Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

Tag: novel Page 9 of 16

Interview with Julia Roberts: Liberty Sands

It’s interview time today, and I’m delighted to welcome Julia Roberts to my blog. This is an excellent interview- I advise you to pop your feet up for five minutes to join us for a chat and a cuppa. What an amazing life!

Over to you Julia…

coffee and cake

What inspired you to write your book?

I have to be honest and say that it was a holiday to the beautiful island of Mauritius. I had been receiving treatment for almost a year for a type of leukaemia and the medication, whilst working effectively to bring the condition under control, made me very tired. What was needed was a relaxing ten days in paradise but on the first morning of the holiday I sat on the beach under the shade of a straw parasol, the sound of the waves crashing on the distant reef and the seed of an idea for a novel started to grow. Over the course of the holiday I lived and breathed the story and the characters, as did my poor long-suffering other half, and by the time we were waiting at the airport for the journey home I had the plot for not just one book, but the entire Liberty Sands trilogy. Book one, Life’s a Beach and Then… begins in Mauritius and the final book, It’s Never Too late To Say… concludes there, so it comes full circle.

Do you model any of your characters after people you know? If so, do these people see themselves in your characters?

A lot of people have said that two of the characters in Life’s a Beach and Then… reminded them of me. Rosemary is a sixty year old ex-dancer who has CML, but there the similarity ends, and Holly is like me in looks but twenty years ago. I think Holly’s son Harry was definitely modelled on my own son and our relationship, whilst the character of Amy has a lot of my daughter in her. I guess the answer to that question has to be a resounding yes – it’s a good job I know a lot of people.

51Y9K+POZOL._SY346_

What type of research did you have to do for your book?

All of my books to date have included far flung destinations as my main female character, Holly, is an undercover travel blogger. Fortunately I have travelled to all the places I have written about, either on holiday or for work, apart from Cuba which I had to rely on my daughter’s experience of. One of my characters in the first book had Chronic Myeloid Leukaemia, which I have firsthand experience of but in the final part of the trilogy I had to rely on the internet for my research into alcohol induced dementia.

Which Point of View do you prefer to write in and why?

At the moment all my writing has been in third person close. I like getting inside the heads of the various different characters. I hope as my writing skills improve I will feel confident enough to experiment and write in first person but obviously it will depend on the plot.

Do you prefer to plot your story or just go with the flow?

I like to have a general outline of the story rather than just sitting down to write but I have found with all three of my novels that some of the best passages of the book have just come to me during a writing session, almost as though they are being given to me. Sorry if that sounds weird.

What is your writing regime?

I have a full time job working as a presenter on QVC which means I don’t have as much time to write as I would like. My shift pattern is that I work eight days out of nine, which is tough, but I then get a five day break – these are my writing days, my creative days, although I don’t mind doing a bit of editing before or after my QVC commitments.

What excites you the most about your book?

Sharing it with my readers and getting their feedback. There is nothing better than when someone is so engaged in the story that they will come up to you and start talking about your characters as though they are real people. I remember one of our QVC guests, Gill, coming up to me and saying, ‘Don’t you let anything happen to my Rosemary.’ I had to avoid her for about a week after that.

untitled

If you were stranded on a desert island with three other people, fictional or real, who would they be and why?

Tom Hanks – he’d have some great anecdotes from all the movie stars he’s worked with and he might be quite useful at surviving based on his role in Castaway.

Bear Grylls – because he really does know how to survive in extreme conditions.

And the other Julia Roberts – just because I would like to meet her.

***

Links-

My twitter is @JuliaRobertsQVC

My Facebook page is www.JuliaRobertsTV

My current webpage is   www.juliarobertsbooks.co.uk  BUT we are currently working on a new website which should be up and running before this goes on your blog   www.juliarobertsauthor.com

My current WIP is a short story which will be available to download free on my new website.

https://www.amazon.co.uk/Lifes-Beach-Liberty-Sands-Trilogy-ebook/dp/B00X8U1M9C

https://www.amazon.co.uk/gp/product/B017V6PMZI/ref=series_rw_dp_sw

https://www.amazon.co.uk/Never-Late-Liberty-Sands-Trilogy-ebook/dp/B01FOFAUOQ/ref=pd_sim_351_1?ie=UTF8&dpID=515QlVN3-BL&dpSrc=sims&preST=_UX300_PJku-sticker-v7%2CTopRight%2C0%2C-50_OU02__BG0%2C0%2C0%2C0_FMpng_AC_UL160_SR105%2C160_&psc=1&refRID=MQ347317FRQBNYX9RGGG

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Julia Roberts QVC

Julia Roberts is probably best known as the trusted face of the UK’s most successful shopping channel, QVC, but she had enjoyed a rewarding and varied career in the entertainment industry for many years prior to launching the channel in 1993.

She was born in Nottingham in 1956. At fourteen months old she contracted the deadly disease Polio which left her fighting for her life and subsequently hospitalised for five months. Swimming and dancing lessons, which helped her to walk without the aid of a calliper, have both played an important role in her later life.

Julia started her professional career at the age of 16 as a dancer in a summer show in Guernsey. This was followed by pantomimes in Leeds, Croydon and Watford as well as further summer seasons in the Channel Islands. Deciding to leave the UK and see a bit more of the world, she danced on cruise ships, in a theatre show in Barcelona, and performed as a singer/dancer in a cabaret show in Hong Kong. In 1980 Julia appeared in The Song for Europe as part of a band called The Main Event performing alongside Cheryl Baker, who went on to join Buck’s Fizz the following year while Julia signed a record deal with her band Jools and the Fools before moving into television.

Having featured in various TV commercials, notably the Woolwich Building Society and Head & Shoulders shampoo, and small television acting roles in Citizen Smith and Doctor Who, Julia became a hostess on the first and second UK series of the hit American game show, The Price is Right. This was followed by becoming a member of the ‘Hit Squad’ on comedy series Beadles About before she took a short career break to have her two children.

Presenter

It was during this break in her career that Julia decided to try her hand at presenting. Her first presenting job was for Vauxhall motors at the 1989 Motor Show at Olympia during which she was approached and offered a job presenting several weekly ‘magazine’ style shows for her local television channel in Croydon. One of these was called Palace Chatback and led to her passion for Crystal Palace Football Club, a team she still supports today. In addition to this show, Julia has produced and presented several features for Sky Sports.

In 1993 Julia successfully auditioned to become a Presenter for a new shopping channel, QVC, and appeared in the opening sequences which launched the channel with co-presenter, Jon Briggs. Little did she know that this was the start of a long, successful career with the channel which now boasts over 25 million viewers in the UK alone, with over 1 million active customers. Throughout this time, she has shared the screen with many famous names, including the likes of the late Joan Rivers, Marie Osmond, Sir David Attenborough, Joan Collins and Lulu, to mention a few.

Writer

Julia has now written and released 4 books. Her first book, a memoir entitled One Hundred Lengths of the Pool, was published in 2013 by Preface Publishing for Random House and sold out of 5000 hardback signed copies exclusively on QVC. The title of this book was inspired by her battle against polio in her early years, and the huge part that swimming played in allowing Julia the chance to walk unaided. A percentage of proceeds from her book sales were donated to the End Polio Now campaign as well as the British Polio Fellowship.

Close to completing the finishing touches to her first book, Julia was faced with a new health challenge. She was diagnosed with a rare type of blood cancer, Chronic Myeloid Leukaemia. After such a tough year continuing to work full-time at QVC, signing her book deal, and battling her new illness, Julia needed some R&R so booked a much needed holiday for herself and her partner, Chris, to a place she had always longed to visit, Mauritius.

On the first morning of the holiday Julia had an idea. Using her recent experience of Chronic Myeloid Leukaemia as a basis for one of her main characters she began to write her debut novel Life’s a Beach and Then… she donates a percentage of profits from this book to the charity Bloodwise (formerly Leukaemia & Lymphoma Research).

Julia published Life’s a Beach and Then…, part one of the Liberty Sands trilogy, in May 2015, followed by If He Really Loved Me… in November 2015 and the final part of the trilogy, It’s Never Too Late To Say… in May 2016. All three books have featured in the top 100 Amazon Kindle Romance charts and enjoy an average 4.8 star rating from more than two hundred and fifty customer reviews.

Now living in Berkshire with Chris, her partner of 38 years, Julia divides her time between QVC, writing, Pilates, attending Crystal Palace matches and supporting the two charities that she holds close to her heart; British Polio Fellowship, for whom she is an ambassador, and Bloodwise.

***

Wow!! What a CV!!!  Many thanks for joining us today Julia.

Happy reading everyone,

Jenny xx

 

 

 

 

Interview with Marie Evelyn: The Turtle Run

It’s interview time at my blog today, and I’m delighted to welcome Marie Evelyn to the chair. Let’s pop the kettle on- but how many cups are we going to need/

Over to you Marie…

coffee and cake

What inspired you to write your book?

