Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

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Blowing the Dust Off: Alison Rose’s Off the Record

It’s Day 7 of my ‘Blowing the Dust Off’ series of blogs. Today my friend  and creative writing business partner, Alison Rose, is talking ‘Off the Record.’

Grab a cuppa and enjoy…

 

Hello everyone, I’m Alison Rose, and I’m delighted to be Jenny’s guest today in her From the Archives blog.  I met Jenny at a meeting of the Bath and North Wiltshire chapter of the Romantic Novelists’ Association a few years ago and we’ve been firm friends ever since.  My first book deal was with Jenny’s publisher, Accent Press, and in recent months we’ve become business partners, running Imagine Creative Writing workshops and retreats together.

The book I want to share with you today is my first published novel, Off the Record.  Here’s the blurb:

“This is the chance of a lifetime, so don’t blow it! Journalist Kate Armstrong has always known that music icon Johnson Brand’s platinum-selling first album was written about his break-up with her mother, Alexandra. When Kate’s boss sends her out to interview the star himself, her life is turned upside down when her resemblance to Alexandra prompts Johnson to seek out her mother and renew their relationship. Kate suddenly has a lot on her plate – coming to terms with Alexandra and Johnson’s rekindling relationship, as well as keeping the two of them out of the public eye, all the while trying to resist the advances of Johnson’s playboy son, Paul. She thinks she has everything under control, until a threatening figure from the band’s past rears its ugly head. Will love tear them all apart … again?”

I was inspired to write Off the Record after watching the movie Grease on a rainy afternoon.  Off the Record actually has very little to do with the film, but watching Grease had sparked memories of the year that it came out – 1977 – when I was the English exchange student at a high school in Indiana, USA.  As I watched Grease with my teenaged daughter, I remembered the people I’d known in 1977 and wondered what they were doing now.  One of the boys had been a talented singer and that sparked my idea of a rock star. I was working for a Christian charity at the time and knew a lot of lady vicars… and so it began.

I started asking ‘What if?’ and the characters and story began to form – the divorced, aging rock star; the widowed lady vicar; his record producer son; her journalist daughter.  Could the older couple have anything in common after so many years apart? Would their children be able to overcome their desire to protect their parents and their suspicion of each other? And who was causing so much trouble for them all?

I loved writing Off the Record and I’m proud that it was the first of my books to be published. It was intended to be the story of love rekindled in middle age, but I couldn’t resist the call of the couple’s grown-up children, who shot sparks at each other right from the start.  So in Off the Record you get two love stories for the price of one! I guess I always wanted to be swept off my feet by a sexy rock star and so I had a lot of fun making it happen for Kate and Alexandra.

If you’d like to read Off the Record, here’s the link:

https://www.amazon.co.uk/Off-Record-Alison-Rose-x/dp/1783752491/ref=sr_1_7?s=books&ie=UTF8&qid=1502203726&sr=1-7&keywords=off+the+record

Thanks so much to Jenny for inviting me along today and thank you for taking the time to read this.  I hope you enjoy Off the Record too!

If you’d like to know more about me and my writing, please visit my website at www.alisonroseknight.com and if you want to find out what Jenny and I are up to as Imagine… see www.imaginecreativewriting.co.uk

Many thanks Alison! Always great to have you pop by.

Don’t forget to come back tomorrow to find out what Jenny Harper is going to share with us.

Happy reading,

Jenny x

Blowing the Dust Off: Jane Jackson’s Eye of the Wind

It’s Day 6 of my ‘Blowing the Dust Off’ series of blogs. Today the lovely Jane Jackson is reminding us about her excellent novel, Eye of the Wind.

Grab a cuppa and enjoy…

Thanks so much for inviting me onto your blog, Jenny.  Your brief was that guests should choose one of their books published at least two years ago.  I have chosen ‘Eye of the Wind.’ I’m passionate about the characters, story and background in every book I’ve written, but this one is a special favourite.  Why?  Because Melissa and Gabriel have no choice but to keep secrets, from their families and each other.  As the attraction between them grows, this creates enormous tension which is tough for them, but makes a gripping story.

As a professional writer for over four decades with thirty-two books published, I’ve learned a lot about my craft. A strong plot is important. But for me character comes first.  The characters drive the story and if they don’t grab and hold your interest, you’re not likely to read on. There are so many new books published every week all begging for your attention.

One thing I learned to do (and passed on to my students when I was teaching the craft of novel writing) was give main character/s something to hide, something to protect, and something to overcome.  This gave them greater depth, made them more real, while adding tension and conflict to the story.  Something else I learned as a people-watcher –not nosiness but vital research – is that the reason someone gives for choosing a particular course of action might seem reasonable and logical. But that’s never the full story. Look deeper and you’ll see that there’s more behind it, a pay-off that gives them something they want and feel they don’t have.

e.g.  Jo buys a lottery ticket every week and tells her family all the things she would do for them if she won. Taken at face value Jo’s reason for doing the lottery is so she can be generous. But her underlying motive is to control her family by making them grateful to her.  And this is because she feels unappreciated, taken for granted.  I’m not suggesting that every time you meet someone you should second-guess their actions and behaviour, but occasionally looking a bit deeper can give you some terrific ideas for aspects of character.

Writers are often asked where they get their ideas from, what inspires them.  Mine come from where I live – a creek-side village close to the third largest natural harbour in the world.  Cornwall is an island within an island and has a long and varied history. When copper mining was at its height, tiny Gwennap parish was the wealthiest area in the world.  The Packet Service based in Falmouth carried mail all over the globe and brought back bullion from British-owned sugar, coffee and tobacco plantations.  News of victory against the French at Trafalgar, and the death of Admiral Lord Nelson, was carried ashore at Fish Strand Quay in Falmouth by Lt Lapenotiere, who hired a post chaise to take him to London.  The first trials of nitro-glycerine, invented by Alfred Nobel, took place at Falmouth docks.  William Bickford, a leather currier living in Truro, invented the first safety fuse for use in Cornish mines and quarries.  These backgrounds, and more, have featured in my books.

I hope you enjoy this excerpt from ‘Eye of the Wind.’

Her gaze was clear and candid, and a tiny frown puckered her forehead. ‘You sound different.’

He smiled briefly. ‘Not used to talking.’

‘No, I don’t mean your voice: I mean your mode of speech.’

He bent his head, clenching his teeth as tension cramped his gut. In France, speaking only Breton, his disguise a matter of life and death, it had been easy to remain in character. But here in his home county and with her… Looking up he shrugged. ‘You’re right, miss. I used to work closely with the master and I wanted to better myself. Picked up his way of talking. No offence intended.’

‘No, no, I didn’t mean – it was not a criticism, Gabriel, merely an observation. But one I should not have made.’  Embarrassment had smothered her suspicion.

Torn between relief at avoiding potential danger and anger at his carelessness, he deliberately steered the conversation away from the past.  ‘May I wish you well for tomorrow?’

She drew a deep breath then blurted, ‘I’ll be glad when it’s over.’

‘No need to be nervous. You know what you’re doing.’

‘I hope so.’ It was heartfelt, anxious. After a moment she admitted, ‘My uncles don’t share your confidence.’

‘You know why, don’t you?’  He saw concern cloud her face. ‘You are attempting something men believe can – should – only be done by another man.’ One corner of his mouth lifted in brief irony. ‘This is a severe threat to their dignity.’

She was silent then tossed her head. ‘If their dignity is so fragile it must rest on very shaky foundations.’

‘It does,’ he confided. ‘And that is a secret all men would prefer to remain hidden.’

‘Her eyes widened. ‘Really?  No, you are not serious.’

‘Indeed I am.’

Seeing his rueful smile, she gasped and blushed, covering her mouth with her fingertips. ‘You should not say such things.’

‘Perhaps. But there will be occasions when you find that knowledge helpful.’

Watching her visible struggle as she recollected herself and withdrew from his unexpected and startling candour he realized that, despite being out in society, she had not acquired the usual veneer of arch sophistication he would have expected in a young woman of her background. And found himself fiercely glad.

She cleared her throat. ‘About – about the wood…’

It was a deliberate if reluctant retreat from an intimacy he should have resisted. Gabriel knew he must let her go. He turned away and set the basket on the ground.  ‘Why don’t you take a day or two to think about it, miss?’

‘But what you said – about the other trees being more valuable. Would they really raise a lot of money quickly?’

