ago, the picture of a car crash, with a woman slumped over the steering wheel, and a stranger holding her hand until the emergency services arrived, pressed itself into my brain so forcefully that I was worried I was having a premonition about a real life incident. I wasn’t, thankfully. Instead, it seemed the gods of book writing had sent me the idea for my novel: one with a guilty protagonist, who could be any one of us. As I started to plot Tori’s character, a driver who texts from the wheel and becomes Public Enemy Number One, I realised that two separate news items were really behind the car crash image.

The first was the face of Gary Hart, the driver of the Land Rover involved in the Selby rail crash in 2001. He’d had little sleep the night before, chosen to drive the next day, and fallen asleep at the wheel with the most tragic of consequences. It was a horrendous scene. 10 people died, 82 were seriously injured and Gary Hart survived.

He was public enemy number one.

But when I saw his face in the media, I kept thinking that his wasn’t the face of a killer, it was the face of someone who’d done something stupid, selfish perhaps, but not intentional. His life would also be changed forever. Maybe he didn’t need us to chastise him any more than he would chastise himself. It was easy to criticise him – he doesn’t come across well in front of the camera – and people did. But I couldn’t help thinking that I’d driven tired before. I’d been lucky. There was no perfect storm for me, I managed to get off the motorway before something catastrophic happened and we all lived to see another day. I wondered if Gary Hart was any more guilty than I was, just because the consequences of his actions were so very different.

The second news item was the film of the charismatic mother of a boy who’d been killed in the 7/7 London bombing in 2005. She stood on a box in a crowd and everybody listened. She wasn’t talking vengeance, hatred and justice, she was talking about forgiveness. I was struck by how much more powerful and effective this type of reaction was, than the undoubtedly human and more usual reaction of anger and revenge.

This shot me back to a childhood thought which has appeared and re-appeared all though my life. It’s the paradox of the human condition. How often do we hear people say, Oh, we all make mistakes,’ and, ‘Nobody’s perfect, we all have our foibles,’ and yet we see families feuding, colleagues resigning and neighbours not speaking because they are not able to forgive someone who didn’t behave ‘perfectly’. Sometimes this anger lasts a lifetime and beyond. As a child, and a rather idealistic adult, I couldn’t help feeling that the world would be a better place if we didn’t get quite so cross or, perhaps more importantly, we endeavoured to become ‘uncross’ as quickly as possible.

By the way, I’m not pretending I’m perfect. That’s the point, really.

I wanted to explore forgiveness, guilt and atonement and the image of the woman slumped over the wheel, with a stranger willing her to stay alive, gave me Tori and Etta and the framework to get started. I chose a text sent from the motorway to be Tori’s crime. I wanted it to be something that was a conscious act that most of us would find abhorrent, and yet if we looked closer, we might find we’d done similar ourselves. I wanted to play with this phenomenon that people can be guilty because it happened and not guilty because it didn’t. My dream for Glass Houses is that as well as being entertained by Tori and Etta’s stories, not to mention Tori’s antics as she clumsily tries to re-build her life and Etta’s ability to self-destruct, readers will be interested in this conundrum, too.

***

Extract: the beginning of the first chapter

THERE WAS BLOOD on the steering wheel. Etta stared at her fingers as they gripped the rim. She uncurled them, flexed them in and out, then turned over her hands to examine the grooves in her skin. She smiled – a surface wound. Just a surface wound. Her half-chewed nails had plunged into her palms.

She patted her face, her arms, her legs: everything was in place. Her neck was stiff but it moved. Her feet ached so she lifted one and carefully replaced it, then lifted the other. Nothing broken. She undid her seatbelt, leaned back against her seat and forced out a long, whistling sigh.

“Thank you,” she whispered, looking up as if to acknowledge the powers-that-be who’d looked after her.

She wrinkled her nose. Her eyes darted to the foot well where she saw her flask smashed into too many pieces to count, drowned in a puddle of milky coffee. She reached for her phone where it had fallen, narrowly missing the liquid, but she froze before she could lift it to her ear. Her engine had cut and the radio silenced but it was more than that. She placed the phone on her lap. The silence was too loud.

In the rear-view mirror she saw stationary vehicles. She held her breath, cast her eyes to the side, to the stream of cars travelling as if in slow motion in the other direction. Tentatively she turned back to the front. The smashed side window of the Jeep was only a few paces ahead of her.