The Turtle Run was inspired by something my mother once witnessed in Barbados (described in the book). She came across barefooted, blue-eyed, fair-haired children struggling to carry buckets of water from a standpipe to their chattel house and learned that they were the descendants of the Monmouth rebels, who were exiled from England to Barbados in 1685.

This experience encouraged my mother to study more about the Monmouth rebellion, led by Charles II’s illegitimate son, the Duke of Monmouth. Although the book is contemporary, and has a strong romantic element, the theme is about how people’s lives are influenced by the fate of their ancestors. Certainly the miserable situation of many ‘Redlegs’ (to give them their politically incorrect name) was the legacy of their exiled forebears.

Do you model any of your characters after people you know? If so, do these people see themselves in your characters?

The self-interested Francesca was based on a neighbour and school classmate of mine in Barbados. (Name changed – of course). To be fair, she may have matured into a wonderful woman fighting for human rights since I was on the island, but when I knew her, all the indications were that she would take ‘shallowness’ to new depths.

The Turtle Run cover

What type of research did you have to do for your book?

My mother had a long association with Barbados and we lived on the island throughout my childhood. There was also a family connection to the Redlegs. My mother did a little research out there to try and discover more about the original exiled Monmouth Rebels but it was only many years later – after we had moved to the UK and my parents had retired to Dorset – that she was really able to research the beginning of the story, which has so many local connections with south-west England.

The Somerset Heritage Centre (http://www1.somerset.gov.uk/archives/) was a useful source of information and this short event in British history has inspired some really interesting books. But for a ‘Monmouth fix’, I would leave the non-fiction books and turn to Lorna Doone.

What excites you the most about your book?

The book has a strong theme of trying to understand the present through understanding the past. Although I am more interested in the challenge of writing a story where there is a connection between a contemporary character’s situation and the situation of his/her ancestors from hundreds of years before, just having characters uncover a secret about their own immediate family can be really engaging.

If you were stranded on a desert island with three other people, fictional or real, who would they be and why?

Enid Blyton would be one as I have a rather complicated relationship with her. Of course, several of her books were on the theme of children living on islands, though as practical guides to island-survival they would be pretty hopeless as the children never seemed to have much problem finding food, and never had go to the loo. I should be very grateful to her for firing my young imagination, but the problem was that I assumed her stories had some basis in reality. As my image of what England would be like was entirely informed by her books, I experienced no small disappointment when we did finally move here, and as for my subsequent experience of boarding school – let’s just say that I felt very misled. I would probably end up chasing her around the island pelting coconuts at her.

I would also choose Louisa Dixie Durrell – who must have been a real character but was reduced to ‘Mother’ in Gerald Durrell’s books and who seemed to have a very placatory role during her children’s squabbles.  I imagine she would act as peacekeeper on the island, and would try to persuade Blyton that I wasn’t throwing coconuts deliberately. Finally, I would have Baroness Elsa Schraeder (Captain Von Trapp’s fiancée in the Sound Of Music) to add a touch of style and class. She could enjoy the child-free island and use the time to reflect on her extreme good luck at losing Von Trapp and his warbling children to an ex-nun with a guitar.

I guess our survival would depend upon Enid Blyton’s expert naturalist knowledge, and I would have to hope that she’d forgotten the whole coconut-pelting episode.

Links

https://www.facebook.com/Marie-Evelyn-920546144697589/

https://www.amazon.co.uk/Turtle-Run-Marie-Evelyn/dp/1783753277

https://www.goodreads.com/book/show/28330185-the-turtle-run

 Marie Gameson photo

 

Bio

Marie Evelyn are a mother and daughter team originally from the Caribbean but now based in the UK.

Mother Margot (Margot Gameson née Evelyn) has been published previously as Mary Evelyn and daughter Marie Gameson was longlisted for The Bridport First Novel Prize in 2015. The Turtle Run is their first novel together and is based on their firsthand experiences of growing up in Barbados, showing a side of the island probably unknown to most visitors.

A former journalist, Margot in particular has seen the island go through a lot of changes, especially in the lead up to independence – Barbados celebrates its 50th anniversary as an independent nation this year. However The Turtle Run shows there are still resonances of its lesser known history on the island today.

The family moved to the UK in the 1970s and eventually settled in an area where many of the Monmouth rebels originally came from. Margot is now retired and Marie works in IT.

***

Wonderful interview, many thanks Marie,

Happy reading everyone,

Jenny xx

Interview with Colette Kebell: Retail Therapy

It’s interview time! Today I’m delighted to welcome Colette Kebell for a cuppa and a chat.

coffee and cake

What inspired you to write your book?

Honestly being made redundant coupled with a hunger to get back to something that I enjoyed both at school and since, though prior to being made redundant, life just seemed to get in the way what with work, home life, dogs, hubby and just plain thinking I had lost any talent I thought I had due to the drudgery of a 9-5 job.

Do you model any of your characters after people you know? If so, do these people see themselves in your characters?

I have loosely modelled a number of my characters not only on myself and my husband but other friends and family.  Other than my husband, of course, none have mentioned to me that they saw themselves in my characters.  I guess I’m pretty good at hiding where my inspiration for each came from. Having said that I’m not sure whether that is a good or bad thing though.  It might sometimes be seen as complimentary to the person or persons involved, though not in every case.  There are a number of characters that I’m sure if those real life people had read my books, despite not recognizing themselves, would still enjoy as I have made even the villains humorous, I just couldn’t resist that one.  Afterall, Chicklit/RomCom are by their very nature meant to be funny, at the very least some of the time.

What type of research did you have to do for your book?

As far as research goes, I basically read a lot, wrote in a round about way about my own life experiences and used the internet as much as I could to fill in any gaps.  I hasten to add that they are far from biographical, but during my 50 years I have led a life during which I was fortunate enough to experience quite a variety of jobs, relationships, locations, foreign travel.  I guess, due to my parents having moved a lot and growing up being moved from place to place, I became rather resilient.  I am quite shy though so although friendships take a while to develop, usually I keep those friends for many years. 

Which Point of View do you prefer to write in and why?

The point of view I’ve used in all the novels is the first person.  Although this limits the descriptions to what the protagonist sees by way of experiences, I feel it is the one that also engages most with the readers, makes them live a life from the protagonist’s point of view.

Do you prefer to plot your story or just go with the flow?

I rarely plot a storyline.  I tend to go with the flow and see where the story takes me as it unfolds.  I did have some input from my husband during the writing process, discussing possible routes to take etc but at the end of the day, if the story doesn’t flow then, to me at least, it seems forced.  I don’t even have an idea of a title when I start off with a new book.  Having said that, one of my current WIPs, the whole story has materialized from my having the title to be begin with, so there is no hard and fast rule. 

What is your writing regime?

Due to having a very supportive husband and the kind of life we have had to lead the past few years, due to attempting to sell our home (which took 2 ½ years) my writing regime is almost non-existent.  I don’t mean to say that I don’t write as obviously if that were the case I wouldn’t have already self-published two books.  Having said that I write when I am in the mood, do marketing when I can, and am still learning the whole self-publishing process so there is plenty to keep me occupied.  My husband has had some involvement too as without him Blue and Green Should Never Be Seen! (Or so Mother Says) would never have been translated into Italian.  That far from simple task fell to my husband and by all accounts he thoroughly enjoyed doing so.  It took quite a while though as he does have a full-time job as well which keeps him pretty busy.

What excites you the most about your book?

I find it incredibly hard to put my finger on any one thing as there are so many elements to the writing process.  The laughter in our household during the writing process came first, as my husband read and discussed each of my books, just to give me another perspective.  Then there is the thrill of receiving each of them back from the copy editor, first sight of the covers, each and every review I read… there are just so many to choose from…

Colette Kebell covers

If you were stranded on a desert island with three other people, fictional or real, who would they be and why?

This one I found to quite a simple question.  The first person that jumped into my head, obviously for their talent, but also basically as a piece of eye candy, would be Hugh Jackman.  I just don’t consider that I could ever get bored of being around him.  Secondly, I would have to think of my survival so although Bear Grylls might come to mind I think I would prefer Robinson Crusoe.  Lastly, but by no means least I would have to say Joanna Lumley as we would certainly have a laugh when things got tough and she is such a trooper.  I could have said Michael McIntyre, but, do I honestly want to be surrounded by men?  With no female company I might just return to my tomboy status of my youth having fought somewhat to find my feminine side.

Anything else you’d like to share with us?

I guess, other than mentioning my books, which I’m sure you will do, I would like to mention that though the going is a little slow on them currently, I have three WIPs.  One is the follow on from Blue and Green Should Never Be Seen!, one is a further Chicklit which this time is set in New York and so I hope I can do it justice never having been there and the third is somewhat of a secret at this point as, just the title on it’s own, might give other authors ideas…

The books links are:

Blue and Green

US: https://www.amazon.com/dp/B00RG43YM4

UK: https://www.amazon.co.uk/dp/B00RG43YM4

The Retail Therapist

US: https://www.amazon.com/dp/B0106J3D9E

UK: https://www.amazon.co.uk/dp/B0106J3D9E

Senza Tacchi non mi Concentro!

