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Blowing the Dust Off: Marie Laval’s A Spell in Provence

It’s Day 3 of my ‘Blowing the Dust Off’ series of blogs. Today I’m welcoming fellow Accent author, Marie Laval, to my place to talk about her French romance, A Spell in Provence.

Grab a cuppa and enjoy…

 

FINDING INSPIRATION IN PROVENCE 

People often wonder how writers find ideas for their novels. Although I can find inspiration from many different places – a song, a painting, a poem, or even a road map! – I can pinpoint the exact moment when I got the idea for my contemporary romantic suspense A SPELL IN PROVENCE. A few years ago I visited the lovely town of Cassis during a family holiday in Provence. We had an impromptu picnic lunch of baguette, ham and cheese on a village square and sat next to an old stone fountain with an inscription in Latin…and that was it!   

 

Fountains have a special place in the novel, but they are, and always were, very important in Provence. According to an old Provençal saying ‘Eici, l’aigo es d’or’, which translates by ‘Here, water is gold’ – and no wonder when you think how hot it can get in the summer and how parched the earth can be. Anyone who read the wonderful ‘Jean de Florette’ and ‘Manon des Sources’ by Marcel Pagnol, or saw the films, can remember the struggles and hardship the characters faced and their anguish of the characters when the water supply ran dry.

A SPELL IN PROVENCE is set near Bonnieux in the Lubéron region of Provence, one of the many hill-top villages dotting the countryside. My heroine leaves England and buys Bellefontaine, a ‘bastide’ (an old farmhouse) she renovates and plans to open as a guesthouse….until eerie things happen and jeopardise her dream. The hero of the story, Fabien Coste, is heir to an old aristocratic family and has turned his ancestral manor house into a luxury hotel. Once again, the manor house is based on a real place – the castle in Lourmarin – but I have of course changed a few details.

Another important setting in the story is the ancient village of ‘Bories’, which are stone huts dating back from the Iron Age, and which were still used as shelter by shepherds until a few years ago. You can also find isolated bories scattered in the landscape when you travel through Provence.

Provence is not only a beautiful place, it also has a fascinating history – in particular ancient history – which is pivotal to my novel’s story line. Before the Greeks, and later the Romans settled there, the Salyens were the largest Gallic tribe. By the 6th century BC, their main centre was Entremont, which is located on a plateau above what is now Aix-en-Provence.

There were other important centres, such as nearby Glanum. This settlement was dedicated to the Celtic god Glanis, and built around a spring known for its healing powers. The Salyens had the strange – some might say gruesome – custom of displaying the severed heads of enemies at the city gate. They left no writing but many statues of gods and warriors, some of them holding severed heads.

 

When researching and writing A SPELL IN PROVENCE, I loved surrounding myself with photos of hill-top villages, of old fountains and of lavender and sunflower fields. I grew up in Lyon and spent many holidays in the South of France as a child. Writing the novel brought back fond memories of playing in the sunshine, breathing in scents of herbs and flowers, and listening to the woody song of the cicadas.

A SPELL IN PROVENCE is published by Áccent Press and is available from http://www.amazon.co.uk/dp/B00RVQO8RM

 ***

Blurb:

With few roots in England and having just lost her job, Amy Carter decides to give up on home and start a new life in France, spending her redundancy package turning an overgrown Provençal farmhouse, Bellefontaine, into a successful hotel. Though she has big plans for her new home, none of them involves falling in love – least of all with Fabien Coste, the handsome but arrogant owner of a nearby château.  As romance blossoms, eerie and strange happenings in Bellefontaine hint at a dark mystery of the Provençal countryside which dates back many centuries and holds an entanglement between the ladies of Bellefontaine and the ducs de Coste at its centre. As Amy works to unravel the mystery, she begins to wonder if it may not just be her heart at risk, but her life too.

A SPELL IN PROVENCE is published by Áccent Press and is available from http://www.amazon.co.uk/dp/B00RVQO8RM

 

Excerpt

Shivering in the cold breeze despite her shawl, Amy joined the guests lining up to be greeted by Fabien, who in true lord of the manor style, stood tall and imposing at the top of the steps, with torches burning on either side of him.

          He might wear a black dining suit and a crisp white shirt instead of a suit of armour, but there was something untamed, fundamentally uncivilized and proprietary about the way he surveyed the crowd – as if he truly owned everything and everyone, like Frédéric had said, and Amy was seized by an irresistible, irrational and overwhelming urge to flee. She didn’t want to speak to Fabien Coste, didn’t want to put up with his arrogant ways. He could keep his fancy chateau, his contacts and glamorous guests, she didn’t need him. She would walk home. It wasn’t that far.

          She was about to step aside when he looked down and their gaze met. Shadows danced on his face. The torches hissed in the breeze, their flames shooting high in the air and reflecting in his green eyes, giving them a deep, dangerous glow. For the space of a heartbeat, the noise of conversations around her became distant and fuzzy, and all she could see was him.

          He walked down, took her hand and lifted it to his lips. Even though his mouth barely touched her skin, a flash of heat reverberated through her body.

          ‘Mademoiselle Carter – Amy, you’re here at last.’

          It was the first time he’d spoken her first name. He made it sound French, sensual and incredibly romantic. Aimée. Beloved.

          ‘Shall I escort you inside and introduce you to a few people?’

          Panic made her heart flutter and turned her brain to mush.

          ‘Well, it’s just that …’

          He arched a dark eyebrow, looked down, and smiled as if he knew exactly what she was feeling.

          ‘You’re here now. You might as well make the most of it.’

 

Author Bio:

Originally from Lyon in France, Marie studied History and Law at university there before moving to Lancashire in England where she worked in a variety of jobs, from PA in a busy university department to teacher of French in schools and colleges. Writing, however, was always her passion, and she spends what little free time she has dreaming and making up stories. She writes both contemporary and historical romance. ANGEL HEART, THE LION’S EMBRACE, the DANCING FOR THE DEVIL Trilogy are published by Áccent Press, as is her contemporary romantic suspense novel A SPELL IN PROVENCE. She also writes short stories for the World Romance Writers – Letterbox Love Stories and Escape to Africa – and has just signed a publishing contract with Choc Lit for another contemporary suspense novel to be published in 2018.

You can find Marie here http://marielaval.blogspot.co.uk/

and https://www.facebook.com/marielavalauthor?fref=ts

and https://www.goodreads.com/author/show/6538479.Marie_Laval

https://twitter.com/MarieLaval1

 

Many thanks Marie. I’ve always wanted to visit Provence- I am inspired to head that way sooner rather than later.

Don’t forget to come back tomorrow to read what Kirsten McKenzie has to offer us.

Happy reading,

Jenny x

 

 

 

 

Blowing the Dust Off: Nell Peter’s By Any Other Name

It’s Day 2 of my Blowing the Dust Off series. Today we are in the company of Nell Peters (she of the end of the month blogging epics). She is taking a peak at her first crime novel By Any Other Name.

Go grab a cuppa, sit down, and enjoy…

 

Hi Jenny – is it the end of the month already? Oh no, different gig – I’m here to waffle on about one of my backlist masterpieces! Silly me …

It was on (Friday) 25th April 2014, that I received an email from Greg Rees, then an editor at Accent, telling me he’d finished the complete MS of By Any Other Name and wanted to publish it – as he read through, he’d been flabbergasted not once, but twice apparently. Go me! The offer came as a huge surprise, since when he’d liked the original three chapter submission and asked for the rest, I’d rather dismissed the possibility of things going any further – I expected to receive yet another ‘not right for our list at this time’ or ‘I just don’t love it enough’ type rejection. I’ve had enough of those to metaphorically paper a medium-sized room, although funnily enough, none for that particular book, as I’d only just finished writing it. When I say ‘just finished writing’ I mean the final two thirds of a crime novel started so long ago I can’t actually put a date on it – except that it was just after Queen Victoria died.

The first third of BAON had to be rewritten too from memory, after #3 son managed to crash my PC spectacularly and send all my files spiralling into cyber space, without hope of retrieval – and I had no back-up, nada! Rookie mistake … I dipped into the rewrite now and again over the years, in between writing other stuff, and eventually got to the bit where everything had disappeared in a puff of ether. Then I had to actually start thinking how the plot would evolve and finish the thing – it actually took on a whole different outline to my original mental blueprint.

However, that Friday the excitement and anticipation of publication had to take a back seat very quickly, because the following day was GD Isla-Rose’s first birthday – and she was having a big party, for which I’d promised to make a pink princess fairy castle cake, plus oodles of buffet food. I mentioned the cake making to Greg and he very helpfully sent a link to an M&S creation that would have been perfect, except for the seven day waiting period. Damn! So, into the kitchen toddled the least domesticated female since Lizzie Borden’s stepmother served up that putrefied mutton …

Isla is #4 son’s (now) older daughter and he rocked up to, erm, help with the cake. By the time we’d finished many hours later, all book publication thoughts had left the building and the kitchen had suffered a snow blizzard, covered in flour and icing sugar (as were we!) But we were reasonably pleased/relieved at the result. Happy to report that of the too many people packed into their tiny house, nobody died of food poisoning from the party fodder and a good time was had by all.