Not again.

“M62, yes, eastbound.” She picked her way quickly over the mess of twisted metal and fragments of glass, covering her mouth against the stench of burning rubber. “Junction? I don’t—”

She dropped her phone, stared at the door to the Jeep which had come away in her hand. It was heavy. She let it fall and covered her ears as it smashed against the ground. She bent down to look inside the Jeep. Her body crumpled and she sank to her knees.

***

Bio

Jackie Buxton is a writer, editor and teacher of creative writing, living in Yorkshire with her husband and two teenage daughters. Jackie used her recent experience of an aggressive form of breast cancer to inform and dispel some myths about a cancer diagnosis via her popular blog: Agenthood and Submissionville. Her posts became the frame-work of self-help memoire, Tea & Chemo (Urbane Publications, November 2015) which receives heart-warming feedback, and has a five star rating from over 75 reviews. Jackie’s award-winning short stories can be found in three anthologies, as well as appearing regularly in Chase Magazine. When not writing or reading, over-seeing house and teens, Jackie can be found running, cycling or tripping up though the beautiful Yorkshire countryside.

Tea & Chemo cover

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Links

Website:          www.jackiebuxton.com

Blog:                http://jackiebuxton.blogspot.co.uk

Glass Houses:  https://www.amazon.co.uk/Glass-Houses-Jackie-Buxton/dp/1910692840/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=&sr=

Tea & Chemo: https://www.amazon.co.uk/Tea-Chemo-Fighting-Cancer-Living/dp/1910692395/ref=pd_sim_14_2?ie=UTF8&dpID=51VarAHlbnL&dpSrc=sims&preST=_AC_UL160_SR104%2C160_&psc=1&refRID=40W7ZSYWXQPDFB32377Z

***

Many thanks for dropping by today Jackie. Good luck with your new novel.

Happy reading,

Jenny x

Birthday Blog: Sherwood in Dartmoor?

This time last year, I shared a birthday blog with you saying that for years I’ve intended to write a story based on the moors of Devon, and yet somehow time, and other work commitments, have never allowed it.

This year for an early birthday present, the lovely Dr K took me for a weekend away on Dartmoor. We weren’t there just to escape from our workaday lives however- I had a mission. I wanted to find a place that could- in my mind at least- double for fourteenth century Sherwood!

Don’t worry dear reader- my increasing age hasn’t addled my brain (well, not much). I am in the midst of writing an entirely medieval sequel to my popular timeslip novel, Romancing Robin Hood, and as it is one heck of a drive up to the midlands from Devon, I wanted to find somewhere more local to visit that would let me feel a little of the forest atmosphere.

RRH- new 2015

When I write I find it essential to experience the location about which I’m writing. Obviously, until they invent time machines, I can’t nip back and feel the medieval air myself- and I have been to Sherwood many times so I have memories to fall back on- but I wanted to stand in a woodland area where I could see nothing modern, hear nothing modern, and soak up the atmosphere.

Only a few minutes along a walk by the side of the Teign Valley, I found what I was looking for. Oak trees, spaced widely, but close enough to form cover. No modern edifices in sight. No buzzing from mobile phones. No planes flew sounds overhead. The air was right. The breeze was right. The scent in the air was right. In my minds eyes Robin Hood himself could have been hiding anywhere close by – or in this case the new outlaw – a less pleasant outlaw who, for now, shall remain nameless…

A wonderful walk later- and a rest by the thirteenth century Fingle bridge (more outlaws are hiding I’m sure), and many new ideas were brewing in my mind for the medieval mystery forming in my head. Mathilda (who you will remember from Romancing Robin Hood), is in for quite an adventure…

And talking of brewing- let’s all settle back with a cuppa-(coffee for me please)- and a nice nibble of birthday cupcake, and contemplate if I am going to kill anybody off- or not…

Happy reading,

Jenny x

Guest Post from Jane Jackson: The Master’s Wife

I’m delighted to welcome one of my fellow Accent authors to the blog today. Jane Jackson is a truly excellent writer, and an all round lovely person. She is here today to share some of the background to her novel, ‘The Master’s Wife.’

Over to you Jane…

When Caseley and Jago Barata’s two young sons die in an epidemic while he’s away at sea, her grief and his guilt create an unbridgeable chasm between them.

