Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

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Do I Write Romance?

I was recently lucky enough to have the lovely Richard Gould post on this blog, and within the comments of that post he raised an issue that I have often discussed with fellow writers and readers of my work. Am I a romance writer?

My work is certainly defined as romance from a marketing point of view- but are they romances?

hearts

I’d love to think that I was a romantic- but I know I’m not. Overdoses of romance make me feel suffocated and a bit trapped- and yet here I am, a romance writer…. Or am I?

In  my mind I’m not. I write stories about ordinary people, who live in recognisable places, with the same issues that we all face (to a greater or lesser extent- it is fiction after all), and the same hang ups about themselves as we all have. Sometimes these characters fall in love with other characters, but only as part of a wider story.

Another Cup of Coffee for example is- in my mind- a story about the reknewing of old friendships and finding the strength to start a new life by exorcising the ghosts of the past. To others it is three different love stories all intertwined- a fact I hadn’t even noticed until it was pointed out to me.

Another Cup of Coffee - New cover 2015

And yes, there is a love story in Romancing Robin Hood– but that  (to me) is secondary to the fact that leading lady Grace is working hard to come out from her obsession with the past so that she can build herself a future- plus there’s a medieval murder of course- and you can’t get less romantic than that… Although apparently, that novel was romantic as well. So maybe it isn’t the love story that is romantic, but the over coming adversity to find love that’s romantic? In which case, I am a romance writer- but an unintentional one!

Don’t misunderstand me here, I like a good dose of romance, and some books are unquestionably romance stories. During the Tiverton Literary Festival in June, I had the good fortune to host the Romance Panel, which included Rachel Brimble, Alison Rose and Julie Cohen. The question of whether or not we were romance writers, or writers who happened to include romance in our plotlines came up then. Alison, Julie and myself were all of the opinion that we wrote stories which happened to include romance. Rachel however, had no hesitation in declaring herself an all out romance writer.

Julie Cohen, Rachel Brimble, Alison Rose and Jenny Kane

Julie Cohen, Rachel Brimble, Alison Rose and Jenny Kane

Having read books by all Rachel, Alison and Julie, I can see the truth in their convictions. Rachel’s fabulous novels are all about the love story from the word go, with subplots that help weave the tale to its happy ever after. Alison, Julie and myself however, write books that don’t aim for the happy ever after (although there usually is a happy ending because that’s what people like to read- and who can blame them!). We generally have a great deal else going on of equal plot importance to any romance involved.

So as I sat in Jenny Kane’s Corner, pondering the question of whether I write romance or not , I thought I’d ask two of the regulars in the café, that I know read my work, if they thought I was a romance writer? The answer was a resounding ‘Yes

Tiverton Authoer Jenny Kane at Bampton Street's Costa Coffee for a signed book launch on Monday

‘How can you even ask?’ said one of them. ‘Abi’s House is a real romance, set in a romantic location and everything!’ With her friend nodding in agreement next to her, I couldn’t help but smile. I thought Abi’s House was primarily a story about a young woman escaping an unhappy life. Apparently it’s mostly about two women finding their happy ever afters.

So there you go! Apparently my readers think I am a romance writer, but I think I’m not. However cross-eyed and contradictory that seems, I think I’ll stick to my guns and carry on believing I don’t write romances- because if I start thinking I do write romance, my readers might start thinking I’ve stopped, and give up buying my books!

Happy reading folks!

Jenny xx

 

Guest Post from Jan Ruth: Wild, Dark and Silent

It is with great pleasure that welcome Jan Ruth to my blog today, to talk about her book, Wild Water, which is set in the beautiful splendour of on of my favourite places in Britain, the Welsh Hills.

Over to you Jan…

Wild Water 2

Wild, Dark and Silent: A testimony to the Welsh Hills.

The close of July saw the re-release of WILD WATER.

Although this is the second title Accent Press have released, it’s actually my first novel, a book which has endured the longest journey of all to arrive fully polished and published. It began as a humble paper copy – remember those? – and went through several transformations before arriving in a much less frazzled state.

This is the story of Jack Redman, the wronged alpha male who’s trying to make the best decisions for his family but more often than not, gets kicked in the teeth. How often we read novels in the contemporary genres which consistently root for the female character – nothing wrong with a strong woman of course – but no one seemed to be telling these stories from the male viewpoint, at least not twenty years ago when I began my quest. Divorce still seems heavily weighted towards the partner with the children, and the mother is usually awarded custody unless there are extenuating circumstances which can be proved. Most of the time this is all well and good, but there are a great number of cases where our ancient system is fully exploited. Sadly, a lot of the initial storyline was prompted by real-life experience but there’s no better starting point than this for fiction in the family-saga genre. Jack Redman is a victim not only of the court system injustices but of its inability to deal with the speed and complications of contemporary family life.

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The Wild Water series is strongly rooted in Conwy, a medieval town in North Wales. In the main I’ve used real places, and I do love the mix of historical buildings as a backdrop to a modern tale. Links to Welsh history and heritage are unavoidable in Wales and it’s the visible remains of quarries, castles and farmsteads which give the area a strong sense of the past. And there’s richness in the landscape here which has certainly inspired my writing. St. Celynin’s seventh century church in the hills for example, is an evocative piece of living history and a landmark which is included throughout the series. It’s exactly the sort of place Anna, with her natural spiritualism, might seek sanctuary. Nestled in the hills 927 feet above the sea, its pretty inaccessible and best approached on foot, but this is no hardship.

knight

Some of the area is chocolate-box pretty, a lot of it isn’t. The struggle to make a living in this community is mostly based on farming or tourism, although the mussel industry is alive and well. Since I know little about these subjects, Jack Redman emerged as an estate-agent. I like to be slightly unconventional with my characters because another great killer of readability is sameness, and cliché.

It was both daunting, and a pleasure to write the follow-up, Dark Water; to be republished by Accent Press on October 8th.

Dark Water

The story picks up three years after the end of Wild Water , and Jack is in for another bumpy ride. Dark Water is, as the title might suggest, a darker story partly because my writing style has changed over twenty years, but also because I introduced an element of crime. It’s too easy to become lazy with a sequel and repeat much of what has gone before. The resurgence of Simon Banks created plenty of tension, and a fresh challenge for me to write some of the story from his perspective. New characters such as Clarissa Harrison-Smith and Peter Claymore, breathed new life into the original cast. When I brought Claymore into the story, he had to have a purpose and a passion, and his persona took root in one of the most fascinating buildings in Conwy – sadly in a state of disrepair – but the real life situation fitted perfectly with what I had in mind for the plot.

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This house was built in 1589 by the vicar of Conwy. Since then it’s been a pub, a tearoom and an antique shop. It’s full of spooky atmosphere with cellars, trap doors and secret passages, and apparently there used to be an escape tunnel which led to the quay. Haunted? Most certainly!

It’s exactly the sort of place someone like Claymore would want to renovate and bring to life, and the perfect setting for Anna to develop in her own right as a serious artist. Her portrait of Llewellyn the Great is the centrepiece of her launch but of course, this is fiction and nothing goes to plan! The comedy and tragedy of Jack’s life rumbles on. In his own words: Raping and pillaging is still rife, even in the modern world.