It: https://www.amazon.it/dp/B01E2GN02M

As far as e-readers are concerned, I’ve covered all the bases as my books are available from all the usual haunts.  All but the Italian book are also available in paperback, on request from bookshops and libraries worldwide.

Colette Kebell

Bio

After being a Legal Secretary for about 10 years, Colette was on the hunt to find something else that she would find just as interesting. She found that in writing and she hopes you like what you read. She loves fashion with a passion (pardon the pun) and therefore it is not surprising that her debut novel was going to follow that theme.

Her debut novel was “Blue and Green Should Never Be Seen!” which was followed by “The Retail Therapist”, both of these being romantic comedies/Chick Lit, a genre she adores.

When she’s not in writing mode she enjoys experimenting in the kitchen, a task that usually produces good results; as her husband would say, as opposed to “his” experiments which often end in a culinary disaster.  She lives in Coastal Kent, UK with two adorable dogs. Oh yes, and hubby too.

You could also look at her website and see what news is on there at

http://www.ColetteKebell.com  or follow her on either twitter https://www.twitter.com/ColetteKebell   or Facebook https://www.facebook.com/ColetteKebellAuthor

***

Many thanks for a great interview Colette,

Happy reading,

Jenny x

Guest Post from Nell Peters: Birthday Sharing

Somehow we’ve reached the end of another month, so I’m handing over my site to the lovely Anne Polhill Walton- aka crime writer- Nell Peters. Once again Nell has provided a brilliant blog- although a certain Mr Connery may not think so…you’ll see what I mean!

I urge you my friends, to read right to the bottom of the blog today. Life is full of twists of fate, some kind, some not so kind…

Birthday cake

Thank you, Jenny – and hello again, everyone J

As I mentioned in my last post here, Jenny and I celebrate our birthdays in July – both on the 13th in fact. Unlucky for some – most especially me, as I was born on a Friday, according to my mother … which explains a lot. So, too late now for you to shower us with impressive gifts this year, but most definitely a red-letter date in your 2017 diary. We share our big day with Sir Patrick Stewart, who boldly went – although not being a fan of Star Trek, Captain Kirk was at the helm last time I saw the programme. Then there’s Ian Hislop of Private Eye, who has also on occasion boldly gone, but in his case into print, closely followed by a court appearance, defending a libel case. Harrison Ford joins the line-up too, he of Han Solo and Indiana Jones fame. I’ve never seen Star Wars – do I sense a theme here, as in I seem to avoid anything with ‘star’ in the title? I do quite like Starbucks however, but only for tea as I don’t drink coffee (just don’t tell coffee addict Jenny!)

With four sons, I was unable to avoid all the Indiana Jones films – did I really read recently they are making another? Seriously? Harrison Ford is well into his seventies and his on-screen father, Sean Connery, is more than ten years older than that! They’ll surely be cavorting around, wronging rights from their bath chairs? Probably pushed around by scantily-clad beauties, though, as Hollywood OAPs are somewhat more attractive than the common or garden variety – they perhaps don’t need their Winter Fuel Allowance either, in sunny California.

There is a Connery connection to Jenny – not Sean, but his nipper Jason (he of the long, flowing locks), who played the eponymous role in the last of the Robin of Sherwood TV series many years ago. Where does the Jenny link come in, I hear you ask – go on, please ask, or I’ll have to think of something else to prattle on about (imagine a sad, pleading face here – oh, and violins playing). Well, Jen has had a bit of a thing about Robin Hood since she was a wee gel – one of her books is even entitled Romancing Robin Hood (and a sequel is brewing) – you don’t get much more dedicated than that. After a gap of thirty years, surviving members of the original TV cast have reprised their roles in The Knights of the Apocalypse – an audio drama crowdfunded by fans. We could speculate that they went for an audio production because there simply wouldn’t be enough Polyfilla available for the cast to appear recognisably on screen, but that would be cruel. I have seen a pic of Jason C, however – gravity has taken effect with a vengeance and his only hair now is sprouting from his chin. Whatever … while our ardent groupie Madam Kane managed to blag a ticket and hobnob with the stars at the premier performance (I’ve seen those pics too!), for me the best thing is that the production company is called Spiteful Puppet – genius name!

I digress: our communal birthday was on a Wednesday this year, but both Jen and I had the main event the weekend before – in my case, a family invasion for a BBQ on the Sunday. #4 son arrived early with his family, acting quite strangely (not wholly unusual), and holding a large cardboard box. When I asked what was in said box, he said he’d brought a load of crisps along because it’s not something we ever buy (true) and guests might just fancy a scrunch or two. He then sat me down and told me to immediately open the gift he shoved under my nose – a large bag of Pavlova the chicken’s favourite bird seed was revealed. Card next; on the left hand side were the questions ‘Do you know who Svetlana Alexievich is?’ and ‘What is she famous for?’

I coaxed the long-dormant brain cell into life and gave him my answers, before being dragged outside (in my slippers! Tsk!) to inspect the crisp box … even I (Miss Hopelessly Naive 1802) was beginning to smell a rat by then. When the box was opened and tipped up gently on the grass, not a rat but a chicken emerged! A sister/playmate for Pavlova! Double trouble! And she had already been named Svetlana after the Nobel Lit Prize winner by #4 (maybe the school fees weren’t 100% wasted, after all?)

Bluebell

Svet is a magnificent Bluebell hen – her plumage has a definite blue hue in a certain light, and she was sixteen weeks old when she moved in. She is bigger than Pav with feet large enough to support a strapping 25 lb turkey, perhaps even a Pterodactyl. #4 lives more rurally than us and he chose Svet from a farm local to him, where numerous birds were housed in a large pen with a sandy floor. She was picked up on BBQ day and transported to her slightly more glamorous life – a third of an acre with grass underfoot – on the back seat, just as carefully strapped in as the GDs.

chickenPavlova was doing one of her nesting stints when Svetlana arrived and so they didn’t meet until the next morning, when Pav came to feed – she was a little put out, but feathers didn’t actually fly and since then, while not yet bosom (or chicken breast) buddies, peace has been declared and there is no battle of the beaks to rule the roost. They really couldn’t be more different in personality (yes, they do have personalities!) – while Pav is quite skittish and aloof, rather like a cat who tolerates our presence as long as we know our place and keep her well fed, Svet is really laid back and friendly and follows us around like an adoring puppy. She doesn’t even mind the Grands chasing her and also talks incessantly (which the old chick on the block has never done, apart from very loud crowing when she thinks it’s chow time) making sort of mewling noises, rather like a Moomin with feathers.

Finally, I have reached the conclusion that the OH has been around my warped sense of humour for way too long and has lost his immunity. When no one was looking, he retrieved one of those Nando’s chicken on a stick things (liberated from the restaurant years ago by one of the boys) and stuck it in the grass by the communal food receptacle. Really!

NandosToodles! NP

***

PS-

OK, that was my original post for Jenny, written a couple of weeks in advance.

I’m so very sad to report that both Pavlova and Svetlana have since been killed – most likely suspect a cat new to the neighbourhood, that I’ve spotted in the garden at all hours of the day and night.

I know this is a first world problem – that there is dreadful carnage and unimaginable human suffering globally, to which the loss of two spoiled chickens cannot possibly compare, but I do so miss them. For instance, there is no one to greet me when I take an early morning stroll in the garden – they’d spot me a mile off and speed toward me with their silly run-trot, Pavlova making the most unholy din. Of course, I realise they were after food and not my scintillating conversation, but they always made me smile. And Svetlana, being a cheeky young upstart, had taken to sitting on the back door mat if the door was open, a few yards away from me when I was using my lap top at the table – just hanging out.

Goodbye, and thank you, little feathered friends. XX

***

Many many thanks fro such a great blog Nell. I shall certainly miss hearing about your chicken friend’s adventures. Pavlova in particular had become a very definite character in her own right. Thank you for sharing so much of her mischief with us on this blog. Hugs. Jenny xxx

(I can’t begin to imagine what the very lovely Mr C junior is thinking if he is reading this right now!!)

***

Bio

Nell Peters writes psychological crime novels and is published by Accent Press. Her next protagonist is going to be a chicken.

By Any toher name bus

mybook.to/BAON

Hostile witness bus

mybook.to/hostilewitness

Interview with Claire Morley: Tindog Tacloban

It’s interview time again, and I’m delighted to welcome Claire Morley to my blog for a cuppa and a chat. Why not put those feet up and join us?

coffee and cakeWhat inspired you to write your book?

In November 2013, Super Typhoon Yolanda slammed into the Philippines. I had wanted to do some volunteer work for a long time but circumstances had never allowed until March 2014, when I set off for Tacloban, the city worst hit by this natural disaster.

