Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

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A Summer Wedding: Romancing Robin Hood

I’m away on my holidays this week, and so I thought I’d leave you with a little something to read. What better for the summer, than a wedding?

RRH- new 2015

Romancing Robin Hood is a contemporary romance is based on the life of Dr Grace Harper, a medieval history lecturer with a major Robin Hood obsession. So much so, that instead of writing a textbook on medieval life, Grace is secretly writing a novella about a fourteenth century girl called Mathilda, who gets mixed up with a real outlaw family of the day, the Folvilles. (Which you can also read within my novel!)

The problem is that Grace is so embroiled in her work and passion for outlaws, that real life is passing her by.

With her wedding approaching fast, Grace’s best friend Daisy can’t help wishing a similar happiness to her own for her Robin Hood loving friend…

summer wedding

Extract

…Daisy hadn’t grown up picturing herself floating down the aisle in an over-sequinned ivory frock, nor as a doting parent, looking after triplets and walking a black Labrador. So when, on an out-of-hours trip to the local vet’s surgery she’d met Marcus and discovered that love at first sight wasn’t a myth, it had knocked her for six.

She’d been on a late-night emergency dash to the surgery with an owl a neighbour had found injured in the road. Its wing had required a splint, and it was too big a job for only one pair of hands. Daisy had been more than a bit surprised when the locum vet had stirred some long-suppressed feeling of interest in her, and even more amazed when that feeling had been reciprocated.

It was all luck, sheer luck. Daisy had always believed that anyone meeting anybody was down to two people meeting at exactly the right place, at exactly the right time, while both feeling precisely the right amount of chemistry. The fact that any couples existed at all seemed to Daisy to be one of the greatest miracles of humanity.

She pictured Grace, tucked away in her mad little office only living in the twenty-first century on a part-time basis. Daisy had long since got used to the fact that her closest friend’s mind was more often than not placed firmly in the 1300s. Daisy wished Grace would finish her book. It had become such a part of her. Such an exclusive aim that nothing else seemed to matter very much. Even the job she used to love seemed to be a burden to her now, and Daisy sensed that Grace was beginning to resent the hours it took her away from her life’s work. Maybe if she could get her book over with – get it out of her system – then Grace would stop living in the wrong timeframe.

Daisy knew Grace appreciated that she never advised her to find a bloke, settle down, and live ‘happily ever after,’ and she was equally grateful Grace had never once suggested anything similar to her. Now she had Marcus, however, Daisy had begun to want the same contentment for her friend, and had to bite her tongue whenever they spoke on the phone; something that happened less and less these days.

Grace’s emails were getting shorter too. The long paragraphs detailing the woes of teaching students with an ever-decreasing intelligence had blunted down to, ‘You ok? I’m good. Writing sparse. See you soon. Bye G x’

The book. That in itself was a problem. Grace’s publishers and colleagues, Daisy knew, were expecting an academic tome. A textbook for future medievalists to ponder over in the university libraries of the world. And, in time, that was exactly what they were going to get, but not yet, for Grace had confided to Daisy that this wasn’t the only thing she was working on, and her textbook was coming a poor third place to work and the other book she couldn’t seem to stop herself from writing.

‘Why,’ Grace had forcefully expounded on their last meeting, ‘should I slog my guts out writing a book only a handful of bored students and obsessive freaks like myself will ever pick up, let alone read?’

As a result, Grace was writing a novel, ‘A semi-factual novel,’ she’d said, ‘a story which will tell any student what they need to know about the Folville family and their criminal activities – which bear a tremendous resemblance to the stories of a certain famous literary outlaw! – and hopefully promote interest in the subject for those who aren’t that into history without boring them to death.’

It sounded like a good idea to Daisy, but she also knew, as Grace did, that it was precisely the sort of book academics frowned upon, and she was worried about Grace’s determination to finish it. Daisy thought it would be more sensible to concentrate on one manuscript at a time, and get the dry epic that everyone was expecting out of the way first. Perhaps it would have been completed by now if Grace could focus on one project at a time, rather than it currently being a year in the preparation without a final result in sight. Daisy suspected Grace’s boss had no idea what she was really up to. After all, she was using the same lifetime of research for both manuscripts. She also had an underlying suspicion that subconsciously Grace didn’t want to finish either the textbook or the novel; that her friend was afraid to finish them. After all, what would she fill her hours with once they were done?

Daisy’s mobile began to play a tinny version of Nellie the Elephant. She hastily plopped a small black guinea pig, which she’d temporarily called Charcoal, into a run with his numerous friends, and fished her phone from her dungarees pocket.

‘Hi, Marcus.’

‘Hi honey, you OK?’

‘Just delivering the tribe to their outside quarters, then I’m off to face the horror that is dress shopping.’

Her future husband laughed, ‘You’ll be fine. You’re just a bit rusty, that’s all.’

‘Rusty! I haven’t owned a dress since I went to parties as a small child. Thirty-odd years ago!’

‘I don’t understand why you don’t go with Grace at the weekend. It would be easier together wouldn’t it?’

Daisy sighed, ‘I’d love to go with her, but I’ll never get her away from her work more than once this month, and I’ve yet to arrange a date for her to buy a bridesmaid outfit.’

‘Well, good luck, babe. I’m off to rob some bulls of their manhood.’

Daisy giggled, ‘Have fun. Oh, why did you call by the way?’

‘Just wanted to hear your voice, nothing else.’

‘Oh cute – ta.’

‘Idiot! Enjoy shopping.’

As she clicked her battered blue mobile shut and slid it back into her working clothes, Daisy thought of Grace again. Perhaps she should accidentally invite loads of single men to the wedding to tempt her friend with. The trouble was, unless they wore Lincoln Green, and carried a bow and quiver of arrows, Daisy very much doubted whether Grace would even notice they were there…

RH- RoS 2

Blurb

Dr Grace Harper has loved the stories of Robin Hood ever since she first saw them on TV as a girl. Now, with her fortieth birthday just around the corner, she’s a successful academic in Medieval History, with a tenured position at a top university.