Believing he failed his wife when she needed him most, Jago cannot turn to her for comfort. Seeking escape from his guilt he takes up with his former mistress, devastating Caseley when she finds out.

Aware of Jago’s undercover work in Spain, and deeply anxious that increasing unrest in Egypt could lead to war, the British Treasury asks him to carry £20,000 in gold to Egypt to bribe the largest Bedouin tribe to fight on Britain’s side.

What had caused the unrest?   Ambitious to make Egypt more like Europe, Khedive Said then his heir and nephew Ismail had raised money for their expansive but poorly-planned schemes through crushing taxation.  When that wasn’t enough, they took out huge loans at high interest rates from British and European banks.

By 1876 Egypt faced bankruptcy.  Anxious to protect its 44% share in the Suez Canal, Britain demanded – and was granted- joint financial management of Egypt with France. Ismail was deposed in favour of his son Prince Tewfiq, and left for exile in Naples on a train loaded with gold, objets d’art, jewels and furniture.

The poorest Egyptians saw little improvement in their lot. They toiled for overseers employed by large landowners and too often had to choose between buying seed for their own small plots, or a length of cloth to replace the rags that were all they had to wear.

Wilfully blind to their own part in fuelling the upsurge of anger, the ruling elite refused to believe that the fellahin would ever rebel. But the Egyptian poor, who did not want their country ruled by Turks or by Europeans, had found a charismatic leader in Egyptian-born Col. Ahmed Arabi.  (There is a saying that those who don’t learn from history are condemned to repeat it, and I see painful similarities between these events and our current situation)

Jago’s mission to Egypt would take him away from home for at least three months. Desperate to escape a house filled with memories, Caseley pleads to go with him. He is reluctant, concerned for her safety. But she demolishes his argument by pointing out that for her the worst has already happened so what has she to fear?  Besides, the official language in Alexandria is French which she speaks and he doesn’t. if only for this he needs her.

The Master's Wife

Because I’m a plotter, I had mapped out the story’s route. But Caseley and Jago are strong people and once the journey began they took over, reacting in ways I hadn’t planned or expected. This led to unforeseen consequences. It was as much an adventure for me as it was for them. I lived the events with them. I laughed, wept and had my heart in my mouth more than once. Would Jago fulfil his mission?  Could he and Caseley find a way back to each other?

***

Excerpt:

Gesturing towards an alcove screened from the cabin by the folds of a thick dark curtain, he moved to the open doorway. ‘You know your way around. I want to get underway.’

‘Yes, of course.’

They were husband and wife and as wary as strangers. He disappeared and she heard his boots clang on the chased brass treads of the companionway. Alone now she pressed a gloved hand to her dry throat as her heart thudded. Not too late…With all her heart she hoped so.

Everything was as she remembered: the table designed to fit the narrowing stern and edged with a wooden lip to prevent things sliding off. The shelf above filled with books and sea junk secured by a beautifully turned fiddle rail. The shallow brass lamp suspended beneath the open skylight.

Her gaze moved from the clock and barometer to the squat stove standing on its protective metal plate in front of the forward bulkhead and bracketed by a full coal-bucket and basket of logs.

Through the open skylight came the sounds of a ship making ready for sea: the rattle of blocks, snapping canvas, and the crew’s banter. Six years had passed since her last trip and it was exactly as she remembered.

She crossed to the sleeping alcove. Pushing back the curtain she saw the nightstand. Beneath a hinged lid was an enamel basin. A cupboard underneath held a chamber pot. Light fell across the bed and her breath caught in her throat.

Immediately after proposing to her, Jago had instructed Hammer to widen the narrow berth so it would comfortably accommodate them both.  She had made a mattress to fit and bought new blankets.  In that small private space they had discovered each other, shared their pasts and talked of their plans for the future. Their elder son had been conceived there. She had slept in Jago’s arms, safe, loved, until her advancing pregnancy had made it uncomfortable and unwise.

The berth had been reduced to its original size. Rejection stung like a slap. She lifted the blankets and saw the mattress had been made smaller. Their time together, her presence here, her part in his seafaring life, he had erased it all. She had believed herself numb to further pain. She wasn’t.

***

You can buy The Master’s Wife from all good retailers, including- :  https://www.amazon.co.uk/Masters-Wife-Captains-Honour-Book-ebook/dp/B01DPSLP5C

***

JanepinkRS

Bio

I have lived in the same Cornish village nearly all my life.