I wanted to make people aware of the aftermath of the typhoon and initially thought I would write articles for various publications and with that in mind took thousands of photographs and interviewed over 40 survivors, volunteers and relief workers. On my return to Cyprus (where I live) my partner suggested I take the information I had gathered and turn it into a fictional novel instead. It took me a year to research and write, but Tindog Tacloban was the result.

Tindog Tacloban jpeg 72dpi

Do you model any of your characters after people you know? If so, do these people see themselves in your characters?

Actually one of the main characters, Helen, is slightly modelled on myself, she too is volunteering for the first time, although she achieves a lot more than I did!!

What type of research did you have to do for your book?

Obviously from some aspects, the research was done in the field, as I was actually there and witnessing the aftermath of the typhoon. However, it was the interviews which gave me the first-hand knowledge of what living through a typhoon was really like, and I did weeks of research on how typhoons work. I also contacted an organization which is fighting to raise awareness of Webcam Sex Tourism and they very kindly send me their reports on the work they are doing, so I could talk about it realistically.

Do you prefer to plot your story or just go with the flow?

I think I employed a bit of both for Tindog Tacloban. I initially had an idea of where the story was going and had a timeline, but as I wrote it built up its own flow. I swim every day and that was a great time for me to work out how build on the plot and the characters and when I got stuck, I would sit with my partner and a glass of wine in the evenings and we would discuss how I might get from one aspect of the book to the next.

What is your writing regime?

I wrote every day, I had a number of words in mind, sometimes it was hard work to reach it and quite frankly, sometimes it was utter rubbish, but other days the words flowed and I could get much more written. The idea was to keep a momentum, knowing how easy it would be to let things slide if I didn’t write one day and before you know it a week can pass. So I did try to be very disciplined.

What excites you the most about your book?

The fact that I actually wrote a whole book. I’m not always good at finishing things I start!! And that it has made people aware of a form of human trafficking, which I hadn’t heard of until I attended a workshop in Tacloban. I detest human exploitation, so if I can do anything to raise awareness of something like this, it’s a good thing.

Anything else you’d like to share with us?

All money raised from sales of Tindog Tacloban go to the charities I worked with while I was there, so I am continuing to help the people whose lives were affected by Super Typhoon Yolanda.

***

ABOUT THE BOOK

In the aftermath of the fiercest typhoon on record to hit land, banners bearing the words Tindog Tacloban started to appear all over the city. Meaning Rise Up Tacloban, they were a testament to the determination and resilience of the Filipino people as they tried to rebuild their shattered lives.

For many, things would never be the same:

Izel Sombilon watched in horror as two of his children were ripped from his arms and swept away by the huge storm waves

Eleven year old Lika Faye was plunged into the sordid underworld of Webcam Child Sex Tourism.

For Helen Gable volunteering in the typhoon ravaged area was a chance for her to come to terms with her own personal tragedy.

***

Links

http://www.amazon.co.uk/dp/B014JGI0H0

Twitter: clairemorley @clairemorley15

Facebook: https://www.facebook.com/clairemorleyauthor

Author small

Bio

Claire Morley lives in North Cyprus with her dog, cat and partner, Steve.

In her previous life she has been a marketer, a journalist and a wedding planner.

Tindog Tacloban is her first novel and was inspired by a trip to the Philippines as a volunteer to help after the devastating typhoon known locally as Yolanda hit Tacloban on 8 November, 2013 and of from this book will go to benefit charities working to stop human trafficking and helping in disaster areas.

***

Many thanks for a great interview Claire,

Happy reading everyone,

Jenny x

 

 

 

Release Blitz from Laura Wilkinson: The Family Line

I’m delighted to bring you the blurb, and an exclusive extract, from the first novel to leave the well aimed pen of my lovely friend, Laura Wilkinson.

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Set in a much-changed Britain in the mid-twenty-first century, The Family Line is the debut novel from acclaimed writer Laura Wilkinson, now revised and proudly reissued by Accent Press. An original exploration of identity, love and what it means to be a parent.

The Family Line

Blurb

Three women. One secret. A child with a deadly disease

Megan is a former foreign correspondent whose life is thrown into turmoil when her son is diagnosed with a terminal illness: a degenerative disease passed down the mother’s line. In order to save him, Megan will have to unearth the truth about her origins and about a catastrophic event from the past. She must confront the strained relationship she has with her mother, make sense of the family history that has been hidden from her all her life, and embark on a journey of self-discovery that stretches halfway around the world.

An exclusive extract:

Megan sat alone outside the office of an eminent doctor resident at the hospital. It was nine fifteen; her appointment had been scheduled for nine o’clock. She was grateful for the reprieve and didn’t understand why she didn’t want to go in.

She wore heeled sandals and a knee-length dress, cut from black cotton with bracelet sleeves and a slash neck. Her cheeks were dusted with a soft pink blush and her lips coated in a sheer gloss. She had looked elegant and quite lovely in her bedroom mirror but now she felt overdressed and wished she had worn her regulation black jeans. She had been keen to make a good impression, but she resented this desire to impress. What was she trying to prove? That she was a good mother? Surely only a vain, selfish woman would be concerned about appearance when discussing her child’s development? She wiped away the gloss with the back of her hand. She studied her pale shins, the blue veins visible beneath the surface in the harsh hospital light. A nurse told her the consultant was ready. Megan took a deep breath and stood.

He faced the window, his back to the door, and looked out onto a pleasant garden bordered with hydrangeas, hebe and St John’s Wort. The air was cool in the sparse, smart office though Megan felt perspiration gathering under her arms and across her brow with every click of her heels on the floor. The doctor commented on the fine weather, reminding her that each day comes but once, never to return, and as such should be treasured. Platitudes. She looked at the garden. It was beautiful but nothing compared to her boy.

When the doctor finally spun his chair to face her, Megan knew the news wasn’t good, and though her stomach churned she told herself it would not be anything insurmountable. After all, this wasn’t oncology or the ER. After asking her to take a seat, Mr Barnet, a phlegmatic, saturnine individual, informed her that Cerdic had a rare congenital condition, a hereditary disease, passed from mother to son, which would rob Cerdic’s body of its ability to function. ‘AMNA. It stands for Alekseyev Motor Neuron Atrophy, named after the Russian scientist who first discovered the defective gene. For reasons that have never been quite explained the condition appears to be more prevalent amongst the peoples of the East, the Slavs in particular,’ he said.

Megan’s mouth dried, her lips seemed to be welded together. She struggled to push the words out. ‘How serious is it?’

‘Very. I am sorry.’

‘What will it do to him?’ She could feel the thick white spit at the corners of her mouth. She went to wipe it away and realised that her hands were shaking.

‘It starts in the muscles as cells break down and are gradually lost. The muscles weaken over time. Your son has trouble jumping and climbing, yes?’ He didn’t wait for a reply. ‘By five years old AMNA boys are unable to walk far, and by seven or eight most are in a wheelchair. Nerve cells in the brain weaken, eventually failing to send messages to muscles and other vital organs like the lungs. Sufferers lose control of their bodies and minds. The average life expectancy …’ Megan watched his mouth move without hearing more words. Sunlight illuminated his form and she felt angry with the sun for shining.

‘How long do we have?’

He curled his lips inward. ‘If he reaches sixteen, it will be a miracle, of sorts,’ he said, delivering the news as if it were quotidian, finishing with a standard, ‘Do you have any further questions?’

Megan experienced a sensation similar, she imagined, to being eviscerated. It was as if he had ripped out her intestines, thrown them to the floor and squashed them underfoot, before asking if there was anything he could do to help with the pain.

She remembered the night Cerdic was born. Sweltering and still. Even the sea was silent. She stayed up all night, her body throbbing, unable to take her eyes from him, afraid that if she blinked he would disappear as miraculously as he had arrived. She remembered how, when he was tiny and slept in a cot in her room, she would wake to the sound of silence and rush to his bedside, placing a palm in front of his mouth, checking he still breathed. Like all mothers in the black moments she imagined a hundred ways he might be taken from her but nothing like this. She never, ever, imagined this.

Reeling from the shock, and working hard to control her spiralling emotions and liquid gut, she said, ‘There must be something we can do.’

‘As you will appreciate much research was abandoned, or more accurately put on hold, after 2025. Cerdic’s condition is, mercifully, extremely rare, and as such it has not been high priority for many, many years. In the past decade research has restarted. But it is a slow process, Mrs Evens.’ He returned to his garden as he spoke, and Megan thought there was nothing merciful about this disease.

‘Has this research thrown anything up yet?’ she said, adding, ‘It’s Miss Evens.’

Mr Barnet commented on a blackbird that hopped on the lawn before replying with indistinct mumblings.

Megan’s patience evaporated though she believed the consultant’s rudeness was not deliberate. She pressed for a clear reply.