But Grace is in a bit of a rut. She’s supposed to be writing a textbook on a real-life medieval gang of high-class criminals – the Folvilles – but she keeps being drawn into the world of the novel she’s secretly writing – a novel which entwines the Folvilles with her long-time love of Robin Hood – and a feisty young girl named Mathilda, who is the key to a medieval mystery…

Meanwhile, Grace’s best friend Daisy – who’s as keen on animals as Grace is on the Merry Men – is unexpectedly getting married, and a reluctant Grace is press-ganged into being her bridesmaid. As Grace sees Daisy’s new-found happiness, she starts to re-evaluate her own life. Is her devotion to a man who may or may not have lived hundreds of years ago really a substitute for a real-life hero of her own? It doesn’t get any easier when she meets Dr Robert Franks – a rival academic who Grace is determined to dislike but finds herself being increasingly drawn to…

Buy Links – All e-formats available (Paperback to follow asap)

Amazon UK- http://www.amazon.co.uk/Romancing-Robin-Hood-Jenny-Kane-ebook/dp/B00M4838S2/ref=sr_1_1?ie=UTF8&qid=1407428558&sr=8-1&keywords=romancing+robin+hood

Amazon.com- http://www.amazon.co.uk/Romancing-Robin-Hood-Jenny-Kane-ebook/dp/B00M4838S2/ref=sr_1_1?ie=UTF8&qid=1407428558&sr=8-1&keywords=romancing+robin+hood

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Happy reading,

Jenny x

Interview with Marie Evelyn: The Turtle Run

It’s interview time at my blog today, and I’m delighted to welcome Marie Evelyn to the chair. Let’s pop the kettle on- but how many cups are we going to need/

Over to you Marie…

coffee and cake

What inspired you to write your book?

The Turtle Run was inspired by something my mother once witnessed in Barbados (described in the book). She came across barefooted, blue-eyed, fair-haired children struggling to carry buckets of water from a standpipe to their chattel house and learned that they were the descendants of the Monmouth rebels, who were exiled from England to Barbados in 1685.

This experience encouraged my mother to study more about the Monmouth rebellion, led by Charles II’s illegitimate son, the Duke of Monmouth. Although the book is contemporary, and has a strong romantic element, the theme is about how people’s lives are influenced by the fate of their ancestors. Certainly the miserable situation of many ‘Redlegs’ (to give them their politically incorrect name) was the legacy of their exiled forebears.

Do you model any of your characters after people you know? If so, do these people see themselves in your characters?

The self-interested Francesca was based on a neighbour and school classmate of mine in Barbados. (Name changed – of course). To be fair, she may have matured into a wonderful woman fighting for human rights since I was on the island, but when I knew her, all the indications were that she would take ‘shallowness’ to new depths.

The Turtle Run cover

What type of research did you have to do for your book?

My mother had a long association with Barbados and we lived on the island throughout my childhood. There was also a family connection to the Redlegs. My mother did a little research out there to try and discover more about the original exiled Monmouth Rebels but it was only many years later – after we had moved to the UK and my parents had retired to Dorset – that she was really able to research the beginning of the story, which has so many local connections with south-west England.

The Somerset Heritage Centre (http://www1.somerset.gov.uk/archives/) was a useful source of information and this short event in British history has inspired some really interesting books. But for a ‘Monmouth fix’, I would leave the non-fiction books and turn to Lorna Doone.

What excites you the most about your book?

The book has a strong theme of trying to understand the present through understanding the past. Although I am more interested in the challenge of writing a story where there is a connection between a contemporary character’s situation and the situation of his/her ancestors from hundreds of years before, just having characters uncover a secret about their own immediate family can be really engaging.

If you were stranded on a desert island with three other people, fictional or real, who would they be and why?

Enid Blyton would be one as I have a rather complicated relationship with her. Of course, several of her books were on the theme of children living on islands, though as practical guides to island-survival they would be pretty hopeless as the children never seemed to have much problem finding food, and never had go to the loo. I should be very grateful to her for firing my young imagination, but the problem was that I assumed her stories had some basis in reality. As my image of what England would be like was entirely informed by her books, I experienced no small disappointment when we did finally move here, and as for my subsequent experience of boarding school – let’s just say that I felt very misled. I would probably end up chasing her around the island pelting coconuts at her.

I would also choose Louisa Dixie Durrell – who must have been a real character but was reduced to ‘Mother’ in Gerald Durrell’s books and who seemed to have a very placatory role during her children’s squabbles.  I imagine she would act as peacekeeper on the island, and would try to persuade Blyton that I wasn’t throwing coconuts deliberately. Finally, I would have Baroness Elsa Schraeder (Captain Von Trapp’s fiancée in the Sound Of Music) to add a touch of style and class. She could enjoy the child-free island and use the time to reflect on her extreme good luck at losing Von Trapp and his warbling children to an ex-nun with a guitar.

I guess our survival would depend upon Enid Blyton’s expert naturalist knowledge, and I would have to hope that she’d forgotten the whole coconut-pelting episode.

Links

https://www.facebook.com/Marie-Evelyn-920546144697589/

https://www.amazon.co.uk/Turtle-Run-Marie-Evelyn/dp/1783753277

https://www.goodreads.com/book/show/28330185-the-turtle-run

 Marie Gameson photo

 

Bio

Marie Evelyn are a mother and daughter team originally from the Caribbean but now based in the UK.

Mother Margot (Margot Gameson née Evelyn) has been published previously as Mary Evelyn and daughter Marie Gameson was longlisted for The Bridport First Novel Prize in 2015. The Turtle Run is their first novel together and is based on their firsthand experiences of growing up in Barbados, showing a side of the island probably unknown to most visitors.

A former journalist, Margot in particular has seen the island go through a lot of changes, especially in the lead up to independence – Barbados celebrates its 50th anniversary as an independent nation this year. However The Turtle Run shows there are still resonances of its lesser known history on the island today.

The family moved to the UK in the 1970s and eventually settled in an area where many of the Monmouth rebels originally came from. Margot is now retired and Marie works in IT.

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Wonderful interview, many thanks Marie,

Happy reading everyone,

Jenny xx

Guest Post from Nicola May: Fast Love

I’m delighted to welcome Nicola May back to my blog today, to chat about her brand new novel, Love Me Tinder.

Over to you Nicola…

When I started dating not everybody had a mobile phone, so you would arrange to meet somebody at a certain place, at a certain time and it just happened.

Now to be honest I’m exhausted by all the technology that comes along with it. I mean what happened to good old fashioned courting? Rather than having to work out which is the best mode of communication for progressing the relationship; is he a Facebook messenger type of guy or does Skype float his boat? Can I not instead just pick up the remarkable object that was designed originally for vocal, yes vocal communication and talk to him?

I feel that so much gets misconstrued through messaging and I’m the sort of person who wants to know someone’s real honest feelings from the get go. Modern dating doesn’t encourage this level of intimacy. When someone likes me, I want them to call and show me that, instead of playing the texting game, which seems to have become the norm right now.

The current information overloaded digital world, where people’s minds need to be fed with whatever it is every ten minutes has transferred to the dating game and I think that this fast way of looking for love should slow right down.