You can find the buy links for Wild Water at – Mybook.to/wildwater

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04-JanRuth-full

ABOUT JAN RUTH

Jan was born in Cheshire and moved to North Wales in 1998, although she has always maintained a strong connection with the area from a much earlier age. Her feel for the Welsh landscape is evident in all of her work.

The real story began at school, with prizes for short stories and poetry. She failed all things mathematical and scientific, and to this day struggles to make sense of anything numerical.

Her first novel – written in 1986 – attracted the attention of an agent who was trying to set up her own company, Love Stories Ltd. It was a project aiming to champion those books of substance which contained a romantic element but were perhaps directed towards the more mature reader and consistently fell through the net in traditional publishing. Sadly, the project failed to get the right financial backing.

Many years later Jan’s second novel, Wild Water, was taken on by Jane Judd, literary agent. Judd was a huge inspiration, but the book failed to find the right niche with a publisher. It didn’t fall into a specific category and, narrated mostly from the male viewpoint, it was considered out of genre for most publishers and too much of a risk.

Amazon changed the face of the industry with the advent of self-publishing; opening up the market for readers to decide the fate of those previously spurned novels. Jan went on to successfully publish several works of fiction and short story collections. Jan is now pleased to announce that throughout 2015, she will be re-published with Accent Press.

ABOUT MY BOOKS

Fiction which does not fall neatly into a pigeon hole has always been the most difficult to define. In the old days such books wouldn’t be allowed shelf space if they didn’t slot immediately into a commercial list. Today’s forward-thinking publishers – Accent Press being one of them – are far more savvy.

As an author I have been described as a combination of literary-contemporary-romantic-comedy-rural-realism-family-saga; oh, and with an occasional criminal twist and a lot of the time, written from the male viewpoint.

No question my books are Contemporary and Rural. Family and Realism; these two must surely go hand-in-hand, yes? So, although you’ll discover plenty of escapism, I hope you’ll also be able to relate to my characters as they stumble through a minefield of relationships, family, working, pets, love …

I hesitate to use the word romance. It’s a misunderstood and mistreated word in the world of fiction and despite the huge part it plays in the market, attracts an element of disdain. If romance says young, fluffy and something to avoid, maybe my novels will change your mind since many of my central characters are in their forties and fifties. Grown-up love is rather different, and this is where I try to bring that sense of realism into play without compromising the escapism.

Jan Ruth. 2015.

Discover more about Jan Ruth: Jan writes a variety of posts – funny, serious, informative – about Snowdonia and it’s landscapes. Horses and history, her inspiration to write fiction set in Wales and her publishing journey so far.

BLOG: https://janruthblog.wordpress.com/

Connect with Jan:

FACEBOOK:https://www.facebook.com/pages/JAN-RU…

TWITTER: https://twitter.com/JanRuthAuthor

Find her books:

WEBSITE: http://janruth.com/

AMAZON: http://www.amazon.co.uk/Jan-Ruth/e/B0…

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Many thanks Jan. What a fantastic post. It reminds me how long it’s been since I explored the beauty of the Welsh countryside.

Happy reading,

Jenny x

Guest Post from Georgina Troy: Inspiration Behind A Jersey Dreamboat

I’m delighted to welcome Georgina Troy to my blog today, to talk about finding the inspiration for the latest in her wonderful series of Jersey based romances.

Over to you Georgina…

A Jersey Dreamboat

One of the difficulties of writing a series is choosing a storyline that you hope the readers enjoy. Each of my books are entirely fiction, however, they are based in Jersey and as my friends have noticed, I do include the odd experience that I’ve enjoyed, or not, as the case maybe.

For, A Jersey Kiss, I was inspired to write about Paul by a close friend of mine who is a great friend, but honest, funny and someone I adore spending time with. In A Jersey Affair, I wrote about places I love in Sorrento and having set up a couple of businesses, I enjoyed writing about the business side of things with Sebastian and Paige and for A Jersey Dreamboat and A Jersey Bombshell you will come across them again.

For A Jersey Dreamboat, the inspiration came from a trip my friend Carol and I took. We were invited to a joint birthday party where we were introduced to the two brothers of one of the party hosts. They invited us on a cruise from Marseille to Nice with a group of their French friends. What we didn’t know was that we would be the only English people on-board, that these three brothers were Counts, or that we’d spend the first couple of days staying at their family chateau. It was fun. It was different to the book, but it was the perfect inspiration behind a romantic novel. I hope you think so too.

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Buy links

Amazon.com: http://www.amazon.com/Jersey-Dreamboat-Scene/dp/1783757094/

Amazon.co.uk: http://www.amazon.co.uk/Jersey-Dreamboat-Scene/dp/1783757094/

Georgina Troy -Headshot

Twitter: @GeorginaTroy

Facebook Author Page: https://www.facebook.com/GeorginaTroyAuthor

Website: www.GeorginaTroy.co.uk

Blog: http://georginatroy.blogspot.com/

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Many thanks Georgina. Just love your Jersey series.

Happy reading,

Jenny x

Guest Blog from Gilly Stewart: Inspiration for the Lost Woman

Today I’m delighted to welcome the lovely Gilly Stewart to my site. Gilly is going to give us the low down on her latest noel, The Lost Woman.

Over to you Gilly…

Sometimes the setting for a book is what inspires me, sometimes a character. But only once has the entire plot for a book come to me fully formed. This was the case with The Lost Woman, published last month by Accent Press.

I was on a writing retreat, on my own staying in a timeshare in the Perthshire Highlands. My company was favourite dog, Una, a collie-cross. Every afternoon I gave myself a break from writing and took Una for a walk. One day, as we descended a track from the hills, I saw a car parked in a lay-bye on the road beside the loch. For some reason I was intrigued. It wasn’t the normal time of year for tourists (I think it was February) and the car had a slightly down-at-heel look about it. I remember going to peer inside the car, in case it had one of those notes on the dashboard ‘Gone walking up X, expect to return by Y’. Conscientious lone walkers sometimes leave them. But there was nothing.

And as I began to walk along the side of the loch back to my lodgings the story unfolded for me. A middle-aged woman who had parked the car and gone walking in the hills. An established local family who were trying to launch a tourism business, in a magnificent grey-stone house like that one I’d passed not far back. The heroine, Catherine, short, curvy, dark-haired, bossy. And yes, they were all there: her three brothers and the irritating father. And the hero, Haydn, who walked up the drive to Annat House. And then I had the first words Catherine said to him: ‘I have nothing to say’.

The Lost Woman cover

I was off! I got home, editing of existing manuscript forgotten, and began to write notes and then whole scenes for the new book. Of course, it wasn’t all plain sailing. As any writer knows, parts of a book are pure hard slog. And then there were the changes I had to make because it never seemed to turn out quite so well on paper as it had in my mind. And then the edits came back from my lovely (now departed) agent Dot Lumley, who pointed out weaknesses I hadn’t been able to spot myself.

But throughout all that it still was, essentially, the same book. I wish all books came to me as easily as that one! Maybe I need to take a few more writing retreats …

I’ve just read Jenny Harper’s blog at http://jennyharperauthor.co.uk/its-real-a-paperback-emerges-from-the-wisp-of-an-idea/ about how the process of getting from idea to finished book works for her, and I realise how different we are. I really don’t think I could do a 7,000 – 10,000 word synopsis before I started writing. That is so admirable! I have to start while the ideas are there … and hope for the best. But if we were all the same, think what a boring world it would be.