Watching her blush deepen and her lashes flutter down as she realized how much her question revealed, Gabriel wondered just how desperate a financial crisis her father had left her to deal with.  Picking up the last stone he began tying it onto a corner of the canvas, careful not to look at her.

‘They would, miss. And with proper management these woods will still be generating income a hundred years from now.’

‘Truly?’ She sounded stunned. ‘Thank you, Gabriel. Thank you very much.’

His hands grew still as he watched her walk quickly away up the path, her long stride peculiarly graceful, self-consciousness forgotten now she had so many more important matters to occupy her.

That evening after washing himself and his filthy shirt, he shaved carefully. With no mirror he had to work by touch alone. It took a long time, and he did not dare go too close to the wound on his throat. But the honey had done its work and healing had begun. Smearing a fresh cloth with the sweet-smelling salve he bound up his throat once more. Passing a hand over his almost-smooth jaw when he had finished, he smiled. No doubt Berryman would shudder at his efforts. But not only did he feel cleaner than he had for months, he also felt ridiculously proud.

When the men assembled at midday, the overnight rain was just a memory. The sun shone from a sky the colour of cornflowers dotted with thistledown clouds. Word that Francis Tregonning was dead and his wife ill had spread like flames in a gale. All were anxious about the yard and their jobs.

Melissa rode into the yard on Samson. Wearing her black habit and a small beaver hat with narrow rolled brim over her upswept hair, she was very pale but appeared calm as she dismounted. Standing near the back, his arms folded, Gabriel watched her fasten the rein to an iron ring, her fingers trembling. Remaining here was sheer madness. If he cared now in just this short time…Was he not in enough peril?

‘Eye of the Wind’   by Jane Jackson. Accent Press 2013. £1.99.

Kindle link:  http://amzn.to/2qiGcOw

Paperback available from third party sellers.

Reviews:  ‘A first-class historical novel … coupled with a gripping story-line.’    Western Morning News.

‘Satisfying on many levels, well-written and pleasurable to read.’   Historical Novels Review.

Author bio:  Jane Jackson’s first book was published in 1976. She wrote fourteen romances for Harlequin, ten romantic historical novels, and will soon complete the eighth of her Polvellan Cornish Mysteries writing as Rachel Ennis. She has been shortlisted for five major awards.

She taught the craft of novel writing for twenty years and was delighted and privileged to see eleven former students become professional novelists.  Happily married to a Cornishman, with children and grandchildren, she has lived in Cornwall all her life finding inspiration for her books in the county’s scenery, history and people.  Her hobbies are reading, coastal walks, baking, vintage vehicle rallies – and reading.

www.janejackson.net

www.facebook.com/PolvellanCornishMysteries

Twitter: @JJacksonAuthor

***

Thanks every so much Jane. Great blog!

Come back tomorrow to discover which book Alison Rose is blowing the dust off.

Happy reading,

Jenny xxx

 

Blowing the Dust Off: Kirsten McKenzie’s Fifteen Postcards

It’s Day 4 of my ‘Blowing the Dust Off’ series of blogs. Today Kirsten McKenzie is taking time out from preparing for an archaeological adventure to tell us all about the fabulous novel, Fifteen Postcards.

Grab a cuppa and enjoy…

 

Travel Back in Time

Today I make the long journey from Auckland to Newcastle upon Tyne. Three different plane changes and one train trip will see me to my hotel in the centre of the city, where I suspect I shall then sleep for several hours. Why the long journey? I’m heading back to volunteer at an archaeological dig at Vindolanda, all in the name of research.

When I sat down to write my first novel, I didn’t plot or plan. I had no glorious ending in sight, I had merely made a sweeping statement to my family that I would write a novel when my youngest daughter started school, and so I did. I started with this paragraph:

“In a cramped little street, in a dusty corner of London, stands a set of two-storey brick facade shops. An architectural relic from last century, miraculously untouched by the bulldozers of modern developers. A greengrocer, a boutique, a gentlemen’s tailor, the ubiquitous Chinese dumpling shop, and The Old Curiosity Shop, an antique shop named after the Charles Dickens classic of the same name. The sort of shop passers-by would wonder if anyone ever went in or, indeed, whether they actually ever sold anything.”

That paragraph turned in ‘Fifteen Postcards’, a historical time slip novel traversing three continents and two centuries. It took me eighteen months to write, and even then it ended on a cliffhanger as the story grew too large for just one book.

A couple of months after ‘Fifteen Postcards’ was published by Accent Press, I turned up at Vindolanda for my first experience of volunteering on an archaeological site. And I fell in love. Every shovel full of dirt felt like a treasure hunt, but the sort of hunt where you all celebrate finding shards of pottery or slivers of glass. The most exciting article I found was a chair leg, beautifully preserved in the unique environment at Vindolanda.

It was that experience which dictated the direction the sequel to ‘Fifteen Postcards’ would then take. ‘The Last Letter’ was written in twelve months, and may include some references to digging up Roman statues….I’m not going to spoil the plot here!

Accent Press published ‘The Last Letter’ which again had an ending which nicely morphs into another sequel. So now my first novel ‘Fifteen Postcards’ has turned into a trilogy. It did that without me even realising, but time slip fiction does that to you. There are so many interesting threads of history you can weave into a storyline that you just don’t want to leave anything out.

My next book wasn’t the sequel to ‘The Last Letter’. Those characters needed to have a bit of time out, to sit around and stew in colonial New Zealand, or Victorian England, or underneath the rule of the Raj in India. While those characters were resting, I wrote ‘Painted’ a bloodless horror about an art appraiser and a houseful of malevolent portraits. Again, the antique dealer side of me couldn’t resist pulling in all the antique references.

Painted’ took eight months to write, so I’m getting faster which is a good thing! Now that’s out of my system I can revisit the wonderful characters from ‘Fifteen Postcards’ and ‘The Last Letter’ and maybe I’ll fling them into Roman Britain or modern day America? Who knows! But when I step onto the first plane today, I know that I will have my laptop with me, and two glorious weeks of free evenings to write in the most beautiful of locations, with very little responsibilities. And I’m imagining wonderful words will flow.

 

Kirsten excavating at Vindolanda

Author Bio
For many years Kirsten McKenzie worked in her family’s antique store, where she went from being allowed to sell the 50c postcards to selling $5,000 Worcester vases and seventeenth century silverware, providing a unique insight into the world of antiques which touches every aspect of her writing. Her time slip novels have been called Antiques Roadshow gone viral, and The Time Travellers Wife meets The Far Pavilions.

Her horror novel Painted was released in June 2017.

Now a full time author, she lives in New Zealand with her husband, daughters, and her SPCA rescue cat, and can be found procrastinating on Twitter.

Social Media Links

Facebook: www.facebook.com/kirstenmckenzieauthor

Twitter: www.twitter.com/kiwimrsmac

Instagram: www.instagram.com/kiwimrsmac

Pinterest: www.pinterest.com/kiwimrsmac

Book Links:

UK Amazon: www.amazon.co.uk/Fifteen-Postcards-Travel-Solve-Mystery-ebook/dp/B00XXZIO0C

US Amazon: www.amazon.com/Fifteen-Postcards-Travel-Mystery-Curiosity-ebook/dp/B00XXZIO0C 

Many thanks Kirsten. What a great blog. I hope your excavation time is fantastic- not at all jealous…honest…

Come back tomorrow to hear what the lovely Rachel Brimble has to share with us.

Happy reading,

Jenny xx

Blowing the Dust Off: Marie Laval’s A Spell in Provence

It’s Day 3 of my ‘Blowing the Dust Off’ series of blogs. Today I’m welcoming fellow Accent author, Marie Laval, to my place to talk about her French romance, A Spell in Provence.

Grab a cuppa and enjoy…

 

FINDING INSPIRATION IN PROVENCE 

People often wonder how writers find ideas for their novels. Although I can find inspiration from many different places – a song, a painting, a poem, or even a road map! – I can pinpoint the exact moment when I got the idea for my contemporary romantic suspense A SPELL IN PROVENCE. A few years ago I visited the lovely town of Cassis during a family holiday in Provence. We had an impromptu picnic lunch of baguette, ham and cheese on a village square and sat next to an old stone fountain with an inscription in Latin…and that was it!   