To be honest, I don’t think the majority of people give relationships a chance anymore; a slight imperfection in character or looks and you can cruelly replace someone with the touch of a button if you so wish.

love me tindeeeer change position

Maybe you are just looking for Fast Love as in George Michael’s hit song, but if you are looking to settle down I think you should take note of writer, Margaret Atwood who said. ‘If I waited for perfection, I would never write a word.’  There is no such thing as a perfect relationship or person for that matter. And, sadly as you get older you realise that there are rarely the happy ever afters you read about in novel’s like mine.

And, if today’s reality is thinking that you never have to compromise on something to make it work, there are going to be a lot of shocked single people left out there.

Don’t get me wrong, it’s not all doom and gloom. I kept my internet love search as real as I could and actually went on some very fun dates and met some interesting men. I didn’t find my Mr Right, however what I did find was that there was so much to write about!

In fact, almost immediately I realised that the minefield of good, bad and indifferent dates I encountered was a gift for creating interesting and amusing plot fodder, and so the idea for Love Me Tinder was born.

In brief Love me Tinder revolves around heroine, Cali Summers who decides to hit the world of fast love after her marriage breaks down.

Using room 102 in the hotel where she works as her dating ‘lair’, she opens herself up to a world of sex, lies, deception, as well as personal discovery and passionate romance.

This book is for anyone who has immersed themselves into the crazy world of app or internet dating or in fact anyone who wants an insight into what it’s all about.

It is a romantic comedy, but I also wanted to address the issue of fast love in today’s modern world and I hope I have managed to do this in a sympathetic, realistic and head nodding creating manner.

Link to book: https://www.amazon.co.uk/Love-Me-Tinder-Nicola-May-ebook/dp/B01HD2QN4O/ref=sr_1_1?ie=UTF8&qid=1469186443&sr=8-1&keywords=love+me+tinder Twitter: nicolamay1

Website: www.nicolamay.com Love Me Tinder is out NOW as an eBook.
nicola orba

Biography

Nicola lives in Ascot in Berkshire with Stanley her rescue cat. She has a penchant for Prosecco, ripe peaches and flapjacks. Love Me Tinder is her eighth novel.

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Many thanks Nicola,

Happy reading everyone,

Jenny x

 

 

Release Blitz from Laura Wilkinson: The Family Line

I’m delighted to bring you the blurb, and an exclusive extract, from the first novel to leave the well aimed pen of my lovely friend, Laura Wilkinson.

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Set in a much-changed Britain in the mid-twenty-first century, The Family Line is the debut novel from acclaimed writer Laura Wilkinson, now revised and proudly reissued by Accent Press. An original exploration of identity, love and what it means to be a parent.

The Family Line

Blurb

Three women. One secret. A child with a deadly disease

Megan is a former foreign correspondent whose life is thrown into turmoil when her son is diagnosed with a terminal illness: a degenerative disease passed down the mother’s line. In order to save him, Megan will have to unearth the truth about her origins and about a catastrophic event from the past. She must confront the strained relationship she has with her mother, make sense of the family history that has been hidden from her all her life, and embark on a journey of self-discovery that stretches halfway around the world.

An exclusive extract:

Megan sat alone outside the office of an eminent doctor resident at the hospital. It was nine fifteen; her appointment had been scheduled for nine o’clock. She was grateful for the reprieve and didn’t understand why she didn’t want to go in.

She wore heeled sandals and a knee-length dress, cut from black cotton with bracelet sleeves and a slash neck. Her cheeks were dusted with a soft pink blush and her lips coated in a sheer gloss. She had looked elegant and quite lovely in her bedroom mirror but now she felt overdressed and wished she had worn her regulation black jeans. She had been keen to make a good impression, but she resented this desire to impress. What was she trying to prove? That she was a good mother? Surely only a vain, selfish woman would be concerned about appearance when discussing her child’s development? She wiped away the gloss with the back of her hand. She studied her pale shins, the blue veins visible beneath the surface in the harsh hospital light. A nurse told her the consultant was ready. Megan took a deep breath and stood.

He faced the window, his back to the door, and looked out onto a pleasant garden bordered with hydrangeas, hebe and St John’s Wort. The air was cool in the sparse, smart office though Megan felt perspiration gathering under her arms and across her brow with every click of her heels on the floor. The doctor commented on the fine weather, reminding her that each day comes but once, never to return, and as such should be treasured. Platitudes. She looked at the garden. It was beautiful but nothing compared to her boy.

When the doctor finally spun his chair to face her, Megan knew the news wasn’t good, and though her stomach churned she told herself it would not be anything insurmountable. After all, this wasn’t oncology or the ER. After asking her to take a seat, Mr Barnet, a phlegmatic, saturnine individual, informed her that Cerdic had a rare congenital condition, a hereditary disease, passed from mother to son, which would rob Cerdic’s body of its ability to function. ‘AMNA. It stands for Alekseyev Motor Neuron Atrophy, named after the Russian scientist who first discovered the defective gene. For reasons that have never been quite explained the condition appears to be more prevalent amongst the peoples of the East, the Slavs in particular,’ he said.

Megan’s mouth dried, her lips seemed to be welded together. She struggled to push the words out. ‘How serious is it?’

‘Very. I am sorry.’

‘What will it do to him?’ She could feel the thick white spit at the corners of her mouth. She went to wipe it away and realised that her hands were shaking.

‘It starts in the muscles as cells break down and are gradually lost. The muscles weaken over time. Your son has trouble jumping and climbing, yes?’ He didn’t wait for a reply. ‘By five years old AMNA boys are unable to walk far, and by seven or eight most are in a wheelchair. Nerve cells in the brain weaken, eventually failing to send messages to muscles and other vital organs like the lungs. Sufferers lose control of their bodies and minds. The average life expectancy …’ Megan watched his mouth move without hearing more words. Sunlight illuminated his form and she felt angry with the sun for shining.

‘How long do we have?’

He curled his lips inward. ‘If he reaches sixteen, it will be a miracle, of sorts,’ he said, delivering the news as if it were quotidian, finishing with a standard, ‘Do you have any further questions?’

Megan experienced a sensation similar, she imagined, to being eviscerated. It was as if he had ripped out her intestines, thrown them to the floor and squashed them underfoot, before asking if there was anything he could do to help with the pain.

She remembered the night Cerdic was born. Sweltering and still. Even the sea was silent. She stayed up all night, her body throbbing, unable to take her eyes from him, afraid that if she blinked he would disappear as miraculously as he had arrived. She remembered how, when he was tiny and slept in a cot in her room, she would wake to the sound of silence and rush to his bedside, placing a palm in front of his mouth, checking he still breathed. Like all mothers in the black moments she imagined a hundred ways he might be taken from her but nothing like this. She never, ever, imagined this.