EXTRACT FROM ‘THE LOST WOMAN’

The Lost Woman was a source of serious aggravation to Catherine McDonald. There had been no peace ever since She had put in her appearance – or should that be disappearance? First it was the police, then the journalists. Even the locals seemed to be obsessed. And it wasn’t the sort of publicity you wanted when you were on the verge of launching a major tourism venture.

Catherine watched grimly as yet another stranger walked up her private driveway. She swung open the massive front door before he had time to ring the bell.

‘I’ve got nothing to say,’ she said.

The man paused with one hand raised to knock. ‘Haven’t you?’ He was a tall man, forty-ish, with neatly cut mousey-brown hair and amusement in his eyes. ‘How fascinating. What is it about which you have nothing to say?’

Catherine glared. He was one of the clever-clever ones, was he? ‘About the Lost Woman, of course.’

‘Ah. Of course.’ He smiled down at her. ‘And the Lost Woman would be …?’

For the first time Catherine began to doubt her assumption. The man wore smart black trousers, a dark jersey, and a long dark woollen coat, not normal journalist attire.

‘I suppose there’s no point asking if you’re a journalist? They all deny it.’

‘It’s true, I would deny it. It’s not a profession I’m very fond of.’

Catherine sighed. She really didn’t have time for this. ‘OK, supposing you tell me what it is you do want?’

‘What I want now is to learn all about the Lost Woman. You’ve got me enthralled. Is she really lost? Is it an ancient myth or a modern tragedy? Do tell.’ He leant one shoulder against the door jamb, apparently settling in for a long conversation.

‘Everyone knows. That’s why they come here, isn’t it?’

‘It is?’

‘Look, the Lost Woman is some stupid woman who parked her car at the bottom of our track and went walking in the mountains.’ She gestured to the range which rose in peak beyond misty peak behind Annat House. ‘And she hasn’t been seen since.’

‘How interesting,’ he said. ‘And was this recently?’

‘Look, please stop pulling my leg. Everyone knows about the Lost Woman.’

The man gave this some thought. ‘I don’t think everyone can know, if I don’t. Although, to be fair, I have been out of the country for several weeks, perhaps that explains my ignorance.’

‘It was five weeks ago. Six this weekend. You can’t have heard no news for that long.’

‘You don’t think so?’ A frown marred his rather handsome face. ‘I’ve never been an avid reader of newspapers, and I find the sort of coverage one gets on television these days a trifle vulgar, don’t you? Perhaps that would explain my lamentable lapse.’

Catherine began to laugh. The man was mad, but amusing with it.

‘OK. So if you’re not here to ask about the Lost Woman, how can I help you?’ She recalled that in the old days strangers did come knocking on the door, in need of information or directions. ‘Are you lost?’

‘No, I don’t think so. I saw signs for Annat School a little way back, so I know roughly where I am.’

‘Ah, you’re looking for the school.’ Catherine was relieved to be getting answers at last. ‘It’s not far away. You need to go another couple of miles and you’ll see a large Victorian-gothic building on your right, can’t miss it. Distances are deceptive, aren’t they, on these winding roads? A lot of people turn back thinking they’ve gone too far.’

‘It’s a popular school, is it?’

‘I believe so. A healthy outdoor Scottish education is apparently quite the thing. We haven’t had much to do with it since my brothers left, but it was very well thought of then.’ Catherine thought briefly of the time when her mother had still been alive and they had been an almost happy family. She shook her head to clear her thoughts. ‘I suppose you have a child you’re considering sending there?’

‘I have a son, yes.’

‘Just the one? How old is he?’ Catherine felt obliged to add, ‘I’m not a great fan of boarding schools myself.’

‘Richie’s ten. Or is it eleven? I tend to forget.’

‘I believe they prefer to take them from eight. Most prep schools do. Didn’t they tell you that on the phone?’

‘I haven’t spoken to them on the phone.’

In Catherine’s opinion this man was rather too lackadaisical, and she was sure the head teacher would agree. ‘I don’t think they are very keen on people just dropping in,’ she said severely.

‘No, I can see that might be inconvenient.’ He smiled. ‘People can be so inconsiderate, can’t they? When all it would have taken is a mere phone call in advance …’

Catherine was beginning to feel she was losing control of this conversation, an unusual experience. ‘Is that it, then?’ she said, making an effort to get back on track. ‘If you do decide to take a look at the school it’s two miles further on. You’ll have no problem finding it.’ She moved as if to close the door.

‘Actually,’ said the man, leaning forward confidentially, ‘Actually, I was hoping to use your telephone.’

‘The phone?’

‘Yes. Did you know that mobiles don’t work out here? I need to call the AA.’

‘Of course I know that mobiles don’t work. This is the Highlands, you know.’

He nodded politely. ‘I should have realised.’

‘So your car has broken down?’ said Catherine slowly.

‘Yes. At least, it appears to have. The engine died and it’s certainly not starting when I turn the ignition. I’ve an inkling it might be the starter motor, or spark plugs, something like that. I don’t suppose you know about these things?’

‘Absolutely not,’ said Catherine, exasperated. ‘Look, come in. You can use the phone here.’ She stood back abruptly to allow him into the wood-panelled hall…

Buy link for The Lone Woman

http://www.amazon.co.uk/dp/B012J29WJG

 

Copyright Kim Ayres - www.kimayres.co.uk - images licensed for unlimited reproduction and distribution for personal and promotional use, so long as Kim Ayres (www.kimayres.co.uk) is identified and credited as the image creator and copyright holder. Not to be used for commercial purposes without renegotiation with the copyright holder.

Copyright Kim Ayres – www.kimayres.co.uk – images licensed for unlimited reproduction and distribution for personal and promotional use, so long as Kim Ayres (www.kimayres.co.uk) is identified and credited as the image creator and copyright holder. Not to be used for commercial purposes without renegotiation with the copyright holder.

BIO

Gilly Stewart was born in Lancashire and lived in Yorkshire and Cheshire until the age of 15, when her family moved to South Africa. At 21 she moved to France, and then tried Zimbabwe before finding the perfect country: Scotland. She has had many jobs including au pair, cleaner, teacher and accountant, but her first love has always been writing. She has had four romantic novellas published under the pen-name Gillian Villiers and in March 2015 she published her first Young Adult novel Music and Lies under the pen-name Gill-Marie Stewart

The Lost Woman is her second women’s contemporary novel and is published by Accent Press. They brought out her first novel, Sunshine Through The Rain, in April 2015.

Gilly lives on a farm in rural Dumfriesshire with five chickens, four dogs, three cats, a husband and many, many books. Her two student sons deign to visit occasionally.

LINKS

Website https://gillystewartwriter.wordpress.com/

Facebook https://www.facebook.com/GillyStewartWriter

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Many thanks for such a great blog Gilly.

Happy reading everyone,

Jenny x

 

Guest Post with Gilli Allan: Fly or Fall- An Interview with Nell Hardcastle

I’m delighted to be able to welcome a fellow Accent Press author to my site today. The lovely Gilli Allan is shining the spotlight on the lead character in her latest novel, Fly or Fall!

Over to you Gilli- and Nell Hardcastle…

Nell, the heroine of FLY OR FALL, is an honourable woman. And yet, as the story unfolds, her values and principles are gradually undermined. The interview takes her back through her early life, before the story opens, to discover what made her the woman she is, and how and why she arrives at the point where she slips. But you’ll have to read the book to discover what actually happens, and how Nell copes with the fall-out.