My first book, a romantic thriller, was published in 1982. After four medical and ten contemporary romances for Harlequin as Dana James published worldwide I began writing longer historical romances. Of the fourteen published as Jane Jackson some remained Cornwall-based, others – set in the C18th and C19th – ventured to foreign shores while maintaining strong Cornish links. After joining the RNA in the early 1990s I reached the shortlist for the Romantic Novel of the Year Award with Eye of the Wind in 2002, and was shortlisted for the Historical Prize in 2010 with Heart of Stone, and in 2016 for The Consul’s Daughter.  Crosscurrents published in 2016 was shortlisted for the Winston Graham Historical Prize. The fourth in my ‘Polvellan Cornish Mysteries’ series, Secrets and Lies written as Rachel Ennis was published in April.

Teaching the Craft of Novel Writing for over twenty years from Ad. Ed. to MA level has been both a pleasure and a privilege. Ten of my former students are now multi-published novelists.

www.janejackson.net

www.facebook.com/JaneJacksonAuthor

www.facebook.com/PolvellanCornishMysteries

***

Many thanks Jane, wonderful blog.

Happy reading,

Jenny x

Dipping a toe into Cornwall: Abi’s House

This weekend I was lucky enough to indulge in a rare escape to a lovely spa break in Saltash- just over the Devon border, into Cornwall.

20160709_161649

Spoilt by my lovely friends with gorgeous early birthday homemade cakes (thank you Rachael!), and way too much food and wine, I was reminded of the happy friendships in my Cornish novel, Abi’s House – a summer read perfect to cheer up those dull weather days!!

Abi's House_edited-1

As soon as we crossed the famous Tamar Bridge, that separates Cornwall from Devon, I was reminded of Abi Carter – her escape from London to the peace and quiet of Cornwall- and the life changing adventures she had there!

Check this out- I love it!!  – YouTube link https://youtu.be/VAumWAqsp58

You can buy Abi’s House here- http://www.accentpress.co.uk/Book/12915/Abis-House– as well as here…

Kindle

http://www.amazon.co.uk/Abis-House-Jenny-Kane-ebook/dp/B00UVPPWO8/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1426711175&sr=1-1&keywords=Abi%27s+House+Jenny+Kane

http://www.amazon.com/Abis-House-Jenny-Kane-ebook/dp/B00UVPPWO8/ref=sr_1_2?s=books&ie=UTF8&qid=1426711253&sr=1-2&keywords=Abi%27s+House+Jenny+Kane

Paperback

http://www.amazon.com/Abis-House-Jenny-Kane/dp/1783753285/ref=sr_1_1?s=books&ie=UTF8&qid=1426711253&sr=1-1&keywords=Abi%27s+House+Jenny+Kane

http://www.amazon.co.uk/Abis-House-Jenny-Kane/dp/1783753285/ref=sr_1_1?s=books&ie=UTF8&qid=1426711343&sr=1-1&keywords=Abi%27s+House+Jenny+Kane

Here’s a reminder of the blurb!!

Newly widowed at barely thirty, Abi Carter is desperate to escape the Stepford Wives-style life that Luke, her late husband, had been so keen for her to live.

Abi decides to fulfil a lifelong dream. As a child on holiday in a Cornwall as a child she fell in love with a cottage – the prophetically named Abbey’s House. Now she is going to see if she can find the place again, relive the happy memories … maybe even buy a place of her own nearby?

On impulse Abi sets off to Cornwall, where a chance meeting in a village pub brings new friends Beth and Max into her life. Beth, like Abi, has a life-changing decision to make. Max, Beth’s best mate, is new to the village. He soon helps Abi track down the house of her dreams … but things aren’t quite that simple. There’s the complicated life Abi left behind, including her late husband’s brother, Simon – a man with more than friendship on his mind … Will Abi’s house remain a dream, or will the bricks and mortar become a reality?

***

Happy reading everyone,

Jenny xx

PS – Abi’s Neighbour will be out in Summer 2017!!

 

Guest Post from Ashley Lister: A Touch of Horror

I’m delighted to have a friend popping by today. Ashley Lister is a brilliant poet and novelist- and now he is stretching his literary prowess into the realm of horror.

