Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

Category: Fiction Page 43 of 69

Writer’s Block and Champagne

One of the main characters in my Another Cup of… series is a writer called Kit Lambert. When we first met Kit in Another Cup of Coffee, she was making a name for herself by writing erotica. As her career progressed Kit moved into contemporary fiction, and now she has a novel publishing contract, with all the pressures of having to produce work to tight deadlines upon her.

Another Glass Of Champagne

In the final novel of the series, Another Glass of Champagne, Kit, mum of twins, and wife to bookshop owner Phil, suddenly finds herself unable to write at all, but he can’t understand why. Surely writer’s block is something that can be easily shaken off- or is just a myth invented by those who can’t be bothered to write today…or is it?

Not even sitting at her usual table in the corner of Pickwicks Coffee House, (run by her friend Peggy) is helping the words become unstuck…

writers block

Extract

When she got back, Kit found Peggy looking thoughtful, ‘Why have you closed your work down, honey? I usually steal a read of your latest work in progress when I think you’re not looking.’ ‘I haven’t got much done today.’

Kit mumbled. ‘It’s been a mulling things over sort of a day.’ Changing the subject, she said, ‘Scott says there are some sandwiches ready for your lunch when Megan comes back through.’

‘Good, I’m starving.’

‘Are you and Megan managing alright with only two of you on the serving team? It’s already busy, but by July it’s going to be packed between eleven and two.’

‘Actually, Scott and I were talking about that over the weekend. Would your Helena fancy giving us a hand and earning some money before she heads off to university? Where is she going again?’ Flinching slightly, and hoping Peggy hadn’t noticed, Kit said, ‘She’s aiming for Bath to do Chemistry, and Thomas’s hoping to be off to Exeter. Assuming they get their grades, that is.’

‘Of course they will. What’s Thomas going to study?’

‘History.’

‘Sounds good. So, do you think Helena will want the job? It would save me a lot of bother with adverts and stuff.’

Kit nodded. She knew exactly how much time it took to go through interviews and training staff in this place, so someone who was already familiar with Pickwicks layout would be a real advantage to Peggy. ‘I’ll ask her. Helena’s bank balance could certainly do with a top-up. Goodness knows it’s time she stood on her own two feet financially.’

Megan came back into the café and Peggy got up to go and have her lunch before another influx of customers forced her to forego her only real break of the day. As an afterthought, she turned back to Kit. ‘If you’d rather your daughter wasn’t here during the day, just say. I mean, this is your office after all!’

‘I don’t mind at all. I’ll ask her this evening, assuming she comes home She seems to live at her mates’ houses these days.’

‘Making the most of seeing her friends before she heads west, I suppose.’

Peggy waved as she disappeared into the kitchen, to what Kit hoped wasn’t a tuna sandwich, before she could see the tell-tale glint of tears fighting to form at the corner of her eyes. Cross with herself for being so emotional, Kit looked at her screen. Peggy had opened a new document and typed the words You can talk to me, you know. Love Peggy xx across the top of the page.

Kit should have known that she couldn’t hide anything from Peggy. The manageress knew her habits better than anyone, having been host to them for the past decade or so. Kit didn’t even want to guess how many cups of coffee, scones, and slices of toast she’d consumed at that table in that time. Just the thought of the amount of butter she’d spread over her early morning snacks was enough to make her feel as though her hips were expanding right there on the seat.

Making her mind up to talk to Peggy soon, she picked up her mobile and sent Helena a text, telling her about the possible employment opportunity at Pickwicks. Kit wasn’t sure if she did actually want Helena around all day while she was writing. But then, she thought, I’m not exactly writing now, am I…

***

You may be thinking that Kit sounds like a real writer you’ve come across- and you’d be right. Kit and I are pretty much the same person- but with huge exaggerations into fiction of course!! For a start, I do not have twins!