The next week, my contract arrived, but before I could sign it (against the advice of the Society of Authors, I might add) my father was taken ill in Twickenham and I had to speed off to his bedside, via long distance trains and a tube strike. Dad was fine, of course – he’s a life-long hypochondriac, but even they become genuinely ill sometimes, and at eighty-nine it was a bit risky to ignore his protestations. I eventually managed to extract myself from his sick bay and return to my lap top in Norfolk to begin the process of whipping the MS into pristine shape for November release.

When the big day arrived, it was something of an anti-climax. There had been no pre-order, ARCs, trumpet or whistle blowing prior to the launch and apart from me posting on social media, the day passed unheralded with me gawping at the lap top. I joined some FB groups to get myself ‘out there’ – from one day to the next I went from being a no-group bod to belonging to four, and rising.

Once your book finally hits the cyber shelves, even as a very unsatisfactory print on demand, reviews are eagerly awaited and after a couple of weeks or so, one landed on Amazon for BAON – a 1*! At that time Accent used to put new releases on a freebie offer for a limited time to encourage sales and ‘Patsy’ (her name is ingrained in my memory forever!), I noticed, made a habit of grabbing any freebie going and rubbishing it, after reading just a few pages. If you have a healthy clutch of reviews, you can weather a low rating, but when it’s the first it takes ages to up your average, which is frankly depressing.

By Any Other Name is a genre-crossing crime novel and admittedly a bit Marmite. There are similarities to I Let You Go in that the plot stands on its head at about two thirds of the way through – it’s difficult to say much more, so why not read the blurb:

A summer job to die for – and people do.

Emily Kelly can’t believe her luck when she is employed as temporary companion to Sir Gerald Ffinche and falls in love with his son, Richard.

However, it’s obvious their happiness isn’t shared by all, when one tragedy is quickly followed by another; and as the body count mounts, subtle clues are left to incriminate Emily and destroy her relationship.

Police involved seem incapable of exposing the real culprit; perhaps a family member, one of the household staff, or someone else close to the Ffinches?

No one is above suspicion, and no one is safe until a psychopath is unmasked – or thereafter.

With a shoal of red herrings and a plot that turns quickly from almost-cosy to taut psychological thriller, this is an enthralling, chilling read that will appeal to those who relish the unpredictability of Clare Mackintosh.

    ‘Twists abound as love blossoms amongst the dead bodies in a genre-crossing novel with a dark undertow all its own.’

Marika Cobbold, best-selling author.

     Fancy reading an excerpt? Be my guest:

Chapter One

As Emily rushed around, scooping up all the stuff she needed to take to work, an advertisement in the local free paper caught her attention:

Footloose and Versatile Female, Aged under 35 years.

Must be free July and August. Telephone in complete confidence …’

Not much to go on, but what could possibly be worse than painting red crescent smiles on toy clowns’ faces day in, day out, until September, she asked herself. Exactly. She ripped out the bottom half of the page, folded it roughly and shoved it in her bag, before heading out the door at speed.

She’d recently finished the first year of a degree course in Psychology, passing all assignments with flying colours and notching up the requisite number of credits to enable her to continue – much to her tutors’ blatant amazement, her attendance record having won no awards. But without visible (or invisible) means of support, Emily had to take a holiday job in a local toy factory just to survive until the next loan cheque arrived on the doormat. Though the work was mind-numbingly awful, it was all she could get; she hadn’t been there long and for the third time in as many days, was about to miss the last bus that would deliver her to her paint pot on time.

She forgot all about the ad until lunchtime, when she was sitting eating crisps with Doreen and some of the other women who worked in the paint section.

‘What do you think about this, Dor?’ she asked, waving the scrap of paper under her nose.

Doreen adjusted her half-moon glasses and scrutinised the print. ‘Well, if I was ten years younger…’

‘And the rest!’ scoffed Peroxide Pam, who was reading over Doreen’s shoulder, gnashing her Wrigley’s for all to see and hear.

Doreen pursed her lips, ignoring Pam, ‘As I was saying, if I was ten years younger, Em, I’d apply for it meself – what have you got to lose?’

The arrival of Mr Spinks, their line supervisor, put an end to any further debate.

‘Come, come now ladies. Idle chatter won’t get the baby bathed – not in a month of Sundays.’ Spinks was a short, round man – a regular sleaze ball, who vastly overestimated his levels of charisma and importance. ‘The lunch break is finished – now back to your work stations, quick as you can.’ He clapped raw sausage fingers together, the effort of movement making his chins wobble.

She took a moment to suck the last traces of nicotine from her roll-up and stubbed it out on the handy ‘No Smoking’ sign provided – which meant the others left without her and she found herself alone in the locker room, with Spinks blocking the exit. Damn!

‘Well, if it isn’t Miss Smarty Pants…’ he was getting a little too close for comfort, ‘I don’t know why you think you are so much cleverer than the rest of us – just because you managed to cheat your way into university, that doesn’t make you any better than me…’ His damp breath was making her hair frizz and she wanted to get away from his horrible disrobing gaze.

Thank goodness, Doreen’s antennae were on top form. She reappeared at the end of the dingy corridor, ‘There you are, Em. I wondered where you’d got to – mustn’t waste company time, now must we?’ She smiled ingratiatingly at Spinks, who jumped back from Emily as though she had broken out in seeping plague boils.

He scowled, ‘Very good, Mrs Mason, that’s the Dunkirk spirit. Carry on, now.’

She started to follow Doreen, changed her mind and spun around to face him once more, ‘Actually, Mr Spinks, I’m working here during the vacs to earn money – that’s why everyone works here isn’t it, to earn money? I don’t think of myself as any better or any worse than anyone else – including you.’ She felt Doreen’s sharp tug at her elbow, ‘And the name is Kelly, Emily Kelly – not Smarty Pants. She left last week, I believe.’ Then she allowed herself to be dragged away.

Spinks stalked off in the opposite direction, gargantuan buttocks flubbing together and one arm held awkwardly behind his back, like Prince Charles. ‘Rome wasn’t built in a day, you know,’ he called over his shoulder.

‘Wazzock,’ hissed Doreen, not too loudly, ‘don’t you take no notice of him, Em, Mrs Spinks is probably keeping him on tight rations in the bedroom department.’ She inclined her head and winked a blue-shadowed crêpe eyelid.

‘I’m amazed there is a Mrs Spinks.’ Emily suffered a gruesome mind’s eye flash of him in the nude – even his spare tyres had spare tyres – which sent shivers up and down her neurological pathways.

‘Oh yeah, right under the thumb he is,’ Doreen was one of those people who seemed to know everything about everybody.

‘Does she have a Seeing Eye Dog and a white stick?’

Doreen shrugged, ‘Never met the woman in person, but I saw them out shopping on a Saturday once. She’s one of them scrawny, mean-looking women – probably a terrible nag. And Spinks never brings her along to the Christmas parties.’

‘Lucky escape for her, I imagine?’ Emily scoffed.

She looked genuinely shocked, ‘You must be joking! It’s the social event of the year round here.’ Emily made a mental note never to sink that low. ‘Okay, Miss Smarty Pants – time we was getting back to our work of national importance.’

Back at the production line, plastic clowns were standing all in a row, waiting for her to make them look happy and appealing and well worth their outrageous price tag. Doreen hitched up her weighty boobs with equally weighty forearms and waddled off to her seat, her lumpy backside straining to be free of the tight brown overall. As always, she was anxious to catch the beginning of The Archers – which was the highlight of her day.

Not being a fan of radio drama, Emily loaded her paintbrush with crimson gloop and settled down to switch off from life in the sweatshop and daydream her way through to clocking-off time. Johnny Depp featured regularly in her fantasy world and that afternoon, she was guest of honour at his sumptuous mansion, high in the Hollywood Hills. Dearest Johnny couldn’t do enough for her, waiting on her hand and foot as she soaked up the Californian sun at the side of his turquoise infinity pool, sipping vintage champagne through a sparkly straw.

Her imagination took a detour to that interesting advertisement and the possible scenarios it might throw up. Was it possible a terminally ill Adonis was searching for someone like her to sooth his fevered brow, during his final, tragic weeks? As a reward for her unstinting care, he would bequeath to her all his money, plus a controlling share portfolio in a selection of designer dress and shoe shops. Or could it be an eccentric zillionaire sought a beautiful, lithe young woman (such as Emily, obviously) to work an hour a day on his very own Caribbean Island? Naturally, her allotted tasks wouldn’t be too taxing – perhaps grooming the Guinea pig twice a week, arranging vases of exotic flowers to his satisfaction, pouring just the right amount of expensive, scented bath oil into his hot tub; that sort of thing.

If you’d like to read more, here’s the international link.

http://mybook.to/BAON

Toodles.

Nell Peters

***

Thanks Nell – fabulous blog as ever.

Don’t forget to come back tomorrow to see which book Marie Laval is going to share with us.

Happy reading,

Jenny x

Blowing the Dust Off: Laura Wilkinson’s Public Battles, Private Wars.