 

Fountains have a special place in the novel, but they are, and always were, very important in Provence. According to an old Provençal saying ‘Eici, l’aigo es d’or’, which translates by ‘Here, water is gold’ – and no wonder when you think how hot it can get in the summer and how parched the earth can be. Anyone who read the wonderful ‘Jean de Florette’ and ‘Manon des Sources’ by Marcel Pagnol, or saw the films, can remember the struggles and hardship the characters faced and their anguish of the characters when the water supply ran dry.

A SPELL IN PROVENCE is set near Bonnieux in the Lubéron region of Provence, one of the many hill-top villages dotting the countryside. My heroine leaves England and buys Bellefontaine, a ‘bastide’ (an old farmhouse) she renovates and plans to open as a guesthouse….until eerie things happen and jeopardise her dream. The hero of the story, Fabien Coste, is heir to an old aristocratic family and has turned his ancestral manor house into a luxury hotel. Once again, the manor house is based on a real place – the castle in Lourmarin – but I have of course changed a few details.

Another important setting in the story is the ancient village of ‘Bories’, which are stone huts dating back from the Iron Age, and which were still used as shelter by shepherds until a few years ago. You can also find isolated bories scattered in the landscape when you travel through Provence.

Provence is not only a beautiful place, it also has a fascinating history – in particular ancient history – which is pivotal to my novel’s story line. Before the Greeks, and later the Romans settled there, the Salyens were the largest Gallic tribe. By the 6th century BC, their main centre was Entremont, which is located on a plateau above what is now Aix-en-Provence.

There were other important centres, such as nearby Glanum. This settlement was dedicated to the Celtic god Glanis, and built around a spring known for its healing powers. The Salyens had the strange – some might say gruesome – custom of displaying the severed heads of enemies at the city gate. They left no writing but many statues of gods and warriors, some of them holding severed heads.

 

When researching and writing A SPELL IN PROVENCE, I loved surrounding myself with photos of hill-top villages, of old fountains and of lavender and sunflower fields. I grew up in Lyon and spent many holidays in the South of France as a child. Writing the novel brought back fond memories of playing in the sunshine, breathing in scents of herbs and flowers, and listening to the woody song of the cicadas.

A SPELL IN PROVENCE is published by Áccent Press and is available from http://www.amazon.co.uk/dp/B00RVQO8RM

 ***

Blurb:

With few roots in England and having just lost her job, Amy Carter decides to give up on home and start a new life in France, spending her redundancy package turning an overgrown Provençal farmhouse, Bellefontaine, into a successful hotel. Though she has big plans for her new home, none of them involves falling in love – least of all with Fabien Coste, the handsome but arrogant owner of a nearby château.  As romance blossoms, eerie and strange happenings in Bellefontaine hint at a dark mystery of the Provençal countryside which dates back many centuries and holds an entanglement between the ladies of Bellefontaine and the ducs de Coste at its centre. As Amy works to unravel the mystery, she begins to wonder if it may not just be her heart at risk, but her life too.

A SPELL IN PROVENCE is published by Áccent Press and is available from http://www.amazon.co.uk/dp/B00RVQO8RM

 

Excerpt

Shivering in the cold breeze despite her shawl, Amy joined the guests lining up to be greeted by Fabien, who in true lord of the manor style, stood tall and imposing at the top of the steps, with torches burning on either side of him.

          He might wear a black dining suit and a crisp white shirt instead of a suit of armour, but there was something untamed, fundamentally uncivilized and proprietary about the way he surveyed the crowd – as if he truly owned everything and everyone, like Frédéric had said, and Amy was seized by an irresistible, irrational and overwhelming urge to flee. She didn’t want to speak to Fabien Coste, didn’t want to put up with his arrogant ways. He could keep his fancy chateau, his contacts and glamorous guests, she didn’t need him. She would walk home. It wasn’t that far.

          She was about to step aside when he looked down and their gaze met. Shadows danced on his face. The torches hissed in the breeze, their flames shooting high in the air and reflecting in his green eyes, giving them a deep, dangerous glow. For the space of a heartbeat, the noise of conversations around her became distant and fuzzy, and all she could see was him.

          He walked down, took her hand and lifted it to his lips. Even though his mouth barely touched her skin, a flash of heat reverberated through her body.

          ‘Mademoiselle Carter – Amy, you’re here at last.’

          It was the first time he’d spoken her first name. He made it sound French, sensual and incredibly romantic. Aimée. Beloved.

          ‘Shall I escort you inside and introduce you to a few people?’

          Panic made her heart flutter and turned her brain to mush.

          ‘Well, it’s just that …’

          He arched a dark eyebrow, looked down, and smiled as if he knew exactly what she was feeling.

          ‘You’re here now. You might as well make the most of it.’

 

Author Bio:

Originally from Lyon in France, Marie studied History and Law at university there before moving to Lancashire in England where she worked in a variety of jobs, from PA in a busy university department to teacher of French in schools and colleges. Writing, however, was always her passion, and she spends what little free time she has dreaming and making up stories. She writes both contemporary and historical romance. ANGEL HEART, THE LION’S EMBRACE, the DANCING FOR THE DEVIL Trilogy are published by Áccent Press, as is her contemporary romantic suspense novel A SPELL IN PROVENCE. She also writes short stories for the World Romance Writers – Letterbox Love Stories and Escape to Africa – and has just signed a publishing contract with Choc Lit for another contemporary suspense novel to be published in 2018.

You can find Marie here http://marielaval.blogspot.co.uk/

and https://www.facebook.com/marielavalauthor?fref=ts

and https://www.goodreads.com/author/show/6538479.Marie_Laval

https://twitter.com/MarieLaval1

 

Many thanks Marie. I’ve always wanted to visit Provence- I am inspired to head that way sooner rather than later.

Don’t forget to come back tomorrow to read what Kirsten McKenzie has to offer us.

Happy reading,

Jenny x

 

 

 

 

Blowing the Dust Off: Nell Peter’s By Any Other Name

It’s Day 2 of my Blowing the Dust Off series. Today we are in the company of Nell Peters (she of the end of the month blogging epics). She is taking a peak at her first crime novel By Any Other Name.

Go grab a cuppa, sit down, and enjoy…

 

Hi Jenny – is it the end of the month already? Oh no, different gig – I’m here to waffle on about one of my backlist masterpieces! Silly me …

It was on (Friday) 25th April 2014, that I received an email from Greg Rees, then an editor at Accent, telling me he’d finished the complete MS of By Any Other Name and wanted to publish it – as he read through, he’d been flabbergasted not once, but twice apparently. Go me! The offer came as a huge surprise, since when he’d liked the original three chapter submission and asked for the rest, I’d rather dismissed the possibility of things going any further – I expected to receive yet another ‘not right for our list at this time’ or ‘I just don’t love it enough’ type rejection. I’ve had enough of those to metaphorically paper a medium-sized room, although funnily enough, none for that particular book, as I’d only just finished writing it. When I say ‘just finished writing’ I mean the final two thirds of a crime novel started so long ago I can’t actually put a date on it – except that it was just after Queen Victoria died.

The first third of BAON had to be rewritten too from memory, after #3 son managed to crash my PC spectacularly and send all my files spiralling into cyber space, without hope of retrieval – and I had no back-up, nada! Rookie mistake … I dipped into the rewrite now and again over the years, in between writing other stuff, and eventually got to the bit where everything had disappeared in a puff of ether. Then I had to actually start thinking how the plot would evolve and finish the thing – it actually took on a whole different outline to my original mental blueprint.

However, that Friday the excitement and anticipation of publication had to take a back seat very quickly, because the following day was GD Isla-Rose’s first birthday – and she was having a big party, for which I’d promised to make a pink princess fairy castle cake, plus oodles of buffet food. I mentioned the cake making to Greg and he very helpfully sent a link to an M&S creation that would have been perfect, except for the seven day waiting period. Damn! So, into the kitchen toddled the least domesticated female since Lizzie Borden’s stepmother served up that putrefied mutton …

Isla is #4 son’s (now) older daughter and he rocked up to, erm, help with the cake. By the time we’d finished many hours later, all book publication thoughts had left the building and the kitchen had suffered a snow blizzard, covered in flour and icing sugar (as were we!) But we were reasonably pleased/relieved at the result. Happy to report that of the too many people packed into their tiny house, nobody died of food poisoning from the party fodder and a good time was had by all.

The next week, my contract arrived, but before I could sign it (against the advice of the Society of Authors, I might add) my father was taken ill in Twickenham and I had to speed off to his bedside, via long distance trains and a tube strike. Dad was fine, of course – he’s a life-long hypochondriac, but even they become genuinely ill sometimes, and at eighty-nine it was a bit risky to ignore his protestations. I eventually managed to extract myself from his sick bay and return to my lap top in Norfolk to begin the process of whipping the MS into pristine shape for November release.

