Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

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The Guilt Monster

This week I’m returning to Northmoor House on Exmoor, where I co-run the annual Imagine writing retreat.

As I enjoy the stunning countryside that surrounds Northmoor – an unspoilt Victorian manor house – I can’t help but recall one of our previous retreats, when we were joined by the fabulous Kate Lord Brown.

Novelist, and all round lovely person, Kate Lord Brown, gave a fabulous talk and workshop on the theme of inspirations. She also got us to think about our inner critics- including asking us to write down what they looked like.

I’ve never known a writer who was without an inner critic sitting on their shoulder. Most authors I’ve met have at least some level of imposter syndrome. But I had never considered turning these ‘critics’ into beings that we could- once personified- vanquish to the far corners of our minds.

As my fellow writers began to jot down descriptions of their critics, I was hit by two sensations. The first was that I don’t have an inner critic- I have an outer one- Me- and I never stop giving myself a hard time. The second realisation was that it isn’t so much criticism, as guilt.

I have an inner Guilt Monster. (Deserving of the capital letters.)

It’s voice never stops arguing with me…

You should work harder (I work 14 hr days – I overwork- but then I love my job)

You ought to be doing the job I trained for and earn a proper wage (I was never confident as a lecturer- I always assumed I knew nothing- yes, even historian me had an inner critic…)

You’re too nice to make it in the cut and thrust world of book sales (I have been conned by past publishers a lot because I’m so trusting- so can’t argue with my Guilt Monster on that one)

Even working as a trolley collector in the local supermarket would more than treble your hourly rate (I love my job, and I’m not into “owning stuff.”)

You aren’t good enough to make it (I’ve had 16 Amazon bestsellers)

I could go on….

I’m not sharing this with you to play for sympathy (I hate the poor-bugger-me syndrome that can go with this stuff), but to say how thankful I am (again) to Kate Lord Brown for making me stop and think about this, frankly, ridiculous self-imposed, situation.

I think it would be unrealistic to ask myself to lose the insecurity factor. I honestly think I need it – I need to get nervous before a gig or anxious before a workshop – it drives me on- stops me being complacent, and so keeps me primed to always work my hardest to deliver the best I can for the people who rely on me- and to write the best books I can.

The Guilt Monster however, has to go.

I can see him now – and it is a him (I have no idea why, it really ought to be female – I can’t even get that right!!!)

He’s sort of green and has shaggy hair all over. He’s wearing a silly red and blue hat…I don’t know why. And he looks cross…and disappointed.

If you’ll excuse me, I’m going to go out for a walk- with luck he’ll fall off my shoulder as I go. If he doesn’t look like he wants to let go, then I think I might give him a push

The Imagine retreats are always amazing and – as you can tell- thought provoking…

Happy reading,

Jenny xx

The importance of book reviews

Over recent years I’ve been blessed with some lovely reviews for my novels. I’ve also had some stinkers – but you can’t please everyone. (Although, I try very hard to do just that.)

Reviews are vital to an author – the more you have (especially 4 and 5 star reviews) the better your chances are of being asked to write another book. So, if you have enjoyed a book by an author, write a review- that way, there is a higher chance of that person being asked to write another one.

If a book has over 100 reviews on Amazon, it is automatically given some promotion on their targeted email advertising.  As most authors can’t afford to pay for advertising – this is a big deal.

Not only that, reviews are the only way an author can tell if he or she is ‘hitting the spot’ or not. Obviously high book sales can tell you if your book is successful – but sale figures can do no more than reflect how good your marketing is. It is feedback from your readership that tells you if your stories are actually working.

If you wrote a thriller- did it thrill?

If you wrote a romance- did it melt the heart?

If you wrote a horror- did it give your reader nightmares?

Obviously this is a simplistic set of questions, but the point is- authors need to know – and the way to tell them is via reviews.

Good reviews improve our standing and our professional reputations. They improve our ratings on Amazon and equivalent book selling platforms. The more good reviews an author has, the better their overall sales will become.

