Jenny Kane & Jennifer Ash

Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

Tag: historical fiction Page 5 of 7

Opening Lines: Perception & Illusion by Catherine Kullmann

By

On July 26, 2018

In Blog, Fiction, Historical fiction, Opening Lines Blog, Romance

It’s Thursday! That means ‘Opening Lines’ day is upon us. This week I’m handing over to Catherine Kullmann to share the first 500 words of her Regency period novel, Perception and illusion.

Over to you Catherine…

Thank you for hosting me on Opening Lines, Jenny. About me, very briefly; I was born and educated in Dublin. Following a three-year courtship conducted mostly by letter, I moved to Germany where I lived for twenty-five years before returning to Ireland. I have worked in the Irish and New Zealand public services and in the private sector. I am married and have three adult sons and two grandchildren.

It was only after I took early retirement that I was able to fulfil my long-cherished ambition to write fiction. My books are set in the extended Regency period, a fascinating time when the foundations of our modern world were laid but also when male/female double standards reigned supreme. Married women had literally no rights, their very being or legal existence being suspended during marriage. Historical fiction opens a window to the past that helps us understand and value the present and I particularly enjoy the challenge of having my characters behave authentically in their period while making their actions and decisions plausible and sympathetic to today’s readers.

My novels are generally triggered by “what if?”, “what next?”, or “what happened then?” I always want to know what comes after the first happy end. Perception & Illusion begins with a classic damsel in destress scenario. But what happens when two people who hardly know each other marry? Falling in love is easy; building a trusting, true relationship is not so simple, especially when life, as it tends to, gets in the way of love.

Matrimonial Maps charting the perils and pitfalls of the course of true love were popular in the late eighteenth and nineteenth centuries. I have taken the chapter headings for Perception & Illusion from the legend of a nineteenth century matrimonial map published in Ireland by lithographers Callaghan Bros. Cork. They throw an interesting light on how ‘inclination’ and ‘amour’ were viewed at the time.

Perception & Illusion: Does a fairy-tale ending always guarantee Happy Ever After?

England 1814: Brought up by her late grandparents after the death of her mother, Lallie Grey is unaware that she is their heiress. When her father realises that he will soon lose control of his daughter’s income, he conspires to marry her off to his crony, Frederick Malvin in exchange for a share of her capital. But Lallie has fallen in love with Hugo Tamrisk, heir to one of the oldest titles in England. When Hugo not only comes to her aid as she flees the arranged marriage, but later proposes to her, all Lallie’s dreams have come true. She readily agrees to marry him at once.

But past events casts long shadows. Hugo resents the interest his three elder sisters take in his new wife and thinks they have turned her against him. And then there is his former mistress, Sabina, Lady Albright. As Lallie finds her feet in the ton, the newly-weds are caught up in a comedy of errors that threatens their future happiness. She begins to wonder if he has regrets and he cannot understand her new reserve. A perfect storm of confusion and misunderstanding leads to a final rupture when Lallie feels she has no choice but to leave. Can Hugo win her back? Will there be a second, real happy end for them?

First 500 words of Perception & Illusion

The Great Ocean of Love represents a period of life that all persons are supposed at some time or another to pass.

Lallie knew the instant she set foot in the house that her father was making one of his rare visits to Alwood. It was difficult to define what had changed. The house was quieter, almost unnaturally so and the atmosphere was charged with a peculiar tension.

“Excuse me, Miss Grey.”

John, their only footman, noiselessly closed the door to the servants’ quarters and carefully steadied a tray of decanters and glasses before carrying it to the library. He wore his best livery. Balancing the tray on one hand, he slowly turned the door knob so that it didn’t squeak. Everyone knew that Mr Grey would not tolerate anything less than perfection and more than one servant had been turned off immediately for failing to meet his standards.

It was as if he needed to assert his position as head of the household, despite the fact that he was the most distant of husbands and fathers, Lallie reflected as she hurried to the schoolroom. Her stepmother was not inclined to stand on ceremony at home, but her father would expect his younger children to make a formal visit to the drawing-room before dinner.

Her half-brother James, who was entertaining his younger sisters with stories of his prowess at cricket during the recent summer half, stood awkwardly at her entrance. He had shot up since they had last seen him and was not yet comfortable in this new body.

“Lallie,” he reddened at his new deep tone, “will you help me later with my neckcloth? You know how my father is.”

She smiled warmly at him. “Of course I will. Beatrice and Eleanor, come with me now, if you please. Once you are ready, you may sit quietly in my room while I change my gown. I’ll come to you then, James and we may all go down together.”

 

Robert Grey was a slim gentleman of medium height, his clothes the epitome of restrained perfection. His curly fair hair was clipped close and brushed forward a la Caesar, a modish style that suggested a nimbus of laurel leaves crowning his high forehead. The head so embellished was habitually cocked a little to one side while the faint curve to his lips spoke of a jest that only he could appreciate.

“Good God,” he said lightly, when his son followed his sisters into the drawing-room. “What have we here? A hobbledehoy?”