Reeling from the shock, and working hard to control her spiralling emotions and liquid gut, she said, ‘There must be something we can do.’

‘As you will appreciate much research was abandoned, or more accurately put on hold, after 2025. Cerdic’s condition is, mercifully, extremely rare, and as such it has not been high priority for many, many years. In the past decade research has restarted. But it is a slow process, Mrs Evens.’ He returned to his garden as he spoke, and Megan thought there was nothing merciful about this disease.

‘Has this research thrown anything up yet?’ she said, adding, ‘It’s Miss Evens.’

Mr Barnet commented on a blackbird that hopped on the lawn before replying with indistinct mumblings.

Megan’s patience evaporated though she believed the consultant’s rudeness was not deliberate. She pressed for a clear reply.

‘There are signs to indicate that matching stem cell and blood plasma transplants, from suitable donors, can slow the progression of the disease. It works best if the donors are relatives, close relatives. Scientists believe they can stop the disease in its tracks altogether if administered early enough with a perfectly matched donor though there is no conclusive proof as yet.’

‘It is worth a try, Mr Barnet.’

‘Worth a try.’ He nodded absentmindedly.

‘Then we try it.’ Megan’s tone was polite but firm – this was not a request.

‘There is no sibling?’

‘There’s me.’

The consultant spoke of the viability of samples from her, Cerdic’s father, compatibility. He explained that it was most unusual, unheard of, for the mother, the carrier, to match, to be a suitable donor. She knew he meant no malice or blame – why would he? – but it pained her nevertheless. He rambled on, explaining the minutiae of technical detail. She twisted the ring on her left hand. Her mind flooded with images of Hisham. She would have to contact him. She knew there would be no question of him not helping but she allowed herself the irrational hope that contacting Hisham might not be necessary, that she might be the one in a million, in a manner of speaking. She left Mr Barnet’s office brim full of fear and hope, clutching a referral and a name for her son’s killer.

To buy: http://amzn.to/2ahSStC

Praise for the first edition:

Wilkinson ably navigates the tender, sometimes fraught exchanges between her protagonists. Though its scope is ambitious, and could easily have veered off-course, deft interweaving of complex themes makes for a haunting début.’ For Books’ Sake.

‘This is a compelling story that raises important issues and will linger in the mind long after the last page has been turned.’ Joanna Caney, New Books Magazine.

‘This mind-blowingly original novel asks big questions about a woman’s right to choose when to have children…  Ultimately, it questions how far is too far… This is a book that will haunt your dreams.’Pam McIlroy, Books at Broadway.

‘ This is an interesting and emotional début, and is highly recommended.’ Michelle Moore, Book Club Forum.

 ‘… a fantastic debut novel which surpassed my expectations.  I totally agree with one Amazon reviewer; this has got BBC 3-part drama written all over it! Simply fabulous!’ Kirsty, Book Love Bug.

LW 2 No 1 - dark, smile

About Laura

After working an actress and journalist, now Laura writes novels and short stories. She is published by award-winning independent press, Accent. Her novel, Public Battles, Private Wars, was a Welsh Books Council Book of the month; Redemption Song, is an insightful look at learning to forgive and love again after significant loss. The Family Line is set in a near future Wales and looks at identity and parenting. ‘It will haunt your dreams’ Books at Broadway. Alongside writing, she works as an editor for literary consultancies, Cornerstones and The Writing Coach, and runs workshops on self-editing and the art of fiction. She’s spoken at festivals and events nationwide, including London Metropolitan University, GladLit, University of Kingston, The Women’s Library and Museum in Docklands. www.laura-wilkinson.co.uk   Twitter @ScorpioScribble Facebook: Laura Wilkinson Author

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Happy reading everyone,

Jenny xx

 

 

Guest Post from Carol McGrath: Stories that have Influenced my Writing

I love this guest post! Carol McGrath has given us a wonderful insight into some of the stories that set her on her own writing path. For me it was Robin Hood who made me pick up a pen, for Carol it was…Well why not grab a cuppa, put your feet up, and come and find out.

Over to you Carol…

The Handfasted WifeThe Betrothed Sister

I am delighted to be asked by Jenny to talk a little about books that I have loved in my youth and how these tales inspired me to write- even the novel that I amused myself writing, aged nine years old.

For those reading this, my novels are stories of real historical persons infused with a sense of adventure. I mix real historical characters who are researched with invented characters. The imagined personalities come from deep inside me, from the imaginative pool that grew out of my early reading tastes. Both The Handfasted Wife and The Betrothed Sister, historical novels about the noble women who survived the Battle of Hastings, contain a skald, poet and spy, as their most significant secondary character. His name is Padar.

Padar grew out of my youthful love of the Robin Hood legends, a passion I know that Jenny and I share. Padar owns rebellious characteristics, and becomes outlawed after The Battle of Hastings. Following the Norman Conquest he is constantly in danger. He is a small man in stature, clever, independent and resourceful. When Padar is charged by King Harold to watch over his wife and younger children, after the king’s defeat and death at Senlac, he travels with King Harold’s handfasted wife, Elditha (Edith Swan-Neck) to Ireland where she hopes to reach her sons, help them rebel against Norman rule and reclaim their lands. In The Betrothed Sister, Padar sails with Elditha’s daughter Thea (Gita) into Rus lands where her cousin, King Sweyn of Denmark, has arranged her marriage to a prince of Kiev. Padar, too, finds romance.

Five go to Treasure Island

The earliest novel I attempted to write was based on Enid Blyton’s Famous Five. I was nine years old, recovering from mumps, living with my family in a lonely home in the country. My childhood oeuvre was another adventure for George, Ann, Julian, Dick and Timmy the dog, set in a haunted house in Donegal- one we fantasised about on childhood holidays. The mountains lay behind and the sea in front so there was lots to imagine- lights flashing at night in the mountains, smugglers on the island we could see from the cottage we rented. I wrote in chapters and with pen and ink- laboriously in one of my Dad’s Ministry of Agriculture notebooks. Goodness knows what became of that valiant effort.

Jane Eyre

As an older child, I was influenced by writers such as Jane Lane and Geoffrey Treece. I had to read from my version of The Children’s Crusade out to an inspector who came to my school- another brave attempt to write a short novel. I loved The Rider of the White Horse by Rosemary Sutcliff.  It is about Thomas Fairfax, a Parliamentarian military leader during The English Civil War and it gave me an interest in the period. I also read many classics. Jane Eyre was, and still remains my favourite.  During my teens, I read everything I could borrow from the library by Jean Plaidy, Anya Seton and Margaret Irwin. Probably Seton’s Katherine stands out as a long-time influence on my writing today.