When the big day arrived, it was something of an anti-climax. There had been no pre-order, ARCs, trumpet or whistle blowing prior to the launch and apart from me posting on social media, the day passed unheralded with me gawping at the lap top. I joined some FB groups to get myself ‘out there’ – from one day to the next I went from being a no-group bod to belonging to four, and rising.

Once your book finally hits the cyber shelves, even as a very unsatisfactory print on demand, reviews are eagerly awaited and after a couple of weeks or so, one landed on Amazon for BAON – a 1*! At that time Accent used to put new releases on a freebie offer for a limited time to encourage sales and ‘Patsy’ (her name is ingrained in my memory forever!), I noticed, made a habit of grabbing any freebie going and rubbishing it, after reading just a few pages. If you have a healthy clutch of reviews, you can weather a low rating, but when it’s the first it takes ages to up your average, which is frankly depressing.

By Any Other Name is a genre-crossing crime novel and admittedly a bit Marmite. There are similarities to I Let You Go in that the plot stands on its head at about two thirds of the way through – it’s difficult to say much more, so why not read the blurb:

A summer job to die for – and people do.

Emily Kelly can’t believe her luck when she is employed as temporary companion to Sir Gerald Ffinche and falls in love with his son, Richard.

However, it’s obvious their happiness isn’t shared by all, when one tragedy is quickly followed by another; and as the body count mounts, subtle clues are left to incriminate Emily and destroy her relationship.

Police involved seem incapable of exposing the real culprit; perhaps a family member, one of the household staff, or someone else close to the Ffinches?

No one is above suspicion, and no one is safe until a psychopath is unmasked – or thereafter.

With a shoal of red herrings and a plot that turns quickly from almost-cosy to taut psychological thriller, this is an enthralling, chilling read that will appeal to those who relish the unpredictability of Clare Mackintosh.

    ‘Twists abound as love blossoms amongst the dead bodies in a genre-crossing novel with a dark undertow all its own.’

Marika Cobbold, best-selling author.

     Fancy reading an excerpt? Be my guest:

Chapter One

As Emily rushed around, scooping up all the stuff she needed to take to work, an advertisement in the local free paper caught her attention:

Footloose and Versatile Female, Aged under 35 years.

Must be free July and August. Telephone in complete confidence …’

Not much to go on, but what could possibly be worse than painting red crescent smiles on toy clowns’ faces day in, day out, until September, she asked herself. Exactly. She ripped out the bottom half of the page, folded it roughly and shoved it in her bag, before heading out the door at speed.

She’d recently finished the first year of a degree course in Psychology, passing all assignments with flying colours and notching up the requisite number of credits to enable her to continue – much to her tutors’ blatant amazement, her attendance record having won no awards. But without visible (or invisible) means of support, Emily had to take a holiday job in a local toy factory just to survive until the next loan cheque arrived on the doormat. Though the work was mind-numbingly awful, it was all she could get; she hadn’t been there long and for the third time in as many days, was about to miss the last bus that would deliver her to her paint pot on time.

She forgot all about the ad until lunchtime, when she was sitting eating crisps with Doreen and some of the other women who worked in the paint section.

‘What do you think about this, Dor?’ she asked, waving the scrap of paper under her nose.

Doreen adjusted her half-moon glasses and scrutinised the print. ‘Well, if I was ten years younger…’

‘And the rest!’ scoffed Peroxide Pam, who was reading over Doreen’s shoulder, gnashing her Wrigley’s for all to see and hear.

Doreen pursed her lips, ignoring Pam, ‘As I was saying, if I was ten years younger, Em, I’d apply for it meself – what have you got to lose?’

The arrival of Mr Spinks, their line supervisor, put an end to any further debate.

‘Come, come now ladies. Idle chatter won’t get the baby bathed – not in a month of Sundays.’ Spinks was a short, round man – a regular sleaze ball, who vastly overestimated his levels of charisma and importance. ‘The lunch break is finished – now back to your work stations, quick as you can.’ He clapped raw sausage fingers together, the effort of movement making his chins wobble.

She took a moment to suck the last traces of nicotine from her roll-up and stubbed it out on the handy ‘No Smoking’ sign provided – which meant the others left without her and she found herself alone in the locker room, with Spinks blocking the exit. Damn!

‘Well, if it isn’t Miss Smarty Pants…’ he was getting a little too close for comfort, ‘I don’t know why you think you are so much cleverer than the rest of us – just because you managed to cheat your way into university, that doesn’t make you any better than me…’ His damp breath was making her hair frizz and she wanted to get away from his horrible disrobing gaze.

Thank goodness, Doreen’s antennae were on top form. She reappeared at the end of the dingy corridor, ‘There you are, Em. I wondered where you’d got to – mustn’t waste company time, now must we?’ She smiled ingratiatingly at Spinks, who jumped back from Emily as though she had broken out in seeping plague boils.

He scowled, ‘Very good, Mrs Mason, that’s the Dunkirk spirit. Carry on, now.’

She started to follow Doreen, changed her mind and spun around to face him once more, ‘Actually, Mr Spinks, I’m working here during the vacs to earn money – that’s why everyone works here isn’t it, to earn money? I don’t think of myself as any better or any worse than anyone else – including you.’ She felt Doreen’s sharp tug at her elbow, ‘And the name is Kelly, Emily Kelly – not Smarty Pants. She left last week, I believe.’ Then she allowed herself to be dragged away.

Spinks stalked off in the opposite direction, gargantuan buttocks flubbing together and one arm held awkwardly behind his back, like Prince Charles. ‘Rome wasn’t built in a day, you know,’ he called over his shoulder.

‘Wazzock,’ hissed Doreen, not too loudly, ‘don’t you take no notice of him, Em, Mrs Spinks is probably keeping him on tight rations in the bedroom department.’ She inclined her head and winked a blue-shadowed crêpe eyelid.

‘I’m amazed there is a Mrs Spinks.’ Emily suffered a gruesome mind’s eye flash of him in the nude – even his spare tyres had spare tyres – which sent shivers up and down her neurological pathways.

‘Oh yeah, right under the thumb he is,’ Doreen was one of those people who seemed to know everything about everybody.

‘Does she have a Seeing Eye Dog and a white stick?’

Doreen shrugged, ‘Never met the woman in person, but I saw them out shopping on a Saturday once. She’s one of them scrawny, mean-looking women – probably a terrible nag. And Spinks never brings her along to the Christmas parties.’

‘Lucky escape for her, I imagine?’ Emily scoffed.

She looked genuinely shocked, ‘You must be joking! It’s the social event of the year round here.’ Emily made a mental note never to sink that low. ‘Okay, Miss Smarty Pants – time we was getting back to our work of national importance.’

Back at the production line, plastic clowns were standing all in a row, waiting for her to make them look happy and appealing and well worth their outrageous price tag. Doreen hitched up her weighty boobs with equally weighty forearms and waddled off to her seat, her lumpy backside straining to be free of the tight brown overall. As always, she was anxious to catch the beginning of The Archers – which was the highlight of her day.

Not being a fan of radio drama, Emily loaded her paintbrush with crimson gloop and settled down to switch off from life in the sweatshop and daydream her way through to clocking-off time. Johnny Depp featured regularly in her fantasy world and that afternoon, she was guest of honour at his sumptuous mansion, high in the Hollywood Hills. Dearest Johnny couldn’t do enough for her, waiting on her hand and foot as she soaked up the Californian sun at the side of his turquoise infinity pool, sipping vintage champagne through a sparkly straw.

Her imagination took a detour to that interesting advertisement and the possible scenarios it might throw up. Was it possible a terminally ill Adonis was searching for someone like her to sooth his fevered brow, during his final, tragic weeks? As a reward for her unstinting care, he would bequeath to her all his money, plus a controlling share portfolio in a selection of designer dress and shoe shops. Or could it be an eccentric zillionaire sought a beautiful, lithe young woman (such as Emily, obviously) to work an hour a day on his very own Caribbean Island? Naturally, her allotted tasks wouldn’t be too taxing – perhaps grooming the Guinea pig twice a week, arranging vases of exotic flowers to his satisfaction, pouring just the right amount of expensive, scented bath oil into his hot tub; that sort of thing.