Over to you Ash…

Blank bookcover with clipping path

Back in May I was lucky enough to attend a writing workshop hosted by the wonderful Jenny Kane. I don’t mention this just to brag or name-drop, although those are two of the main reasons. I mention this because, it wasn’t until I came to write this blog post, that I realized I had already incorporated some of her brilliant workshop ideas into my writing.

I’ll rewind a little. My name is Ashley Lister. I’m a creative writing lecturer and I write in a variety of genres. My most recent title, which was published yesterday, is a horror novel: Raven and Skull. It’s a cheeky story, scary in some parts and funny in others. I hope the book will scare and amuse in equal measures.

And what does this have to do with Jenny Kane’s writing workshop?

Well, the wonderful Ms Kane was suggesting an innovative approach to writing.  She was suggesting that music could be a useful aid for any writer because it can evoke mood. Music could be useful because lyrics can inspire ideas. Music could be useful because rhythm is a great tool for helping with pacing.

I was of the opinion that this wouldn’t work for me because I’m one of those grumpy writers who love to work in silence. If someone tries talking to me, or walks past ‘too loudly’, I throw a dramatic writer’s tantrum and claim that this ‘deafening cacophony’ is going to give me writer’s block. Consequently, the idea of writing whilst music was playing seemed like anathema to my usual process.

Except…

Except I had written this horror novel by that point and I’d written it with a specific piece of music in mind. To be exact, it was this piece of music:

https://www.youtube.com/watch?v=YyknBTm_YyM

This is Danse Macabre by the wonderful Camille Saint-Saëns. Listening to it, the piece does suggest spooky goings-on. There’s some great xylophone playing there, evocative of skeletons in graveyards. There’s a lot of quickening repetition, almost as though we’re listening to dramatic tension building. And there’s a delightful dance theme beneath the whole piece that always makes me think of smiling demons. Most importantly of all, it’s a fun piece of entertainment because it doesn’t seem to take its horror too seriously.

Which is what I’d been hoping to achieve when I wrote Raven and Skull.

Ash- horror

I recently reread the book prior to publication and there is a mention of Danse Macabre in one of the opening chapters. It was whilst I was reading this, and revisiting the music at the same time, that I was struck by how much the spirit of the music is reflected in the story I’ve created. All of which is my way of saying, if you ever find yourself considering Jenny Kane’s wisdom, but wondering if it really does apply to you, rest assured that the lady knows what she’s talking about.

***

Raven and Skull is published by Caffeine Nights and is available from all major retailers, including the following: https://www.amazon.co.uk/Raven-Skull-Ashley-Lister/dp/1910720534/ref=sr_1_2?s=books&ie=UTF8&qid=1466105861&sr=1-2 and

https://www.amazon.com/Raven-Skull-Ashley-Lister/dp/1910720534

***

I’m seriously blushing here! Thanks Ash- I’m glad my workshop helped a little- albeit without you realising it!

God luck with your new book,

Happy reading,

Jenny x

Review: Knights of the Apocalypse- Robin of Sherwood as you’ve never heard it before

For those of you who follow this blog, or who know me in what is laughingly called “real life,” you won’t be at all surprised to know that I loved the brand new Robin of Sherwood audio episode from the very start.

“But you were bound to love it!” I hear you cry – well no actually. Robin of Sherwood was a formative and important part of my life, and if this production had not done its predecessors justice, I would most certainly have said so.

RoS 2016 KOTA

The Knights of the Apocalypse stars the original cast of Robin of Sherwood, with Jason Connery as Robin, bar the late and much missed Robert Addie and Jon Abineri.

Addie was ably replaced as Guy of Gisborne by Freddie Fox, and the Lord of the Trees himself, Abineri, had his role taken on by his son. His voice is so spookily similar to Herne’s, that it was nigh on impossible to tell father and son apart.

The Knights of the Apocalypse was written after the end of the original series by the creator of Robin of Sherwood, Richard ‘Kip’ Carpenter, but it was never filmed. In tribute to Kip, who died in 2012, every penny in profit from the sales of #KOTA will go to his favourite charities

KOTA 1

As I donned my headphones- chocolate and drink to my side- ready to indulge in this two part episode of nostalgic heaven, I will confess to a slight increase in heartbeat as the first few sounds hit my ears.

Hoof beats…fast…through shadows…and there were voices…and then…the theme music! (The original series theme music, provided by Clannad, introduced both episodes) A smile passed over my face that felt just as broad as it did every time I settled down on a Saturday evening at 5.35pm, 30 years ago.