Katherine

Although my main degree is in English and Russian Studies, Medieval History was my subsidiary subject. It is such a strange world, accessible and inaccessible both, a truly foreign country, yet all around us. I have long enjoyed medieval romance as well as the history which reaches into the early Tudor period with its guilds, feast days, superstition, beautiful manuscript work and so on. I jump forward in time now, however because Thomas Hardy was my specialist English degree subject and he gave me a love for landscape and memorable female characters. Yet I also loved William Faulkner and E.M. Foster. Moreover, I read Pasternak’s Dr Zhivago over and over. It was just so romantic, a novel that contains the perfect mix of sweeping historical event and romance.

Far from the Maddening Crowd

Of course, my early stories were never published. Nor did I ever imagine I would one day be published. It was many, many years later that I began to write seriously. Mine was a long apprenticeship involving an MA in creative writing and an MPhil, short story writing, plays and poetry. Yet, I have never forgotten my very early writing experiences or all those wonderful novels I enjoyed reading in my youth. And so, if Padar has been an enduring secondary character in The Handfasted Wife, truthfully he grew out of my love for Robin Hood and stories of high adventure. I would say that my love of writing and for creativity has its foundations in my early reading and a fabulously imaginative childhood that allowed me so much time to read.

pregnant woman working***

Carol McGrath lives in Oxfordshire with her family. She has an MA in Creative Writing from The Seamus Heaney Centre, Queens University Belfast, followed by an MPhil in Creative Writing at Royal Holloway, University of London. Her debut novel, The Handfasted Wife, first in a trilogy about the royal women of 1066 entitled The Daughters of Hastings, was shortlisted for the RoNAS, 2014 in the historical category. The Swan-Daughter and The Betrothed Sister followed to complete this best-selling trilogy. Carol is the co-ordinator of the Historical Novels Association Conference Oxford September 2016.  Find Carol on her website:

www.carolcmcgrath.co.uk.

C McGrath twitter

Thank you Carol. It never ceases to amaze me the reach that some stories (in our cases, those of Robin Hood), have. Writing something that touches generations of people must be a truly magical feeling.

Happy reading everyone,

Jenny x

News Flash! Abi’s House goes on holiday…

Forgive the major brevity of this blog post lovely readers. I am currently engaged in a battle with a flu virus which is currently- I’m sad to say- ahead on points! (Not had a cup of coffee in 6 days. My family are all wearing hard hats and carrying shields in case I crack at any moment.)

This being the case, I am trying to take it easy- but I couldn’t wait another moment before I told you some very good news!

The most popular of all my bestselling books – Abi’s House– is to go on sale in Turkey! Who could have guessed that what the good people of Turkey craved was a feel good Cornish romance, with added coffee, and a side order of fish and chips?

Abi's House new cover

I am thrilled to bits! can’t wait to see what the Turkish version looks like when it comes out!!!

Anyway- I just wanted to pop my head out from the duvet to share this with you. Off to bed again now. Presuming I don’t still have flu, then the edits to the sequel of Abi’s House (Abi’s Neighbour), will begin in earnest very soon. You can read part two of the adventure’s of Abi Carter, Max, Beth, and Jake in Sumer 2017.

Sennen

In the meantime, you can find Abi’s House here- (as well as in all good bookshops)-

Kindle

Paperback
***
Happy reading,
Jenny x

 

Interview with Julie-Ann Corrigan: Falling Suns

It’s interview time on my blog today. I’m delighted to welcome Julie Ann Corrigan over for coffee and cake, and to talk about her brand new book, Falling Suns.

coffee and cake

What inspired you to write your book?

I was inspired initially by the overwhelming and horrible thought of something terrible happening to my child and how I would cope, especially if the perpetrator of the crime ended up being someone known to the family. Once I had decided whom the perpetrator would be in my fictional story I then became inspired to explore both mental illness and institutional corruption.

Do you model any of your characters after people you know? If so, do these people see themselves in your characters?

There are some aspects of Rachel that I do recognise in myself, but unsure what that says about me!

When I began writing Falling Suns, and as I began to draw the characters, I think that more than taking the templates from one individual character, I drew characteristics from a number of people I’ve come across in my life. For example, Michael Hemmings is very much a mixture of patients I did come into contact with as a student physiotherapist working within mental health; although I have to add here, I never met one as psychotic as Hemmings, thank goodness!

Mrs Xú is very much like a few Chinese alternative therapists I have met. Stanley resembles a drama teacher who once taught me, but he is also like someone else I once knew ..
Falling Suns Final

Which Point of View do you prefer to write in and why?

I think my natural point-of-view is first person and past tense. However, recently (but not in Falling Suns) I have started experimenting with present tense. Interestingly, when I first started writing I always wrote in third person and past tense.

What I’ve learnt is that once you start writing the story whether in a novel or short work, the storyline and tone will often dictate which tense and point-of-view to use.

Do you prefer to plot your story or just go with the flow?

I plot the beginning, middle and end, and then I fill in the rest! Generally I do go with the flow, but I do have four or five plot points that I use to build my story around. And as I write, often the plot might change, or I will add aspects that weren’t apparent to me when I first began the story.

faalling suns pre

If you were stranded on a desert island with three other people, fictional or real, who would they be and why?

The Dalai Lama. He has such a lovely open face and talks such sense.

Usain Bolt. So I could admire his body all day!

Adele. She comes across as so much fun, so down-to-earth. And I will never tire of listening to her voice and lyrics.

I feel I should have a writer on this list. DM Thomas. The White Hotel is my favourite book of all time and I once spoke with him via email, and I know he would never bore me.

***

Falling Suns – Extract

Liam and I found ourselves outside the court building, greeted by a muddy sky that was still visible in the wispy fog of the late afternoon. It had rained continuously for the last forty-eight hours, but as we caught sight of the insatiable media the downpour was the least of our problems.

I pulled my wool beret over courtroom warm ears and looked down towards the slippery wet ground. Our barrister had told us to say nothing, which was physically easy, as I felt I would never speak again. For the past seven weeks the dry atmosphere of the courtroom had robbed me of a proper voice, as Hemmings’ act had robbed me of a proper life. Tom Gillespie caught Liam’s arm, whispering things that I didn’t even try to catch. My existence seemed to be disappearing into a void; the small bit of life that Hemmings had left for me, plucked away during the trial.

I loitered in the entrance of the court building, thinking that I would smell Joe. I did not. A coolness ran through me, a purl of motion in between the crevices of my spine.

Joe wasn’t with me.