I’m not saying that you should only give good reviews. If a book has disappointed, let you down and so on, then some constructive criticism can help an author- even though it might be difficult to swallow sometimes!

But you should not give a poor review because…

… of damaged delivery packaging. (That is nothing to do with the author)

…the book isn’t the one you meant to purchase.

…the book was a gift, and wasn’t something you wanted to read, etc etc….

My favourite 1 star review was for Another Cup of Coffee – it was complaining about all the sex in it.  This really confused me as, although there is a suggestion that sex might happen on two occasions within that 97,000 word book, there is no actual sex.  I dread to think what might have happened if that reviewer had accidentally purchased one of my Kay Jaybee books!!!

So – in short – if you enjoy a book – PLEASE review it.

It takes up to a year of hard work to write a book that you’ll read in a matter of days. Any positive feedback you can give helps us author types a great deal.

Whether you leave a review on the Amazon, WHSmith, Waterstones, Goodreads – or any other retailer/book promotion platform – every single one helps.

Every single one.

 

And with that…I have reviews to write for some books I’ve recently enjoyed!

THANK YOU

Happy reading,

Jenny x

 

Interview with Morwenna Blackwood

Today I’m chatting with new novelist, Morwenna Blackwood.

So, grab a cuppa and a slice of cake, put your feet up, and join us for five minutes chatter.

Was The (D)Evolution of Us your first attempt at novel writing?

It was and it wasn’t!

I’ve always written, and have always – and only ever – wanted to be a novelist. However, for a myriad reasons it stayed as a daydream, although I have taken writing courses and been involved in writers’ groups wherever I’ve lived, and I even have an MA in Creative Writing.

I found out about self-publishing and decided to have a go, in my mid-30s. I rushed out a melange of all my surviving notebooks; as my intention was to convey mental breakdown, I’d written sections of it in stream-of-consciousness, and much of it without capital letters and punctuation. I asked a friend to read it, and then hit ‘publish’. I don’t know what I expected, and after a while I pulled it off the internet!

The (D)Evolution of Us was my first serious, well-thought-out attempt. I had it edited professionally; I submitted it to publishers and agents; made a marketing strategy. All this thanks to being on Imagine’s Novel in a Year course!

Which POV works for you?

Writing in the first person comes naturally to me. I like the intensity of it, and I find it more compelling to read. It also serves my purpose as the main themes of my writing are mental illness and existential dread. A first person narrative helps me to get into my characters’ heads, too – I write as they think.

Which three people you like to meet on a desert island?

This is a difficult one! I have three sets of threes:

  • Matt Bellamy, Dom Howard and Chris Wolstenholme. I am a Muser!
  • Jack Kerouac, Allen Ginsberg and William Burroughs. I fell in love with the Beat writers in my teens, and I think they’d make a desert island feel like Alaska!
  • James Bond, Ford Prefect and Gandalf. For the survival skills.

Okay, I have to select three, so I’ll go for Dom, Jack, and James Bond.

So, where is this desert island, anyway, and when can I get a flight?!

Do you plot your stories or go with the flow?

A combination of both!

Generally the process is that I have an idea and write it out by hand. As I write, things change and develop. After a while, the characters are so real in my head that they start doing their own thing. And that’s before all the rewrites and edits. So, yeah – a combination of both.

What is your writing regime?

It’s ironic, really, because I’ve started to write seriously at a time in my life when I have never been busier! Maybe it’s like exercise – the more you do, the more energy you have…

Anyway, I just take every free moment to write: when my little boy has gone to bed; in my lunch break at work – before lockdown, obviously!; the hours in the night when I can’t sleep; and sometimes (again, before lockdown) I take days off and spend the day writing in my local café. I always used to write my best in the early mornings, but am finding that you have to adapt to your circumstances, or it doesn’t get done. I’m really lucky in that I have a very supportive and understanding husband!

My friend told me a great quote from Oscar Wilde the other day: “People are verbs, not adjectives,” and that sums things up pretty well.

What advice would you give to a new writer?