Judi Trott and Nickolas Grace

Judi Trott and Nickolas Grace

Listening with closed eyes throughout, I could hear and see every image. The visuals in my head were conjured by the sounds I heard as crisply as it would have been if I’d been watching on television. It was as if time had stopped and, to quote Alfred Noyes, “…the dead where coming back again, the years had rolled away- in Sherwood, in Sherwood, about the break of day….”

Yet, time hasn’t stopped. 30 years really has passed since we last left Robin and his men without Marion, who’d entered a nunnery in a turmoil at the end of the final televised episode. We have been left on a cliffhanger all that time…until now.

RH- RoS 2

Once Clannad’s theme of ‘Robin…the Hooded Man….’ had faded away, the audio tale begins with Robin giving a role call- yes, all the outlaws are there- even Marion.

I am keen to give no spoilers, and so will hold back from a detailed- or even vague- account of the story. I will say that every cast member was outstanding- that Nasir (played by the ever excellent Mark Ryan), spoke more in these 2 audio episodes than he did in the entire 3 televised shows, and that the show was very much stolen by Nickolas Grace as the Sheriff and Ray Winstone as Will Scarlett- partly because their lines were so clever, and partly because they delivered them with such humour.

Colin Baker and Barnaby

Colin Baker and Barnaby

There was humour, menace, tension, and a wonderful star studded support cast. Michael Craig returned as Robin’s father, the Earl of Huntingdon, and Philp Jackson reprised his role as the Sheriff’s brother, Abbot Hugo. Colin Baker and Anthony Head were superb guest stars. Head really has cornered the market in evil, almost pantomime, villains! It’s the laugh- he just has the evil laugh off to a tee!!

Directed by Robert Young, the original TV director, produced by Barnaby Eaton-Jones,  and put together by the executive producers, Spiteful Puppet Entertainment, who are an award-winning audio production company (BBC Drama Awards, New York Radio Festival); The Knights of the Apocalypse was excellent from start to finish.

There really is only one question left to ask…

When will there be another one?

Oh- and can I help write it/be in it/do something….? OK, so that’s a lot of questions…

If you don’t have your copy yet you can buy one here- https://www.indiegogo.com/projects/robin-of-sherwood-the-knights-of-the-apocalypse#/ and find out my details here – https://www.facebook.com/KnightsOfTheApocalypse/

Happy reading- or in this case- listening, everybody.

Jenny x

 

 

Guest Post from Nell Peters: About 100 Years Ago…

I’m delighted to welcome back Nell Peters for her second ‘end of month’ guest blog of the year! This is a  cracking (and I don’t just mean Pavlova’s eggs) blog post…

Over to you Nell…

Hi Jenny!

I’m afraid that Pavlova the chicken is on the naughty perch at the moment and can’t come out to play. All the attention and fan mail she received after last month’s blog post went straight to her comb and she’s behaving disgracefully. A real poultry diva, in fact. She’s been horribly mean to birds that she deems inferior, has been strutting her stuff like she owns the place and making such a noise, Tim Peake can probably hear her up in his space station. But worst of all, she’s taken to leaving very large deposits right outside the back door. Eeew! That’s it – I’m withdrawing the oxygen of publicity that she craves even more than her dried meal worms, and whether this is a permanent or temporary measure depends entirely upon her behaviour in the immediate future. She can put that in her beak and smoke it. Pavlova is in the hen house.

chicken

Now where was I?

Oh yes, I took a short break recently to meet up with an old friend. About a hundred years ago, I used to share a flat in Kew Gardens with someone I will refer to only as M, to protect the guilty. In case you were wondering, Kew Gardens is a place (now referred to as a village by those fortunate enough to be able to afford the zillion pound price tags of property there) in West London and not just the hallowed centre of horticultural excellence – ergo, we didn’t actually live in a potting shed. There was another girl too – Valerie, but M and I knew each other from ghastly temp jobs we had with British Gas and Valerie was a bit of an also-ran. I wonder whatever happened to her – she was something of a miserable cow (turned her nose up at the rot-gut sherry we used to drink by the bottle, I can’t imagine why) and totally lacked any sense of humour as I recall. Some sort of local government worker, I think, which could explain the comedic bypass.