It’s Day 1 of my ‘Blowing the Dust Off’ series of blogs. Over the next ten days, I’ll be hosting 10 different authors; each will tell us a little about one of their novels. Unlike my usual guests posts, they won’t be promoting a new work of fiction, but giving us a timely reminder of some of the treasures they have produced in the past.

Today the lovely Laura Wilkinson is kicking off the series for us by reminding us about her excellent novel, Public Battles, Private Wars.

Grab a cuppa and enjoy…

 

Thanks so much for inviting me to be the inaugural guest of your new series: Blowing the Dust Off, Jenny. What an honour and what a great idea for a series.

Today, I’m going to talk about Public Battles, Private Wars, my ‘miners’ strike’ novel. I use quotation marks because although there was a lot of focus on the strike around publication back in 2014 (it was the 30 year anniversary of the dispute), in truth the conflict forms the backdrop – it’s primarily a story about love and friendship – of both the toxic variety and the genuine, wonderful kind. It’s worth pointing out here that the novel is just 99p for Kindle at the moment – as is Redemption Song, for a limited time.

Like a lot of writers I’m neither a fully-paid-up member of the planner nor pantster clubs; I fall somewhere in between.

I begin any story with a clear(ish) vision of the story arc, with a beginning and a sense of where I’d like my characters to end up. Research is done on the hoof, as and when I feel the need. Lazy? Maybe. But it works for me and research can become a distraction, something which gets in the way of writing. A master of displacement activity, I had to remind myself of this constantly while working on Public Battles, Private Wars, for there is stacks of information on the subject.

The novel is set against the backdrop of the 1984/85 Miners’ Strike and there is a wealth of writing on the subject, though surprisingly little fiction (I found only three novels back in 2012 when I began writing) and genuine poverty when it comes to fictional representations of women’s role in the struggle.

The origins of this novel lie in a photograph I came across on the internet while researching another story idea set in the 80s – a story that has since gone on to become my latest novel – Skin Deep. It was an image of a group of women marching down a suburban street; women who looked powerful, in control, purposeful; not hapless victims of a political struggle to smash the unions led by a woman in Westminster.

I am old enough to recall this landmark strike in modern history and as a former steel worker’s daughter I have some understanding of strife and hardship as a result of strike and redundancy (Thatcher crushed the steel industry before turning on coal), but I’m not from a mining community, I wasn’t a political animal as a girl, though my mother and sister were. If I was to do the story, and the real women of the conflict, justice, I needed to do some research.

Because I find images inspirational, I began by looking at photographs from the era and the women’s groups that sprang up to rally round the miners. Images of women, young and old, huddled over industrial sized cookers, preparing meals for pickets and hungry children. Women in town halls cheering on the likes of Tony Benn (RIP), Arthur Scargill and Bruce Kent. Women marching next to their men, shoulder to shoulder on the picket lines. Women shielding their faces from oncoming policemen on horseback. Shocking images.

Then I began to read, to gather the facts. I read lots of books, articles, diaries and accounts. I spoke to people – experts and those who lived through it – about the profound effects that long, hard year had on their lives. It was a terrible time, no mistaking. There was extreme hardship and, ultimately, defeat. But, out of those desperate times came some good. Quite a lot for many women, as it happens.

Alongside specific fact gathering about the strike, I imbued myself with a sense of the period – fashion, music, popular books, TV shows, the mores of the time. I looked at clips on YouTube and watched films like Billy Eliot and This is England. My central character likes to bake cakes. I am a domestic disaster, with a particular talent for spoiling even the most straightforward of dishes. I read up on baking and even tried some recipes – with laughable results.

There is another strand in Public Battles, Private Wars, that required research, and I have to be careful how much I say because of spoilers, but my leading man is a former soldier who served during the Falklands War. Ignorant in the extreme about military matters, I needed to look into this too if this particular plot strand was to feel authentic and my character be three dimensional. Again, I read articles and reports online, and I spoke with a number of particularly lovely officers at the MOD. Special mention has to go to a former soldier, John Marham, who now works for a military charity who gave up a morning to meet with me and talk about his experiences of army life. He was generous with his knowledge and personal stories, talking me through everything from training to the sound a magazine makes when loaded into the gun barrel.

Now, I can’t recall how much time I spent researching. Probably not as long as I’ve made it sound. I was greedy for the information – it was fascinating – and so I devoured it quickly. The novel took a year to write – the same timescale as the strike – and once I had all this information rammed into my brain, I had to forget most of it. For here’s the thing: in fiction, you must wear your research lightly. It must never feel didactic, it must never get in the way of the story or the characters, and this felt especially important to me given that there is a wealth of non-fiction. If people want facts there are gazillions of sources. If you want to live the life vicarious of a downtrodden young women who finds the best of herself during strange and difficult times then this novel might be for you.

Blurb:

Yorkshire 1983.

Miner’s wife Mandy is stuck in a rut. Her future looks set and she wants more. But Mandy can’t do anything other than bake and raise her four children. Husband Rob is a good looking drinker, content to spend his days in the small town where they live.

When a childhood friend – beautiful, clever Ruth – and her Falklands war hero husband, Dan, return to town, their homecoming is shrouded in mystery. Mandy looks to Ruth for inspiration, but Ruth isn’t all she appears.

Conflict with the Coal Board turns into war and the men come out on strike. The community and its way of life is threatened. Mandy abandons dreams of liberation from the kitchen sink and joins a support group. As the strike rumbles on, relationships are pushed to the brink, and Mandy finds out who her true friends are.

A story of love, betrayal, and cakes, Public Battles, Private Wars follows one woman’s journey of discovery and a community fighting for survival.

National Museum of Wales Book of the Month – June 2014

‘Vivid and engaging. A touching, well-written novel’ Welsh Books Council Reader Report

‘The Full Monty for women’ BBC presenter Jeni Barnett

‘I absolutely loved it’ Bookaholic Holly – in Top Ten books of 2014 for Bookaholic Confessions. Read the full review here.

‘A compelling story with some great characters. Public Battlers, Private Wars is a story that looks at friendships, community, love and jealousy.’ Random Things Through my Letterbox. Full review here.

‘A novel with a big heart’ Pen & Paper. Full review here.

Facebook Author Page

Twitter

Goodreads

Pinterest

Laura’s website

Promotional Film about the novel

Buy from Accent Press

Buy from Amazon

Buy from Waterstones online

 

About Laura

Liverpool born, Laura is a taff at heart. She’s published four novels and many short stories. Some have made the shortlists of major competitions. Her novel, Public Battles, Private Wars, was a National Museum of Wales book of the month; Redemption Song was a Kindle top twenty. The Family Line is a family drama set in the near future, looking at identity and parenting. ‘It will haunt your dreams.’ Books at Broadway. Her latest, is Skin Deep: ‘A superb read.’ Northern Soul magazine. Alongside writing, she works as an editor and runs workshops on the art of fiction. www.laura-wilkinson.co.uk   Twitter @ScorpioScribble Facebook: Laura Wilkinson Author Instagram: laura_wilkinsonwriter Pinterest: laura1765 Goodreads: Laura_ Wilkinson 

***

Many thanks for starting the series in such excellent style Laura.

Come back tomorrow to find out what crime writer Nell Peters is digging out of her archive.

Happy reading,

Jenny x

Interview with Bethany Askew: Poppy’s Seed

I’m delighted to welcome Bethany Askew to my site today to talk about her latest novel, Poppy’s Seed. I was lucky enough to meet Bethany while we were both being interviewed by the lovely Suzie Grogan on 10 Radio last week. I had no hesitation in asking Bethany if she’d mind sharing information about her excellent novel with us today.

Over to you Bethany…

What inspired you to write your latest novel Poppy’s Seed?

This book was based on a dream I had. It was very vivid. I remembered every detail. The moment I woke I up I scribbled it down so I wouldn’t forget it.

It was about a couple who moved to Lyme Regis and met someone who changed their lives, and whilst causing havoc in their relationship, she also showed them things about themselves and each other that they never knew before. Only the ending was left uncertain.

Initially the girl they met ran a shop in Lyme Regis. It was only when the storyline became clearer to me that I made her into an artist and jewellery maker. I had a very definite idea of where in Lyme Regis her shop was and what type of shop it had to be.

I didn’t really know why the couple had moved to Lyme Regis, but when my husband and I retired and moved house it became clear to me that I could write with experience of this difficult time.

The main protagonists were very real in my dream, particularly the girl who had to be unique: a free-thinking, free-spirited girl, living by no rules and knowing no boundaries.

The character of Poppy is inspired by reading biographies of artists and writers such as Vita Sackville-West and Vanessa Bell, women who lived outside the social norms of society in their time. I have always been fascinated by the Bloomsbury set and their contemporaries and Poppy’s untidy habits and messy house are based on the artist Augustus John and his family, who put their creativity above mundane things like tidiness and cleanliness.

Poppy’s Seed is a contemporary novel that deals with the problems of many modern families, including the effect of children and stepchildren on a couple; the balance of power between two people; and the compromises made to keep a relationship going.

