historical fiction – Page 6 – Jenny Kane & Jennifer Ash

Romancing it medieval style

On February 9, 2017

In Blog, Contemporary Romantic Fiction, crime, Fiction, Historical fiction, Jennifer Ash, Jenny Kane, medieval

Romancing Robin Hood is a contemporary romance all about history lecturer Dr Grace Harper- a woman nuts about Robin Hood (especially the 1980’s television show, Robin of Sherwood).

Not only does Romancing Robin Hood tell the story of Grace’s fight to find time for love in her own busy work filled life, it also contains a secondary story – a medieval mystery that Grace is writing.

In the story Grace is writing, her fourteenth century protagonist, Mathilda, is getting to know the real life outlaw family- the Folville’s- rather better than she would have liked. As well as living with them, Mathilda suddenly finds herself under a very frightening type of suspicion.

Here’s an extract from Mathilda’s story as Grace sits and writes it…

Mathilda thought she was used to darkness, but the dim candlelight of the comfortable small room she shared at home with her brothers was nothing like this. The sheer density of this darkness seemed to envelop her, physically gliding over Mathilda’s clammy goose-pimpled skin. This was an extreme blackness that coated her, making her breathless, as if it was stealthfully compressing her lungs and squeezing the life from her.

Unable to see the floor, Mathilda presumed, as she pressed her naked foot against it and damp oozed between her toes, that the suspiciously soft surface she was sat on was moss, which in a room neglected for years had been allowed it to form a cushion on the stone floor. It was a theory backed up by the smell of mould and general filthiness which hung in the air.

Trying not to think about how long she was going to be left in this windowless cell, Mathilda stretched out her arms and bravely felt for the extent of the walls, hoping she wasn’t about to touch something other than cold stone. The child’s voice that lingered at the back of her mind, even though she was a woman of nineteen, was telling her – screaming at her – that there might be bodies in here, still clapped in irons, abandoned and rotting. Mathilda battled the voice down; knowing it that would do her no good at all. Her father had always congratulated Mathilda on her level headedness, and now it was being put to the test. She was determined not to let him down now.

Placing the very tips of her fingers against the wall behind her, she felt her way around. It was wet. Trickles of water had found a way in from somewhere, giving the walls the same slimy covering as the floor. Mathilda traced the outline of the rough stone wall, keeping her feet exactly where they were. In seconds her fingers came to a corner, and twisting at the waist, she managed to plot her prison from one side of the heavy wooden door to the other, without doing more than extending the span of her arms.

Mathilda decided the room could be no more than five feet square, although it must be about six foot tall. Her own five-foot frame had stumbled down a step when she’d been pushed into the cell, and her head was at least a foot clear of the ceiling. The bleak eerie silence was eating away at her determination to be brave, and the cold brought her suppressed fear to the fore. Suddenly the shivering Mathilda had stoically ignored overtook her, and there was nothing she could do but let it invade her small slim body.

Wrapping her thin arms around her chest, she pulled up her hood, hugged her grey woollen surcoat tighter about her shoulders, and sent an unspoken prayer of thanks up to Our Lady for the fact that her legs were covered.

She’d been helping her two brothers, Matthew and Oswin, to catch fish in the deeper water beyond the second of Twyford’s fords when the men had come. Mathilda had been wearing an old pair of Matthew’s hose, although no stockings or shoes. She thought of her warm footwear, discarded earlier with such merry abandon. A forgotten, neglected pile on the river bank; thrown haphazardly beneath a tree in her eagerness to get them off and join the boys in their work. It was one of the only tasks their father gave them that could have been considered fun.

Mathilda closed her eyes, angry as the tears she’d forbidden herself to shed defied her stubborn will and came anyway. With them came weariness. It consumed her, forcing her to sink onto the rotten floor. Water dripped into her long, lank red hair. The tussle of capture had loosened its neatly woven plait, and now it hung awkwardly, half in and half out of its bindings, like a badly strapped sheaf of strawberry corn.

She tried not to start blaming her father, but it was difficult not to. Why hadn’t he told her he’d borrowed money from the Folvilles? It was an insane thing to do. Only the most desperate … Mathilda stopped her thoughts in their tracks. They were disloyal and pointless…

…Does Mathilda seem miserable and scared enough? Grace wasn’t sure she’d laid the horror of the situation on thick enough. On the other hand, she didn’t want to drown her potential readers in suffering-related adjectives.

No, on reflection it was fine; certainly good enough to leave and come back to on the next read through. She glanced at the clock at the corner of the computer screen. How the hell had it got to eight thirty already? Grace’s stomach rumbled, making her think of poor Mathilda in her solitary prison.