  • Write what comes out and just get it down – you can polish it later, and you need something to work with.
  • Write everyday.
  • If it’s something that you really want to do, prioritise it. It’s so easy to put it off and do all the seemingly more important day-to-day things, or think, ‘Oh, I’m really tired, I’ll just go to bed and start tomorrow.’
  • Don’t underestimate your need for an editor or a beta-reader. When you’re really close to the story, it’s easy to see what you think is there, rather than what is.
  • Never give up!

Many thanks Morwenna. xx

Here’s the blurb to The (D)evolution of Us

… the water was red and translucent, like when you rinse a paint brush in a jam jar. The deeper into the water, the darker the red got. No, the thicker it got. It wasn’t water, it was human. It was Cath.

Cath is dead, but why and how isn’t clear cut to her best friend, Kayleigh. As Kayleigh searches for answers, she is drawn deeper into Cath’s hidden world. The (D)Evolution of Us questions where a story really begins, and whether the world in our heads is more real than reality.

You can buy this #psychologicalthriller at mybook.to/devolution

Bio

When Morwenna Blackwood was six years old, she got told off for filling a school exercise book with an endless story when she should have been listening to the teacher/eating her tea/colouring with her friends. The story was about a frog. It never did end; and Morwenna never looked back.

Born and raised in Devon, Morwenna suffered from severe OCD and depression, and spent her childhood and teens in libraries. She travelled about for a decade before returning to Devon. She now has an MA in Creative Writing from the University of Exeter, and lives with her husband, son and three cats in a cottage that Bilbo Baggins would be proud of. When she is not writing, she works for an animal rescue charity, or can be found down by the sea.

She often thinks about that frog.

Amazon Author Central: amazon.com/author/morwennablackwood

FB Page: https://www.facebook.com/morwennablackwood

Twitter: @MorwennaBlackw1

Instagram: morwennablackwood_

Many thanks for taking the time to chat today.

Happy reading everyone.

Jenny x

8 Tips for Getting Down to Writing

One of the questions I’m asked the most, as both an author and a creative writing tutor, is

How do I actually get down to writing?

Let’s face it, there are a million and one plausible excuses not to sit and write. Most of them will be genuine- some will be sheer prevarication!

Not being able to write because you work long shifts, have children at home, pets that need walking, are ill…GOOD REASONS

Not writing because there’s a television show you’re keen to see or because you need to wash curtains- EXCUSES!

If you are having trouble knuckling down – especially if you’re new to writing, ASK YOURSELF IF THIS IS WHAT YOU WANT TO DO – if it is- read on!

Writing is a lot of fun, but you can’t escape the fact it takes discipline.

Here are my top 8 tips to getting down to writing!

Find your place.

Try working in different locations- at home, a cafe, a library etc- experiment with locations until you find the correct comfort zone for you and your writing.

Find you writing time and claim it as your own- even if it is only one hour a week.

Some people are at their most creative in the mornings, some in the evenings. If you are not tied by work hours, try out different times of day to write to discover when the words flow the best. If time is limited, label one hour (or even just 30 mins) a day as YOURS. Be brave enough to be selfish about it- this is YOUR WRITING TIME.

Get up earlier- stay up later- barricade yourself into your bedroom for an hour straight after work…whatever works best for you.

If you can’t write during your ‘writing time’- still keep that time as your own.

Sometimes the muse won’t come, however much you want it to. Keep that time as yours. Plot/plan/scribble/walk/polish your pens! Once you give it up once, it’ll be easier to give it up again- and you’ll lose it.

Turn distractions into stories

It you’re distracted by something- turn it into a short story or writing exercise. Make it work for you as a warming up exercise.

If you make a deadline- STICK TO IT

It’s so easy- especially before you’re contracted for work- to write with no deadlines. As soon as that happens you can be tempted to give up on your writing time. Make a deadline- stick to it.

Focus on the end result- think about what you want to achieve.

Always think of the big picture. This is your dream!

Keep your favourite food and drink handy.