‘There are signs to indicate that matching stem cell and blood plasma transplants, from suitable donors, can slow the progression of the disease. It works best if the donors are relatives, close relatives. Scientists believe they can stop the disease in its tracks altogether if administered early enough with a perfectly matched donor though there is no conclusive proof as yet.’

‘It is worth a try, Mr Barnet.’

‘Worth a try.’ He nodded absentmindedly.

‘Then we try it.’ Megan’s tone was polite but firm – this was not a request.

‘There is no sibling?’

‘There’s me.’

The consultant spoke of the viability of samples from her, Cerdic’s father, compatibility. He explained that it was most unusual, unheard of, for the mother, the carrier, to match, to be a suitable donor. She knew he meant no malice or blame – why would he? – but it pained her nevertheless. He rambled on, explaining the minutiae of technical detail. She twisted the ring on her left hand. Her mind flooded with images of Hisham. She would have to contact him. She knew there would be no question of him not helping but she allowed herself the irrational hope that contacting Hisham might not be necessary, that she might be the one in a million, in a manner of speaking. She left Mr Barnet’s office brim full of fear and hope, clutching a referral and a name for her son’s killer.

To buy: http://amzn.to/2ahSStC

Praise for the first edition:

Wilkinson ably navigates the tender, sometimes fraught exchanges between her protagonists. Though its scope is ambitious, and could easily have veered off-course, deft interweaving of complex themes makes for a haunting début.’ For Books’ Sake.

‘This is a compelling story that raises important issues and will linger in the mind long after the last page has been turned.’ Joanna Caney, New Books Magazine.

‘This mind-blowingly original novel asks big questions about a woman’s right to choose when to have children…  Ultimately, it questions how far is too far… This is a book that will haunt your dreams.’Pam McIlroy, Books at Broadway.

‘ This is an interesting and emotional début, and is highly recommended.’ Michelle Moore, Book Club Forum.

 ‘… a fantastic debut novel which surpassed my expectations.  I totally agree with one Amazon reviewer; this has got BBC 3-part drama written all over it! Simply fabulous!’ Kirsty, Book Love Bug.

LW 2 No 1 - dark, smile

About Laura

After working an actress and journalist, now Laura writes novels and short stories. She is published by award-winning independent press, Accent. Her novel, Public Battles, Private Wars, was a Welsh Books Council Book of the month; Redemption Song, is an insightful look at learning to forgive and love again after significant loss. The Family Line is set in a near future Wales and looks at identity and parenting. ‘It will haunt your dreams’ Books at Broadway. Alongside writing, she works as an editor for literary consultancies, Cornerstones and The Writing Coach, and runs workshops on self-editing and the art of fiction. She’s spoken at festivals and events nationwide, including London Metropolitan University, GladLit, University of Kingston, The Women’s Library and Museum in Docklands. www.laura-wilkinson.co.uk   Twitter @ScorpioScribble Facebook: Laura Wilkinson Author

***

Happy reading everyone,

Jenny xx

 

 

Release Blitz: Melody Bittersweet and the Girl’s Ghostbusting Agency by Kitty French

MELODY BITTERSWEET AND THE GIRLS’ GHOSTBUSTING AGENCY by Kitty French

OUT NOW

UK: http://amzn.to/1TCU5Q7

US: http://amzn.to/1Z2CQpB

An absolutely hilarious, totally entertaining, spookily sexy read that you won’t be able to put down!

Melody-Bittersweet-and-The-Girls-Ghostbusting-Agency-


Life’s tricky for Melody Bittersweet. She’s single, she’s addicted to sugar and super heroes, her family are officially bonkers and … she sees dead people. Is it any wonder no-one’s swiping right on Tinder?
Waking up lonely on her twenty-seventh birthday, Melody finally snaps. She can’t carry on basing all of her life decisions on the advice of her magic 8 ball; things havegot to change.

Fast forward two months, and she’s now the proud proprietor of her very own ghostbusting agency – kind of like in the movies but without the dodgy white jumpsuits. She’s also flirting with her ex Leo Dark, fraternising with her sexy enemy in alleyways, and she’s somehow ended up with a pug called Lestat.

Life just went from dull to dynamite and it’s showing no sign of slowing up anytime soon. Melody’s been hired to clear Scarborough House of its incumbent ghosts, there’s the small matter of a murder to solve, and then there are the two very handsome, totally inappropriate men hoping to distract her from the job…

Welcome to Chapelwick, home of the brand new and hilarious Girls Ghostbusting Agency series, where things really do go bump in the night.

***

Chapter One

‘So, what do you do with your spare time, Melody?’

I look my date square in his pretty brown eyes and lie to him. ‘Oh, you know. The usual.’ I shrug to convey how incredibly normal I am. ‘I read a lot . . . Go to the movies. That kind of thing.’

I watch Lenny digest my words, and breathe a sigh of relief when his eyes brighten.

‘Which genre?’

‘Movies or books?’ I ask, stalling for time because, in truth, I don’t get much in the way of spare time to do either.

‘Movies. Action or romance? No, let me guess.’ He narrows his eyes and studies me intently. ‘You look like a sucker for a rom-com.’

‘Do I?’ I’m genuinely surprised. I’m five foot three and look more like Wednesday Addams than a Disney princess. Maybe Wednesday Addams is over-egging it, but you get the idea; I’m brunette and my dress sense errs on the side of edgy. I don’t think anyone has ever looked at me and thought whimsy. Maybe Lenny sees something everyone else has missed, me included. I quite like that idea, mainly because everyone who knows my family has a head full of preconceptions about me, based on the fact that my family are all crackers.

Four Weddings?’ He shrugs hopefully.

I nod, not mentioning that the only part of that particular movie I enjoyed was the funeral.

The Holiday?’

Again, I try to look interested and hold my tongue, because I’m sure he doesn’t want to hear that I’d rather stick needles in my eyes than ever watch an over-optimistic Kate Winslet drag some old guy around a swimming pool again.

I’m relieved when the bill arrives and we can get out of there, because so far Lenny has turned out to be a pretty stellar guy and somehow I’ve managed to convince him that I walk on the right side of the tracks. Maybe this time, things will be different.

Lenny pulls his dull, salesman’s saloon into the cobbled cartway beside my building and kills the engine. I don’t mind dull. In fact, my life could really use a bit of dull right now, so I shoot him my most seductive smile, cross my fingers that my mother will be in bed, and invite him in for coffee.

Oh, just when it had all been going so well. Why couldn’t I have just given him a goodnight kiss, with maybe the smallest hint of tongue as a promise, then sent him on his way? He’d have called for a second date, I’m sure of it.

But no. I got greedy, pulled him by the hand through the dark back door, placing my finger against my lips to signal he should be quiet as we tip-toed past my mother’s apartment and up the old wooden staircase to my place.

He rests his hand on my waist as I turn the key, and a small thrill shoots down my back. Look at me, winning at this being-an-adult thing today! Dinner with an attractive man, sparkling conversation, and now back to mine for coffee . . . and maybe even a little fooling around. It’s not that I’m a virgin or anything, but it would be fair to call my love life patchy of late. By ‘of late’ I mean the last two years, ever since Leo Dark and I called things off. Well, by Leo and I, I mean Leo called things off, citing conflict of interests. Ha. Given that he was referring to the fact that my mad-as-a-bag-of-cats family are the only other psychics in town besides him, he was, at least in part, right.

But enough of Leo and my lamentable love life. Right now, all I want is for Lenny not to know anything at all about my peculiar family, to keep seeing me as a cool, regular, completely normal girl, and then to kiss me.

‘You remind me of Clara Oswald,’ Lenny whispers behind me at the top of the stairs. ‘All big brown eyes and clever one-liners. It’s very sexy.’

Lord, I think he’s just brushed a kiss against the back of my neck! My door sticks sometimes so I shoulder it open, aiming for firm and graceful but, I fear, ending up looking more like a burly police SWAT guy ramming it down. Thankfully, Lenny seems to take it in his stride and follows me into my apartment. Then I flick on the table lamp only to discover that my mother is standing on my coffee table in a too-short, too-sheer, baby-blue negligee with her arms raised towards the ceiling and her head thrown back.

‘Shit!’ Lenny swears down my ear, clearly startled. He isn’t to blame. My mother’s a striking woman, ballerina-tall and slender with silver hair that falls in waves well beyond her shoulder blades. It isn’t grey. It’s been pure silver since the day she was born, and right now she looks as if she’s just been freshly crucified on my coffee table.

I sigh as I drop my bag down by the lamp. So much for me being normal.

‘Err, mother?’

Slowly, she takes several heaving breaths and opens her eyes, changing from crazy lady to almost normal human lady. She stares at us.

‘For God’s sake, Melody,’ she grumbles, taking her hands from above her head and planting them on her hips. ‘I almost had the connection then. He’s hiding out in the loft, I’m sure of it.’

I risk a glance over my shoulder at Lenny, who sure isn’t kissing my neck anymore.