“Dear James has grown so much, hasn’t he?” Mrs Grey said fondly, ignoring the boy’s furious blush. “It won’t be long before he’s looking down on you, Robert. He takes after my father, of course.”

Lallie bit the inside of her cheek to stop herself smiling at her father’s petulant expression but something must have betrayed her inner amusement and his gaze swung to her.

“I trust you have been behaving yourself, miss.”

He might have been addressing a recalcitrant…

***

Perception & Illusion is available worldwide from Amazon as eBook and paperback, and is free on Kindle Unlimited.  https://nrnk.co/a/B06XRJ2TF9 

You can find out more about me and my other books, The Murmur of Masks and A Suggestion of Scandal on my website www.catherinekullmann.com . There you can view the Matrimonial Map referred to above and, in My Scrapbook, discover historical facts and trivia relating to the Regency. My Facebook author page is fb.me/catherinekullmannauthor 

***

Thanks Catherine. Sounds great!

Don’t forget to come back next week to rad 500 words from Jacqueline Evans.

Happy reading,

Jenny x

Performances in the Great War: Blog Tour with Freda Lightfoot

By

On May 29, 2018

In Blog, Fiction, Historical fiction, Jenny Kane, Romance

I’m welcoming Freda Lightfoot to my place today as part of her Blog Tour for  Girls of the Great War.

Make sure you check out all of the blogs in the tour for your chance to take part in a great giveaway (details below)

Over to you Freda…

Thank you so much for inviting me on your blog. Entertainment was a place where soldiers could escape the harsh realities of their dangerous life. They were always overjoyed to see these performances. Concerts took place to liven up the troops. Two or three concerts a day were often available and most popular. Drama presented a particular challenge: contemporary comedies and romances were played with canteen furniture, and the scenery was often a backdrop of night sky. Violin solos, string quartets, operatic arias, all were performed behind the front lines. It was not unusual for the audience to be in their hospital beds, or wheeled out of the wards, even if rain beat down upon them. Shows were also given on ships, and out in the wild country or desert.

Back in England the war naturally brought a surge in patriotism, both in drama and cinema. Music hall was one of the dominant forms in World War One. Theatre managers, newspaper editors, civic leaders and even clergymen insisted that people wanted cheering up and were not expected or even allowed to use their brains or be presented with serious matter. The war was expected to end by Christmas. Many plays were written about the suffering, but the emphasis was more on the humorous to attract the masses. Soldiers on leave flocked to the theatres with their sweethearts, eager to be amused and entertained. There were many famous performers such as Harry Lauder, Vesta Tilley dressed as a soldier, Gertie Gitana and others, all popular with troops out in the war and for soldiers and their families back home.

After the war, popular tastes began to change. Entertainment then preferred Charleston, jazz and syncopation. Performers would often entertain cinema audiences between films. Queues too would be entertained by dancing dogs or a man playing a banjo or accordion. Then a collection would be taken up for the soldiers and sailors. Benefit performances were held to raise money to entertain wounded soldiers; just as there were Tank Weeks, or fund raising for an ambulance.

In Girls of the Great War, Cecily, having lost the love of her life, eagerly goes to entertain the soldiers in France, filled with the need to help and overcome depression, Her sister, mother and Johnny, a drummer friend, accompanied her, a part of which proved to be a problem. I was inspired to write this because I’d been involved in amateur dramatics for much of my life. I still love the theatre, and have collected many books on the history of it and famous actors. Writing about it was a joy, and I have touched on this theme in one or two others of my books.

*** 

Excerpt of Cecily’s first performance in Girls of the Great War:

There was no proper stage, no curtains, dressing rooms or footlights, but they did have acetylene gas lamps glimmering brightly around the boxes. They worked for hours rehearsing and enduring more instructions from Queenie on what and how they should perform. Cecily suffered a flutter of panic as she became aware of hundreds more men gathering in the audience. A few were seated on boxes or benches, the rest of the area packed with a solid mass standing shoulder to shoulder. Many had been patiently waiting hours for the concert to start. Looking at the state of them it was evident that many had come direct from the trenches where they’d probably been trapped in horrific conditions for months. Those unable to move from their tent pulled the flaps open so that they too could hear the concert.

Heart pounding and nerves jangling, Cecily felt the urge to turn and run as the moment for the concert to start came closer. Was her mother right and she couldn’t sing well at all? Would they roar and boo at her as they had that time at Queenie?

She steadied her breathing, smoothed down her skirt with sweaty fingers and when she walked on stage the men gave a loud cheer of welcome. The excitement in their faces filled her with hope and as she stepped forward to the front of the boxed stage the audience instantly fell silent, looking enthralled and spellbound. She exchanged a swift glance with Merryn, counted one, two, three, four . . . and her sister and Johnny both began to play, sounding most professional. Cecily started to sing:

There’s a Long, Long Trail A-winding.