Writing is hard work. Make sure you stay hydrated and don’t get peckish or your concentration will waver.

Allow yourself rewards. Bribe yourself if necessary!

Whatever it takes to keep that bum on that seat! Promise yourself a walk, a chocolate bar, a glass of wine for every section/chapter written

When the book is finished, treat yourself to that jumper you want, that trip to the takeaway, a meal out, a concert ticket… You will have earned it!

***

Having writing everyone,

Jenny

www.imaginecreativewriting.co.uk 

The Guilt Monster

This week I had the privilege of returning to the Imagine writing retreat at Northmoor House on Exmoor.

As retreat co-runner and writing trouble shooter, with my Imagine business partner, Alison Knight, I enjoyed the stunning countryside that surrounds Northmoor – an unspoilt Victorian manor house. It was wonderful to be in such a peaceful place with the excellent company of a number of fellow writers- many of whom are Imagine students.

On Tuesday evening we were joined by our guest speaker – novelist and all round lovely person, Kate Lord Brown. Kate gave a fabulous talk and workshop on the theme of inspirations. She also got us to think about our inner critics- including asking us to write down what they looked like.

I’ve never known a writer who was without an inner critic sitting on their shoulder. Most authors I’ve met have at least some level of imposter syndrome. But I had never considered turning these ‘critics’ into beings that we could- once personified- vanquish to the far corners of our minds.

As my fellow writers began to jot down descriptions of their critics, I was hit by two sensations. The first was that I don’t have an inner critic- I have an outer one- Me- and I never stop giving myself a hard time. The second realisation was that it isn’t so much criticism, as guilt.

I have an inner Guilt Monster. (Deserving of the capital letters.)

It’s voice never stops arguing with me…

You should work harder (I work 14 hr days – I overwork- but then I love my job)

You ought to be doing the job I trained for and earn a proper wage (I was never confident as a lecturer- I always assumed I knew nothing- yes, even historian me had an inner critic…)

You’re too nice to make it in the cut and thrust world of book sales (I have been conned by past publishers a lot because I’m so trusting- so can’t argue with my Guilt Monster on that one)

Even working as a trolley collector in the local supermarket would more than treble your hourly rate (I love my job, and I’m not into “owning stuff.”)

You aren’t good enough to make it (I’ve had 16 Amazon bestsellers)

I could go on….

I’m not sharing this with you to play for sympathy (I hate the poor-bugger-me syndrome that can go with this stuff), but to say how thankful I am to Kate Lord Brown for making me stop and think about this, frankly, ridiculous self-imposed, situation.

I think it would be unrealistic to ask myself to lose the insecurity factor. I honestly think I need it – I need to get nervous before a gig or anxious before a workshop – it drives me on- stops me being complacent, and so keeps me primed to always work my hardest to deliver the best I can for the people who rely on me- and to write the best books I can.

The Guilt Monster however, has to go.

I can see him now – and it is a him (I have no idea why, it really ought to be female – I can’t even get that right!!!)

He’s sort of green and has shaggy hair all over. He’s wearing a silly red and blue hat…I don’t know why. And he looks cross…and disappointed.

If you’ll excuse me, I’m going to go out for a walk- with luck he’ll fall off my shoulder as I go. If he doesn’t look like he wants to let go, then I think I might give him a push

The Imagine retreat was brilliant…and as you can tell- thought provoking…

Happy reading,

Jenny xx

How to Write Short Stories by Ashley Lister

I’m honoured to have the brilliant Ashley Lister with me today, to talk about his forthcoming creative writing book, How to Write Short Stories.

I’ve had the pleasure of being taught by Ashley – and having taught him in return. He is a wonderful writer, poet, creative writing lecturer, and a right good chap…

Over to you Ashley…

To my mind, short stories are different from any other kind of writing.