As we left, Tom squeezed my arm lightly but didn’t attempt to give me a familiar kiss on the cheek. Liam and I had slowed down his investigation by holding back information about Joe’s state of mind the day he had run, and in so doing we had compromised our relationship with him. In my previous life, I’d been talking to Tom about going back to work. Once upon a time that thought had excited me.

Tom walked quickly to a waiting car. He slipped into the driver’s seat and glanced towards me, nodding slightly. He wanted to get away.

I felt a gentle jab in my back. It was Jonathan. I’d hardly spoken to him throughout the trial. As I turned towards him, so did Liam, his face sullen.

‘You need to get away from here as quickly as possible.’ Jonathan smiled thinly. ‘Can’t take away the nature of the vulture. I should know.’

‘We’re fine, Jonathan. Rachel knows how to handle this stuff,’ Liam said.

‘Does she, Liam?’ Jonathan said quietly.

Very obviously Liam elbowed past him, only to move a few inches nearer to the street.

‘We’re just about to leave, Jonathan,’ I said. ‘Are you free to come over? I’ve hardly seen you …’ I didn’t care what Liam thought. Not anymore.

At that moment in my peripheral vision I caught sight of my dad and mother leaving too. Dad saw me and moved his head towards the car park, indicating that he’d accompany Margaret to the car and then return. I couldn’t face her, and the silent accusation that this was all my fault.

Joe’s murder was somehow my fault.

I looked at Jonathan. ‘Come over, please?’ To Liam I said: ‘Can we wait for Dad?’

‘The place is crawling with press.’ Liam said. ‘We need 41

to go.’ He cast his eyes around. ‘Too late.’
Already journalists surrounded us. I recognised a few from the local papers, the nationals, too. Flashes and tussling ensued as our barrister made his way forward. Sean Skerrit, QC for the Crown Prosecution Service was older than he looked, something that I think went against him in court. I’d always felt the jury resented a young prosecution, especially if the jury was mainly young, which this one had been.

Sean directed his speech towards Liam and I felt invisible, useless, but too tired to complain. ‘I intend to give a statement.’ Sean said to Liam. ‘You and Rachel go home. I’ll call later. Better I do this alone.’

‘This means a life sentence?’ I asked Sean, hope in my voice.

He grimaced. ‘A do-good mental health tribunal could well decide to let him out within five years, if he plays the game.’ He caught my eye. ‘But hopefully that won’t be the case.’

‘But it could be the case … couldn’t it?’

‘I hope not, Rachel,’ Sean said, with leaden heaviness in his voice. I’d got the distinct impression that Sean Skerrit QC didn’t like to lose, and had taken Hemmings’ sentence as a direct affront to his professional agility.

Did I think of revenge then? Deep inside I think I did.

Sean ran slender and well-manicured fingers through his mane. Not one grey hair in his boot-polish black hair. He turned slightly to accommodate a photographer, and looking at the lens said to me: ‘We’ll talk later.’

‘I’ll come over, Rachel,’ Jonathan said, ‘just for a short time. I have to be back in London.’ He was already moving away.

‘Good,’ I said to Jonathan’s back.

My dad had made his way over. He wavered and I recognised the vacillation with which I’d grown up. I guessed my mother wanted to talk to me, but I had no intention of going to my childhood home today to argue with her. Not today.

‘Your mum wants to talk to you,’ Dad said.
I sighed. ‘I’ll come over tomorrow. I promise, I will.’ ‘She’s asked me to bring her over to yours … now.

She’s waiting in the car.’ He pulled at the sleeve of his jacket.

‘Charlotte’s made food, Alan. Both of you come and eat at ours,’ Liam said to Dad, avoiding looking at me, knowing there was no way I’d want my mother anywhere near me. He was functioning on automatic, something he’d seemed to be doing since Joe had gone. He felt as guilty as me, sometimes I thought more so. We still hadn’t talked about the affair, not properly, not directly. Although Liam was aware I knew something.

I watched my father. A patient man, a kind man. How could he love my mother? How could anyone love my mother? Joe hadn’t loved her. But he had tried.

‘We’ll drive over now,’ my dad said. He turned to return to his wife.

Liam pushed me gently into our waiting car. A PC whom I recognised sat ready in the driving seat. From the backseat, I saw his forced and sad smile in his rear-view mirror. The pity again.

We drove southwards towards home, passing the local park on the way. It had been built around the time Joe had been born, overlooking the main road, on elevated ground. The council’s thinking: where the kids could be seen.

Liam broke the short silence. ‘I’d rather Jonathan Waters didn’t turn up today.’

‘He’s my friend.’ I stared through the window. ‘You can’t have an opinion on this. He’s been good to me.’

Liam didn’t answer.

***

Links

Website: www.jacorrigan.com

Twitter: @julieannwriter https://twitter.com/julieannwriter

Author Facebook Page: https://www.facebook.com/jacorrigan/

Buying links:

Amazon

https://www.waterstones.com/book/falling-suns/julie-ann-corrigan/j-a-corrigan/9781786152497

https://bookshop.theguardian.com/catalog/product/view/id/414323/

http://www.whsmith.co.uk/products/falling-suns/9781786152497

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Bio

JA Corrigan lives in Berkshire and shares her life with a husband, one teenage daughter and a very cute cockapoo. When not writing she is to be found mooching in the garden during the summer and often in the mini gym at the bottom of that garden in winter-time.

***

Many thanks Julie- great interview,

Happy reading,

Jenny x

Dipping a toe into Cornwall: Abi’s House

This weekend I was lucky enough to indulge in a rare escape to a lovely spa break in Saltash- just over the Devon border, into Cornwall.

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Spoilt by my lovely friends with gorgeous early birthday homemade cakes (thank you Rachael!), and way too much food and wine, I was reminded of the happy friendships in my Cornish novel, Abi’s House – a summer read perfect to cheer up those dull weather days!!

Abi's House_edited-1

As soon as we crossed the famous Tamar Bridge, that separates Cornwall from Devon, I was reminded of Abi Carter – her escape from London to the peace and quiet of Cornwall- and the life changing adventures she had there!

Check this out- I love it!!  – YouTube link https://youtu.be/VAumWAqsp58

You can buy Abi’s House here- http://www.accentpress.co.uk/Book/12915/Abis-House– as well as here…

Kindle

http://www.amazon.co.uk/Abis-House-Jenny-Kane-ebook/dp/B00UVPPWO8/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1426711175&sr=1-1&keywords=Abi%27s+House+Jenny+Kane

http://www.amazon.com/Abis-House-Jenny-Kane-ebook/dp/B00UVPPWO8/ref=sr_1_2?s=books&ie=UTF8&qid=1426711253&sr=1-2&keywords=Abi%27s+House+Jenny+Kane

Paperback

http://www.amazon.com/Abis-House-Jenny-Kane/dp/1783753285/ref=sr_1_1?s=books&ie=UTF8&qid=1426711253&sr=1-1&keywords=Abi%27s+House+Jenny+Kane

http://www.amazon.co.uk/Abis-House-Jenny-Kane/dp/1783753285/ref=sr_1_1?s=books&ie=UTF8&qid=1426711343&sr=1-1&keywords=Abi%27s+House+Jenny+Kane

Here’s a reminder of the blurb!!