I like to write about women’s lives and relationships and am particularly interested in a woman’s role as wife and mother and the effect of marriage and divorce on family dynamics.

Do you model any of your characters after people you know? If so, do these people see themselves in your characters?

My main female protagonists tend to be versions of me, with some of my characteristics exaggerated. I’m certainly not as house proud or as sexually adventurous as Emily in Poppy’s Seed but we share the same practical and optimistic view of life. And there is a lot of myself in Charlotte in my novel Out of Step:  Charlotte’s experiences of divorce, access, and custody battles are based on my own.

The World Within is my most auto-biographical story. Set in the 1970’s, when it was still socially unacceptable to be an unmarried mother, it tells the story of Jemma, who has to give up her plans for further education when she becomes pregnant. Set in my home town of Taunton, this book is inspired by my own teenage years, with an alternative version of Jemma’s life played out simultaneously, the reader left at the end to decide which Jemma has the more fulfilled life, the one who went to university as planned or the one who married and had a baby and stayed behind in Taunton.

The only one of my novels that has nothing of me in it is Counting the Days , which is a true story, based on my parents-in-law’s letters written during World War Two. A bit of a departure for me, this was written mainly for the family, but it has sold well at the presentations my husband and I give to local interested societies, where we show the photographs my father-in-law took on active service overseas and read extracts from the letters.

My website www.onactiveservice.co.uk is a valuable resource to anyone interested in World War Two: it reproduces the letters and war diary entries verbatim, seventy three years ago to the day they were written, together with wartime photographs of England and Egypt and India.

Do you prefer to plot your story or go with the flow?

I’m not one of those writers who plans their books chapter by chapter. My stories evolve as I go along. My ideas for characters change and even when the characters  are fixed I find they sometimes do things I don’t expect and I have to re-think everything.  Originally Poppy’s Seed was going to be far more about relationships and family dynamics but as I wrote it Poppy took over more and more and I found she had a secret agenda that I could weave through the story. The character of the step-daughter also changed: at first she was far more bohemian and artistic but I couldn’t have two characters like Poppy so I toned her down a bit. I like to include step-children in my novels as it is something I can write about with experience.  I feel it is a reflection on modern society and a situation many people nowadays can relate to.

Which point of view do you prefer to write in and why?

I like my readers to be involved in what my characters are thinking, to hear the characters thoughts and feelings and experience their lives. I have experimented with different perspectives. I have found that if I write as “I” then it is hard to describe how “I” look or sound or even what “I” may be wearing.

Writing as a man is also hard, though I seem to have done it successfully in Poppy’s Seed. One male reader said, “It was as though you had read my mind. Reading your book made me realise how difficult I must have been to live with I when I first retired.”

In this book the reader hears Emily’s and Peter’s perspectives on the same situation. She thinks she’s trying to help him find ways to enjoy his retirement; he thinks she’s trying to boss him around. This way I can also describe each character as seen by the other.

The only one of my novels that has varied from this approach is Counting the Days, which is written from an objective point of view because, although it is a novel, it is based on fact and apart from the few intimate thoughts expressed in the letters I was using, it was hard for me to know the exact feelings of my main protagonists. It was more a case of charting their joint story.

What is your writing regime?

 I don’t have one. I just write when the mood takes me. Certainly not every day. And I rarely write for hours.

Although I don’t write every day the book I am working on is constantly on my mind and I am usually jotting down notes or words or phrases that come to mind.

I try to keep these logically in a notebook but they often end up on endless scraps of odd paper as ideas strike me suddenly.

I write on my laptop in my armchair if I am writing a fair bit, or at my desk in my study if it’s only a few odd sentences or ideas.

When I have an idea for a story I live with it for a while, even up to a year, getting the characters clear in my mind and letting myself feel how the story will progress, what the characters look like, where they will live etc.

Each part I write is like a scene in a film or play. I “see” the  characters in my mind acting it out for me and just write down what they do. I like to take a break between chapters for my actors to re-group before they act out the next scene. Sometimes I’ll come back to the previous scene and add a bit or re-write it. My writing for the day might just consist of a few sentences, but every little bit matters. I start my stories without any structure at all and see what happens. Then, as I progress and the story becomes clearer I plan what will happen in future chapters. Characters and events often change!

I am completely self-taught. I have never been on a creative writing course or any workshops and have never liaised with other writers. I have always known I wanted to write and when I had fewer family commitments I just sat down at my PC one day and started to write a novel. This first novel, The Time Before will never be published. It is very much a first attempt. I didn’t plan it or structure it. I just had an idea and off I went! But I learnt a lot about writing just by doing it. Now I have written five novels and a short story as well as a modest amount of poetry. I couldn’t imagine life without a novel to work on and I have just started writing my sixth! I like to have something to channel mu energies into, something completely my own that I have accomplished. I miss my characters once I have finished though. Maybe that’s why I’m always ready to write another one!

***

Links

Poppy’s Seed

https://www.amazon.co.uk/d/Books/Poppys-Seed-Bethany-Askew/1785899198/ref=sr_1_3?s=books&ie=UTF8&qid=1500110671&sr=1-3&keywords=bethany+askew

The World Within

https://www.amazon.co.uk/World-Within-Bethany-Askew-ebook/dp/B00C3L8LL4

Out of Step

https://www.amazon.com/Out-Step-Bethany-Askew-ebook/dp/B00BIJ0GRY

Counting the Days

https://www.amazon.com/Counting-Days-Bethany-Askew-ebook/dp/B00J2VOTQY

The Night of the Storm

https://www.amazon.co.uk/Night-Storm-Bethany-Askew-ebook/dp/B00CDL6CBU

Bethany Askew Amazon Author Page (all titles)

https://www.amazon.co.uk/Bethany-Askew/e/B00BJ61C56

***

Bio

Bethany Askew is the author of five novels: The Time BeforeThe World WithinOut of Step, Counting the Days and Poppy’s Seed.

She has also written a short story, The Night of the Storm, and she writes poetry.

Her work is published on Amazon and available in major retailers.

Future projects include a new short story, this one for the young adult market, and another full-length novel.

www.bethanyaskew.co.uk

www.onactiveservice.co.uk 

***

Thanks again for such a great interview Bethany.

Happy reading everyone,

Jenny xx

Writer’s Block and Champagne

One of the main characters in my Another Cup of… series is a writer called Kit Lambert. When we first met Kit in Another Cup of Coffee, she was making a name for herself by writing erotica. As her career progressed Kit moved into contemporary fiction, and now she has a novel publishing contract, with all the pressures of having to produce work to tight deadlines upon her.

Another Glass Of Champagne

In the final novel of the series, Another Glass of Champagne, Kit, mum of twins, and wife to bookshop owner Phil, suddenly finds herself unable to write at all, but he can’t understand why. Surely writer’s block is something that can be easily shaken off- or is just a myth invented by those who can’t be bothered to write today…or is it?

Not even sitting at her usual table in the corner of Pickwicks Coffee House, (run by her friend Peggy) is helping the words become unstuck…

writers block

Extract

When she got back, Kit found Peggy looking thoughtful, ‘Why have you closed your work down, honey? I usually steal a read of your latest work in progress when I think you’re not looking.’ ‘I haven’t got much done today.’

Kit mumbled. ‘It’s been a mulling things over sort of a day.’ Changing the subject, she said, ‘Scott says there are some sandwiches ready for your lunch when Megan comes back through.’

‘Good, I’m starving.’

‘Are you and Megan managing alright with only two of you on the serving team? It’s already busy, but by July it’s going to be packed between eleven and two.’

‘Actually, Scott and I were talking about that over the weekend. Would your Helena fancy giving us a hand and earning some money before she heads off to university? Where is she going again?’ Flinching slightly, and hoping Peggy hadn’t noticed, Kit said, ‘She’s aiming for Bath to do Chemistry, and Thomas’s hoping to be off to Exeter. Assuming they get their grades, that is.’

‘Of course they will. What’s Thomas going to study?’

‘History.’

‘Sounds good. So, do you think Helena will want the job? It would save me a lot of bother with adverts and stuff.’

Kit nodded. She knew exactly how much time it took to go through interviews and training staff in this place, so someone who was already familiar with Pickwicks layout would be a real advantage to Peggy. ‘I’ll ask her. Helena’s bank balance could certainly do with a top-up. Goodness knows it’s time she stood on her own two feet financially.’

Megan came back into the café and Peggy got up to go and have her lunch before another influx of customers forced her to forego her only real break of the day. As an afterthought, she turned back to Kit. ‘If you’d rather your daughter wasn’t here during the day, just say. I mean, this is your office after all!’

‘I don’t mind at all. I’ll ask her this evening, assuming she comes home She seems to live at her mates’ houses these days.’

‘Making the most of seeing her friends before she heads west, I suppose.’

Peggy waved as she disappeared into the kitchen, to what Kit hoped wasn’t a tuna sandwich, before she could see the tell-tale glint of tears fighting to form at the corner of her eyes. Cross with herself for being so emotional, Kit looked at her screen. Peggy had opened a new document and typed the words You can talk to me, you know. Love Peggy xx across the top of the page.