Switching off her computer, Grace crammed all her notes into her bag so she could read over them at home, and headed out of her office. Walking down the Queen’s Road, which led from the university to her small home in Leicester’s Clarendon Park region, Grace decided it was way too hot, even at this time of the evening, to stand in the kitchen and attempt, and probably fail, to cook something edible, so she’d grab a takeaway.

Grateful it wasn’t term time, so she didn’t have to endure the banter of the students who were also waiting for associated plastic boxes of Chinese food, Grace speedily walked home, and without bothering to transfer her chicken chow mein to another dish, grabbed a fork, kicked off her shoes, and settled herself down with her manuscript…

***

Romancing Robin Hood – Blurb.

Dr Grace Harper has loved the stories of Robin Hood ever since she first saw them on TV as a girl. Now, with her fortieth birthday just around the corner, she’s a successful academic in Medieval History, with a tenured position at a top university.

But Grace is in a bit of a rut. She’s supposed to be writing a textbook on a real-life medieval gang of high-class criminals – the Folvilles – but she keeps being drawn into the world of the novel she’s secretly writing – a novel which entwines the Folvilles with her long-time love of Robin Hood – and a feisty young girl named Mathilda, who is the key to a medieval mystery…

Meanwhile, Grace’s best friend Daisy – who’s as keen on animals as Grace is on the Merry Men – is unexpectedly getting married, and a reluctant Grace is press-ganged into being her bridesmaid. As Grace sees Daisy’s new-found happiness, she starts to re-evaluate her own life. Is her devotion to a man who may or may not have lived hundreds of years ago really a substitute for a real-life hero of her own? It doesn’t get any easier when she meets Dr Robert Franks – a rival academic who Grace is determined to dislike but finds herself being increasingly drawn to…

***

Buy Links

Available in e-format and paperback.

Amazon UK- http://www.amazon.co.uk/Romancing-Robin-Hood-Jenny-Kane-ebook/dp/B00M4838S2/ref=sr_1_1?ie=UTF8&qid=1407428558&sr=8-1&keywords=romancing+robin+hood

Amazon.com- http://www.amazon.co.uk/Romancing-Robin-Hood-Jenny-Kane-ebook/dp/B00M4838S2/ref=sr_1_1?ie=UTF8&qid=1407428558&sr=8-1&keywords=romancing+robin+hood

Kobo link – http://store.kobobooks.com/en-US/ebook/romancing-robin-hood

Nook link- http://www.barnesandnoble.com/w/romancing-robin-hood-jenny-kane/1121088562?ean=9781783754267

***

Since I wrote this medieval sub plot to the main romance of the modern part of Romancing Robin Hood, I have rewritten it, expanded it, and re-released it as a separate novella – The Outlaws’ Ransom. This means you have a choice of how to read the story of Mathilda of Twyford.

You can buy The Outlaw’s Ransom here- http://amzn.to/2dr5ZPo

Happy reading everyone!

Jenny Kane xx

So, who the hell are you then?

By Jenny Kane

On October 8, 2016

In Blog, Books For Children, Contemporary fiction, Contemporary Romantic Fiction, crime, Fiction, Historical fiction, Jennifer Ash, Jenny Kane, medieval

Hello, it’s Jenny Kane here – or is it?

This week I was lucky enough to announce the pre-order of my first entirely historical mystery, The Outlaw’s Ransom. As this is a new genre, it comes with a new pen name – Jennifer Ash.

outlaws-ransom-pre

As some of you will know, I also write as two other ‘people’ as well- both for the over 18’s only market…

Then of course, there’s the real me, who occasionally gets a bit lost in translation.

I often get asked questions like – ‘Don’t you get a bit confused?’ ‘Do you have trouble remembering who you’re supposed to be?’ ‘Why not just publish everything under your own name?’

Well – in answer to the first two questions – yes, I do sometimes get confused, and when I am called by my real name I frequently take a few seconds to realise I’m the person being addressed. As to the third question, well- it’s largely a marketing thing, and rather boringly to do with bookshelf spacing, advertising and so on.

crazy

Here’s a quick guide as to who all my ‘ME’s’ are!

Jenny Kane writes RomCom style contemporary fiction – with a hint of romance and a healthy spattering of coffee drinking included. (Tea drinkers are also welcome)

book-pile

Jenny Kane also writes children’s picture books of the very quirky variety. There is no coffee on offer, but cookies are involved by way of compensation.

title-page

Jennifer Ash writes fourteenth century medieval mysteries– also with a hint of romance, but with no coffee whatsoever. There is ale though – lots of ale.