Into the land of my dreams,

Where the nightingales are singing

And a white moon beams:

As she sang, her fears, depression and worries vanished in a surge of elation, soaring into a new life, and bringing these soldiers pleasure and relief from the war. When the song was over she received a tumultuous applause, cheers, whistles and roars of appreciation from them. Smiling broadly she went on to sing ‘Roses of Picardy’, followed by ‘Pack Up Your Troubles in Your Old Kit Bag’ and many other popular favourites. Most of the Tommies would readily join in to sing the chorus whenever Cecily invited them to do so. Others would weep, as if fraught with emotion because they were homesick and felt greatly moved by this reminder of England. Then would again cheer and roar with happiness at the end, urging her to sing an encore.

‘You are doing quite well,’ her mother casually remarked during the short interval, a comment Cecily greatly appreciated. ‘Now sing some of those jolly music hall songs that I recommended.’

‘Right you are.’

Cecily went on to sing ‘Burlington Bertie From Bow’and ‘Fall In And Follow Me’. These brought bright smiles and laughter to all the Tommies’ faces. She finished with ‘Your King and Country Want You’, bringing forth loud cheers of agreement. How she loved singing to these soldiers. If she hadn’t been a star before, she certainly felt like one now.

Blurb
Cecily Hanson longs to live life on her own terms—to leave the shadow of her overbearing mother and marry her childhood sweetheart once he returns from the Great War. But when her fiancé is lost at sea, this future is shattered. Looking for meaning again, she decides to perform for the troops in France.

Life on the front line is both rewarding and terrifying, and Cecily soon finds herself more involved—and more in danger—than she ever thought possible. And her family has followed her to France. Her sister, Merryn, has fallen for a young drummer whose charm hides a dark side, while their mother, Queenie—a faded star of the stage tormented by her own secret heartache—seems set on a path of self-destruction.

As the war draws to a close and their hopes turn once again to the future, Cecily and Merryn are more determined than ever to unravel the truth about their mother’s past: what has she been hiding from them—and why?

Buy links:

Amazon UK: https://amzn.to/2wKaX2y

Amazon US: https://amzn.to/2rGc528

Bio

I was born in a small mill town in Lancashire. My mother comes from generations of weavers, and my father was a shoe-repairer. I still remember the first pair of clogs he made for me. After several years of teaching, I opened a bookshop in Kendal, Cumbria. And while living in the rural Lakeland Fells, rearing sheep and hens, I turned to writing. I wrote over fifty articles and short stories for magazines such as My Weekly and Woman’s Realm, before finding my vocation as a novelist and became a Sunday Times Bestselling author. I’ve now written over forty-eight novels, mostly sagas and historical fiction, my three latest books, including Girls of the Great War, out in May are published by Amazon Lake Union. I spend warm winters living in Spain, and the rainy summers in Britain.

Website: www.freda@fredalightfoot.co.uk

Facebook: http://www.facebook.com/pages/Freda-Lightfoot-Books/149641371839646

Twitter: @fredalightfoot

Goodreads: https://www.goodreads.com/author/show/448774.Freda_Lightfoot

My Blogspot: http://www.fredalightfoot.blogspot.com/

If you wish to be kept up to date on new titles and contests, sign up on my website http://www.fredalightfoot.co.uk  to subscribe to my Newsletter: I only send out 4 or 5 a year so your inbox won’t be flooded.

*****

GIVEAWAY!

Make sure to follow the whole tour—the more posts you visit throughout, the more chances you’ll get to enter the giveaway. The tour dates are here:  http://writermarketing.co.uk/prpromotion/blog-tours/currently-on-tour/freda-lightfoot-3/ 

ENTER HERE– http://www.rafflecopter.com/rafl/display/8b9ec5be184/?

***

Many thanks for stopping by on your tour Freda!

Happy reading everyone,

Jenny x

How research into a tricky topic creates magic on the page: Viking healing taken a step further

By

On May 18, 2018

In Blog, Fiction, Historical fiction

I’m delighted to welcome Sarah Dahl to my blog today to give us inside information on how she approaches her research.

Over to you Sara…

How research into a tricky topic creates magic on the page: Viking healing taken a step further

“Healer – The Gift of Dreams” is the fifth Tale in the Tales of Freya collection of sensual short stories.

Viking farmer Magnus is plagued by a demon. Since his wife’s death, the dreaded Mara tortures his body and mind. Powerless, he sends for a healer, the unexpectedly young and beautiful Audr … Are her sensual powers and his unleashed virility enough to banish the demon from his bed?

My heroes: the “simple” people

The Tales of Freya are set in the Viking age, and therefore require a lot of research into the period. I’m quite firm when it comes to the historical aspects of daily life and how people lived together then. The big politics and power play bore me. I don’t write kings and queens – my heroes are healers and housewives, warriors and monks. In every Tale I zoom into the lives of “simple people” and their desires and hopes, then give the stories a sensual and erotic twist. In the end, my characters are changed and set on a new path, which doesn’t always have to be a simple Happy Ever After.

Is there an authenticity of emotions?