Kit should have known that she couldn’t hide anything from Peggy. The manageress knew her habits better than anyone, having been host to them for the past decade or so. Kit didn’t even want to guess how many cups of coffee, scones, and slices of toast she’d consumed at that table in that time. Just the thought of the amount of butter she’d spread over her early morning snacks was enough to make her feel as though her hips were expanding right there on the seat.

Making her mind up to talk to Peggy soon, she picked up her mobile and sent Helena a text, telling her about the possible employment opportunity at Pickwicks. Kit wasn’t sure if she did actually want Helena around all day while she was writing. But then, she thought, I’m not exactly writing now, am I…

***

You may be thinking that Kit sounds like a real writer you’ve come across- and you’d be right. Kit and I are pretty much the same person- but with huge exaggerations into fiction of course!! For a start, I do not have twins!

The reason behind Kit’s writers block is very personal to me. I’m not going to tell you why she is suffering – it would ruin the story! However, I will say that my motive for giving Kit the problem in question was a pre-emptive strike. Perhaps it was even therapy – because I knew that I was about to go through a similar experience to Kit myself. And now- today – I can feel myself on the edge of it. (Sorry I can’t tell you what ‘it’ is, but it really would ruin things for you as a reader.) I thought that if I tackled the issue on paper via a pretend me first, it wouldn’t be so bad in reality.

Only time will tell whether my plan will work. My writing isn’t blocked at the moment- I am eating a hell of a lot of cake though…

If you want to discover if Kit manages to get to the root of her own word block, and see what else the Pickwick’s crew are up to, then you can buy Another Glass of Champagne from all good bookshops and eBook retailers, including-

http://www.amazon.co.uk/s/ref=nb_sb_noss?url=search-alias%3Daps&field-keywords=Another+Glass+of+Champagne+Jenny+Kane

http://www.amazon.com/s/ref=nb_sb_noss/188-7813436-7626710?url=search-alias%3Daps&field-keywords=Another+Glass+of+Champagne+Jenny+Kane

***

Happy reading,

Jenny xx

Interview with Grace Lowrie

I’m delighted to welcome Grace Lowrie over for a cuppa and a slice of cake today- not to mention a chat about her latest book. Why not go and fetch a drink and join us..

Thank you so much for having me on your fabulous blog, Jenny!

What inspired you to write your book?

For several years I worked in a garden centre and as a garden designer; transforming other people’s outdoor spaces. It was a wonderful experience and made me aware of how the simple act of gardening can help to ground and restore people. I wanted to write a love story using the healing power of green places to bring two characters together – thus Safe With Me was born.

 

What type of research did you have to do for your book?

I wish I could say that I scrupulously researched every aspect of my story before writing it, I admire those authors who do, but the truth is I don’t have that much patience. I consciously spent time sitting writing in a greasy spoon, to get a feel for my character’s working life, but for the most part I relied on past experiences – such as working in a garden centre – and my vivid imagination. Thankfully writing fiction allows for a certain degree of artistic licence.

Which Point of View do you prefer to write in and why?

The three novels in The Wildham Series were all written in first person. They are classed as Women’s Fiction because of the darker issues covered, but I conceived the stories as romances and writing in the first person feels comfortable in that genre. My chapters alternate in POV between the two lead characters, which was both fun and challenging and will hopefully help readers to put themselves into the story.  Conversely the very first novel I started writing (and still haven’t finished) is primarily not a romance and is written in third person to give a slightly removed, overview feel. But even for my first attempt I didn’t make life easy for myself – the POV is inner limited (where the narrator can see inside just one character’s head) but the chapters alternate between four different character POVs. Perhaps it’s not surprising I still haven’t finished that book! In short; I write in whichever POV feels natural for the story I’m writing.

 Do you prefer to plot your story or just go with the flow?

I’m definitely a plotter. Organised and tidy by nature, though not obsessively so, I find a certain amount of control helps keep anxiety at bay. I’m in awe of pantster authors who can just start writing without any clear idea of where they’re going or how they’ll get there – it must be like having a superpower! Before I start writing I need a firm feel for my characters and a beginning, middle and end planned out – especially the ending because I love a good twist.

What excites you the most about your book?

The powerful, almost magical, quality of a close bond forged in childhood. Safe With Me is the story of two souls finding their way back to each other against all odds.

Blurb-

How far would you go to feel safe again? 
Abandoned as children, Kat and Jamie were inseparable growing up in foster care. But their bond couldn’t protect them forever. 

From a troubled upbringing to working in a London greasy spoon, Kat’s life has never been easy. On the surface Jamie’s living the high-life, but appearances can be deceiving. 

When they unexpectedly reunite, their feelings become too intense to ignore. But as secrets come back to haunt them, are they destined to be separated once more?

***

Buy Links:

Safe With Me will be published on 22nd June 2017 and is available to pre-order:

https://www.amazon.co.uk/dp/B071F2QZB7  

https://www.amazon.com/dp/B071F2QZB7  

Author Bio and links:

Grace Lowrie has worked as a sculptor, prop maker and garden designer. She published her debut romance Kindred Hearts in 2015.

A lover of rock music, art nouveau design, blue cheese and grumpy ginger tomcats, Grace is also an avid reader of fiction – preferring coffee and a sinister undercurrent, over tea and chick lit. When not making prop costumes or hanging out with her favourite nephews, she continues to write stories from her Hertfordshire home.

 http://www.gracelowrie.com/blog

http://www.facebook.com/GraceLowrieWriter

http://www.twitter.com/gracelowrie1

http://www.pinterest.com/grace_lowrie

https://www.instagram.com/grace_lowrie/

https://www.goodreads.com/Grace_Lowrie

https://www.amazon.co.uk/Grace-Lowrie/e/B00UNCPYCY

***

Many thanks for stopping by today Grace.

Happy reading everyone

Jenny x

Blog Tour: Exclusive extract from Skin Deep

I’m delighted to welcome talented author, and my lovely friend, Laura Wilkinson, to my site today as part of her blog tour.

Laura is here today with an exclusive extract from her brand new novel, Skin Deep.

Skin Deep Blurb:

It’s what’s inside that counts…

Art student and former model Diana has always been admired for her beauty but what use are good looks when you want to shine for your talent? Insecure and desperate for inspiration, Diana needs a muse.

Facially disfigured four-year-old Cal lives a life largely hidden from the world. But he was born to be looked at and he needs love too. A chance encounter changes everything; Cal becomes Diana’s muse. But as Diana’s reputation develops and Cal grows up, their relationship implodes.

Both struggle to be accepted for what lies within. Is it possible to find acceptance in a society where what’s on the outside counts for so much?

Taken from Part One of Skin Deep, set in Manchester in the mid-1980s

We walked about the Hulme estate and Alan took photo after photo.

‘Funny that estate also means a stately home, isn’t it? You couldn’t get much further from ornamental gardens, gilded mirrors and roaming stags. Though this place has its own kind of beauty,’ I said.

‘You think so?’ He shook his head. ‘Think I’m more traditional than you on that front.’

He took pictures of the syringes and Kit Kat foils on the stairwells – the detritus of the addict’s life – the boarded up shops, the dogs tied to bollards with string outside The Spinners pub, the old PSV club, the girls in the line for the cash point with their turned-out toes and gently curved arms, dancers-in-waiting from The Northern Ballet School, trying to be regal and graceful in the middle of all this gorgeous, vital ugliness. We stretched towards the edges of the community, noting the distinct change in character once normal society was within reach. The blocks of flats were lower, the disaffection and alienation less marked; this was a better class of slum, and the inhabitants considered themselves lucky to be outside the crescents. The sun was setting as we crossed the bridge spanning the motorway and made our way back into the bowels of the estate. In the distance, the warehouses lining the river Medlock were backlit by the dying sun.

Alan stopped and lifted the camera, then dropped it down again. ‘The whole area was built on swampland, below the water level. They never bothered to drain it when the first lot of slums went up. In Victorian Manchester, Irish immigrants would regularly wake up to a dwelling ankle-deep in polluted river water. And when they tore those slums down they still didn’t bother to drain. Built right on top again. It’s as if the rich and powerful hope that the earth itself will swallow up the human waste dumped here.’

‘Rotten foundations?’

‘The foundations for anything need to be right, don’t they?’

I nodded. I’d not heard Alan so serious. He was angry and sad, and he moved me.

The child; human waste.

‘I found something at that party.’

He turned away from the view to look at me.

I continued. ‘I was somewhere I wasn’t meant to be.’ I told him everything I knew, or guessed, or imagined.

He shrugged. ‘It’s no secret they have a boy.’

How does Alan know this? Off-kilter Alan, who doesn’t have any friends other than me and Linda, and doesn’t seem to work, or sign on, or be connected to anyone worth knowing, let alone Mr and Mrs Super Cool of Hulme.