The Outlaw's Ransom

Kay Jaybee writes award winning, full on, adult only, erotica. It has been known to include coffee, although not as a drink.. Enough said… If you wish to learn about Kay, then feel free to visit her at www.kayjaybee.me.uk You should NOT visit Kay unless you are over 18. If you are under 18 and you visit her, you’ll make her very cross- not something I’d advise you doing…

best-of-kjb

There is another ‘ME’, but that name is not shared…ever…

And then of course, there is me. The actual me, who looks remarkably like Jenny and Jennifer and Kay. I can’t tell you that much about her except she works 12 hour shifts as a writer, and goes to work, and runs a house, and has a family (pretty much like every other writer I know).She often has moments of total forgetfulness, is very clumsy, drinks WAY too much coffee, loves Malteasers, and is rather keen on all things Robin Hood…Oh, and she is very happy.

Hope that’s helped you a bit. As to me, well…it’s way to late for any help this end!

Happy reading everyone,

Jenny/Jennifer/Kay/Me xxx

Guest Post from Carol McGrath: Stories that have Influenced my Writing

By Jenny Kane

On July 21, 2016

In Blog, Fiction, Historical fiction

I love this guest post! Carol McGrath has given us a wonderful insight into some of the stories that set her on her own writing path. For me it was Robin Hood who made me pick up a pen, for Carol it was…Well why not grab a cuppa, put your feet up, and come and find out.

Over to you Carol…

The Handfasted Wife The Betrothed Sister

I am delighted to be asked by Jenny to talk a little about books that I have loved in my youth and how these tales inspired me to write- even the novel that I amused myself writing, aged nine years old.

For those reading this, my novels are stories of real historical persons infused with a sense of adventure. I mix real historical characters who are researched with invented characters. The imagined personalities come from deep inside me, from the imaginative pool that grew out of my early reading tastes. Both The Handfasted Wife and The Betrothed Sister, historical novels about the noble women who survived the Battle of Hastings, contain a skald, poet and spy, as their most significant secondary character. His name is Padar.

Padar grew out of my youthful love of the Robin Hood legends, a passion I know that Jenny and I share. Padar owns rebellious characteristics, and becomes outlawed after The Battle of Hastings. Following the Norman Conquest he is constantly in danger. He is a small man in stature, clever, independent and resourceful. When Padar is charged by King Harold to watch over his wife and younger children, after the king’s defeat and death at Senlac, he travels with King Harold’s handfasted wife, Elditha (Edith Swan-Neck) to Ireland where she hopes to reach her sons, help them rebel against Norman rule and reclaim their lands. In The Betrothed Sister, Padar sails with Elditha’s daughter Thea (Gita) into Rus lands where her cousin, King Sweyn of Denmark, has arranged her marriage to a prince of Kiev. Padar, too, finds romance.

Five go to Treasure Island

The earliest novel I attempted to write was based on Enid Blyton’s Famous Five. I was nine years old, recovering from mumps, living with my family in a lonely home in the country. My childhood oeuvre was another adventure for George, Ann, Julian, Dick and Timmy the dog, set in a haunted house in Donegal- one we fantasised about on childhood holidays. The mountains lay behind and the sea in front so there was lots to imagine- lights flashing at night in the mountains, smugglers on the island we could see from the cottage we rented. I wrote in chapters and with pen and ink- laboriously in one of my Dad’s Ministry of Agriculture notebooks. Goodness knows what became of that valiant effort.

Jane Eyre

As an older child, I was influenced by writers such as Jane Lane and Geoffrey Treece. I had to read from my version of The Children’s Crusade out to an inspector who came to my school- another brave attempt to write a short novel. I loved The Rider of the White Horse by Rosemary Sutcliff. It is about Thomas Fairfax, a Parliamentarian military leader during The English Civil War and it gave me an interest in the period. I also read many classics. Jane Eyre was, and still remains my favourite. During my teens, I read everything I could borrow from the library by Jean Plaidy, Anya Seton and Margaret Irwin. Probably Seton’s Katherine stands out as a long-time influence on my writing today.

Katherine

Although my main degree is in English and Russian Studies, Medieval History was my subsidiary subject. It is such a strange world, accessible and inaccessible both, a truly foreign country, yet all around us. I have long enjoyed medieval romance as well as the history which reaches into the early Tudor period with its guilds, feast days, superstition, beautiful manuscript work and so on. I jump forward in time now, however because Thomas Hardy was my specialist English degree subject and he gave me a love for landscape and memorable female characters. Yet I also loved William Faulkner and E.M. Foster. Moreover, I read Pasternak’s Dr Zhivago over and over. It was just so romantic, a novel that contains the perfect mix of sweeping historical event and romance.