Newly widowed at barely thirty, Abi Carter is desperate to escape the Stepford Wives-style life that Luke, her late husband, had been so keen for her to live.

Abi decides to fulfil a lifelong dream. As a child on holiday in a Cornwall as a child she fell in love with a cottage – the prophetically named Abbey’s House. Now she is going to see if she can find the place again, relive the happy memories … maybe even buy a place of her own nearby?

On impulse Abi sets off to Cornwall, where a chance meeting in a village pub brings new friends Beth and Max into her life. Beth, like Abi, has a life-changing decision to make. Max, Beth’s best mate, is new to the village. He soon helps Abi track down the house of her dreams … but things aren’t quite that simple. There’s the complicated life Abi left behind, including her late husband’s brother, Simon – a man with more than friendship on his mind … Will Abi’s house remain a dream, or will the bricks and mortar become a reality?

***

Happy reading everyone,

Jenny xx

PS – Abi’s Neighbour will be out in Summer 2017!!

 

Guest Post from Nell Peters: About 100 Years Ago…

I’m delighted to welcome back Nell Peters for her second ‘end of month’ guest blog of the year! This is a  cracking (and I don’t just mean Pavlova’s eggs) blog post…

Over to you Nell…

Hi Jenny!

I’m afraid that Pavlova the chicken is on the naughty perch at the moment and can’t come out to play. All the attention and fan mail she received after last month’s blog post went straight to her comb and she’s behaving disgracefully. A real poultry diva, in fact. She’s been horribly mean to birds that she deems inferior, has been strutting her stuff like she owns the place and making such a noise, Tim Peake can probably hear her up in his space station. But worst of all, she’s taken to leaving very large deposits right outside the back door. Eeew! That’s it – I’m withdrawing the oxygen of publicity that she craves even more than her dried meal worms, and whether this is a permanent or temporary measure depends entirely upon her behaviour in the immediate future. She can put that in her beak and smoke it. Pavlova is in the hen house.

chicken

Now where was I?

Oh yes, I took a short break recently to meet up with an old friend. About a hundred years ago, I used to share a flat in Kew Gardens with someone I will refer to only as M, to protect the guilty. In case you were wondering, Kew Gardens is a place (now referred to as a village by those fortunate enough to be able to afford the zillion pound price tags of property there) in West London and not just the hallowed centre of horticultural excellence – ergo, we didn’t actually live in a potting shed. There was another girl too – Valerie, but M and I knew each other from ghastly temp jobs we had with British Gas and Valerie was a bit of an also-ran. I wonder whatever happened to her – she was something of a miserable cow (turned her nose up at the rot-gut sherry we used to drink by the bottle, I can’t imagine why) and totally lacked any sense of humour as I recall. Some sort of local government worker, I think, which could explain the comedic bypass.

On Friday evenings M and I used to frequent the local wine bar, run by a rather brassy dame in her forties (she seemed ancient to us then!) who had very amusing affectations, airs and graces, until she’d had one too many glasses – which she did frequently – then all hell let loose and dancing on the tables ensued. Not a pretty sight, as she was a rather large lady, who either didn’t believe in or chose not to invest in controlling underwear. Brassy wasn’t the only entertainment to be had chez Garfield’s – a guy used to sing and play acoustic guitar (both badly), expecting punters to buy him copious amounts of alcohol to keep his tonsils irrigated. It was actually worth buying him a glass or two for the bliss of silence during the (all too short) time it took him to neck the booze.

Kew is within a long stone’s throw of Richmond upon Thames, just two stops on the Tube – where we could have had a much wider choice of great venues to sup the vino, most with some form of decent live music, but there’s a lot to be said for being a short walk from home when the time comes to stagger out the door of a hostelry, especially in Winter. Besides, I always suspected that M used to fancy the singer and that terribly attractive aggressive snarl he shared, if nobody applauded his questionable vocal efforts.

Kew Gardens

Kew Gardens

I was at the flat for only a short time before I got a proper job and moved in not a million miles away with the OH. Valerie and M let my vacant room to a rather dishy Australian guy – and were both bitterly disappointed when they found out he was gay. Unfortunately, he repaid their hospitality by hightailing it back to Oz less than three months later – perhaps he suddenly remembered where he’d left his didgeridoo.

M’s life and mine took very different directions; over the years, I produced a few sprogs and we moved the family to a falling-down house in Norfolk. M visited as frequently as she could and, child duties permitting, I went to see her for some very welcome R&R. Wine was drunk. In abundance. She neither married nor had children – perhaps being the oldest of six had put her off – and eventually moved back to Scotland, from whence she hailed. The visits in both directions became less frequent because of the sheer distance involved and the responsibilities that life throws at us – it didn’t help that the OH would spend long periods working overseas, leaving me in sole charge of four smelly boys.

But children grow more independent with age and gradually they were no longer tied to my apron strings, so a new period evolved in the social lives of M and me. For several years, we have been meeting up intermittently in a variety of UK locations (let’s hear it for bargain air fares and cheap deals on train fares!) – for instance, Edinburgh, Dublin and Newcastle, the latter where we took in the most excruciating ‘Emperor’s New Clothes’ art exhibition (for want of a better description!) at the Baltic Centre. Well I say ‘took in’, but M stomped off in her size eight Doc Martens after about ten seconds – mumbling obscenities – to stick needles in her eyes. But was it art? Actually, no. A bit of a turkey is the kindest description I can manage – but I suppose you have to admire the exhibitor’s nerve. Plus, it was a few years ago now and I can still recall its sheer ghastliness in some detail (I didn’t have M’s nerve to exit, stage left, in a flurry of outrage at the flagrant waste of tax payers’ moolah, and persevered) so it did make an impression of sorts.

We met again most recently in Cambridge – I am now granny to six and M has a huge number of nephews, plus just one niece, so two old ladies sitting in deckchairs, to paraphrase Morecambe and Wise. J She took (very!) early retirement and is travelling a lot, so I was lucky she could fit me in! In all likelihood we will never again Run the World with Bob Geldof (though I’m not sure that he actually ran the first time!), or go on severely bracing hikes here, there and everywhere – or indeed puff, pant and wheeze our way to the top of Arthur’s Seat. That always sounds faintly rude, somehow. I did draw the line, though, at accompanying M to a Wham concert – she bought herself the most awful bright blue synthetic cap thing with ‘George’ plastered all over it, and actually wore it there and back on public transport!