He lifts his eyebrows at me, a silent ‘what the hell?’ and then looks away when my mother beckons to him like a siren luring a fisherman onto the rocks.

‘Your hand, please, young man.’

‘No!’ I almost yell, but Lenny is already across the room with his hand out to help her down. My mother eyes me slyly as she steps from the table, keeping a firm hold of Lenny’s hand.

‘Long lifeline,’ she murmurs, tracing her red talon across Lenny’s palm.

‘Mother,’ I warn, but my somber, cautionary tone falls on her selectively deaf ears. I expected nothing else, because she’s pulled this trick before. Admittedly, the standing-on-the-table thing is a new twist, but she’s got form in scoping out my prospective boyfriends to make sure they’ll fit in with our screwball family from the outset. Not that her romantic gauge is something to put any stock in; Leo passed her tests with flying colours and look how that ended up. I got my heart broken and he got a spot on morning TV as the resident psychic. Where’s the justice in that?

Look, we may as well get the clanky old skeleton out of the family closet early on here, people. It’s going to come out sooner or later, and despite my attempts to pull the wool over Lenny’s eyes, there’s never any running away from this thing for long.

My name’s Melody Bittersweet, and I see dead people.

It’s not only me. I’m just the latest in a long line of Bittersweets to have the gift, or the curse, depending on how you look at it. My family has long since celebrated our weirdness; hence the well-established presence of our family business, Blithe Spirits, on Chapelwick High Street. We’ve likely been here longer than the actual chapel at the far end of the street. That’s probably why, by and large, we’re accepted by the residents of the town, in a ‘they’re a bunch of eccentrics, but they’re our bunch of eccentrics,’ kind of way. What began as a tiny, mullion-windowed, one-room shop has spread out along the entire row over the last two hundred years; we now own a run of three terraced properties haphazardly knocked into one, big, rambling place that is both business and home to not only me, but also to my mother, Silvana, and her mother, Dicey. Gran’s name isn’t actually Dicey, it’s Paradise, officially, but she’s gone by Dicey ever since she met my Grandpa Duke on her fifteenth birthday and he wrote Dicey and Duke inside a chalk heart on the back wall of the building. He may as well have written it on her own racing heart.

‘Silvana!’

Speak of the devil. Does no one go to bed around here?

I open my door to find Gran on the threshold with her hand raised, poised to knock. I guess I should be glad she’s slightly more respectably dressed, if a floor-length, purple shot-silk kimono, bearing huge technicolor dragons could be considered as such. Her usually pin-curled gold hair is piled elegantly on her head and she wears a slash of fire-engine-scarlet lipstick for good measure. Most people couldn’t carry the look off, but thanks to her poise, confidence and couldn’t-care-less attitude, Grandma Dicey wears it with artful success. She glides past me without invitation and gazes at my mother and Lenny, who are still hand-in-hand on the rug.

God.

First thing tomorrow morning, I swear, I’m going to look for a new place to live, somewhere, anywhere, that is not in the same building as my mother and my gran. Don’t get me wrong, it’s a charming old place and I love my family dearly. It’s not even as if I don’t have my own space here, because, theoretically at least, I do. Mum and Gran have the ground floor apartment behind Blithe Spirits, and I have the smaller flat upstairs, at the back. In lots of ways this makes me fortunate; I get to have a nice little home of my own and stay close to my family. It would all be fine and dandy, were it not for the fact that my family are officially bonkers and liable to come up and let themselves into my flat – using the spare key I gave them for dire emergencies only – and embarrass the shit out if me.

‘Why is Silvana entertaining a man half her age in your flat?’ Gran looks from me to my mother. ‘You should have said you were expecting company, darling. I’d have gone out.’ She touches her hand lightly against her hair. ‘Put a towel on the doorknob or something, isn’t that the modern way to signal these things? Don’t come a knockin’ if the caravan’s rockin’?’

She looks spectacularly pleased with herself, and one glance at Lenny tells me that he knows he’s way out of his depth with these two and is in the process of writing me off as the worst date he’s ever had. His eyes slide from me to the door, and I can almost hear him begging me to let him go unharmed.

‘He’s not mum’s date, he’s mine. Or else, he was,’ I mutter, and then I’m distracted as a beer-bellied pensioner in a soup-stained shirt slowly materialises through the ceiling, his flannel trousers not quite meeting his bony ankles. Stay with me; I see dead people, remember? As do my mother and my grandmother, who also watch him descend with matching expressions of distaste.

‘Finally,’ my mother spits, dropping Lenny’s hand so she can round on the new arrival. ‘Two hours I’ve been chasing you around this bloody building. Your wife wants to know what you’ve done with the housekeeping she’d hidden in the green teapot. She says you better not have lost it on the horses or she’s had it with you.’

Grandma Dicey rolls her eyes. ‘I rather think she’s had it with him anyway. He’s been dead for six weeks.’

‘You’re a fine one to talk, given that you still sleep with your husband twenty years after he died.’ Mother flicks her silver hair sharply. Touché.

Lenny whimpers and bolts for my front door, turning back to me just long enough to splutter ‘something’s come up, gotta go,’ before he hoofs it out and down the stairs two at a time.

I listen to the outside door bang on its hinges and wonder what came up. Probably his dinner.

Interview with Julie-Ann Corrigan: Falling Suns

It’s interview time on my blog today. I’m delighted to welcome Julie Ann Corrigan over for coffee and cake, and to talk about her brand new book, Falling Suns.

coffee and cake

What inspired you to write your book?

I was inspired initially by the overwhelming and horrible thought of something terrible happening to my child and how I would cope, especially if the perpetrator of the crime ended up being someone known to the family. Once I had decided whom the perpetrator would be in my fictional story I then became inspired to explore both mental illness and institutional corruption.

Do you model any of your characters after people you know? If so, do these people see themselves in your characters?

There are some aspects of Rachel that I do recognise in myself, but unsure what that says about me!

When I began writing Falling Suns, and as I began to draw the characters, I think that more than taking the templates from one individual character, I drew characteristics from a number of people I’ve come across in my life. For example, Michael Hemmings is very much a mixture of patients I did come into contact with as a student physiotherapist working within mental health; although I have to add here, I never met one as psychotic as Hemmings, thank goodness!

Mrs Xú is very much like a few Chinese alternative therapists I have met. Stanley resembles a drama teacher who once taught me, but he is also like someone else I once knew ..
Falling Suns Final

Which Point of View do you prefer to write in and why?

I think my natural point-of-view is first person and past tense. However, recently (but not in Falling Suns) I have started experimenting with present tense. Interestingly, when I first started writing I always wrote in third person and past tense.

What I’ve learnt is that once you start writing the story whether in a novel or short work, the storyline and tone will often dictate which tense and point-of-view to use.

Do you prefer to plot your story or just go with the flow?

I plot the beginning, middle and end, and then I fill in the rest! Generally I do go with the flow, but I do have four or five plot points that I use to build my story around. And as I write, often the plot might change, or I will add aspects that weren’t apparent to me when I first began the story.

faalling suns pre

If you were stranded on a desert island with three other people, fictional or real, who would they be and why?

The Dalai Lama. He has such a lovely open face and talks such sense.

Usain Bolt. So I could admire his body all day!

Adele. She comes across as so much fun, so down-to-earth. And I will never tire of listening to her voice and lyrics.

I feel I should have a writer on this list. DM Thomas. The White Hotel is my favourite book of all time and I once spoke with him via email, and I know he would never bore me.

***

Falling Suns – Extract

Liam and I found ourselves outside the court building, greeted by a muddy sky that was still visible in the wispy fog of the late afternoon. It had rained continuously for the last forty-eight hours, but as we caught sight of the insatiable media the downpour was the least of our problems.

I pulled my wool beret over courtroom warm ears and looked down towards the slippery wet ground. Our barrister had told us to say nothing, which was physically easy, as I felt I would never speak again. For the past seven weeks the dry atmosphere of the courtroom had robbed me of a proper voice, as Hemmings’ act had robbed me of a proper life. Tom Gillespie caught Liam’s arm, whispering things that I didn’t even try to catch. My existence seemed to be disappearing into a void; the small bit of life that Hemmings had left for me, plucked away during the trial.

I loitered in the entrance of the court building, thinking that I would smell Joe. I did not. A coolness ran through me, a purl of motion in between the crevices of my spine.

Joe wasn’t with me.

As we left, Tom squeezed my arm lightly but didn’t attempt to give me a familiar kiss on the cheek. Liam and I had slowed down his investigation by holding back information about Joe’s state of mind the day he had run, and in so doing we had compromised our relationship with him. In my previous life, I’d been talking to Tom about going back to work. Once upon a time that thought had excited me.

Tom walked quickly to a waiting car. He slipped into the driver’s seat and glanced towards me, nodding slightly. He wanted to get away.

I felt a gentle jab in my back. It was Jonathan. I’d hardly spoken to him throughout the trial. As I turned towards him, so did Liam, his face sullen.