If you’d like to read more, here’s the international link.

http://mybook.to/BAON

Toodles.

Nell Peters

***

Thanks Nell – fabulous blog as ever.

Don’t forget to come back tomorrow to see which book Marie Laval is going to share with us.

Happy reading,

Jenny x

Blowing the Dust Off: Laura Wilkinson’s Public Battles, Private Wars.

It’s Day 1 of my ‘Blowing the Dust Off’ series of blogs. Over the next ten days, I’ll be hosting 10 different authors; each will tell us a little about one of their novels. Unlike my usual guests posts, they won’t be promoting a new work of fiction, but giving us a timely reminder of some of the treasures they have produced in the past.

Today the lovely Laura Wilkinson is kicking off the series for us by reminding us about her excellent novel, Public Battles, Private Wars.

Grab a cuppa and enjoy…

 

Thanks so much for inviting me to be the inaugural guest of your new series: Blowing the Dust Off, Jenny. What an honour and what a great idea for a series.

Today, I’m going to talk about Public Battles, Private Wars, my ‘miners’ strike’ novel. I use quotation marks because although there was a lot of focus on the strike around publication back in 2014 (it was the 30 year anniversary of the dispute), in truth the conflict forms the backdrop – it’s primarily a story about love and friendship – of both the toxic variety and the genuine, wonderful kind. It’s worth pointing out here that the novel is just 99p for Kindle at the moment – as is Redemption Song, for a limited time.

Like a lot of writers I’m neither a fully-paid-up member of the planner nor pantster clubs; I fall somewhere in between.

I begin any story with a clear(ish) vision of the story arc, with a beginning and a sense of where I’d like my characters to end up. Research is done on the hoof, as and when I feel the need. Lazy? Maybe. But it works for me and research can become a distraction, something which gets in the way of writing. A master of displacement activity, I had to remind myself of this constantly while working on Public Battles, Private Wars, for there is stacks of information on the subject.

The novel is set against the backdrop of the 1984/85 Miners’ Strike and there is a wealth of writing on the subject, though surprisingly little fiction (I found only three novels back in 2012 when I began writing) and genuine poverty when it comes to fictional representations of women’s role in the struggle.

The origins of this novel lie in a photograph I came across on the internet while researching another story idea set in the 80s – a story that has since gone on to become my latest novel – Skin Deep. It was an image of a group of women marching down a suburban street; women who looked powerful, in control, purposeful; not hapless victims of a political struggle to smash the unions led by a woman in Westminster.

I am old enough to recall this landmark strike in modern history and as a former steel worker’s daughter I have some understanding of strife and hardship as a result of strike and redundancy (Thatcher crushed the steel industry before turning on coal), but I’m not from a mining community, I wasn’t a political animal as a girl, though my mother and sister were. If I was to do the story, and the real women of the conflict, justice, I needed to do some research.

Because I find images inspirational, I began by looking at photographs from the era and the women’s groups that sprang up to rally round the miners. Images of women, young and old, huddled over industrial sized cookers, preparing meals for pickets and hungry children. Women in town halls cheering on the likes of Tony Benn (RIP), Arthur Scargill and Bruce Kent. Women marching next to their men, shoulder to shoulder on the picket lines. Women shielding their faces from oncoming policemen on horseback. Shocking images.

Then I began to read, to gather the facts. I read lots of books, articles, diaries and accounts. I spoke to people – experts and those who lived through it – about the profound effects that long, hard year had on their lives. It was a terrible time, no mistaking. There was extreme hardship and, ultimately, defeat. But, out of those desperate times came some good. Quite a lot for many women, as it happens.

Alongside specific fact gathering about the strike, I imbued myself with a sense of the period – fashion, music, popular books, TV shows, the mores of the time. I looked at clips on YouTube and watched films like Billy Eliot and This is England. My central character likes to bake cakes. I am a domestic disaster, with a particular talent for spoiling even the most straightforward of dishes. I read up on baking and even tried some recipes – with laughable results.

There is another strand in Public Battles, Private Wars, that required research, and I have to be careful how much I say because of spoilers, but my leading man is a former soldier who served during the Falklands War. Ignorant in the extreme about military matters, I needed to look into this too if this particular plot strand was to feel authentic and my character be three dimensional. Again, I read articles and reports online, and I spoke with a number of particularly lovely officers at the MOD. Special mention has to go to a former soldier, John Marham, who now works for a military charity who gave up a morning to meet with me and talk about his experiences of army life. He was generous with his knowledge and personal stories, talking me through everything from training to the sound a magazine makes when loaded into the gun barrel.

Now, I can’t recall how much time I spent researching. Probably not as long as I’ve made it sound. I was greedy for the information – it was fascinating – and so I devoured it quickly. The novel took a year to write – the same timescale as the strike – and once I had all this information rammed into my brain, I had to forget most of it. For here’s the thing: in fiction, you must wear your research lightly. It must never feel didactic, it must never get in the way of the story or the characters, and this felt especially important to me given that there is a wealth of non-fiction. If people want facts there are gazillions of sources. If you want to live the life vicarious of a downtrodden young women who finds the best of herself during strange and difficult times then this novel might be for you.

Blurb:

Yorkshire 1983.

Miner’s wife Mandy is stuck in a rut. Her future looks set and she wants more. But Mandy can’t do anything other than bake and raise her four children. Husband Rob is a good looking drinker, content to spend his days in the small town where they live.

When a childhood friend – beautiful, clever Ruth – and her Falklands war hero husband, Dan, return to town, their homecoming is shrouded in mystery. Mandy looks to Ruth for inspiration, but Ruth isn’t all she appears.

Conflict with the Coal Board turns into war and the men come out on strike. The community and its way of life is threatened. Mandy abandons dreams of liberation from the kitchen sink and joins a support group. As the strike rumbles on, relationships are pushed to the brink, and Mandy finds out who her true friends are.

A story of love, betrayal, and cakes, Public Battles, Private Wars follows one woman’s journey of discovery and a community fighting for survival.

National Museum of Wales Book of the Month – June 2014

‘Vivid and engaging. A touching, well-written novel’ Welsh Books Council Reader Report

‘The Full Monty for women’ BBC presenter Jeni Barnett

‘I absolutely loved it’ Bookaholic Holly – in Top Ten books of 2014 for Bookaholic Confessions. Read the full review here.

‘A compelling story with some great characters. Public Battlers, Private Wars is a story that looks at friendships, community, love and jealousy.’ Random Things Through my Letterbox. Full review here.

‘A novel with a big heart’ Pen & Paper. Full review here.

Facebook Author Page

Twitter

Goodreads

Pinterest

Laura’s website

Promotional Film about the novel

Buy from Accent Press

Buy from Amazon

Buy from Waterstones online

 

About Laura

Liverpool born, Laura is a taff at heart. She’s published four novels and many short stories. Some have made the shortlists of major competitions. Her novel, Public Battles, Private Wars, was a National Museum of Wales book of the month; Redemption Song was a Kindle top twenty. The Family Line is a family drama set in the near future, looking at identity and parenting. ‘It will haunt your dreams.’ Books at Broadway. Her latest, is Skin Deep: ‘A superb read.’ Northern Soul magazine. Alongside writing, she works as an editor and runs workshops on the art of fiction. www.laura-wilkinson.co.uk   Twitter @ScorpioScribble Facebook: Laura Wilkinson Author Instagram: laura_wilkinsonwriter Pinterest: laura1765 Goodreads: Laura_ Wilkinson 

***

Many thanks for starting the series in such excellent style Laura.

Come back tomorrow to find out what crime writer Nell Peters is digging out of her archive.

Happy reading,

Jenny x

Interview with Bethany Askew: Poppy’s Seed

I’m delighted to welcome Bethany Askew to my site today to talk about her latest novel, Poppy’s Seed. I was lucky enough to meet Bethany while we were both being interviewed by the lovely Suzie Grogan on 10 Radio last week. I had no hesitation in asking Bethany if she’d mind sharing information about her excellent novel with us today.

Over to you Bethany…

What inspired you to write your latest novel Poppy’s Seed?

This book was based on a dream I had. It was very vivid. I remembered every detail. The moment I woke I up I scribbled it down so I wouldn’t forget it.

It was about a couple who moved to Lyme Regis and met someone who changed their lives, and whilst causing havoc in their relationship, she also showed them things about themselves and each other that they never knew before. Only the ending was left uncertain.