Not only is the short story shorter than the novel, but the novel is allowed to ramble and take the reader on digressions. A short story can’t get away with that. If we’re reading Charlotte Perkins Gilman’s ‘The Yellow Wallpaper’, we’re reading a story where every word must count. There is no scope for the main character to have thoughts on the weather, local politics, or the imagined shoe sizes of indigenous otters. The main character can’t take a trip to B&Q and study wallpaper swatches in the hope of redecorating. Every syllable in the short story needs to stay focused on the purpose of that narrative.

Poetry shares this specificity of restrained vocabulary, where every syllable is vital to the message being conveyed. But poetry is invariably shorter, and to my mind, unlike short stories, good poetry usually has a rhyme such as the one below:

There was an old woman from Hyde
Who ate rotten apples and died
The apples fermented
Inside the lamented
And made cider, inside her insides.

All of which is my way of saying that the short story is unlike any other form of literature out there. I say this with fondness in my voice because I genuinely love the short story. I’ve written hundreds of short stories; I’ve obtained a PhD based on a thesis I wrote about short stories; and now I’ve published a book explaining how to write short stories.

How to Write Short Stories and Get Them Published is the essential guide to writing short fiction. It takes the aspiring writer from their initial idea through to potential outlets for publication and pitching proposals to publishers.

Along the journey this guide considers the most important aspects of creative writing, such as character, plot, point of view, description and dialogue. All of these areas are illustrated with examples of classic fiction, and accompanied by exercises that will help every writer hone their natural skill and talent into the ability to craft compelling short stories.

How to Write Short Stories and Get Them Published is due out in December of 2019. It’s published by Little Brown and you can pre-order your copy using this link: https://www.amazon.co.uk/dp/1472143787/ref=cm_sw_em_r_mt_dp_U_fpDlDbM5CS66H

Today, because my good friend Jenny invited me to write a blog post about my forthcoming book, I thought it would be prudent to share five tips for short story writing.

  1. Read good stories. Read people who know what they’re doing with a pen. If you’re reading this blog, it’s likely that you’re already familiar with the writing of Jenny Kane/Jennifer Ash: read her books and watch how she demonstrates her mastery of the craft. There is a balance between description and action. There is a strong use of character and dialogue. Watch how she does this, make notes, and try to emulate this sophisticated style of writing.
  2. Read rubbish stories. Like a lot of parents people, I’ve sat through some bloody awful films that my child thought would be entertaining (such as Theodore Rex, and The Cat in the Hat). Rather than grumbling about this, or trying to sleep or better my score on Candy Crush, I’ve used this as a learning experience. What don’t I like about the film? Is the dialogue too stilted? Am I having difficulty empathising with the characters? Is the plot too outrageous? Is the whole thing too dull? I make mental notes as I’m watching and I silently vow to avoid these mistakes in my own writing.
  3. Practice. Writing is a skill. We only develop our skills through practice: therefore it makes sense to practice. Aim for an hour a day if possible. If family, work, or life get in the way of that, steal whatever minutes you can find, and use them to help develop your craft. (I should also mention that my forthcoming book, How to Write Short Stories and Get Them Published, includes lots of writing exercises to act as spurs for creativity).
  4. Be honest with yourself. Once you’ve written a story, read through your work and assess whether or not it did what you wanted. If it was a horror story, do you think it frightens? If it’s a romance, will it make your readers feel satisfied in their belief of the power of love? Is it cohesive? Are there parts that work and parts that don’t work? Does it need a little editing or a lot of editing? Being honest is not simply a matter of saying, “That’s brilliant,” or “That’s rubbish.” It’s a matter of saying, “Does this story do its job?” And if not: “What I can do to amend it so that it does do its job?”
  5. Write the stories. Polish the stories. Send the stories out to potential publishers. And, when you get rejected, send the stories out again and again. Writing is not easy. Publishing is even harder. And remaining positive in the face of rejection is damned near impossible. However, if you believe in your writing, and if you approach the market intelligently, there’s no reason why every capable writer shouldn’t be able to get their work to the audience that needs them.