Cover FOF

Interview with Nell Hardcastle

Interviewer: Looking at your history, Nell, it seems you were a bit of a wild child. You must have started a physical relationship with Trevor Hardcastle when you were still very young.

Nell: No! Not wild. ….I was an only child and quite insecure. I already felt isolated and excluded from my parent’s relationship. And when my Dad died my Mum lost her soul mate. She was so overwhelmed by her own grief she failed to recognise mine. Trevor was the son of one of my dad’s TUC friends. He was starting his economics degree in London. It was a mutually beneficial arrangement that he lodge with us. It’s not surprising that both of us – my mother and I – leant on him.

Interviewer: How old was he?

Nell: He was already in his twenties.

Interviewer: And you were?

Nell: Thirteen … but you’re making it sound very tacky. Trevor may be many things but he’s not a paedophile. We didn’t start sleeping together until…

Interviewer: You were still underage, Nell! (A pause.) OK, let’s get on. You completed your A levels but never went to university?

Nell: No, Trevor was in his first teaching job by then and the twins were babies. Then my mum’s health began to deteriorate.

Interviewer: You stayed on in your family home?

Nell: Why move? My mother increasingly relied on us being there.

Interviewer: Even though the mortgage was paid off by your father’s insurance, you were still pretty hard up. And your husband was out a lot in the evenings. Did you never question why?

Nell: He told me he was working late at school, or going to local party political meetings. I trusted him.

Interviewer: (Clears throat.) And when the offer to buy your house dropped on your door mat, what did you think then?

Nell: The whole episode was surreal. My mum had just died and the house wasn’t even on the market. And the price…! It seemed vastly inflated! I was scared.

Interviewer: Most people would be delighted.

Nell: Normal people you mean? Trevor was so thrilled. Out of the blue we’d been handed the chance to move house, live in the country…

Interviewer: But?

Nell: I didn’t want my life to change. I had a kind of presentiment that having that kind of money would undermine us. It would lead to disaster.

Interviewer: In what way?

Nell: Hard to explain. And because I couldn’t convince Trevor I gave in. I just let it happen.

Interviewer: But you soon made friends in Downland.

Nell: I think I was depressed for a while. I was still grieving and felt cast adrift … away from everything I knew. We moved in the autumn and there was more work to do on the house than I’d realised. It felt a bit like we were living in a perpetual building site. And the people we got in to do the first jobs weren’t the most reliable. But by the early spring of the next year I’d met Fliss and Kate … but….

Interviewer: But what?

Nell: They weren’t the kind of women I’d normally choose as friends. They were very materialistic, self-centred, and childishly obsessed with who fancied who. But it was Fliss who recommended a more reliable building firm of builders. We laughed about the business card – ‘Bill Lynch. Man for all reasons’.

Interviewer: And one of the new builders, Patrick, had a reputation as a womaniser

Nell: I didn’t know that. It was only after we’d engaged the firm that the nudges and winks from Fliss and Kate started. So I was relieved that he never made a pass at me.

Interviewer: Really?

Nell: Of course! I don’t know how to flirt.

Interviewer: That’s an odd comment. What do you mean?

Nell: Some women take that sort of thing so lightly. To them it’s inconsequential.

Interviewer: But not you?

Nell: Perhaps I take things too seriously. I … I believe what I’m told.

Interviewer: So why did you take the job as a barmaid at the sports club? Seems an odd choice of job for a serious minded woman, who doesn’t know how to flirt?

Nell: Trevor was so down on the idea, as if I’d personally offended him….

Interviewer: You took the job because your husband was against it?

Nell: I know it sounds ridiculous, but… yes, kind of. Trevor seemed to be changing before my eyes. His opinions were becoming ever more right-wing and stuffy. He even changed the twins’ school, badgering me into agreeing to send them to the fee-paying high school, something he’d always disapproved of and argued against. His attitude about ‘his wife doing a bar job’ provoked me.

Interviewer: And there you met the man you knew as Angel.

Nell: I’d met him briefly before then, but he didn’t remember me. In fact he seemed fairly indifferent to me until…

Interviewer: Until what?

Nell: You have to realise that none of this was apparent to me at the time. I only saw it in retrospect. It was after Patrick and I had become friends….

Interviewer: Patrick? I thought you were suspicious of him. Keeping him at arm’s length.

Nell: Friends I said, nothing more. But it was only when Angel noticed Patrick treating me with a kind of … um … casual affection, his attitude to me changed. He began to pursue me.

Interviewer: And you?

Nell: I’d been infected by the whole atmosphere there … and by Kate and Fliss. Their attitude to infidelity was so casual – as if love affairs were every woman’s right – an added seasoning to give spice to their lives. And Angel was so gorgeous. I had such a crush on him…..

Interviewer: Not every one of your women friends had this ‘all’s fair in love and war’ attitude?

Nell: No. Not Elizabeth. She was very much in love with her husband – ‘OH’ as she called him. Because I felt closest to Elizabeth, I’d planned to confide in her. I felt so triumphant, so pleased with myself, until….

Interviewer: Until what?

Nell: (A pause. She swallows.) It … it was a total and profound shock, but…. I was still trying to hang on to my life, to the world as I knew it. Fat chance! Like a domino derby, the shocks kept going, one falling after another. Everyone around me – my friends, my husband, even the twins – had been pretending. They’d all constructed facades. They’d all been keeping their own secrets.

Interviewer: And so had you.

Nell: Believe me, I don’t absolve myself. I can hardly believe I did what I did. I was as guilty as the rest of them. Worst of all I’d been deceiving myself… And it wasn’t the best time to suddenly realise I’d fallen in love.

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Blurb

Wife and mother, Nell, fears change, but it is forced upon her by her manipulative husband, Trevor. Finding herself in a new world of flirtation and casual infidelity, her principles are undermined and she’s tempted. Should she emulate the behaviour of her new friends or stick with the safe and familiar?

But everything Nell has accepted at face value has a dark side. Everyone – even her nearest and dearest – has been lying. She’s even deceived herself. The presentiment of disaster, first felt as a tremor at the start of the story, rumbles into a full blown earthquake. When the dust settles, nothing is as it previously seemed. And when an unlikely love blossoms from the wreckage of her life, she believes it is doomed.

The future, for the woman who feared change, is irrevocably altered. But has she been broken, or has she transformed herself?

***

Buy Links:

FLY OR FALL- myBook.to/GilliAllan (universal)

http://www.amazon.co.uk/Fly-Fall-Gilli-Allan-ebook/dp/B00XXZJ43S/

Gilli Allan

Bio

Gilli Allan started to write in childhood, a hobby only abandoned when real life supplanted the fiction. Gilli didn’t go to Oxford or Cambridge but, after just enough exam passes to squeak in, she attended Croydon Art College.

She didn’t work on any of the broadsheets, in publishing or television. Instead she was a shop assistant, a beauty consultant and a barmaid before landing her dream job as an illustrator in advertising. It was only when she was at home with her young son that Gilli began writing seriously. Her first two novels were quickly published, but when her publisher ceased to trade, Gilli went independent.