Authenticity is key. I have trusted Viking age experts and re-enactors at hand to make sure the details are historically correct and events could have happened the way I write them. Even more important and harder to agree on is the psychological aspect, though: What and how did these people probably feel about certain things? What were their morals, expectations, rules of living together? What was their world view? Over time, I became more certain about what makes believable characters here. Luckily, my readers love the stories’ in-depth exploration of emotions and passions just as much as the authenticity to the period. But there is one very central aspect that so far I only touched lightly: Their spiritual world views and thinking.

Embracing the Vikings’ spiritual lives – finally

Because religion and beliefs are a very delicate and hard-to-grasp subject for today’s people (me included), I so far shied away from including too much spirituality in my stories. Yes, gifts to the spirits and gods were common and pagan rituals central to their lives, but: I didn’t want to overload my short stories with too much side-baggage and completely focus on the central plot line. And I admit to some reluctance to interpret too deeply what little we know today of the Viking spiritual lives. But then: as a self-respecting author setting her stories in the Viking age, I couldn’t avoid the topic forever. I didn’t expect it to be central to a sensual short story, though. Until I read a research piece that surprised me.

Sensuality in healing?

In one text about Viking spirituality the author hinted that, in contrast to  our modern religions and healing, Viking healing rituals might very well have included sensual aspects. That of course made me listen up. Sensuality for healing? A hands-on and personal ritual that wasn’t only comforting and physically and mentally healing – but which included sexual aspects? Unfortunately, we don’t know much more. My experts were at a loss, too. Sources are just too scarce to judge. It was just a side note.

Daring to interpret and make it my own

The topic simmered in my writer’s brain, and I came up with the idea of a female healer (most were then female) and how she could create magic … to heal a desperate young man. Born was the story of the devastated Magnus, who, after the loss of his wife and child, is mentally and physically unable to go on with life. He calls for a healer, and instead of the old woman he expected he and the readers are surprised by young and attractive Audr. She sets to work with him, in a sensual ritual that includes his body and mind. But are her powers stronger than his demons? When she is gone, he finds that the greatest gift was always right in front of him …

Research reading as source for inspiration

The inspiration for this story came, as often, from reading a research piece, and thinking it further, wondering what the historical findings said about the people’s lives in that era. The research I had to do for Audr’s healing rituals was great fun, but I had to flesh out and interpret a lot. Sources are thinly spread and much is tinted by today’s views on the world. Which in turn also means a lot of writing freedom. I created a very personal and intimate ritual for Magnus, and something ignites between him and his healer that goes beyond what I imagine would be Audr’s approach with other patients. Audr’s spell is just too strong …

Author bio:

Sarah Dahl lives on the edge of the rural German Eifel and writes historical fiction (novels and short stories) primarily set in the Viking age. She also works as an editor, translates, and coaches new writers in German and English. She is interested in everyday life in bygone centuries and the human stories that may have occurred behind the hard, historical facts. Her author page is: sarah-dahl.com

Links: mybook.to/HealerSarahDahl

Amazon.com: https://www.amazon.com/dp/B07BVWD3YD

Amazon.co.uk: https://www.amazon.co.uk/gp/product/B07BVWD3YD

Author page: sarah-dahl.com/books

***

Many thanks Sarah; great stuff.

Happy reading everyone,

Jenny x

OUT NOW: The Winter Outlaw

By

On April 2, 2018

In Blog, crime, Fiction, Historical fiction, Jennifer Ash, medieval, News, Romance

I can’t quite believe it. This really is a dream come true. My very own series of medieval crime novels is becoming a reality!

Only a few weeks ago I proudly announced the publication of Book One in The Folville Chronicles- The Outlaw’s Ransom. Today I can announce the arrival of Book Two!

The Winter Outlaw is OUT NOW!!

 

Blurb

1329:  It is the dead of winter. The notorious Folville brothers are on edge. There are rumours of an unknown outlaw terrorising the Leicestershire countryside—a man who has designs on the Folville family’s criminal connections.

Determined to stop this usurper in his tracks, Robert Folville unearths a man hiding in one of Ashby-Folville’s sheep shelters. A steward from far-off West Markham in Nottinghamshire, the cold, hungry Adam Calvin claims he knows nothing of any threat to the Folville family. He has troubles of his own, for he is being pursued by vengeful sheriff, Edmund de Cressy, for a crime he did not commit.

Mathilda of Twyford, newly betrothed to Robert de Folville, believes Adam’s story, but with rumours about a vendetta against the family growing, the Folville brothers are suspicious of every stranger.

***

Ever since I did my PhD (on medieval crime and its portrayal in the ballad literature of the fourteenth century), I have wanted to use what I learnt to tell a series of stories. Although I’ve written all sorts of things between 1999, when my PhD finished, and now – I still wasn’t sure it would ever happen.  Yet, here I am! The first two novels – one short – one long – are out in the world!

Book Three of The Folville Chronicles, ‘Edward’s Outlaw’, is well underway. It should be published this coming winter.

In the meantime, I would love it if you took a peep at The Outlaw’s Ransom and the brand new, The Winter Outlaw.

“If you like medieval crime, a hint of romance, and fast paced adventure stories, then this series is for you.”