As it transpired Alan was not the loser I’d assumed he was. People talked to Alan; he gained their trust. When Cardie Girl had deserted him, he’d got into a conversation with the scarlet-lipped punk who’d spilt all sorts about Pru and Michael. They were junkies, rich kids from Chelsea who’d stayed on after they dropped out of university in the late seventies, later ‘working’ as artists and rebelling against the Thatcherite regime. Purportedly, they ran a small printing press and published a Marxist magazine that was distributed on campus – I’d never seen it – organised parties and marches and generally made a nuisance of themselves. I wondered how a couple of junkies managed to squeeze all this in between fixes.

‘So everyone knows they’ve got a kid. Do they know they lock him up?’

‘Not everyone. And they might not always lock him up. It might have been a one-off, you know, ’cos of the party.’

I saw the boy’s hand in my mind’s eye, dredged up the hazy image of his body. He’d been rounded, fleshy, not starved. They fed him. ‘Anyone seen him?’

‘Not many people have.’

‘No bloody wonder if they keep him locked up. It’s not right.’

‘He’s a spastic. People make fun. They keep him out of the way for protection.’

‘That does not make it right.’ I was shouting. ‘It’s wrong to trap a kid. Force them to do things they don’t want to.’ My voice cracked and I heard how strange and overblown I sounded.

‘Force them to do things they don’t want to? We don’t know that Pru and Michael do that. Diana? You OK?’

I was crying. Alan couldn’t have understood where my tears came from, but he pulled me to his chest, and I didn’t object to the stink of his armpits or smelly old jacket. At least not at the time; I complained bitterly later. Bunny made me do things I didn’t want to. She’d locked me in a wardrobe and told me she’d let me out only when I was ready to be beautiful. Having inherited my mother’s stubborn gene I’d stayed there for hours, belly griping with hunger, bladder aching. In the end I’d pissed on her shoes and I got a beating for that too.

Alan pulled a tissue from his pocket and I noticed the ring on the little finger of his left hand. It was made of white gold, I was sure, and had an expensive, handcrafted look about it. I shook my head, refusing the tissue, wondering where and how Alan had acquired such a lovely piece of jewellery. I dug a tissue from my own pocket and sniffled into it. ‘Don’t tell Linda. They’re Jim’s friends.’

‘I won’t. Look, if they lock him up, then it is definitely not right, but it might have been a one-off and even if it wasn’t I’m not sure what we can do about it,’ he said. ‘They’re the parents, we don’t even know them. It’s none of our business. You’ve got to try and forget about it.’

‘I’m not sure I can.’ I wiped my eyes and smiled weakly at him, and he pointed the camera at me.

‘You look lovely when you’re upset. Different, vulnerable. Let me take your picture.’

‘I HATE my picture being taken!’ I grimaced and turned my back on him.

‘But you were a model, a beauty queen…’ I started walking towards the crescents, his footsteps echoing on the paving slabs as he lurched after me. ‘That’s why I hate it,’ I said. ‘I spent my childhood smiling so hard my cheeks ached, my eyes watering from the glare of the flashbulbs. I’m surprised I didn’t develop epilepsy or something.’

‘I’d have thought most girls would have loved it, the attention. Linda made it sound like it was amazing.’

‘The attention wears thin after a while, and it couldn’t make up for the hours spent getting my hair and nails done when all I wanted to do was hang out with my friends, play with my Barbie dolls and other normal stuff.’ I couldn’t look at him.

‘You didn’t tell your mum you weren’t happy?’

It was so rude to keep my back to him, he deserved better. I turned. ‘I tried to, but she never listened. And the winning the competitions and getting jobs was nice, when I did, which wasn’t always…’

He raised his eyebrows and opened his eyes so wide I could see white all around his irises. He said, ‘You didn’t always win? No way!’

It took me a while to realise he was teasing. I smiled at my arrogance and wondered if I was losing my appeal. First Jim, now Alan. ‘Hey, we need to keep moving if we want to keep hold of your camera. It’s getting dark,’ I said, linking my arm in his, ‘muggers’ll be out soon.’

‘Today’s been great. Thanks for coming with me.’

‘My pleasure. Sorry about the outburst.’

We strode along, our long legs and broad steps carrying us home faster than most. Alan talked about using his bathroom as a dark room, and asked if I’d like to watch him develop the shots he’d taken. As we marched along the curve of the crescent I saw a figure outside number fifty: Jim. Linda would be pleased. And a lightbulb came on in my head.

Jim! He’s the way into Pru and Michael’s world, the way to the boy. Today has indeed been good.

 *** 

Buy links

Amazon: https://www.amazon.co.uk/gp/product/B06XWKT5HM/ref=s9_acsd_simh_hd_bw_b17GB_c_x_1_w?pf_rd_m=A3P5ROKL5A1OLE&pf_rd_s=merchandised-search-4&pf_rd_r=D9ENXMEBEPB0150BR1BM&pf_rd_t=101&pf_rd_p=fd347e45-37c2-5ef7-938e-e2348b8d0a86&pf_rd_i=266239

Waterstones:

https://www.waterstones.com/book/skin-deep/laura-wilkinson/9781783758678

WHSmith: https://www.whsmith.co.uk/search/go?af=cat1%3Abooks&w=Skin+Deep+by+Laura+Wilkinson

About Laura:

Liverpool born, Laura is a taff at heart. She has published six novels for adults (two under a pseudonym) and numerous short stories, some of which have made the short lists of international competitions. Public Battles, Private Wars, was a Welsh Books Council Book of the month; Redemption Song was a Kindle top twenty. The Family Line is a family drama set in the near future, looking at identity and parenting. Her latest is Skin Deep. Alongside writing, Laura works as an editor & mentor for literary consultancies and runs workshops on aspects of craft. She’s spoken at festivals and events nationwide, including the Frome Festival, Gladfest, University of Kingston, The Women’s Library and Museum in Docklands. She lives in Brighton with her husband and sons.

www.laura-wilkinson.co.uk   Twitter @ScorpioScribble Facebook: Laura Wilkinson Author Instagram: laura_wilkinsonwriter Pinterest: laura1765 Goodreads: Laura_ Wilkinson

***

Thank you for sharing such a fantastic extract Laura. Good luck with the rest of your tour,- and with the gorgeous Skin Deep!

Happy reading everyone,

Jenny x

Happy First Birthday: Another Glass of Champagne

I can’t quite believe that a year has gone by since Another Glass of Champagne– the last part of my Another Cup of…series – was published! Since then I’ve had my first Jennifer Ash novella published (The Outlaw’s Ransom), and my second Cornish novel, Abi’s Neighbour released, and I’ve written the novel, The Winter Outlaw, for Jennifer Ash. (Out in the winter)

AGOC

The original novel, Another Cup of Coffee novel was intended to be a one. Based in and around the Pickwick’s Coffee Shop, it revolved around the adventures of waitress Amy and erotica writer Kit. To my amazement, three Christmas novellas followed. The first two mini-novels (Another Cup of Christmas and Christmas in the Cotswolds) told former art student, Megan’s story, while the final seasonal outing took Kit up to a literary festival in Aberdeenshire. (Christmas in the Castle)

While Another Cup of Coffee very much involved the figure of bad-boy Jack alongside Kit and Amy, he had never had a novel that focused on him more than the other characters – until  Another Glass of Champagne.

The novel opens with, after an absence of a few years from his friend’s lives, Jack is heading back to London, with new opportunities, a new skill set, a determination to avoid romance at all costs, and fresh adventures well within his grasp- all of which could be celebrated with a glass of champagne.

The trouble is, knowing Jack, he might well mess it all up…

Blurb

A warm-hearted, contemporary tale about a group of friends living in a small corner of busy London, by bestselling author Jenny Kane.

Fortysomething Amy is shocked and delighted to discover she s expecting a baby not to mention terrified! Amy wants best friend Jack to be godfather, but he hasn’t been heard from in months. When Jack finally reappears, he s full of good intentions but his new business plan could spell disaster for the beloved Pickwicks Coffee Shop, and ruin a number of old friendships…

Meanwhile his love life is as complicated as ever and yet when he swears off men for good, Jack meets someone who makes him rethink his priorities…but is it too late for a fresh start?

 Author Kit has problems of her own: just when her career has started to take off, she finds herself unable to write and there s a deadline looming, plus two headstrong kids to see through their difficult teenage years…will she be able to cope?

 

Jack washes away another disaster!

Jack washes away another disaster!

Extract

Staring out of the train window, Jack exhaled a long, slow breath. Was this how Amy had felt when she had first come to Richmond after her years of self-imposed exile in Scotland? Sort of excited, but absolutely terrified at the same time? 

Jack wondered if, once he’d worked up the courage to go and see her, Amy would notice the parallels between their situations. A smile crossed his face. However she reacted, she would forgive him for not being in touch over the past few years. Amy always forgave him. For everything.

In his mind, he’d left Richmond for a good reason. Although he knew Amy accepted he’d needed to leave, he was less sure she understood why – which was why he’d decided to break off even phone and email contact with her. It was also why he hadn’t told any of his friends where he was; just to see if that helped.