As I mentioned before, How to Write Short Stories and Get Them Published is due out in December of 2019. It’s published by Little Brown and you can pre-order your copy using this link: https://www.amazon.co.uk/dp/1472143787/ref=cm_sw_em_r_mt_dp_U_fpDlDbM5CS66H

***

Bio

Ashley Lister is a prolific writer, having written more than fifty full length books and over a hundred short stories. Aside from regularly blogging about poetry and writing in general, Ashley also lectures in creative writing.

***

Many thanks Ashley,

This looks like a must read for any creative writer.

Happy reading- and writing- everyone,

Jenny x

8 Reasons to go on an Imagine writing retreat

Only a few rooms remain! Reserve your place now!

Alison Knight and I are proud to be hosting Imagine’s second writing retreat at Northmoor House.

8 reasons to go on an Imagine Writing Retreat…

1. Writers need writers! No one understands writing and a writer’s life like another writer. Mutual support is the name of the game!

2. Located in the stunning Victorian manor, Northmoor House, Imagine’s retreat gives you the chance to stay in a home untouched by time (Don’t panic, there is Wi-Fi). You can even indulge in the waters of an original Victorian bathtub…don’t forget your bubble bath!

3. With so many of the manor’s period features still in place, Northmoor is the ideal location for sparking inspiration and dreaming up new plotlines.

4. On the edge of Exmoor, near the popular village of Dulverton, there are plenty of beautiful places to explore should you, or any non-writing friends or partners, wish to. There are miles of good walking land on hand. The pre-historic Tarr Steps are but minutes away, and the cafes in Dulverton are excellent. I can personally recommend the poached eggs on crumpets in The Copper Kettle.

Tarr Steps

5. However, you might not want to stray into the village for food because we have employed an excellent local caterer, who is providing a delicious menu that will cater for all dietary requirements. All food is locally sourced.

6. Come along for a confidence boost! At Imagine we pride ourselves on helping everyone to get their words onto the page. We are here for beginners and experts alike.

7. Meet celebrated novelist Kate Lord Brown! Kate will be our guest speaker on the Tuesday evening.

8. Let’s face it – Monday to Friday in a beautiful Victorian Manor, with time to write, all food provided, plus help on tap, a chance to meet Kate Lord Brown, and the opportunity to share writing ideas over a glass of wine (or two) – for only £550 is a BARGAIN.

***

Full details are available at https://www.imaginecreativewriting.co.uk/writing-retreats 

If you have any queries please email Alison or myself at imaginecreativewritng@gmail.com

 

Happy writing everyone,

Jenny xx

Checking In

Hello there- long time no see. Or should that be long time no blog?

I admit it- I’ve been neglecting you out there in blog reading land. Life’s been rather on the busy side, and my blog has been the main casualty of the severe ‘lack of time’ that afflicts me.

I’m NOT complaining however. Busy in this particular case means amazing things are happening- not life changing or bank balance saving- but amazing nonetheless.

When I became a writer- by accident- fourteen years ago, I dreamed of writing a book that would keep people reading until 2 o’clock in the morning. I wanted to pen the sort of books where people had to read just one more chapter before they went to sleep. Now, all these years later, although I’d love my future books to do that too (apparently, some of my current books have caused such longed for sleep deprivation), I have new dreams…and it’s those I’m working on at the moment.

The first I can share with you- and that’s my desire to help as many new writers fulfill their writing dreams as I can. To give them the confidence I’ve never had- and to show them that if I can write a book, then they most certainly can!

I’m lucky enough to be part of Imagine– a creative writing business I co-run with fellow writer, Alison Knight. As part of that business we tutor new writers through every part of their novel writing process- and wow- do we have some fantastic students on our books. The world is going to get some stonking new talent on its bookshelves very soon.

There is something rewarding about helping others work to meet their writing dreams. All my students’ talent and hard work belongs to them and them alone. I’m just the cheerleader – although without the pompoms and the dubious chants obviously.

What else am I up to?

Well- my latest novel is drafted. It’s a rom/com set on Exmoor, which should hit all your ‘feel good’ buttons. naturally it includes the odd coffee…and there’s the occasional slice of lemon cake too.