Initially the girl they met ran a shop in Lyme Regis. It was only when the storyline became clearer to me that I made her into an artist and jewellery maker. I had a very definite idea of where in Lyme Regis her shop was and what type of shop it had to be.

I didn’t really know why the couple had moved to Lyme Regis, but when my husband and I retired and moved house it became clear to me that I could write with experience of this difficult time.

The main protagonists were very real in my dream, particularly the girl who had to be unique: a free-thinking, free-spirited girl, living by no rules and knowing no boundaries.

The character of Poppy is inspired by reading biographies of artists and writers such as Vita Sackville-West and Vanessa Bell, women who lived outside the social norms of society in their time. I have always been fascinated by the Bloomsbury set and their contemporaries and Poppy’s untidy habits and messy house are based on the artist Augustus John and his family, who put their creativity above mundane things like tidiness and cleanliness.

Poppy’s Seed is a contemporary novel that deals with the problems of many modern families, including the effect of children and stepchildren on a couple; the balance of power between two people; and the compromises made to keep a relationship going.

I like to write about women’s lives and relationships and am particularly interested in a woman’s role as wife and mother and the effect of marriage and divorce on family dynamics.

Do you model any of your characters after people you know? If so, do these people see themselves in your characters?

My main female protagonists tend to be versions of me, with some of my characteristics exaggerated. I’m certainly not as house proud or as sexually adventurous as Emily in Poppy’s Seed but we share the same practical and optimistic view of life. And there is a lot of myself in Charlotte in my novel Out of Step:  Charlotte’s experiences of divorce, access, and custody battles are based on my own.

The World Within is my most auto-biographical story. Set in the 1970’s, when it was still socially unacceptable to be an unmarried mother, it tells the story of Jemma, who has to give up her plans for further education when she becomes pregnant. Set in my home town of Taunton, this book is inspired by my own teenage years, with an alternative version of Jemma’s life played out simultaneously, the reader left at the end to decide which Jemma has the more fulfilled life, the one who went to university as planned or the one who married and had a baby and stayed behind in Taunton.

The only one of my novels that has nothing of me in it is Counting the Days , which is a true story, based on my parents-in-law’s letters written during World War Two. A bit of a departure for me, this was written mainly for the family, but it has sold well at the presentations my husband and I give to local interested societies, where we show the photographs my father-in-law took on active service overseas and read extracts from the letters.

My website www.onactiveservice.co.uk is a valuable resource to anyone interested in World War Two: it reproduces the letters and war diary entries verbatim, seventy three years ago to the day they were written, together with wartime photographs of England and Egypt and India.

Do you prefer to plot your story or go with the flow?

I’m not one of those writers who plans their books chapter by chapter. My stories evolve as I go along. My ideas for characters change and even when the characters  are fixed I find they sometimes do things I don’t expect and I have to re-think everything.  Originally Poppy’s Seed was going to be far more about relationships and family dynamics but as I wrote it Poppy took over more and more and I found she had a secret agenda that I could weave through the story. The character of the step-daughter also changed: at first she was far more bohemian and artistic but I couldn’t have two characters like Poppy so I toned her down a bit. I like to include step-children in my novels as it is something I can write about with experience.  I feel it is a reflection on modern society and a situation many people nowadays can relate to.

Which point of view do you prefer to write in and why?

I like my readers to be involved in what my characters are thinking, to hear the characters thoughts and feelings and experience their lives. I have experimented with different perspectives. I have found that if I write as “I” then it is hard to describe how “I” look or sound or even what “I” may be wearing.

Writing as a man is also hard, though I seem to have done it successfully in Poppy’s Seed. One male reader said, “It was as though you had read my mind. Reading your book made me realise how difficult I must have been to live with I when I first retired.”

In this book the reader hears Emily’s and Peter’s perspectives on the same situation. She thinks she’s trying to help him find ways to enjoy his retirement; he thinks she’s trying to boss him around. This way I can also describe each character as seen by the other.

The only one of my novels that has varied from this approach is Counting the Days, which is written from an objective point of view because, although it is a novel, it is based on fact and apart from the few intimate thoughts expressed in the letters I was using, it was hard for me to know the exact feelings of my main protagonists. It was more a case of charting their joint story.

What is your writing regime?

 I don’t have one. I just write when the mood takes me. Certainly not every day. And I rarely write for hours.

Although I don’t write every day the book I am working on is constantly on my mind and I am usually jotting down notes or words or phrases that come to mind.

I try to keep these logically in a notebook but they often end up on endless scraps of odd paper as ideas strike me suddenly.

I write on my laptop in my armchair if I am writing a fair bit, or at my desk in my study if it’s only a few odd sentences or ideas.

When I have an idea for a story I live with it for a while, even up to a year, getting the characters clear in my mind and letting myself feel how the story will progress, what the characters look like, where they will live etc.

Each part I write is like a scene in a film or play. I “see” the  characters in my mind acting it out for me and just write down what they do. I like to take a break between chapters for my actors to re-group before they act out the next scene. Sometimes I’ll come back to the previous scene and add a bit or re-write it. My writing for the day might just consist of a few sentences, but every little bit matters. I start my stories without any structure at all and see what happens. Then, as I progress and the story becomes clearer I plan what will happen in future chapters. Characters and events often change!

I am completely self-taught. I have never been on a creative writing course or any workshops and have never liaised with other writers. I have always known I wanted to write and when I had fewer family commitments I just sat down at my PC one day and started to write a novel. This first novel, The Time Before will never be published. It is very much a first attempt. I didn’t plan it or structure it. I just had an idea and off I went! But I learnt a lot about writing just by doing it. Now I have written five novels and a short story as well as a modest amount of poetry. I couldn’t imagine life without a novel to work on and I have just started writing my sixth! I like to have something to channel mu energies into, something completely my own that I have accomplished. I miss my characters once I have finished though. Maybe that’s why I’m always ready to write another one!

***

Links

Poppy’s Seed

https://www.amazon.co.uk/d/Books/Poppys-Seed-Bethany-Askew/1785899198/ref=sr_1_3?s=books&ie=UTF8&qid=1500110671&sr=1-3&keywords=bethany+askew

The World Within

https://www.amazon.co.uk/World-Within-Bethany-Askew-ebook/dp/B00C3L8LL4

Out of Step

https://www.amazon.com/Out-Step-Bethany-Askew-ebook/dp/B00BIJ0GRY

Counting the Days

https://www.amazon.com/Counting-Days-Bethany-Askew-ebook/dp/B00J2VOTQY

The Night of the Storm

https://www.amazon.co.uk/Night-Storm-Bethany-Askew-ebook/dp/B00CDL6CBU

Bethany Askew Amazon Author Page (all titles)

https://www.amazon.co.uk/Bethany-Askew/e/B00BJ61C56

***

Bio

Bethany Askew is the author of five novels: The Time BeforeThe World WithinOut of Step, Counting the Days and Poppy’s Seed.

She has also written a short story, The Night of the Storm, and she writes poetry.

Her work is published on Amazon and available in major retailers.

Future projects include a new short story, this one for the young adult market, and another full-length novel.

www.bethanyaskew.co.uk

www.onactiveservice.co.uk 

***

Thanks again for such a great interview Bethany.

Happy reading everyone,

Jenny xx

Writer’s Block and Champagne

One of the main characters in my Another Cup of… series is a writer called Kit Lambert. When we first met Kit in Another Cup of Coffee, she was making a name for herself by writing erotica. As her career progressed Kit moved into contemporary fiction, and now she has a novel publishing contract, with all the pressures of having to produce work to tight deadlines upon her.

Another Glass Of Champagne

In the final novel of the series, Another Glass of Champagne, Kit, mum of twins, and wife to bookshop owner Phil, suddenly finds herself unable to write at all, but he can’t understand why. Surely writer’s block is something that can be easily shaken off- or is just a myth invented by those who can’t be bothered to write today…or is it?

Not even sitting at her usual table in the corner of Pickwicks Coffee House, (run by her friend Peggy) is helping the words become unstuck…

writers block

Extract

When she got back, Kit found Peggy looking thoughtful, ‘Why have you closed your work down, honey? I usually steal a read of your latest work in progress when I think you’re not looking.’ ‘I haven’t got much done today.’

Kit mumbled. ‘It’s been a mulling things over sort of a day.’ Changing the subject, she said, ‘Scott says there are some sandwiches ready for your lunch when Megan comes back through.’

‘Good, I’m starving.’