Far from the Maddening Crowd

Of course, my early stories were never published. Nor did I ever imagine I would one day be published. It was many, many years later that I began to write seriously. Mine was a long apprenticeship involving an MA in creative writing and an MPhil, short story writing, plays and poetry. Yet, I have never forgotten my very early writing experiences or all those wonderful novels I enjoyed reading in my youth. And so, if Padar has been an enduring secondary character in The Handfasted Wife, truthfully he grew out of my love for Robin Hood and stories of high adventure. I would say that my love of writing and for creativity has its foundations in my early reading and a fabulously imaginative childhood that allowed me so much time to read.

pregnant woman working ***

Carol McGrath lives in Oxfordshire with her family. She has an MA in Creative Writing from The Seamus Heaney Centre, Queens University Belfast, followed by an MPhil in Creative Writing at Royal Holloway, University of London. Her debut novel, The Handfasted Wife, first in a trilogy about the royal women of 1066 entitled The Daughters of Hastings, was shortlisted for the RoNAS, 2014 in the historical category. The Swan-Daughter and The Betrothed Sister followed to complete this best-selling trilogy. Carol is the co-ordinator of the Historical Novels Association Conference Oxford September 2016. Find Carol on her website:

www.carolcmcgrath.co.uk.

Thank you Carol. It never ceases to amaze me the reach that some stories (in our cases, those of Robin Hood), have. Writing something that touches generations of people must be a truly magical feeling.

Happy reading everyone,

Jenny x

Guest Post from Jane Jackson: The Master’s Wife

By Jenny Kane

On July 11, 2016

In Fiction, Historical fiction

I’m delighted to welcome one of my fellow Accent authors to the blog today. Jane Jackson is a truly excellent writer, and an all round lovely person. She is here today to share some of the background to her novel, ‘The Master’s Wife.’

Over to you Jane…

When Caseley and Jago Barata’s two young sons die in an epidemic while he’s away at sea, her grief and his guilt create an unbridgeable chasm between them.

Believing he failed his wife when she needed him most, Jago cannot turn to her for comfort. Seeking escape from his guilt he takes up with his former mistress, devastating Caseley when she finds out.

Aware of Jago’s undercover work in Spain, and deeply anxious that increasing unrest in Egypt could lead to war, the British Treasury asks him to carry £20,000 in gold to Egypt to bribe the largest Bedouin tribe to fight on Britain’s side.

What had caused the unrest? Ambitious to make Egypt more like Europe, Khedive Said then his heir and nephew Ismail had raised money for their expansive but poorly-planned schemes through crushing taxation. When that wasn’t enough, they took out huge loans at high interest rates from British and European banks.

By 1876 Egypt faced bankruptcy. Anxious to protect its 44% share in the Suez Canal, Britain demanded – and was granted- joint financial management of Egypt with France. Ismail was deposed in favour of his son Prince Tewfiq, and left for exile in Naples on a train loaded with gold, objets d’art, jewels and furniture.

The poorest Egyptians saw little improvement in their lot. They toiled for overseers employed by large landowners and too often had to choose between buying seed for their own small plots, or a length of cloth to replace the rags that were all they had to wear.

Wilfully blind to their own part in fuelling the upsurge of anger, the ruling elite refused to believe that the fellahin would ever rebel. But the Egyptian poor, who did not want their country ruled by Turks or by Europeans, had found a charismatic leader in Egyptian-born Col. Ahmed Arabi. (There is a saying that those who don’t learn from history are condemned to repeat it, and I see painful similarities between these events and our current situation)

Jago’s mission to Egypt would take him away from home for at least three months. Desperate to escape a house filled with memories, Caseley pleads to go with him. He is reluctant, concerned for her safety. But she demolishes his argument by pointing out that for her the worst has already happened so what has she to fear? Besides, the official language in Alexandria is French which she speaks and he doesn’t. if only for this he needs her.

The Master's Wife

Because I’m a plotter, I had mapped out the story’s route. But Caseley and Jago are strong people and once the journey began they took over, reacting in ways I hadn’t planned or expected. This led to unforeseen consequences. It was as much an adventure for me as it was for them. I lived the events with them. I laughed, wept and had my heart in my mouth more than once. Would Jago fulfil his mission? Could he and Caseley find a way back to each other?