It wasn’t that Jack wasn’t happy for Amy and Paul to be living the fairytale, but the fact that they were together, while he was still alone, was sometimes hard to take – especially when he knew Amy’s love could have been his if only he’d been prepared to risk it all those years ago. This nagging thought – one he accepted was utterly ridiculous, as he knew that he’d never have been able to ignore his sexuality, even for Amy – made him a rather less kind human being than he would have liked. He knew that until he could get past feeling he was missing out on something that all his friends took for granted, they were better off without him and the chip on his shoulder. Amy would understand, he was sure. Kit, on the other hand, might not be as understanding…

Jack’s smile disappeared. Years ago, back when they were dating, Kit would have forgiven him anything – but since Amy had come back into his life, and both women had become good friends in their own right, Kit had become much stronger. Jack had learnt that Kit had always hated how he could make her doubt her strength and resilience. These days she was so much more equipped to deal with him and his bullshit – and he knew it.

Perhaps he shouldn’t be coming back. After all, he knew he was as emotionally messed-up as ever – but he had to go somewhere, and anyway, whether he wanted to admit it or not, he’d been getting homesick.  Plus he’d had to get away from Kent…

Opening his eyes, Jack sighed as the train’s sudden slowing announced that they were arriving at St Pancras. Here he was again. Back in London, fleeing from yet another cock-up in his love life, and with nowhere to call home. He wished he hadn’t so rashly sold his place in Mortlake – he’d got far less than it was worth, too, in his haste to make a clean break.  

There were several Tube connections to Richmond Jack could have chosen to see his old friends straight away, but as he stood in the bustling station, he found himself unable to move a step further.  It wasn’t like him to be assailed by doubt, but this time it was different. Whatever he did, he always managed to upset people. He never meant to; usually he never even saw his offences coming.

On this occasion however, he knew that if he was going to go ahead with his latest plan and really make it work, he was going to cause trouble for some of his friends…

***

If you’d like to find out if Jack finally finds the man of his dreams, and how his latest escapade impacts on the lives of the Pickwicks crew, then you can buy Another Glass of Champagne from all good bookshops and from online retailers including-

http://www.amazon.co.uk/s/ref=nb_sb_noss?url=search-alias%3Daps&field-keywords=Another+Glass+of+Champagne+Jenny+Kane

http://www.amazon.com/s/ref=nb_sb_noss/188-7813436-7626710?url=search-alias%3Daps&field-keywords=Another+Glass+of+Champagne+Jenny+Kane 

***

I never dreamed that I’d end up writing five stories about the comings and goings of the folk who frequented the Pickwicks Coffee Shop in Richmond, London. I’m so glad I did though. I loved every second of writing that series. The characters became my friends- I still miss them!

So, from my own café corner in distant Devon, I’m raising a cuppa to Another Glass of Champagne! Happy birthday happy book!

Happy reading,

Jenny x

The Story So Far: Maggie Cammiss

I’m delighted to welcome fellow author, Maggie Cammiss to my site today! Why not grab a glass of something and a slab of cake, and settle down for a read.

Over to you Maggie…

Hi Jenny,

Thank you for having me on your blog again – the first time was just after my debut novel was published in 2014. A lot has happened since then, but my writing story began a long time ago.

It sounds like a cliché these days, but the old advice to write about what you know certainly worked for me. I was lucky in my working life; first in public libraries, which I absolutely loved, then into film archives. I spent seventeen years with Sky News, managing a team responsible for accumulating, cataloguing and maintaining a news footage archive. I’m not a journalist, and my background in libraries and archives presented an unconventional route into television.

It was a great job, really interesting. Working in rolling news was like being in a revolving door – there was always something going on, day and night – and it provided me with all the inspiration I needed for my first two novels, No News is Good News and Breaking News. There’s a romance at the heart of both novels, with the overheated environment of a television newsroom providing the setting. These novels aren’t specifically autobiographical but they probably reflect aspects of my younger self. The characters and storylines are entirely fictitious but that doesn’t stop old colleagues asking if they feature in them – I tell them I’ve changed the names to protect the guilty!

No News is Good News was released in 2014 but the publisher had closed its list by the time Breaking News was ready. I tried assisted publishing, but this was a very disheartening experience, so eventually I decided to go it alone. I recently relaunched both titles independently, with brand new covers, and they are available on Amazon. I think they look fabulous and I’m very proud of my efforts.

After writing two novels set in a working environment and featuring younger women, I needed a change of scenery and I also wanted to write about the experiences of women my own age. The current novel, working title, Serendipity, explores the relationships between four women, the secrets they keep from each other and the consequences of their silence. My new characters are older and hopefully wiser, and have their individual ways of dealing with some universal problems. There’s conflict and drama, a hint of romance and some wry comedy in the mix.

I write a lot of short stories, too, mostly as homework for my writing group, and I’m often asked where I get my ideas from. I have to admit to being an inveterate people-watcher and eavesdropper – I suspect many writers are. I tell everyone who comes to my house to be careful what they say – it might end up in a novel. Snippets of conversation I’ve accidently overheard are like gold dust. One of my best ones was in a shop. Two people came round the shelves towards me, one of them saying to the other, ‘Oh no, it’s not for me, it’s for the private detective.’ I couldn’t wait to get out of the shop and write it down.

As far as the writing itself goes, I’m more of a planner than a pantser – I like to know where I’m going. But when I have the basic outline I give my characters their head and follow where they lead. I’ve written myself into plenty of dead ends! The characters always know their own minds and often create problems I haven’t envisaged, but I’ve learned to wait; the solution will reveal itself in its own time – usually in the dead of night. Which is why I keep a notebook by the bed: to jot down those elusive thoughts that would otherwise vanish with the dawn. It helps me believe that I’m in control.

I love making stuff up – constructing scenarios, fitting imaginary characters into them and engineering all their relationships. It’s like playing God. I don’t always like the isolation, or the detrimental effect that writing has on my bottom, but overall, it’s my dream job.

***

Here’s the blurb for BREAKING NEWS:

Television producer Sara Cassidy has her life all mapped out. She loves her job making weekly feature programmes for TV news channel UK24, and is looking forward to furthering her ambitions in the media. She is devastated when her fiancé makes a shattering confession but she hardly has time to come to terms with the betrayal when her closest friend is involved in a freak accident and Sara’s world is turned upside down once again.

As Sara struggles to maintain a professional perspective she finds solace in a new interest and a blossoming romance. But she has to be careful who she trusts in the cut-throat world of television news. Just as she is finding her feet again the career that means so much reveals its murkier side.

When she suddenly finds herself at the other end of the camera lens, Sara discovers that in the struggle for ratings, loyalty is in short supply.

Blog:  https://maggiecammiss.com/

Facebook: https://www.facebook.com/maggiecammisswriter/

Twitter: https://twitter.com/maggiecammiss

Amazon: https://www.amazon.co.uk/Breaking-News-Maggie-Cammiss-ebook/dp/B071KY3BXG/ref=sr_1_1?ie=UTF8&qid=1493908719&sr=8-1&keywords=news+maggie+cammiss

 ***

Thanks Maggie!

Happy reading everyone,

Jenny xx

 

End of the Month Round Up: May Madness

YEAH!!! A whole year of end of month blogs from the brilliant Nell Peters – and she hasn’t run away to hide yet!

Go grab a cuppa and come and see what Nell has found out for us this month.

Over to you Nell…

Hello! Thanks Jenny, and Happy First Anniversary! That’s paper in marriage terms, so appropriate-ish I guess.

A whole year ago, I wrote my inaugural last-day-of-the-month guest blog for Jenny and so I thought I’d better take a look to check what I was waffling on about, so as not to repeat myself and betray creeping senility. This was my opening paragraph:

‘Hi everyone; I’m thrilled that Jenny has asked me to do a regular (monthly) spot on her illustrious blog – though I can’t help thinking she has me confused with someone else … Case of mistaken identity notwithstanding, this is my opening shot and I will try my best not to get the sack on my first day.’ Guess what? Jen still hasn’t sussed and I’m still here! *Sniggers like over-acting pantomime baddie into sweaty palm*

My subject matter for May ’16 was almost exclusively Pavlova the chicken – aah, dear Pavlova. I still miss her and her antics, when I’m wandering round the garden. That was, of course, before Svetlana arrived on the scene in July, courtesy #4 son. Funnily enough, Svetlana Alexievich, who won the Nobel Prize for literature in 2015 (the year before … erm … Bob Dylan), and after whom my second chicken was named, was born on this day in 1948.

Svet the fowl was totally different to Pav (not nearly so bossy and a very friendly chook) but was with us just two weeks before they were both killed – we think by Killer Kat. I still have chickens in the garden, but Vladimir (OK, he’s a cockerel – well spotted) and Raisa, given to me by various sons, are sculpted in metal and as such are impervious to feline (or any other) attack.

OK, let’s get this show on the road. Today, the oldest GS is eight, bringing to an end a month bursting with both family and friends’ birthdays. Phew! To wildly paraphrase the song lyrics written by George Harrison, my bank balance not-so-gently weeps – it’s gone through two dozen boxes of tissues during the last few weeks.