Over the years, Gilli has been a school governor, a contributor to local newspapers, and a driving force behind the community shop in her Gloucestershire village. Still a keen artist, she designs Christmas cards and has begun book illustration. Gilli is particularly delighted to have recently gained a new mainstream publisher – Accent Press. FLY OR FALL is the second book to be published in the three book deal.

Connect to Gilli:

http://twitter.com/gilliallan (@gilliallan)

https://www.facebook.com/GilliAllan.AUTHOR

http://gilliallan.blogspot.co.uk/

***

Many thanks Gilli (and Nell)- wonderful blog!

Happy reading,

Jenny x

Guest Blog by Eric McFarlane: A Clear Solution

I would like to welcome the wonderful Eric McFarlane to my blog today. I cannot wait to read his new release, A Clear Solution– being married to a scientist, who once lost his job in similar circumstances, I am sure I am going to be chuckling my way through the whole thing!!

Over to you Eric…

First of all thanks, Jenny, for allowing me to post on your blog.

I couldn’t quite believe it when I heard that my comic crime novel A Clear Solution had been accepted by Accent Press. The novel is a zany light-hearted comedy with a protagonist who always seems to be in the wrong place at the wrong time. Rather than blether on about the novel I thought I would say something about how it came into being as its gestation period was protracted.

A Clear Solution

A Clear Solution was born may years ago when I and my colleagues in the pharmaceutical company I worked in were given notice of redundancy. Devastating of course but the upside, although I didn’t recognise it at the time, was that, unusually, we were given five months notice during which the factory and my section would continue to tick over. I found that my own job, development and supervision, evaporated overnight. No more factory equated to no more development and I was left supervising a bunch of ‘old hands’ who needed little supervision. What to do?

Well, job hunting obviously and that I certainly did but that still left many hours to fill so… writing. I’d always written to some extent: notebooks filled with scribbles, short stories, travel, observation. So why not write a novel? After all novelists made lots of money, didn’t they? Write a novel and sell it. How difficult could it be? I cringe but, yes, I really was that naive.

So I started writing. It would be based in a laboratory – write what you know, and it was going to be a comedy. I’m not sure why but there it was. There was no planning, none at all. It just proceeded in a linear fashion with one situation leading to another. If stuck I asked myself what is the daftest thing that could happen at that point in the action?

Several jobs followed over the next few years and writing time dropped but I continued with the novel and wrote a flurry of short stories. Then I read a comment somewhere to the effect that there was no market for comedy. So why am I writing comedy? I dropped A Clear Solution (yes, I was that easily influenced) and started writing a thriller. This in turn was dropped when I had an idea for a novelisation of an SF short story I had written. Then, unbelievably to me now, I launched into yet another novel length project. At this point I stopped and gave myself a shake. You’ve got to finish something. So A Clear Solution it was, being the project nearest completion..

I completed it, typed the end and felt pleased with myself, then looked at what I had – a mess. So of course more months of fleshing up, cutting out and joining loose ends before I felt it was ready.

Over the previous few years I’d learned a lot about writing and the publishing industry and was no longer quite so naive, so when I sent the novel out to a couple of targeted agents I did not expect it to be instantly accepted and my expectations were met in full. During the next months and years more than fifty agents and publishers turned it down. It could have been dispiriting (OK, it was dispiriting) but there had been three handwritten notes during that time with positive comments. I’d also posted 7000 words on youwriteon.com review site and received some excellent feedback, in fact reaching the top 20 on that site in one month. If any writers are looking for feedback I’d recommend it – if you have thick skin. The comments can be brutally honest.

While this was going on I completed the thriller and the SF novel and began to look for interest in those.

I had consigned A Clear Solution to the back burner and decided that it was my candidate for self publication should I decide to take that road, when I heard about Accent Press looking for submissions in an article in Writing Magazine. They were looking for crime rather than humour, well the novel has crooked policemen and a number of suspicious deaths so why not? I sent it away and forgot about it.

I remembered about it during a holiday in Australia when checking my e-mails. There was a note from an Accent Press editor who was reading my submission and liked it. Could I send the rest? Could I? Well no, I couldn’t, not until I returned to the UK three weeks later but that didn’t seem to be a problem. The surreal element was that this editor, working for the Welsh Accent Press, was currently living not 50 miles from where I was staying in Melbourne.

So six months later here it is on the shelves. Difficult to believe. Now I have to persuade them to take the follow-on.

***

Blurb

Corpses, cats, and chemical catastrophes…it’s all just another day in the lab!

All that lab technician Daniel Dreghorn wants is a better job, more money, a new flat – oh, and perhaps to meet a few more girls. It’s not much to ask of life, is it? All his dreams are answered with one visit to a faulty cash machine, but is it too good to be true? Yes, Daniel, it is…

Daniel’s life goes from bad to mad as a series of deaths are attributed to him and some very shady characters start to believe he is more than he seems. As Daniel’s colleagues at the university become suspicious of his actions, madcap Professor Farquharson sees him as a way of achieving a long-held desire… Can Daniel avoid being drawn into his boss’s crazy schemes? Can he avoid the attentions of a bent copper? Are Dr Bernini’s doughnuts all they seem to be?

A Clear Solution is a hilarious look at what happens when you’re in the wrong place at the wrong time – complete with homicidal bank managers.

***

Buy link http://myBook.to/AClearSolution

Web www.ericmcfarlane.co.uk

Eric McFarlane

 

****

Many thanks for coming along today Eric,

I wish you much success with this novel, and the sequel!

Happy reading,

Jenny x

Guest Post from Jennifer Young: Looking For Charlotte Blog Tour

I’m delighted to be able to welcome Jennifer Young to my site today, as part of her blog tour for her new release, Looking For Charlotte.

Over to you Jennifer…

tourbutton_lookingforcharlotte

 

About the Journey: Looking For Charlotte

They say there are only seven basic plots. I have a book about that, in fact, but as it’s almost 700 pages long and I’m time-poor I haven’t yet got round to reading it. But everyone who has (well done, by the way) tells me that it’s true and there’s nothing original in this world.

I didn’t deliberately set out to pick one of those seven, though I have done in the past. As it happens, though, my latest book, Looking For Charlotte, fits more closely to an obvious plot device than anything I’ve ever attempted, even the variations-on-a-theme-by-Shakespeare trilogy that I’m working on (the theme is Romeo and Juliet, since you ask).

Looking For Charlotte by Jennifer Young

The clue is in the name. Looking For Charlotte is a journey or, as it’s referred to in the book, a quest. ‘Quest’ is a wonderful, evocative word, old-fashioned to the point of medieval, bringing to mind knights on noble steeds undertaking challenges set for them by mistresses or magicians, with the ultimate objective (in which they pretty much always succeed) of winning the hand of a fair lady.

The quest which my very modern heroine, Flora, undertakes isn’t one laid on her by a wicked witch, or even something she has to do to save her relationship, win promotion or achieve fame (all of which are perfectly worthy objectives). It’s much deeper than that, and it’s also entirely self-imposed.

When Flora sees on the news the story of a toddler abducted and almost certainly murdered by her father (who then killed himself) her reaction is to take up the search for the child where the police have given up. No-one makes her do it. No-one forces her to go out looking for a lonely grave, puts the spade in the boot of the car and hands her the key, points a dramatic finger and says to her: ‘Go’.