When I have a minute I’ll edit it into shape and tell you much more about it. First, however, I have to do something else…but, I can’t tell you what that is. I wish I could- but I can’t. Although I can say its more Jennifer Ash than Jenny Kane, and it might have a whiff of medieval about it….Then there’s the other thing…also Jennifer Ash-ish…not exactly medieval…not even exactly English…

And then there’s something else as well…

That’s it…no more…my lips are sealed. And yes- I know I’m teasing you, and I know that’s annoying- but I’ve been so quiet lately, I thought I ought to wave a small flag to let you know I’m still here. I promise I’m beavering away at the wordage- even if I can’t tell you what words they are!

Happy reading everyone

Take care,

Jenny x

 

 

8 Reasons to go on an Imagine writing retreat

After the wonderful success of our trip to Northmoor House last October, Alison Knight and I are proud to open the booking for Imagine’s second writing retreat…

8 reasons to go on an Imagine Writing Retreat…

1. Writers need writers! No one understands writing and a writer’s life like another writer. Mutual support is the name of the game!

2. Located in the stunning Victorian manor, Northmoor House, Imagine’s retreat gives you the chance to stay in a home untouched by time (Don’t panic, there is Wi-Fi). You can even indulge in the waters of an original Victorian bathtub…don’t forget your bubble bath!

3. With so many of the manor’s period features still in place, Northmoor is the ideal location for sparking inspiration and dreaming up new plotlines.

4. On the edge of Exmoor, near the popular village of Dulverton, there are plenty of beautiful places to explore should you, or any non-writing friends or partners, wish to. There are miles of good walking land on hand. The pre-historic Tarr Steps are but minutes away, and the cafes in Dulverton are excellent. I can personally recommend the poached eggs on crumpets in The Copper Kettle.

Tarr Steps

5. However, you might not want to stray into the village for food because we have employed an excellent local caterer, who is providing a delicious menu that will cater for all dietary requirements. All food is locally sourced.

6. Come along for a confidence boost! At Imagine we pride ourselves on helping everyone to get their words onto the page. We are here for beginners and experts alike.

7. Meet celebrated novelist Kate Lord Brown! Kate will be our guest speaker on the Tuesday evening.

8. Let’s face it – Monday to Friday in a beautiful Victorian Manor, with time to write, all food provided, plus help on tap, a chance to meet Kate Lord Brown, and the opportunity to share writing ideas over a glass of wine (or two) – for only £550 (£50 less if you book before 28th February) is a BARGAIN.

***

Full details are available at https://www.imaginecreativewriting.co.uk/writing-retreats 

If you have any queries please email Alison or myself at imaginecreativewritng@gmail.com

 

PLEASE REMEMBER THAT THE EARLY BIRD DISCOUNT ENDS ON 28th FEB 2019

Happy writing everyone,

Jenny xx

Imagine Retreating

Last week, in the beautiful autumn sunshine, the first Imagine writing retreat to took place at Northmoor House, Exmoor – and what a week it was!

With 6 full-week guests,  4 part-week visitors and 2 very special guests (FaberFaber novelist Kate Griffin and Bloosmbury children’s writer, Dan Metcalf), it was nonstop creativity- be it writing, thinking, reading, tutoring or drawing.

Most of all, it was fantastic to be with so many talented folk in such incredible surroundings.

Our days were split into mealtimes (delicious food was provided by the brilliant Eve- caterer extraordinaire), optional one-to-one tutor sessions with myself or my Imagine partner in crime, Alison Knight, and free time to write.

The most important thing Alison and I wanted to provide at Northmoor, was the freedom to do as much, or as little as each guest wanted. Space to simply be.

Here are just a few photographs of the house, our guests, and a glimpse of the extensive grounds. (With thanks to our guests for sharing these pictures).

Dan Metcalf

Kate Griffin

If you’re sorry you missed out, then keep an eye on the Imagine website. The 2019 retreat date will be posted in the next few weeks.

Thanks to everyone who came along.

It was a joy.

Jenny x

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