George Harrison

Sharing celebrations on the 151st day of the year (only 214 to go, folks – did I mention I’m a mathematical genius?) are a large number of sports personalities, most of whom I don’t know from Adam or Eve. They are Gemini, ruled by Uranus, which provides these folk with intelligence and a vivid imagination. They like to give the impression that they have a badass streak, but this is mostly an act and generally they follow a conventional lifestyle.

May 31st-ers live life in the present, giving little thought to the past or future – they will make life-altering decisions without considering the consequences, but are fortunately adaptable and will easily work through any problems encountered. Not quite sure how that fits with a sporting lifestyle, but #2 son’s birthday was two days ago and that profile sums him up pretty accurately. #3 was born on 14th May so he’s Taurus, and shares his actual date of birth with an American football player, Rob Gronkowski and Belarusian hurdler, Alina Talay – seems May generally spawns sporty folk.

Who else have we got? There’s actor Clint Eastwood, who was mentioned here a couple of months ago for getting married on 31st March (needs the publicity, poor lamb) – he was born 31st May 1930 and other actors followed his lead (!); Colin Farrell (1976), Brooke Shields (1965), Israeli, Yael Grobglas (1984) and German, Sebastian Koch (1962).

Brooke Shields

Sharing a date of birth with aforementioned Svetlana Alexievich, was John Bonham, drummer in the Led Zeppelin rock band, who died in 1980 aged thirty-two and (hopefully) climbed his own Stairway to Heaven. So sorry! Bonham reportedly imbibed forty (yes, four-zero) shots of vodka, vomited and asphyxiated whilst asleep. Thereafter, surviving band members Jimmy Page, John Paul Jones and Robert Plant pulled the plug on the group, although they have since collaborated sporadically in reunion performances – in 2007, Jason Bonham took his father’s place, wielding the drum sticks. Coincidentally, on this day in 1915, there was an air raid on London by an LZ-38 Zeppelin.

Sticking with the musical theme for a bit longer, in 1969, Stevie (no longer little) Wonder released My Cherie Amour on the same day that John Lennon and Yoko (Japanese for Ocean Child) Ono recorded Give Peace a Chance, a couple of months after they married in Gibraltar. Lennon was either her third or fourth husband, depending how you look at it – she married her second, American film producer and art promoter Anthony Cox, in 1962 and the marriage was annulled in 1963. However, they remarried the same year – the annulment was necessary because she had neglected to finalise her divorce from husband number one, as you do – and remained so until she and Lennon got hitched. Ono’s profile gives her occupation as peace activist, singer, feminist (that’s an occupation?), songwriter and conceptual artist – Ono (sorry again!), there isn’t another phrase in the English language that can send icy shivers roller skating down my spine quite so quickly as ‘conceptual art/artist’! Any emperors out there need new clothes?

Other historic events on this day include Sir Francis Bacon being locked up in the Tower of London for one night (1621) – he probably decamped for a Holiday Inn, hoping the beds would be more comfy; Samuel Pepys hung up his quill pen after making the final entry in his eponymous diary, because his eyesight was failing (1669) – I’m going to refrain from making a bad joke about his peepers. In 1879, Madison Square Gardens in New York opened, named after 4th President, James Madison; British troops occupied Johannesburg (1900) and exactly two years later the Boer War ended. In Belfast, 1911, RMS Titanic was launched and hailed as unsinkable – try telling that to the passengers on her maiden voyage less than a year later, when the ship argued with an iceberg and lost.

Think the public transport system is grim now? In 1955, Great Britain declared a state of emergency due to a national rail strike. I’m guessing car ownership wasn’t universal then and people were left without many alternatives (only so many passengers can board a number 99 bus at one time, after all), unless they emulated Norman Tebbit’s dad and got on their bikes.

Six years later, the Union of South Africa became a republic and left the ever-depleting Commonwealth – this was a little over a year before Nelson Mandela was imprisoned. I wonder what scary Winnie is doing now … One of the best placards I’ve ever seen read, ‘Free Nelson Mandela! Jail Winnie!’ Amused me, anyway.

Nelson and Winnie Mandela

Talking about prisoners (howzat!), the film of JK Rowling’s Harry Potter and the Prisoner of Azkaban was released to a cinema near you in 2004, four years before Usain Bolt, erm, bolted for all he was worth and claimed the world record for the 100m sprint. This was prior to his supplementary career, popping up all over our TV screens advertising the likes of Virgin and Quorn. Finally, who remembers that loony Psy’s Gangnam Style? It became the first video to clock up two billion views on YouTube in 2014 and was replicated countless times – my favourite being a gang (get it?) of Eton pupils and their tutors, who did an excellent job, if a little tongue-in-cheek.

I had a (completely mad) lecturer who used to award an extra mark if you could include a certain word in essay assignments – once it was ‘birthday’, the due date being his birthday, and worst of all, ‘trombone’. As I recall, I included the spurious information that Karl Marx shared a birthday (May 5th) with philosopher Soren Kierkegaard, and for trombone I gave a presentation on Women and Crime, based on the hypothesis that Jack the Ripper was in fact a woman – and when she was a young girl, the family were so impoverished they couldn’t afford her trombone lessons. Seriously! I got away with it and was awarded the extra mark, but goodness knows what the second markers at Cambridge thought! ‘Beagle’ was another challenge and I managed that by somehow mentioning Charles Darwin sailing off into the wide blue yonder on the ship of that name, completely out of context. Which brings us nicely (if by a slightly convoluted route) to the fact that way back in 1836, HMS Beagle anchored in Simons Bay, Cape of Good Hope on May 31st.

Naturalist Charles survival-of-the-fittest Darwin was born in 1809, in Shrewsbury, the second youngest of six children. The family were wealthy – his father a medical doctor, his grandfather a renowned botanist. In 1825, he enrolled at Edinburgh University and two years later, became a student at Christ’s College, Cambridge. It was expected that Charles would follow his father into medicine but an inconvenient aversion to the sight of blood rather put paid to that idea. As an alternative, his father suggested he study to become a parson (irony lives!), but Darwin was more inclined toward natural history.

Whilst he was at Christ’s, botany professor John Stevens Henslow became Darwin’s mentor and folloing graduation in 1831, he recommended his protégé for a naturalist’s post aboard HMS Beagle on a five year survey trip around the world. That’s a long time to suffer from seasickness – which he did. The voyage was the opportunity of a lifetime for a keen young environmentalist to study the principles of botany, geology and zoology and collect natural specimens, including birds, plants and fossils. The Pacific Islands, Galapagos Archipelago and South America were of particular interest to Darwin. Through experimentation and observation he concluded that species survived through a process of natural selection, where those that successfully adapted to meet the changing environment of their natural habitat thrived, whereas those that failed to evolve and reproduce died off.

In 1858, after years of further scientific investigation, Darwin publically introduced his revolutionary theory of evolution in a letter read at a meeting of the Linnean Society, dedicated to the study and dissemination of information concerning natural history and taxonomy (classification). The following year he published a detailed explanation of his beliefs in his best-known work, On the Origin of Species by Means of Natural Selection.

Keeping it in the family, in 1883 Sir Francis Galton (although then still plain Mr), a respected British scholar and cousin of Darwin, first used the term eugenics, meaning well-born. Galton felt the human race could help direct its future by selectively breeding individuals who had ‘desired’ traits, based on his study of upper class Britain (I’m guessing he missed out on meeting members of the Bullingdon Club?) Galton posited that an elite position in society was due to a good genetic makeup – all immensely scary stuff and very much open to sickening abuse, as more recent history demonstrates.

Francis Galton

Surprisingly for someone so heavily into genetics, Darwin himself married another cousin, Emma Wedgwood (at least they would never be short of plates) after deducing from the pros-cons of marriage list he made, that a wife would be ‘better than a dog’ – what a silver-tongued smoothie! Nevertheless, they had ten children, only seven of whom survived to adulthood.

Emma Wedgewood

I wonder what Darwin and Galton would have made of the likes of Lily Savage and Danny la Rue? Whilst Lily looks a whole lot more like Paul O’Grady nowadays presenting animal programmes, Daniel Patrick Carroll swapped his diamante frocks for a pair of wings, when he died on this day in 2009, aged eighty-one.

Danny la Rue

Just one last piece of trivia (groan!) In 2010, Chris Haney – Canadian journo (worked on the Montreal Gazette; dreadful rag) and co-creator (with Scott Abbott) of the board game, Trivial Pursuit, followed suit (groan again) and died, aged fifty-nine. The photo I saw of him reminded me quite a lot of singer-turned-politician, husband-of-four-including-Cher, Sonny Bono – also deceased after a skiing accident at the appropriately-named Heavenly Ski Resort in 1998. Bono’s epitaph reads, And The Beat Goes On. Not sure if I’d have been able to resist the mega bad-taste alternative, I Got Yew, Babe, since he collided with a tree.

Right – I’m done! Don’t all cheer at once!

Toodles.

NP

Author.to/NellPeters

 ***

Many thanks once again Nell. I can’t believe a whole year has passed. Seems only yesterday you were introducing us to the star struck Pavlova.

Roll on next month.

Jenny x

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