So why does she go? It’s partly to absolve her own guilt at mistakes she’s made in the past. It’s partly to do good to someone else, a stranger. Personally she has nothing not gain from it but yet she goes, undertaking a journey which is both physical and emotional. And when it ends, on a moor in the wild north-east of Scotland on a wild-weather day to the accompaniment of birdsong, the story ends.

In success, or in failure? That’s for me to know and you, if you wish, to find out. Read on…

Excerpt

They parted just beyond the bridge across the Ness, Grace heading up the pedestrian streets and Flora cutting across to the library, fronted by the long line of cars full of Saturday shoppers manoeuvering towards the car parks. She wasn’t a regular library user, but once the idea had taken her she remembered that there was something she wanted to check.

In the reference section, she stood for a moment before selecting the Ordnance Survey map that covered the area south of Ullapool. She knew it quite well. When the children were young they’d gone walking there regularly, able to reach the open spaces without pushing the slowest (usually Amelia, though Beth was the youngest) too hard. They’d graduated to more difficult walks, then stopped walking altogether. Eventually she had developed a fondness for the slightly less bleak terrain to the south of Inverness, where she went occasionally with Philip and his brother, or with a colleague from work. She hadn’t been out all year, not since before Christmas, in fact, and even then they’d been rained off not very far in and driven back to the comfort of a tea shop in Grantown-on-Spey.

A nostalgic yearning for a good long walk swept over her as she unfolded the map and smoothed it out across one of the desks. She and Danny used to look at maps together plotting their routes. His stubby forefinger, with its bitten nails, had traced the most challenging route to start, sliding along the steep and craggy ridges until he remembered the children and reluctantly redrew, shorter, safer.

She thought she knew the place where Alastair Anderson had left his car, and found it easily enough. Under her fingers the map was a flat web of never-parallel lines, of ugly pock-marking that told of steep, loose rocks and inhospitable terrain, just the type of place they used to walk. Somewhere up here, Charlotte Anderson was buried. Carried there, already dead? Or walked there and then killed? Surely neither was realistic; surely they would have found her, with their dogs and their mountain rescue helicopters scouring the ground for new scars, and all the rest of the equipment they had at their disposal.

Looking at the map had been a mistake. It was obvious now. Besides, she couldn’t see it any more; all she could see was the image of Suzanne Beauchamp, that beautiful face with the cold façade, like a wax death mask from Madame Tussauds. More poignant, of course, since it must hide a struggle, a struggle to conceal or to suppress a deadly mixture of grief and guilt.

‘Go away!’ she said softly to this mirage of a grieving woman, a little afraid of its power. ‘Go away!’ And then, in the only defence left to her, she began to fold the map away…

****

Blurb

Divorced and lonely, Flora Wilson is distraught when she hears news of the death of little Charlotte Anderson. Charlotte’s father killed her and then himself, and although he left a letter with clues to her grave, his two-year-old daughter still hasn’t been found. Convinced that she failed her own children, now grown up and seldom at home, Flora embarks on a quest to find Charlotte’s body to give the child’s mother closure, believing that by doing so she can somehow atone for her own failings.

As she hunts in winter through the remote moors of the Scottish Highlands, her obsession comes to challenge the very fabric of her life — her job, her friendship with her colleague Philip Metcalfe, and her relationships with her three children.

***

GIVEAWAY!

Make sure to follow the whole tour—the more posts you visit throughout, the more chances you’ll get to enter the giveaway. The tour dates are here: http://www.writermarketing.co.uk/prpromotion/blog-tours/currently-on-tour/jennifer-young-2/

a Rafflecopter giveaway

***

Buy Links

Tirgearr Publishing

http://tirgearrpublishing.com/authors/Young_Jennifer/looking-for-charlotte.htm

Amazon UK

http://amzn.to/1D7pNY6

Amazon US

http://amzn.to/1JmAwBR

Smashwords

https://www.smashwords.com/books/view/526032?ref=cw1985

Author bio

I live in Edinburgh and I write romance and contemporary women’s fiction. I’ve been writing all my life and my first book was published in February 2014, though I’ve had short stories published before then. The thing that runs through all my writing is an interest in the world around me. I love travel and geography and the locations of my stories is always important to me. And of course I love reading — anything and everything.

Links

Facebook

https://www.facebook.com/jenniferyoungauthor

Twitter

@JYnovelist

Website

http://www.jenniferyoungauthor.com/

***

Many thanks for visiting today Jennifer. Good luck with the rest of the tour!!

Don’t forget the giveaway folks!!

Happy reading,

Jenny xx

WMS_blogtour

 

Guest Post from Della Galton: The Morning After the Life Before

Writing The Morning After The Life Before was probably one of the worst commercial decisions of my writing career. I knew when I began it – after discussions with my agent – that this book would not be taken on by a big mainstream publisher. Why? Because they deemed its predecessor, Ice and a Slice, not suitable to be sold in a supermarket. They felt it ‘showed alcohol in a bad light’ and might upset their alcohol advertisers. Who knew that supermarkets had so much control over the publishing industry? Tongue firmly in cheek.

Morning After

But… and this is a big but… Why do novelists write books? Love? Money? Fame? Well, for me, this one was a no brainer. It’s feedback from my readers. I have been touched beyond words by the number of people who have emailed and messaged me and left reviews on Amazon for Ice and a Slice. Thank you so much if you are among them.

Knowing you have written a book that has changed people’s lives – in a good way – and that has helped them to face their own demons is priceless. Many, many people asked me if I was writing a sequel to Ice and A Slice. In the end I simply couldn’t not write one. I wrote this novel for all of those people. Once again, I have used my own experiences – as well as researching thoroughly the bits I don’t know about. I do NOT – just for the record – know anything about being a dominatrix. Neither have I ever had a cocaine addiction. Or some of the other wackier things that happen in this novel. But I do know a lot about heartbreak and friendship and love.

ice

 

Heartbreak and friendship and love are some of the themes that run through this novel.

Without giving too much away and spoiling the book for you – The Morning After the Life Before is about how SJ copes – four and a half years on – with sobriety when it seems as though the whole world – even God – is against her.

Will she even cope? Or will she cave in under the pressure?

I must admit I didn’t know the answer to this one when I set out.

And I’m not about to reveal the ending. But here is the beginning.

Chapter One

SJ gave a very deep sigh and glanced once more at the phone. For the last two hours and twenty-two minutes, not that she was counting, the phone had become the focal point of her front room. No, not just her front room – her entire life.

The phone had sat in its cradle on the table by the television. She had sat on the sofa next to it, flicking surreptitious glances at it, while pretending to read Cosmopolitan and occasionally getting up to check that the display was still working in case there was a power cut.

“What if there is a power cut?” she’d said to Penny when they’d done the handover. “I have the plug-in kind of phone – it won’t work unless it has power.”

“I wouldn’t worry – they’ll phone back.”

“But what if they don’t? I thought you said it’s a matter of life and death. What if they’ve spent the last three weeks plucking up the courage to phone the helpline and this is their final desperate plea for help and then no one answers because there’s a power cut. What if they die?”

“They might die anyway,” Penny pointed out, with unnecessary sharpness, SJ thought, considering she was only trying to get things right. And considering that Penny had actually said – when she’d been trying to persuade SJ to sign up for phone service – that the helpline was a matter of life and death.