Buy Links –

You can buy The Winter Outlaw from Amazon and all good book retailers-

UK: http://ow.ly/RsKq30j0jev 
US: http://ow.ly/EvyF30j0jfk  

To help me celebrate my book launch I have a blog tour running from today- 2nd April.

AND

I am holding a triple book launch at the beautiful Liznojan Bookshop in Tiverton, Devon. If you are in the region, it would be great to see you there.

Happy reading,

Jen xx

PRE-ORDER AVAILABLE: The Winter Outlaw

By

On March 18, 2018

In Blog, crime, Fiction, Historical fiction, Jennifer Ash, medieval, Romance

The Kindle edition of ‘The Winter Outlaw‘

(Book 2 of The Folville Chronicles)

Available for pre-order.

The Winter Outlaw

Blurb

1329: It is the dead of winter and the notorious Folville brothers are on edge. There are rumours of an unknown outlaw terrorising the Leicestershire countryside. Could this man be Adam Calvin, who is being pursued for a crime he did not commit?
Mathilda of Twyford, newly betrothed to Robert de Folville, believes Adam’s story. But after
an attack on the household’s trusted housekeeper, it falls to Mathilda to work out who can be trusted and who can’t… With the Folvilles’ past about to trip them up, it’s going to take a level head and extreme bravery if Mathilda and Robert are ever going to make it to their Winter Solstice wedding.

The Winter Outlaw is the sequel to The Outlaw’s Ransom.

***

Pre-order links-

UK-
US –

I hope you enjoy the second of Mathilda of Twyford’s adventures!

Happy reading,

Jen x

The Winter Outlaw

The Winter Outlaw is coming…

By

On March 14, 2018

In Blog, crime, Fiction, Historical fiction, Jennifer Ash, medieval, Romance

You may be thinking it’s one book after another from me at the moment- and you’d be right!

Romancing Robin Hood and The Outlaw’s Ransom have recently flown forth from Littwitz Press. These novels were both re-releases. They have been reedited, recovered and given a whole new lease of life.

Today, however, I can proudly reveal the cover of a BRAND NEW NOVEL.

Isn’t it beautiful!

Not seen before, The Winter Outlaw, is the second book in ‘The Folville Chronicles.’  It follows on from The Outlaw’s Ransom (or Romancing Robin Hood– which includes a slightly briefer version of The Outlaw’s Ransom within its pages).

Continuing the story of Mathilda of Twyford, potters daughter and hostage to the infamous criminal gang, the Folville brothers, The Winter Outlaw, is a non-stop medieval adventure.

So buckle up…because the winter outlaw is coming…

Happy reading,

Jen xx

PS- pre-order links VERY soon x

 

 

Let’s talk about sex. Or not.

By

On March 6, 2018

In Blog, Fiction, Historical fiction, Jenny Kane, News

Today I’m delighted to welcome back Tom Williams to my site to talk about…well…sex actually.

Over to you Tom…

With The White Rajah having just been republished by Endeavour, I find myself thinking once again about sex. As you do.

The thing is that there is a bit of sex in The White Rajah. Hardly any. Rather less than the average romance these days and almost certainly less than today’s Daily Telegraph. It’s all very sweet, and very consensual, because although The White Rajah tells the true story of James Brooke – the man who Conrad based Lord Jim on – and it features pirates and battles and Victorian politics, there is at its heart a love story. And [spoiler alert] there are no female characters.

It turns out that there are people who still get quite agitated about this. Who knew?

Sex in books, it seems, is still a pretty contentious issue. Back in the days of obscenity trials, it was clear what you could and couldn’t write about when it came to sex. Lady Chatterley’s Lover is possibly the most famous example, but other books to run foul of the UK censor included Ulysses, Lolita, The Well of Loneliness, and Tropic of Cancer. Nowadays, though, we (or at least all the nice liberal London folk and the sort of people who read blogs like this) like to mock gently at the poor repressed darlings of yesteryear. Today writers can write, and readers read, pretty much whatever they want to.

Well, as Evelyn Waugh’s Mr Salter might say, ‘Up to a point, Lord Copper.’ For while my literary friends are happy to explore the “thematic explorations of the relationship between surrender and freedom, the nature and demands of love, and the spiritual aspects of sexual desire” in Pauline Reage’s Story of O (thank you Book Rags Study Guides for that gem), there are other readers out there who see the world rather differently. This is from an Amazon review of Leslie Thomas’s The Secret Army:

But we also see a country overflowing with sexual immorality. Yes, s£x [sic] did and does take place, but open oral s£x in streets or respectable married women regularly having multiple partners, even being passed from person to person? Perhaps, but surely very rarely, and not anywhere else as a regular occurrence except in Mr Thomas’ mind, I expect.

The question of how much sex is too much (or too little) is, apparently, a constant concern of publishers. One author I know, whose ‘erotic’ novella seems pretty tame, told me that her publisher had asked her to hold back on the kink, while another, writing a straightforward romance, was apparently told to include more explicit sex.