‘You need to get away from here as quickly as possible.’ Jonathan smiled thinly. ‘Can’t take away the nature of the vulture. I should know.’

‘We’re fine, Jonathan. Rachel knows how to handle this stuff,’ Liam said.

‘Does she, Liam?’ Jonathan said quietly.

Very obviously Liam elbowed past him, only to move a few inches nearer to the street.

‘We’re just about to leave, Jonathan,’ I said. ‘Are you free to come over? I’ve hardly seen you …’ I didn’t care what Liam thought. Not anymore.

At that moment in my peripheral vision I caught sight of my dad and mother leaving too. Dad saw me and moved his head towards the car park, indicating that he’d accompany Margaret to the car and then return. I couldn’t face her, and the silent accusation that this was all my fault.

Joe’s murder was somehow my fault.

I looked at Jonathan. ‘Come over, please?’ To Liam I said: ‘Can we wait for Dad?’

‘The place is crawling with press.’ Liam said. ‘We need 41

to go.’ He cast his eyes around. ‘Too late.’
Already journalists surrounded us. I recognised a few from the local papers, the nationals, too. Flashes and tussling ensued as our barrister made his way forward. Sean Skerrit, QC for the Crown Prosecution Service was older than he looked, something that I think went against him in court. I’d always felt the jury resented a young prosecution, especially if the jury was mainly young, which this one had been.

Sean directed his speech towards Liam and I felt invisible, useless, but too tired to complain. ‘I intend to give a statement.’ Sean said to Liam. ‘You and Rachel go home. I’ll call later. Better I do this alone.’

‘This means a life sentence?’ I asked Sean, hope in my voice.

He grimaced. ‘A do-good mental health tribunal could well decide to let him out within five years, if he plays the game.’ He caught my eye. ‘But hopefully that won’t be the case.’

‘But it could be the case … couldn’t it?’

‘I hope not, Rachel,’ Sean said, with leaden heaviness in his voice. I’d got the distinct impression that Sean Skerrit QC didn’t like to lose, and had taken Hemmings’ sentence as a direct affront to his professional agility.

Did I think of revenge then? Deep inside I think I did.

Sean ran slender and well-manicured fingers through his mane. Not one grey hair in his boot-polish black hair. He turned slightly to accommodate a photographer, and looking at the lens said to me: ‘We’ll talk later.’

‘I’ll come over, Rachel,’ Jonathan said, ‘just for a short time. I have to be back in London.’ He was already moving away.

‘Good,’ I said to Jonathan’s back.

My dad had made his way over. He wavered and I recognised the vacillation with which I’d grown up. I guessed my mother wanted to talk to me, but I had no intention of going to my childhood home today to argue with her. Not today.

‘Your mum wants to talk to you,’ Dad said.
I sighed. ‘I’ll come over tomorrow. I promise, I will.’ ‘She’s asked me to bring her over to yours … now.

She’s waiting in the car.’ He pulled at the sleeve of his jacket.

‘Charlotte’s made food, Alan. Both of you come and eat at ours,’ Liam said to Dad, avoiding looking at me, knowing there was no way I’d want my mother anywhere near me. He was functioning on automatic, something he’d seemed to be doing since Joe had gone. He felt as guilty as me, sometimes I thought more so. We still hadn’t talked about the affair, not properly, not directly. Although Liam was aware I knew something.

I watched my father. A patient man, a kind man. How could he love my mother? How could anyone love my mother? Joe hadn’t loved her. But he had tried.

‘We’ll drive over now,’ my dad said. He turned to return to his wife.

Liam pushed me gently into our waiting car. A PC whom I recognised sat ready in the driving seat. From the backseat, I saw his forced and sad smile in his rear-view mirror. The pity again.

We drove southwards towards home, passing the local park on the way. It had been built around the time Joe had been born, overlooking the main road, on elevated ground. The council’s thinking: where the kids could be seen.

Liam broke the short silence. ‘I’d rather Jonathan Waters didn’t turn up today.’

‘He’s my friend.’ I stared through the window. ‘You can’t have an opinion on this. He’s been good to me.’

Liam didn’t answer.

***

Links

Website: www.jacorrigan.com

Twitter: @julieannwriter https://twitter.com/julieannwriter

Author Facebook Page: https://www.facebook.com/jacorrigan/

Buying links:

Amazon

https://www.waterstones.com/book/falling-suns/julie-ann-corrigan/j-a-corrigan/9781786152497

https://bookshop.theguardian.com/catalog/product/view/id/414323/

http://www.whsmith.co.uk/products/falling-suns/9781786152497

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Bio

JA Corrigan lives in Berkshire and shares her life with a husband, one teenage daughter and a very cute cockapoo. When not writing she is to be found mooching in the garden during the summer and often in the mini gym at the bottom of that garden in winter-time.

***

Many thanks Julie- great interview,

Happy reading,

Jenny x

Guest Post from Jackie Buxton: Glass Houses

I’m delighted to welcome Jackie Buxton to my blog today. Jackie is currently celebrating the launch of her brand new novel, Glass Houses, and is sharing some of the background- and a juicy extract- with us today.

Over to you Jackie…

BLURB

‘When she sent that text, all our lives changed for ever…’ 51 year old Tori Williams’ life implodes when she sends a text while driving on the M62 motorway and allegedly causes the horrific crash in which three people die. Public and press are baying for her blood, but Tori is no wallflower and refuses to buckle under their pressure or be a pariah in society. Instead, she sets about saving the nation. But can she save Etta, the woman who saved her life? Or will Etta’s secret be her downfall? This incredibly topical and contemporary morality tale appeals across generations and will find favour with fans of authors such as Liane Moriarty, Marian Keyes and Kathryn Croft.

Glass Houses COVER

BLOG POST

Many years ago, the picture of a car crash, with a woman slumped over the steering wheel, and a stranger holding her hand until the emergency services arrived, pressed itself into my brain so forcefully that I was worried I was having a premonition about a real life incident. I wasn’t, thankfully. Instead, it seemed the gods of book writing had sent me the idea for my novel: one with a guilty protagonist, who could be any one of us. As I started to plot Tori’s character, a driver who texts from the wheel and becomes Public Enemy Number One, I realised that two separate news items were really behind the car crash image.

The first was the face of Gary Hart, the driver of the Land Rover involved in the Selby rail crash in 2001. He’d had little sleep the night before, chosen to drive the next day, and fallen asleep at the wheel with the most tragic of consequences. It was a horrendous scene. 10 people died, 82 were seriously injured and Gary Hart survived.

He was public enemy number one.

But when I saw his face in the media, I kept thinking that his wasn’t the face of a killer, it was the face of someone who’d done something stupid, selfish perhaps, but not intentional. His life would also be changed forever. Maybe he didn’t need us to chastise him any more than he would chastise himself. It was easy to criticise him – he doesn’t come across well in front of the camera – and people did. But I couldn’t help thinking that I’d driven tired before. I’d been lucky. There was no perfect storm for me, I managed to get off the motorway before something catastrophic happened and we all lived to see another day. I wondered if Gary Hart was any more guilty than I was, just because the consequences of his actions were so very different.

The second news item was the film of the charismatic mother of a boy who’d been killed in the 7/7 London bombing in 2005. She stood on a box in a crowd and everybody listened. She wasn’t talking vengeance, hatred and justice, she was talking about forgiveness. I was struck by how much more powerful and effective this type of reaction was, than the undoubtedly human and more usual reaction of anger and revenge.

This shot me back to a childhood thought which has appeared and re-appeared all though my life. It’s the paradox of the human condition. How often do we hear people say, Oh, we all make mistakes,’ and, ‘Nobody’s perfect, we all have our foibles,’ and yet we see families feuding, colleagues resigning and neighbours not speaking because they are not able to forgive someone who didn’t behave ‘perfectly’. Sometimes this anger lasts a lifetime and beyond. As a child, and a rather idealistic adult, I couldn’t help feeling that the world would be a better place if we didn’t get quite so cross or, perhaps more importantly, we endeavoured to become ‘uncross’ as quickly as possible.

By the way, I’m not pretending I’m perfect. That’s the point, really.

I wanted to explore forgiveness, guilt and atonement and the image of the woman slumped over the wheel, with a stranger willing her to stay alive, gave me Tori and Etta and the framework to get started. I chose a text sent from the motorway to be Tori’s crime. I wanted it to be something that was a conscious act that most of us would find abhorrent, and yet if we looked closer, we might find we’d done similar ourselves. I wanted to play with this phenomenon that people can be guilty because it happened and not guilty because it didn’t. My dream for Glass Houses is that as well as being entertained by Tori and Etta’s stories, not to mention Tori’s antics as she clumsily tries to re-build her life and Etta’s ability to self-destruct, readers will be interested in this conundrum, too.