***

Excerpt:

Gesturing towards an alcove screened from the cabin by the folds of a thick dark curtain, he moved to the open doorway. ‘You know your way around. I want to get underway.’

‘Yes, of course.’

They were husband and wife and as wary as strangers. He disappeared and she heard his boots clang on the chased brass treads of the companionway. Alone now she pressed a gloved hand to her dry throat as her heart thudded. Not too late…With all her heart she hoped so.

Everything was as she remembered: the table designed to fit the narrowing stern and edged with a wooden lip to prevent things sliding off. The shelf above filled with books and sea junk secured by a beautifully turned fiddle rail. The shallow brass lamp suspended beneath the open skylight.

Her gaze moved from the clock and barometer to the squat stove standing on its protective metal plate in front of the forward bulkhead and bracketed by a full coal-bucket and basket of logs.

Through the open skylight came the sounds of a ship making ready for sea: the rattle of blocks, snapping canvas, and the crew’s banter. Six years had passed since her last trip and it was exactly as she remembered.

She crossed to the sleeping alcove. Pushing back the curtain she saw the nightstand. Beneath a hinged lid was an enamel basin. A cupboard underneath held a chamber pot. Light fell across the bed and her breath caught in her throat.

Immediately after proposing to her, Jago had instructed Hammer to widen the narrow berth so it would comfortably accommodate them both. She had made a mattress to fit and bought new blankets. In that small private space they had discovered each other, shared their pasts and talked of their plans for the future. Their elder son had been conceived there. She had slept in Jago’s arms, safe, loved, until her advancing pregnancy had made it uncomfortable and unwise.

The berth had been reduced to its original size. Rejection stung like a slap. She lifted the blankets and saw the mattress had been made smaller. Their time together, her presence here, her part in his seafaring life, he had erased it all. She had believed herself numb to further pain. She wasn’t.

***

You can buy The Master’s Wife from all good retailers, including- : https://www.amazon.co.uk/Masters-Wife-Captains-Honour-Book-ebook/dp/B01DPSLP5C

***

JanepinkRS

Bio

I have lived in the same Cornish village nearly all my life.

My first book, a romantic thriller, was published in 1982. After four medical and ten contemporary romances for Harlequin as Dana James published worldwide I began writing longer historical romances. Of the fourteen published as Jane Jackson some remained Cornwall-based, others – set in the C18th and C19th – ventured to foreign shores while maintaining strong Cornish links. After joining the RNA in the early 1990s I reached the shortlist for the Romantic Novel of the Year Award with Eye of the Wind in 2002, and was shortlisted for the Historical Prize in 2010 with Heart of Stone, and in 2016 for The Consul’s Daughter. Crosscurrents published in 2016 was shortlisted for the Winston Graham Historical Prize. The fourth in my ‘Polvellan Cornish Mysteries’ series, Secrets and Lies written as Rachel Ennis was published in April.

Teaching the Craft of Novel Writing for over twenty years from Ad. Ed. to MA level has been both a pleasure and a privilege. Ten of my former students are now multi-published novelists.

www.janejackson.net

www.facebook.com/JaneJacksonAuthor

www.facebook.com/PolvellanCornishMysteries

***

Many thanks Jane, wonderful blog.

Happy reading,

Jenny x

Guest Interview with Catherine Hokin: Blood and Roses

By Jenny Kane

On April 1, 2016

In Fiction, Historical fiction, Interview

I’m delighted to welcome historical fiction author, Catherine Hokin, to my site today. Why not pop the kettle on, fetch a cuppa, – maybe a slice of cake- and sit down for five minutes to read about Catherine’s latest novel? I have to say, it sounds fantastic.

coffee and cake

What inspired you to write your book?

Blood and Roses tells the story of Margaret of Anjou (1430-1482), wife of King Henry VI, and her pivotal role in the Wars of the Roses. As a child, my father ran a war gaming society (in the days when this actually involved a sand table and little soldiers) and the members were obsessed with the Wars of the Roses and the people involved – to the point where I started to think some of the characters were actually still alive. Among all the people they argued about (and they argued a lot), it was Margaret of Anjou who captured my imagination because they loathed her! Then I met her in the Shakespeare version which depicts her almost as a devil – as a contrary teenager, anyone who could engender this much fury (especially among men) was definitely worth my attention. Then at university, as part of my History degree, I wrote a thesis on medieval politics, witchcraft and propaganda and there she was again. She’s an itch I’ve long wanted to scratch!

CHokin- Blood

Do you model any of your characters after people you know? If so, do these people see themselves in your characters?