‘Are you and Megan managing alright with only two of you on the serving team? It’s already busy, but by July it’s going to be packed between eleven and two.’

‘Actually, Scott and I were talking about that over the weekend. Would your Helena fancy giving us a hand and earning some money before she heads off to university? Where is she going again?’ Flinching slightly, and hoping Peggy hadn’t noticed, Kit said, ‘She’s aiming for Bath to do Chemistry, and Thomas’s hoping to be off to Exeter. Assuming they get their grades, that is.’

‘Of course they will. What’s Thomas going to study?’

‘History.’

‘Sounds good. So, do you think Helena will want the job? It would save me a lot of bother with adverts and stuff.’

Kit nodded. She knew exactly how much time it took to go through interviews and training staff in this place, so someone who was already familiar with Pickwicks layout would be a real advantage to Peggy. ‘I’ll ask her. Helena’s bank balance could certainly do with a top-up. Goodness knows it’s time she stood on her own two feet financially.’

Megan came back into the café and Peggy got up to go and have her lunch before another influx of customers forced her to forego her only real break of the day. As an afterthought, she turned back to Kit. ‘If you’d rather your daughter wasn’t here during the day, just say. I mean, this is your office after all!’

‘I don’t mind at all. I’ll ask her this evening, assuming she comes home She seems to live at her mates’ houses these days.’

‘Making the most of seeing her friends before she heads west, I suppose.’

Peggy waved as she disappeared into the kitchen, to what Kit hoped wasn’t a tuna sandwich, before she could see the tell-tale glint of tears fighting to form at the corner of her eyes. Cross with herself for being so emotional, Kit looked at her screen. Peggy had opened a new document and typed the words You can talk to me, you know. Love Peggy xx across the top of the page.

Kit should have known that she couldn’t hide anything from Peggy. The manageress knew her habits better than anyone, having been host to them for the past decade or so. Kit didn’t even want to guess how many cups of coffee, scones, and slices of toast she’d consumed at that table in that time. Just the thought of the amount of butter she’d spread over her early morning snacks was enough to make her feel as though her hips were expanding right there on the seat.

Making her mind up to talk to Peggy soon, she picked up her mobile and sent Helena a text, telling her about the possible employment opportunity at Pickwicks. Kit wasn’t sure if she did actually want Helena around all day while she was writing. But then, she thought, I’m not exactly writing now, am I…

***

You may be thinking that Kit sounds like a real writer you’ve come across- and you’d be right. Kit and I are pretty much the same person- but with huge exaggerations into fiction of course!! For a start, I do not have twins!

The reason behind Kit’s writers block is very personal to me. I’m not going to tell you why she is suffering – it would ruin the story! However, I will say that my motive for giving Kit the problem in question was a pre-emptive strike. Perhaps it was even therapy – because I knew that I was about to go through a similar experience to Kit myself. And now- today – I can feel myself on the edge of it. (Sorry I can’t tell you what ‘it’ is, but it really would ruin things for you as a reader.) I thought that if I tackled the issue on paper via a pretend me first, it wouldn’t be so bad in reality.

Only time will tell whether my plan will work. My writing isn’t blocked at the moment- I am eating a hell of a lot of cake though…

If you want to discover if Kit manages to get to the root of her own word block, and see what else the Pickwick’s crew are up to, then you can buy Another Glass of Champagne from all good bookshops and eBook retailers, including-

http://www.amazon.co.uk/s/ref=nb_sb_noss?url=search-alias%3Daps&field-keywords=Another+Glass+of+Champagne+Jenny+Kane

http://www.amazon.com/s/ref=nb_sb_noss/188-7813436-7626710?url=search-alias%3Daps&field-keywords=Another+Glass+of+Champagne+Jenny+Kane

***

Happy reading,

Jenny xx

Interview with Grace Lowrie

I’m delighted to welcome Grace Lowrie over for a cuppa and a slice of cake today- not to mention a chat about her latest book. Why not go and fetch a drink and join us..

Thank you so much for having me on your fabulous blog, Jenny!

What inspired you to write your book?

For several years I worked in a garden centre and as a garden designer; transforming other people’s outdoor spaces. It was a wonderful experience and made me aware of how the simple act of gardening can help to ground and restore people. I wanted to write a love story using the healing power of green places to bring two characters together – thus Safe With Me was born.

 

What type of research did you have to do for your book?

I wish I could say that I scrupulously researched every aspect of my story before writing it, I admire those authors who do, but the truth is I don’t have that much patience. I consciously spent time sitting writing in a greasy spoon, to get a feel for my character’s working life, but for the most part I relied on past experiences – such as working in a garden centre – and my vivid imagination. Thankfully writing fiction allows for a certain degree of artistic licence.

Which Point of View do you prefer to write in and why?

The three novels in The Wildham Series were all written in first person. They are classed as Women’s Fiction because of the darker issues covered, but I conceived the stories as romances and writing in the first person feels comfortable in that genre. My chapters alternate in POV between the two lead characters, which was both fun and challenging and will hopefully help readers to put themselves into the story.  Conversely the very first novel I started writing (and still haven’t finished) is primarily not a romance and is written in third person to give a slightly removed, overview feel. But even for my first attempt I didn’t make life easy for myself – the POV is inner limited (where the narrator can see inside just one character’s head) but the chapters alternate between four different character POVs. Perhaps it’s not surprising I still haven’t finished that book! In short; I write in whichever POV feels natural for the story I’m writing.

 Do you prefer to plot your story or just go with the flow?

I’m definitely a plotter. Organised and tidy by nature, though not obsessively so, I find a certain amount of control helps keep anxiety at bay. I’m in awe of pantster authors who can just start writing without any clear idea of where they’re going or how they’ll get there – it must be like having a superpower! Before I start writing I need a firm feel for my characters and a beginning, middle and end planned out – especially the ending because I love a good twist.

What excites you the most about your book?

The powerful, almost magical, quality of a close bond forged in childhood. Safe With Me is the story of two souls finding their way back to each other against all odds.

Blurb-

How far would you go to feel safe again? 
Abandoned as children, Kat and Jamie were inseparable growing up in foster care. But their bond couldn’t protect them forever. 

From a troubled upbringing to working in a London greasy spoon, Kat’s life has never been easy. On the surface Jamie’s living the high-life, but appearances can be deceiving. 

When they unexpectedly reunite, their feelings become too intense to ignore. But as secrets come back to haunt them, are they destined to be separated once more?

***

Buy Links:

Safe With Me will be published on 22nd June 2017 and is available to pre-order:

https://www.amazon.co.uk/dp/B071F2QZB7  

https://www.amazon.com/dp/B071F2QZB7  

Author Bio and links:

Grace Lowrie has worked as a sculptor, prop maker and garden designer. She published her debut romance Kindred Hearts in 2015.

A lover of rock music, art nouveau design, blue cheese and grumpy ginger tomcats, Grace is also an avid reader of fiction – preferring coffee and a sinister undercurrent, over tea and chick lit. When not making prop costumes or hanging out with her favourite nephews, she continues to write stories from her Hertfordshire home.

 http://www.gracelowrie.com/blog

http://www.facebook.com/GraceLowrieWriter

http://www.twitter.com/gracelowrie1

http://www.pinterest.com/grace_lowrie

https://www.instagram.com/grace_lowrie/

https://www.goodreads.com/Grace_Lowrie

https://www.amazon.co.uk/Grace-Lowrie/e/B00UNCPYCY

***

Many thanks for stopping by today Grace.

Happy reading everyone

Jenny x

Blog Tour: Exclusive extract from Skin Deep

I’m delighted to welcome talented author, and my lovely friend, Laura Wilkinson, to my site today as part of her blog tour.

Laura is here today with an exclusive extract from her brand new novel, Skin Deep.

Skin Deep Blurb:

It’s what’s inside that counts…

Art student and former model Diana has always been admired for her beauty but what use are good looks when you want to shine for your talent? Insecure and desperate for inspiration, Diana needs a muse.

Facially disfigured four-year-old Cal lives a life largely hidden from the world. But he was born to be looked at and he needs love too. A chance encounter changes everything; Cal becomes Diana’s muse. But as Diana’s reputation develops and Cal grows up, their relationship implodes.

Both struggle to be accepted for what lies within. Is it possible to find acceptance in a society where what’s on the outside counts for so much?

Taken from Part One of Skin Deep, set in Manchester in the mid-1980s

We walked about the Hulme estate and Alan took photo after photo.