***

Extract: the beginning of the first chapter

THERE WAS BLOOD on the steering wheel. Etta stared at her fingers as they gripped the rim. She uncurled them, flexed them in and out, then turned over her hands to examine the grooves in her skin. She smiled – a surface wound. Just a surface wound. Her half-chewed nails had plunged into her palms.

She patted her face, her arms, her legs: everything was in place. Her neck was stiff but it moved. Her feet ached so she lifted one and carefully replaced it, then lifted the other. Nothing broken. She undid her seatbelt, leaned back against her seat and forced out a long, whistling sigh.

“Thank you,” she whispered, looking up as if to acknowledge the powers-that-be who’d looked after her.

She wrinkled her nose. Her eyes darted to the foot well where she saw her flask smashed into too many pieces to count, drowned in a puddle of milky coffee. She reached for her phone where it had fallen, narrowly missing the liquid, but she froze before she could lift it to her ear. Her engine had cut and the radio silenced but it was more than that. She placed the phone on her lap. The silence was too loud.

In the rear-view mirror she saw stationary vehicles. She held her breath, cast her eyes to the side, to the stream of cars travelling as if in slow motion in the other direction. Tentatively she turned back to the front. The smashed side window of the Jeep was only a few paces ahead of her.

Not again.

“M62, yes, eastbound.” She picked her way quickly over the mess of twisted metal and fragments of glass, covering her mouth against the stench of burning rubber. “Junction? I don’t—”

She dropped her phone, stared at the door to the Jeep which had come away in her hand. It was heavy. She let it fall and covered her ears as it smashed against the ground. She bent down to look inside the Jeep. Her body crumpled and she sank to her knees.

***

Bio

Jackie Buxton is a writer, editor and teacher of creative writing, living in Yorkshire with her husband and two teenage daughters. Jackie used her recent experience of an aggressive form of breast cancer to inform and dispel some myths about a cancer diagnosis via her popular blog: Agenthood and Submissionville. Her posts became the frame-work of self-help memoire, Tea & Chemo (Urbane Publications, November 2015) which receives heart-warming feedback, and has a five star rating from over 75 reviews. Jackie’s award-winning short stories can be found in three anthologies, as well as appearing regularly in Chase Magazine. When not writing or reading, over-seeing house and teens, Jackie can be found running, cycling or tripping up though the beautiful Yorkshire countryside.

Tea & Chemo cover

***

Links

Website:          www.jackiebuxton.com

Blog:                http://jackiebuxton.blogspot.co.uk

Glass Houses:  https://www.amazon.co.uk/Glass-Houses-Jackie-Buxton/dp/1910692840/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=&sr=

Tea & Chemo: https://www.amazon.co.uk/Tea-Chemo-Fighting-Cancer-Living/dp/1910692395/ref=pd_sim_14_2?ie=UTF8&dpID=51VarAHlbnL&dpSrc=sims&preST=_AC_UL160_SR104%2C160_&psc=1&refRID=40W7ZSYWXQPDFB32377Z

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Many thanks for dropping by today Jackie. Good luck with your new novel.

Happy reading,

Jenny x

Guest Post from Jane Jackson: The Master’s Wife

I’m delighted to welcome one of my fellow Accent authors to the blog today. Jane Jackson is a truly excellent writer, and an all round lovely person. She is here today to share some of the background to her novel, ‘The Master’s Wife.’

Over to you Jane…

When Caseley and Jago Barata’s two young sons die in an epidemic while he’s away at sea, her grief and his guilt create an unbridgeable chasm between them.

Believing he failed his wife when she needed him most, Jago cannot turn to her for comfort. Seeking escape from his guilt he takes up with his former mistress, devastating Caseley when she finds out.

Aware of Jago’s undercover work in Spain, and deeply anxious that increasing unrest in Egypt could lead to war, the British Treasury asks him to carry £20,000 in gold to Egypt to bribe the largest Bedouin tribe to fight on Britain’s side.

What had caused the unrest?   Ambitious to make Egypt more like Europe, Khedive Said then his heir and nephew Ismail had raised money for their expansive but poorly-planned schemes through crushing taxation.  When that wasn’t enough, they took out huge loans at high interest rates from British and European banks.

By 1876 Egypt faced bankruptcy.  Anxious to protect its 44% share in the Suez Canal, Britain demanded – and was granted- joint financial management of Egypt with France. Ismail was deposed in favour of his son Prince Tewfiq, and left for exile in Naples on a train loaded with gold, objets d’art, jewels and furniture.

The poorest Egyptians saw little improvement in their lot. They toiled for overseers employed by large landowners and too often had to choose between buying seed for their own small plots, or a length of cloth to replace the rags that were all they had to wear.

Wilfully blind to their own part in fuelling the upsurge of anger, the ruling elite refused to believe that the fellahin would ever rebel. But the Egyptian poor, who did not want their country ruled by Turks or by Europeans, had found a charismatic leader in Egyptian-born Col. Ahmed Arabi.  (There is a saying that those who don’t learn from history are condemned to repeat it, and I see painful similarities between these events and our current situation)

Jago’s mission to Egypt would take him away from home for at least three months. Desperate to escape a house filled with memories, Caseley pleads to go with him. He is reluctant, concerned for her safety. But she demolishes his argument by pointing out that for her the worst has already happened so what has she to fear?  Besides, the official language in Alexandria is French which she speaks and he doesn’t. if only for this he needs her.

The Master's Wife

Because I’m a plotter, I had mapped out the story’s route. But Caseley and Jago are strong people and once the journey began they took over, reacting in ways I hadn’t planned or expected. This led to unforeseen consequences. It was as much an adventure for me as it was for them. I lived the events with them. I laughed, wept and had my heart in my mouth more than once. Would Jago fulfil his mission?  Could he and Caseley find a way back to each other?

***

Excerpt:

Gesturing towards an alcove screened from the cabin by the folds of a thick dark curtain, he moved to the open doorway. ‘You know your way around. I want to get underway.’

‘Yes, of course.’

They were husband and wife and as wary as strangers. He disappeared and she heard his boots clang on the chased brass treads of the companionway. Alone now she pressed a gloved hand to her dry throat as her heart thudded. Not too late…With all her heart she hoped so.

Everything was as she remembered: the table designed to fit the narrowing stern and edged with a wooden lip to prevent things sliding off. The shelf above filled with books and sea junk secured by a beautifully turned fiddle rail. The shallow brass lamp suspended beneath the open skylight.

Her gaze moved from the clock and barometer to the squat stove standing on its protective metal plate in front of the forward bulkhead and bracketed by a full coal-bucket and basket of logs.

Through the open skylight came the sounds of a ship making ready for sea: the rattle of blocks, snapping canvas, and the crew’s banter. Six years had passed since her last trip and it was exactly as she remembered.

She crossed to the sleeping alcove. Pushing back the curtain she saw the nightstand. Beneath a hinged lid was an enamel basin. A cupboard underneath held a chamber pot. Light fell across the bed and her breath caught in her throat.

Immediately after proposing to her, Jago had instructed Hammer to widen the narrow berth so it would comfortably accommodate them both.  She had made a mattress to fit and bought new blankets.  In that small private space they had discovered each other, shared their pasts and talked of their plans for the future. Their elder son had been conceived there. She had slept in Jago’s arms, safe, loved, until her advancing pregnancy had made it uncomfortable and unwise.

The berth had been reduced to its original size. Rejection stung like a slap. She lifted the blankets and saw the mattress had been made smaller. Their time together, her presence here, her part in his seafaring life, he had erased it all. She had believed herself numb to further pain. She wasn’t.

***

You can buy The Master’s Wife from all good retailers, including- :  https://www.amazon.co.uk/Masters-Wife-Captains-Honour-Book-ebook/dp/B01DPSLP5C

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JanepinkRS

Bio

I have lived in the same Cornish village nearly all my life.

My first book, a romantic thriller, was published in 1982. After four medical and ten contemporary romances for Harlequin as Dana James published worldwide I began writing longer historical romances. Of the fourteen published as Jane Jackson some remained Cornwall-based, others – set in the C18th and C19th – ventured to foreign shores while maintaining strong Cornish links. After joining the RNA in the early 1990s I reached the shortlist for the Romantic Novel of the Year Award with Eye of the Wind in 2002, and was shortlisted for the Historical Prize in 2010 with Heart of Stone, and in 2016 for The Consul’s Daughter.  Crosscurrents published in 2016 was shortlisted for the Winston Graham Historical Prize. The fourth in my ‘Polvellan Cornish Mysteries’ series, Secrets and Lies written as Rachel Ennis was published in April.

Teaching the Craft of Novel Writing for over twenty years from Ad. Ed. to MA level has been both a pleasure and a privilege. Ten of my former students are now multi-published novelists.

www.janejackson.net

www.facebook.com/JaneJacksonAuthor

www.facebook.com/PolvellanCornishMysteries

***

Many thanks Jane, wonderful blog.

Happy reading,

Jenny x

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