“We are the fifth emergency service,” she’d said, a mite pompously, SJ had thought. Especially as she hadn’t bothered to explain what she meant. Clearly, as everyone knew, police, ambulance and fire were the first three emergency services. But what was the fourth? And why weren’t they the fourth?

It was slightly crushing to realise that the Alcoholics Anonymous helpline couldn’t be all that important. Not if they were only the fifth.

“What if I miss the phone ringing because I’m out of the room – say I’m in the bathroom?” SJ had asked.

“I thought you said you had a carry-around phone.” There was a gleam of triumph in Penny’s voice.

“Yes I do, but if there was a power cut I’d be using my back up phone. My in-case-of-emergency, old fashioned, plug-straight-into-the-mains phone, wouldn’t I? So I won’t be able to carry that around, obviously.” SJ sighed patiently and resisted the urge to add, ‘so what have you got to say to that then, Miss Goody Two Shoes, know-it-all, pompous Penny?’ Which she would have done without hesitation once when someone like Penny wound her up.

But which she couldn’t do now because she was no longer that person any more. She was no longer judgmental and impatient and prickly – which she’d only ever been because she was lacking in self-esteem obviously. These days, she was serene and calm and peaceful. Serenity was her middle name. She’d considered, in fact, making Serenity her actual middle name by deed poll. Only there didn’t seem much point because no one ever asked you what your middle name was anyway. And deed polls were probably expensive.

“Someone might be trying to get through right now while we’re talking,” Penny said wearily.

“Right. I see. Yes, okay. Point taken.”

“Someone might be dying right now. So maybe if I could just put the phone down, SJ? Please – if you’re ready to take over. Are you?”

“Of course. Sorry. Um bye.”

“Goodbye, SJ.”

Penny disconnected. The phone rang almost immediately and SJ was so surprised she dropped the handset. Then when she reached to pick it up she knocked over her cup of calming peppermint tea which was on the glass-topped coffee table between her and the phone. Oh crap. The phone was still ringing. The tea pooled across the glass and began to drip down the wooden leg.

Double crap. What if there was some raging, desperate, suicidal alcoholic on the other end of the phone? What if they were pissed off because they hadn’t been able to get through? What if they shouted at her? What if they were an utter maniac? Don’t judge, SJ. Deep breaths, in, out, in, out, in, out. Try to stay calm. Serene and calm is where it’s at. If you feel serene your voice will be serene. Nothing to it. She punched the green button with a finger, intending to say, ‘Yep,’ in that ultra-cool voice that ultra-cool receptionists – usually the ones that worked in PR and marketing companies – were fond of using.

What actually came out of her mouth wasn’t yep. It was yip. She tried again. “Yip, yep, yip, yap.” Oh crap. Now she sounded like the next door neighbour’s Jack Russell terrier.

“SJ it’s me.” Penny’s voice held a note of incredulity. “I’m just – er checking that the phone line transferred okay. “Is – everything all right?”

“It’s fine. Absolutely fine. Couldn’t be better. Sorry, I was practising my – um – my dog whisperer voice. I’m doing evening classes.”

“You’re doing evening classes in dog whispering!”

“Yep. I mean yip. Yip yip, yap, yippety yip – ha ha! What do you think?”

“Very – er – authentic, but do you suppose you could do it when you’re not answering the helpline?”

“Of course. Sure. Sorry.”

SJ disconnected and put her head in her hands, before realising belatedly that her elbows were now in a pool of peppermint tea. Fantastic. Why had she ever thought she could do this? She must be mad. She shouldn’t have volunteered. She should have contented herself with making tea at meetings or acting as treasurer. Even she couldn’t make too much of a hash-up of that. What did she know about giving up drinking anyway? What was she going to say to someone if they did phone up the AA helpline? Oh it’s easy – you just swap your vodka for a mug of peppermint tea. Nothing to it. No one was going to believe that, were they? Everyone knew it wasn’t easy to give up. Not when you’d been drinking on a daily basis for months, or years, or possibly even decades.

She’d only managed to give up because she’d had an utterly brilliant counsellor who she’d gone to see, week after week after week. And let’s face it she probably wouldn’t have done that if he hadn’t also been utterly gorgeous and if she hadn’t also had the most humungous crush on him. Would she have given up drinking at all if she hadn’t fallen in love with her counsellor?

Ironically, it was the thought of the utterly gorgeous Kit that snapped her out of the beating herself up mood she’d fallen into. She cleared up the peppermint tea spillage – grabbed her iPad from the kitchen and found her latest To Do list. At the top of the page she wrote:

Things not to say when answering the AA helpline

  1. Yip or yap, or yippety yip – or any possible derivative of the word yip.
  2. Yep. (Mainly because it was very hard to inject a decent amount of empathy and sympathy and understanding into the word yep. Yes with a question mark would be better – or yeah if you stretched it out a bit or maybe even yo – that was a pretty cool word around youngsters, these days. Except that yo didn’t sound very sympathetic either. Yo dude – you gotta problem with your drinking? Hey that’s tough. And anyway she wasn’t exactly young. Forty-two might be the answer to life, the universe and everything – but as an age it was well over the hill. How on earth had she got to forty-two anyway?)
  3. “Hello, this is the Alcoholics Anonymous helpline – how can I help?”

That would have made the most sense. But unfortunately she couldn’t say that in case it was her mother phoning, or her sister, Alison, or her best friend, Tanya. Not that her mother and her sister and Tanya didn’t know she was a recovering alcoholic. But there were people in her life, these days, who didn’t know. And it wasn’t the sort of thing she wanted to advertise when she answered her own phone. That was the trouble – she had no way of telling whether she was answering a call diverted from the helpline or whether it was someone who wanted to speak to her. It was a conundrum.

Although not that much of one because the phone hadn’t rung for – what – coming up for three hours now anyway. Soon her phone service shift would be over and she could go back to doing her housework or planning her Poetry and a Pint session. In fact, what the heck, why didn’t she do that now? What was she waiting for?

She had barely reached the door when the phone began to ring. SJ stared at it in surprise. She wasn’t imagining it, was she? It was ringing? She took a deep breath and strolled back into the room. This time she was going to get it right. She would be pleasant, polite, with a touch of concern. She would be relaxed, calm, the model helpline attendant. She felt her chest swell a little with pride at the thought. This was her chance to make a difference.

She picked up the phone. “Hello, can I help you?” Oh so simple – why hadn’t she thought of that before?

“Hello,” the girl’s voice was tearstained. “Is that the AA?”

“Yes it is.”

There was a small silence and SJ wondered if she’d sounded sympathetic enough. Maybe she’d been a bit matter of fact, or even abrupt. She sat back down on the sofa, pressing the phone close to her ear. “Are you okay?” she said softly.

“I don’t think I am,” said the girl and now she sounded so scared and so vulnerable that SJ forgot all about herself and how she was coming across and she just wanted to say something, anything that would help – even if it was only for a few moments, a few seconds.

“You’ve done the hardest part,” she said. “You’ve just phoned for help. You’ve made a phone call that could save your life. I know how hard it is to do that. I did it myself once.”

“Did you used to drink a lot then? I mean, really a lot. I don’t just mean wine. I mean, well, bottles and bottles of voddie?” The girl’s voice grew a little fainter and SJ realised she’d drawn away from the phone. She could hear sounds in the background, the clink of a bottle against a glass and the unmistakable glug of liquid.

“Are you drinking now?”