Adding homosexuality into the picture and some Amazon reviewers are ready to condemn The White Rajah out of hand:

Pity that such an excellent story should be ruined by the sexual obsessions of the author.

I think Tom Williams spoiled a great yarn by introducing a ‘gay’ element into a well known and loved adventure.

At the same time, several reviewers on other sites have complained that I shy away from explicit details. (Apparently I’m not nearly obsessed enough.)

The one disappointment I had, and why I give it three stars rather than four, is that the relationship between the narrator and Brooke is related in very timid detail.  [Goodreads review]

Nowadays the notion that characters don’t have sex and that their bedroom activities don’t affect their broader relationship is simply silly. But how much detail do we need? Even well-known ‘mainstream’ authors often seem to feel the need to describe their heroine’s enthusiastic response to the hero’s thrusting organ, though I would have thought most of us could imagine it for ourselves. At the other extreme, though, we have books that avoid explicit sex but replace it with childish innuendo that I would think many adult readers find much more embarrassing. (I’m naming no names, but I have at least one mega best-seller in mind.)

Obviously, some writers are seeking to shock or excite and, for them, this isn’t a problem. But what about romantic fiction? What about old-fashioned adventure stories? What about literary efforts like Julian Barnes’ dreary Sense of an Ending with its sad little paragraph about masturbation. (Uck!) I was going to say that it was a problem for everyone except children’s writers, but in the age of Heather Has Two Mommies, sensible children’s authors are questioning whether ignoring sex in books for children and young adults is really a good idea.

So: close the bedroom door and leave everything to the imagination? Or bring on the whips and chains and explain exactly what she means when she says that she loves him to death? I’m guessing most of us will go for somewhere in between. But where? I have a friend who was astonished by Fifty Shades because she had never imagined such things. Other friends would regard an evening with the eponymous Christian as a bit on the dull side. How can any author write a book with real characters with real lives that can satisfy all their readers without shocking any of them? And is it even worth trying?

Frankly, I’ve given up worrying about it. If a book with a gay hero is going to horrify you, I recommend my Burke series with a rather aggressively heterosexual bloke having his way with a whole series of women. (I can hear some people tutting, but he was a real person and must have possessed extraordinary charm or stamina or both.) But if you can bear the idea that one of the great heroes of Victorian Britain was almost certainly gay, then read The White Rajah, enjoy the pirates and the politics and share Brooke’s love of Borneo and its people and let the sex look after itself. It generally does.

***

Buy Link-

https://www.amazon.co.uk/White-Rajah-Historical-Brooke-Williamson-ebook/dp/B079VK7V34

***

Bio

Have you ever noticed how many authors are described as ‘reclusive’? I have a lot of sympathy for them. My feeling is that authors generally like to hide at home with their laptops or their quill pens and write stuff. If they enjoyed being in the public eye, they’d be stand-up comics or pop stars.

Nowadays, though, writers are told that their audiences want to be able to relate to them as people. I’m not entirely sure about that. If you knew me, you might not want to relate to me at all. But here in hyperspace I apparently have to tell you that I’m young and good looking and live somewhere exciting with a beautiful partner, a son who is a brain surgeon and a daughter who is a swimwear model. Then you’ll buy my book.

Unfortunately, that’s not quite true. I’m older than you can possibly imagine. (Certainly older than I ever imagined until I suddenly woke up and realised that age had snuck up on me.) I live in Richmond, which is nice and on the outskirts of London which is a truly amazing city to live in. My wife is beautiful but, more importantly, she’s a lawyer, which is handy because a household with a writer in it always needs someone who can earn decent money. My son has left home and we never got round to the daughter.

We did have a ferret, which I thought would be an appropriately writer sort of thing to have around but he  eventually got even older than me (in ferret years) and died. I’d try to say something snappy and amusing about that but we loved that ferret and snappy and amusing doesn’t quite cut it.

I street skate and ski and can dance a mean Argentine tango. I’ve spent a lot of my life writing very boring things for money (unless you’re in Customer Care, in which case ‘Dealing With Customer Complaints’ is really, really interesting). Now I’m writing for fun.

If you all buy my books, I’ll be able to finish the next ones and I’ll never have to write for the insurance industry again and that will be a good thing, yes? So you’ll not only get to read a brilliant novel but your karmic balance will move rapidly into credit.

Can I go back to being reclusive now?

***

Many thanks Tom.

An interesting perspective- and I for one, outside of erotica, agree with the sentiment that sex can get on with itself very well. Of course within erotica (and I do not count Fifty Shades as part of that genre), the attention to – shall we say ‘detail’- has to be more thorough!

Happy reading,

Jenny 

OUT NOW ON KINDLE: The Outlaws’ Ransom

By

On March 2, 2018

In Blog, crime, Fiction, Historical fiction, Jennifer Ash, medieval, News

The Outlaw’s Ransom is OUT NOW on KINDLE!!

Every single book I am lucky enough to have published means a lot to me. Writers talk about ‘putting something of themselves’ into their work – and it’s true. For the months while we are writing a story, we live it- breathe it- sweat over it- and become part of it. This book however- which will become a series of 5 novels called The Folville Chronicles– has a special place in my heart.