On Friday evenings M and I used to frequent the local wine bar, run by a rather brassy dame in her forties (she seemed ancient to us then!) who had very amusing affectations, airs and graces, until she’d had one too many glasses – which she did frequently – then all hell let loose and dancing on the tables ensued. Not a pretty sight, as she was a rather large lady, who either didn’t believe in or chose not to invest in controlling underwear. Brassy wasn’t the only entertainment to be had chez Garfield’s – a guy used to sing and play acoustic guitar (both badly), expecting punters to buy him copious amounts of alcohol to keep his tonsils irrigated. It was actually worth buying him a glass or two for the bliss of silence during the (all too short) time it took him to neck the booze.

Kew is within a long stone’s throw of Richmond upon Thames, just two stops on the Tube – where we could have had a much wider choice of great venues to sup the vino, most with some form of decent live music, but there’s a lot to be said for being a short walk from home when the time comes to stagger out the door of a hostelry, especially in Winter. Besides, I always suspected that M used to fancy the singer and that terribly attractive aggressive snarl he shared, if nobody applauded his questionable vocal efforts.

Kew Gardens

Kew Gardens

I was at the flat for only a short time before I got a proper job and moved in not a million miles away with the OH. Valerie and M let my vacant room to a rather dishy Australian guy – and were both bitterly disappointed when they found out he was gay. Unfortunately, he repaid their hospitality by hightailing it back to Oz less than three months later – perhaps he suddenly remembered where he’d left his didgeridoo.

M’s life and mine took very different directions; over the years, I produced a few sprogs and we moved the family to a falling-down house in Norfolk. M visited as frequently as she could and, child duties permitting, I went to see her for some very welcome R&R. Wine was drunk. In abundance. She neither married nor had children – perhaps being the oldest of six had put her off – and eventually moved back to Scotland, from whence she hailed. The visits in both directions became less frequent because of the sheer distance involved and the responsibilities that life throws at us – it didn’t help that the OH would spend long periods working overseas, leaving me in sole charge of four smelly boys.

But children grow more independent with age and gradually they were no longer tied to my apron strings, so a new period evolved in the social lives of M and me. For several years, we have been meeting up intermittently in a variety of UK locations (let’s hear it for bargain air fares and cheap deals on train fares!) – for instance, Edinburgh, Dublin and Newcastle, the latter where we took in the most excruciating ‘Emperor’s New Clothes’ art exhibition (for want of a better description!) at the Baltic Centre. Well I say ‘took in’, but M stomped off in her size eight Doc Martens after about ten seconds – mumbling obscenities – to stick needles in her eyes. But was it art? Actually, no. A bit of a turkey is the kindest description I can manage – but I suppose you have to admire the exhibitor’s nerve. Plus, it was a few years ago now and I can still recall its sheer ghastliness in some detail (I didn’t have M’s nerve to exit, stage left, in a flurry of outrage at the flagrant waste of tax payers’ moolah, and persevered) so it did make an impression of sorts.

We met again most recently in Cambridge – I am now granny to six and M has a huge number of nephews, plus just one niece, so two old ladies sitting in deckchairs, to paraphrase Morecambe and Wise. J She took (very!) early retirement and is travelling a lot, so I was lucky she could fit me in! In all likelihood we will never again Run the World with Bob Geldof (though I’m not sure that he actually ran the first time!), or go on severely bracing hikes here, there and everywhere – or indeed puff, pant and wheeze our way to the top of Arthur’s Seat. That always sounds faintly rude, somehow. I did draw the line, though, at accompanying M to a Wham concert – she bought herself the most awful bright blue synthetic cap thing with ‘George’ plastered all over it, and actually wore it there and back on public transport!

Our main exercise now when we are face to face is talking, catching up generally – and, of course, drinking wine, though not so much as we used to as we’re older and so much wiser. Yeah right!

Just to prove what a wino I am (it was M’s fault – she led me astray), even my two crime novels published by Accent Press are drawn to the bottle.

Nell Peters books

Hostile Witness can be found at mybook.to/hostilewitness and

By Any Other Name is at mybook.to/BAON

See you next month for some more drivel? By the end of July, both Jenny and I will have celebrated our birthdays – actually on the same day, although I suspect she’s decades older than me … J NP

***

Another wonderful blog!! Many thanks Nell!

I shall be raising my coffee up to you on 13th July.

Happy reading,

Jenny x

 

 

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