Not people I specifically know although I did draw on character traits from Claire Underwood in House of Cards and Alicia Florrick in The Good Wife who I would say are very modern Margarets. I don’t tend to use people in my life but I do draw on relationships. The dynamic between Margaret and her son Edward is key to the book – particularly from the viewpoint of how to raise a strong boy and then let him go, even if the path he chooses is dangerous. I have a son who was 18 when I was writing this and I really drew on our relationship. He thought that was great till he read the death scene…

claire

What type of research did you have to do for your book?

Detailed research is essential to give novels like this credibility – there are a lot of expert readers out there! So the research was extensive and took nearly 2 years – I read everything I could about the time period and the characters, including non-fiction books by other authors and contemporary chronicles written during/shortly after Margaret’s life. You have to read widely to get the different perspectives and find the gaps in the facts where the story starts to grow. I loved researching the really gory battles (the exploding teeth as a result of head injuries at Towton was fascinating) as much as the food and clothing! But you have to be careful not to overwhelm the reader – a lot of what I read came down to 2 or 3 words in the actual novel. And I can now pretty much calculate any distance in terms of how long it takes a horse to get there!

Henry VI – Part 3, Act 2

What excites you the most about your book?

Hopefully what has certainly gripped some of the reviewer’s imaginations! There has always been speculation about who was the father of Margaret’s son. Her husband Henry was essentially a monk and Prince Edward was born 8 years into the marriage. There have been candidates out forward but none of them are believable when you consider Margaret’s character – rather like Elizabeth I, I don’t believe she would have been foolish enough to have an affair that would have threatened her power. So, I looked for the gaps in the facts and found something: at a crucial point in the conflict, Margaret’s army was refused entry to London by her supposed friend, Jacquetta Woodville. The betrayal is stated everywhere but not explained – I had my story…

If you were stranded on a desert island with three other people, fictional or real, who would they be and why?

My first instinct was to say Richard Armitage, Tom Hiddleston and Bruce Springsteen but that’s not what I think you mean so…

I would have said Margaret so I could find out if my take on her life is as realistic as I wanted it to be but I think she would be terrifying so I’ll leave her behind. First of all, I need a good cook (I like to eat) so I’m going to choose the fabulous Julia Childs as long as she was played by Meryl Streep (I know that’s a 2 in 1 but it’s my fantasy). I imagine I might be there a long time so I need someone with a wealth of fascinating stories so I’m going to choose my favourite author, Gabriel Garcia Marquez – this hopefully means that I will also finally learn Spanish which I’ve been meaning to do for ages. And finally, I need someone who would add a bit of spice to the whole thing so I’m choosing Adam from my favourite film ‘Only Lovers Left Alive’. He’s a vampire which is a bit of an issue but maybe fish blood will be ok and at least he won’t eat the food stocks, he’s a great musician so there’s the entertainment sorted and he’s played by Tom Hiddleston…

Links:

https://www.catherinehokin.com/

http://catherinehokin.blogspot.co.uk/

https://www.facebook.com/cathokin/

Twitter @cathokin

CHokin

Bio:

Catherine is a Glasgow-based author whose debut novel, Blood and Roses was published in January 2016 by Yolk Publishing. The novel brings a feminist perspective to the story of Margaret of Anjou (1430-1482, wife of Henry VI) and her pivotal role in the Wars of the Roses, exploring the relationship between Margaret and her son and her part in shaping the course of the bloody political rivalry of the fifteenth century. Catherine also writes short stories – she was 3rd prize winner in the 2015 West Sussex Writers Short Story Competition and a finalist in the Scottish Arts Club 2015 Short Story Competition. She regularly blogs as Heroine Chic, casting a historical, and often hysterical, eye over women in history, popular culture and life in general. She is profiled in the March 2016 edition of Writing Magazine. For 2016 she has been awarded a place on the Scottish Book Trust Author Mentoring Programme to develop her second novel. In her spare time she listens to loud music, watches far too many movies and tries to remember to talk to her husband and children.

***

Thank you such a wonderful interview Catherine.

Happy reading everyone,

Jenny x

My First Time: Tom Williams

By Jenny Kane

On February 17, 2016

In Blog, Fiction, Historical fiction, Interview

My new fortnightly blog series, talking about authors first publishing experiences, continues today with a geat interview from historical novelist, Tom Williams.

First Time

My First Time

I can’t remember the first story I ever wrote. For this blog we’re not supposed to include stories we were made to write at school, but I loved writing stories at school. I wrote stories, poems, essays … I wrote anything and everything. I’ve always enjoyed writing.