For a start, it was inspired by my love of the stories of Robin Hood – but it isn’t about him. It’s about a family who took crime as their way of life in the Fourteenth Century- the Folvilles. The parallels between their real lives and the stories of Robin Hood have not gone unnoticed by historians- including myself. I studied the Folvilles in depth for five years back in the 1990’s- and I knew then that they had a story worth telling.

Writing a novel about the Folville brothers was only a distant dream back then. I had never written anything other than essays and research papers- 24 years later things are rather different… I now have one or two novels under my belt. It wasn’t until I wrote Romancing Robin Hood however, that I felt brave enough to have a go at writing a medieval crime series. Something I was encouraged in by the good folk I met at the last Hooded Man Event in 2016 (A conference/event for Robin of Sherwood fans), where I was selling my earlier novels.

Here’s the blurb…

When potter’s daughter Mathilda is kidnapped by the notorious Folville brothers as punishment for her father’s debts, she fears for her life. Although of noble birth, the Folvilles are infamous throughout the county for using crime to rule their lands—and for using any means necessary to deliver their distinctive brand of ‘justice’.

Mathilda must prove her worth to the Folvilles in order to win her freedom. To do so, she must go against her instincts and, disguised as the betrothed of Robert de Folville, undertake a mission that will send her to Bakewell in Derbyshire, and the home of Nicholas Coterel, one of the most infamous men in England.

With her life in the hands of more than one dangerous brigand, Mathilda must win the trust of the Folville’s housekeeper, Sarah, and Robert Folville himself if she has any chance of survival.

Never have the teachings gleaned from the tales of Robyn Hode been so useful… 

Those of you who have read Romancing Robin Hood, will already recognise The Outlaw’s Ransom. It is the same tale of Mathilda of Twyford that appears within my Jenny Kane novel. However- it has been expanded slightly, with more history added in. The story I must stress- IS THE SAME. If you want a new Mathilda story you will not have to wait long- Book Two of The Folville Chronicles- The Winter Outlaw– will be out next month.

***

Here is that all important KINDLE buy link-

The Outlaw’s Ransom will also be out in paperback very soon.

Happy reading,

Jen xx

Coming Soon from Jennifer Ash/Jenny Kane…

By

On January 3, 2018

In Blog, crime, Fiction, Historical fiction, Jennifer Ash, medieval, News

It is with great pleasure that I can announce that my medieval crime novels have a brand new home.

I am proud to say that my historical side will be represented by Littwitz Press.

The first of my books to be published by Littwitz Press is actually a re-publication.

Romancing Robin Hood – part modern romance/part medieval mystery – has had a re-edit and a face lift. What do you think of this amazing cover?

I was honoured when Nicola Cornick, Chair of the Romantic Novelist Association (not to mention a brilliant historical fiction writer), enjoyed reading Romancing Robin Hood so much that she agreed to endorse my book. Check out that wonderful quote you can see on the cover!

The quote Nicola provided is actually much longer…the full version can be seen on the back of the book…but you’ll have to wait until you’ve purchased it to see it in its entirety!

If you didn’t read Romancing Robin Hood in its first edition form (now unavailable), then you won’t know that this novel was the result of my love of all things ‘Robin Hood’…or should I say… out of my obsession with Robin Hood. Not that I’m like Dr Grace Harper -the protagonist in this novel… Well, not much anyway… (Umm….)

Within Romancing Robin Hood– as the above blurb suggests- there is a secondary story- a medieval mystery. Like before, that story is going to be released soon as a standalone book called The Outlaw’s Ransom. So if modern romance is not for you, but you want to read the historical part, then soon you’ll be able to do just that!

If you do like contemporary fiction however; if you remember 1980’s television fondly- especially Robin of Sherwood – or if you simply like guinea pigs and some light hearted RomCom reading…then keep an eye open for the Romancing Robin Hood buy links. (Coming very soon)

What a great way to start the year.

Happy reading,

Jenny (Jennifer)

PS. The sequel to the medieval half of the story (which follows on from both the crime part of Romancing Robin Hood and The Outlaw’s Ransom) will be out soon too!

 

 

 

 

Carol Mcgrath’s Blog Tour: Historical Fact into Fiction and ‘The Woman in the Shadows’.

By

On August 1, 2017

In Blog, Fiction, Historical fiction, Jennifer Ash, Jenny Kane, News

I’m delighted to welcome Carol McGrath today as part of her blog tour for her brand new release, The Woman in the Shadows.

Over to you Carol…

Historical Fact into Fiction and ‘The Woman in the Shadows’.

Thank you, Jenny, for hosting the second hop on The Woman in the Shadows Blog Tour.

There has always been an expectation for writers of Historical Fiction to provide the reading public with Historical Fact. In fact, the best we generally can do is provide convincing glimpses of the personalities we write, their conflicts and their world. In other words the reader often wants to accept everything written by historical novelists as ‘truth.’