‘Funny that estate also means a stately home, isn’t it? You couldn’t get much further from ornamental gardens, gilded mirrors and roaming stags. Though this place has its own kind of beauty,’ I said.

‘You think so?’ He shook his head. ‘Think I’m more traditional than you on that front.’

He took pictures of the syringes and Kit Kat foils on the stairwells – the detritus of the addict’s life – the boarded up shops, the dogs tied to bollards with string outside The Spinners pub, the old PSV club, the girls in the line for the cash point with their turned-out toes and gently curved arms, dancers-in-waiting from The Northern Ballet School, trying to be regal and graceful in the middle of all this gorgeous, vital ugliness. We stretched towards the edges of the community, noting the distinct change in character once normal society was within reach. The blocks of flats were lower, the disaffection and alienation less marked; this was a better class of slum, and the inhabitants considered themselves lucky to be outside the crescents. The sun was setting as we crossed the bridge spanning the motorway and made our way back into the bowels of the estate. In the distance, the warehouses lining the river Medlock were backlit by the dying sun.

Alan stopped and lifted the camera, then dropped it down again. ‘The whole area was built on swampland, below the water level. They never bothered to drain it when the first lot of slums went up. In Victorian Manchester, Irish immigrants would regularly wake up to a dwelling ankle-deep in polluted river water. And when they tore those slums down they still didn’t bother to drain. Built right on top again. It’s as if the rich and powerful hope that the earth itself will swallow up the human waste dumped here.’

‘Rotten foundations?’

‘The foundations for anything need to be right, don’t they?’

I nodded. I’d not heard Alan so serious. He was angry and sad, and he moved me.

The child; human waste.

‘I found something at that party.’

He turned away from the view to look at me.

I continued. ‘I was somewhere I wasn’t meant to be.’ I told him everything I knew, or guessed, or imagined.

He shrugged. ‘It’s no secret they have a boy.’

How does Alan know this? Off-kilter Alan, who doesn’t have any friends other than me and Linda, and doesn’t seem to work, or sign on, or be connected to anyone worth knowing, let alone Mr and Mrs Super Cool of Hulme.

As it transpired Alan was not the loser I’d assumed he was. People talked to Alan; he gained their trust. When Cardie Girl had deserted him, he’d got into a conversation with the scarlet-lipped punk who’d spilt all sorts about Pru and Michael. They were junkies, rich kids from Chelsea who’d stayed on after they dropped out of university in the late seventies, later ‘working’ as artists and rebelling against the Thatcherite regime. Purportedly, they ran a small printing press and published a Marxist magazine that was distributed on campus – I’d never seen it – organised parties and marches and generally made a nuisance of themselves. I wondered how a couple of junkies managed to squeeze all this in between fixes.

‘So everyone knows they’ve got a kid. Do they know they lock him up?’

‘Not everyone. And they might not always lock him up. It might have been a one-off, you know, ’cos of the party.’

I saw the boy’s hand in my mind’s eye, dredged up the hazy image of his body. He’d been rounded, fleshy, not starved. They fed him. ‘Anyone seen him?’

‘Not many people have.’

‘No bloody wonder if they keep him locked up. It’s not right.’

‘He’s a spastic. People make fun. They keep him out of the way for protection.’

‘That does not make it right.’ I was shouting. ‘It’s wrong to trap a kid. Force them to do things they don’t want to.’ My voice cracked and I heard how strange and overblown I sounded.

‘Force them to do things they don’t want to? We don’t know that Pru and Michael do that. Diana? You OK?’

I was crying. Alan couldn’t have understood where my tears came from, but he pulled me to his chest, and I didn’t object to the stink of his armpits or smelly old jacket. At least not at the time; I complained bitterly later. Bunny made me do things I didn’t want to. She’d locked me in a wardrobe and told me she’d let me out only when I was ready to be beautiful. Having inherited my mother’s stubborn gene I’d stayed there for hours, belly griping with hunger, bladder aching. In the end I’d pissed on her shoes and I got a beating for that too.

Alan pulled a tissue from his pocket and I noticed the ring on the little finger of his left hand. It was made of white gold, I was sure, and had an expensive, handcrafted look about it. I shook my head, refusing the tissue, wondering where and how Alan had acquired such a lovely piece of jewellery. I dug a tissue from my own pocket and sniffled into it. ‘Don’t tell Linda. They’re Jim’s friends.’

‘I won’t. Look, if they lock him up, then it is definitely not right, but it might have been a one-off and even if it wasn’t I’m not sure what we can do about it,’ he said. ‘They’re the parents, we don’t even know them. It’s none of our business. You’ve got to try and forget about it.’

‘I’m not sure I can.’ I wiped my eyes and smiled weakly at him, and he pointed the camera at me.

‘You look lovely when you’re upset. Different, vulnerable. Let me take your picture.’

‘I HATE my picture being taken!’ I grimaced and turned my back on him.

‘But you were a model, a beauty queen…’ I started walking towards the crescents, his footsteps echoing on the paving slabs as he lurched after me. ‘That’s why I hate it,’ I said. ‘I spent my childhood smiling so hard my cheeks ached, my eyes watering from the glare of the flashbulbs. I’m surprised I didn’t develop epilepsy or something.’

‘I’d have thought most girls would have loved it, the attention. Linda made it sound like it was amazing.’

‘The attention wears thin after a while, and it couldn’t make up for the hours spent getting my hair and nails done when all I wanted to do was hang out with my friends, play with my Barbie dolls and other normal stuff.’ I couldn’t look at him.

‘You didn’t tell your mum you weren’t happy?’

It was so rude to keep my back to him, he deserved better. I turned. ‘I tried to, but she never listened. And the winning the competitions and getting jobs was nice, when I did, which wasn’t always…’

He raised his eyebrows and opened his eyes so wide I could see white all around his irises. He said, ‘You didn’t always win? No way!’

It took me a while to realise he was teasing. I smiled at my arrogance and wondered if I was losing my appeal. First Jim, now Alan. ‘Hey, we need to keep moving if we want to keep hold of your camera. It’s getting dark,’ I said, linking my arm in his, ‘muggers’ll be out soon.’

‘Today’s been great. Thanks for coming with me.’

‘My pleasure. Sorry about the outburst.’

We strode along, our long legs and broad steps carrying us home faster than most. Alan talked about using his bathroom as a dark room, and asked if I’d like to watch him develop the shots he’d taken. As we marched along the curve of the crescent I saw a figure outside number fifty: Jim. Linda would be pleased. And a lightbulb came on in my head.

Jim! He’s the way into Pru and Michael’s world, the way to the boy. Today has indeed been good.

 *** 

Buy links

Amazon: https://www.amazon.co.uk/gp/product/B06XWKT5HM/ref=s9_acsd_simh_hd_bw_b17GB_c_x_1_w?pf_rd_m=A3P5ROKL5A1OLE&pf_rd_s=merchandised-search-4&pf_rd_r=D9ENXMEBEPB0150BR1BM&pf_rd_t=101&pf_rd_p=fd347e45-37c2-5ef7-938e-e2348b8d0a86&pf_rd_i=266239

Waterstones:

https://www.waterstones.com/book/skin-deep/laura-wilkinson/9781783758678

WHSmith: https://www.whsmith.co.uk/search/go?af=cat1%3Abooks&w=Skin+Deep+by+Laura+Wilkinson

About Laura:

Liverpool born, Laura is a taff at heart. She has published six novels for adults (two under a pseudonym) and numerous short stories, some of which have made the short lists of international competitions. Public Battles, Private Wars, was a Welsh Books Council Book of the month; Redemption Song was a Kindle top twenty. The Family Line is a family drama set in the near future, looking at identity and parenting. Her latest is Skin Deep. Alongside writing, Laura works as an editor & mentor for literary consultancies and runs workshops on aspects of craft. She’s spoken at festivals and events nationwide, including the Frome Festival, Gladfest, University of Kingston, The Women’s Library and Museum in Docklands. She lives in Brighton with her husband and sons.

www.laura-wilkinson.co.uk   Twitter @ScorpioScribble Facebook: Laura Wilkinson Author Instagram: laura_wilkinsonwriter Pinterest: laura1765 Goodreads: Laura_ Wilkinson

***

Thank you for sharing such a fantastic extract Laura. Good luck with the rest of your tour,- and with the gorgeous Skin Deep!

Happy reading everyone,

Jenny x

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