When I was a teenager I decided I’d like to write short stories for publication. I bought loads of women’s magazines and read them and then tried to write something that would fit their market, but I never cracked it. This was in the days before word processing so I got individually typewritten rejection letters. I remember they were often on very small sheets of paper. Presumably they sent so many of them out that using small sheets meant a real saving.

That was when I started my world-class collection of rejections. I’ve still got a lot of them, hidden in a box in the loft.

Eventually I grew up (more or less), got a job, got married, and got a life (not necessarily in that order). I’ve always been incredibly jealous of people who can organise their writing round work/marriage/hobbies. I’ve never been able to. I think it’s even harder when, like me, you do a lot of writing in the course of your work. I more or less gave up writing fiction for years but then decided that I would take time out and try and produce the novel I had always dreamt of. It took me almost a year and it attracted the interest of quite a well-known agent who sent me to an editor. I was still very young and had absolutely no idea of how lucky I was to get that far. Instead of persevering, I got increasingly frustrated until the editor suggested that I should rest the book, do something else, and come back to it. I rested it for over twenty years before I decided to have a crack at another novel. When I thought about what I wanted to do, I realised that I could take the story that I had tried to tell all those years ago and twist it round to tell it from another direction. This is the book that eventually became The White Rajah. Yet again, it did find an agent, but, though he sent it to several major publishers all of them politely declined it. It was, they said, a “difficult” first novel. Why not write something more commercial and then tried to sell The White Rajah once I was established?

The White Rajah2

I obediently went off to write something “more commercial” (it eventually became Burke in the Land of Silver) but I was beginning to think that I would be cold in my grave before The White Rajah ever saw publication. Then I saw that a tiny US indie publisher, who specialised in novels for the gay community, was looking for historical works. I had a suspicion that one of the things that made The White Rajah “difficult” was that it featured a love story but also a pronounced absence of any female characters. I decided that a niche indie publisher was probably the way to go so The White Rajah finally saw publication.

[Scrabbles desperately around and finds Jenny’s interview questions. Tries to pull himself back on track.]

What effect did that have on your life?

In practical terms, not a lot. I think everybody imagines that their first published book will change their lives, but it’s very rare that it does. It got some nice reviews and enough people bought it for JMS to ask me to produce a sequel so I did. That was Cawnpore. For what it’s worth, I think it’s the better book, but I’m happy to have written both of them.

Cawnpore_edited-1

Does your first published story reflect your current writing style?

Yes and no. I finally took the advice I had been offered years earlier and tried to write something more commercial. So I’ve written three books about a (very) heterosexual spy in the time of Napoleon and am working on a fourth. Apart from the fact that these are historical novels, they have practically nothing in common with the first two books. At the same time I produced another book in the original series, Back Home, which will be published by Accent in April. That’s totally in the style of the first two. It was never originally conceived as a trilogy, but it has worked out very naturally. The three books have different subjects but they are all seen through the eyes of John Williamson. We meet him first as a young man setting out from England for adventures in the Far East and then, in Cawnpore, as an established figure in British colonial administration who sees everything he has worked for being destroyed in the Indian Mutiny. The final book sees him back in England, closing the circle of his life. It’s fair to say that they’re not cheerful, but I honestly think they’re worth a read.

What are you working on at the moment?

Another book about my spy, James Burke. This time he will be fighting in the Peninsular War.

Tom Williams

Bio

Tom Williams used to write about boring things for money. If you wanted an analysis of complaints volumes in legal services or attitudes to diversity at the BBC, then he was your man. Now he writes much more interesting books about historical characters and earns in a year about what he could make in a day back then. (This, unfortunately, is absolutely true.) He also writes a blog (http://thewhiterajah.blogspot.co.uk/) which is widely read all over the world and generates no income at all. Besides making no money from writing, Tom makes no money out of occasionally teaching people to tango and then spends all the money he hasn’t made on going to dance in Argentina.

Please save Tom from himself and buy the bloody books.

Here are links to the published stories about John Williamson.

The White Rajah: myBook.to/WhiteRajah

Cawnpore: myBook.to/Cawnpore

Back Home will be published in April.

TW1 Burke at Waterloo

And here are the stories about James Burke.

Burke in the Land of Silver: myBook.to/LandofSilver

Burke and the Bedouin: http://mybook.to/Bedouin

Burke at Waterloo: myBook.to/BurkeWaterloo

Burke in the land of silver

Many thanks Tom. Great interview!