“No,” the girl said. There was a pause and SJ heard her swallowing and the slur in her voice when she spoke again. “No, I’m not drinking. I’m not phoning for myself. I’m phoning about a friend.”

“And is your friend able to come to the phone, honey?”

Another pause to swallow. “No – not really. She’s er… she’s asleep. Maybe when she wakes up.”

“Sure,” SJ said, knowing there was no friend. “So tell me about you. Are you okay?”

There was another long pause followed by a little beep and SJ realised as she held the phone away from her ear again that the display was blank – that the girl had hung up. She sat back on the sofa feeling terribly sad and also a little sick. So her very first call and she’d done nothing. Nothing at all. Somewhere out there was a very scared, very lonely, very drunk young girl and she – SJ – had been utterly powerless to help her.

***

And if you’d like to read on for a mere £1.99 – less than the price of a glass of Chardonnay! Please click here.

Thank you 🙂

***

Bio

Della Galton is a novelist, short story writer, and journalist.  Writing is her passion.When she is not writing she enjoys walking her dogs in the beautiful Dorset countryside where she lives.

Ice and a Slice

The Morning After The Life Before

della

***

Many thanks Della, for a fabulous blog!!!

Happy reading,

Jenny xx

 

 

COVER & BLURB REVEAL- Abi’s House

It’s not long now until my next novel, Abi’s House, will be ready to hit the shelves!

Here is the first glimpse of the cover and blurb!!

Abi's House_edited-1

Blurb

Newly widowed at barely thirty, Abi Carter is desperate to escape the Stepford Wives-style life that Luke, her late husband, had been so keen for her to live.

Abi decides to fulfil a lifelong dream. As a child on holiday in a Cornwall as a child she fell in love with a cottage – the prophetically named Abbey’s House. Now she is going to see if she can find the place again, relive the happy memories … maybe even buy a place of her own nearby?

On impulse Abi sets off to Cornwall, where a chance meeting in a village pub brings new friends Beth and Max into her life. Beth, like Abi, has a life-changing decision to make. Max, Beth’s best mate, is new to the village. He soon helps Abi track down the house of her dreams … but things aren’t quite that simple. There’s the complicated life Abi left behind, including her late husband’s brother, Simon – a man with more than friendship on his mind … Will Abi’s house remain a dream, or will the bricks and mortar become a reality?

 

Pre order links coming soon!!

Happy reading,

Jenny xx

 

Guest Post from Jennifer Young: No Time Like Now

Today I’m delighted to welcome Jennifer Young to my site as part of her brand new blog tour.

Over to you Jennifer…

tourbutton_jenniferyoung

When I launched my current novel, No Time Like Now, with a day-long Facebook party, the most excitable thread of the whole day related to science.

Remember science? Those long, long lessons which always seemed to be on a Friday afternoon; the teacher who nipped into the chemicals cupboard for a quick smoke; the spotty kids at the back who cared nothing about learning and everything for as much disruption as you can possibly cause with the help of a bunsen burner?

Science isn’t like that in my book. “Scientists are totally sexy” cooed one poster. “ They’ve made science cool, so therefore scientists are cool. It only makes sense,” enthused another. Examples of sexy scientists on our TV screens abound. Some of them should probably be blushing.

In No Time Like Now, science is represented by Tim Stone, a smouldering geologist hero whose passions extend beyond rocks and very much towards embracing our heroine, Megan. (She isn’t a scientist, although her rival for his affections is.) But this is romantic suspense so nothing is straightforward.

Tim, proud of being a scientist, is driven by a need to know things. He’s proud of his ability to ask questions, filter the information and find the answers. “I’m a scientist,” he tells the rather more touchy-feely Megan. “It isn’t enough for me to know that things happen — I have to know why they happen. I have to understand how things work, what went right or wrong. That’s what drives me.”

So he’s the smart one the bright one — but she’s the one with the emotional intelligence, the one who understands that there’s more to life than plain fact, that the whole really can be more (or less) than the sum of its parts.

In the event, Tim’s desire for answers leads him into a very tricky situation and he’s dependent on Megan for his rescue. But his lack of emotional intelligence has already dashed their relationship onto the rocks (so to speak).

So there we are. A broken romance but one that a leaves passion still burning. A series of questions with dangerous answers. And the biggest question that Megan has to answer is: do you love him?

No Time Like Now by Jennifer Young

Read on…

Excerpt

When youve finished your coffee, Megan or Catalina will show you your room.

Im going to finish getting the supper ready. Could Cat do it?

Yes, Ill do it.

Tim placed his mug on the worktop. That suited him fine. He didnt particularly want to spend time with Megan either. If its okay with you, perhaps we could go now and I can get unpacked and settled in.

This way. Delighted to help, Catalina led him through the lounge where the briefing meeting was already getting rowdy, into the hall where he retrieved his luggage from among the rest of the kit, and up several half flights of stairs. Im sorry, were really busy this week so we had to put you in the attic.

Itll keep me fit.When shed gone, he dropped his rucksack in the corner and took a look round. It was a nice enough room, not too big but clean and bright, with a comfortable bed and crucially plenty of desk space. He stood for a moment looking out of the window. Checked his phone. Stood and stared out of the window again as he turned things over in his head. And over, and over, because the past was like a snake that just kept rearing its ugly head to strike.

So, Megan McLeod. It was only for a month. And shed made it clear how she was going to handle it, so hed handle it that way, too. Remain polite, always be civil. Give nothing away. And above all, never forgive.

 About No Time Like Now

Hiding away from a disastrous past, Megan McLeod is getting along nicely in her job as housekeeper at a university field centre in Majorca. But the arrival of geological researcher, Tim Stone, throws everything into disarray — because Tim was the father of the baby she lost some years before and the two of them had parted very messily indeed.

As if having Tim on the scene wasn’t bad enough, he’s there with his new partner, Holly. But when in the course of his research he comes upon something extremely nasty along the cliffs of north Majorca, he’s forced to turn to Megan for help.

DON’T MISS THIS GIVEAWAY! –

http://www.rafflecopter.com/rafl/display/8b9ec5be91/

Buy it from:

Tirgearr Publishing

http://tirgearrpublishing.com/authors/Young_Jennifer/no-time-like-now.htm

Amazon US

http://www.amazon.com/gp/product/B00OYFRSGG/ref=as_li_tl?ie=UTF8&camp=1789&creative=390957&creativeASIN=B00OYFRSGG&linkCode=as2&tag=lucyfelt-20&linkId=NPR7KQYM5GOLFW4G

Amazon UK

http://www.amazon.co.uk/gp/product/B00OYFRSGG/ref=as_li_tl?ie=UTF8&camp=1634&creative=19450&creativeASIN=B00OYFRSGG&linkCode=as2&tag=lucyfelthouse-21&linkId=MPO2NS76J5TOUBU6

Smashwords

https://www.smashwords.com/books/view/487736?ref=cw1985

 

About Jennifer Young

Jennifer Young is an Edinburgh-based writer, editor and copywriter. She is interested in a wide range of subjects and writing media, perhaps reflecting the fact that she has both arts and science degrees. Jennifer has been writing fiction, including romantic fiction, for a number of years with several short stories already published. No Time Like Now is her second published novel; her first novel, Thank You For The Music, is also set on the Balearic island of Majorca.

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****

Many thanks Jennifer,

Happy reading everyone,

Jenny x

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