I came to History very young, encouraged by television serials and novels by writers such as Jean Plaidy. I lived it and believed it all, though these writers never claimed to be Historians. We do not write the ‘truth’, nor do Historians much of the time either, but we do attempt, if we are any good, to recreate a believable historical world for the reader. We research, but we incorporate the research into the fabric of the historical lives we recreate. Our aim is to tell a good story and put flesh on the bones of history. We resurrect dead people and give them renewed life. We do not tell the ‘truth’ about these personalities, certainly not consistently, but we try to speculate in an informed way so that we come up with stories and characters that are plausible.

Writing about Elizabeth Cromwell was a huge challenge, my greatest to date. Much is known about her infamous husband, Henry VIII’s minister during the 1530s who found a solution to The King’s Great Matter, engineered Henry’s divorce from Catherine of Aragon and his remarriage to Anne Boleyn. Thomas Cromwell closed monasteries and lined the King’s pockets with rich pickings, and then he brought Anne Boleyn down along with a group of her devoted courtiers, including her brother. What was Elizabeth Cromwell’s marriage really like? What was marriage to such a man? Who was Elizabeth Cromwell?

The events of the 1530s occur outside the remit of The Woman in the Shadows. Elizabeth Cromwell sadly died in 1529. All that is known about her is that she had been married before, had no living children from that marriage and came from a family involved in the cloth trade. We know a little about her mother, father, brother and sister. We know that she was well-off and was raised in Putney, as had been Thomas. The Cromwells owned a fulling mill, a brewery, land on which Walter Cromwell grazed sheep, a smithy and a brewery and pub. Walter Cromwell, the father, was not poor though he may well have been a drunk. Both Thomas and Elizabeth hailed from a trading middling class.

To bring Elizabeth to the page, I took these scant facts and padded them out. I used my knowledge of Thomas Cromwell’s early life, researching in primary and secondary source material. He had returned to England by 1513 after a period in France, Italy and Flanders. He married Elizabeth circa 1514. They had three children by 1520. Thomas was a cloth-man and a self-taught lawyer who worked for The Merchant Adventurers. By 1518 he was involved in land transactions for Cardinal Wolsey, possibly introduced by a relative to Wolsey. He was also, by 1522, drawing closer to court.

I had to look at this world from Elizabeth’s perspective, not that of a twenty-first century woman. I had to know and understand this world with all its warts and delights, misogamy, cruelty, bad smells and wonderful fragrances, its cut-throat poverty and rich merchants, colourful pageants and Saints’ Days. I had to consider the New Learning, Humanism,  that interested the Cromwells and their close friends.

Researching the Cloth Trade was fascinating too. Could Elizabeth have inherited her first husband’s business interests? Could she have been a cloth merchant? Widows could marry as they wished, so could she have married Thomas for love? He never remarried after her death, but could he have had an affair? I did find possible evidence of one, in that he referred to a possible daughter in a will he wrote in the early 1530s, a girl, Jane, who dwelled near Chester and was born around 1520. Did Elizabeth possess emotions as we have them today and if so did they play out differently to the way we react to betrayal in marriage nowadays?  These are a few of the questions I consider in the novel.

I hope I have succeeded in bringing Elizabeth out of the shadows and given her a renewed life, at least in fiction. I hope I have made us think about Thomas Cromwell as he may have been during the years of their marriage and before he climbed the greasy pole of ambition within the Tudor Court. Most of all, if you read it, I hope that you enjoy reading The Woman in the Shadows. Without you there would not be a book.

***

Buy Link

http://tinyurl.com/y85r2zkf 

Social Links

https://www.facebook.com/daughtersofhastings

http://scribbling-inthemargins.blogspot.gr/

http://www.goodreads.com/author/dashboard

http://pinterest.com/carol0275/

www.carolcmcgrath.co.uk

Follow me on Twitter @carolmcgrath

 

Bio

Carol McGrath has an MA in Creative Writing from The Seamus Heaney Centre, Queens University Belfast, followed by an MPhil in Creative Writing from University of London. The Handfasted Wife, first in a trilogy about the royal women of 1066 was shortlisted for the RoNAs in 2014. The Swan-Daughter and The Betrothed Sister complete this best-selling trilogy. The Woman in the Shadows, a novel that considers Henry VIII’s statesman, Thomas Cromwell, through the eyes of Elizabeth his wife, will be published on August 4th, 2017. Carol is working on a new medieval Trilogy, The Rose Trilogy, set in the High Middle Ages.  It subject matter is three linked medieval queens, sometimes considered ‘She Wolves’. She speaks at events and conferences on the subject of medieval women, writing Historical Fiction, The Bayeux Tapestry, and Fabrics, Tapestry and Embroidery as incorporated into fiction. Carol was the co-ordinator of the Historical Novels Association Conference, Oxford in September 2016 and reviews for the HNS.  Find Carol on her website:

www.carolcmcgrath.co.uk.

***

Many thanks for visiting on your tour today Carol. Good luck with your new book. Happy touring!

Jenny xx

 

Page 5 of 7

Previous

Next

Powered by WordPress & Theme by Anders Norén