Our main exercise now when we are face to face is talking, catching up generally – and, of course, drinking wine, though not so much as we used to as we’re older and so much wiser. Yeah right!

Just to prove what a wino I am (it was M’s fault – she led me astray), even my two crime novels published by Accent Press are drawn to the bottle.

Nell Peters books

Hostile Witness can be found at mybook.to/hostilewitness and

By Any Other Name is at mybook.to/BAON

See you next month for some more drivel? By the end of July, both Jenny and I will have celebrated our birthdays – actually on the same day, although I suspect she’s decades older than me … J NP

***

Another wonderful blog!! Many thanks Nell!

I shall be raising my coffee up to you on 13th July.

Happy reading,

Jenny x

 

 

My First Time: April Hardy

It’s time for another in my interview series, ‘My First Time’- this week fellow Accent Press author April Hardy is opening the book on her recent publishing beginnings.

First Time

Can you remember writing the first story you actually wanted to write, rather than those you were forced to write at school? What was it about?

I must have been in the third or fourth year at secondary school, and those of us who wished to could hand write a “book” in an exercise book. A selection of these would go into the school library for other students to borrow. Anyone who’d tried to decipher my handwriting had advised me not to bother, as nobody would be able to read it!

So, with that warm encouragement ringing in my ears and a story burning in my mind, I’d grabbed a handful of scrap paper and set to work on a rough copy. My “book” was based on the true story of a woman called Kitty, who had run theatrical digs, a stone’s throw from the Theatre Royal, Drury Lane. My mother and aunty had stayed with her many times when their dance troupe had been working there, and had kept in touch after they’d retired from the theatre.

Kitty’s digs had still been popular in the 1960s when the lease on the building ran out. She was an elderly lady by then and, although she and everyone who knew her fought against it, she was re-housed in the brand spanking new town of Milton Keynes. A Londoner through and through, Kitty had hated the soullessness of the new town. She’d hated its concrete cows, its lack of theatres, history or community. It had been the beginning of the end for her and when she died, shortly before the “book “writing competition, my mother believed she’d died of a broken heart.

My “book” didn’t make it into the library in spite of my slow and painstaking efforts with my handwriting. Apparently it had the requisite beginning, middle and end but, the teacher said, the conclusion was far too fanciful. And too sad. I don’t know what happened to the “book”. I suspect if I could re-read it now I would cringe at my teenage prose.

AprilHardy

What was your first official publication?

Well, that would be a recipe booklet I wrote for the Papadopoulou Biscuit Company when I lived in Athens! Food has always played a big role in my life, and I’d just completed a Diploma in Culinary Arts with an idea (a rather naive one now I look back) of writing cook books for a living!

What affect did that have on your life?

As we moved from Greece to Dubai at that time, the physical product slipped right out of my life. I didn’t even receive the copy I was sent. But the process of writing it certainly re-awakened the writing bug in me.

SITTING PRETTY FINAL COVER! (1) (1) (1) (1)

Does your first published story  reflect your current writing style?

Gosh! My first published story will be my debut novel, Sitting Pretty, a romantic comedy which comes out in July. I certainly hope it will reflect my current writing style as it’s one of three books I have coming out with Accent Press!

What are you working on at the moment?

Well, I’m working on a series of romantic comedies set in and around a trio of fictional villages in the New Forest, which is where I grew up. They are stand alone novels which feature the same settings and, in some cases some of the same characters may pop in and out.

Sitting Pretty is the story of pet sitter Beth, a young woman on the brink of a new life abroad, whose husband dumps her, by phone, just moments after the removal van has driven away with all their worldly goods. Suddenly homeless, Beth goes to some unusual lengths to keep her husband’s behaviour a secret, while she works out how to get him back …

Hazard at the Nineteenth, winner of the 2014 Literary Idol competition at the Emirates Lit Fest, is about bride to be Stella, who is sure someone is trying to sabotage the wedding. But would that someone go as far as trying to bump her off? Or has librarian Stella just read one too many Agatha Christies …

Kind Hearts & Coriander, a runner up in the 2014 Exeter Novel Prize, follows the story of London chef Polly who, on her mother’s death, learns she may be Hampshire hotel magnate, Charles Hetherin’s illegitimate daughter. Tracking him down, in search of answers, she finds more than she bargained on. A whole lot more …

The manuscripts for these are with Accent at the moment, so while I’m waiting to make a start on my edits on these, I’m tapping away at possible opening chapters for the next one in the series.

SittingPrettyPreorderArtwork

Sitting Pretty is out on 7th July 2016- The pre-order link is http://amzn.to/1Ow2T8d

Bio

Since leaving drama school I’ve had an interesting and (hopefully) creative working life, in UK, Greece and now Dubai. I taught infant ballet classes, did pantomime tours and summer children’s shows, interspersed with waitressing and working in hotel kitchens. I spent many years as a dancer, then choreographer, before re-training as a pastry chef in a Swiss hotel school, with a plan to write cook books. But it was having the words “Housewife – not allowed to work” stamped on my residency visa, here in the UAE, that gave me the freedom and the time to devote to something I’d always wanted to do – writing. The first manuscript I completed was a huge learning curve. It was a contemporary romance, set in London and Dubai and, though it remains unpublished, I learnt such a lot writing (and rewriting) it. And whilst at the Winchester Writers’ Conference in 2011, I met lovely Allie Spencer who advised me to apply for the Romantic Novelists’ Association’s New Writers’ Scheme. I spent four years in the scheme, soaking up the wisdom and knowledge of my “readers”. In 2014, I decided to try my hand at romantic comedy which, after all, was what I mostly read. I started writing Kind Hearts & Coriander, expressly to show to agent Luigi Bonomi at that year’s Emirates Lit Fest. It got me signed up by his wife, Alison Bonomi. In 2015, at the Romantic Novelists’ Association’s conference, I met the lovely Hazel Cushion, MD of Accent Press. I’d sent her the opening chapter of Hazard at the Nineteenth and she liked it enough to offer me a three book deal – all these months later and I’m still floating!

Winner of Emirates Airline’s Festival of Literature’s Literary Idol 2014

http://aprilhardywritinginthesand.wordpress.com   https://www.facebook.com/april.hardy.399   https://twitter.com/AprilHardyDubai

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Many thanks April,

Good luck with your debut story,

Jenny x

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