Happy reading everyone,

Jenny xx

Interview with Nicola Cornick: House of Shadows

By Jenny Kane

On November 18, 2015

In Blog, Fiction, Historical fiction, Romance

I’m delighted to welcome fellow writer and RNA member, Nicola Cornick, to my site today to answer a few questions about her latest historical romance. So why not take a break, grab a cuppa, and have a read.

What inspired you to write your book?

The inspiration for House of Shadows came from my love of history and the work I do for the National Trust at Ashdown House, a 17^th century hunting lodge with an amazing history. Over the years I have researched so many fascinating aspects of the house and the family who owned it that I knew I had to write a book about it. However the inspiration also came from my own love of reading books with an element of the supernatural in them. I’m intrigued by ghost stories, reincarnation, time slip, magic… I wanted to explore those ideas in a book and House of Shadows was the result!

Do you model any of your characters after people you know? If so, do these people see themselves in your characters?

I think that like a lot of authors I take aspects of the characters of people I know and use them in my writing but I also change a lot of things about the character as well so they are a work of imagination. In House of Shadows there is a character that is based on a very dear friend of mine but only “half” of her. Fran, in the story, is expressive, extrovert and endearingly tactless whereas the friend I modelled her on is very expressive but also discreet and thoughtful.

Whilst researching House of Shadows I was intrigued to discover that no lesser author than Jane Austen had apparently used one of the historical figures I was drawing on as the inspiration for a character in Sense and Sensibility. I think authors are like magpies in that respect. We pick up bits and pieces of inspiration all over the place!

What type of research did you have to do for your book?

I did a lot of research and loved every minute of it! I read a lot of contemporary writing from the 17^th century, including Elizabeth of Bohemia’s correspondence and various sets of memoirs that referred to her. I love reading letters because it does give you an insight into the minds of the people who wrote them and feels very personal. I also used a lot of material objects to research the book, especially portraits for the details of things like clothes and jewellery. For the 19^th century thread of the story I read about all sorts of things from the lives of courtesans to the work of the Ordnance Survey in mapping England during the Napoleonic Wars!

Which Point of View do you prefer to write in and why?

I’m most accustomed to writing in the third person but for one of the strands in House of Shadows I wrote in the first person and enjoyed it very much. I felt as though I got deeper under the skin of the character – or more closely into their mind. My current manuscript has a dual timeframe and one of those is also in the first person. I’m definitely getting a taste for it! It feels very immediate and real to me.

If you were stranded on a desert island with three other people, fictional or real, who would they be and why?

Ha! Great question! Being stranded on a desert island is a bit different from choosing dinner party guests – I think I’d need people who were resourceful as well as interesting since I’m not very practical myself. I’d go for Florence Nightingale, Prince Rupert of the Rhine and The Frenchman from Daphne Du Maurier’s Frenchman’s Creek!

***

Links

www.nicolacornick.co.uk

https://twitter.com/NicolaCornick

https://www.facebook.com/nicola.cornick/

Bio

Nicola Cornick is an international bestselling author of historical romance and historical fiction. She has lived in Oxfordshire for 20 years and draws her inspiration from the myths and history of the local landscape.

Nicola became fascinated with history when she was a child, and spent hours poring over historical novels and watching costume drama. She studied history at university and wrote her master’s thesis on heroes and hero myths. In her spare time she works as a guide in the 17^th century hunting lodge, Ashdown House. She also acts as a historical advisor for television and radio.

***

Many thanks for a great interview Nicola,

Happy reading everyone,

Jenny xx

Medieval Crime within a Contemporary Romance: Romancing Robin Hood

By Jenny Kane

On April 16, 2015

In Blog, Contemporary Romantic Fiction, crime, Historical fiction

Romancing Robin Hood is a contemporary romance all about history lecturer Dr Grace Harper, who is nuts about Robin Hood and the historical outlaws that may have inspired him. So not only does Romancing Robin Hood tell the story of Grace’s fight to find time for romance in her busy work filled life, it also contains a secondary story about the fourteenth century criminal gang Grace is researching- the Folvilles. This family, based in Ashby-Folville in Leicestershire, were a group I researched in-depth as a student many moons ago.

In the novella she is writing, Grace’s fourteenth century protagonist Mathilda is getting to know the Folville family rather better than she would have liked. As well as living with them, she suddenly finds herself under a very frightening type of suspicion.

I must confess I’m rather enjoyed weaving this sub plot around the main romance of the modern part of Romancing Robin Hood.

In my last blog I shared a little of the modern side of my time slip novel, Romancing Robin Hood. Today I thought I’d share a little of the medieval side of the tale.