The reason behind Kit’s writers block is very personal to me. I’m not going to tell you why she is suffering – it would ruin the story! However, I will say that my motive for giving Kit the problem in question was a pre-emptive strike. Perhaps it was even therapy – because I knew that I was about to go through a similar experience to Kit myself. And now- today – I can feel myself on the edge of it. (Sorry I can’t tell you what ‘it’ is, but it really would ruin things for you as a reader.) I thought that if I tackled the issue on paper via a pretend me first, it wouldn’t be so bad in reality.

Only time will tell whether my plan will work. My writing isn’t blocked at the moment- I am eating a hell of a lot of cake though…

If you want to discover if Kit manages to get to the root of her own word block, and see what else the Pickwick’s crew are up to, then you can buy Another Glass of Champagne from all good bookshops and eBook retailers, including-

http://www.amazon.co.uk/s/ref=nb_sb_noss?url=search-alias%3Daps&field-keywords=Another+Glass+of+Champagne+Jenny+Kane

http://www.amazon.com/s/ref=nb_sb_noss/188-7813436-7626710?url=search-alias%3Daps&field-keywords=Another+Glass+of+Champagne+Jenny+Kane

***

Happy reading,

Jenny xx

Interview with Steven. A. McKay: Robin Hood and Beyond

Today I am delighted to welcome Steven A McKay to my site for a natter. A fellow lover of myths, legends, and things historical; Steven is one of the most successful self-published authors in the UK. He also likes Robin of Sherwood…Enough said!!

So why not go and grab a drink and join us for a quick chat?

When did you first become interested in the Robin Hood legends?

Honestly, it was only when I decided to write a book about him. I have always been interested in King Arthur and I wanted to write something with a similar character and similar setting. You know: the green fields and woods of Britain with hard men drinking and fighting and loving! Bernard Cornwell had already done King Arthur so I had to look elsewhere and Robin Hood was the obvious choice. When I started researching the character I realised he, and the whole legend around him, was much richer and more interesting than I’d ever thought. It really made Wolf’s Head, and the following books, a joy to write.

What type of research did you have to do for your book?

First and foremost I had to learn about the legend. The elements that everyone knows, such as the characters and the golden arrow Robin wins in the Sheriff of Nottingham’s archery tournament. Then I had to really find out about my period (14th century in this case) because to write about a certain time you need to know the tiniest details.

Most of my research was done from books or the internet but I bought the entire Robin of Sherwood TV series on DVD and had a blast watching them. The friendship displayed by those characters, and even the actors portraying them, was a big influence on my novels.

I was very lucky to have Phil Rose, who played Friar Tuck in that show, write a foreword for one of my novellas and even read it out for the Audible version in that wonderful voice of his!

  

Do you prefer to plot your story or just go with the flow?

Well, as I mentioned, most people already know many of the elements of the Robin Hood legend so for those books I had certain things that had to happen. But I was able to put my own spin on the whole thing and, in general, although I have an idea for how to start and end a book, I don’t plan very far ahead. Normally I just write a few scenes and see where it takes me.
I think some people might work best by planning everything out in advance but, to me, letting a book develop organically leads to a much more dynamic, interesting read. I mean, if even the writer doesn’t know what’s coming next how can it be predictable?

Of course, that doesn’t stop people leaving reviews on Amazon saying they always knew what was coming next which is really weird since I didn’t even know myself when I was writing the books…!

You are one of the most successful self published writers I’ve come across. What would be your top three tips for a self published writer?

I think, first and foremost, you need a decent product that can stand up against the big guns in the publishing world. That means having a decent text that isn’t littered with errors, an exciting blurb, and a good cover image with – and this is hugely important for me – decent fonts. So many times I see good cover art on self-published books but the fonts are the standard ones that come free with Paint or whatever and it just looks amateurish. Hire a cover designer and an editor if you can afford it.

Second, even before you publish a book, try and find people to read it. Send them advance copies and ask them to post reviews on Amazon so as soon as it hits the virtual shelves potential buyers can find out what others thought of it.

Finally, if you’re going to run promotions such as the KDP Countdown deals, you need to tell people! There’s no point in making your book 99p for a week then complaining no one bought it – you need to tell them it’s on sale and that means using paid ads. Places like Bookbub, Freebooksy, Kindle Nation Daily etc are all worth using. I occasionally post tips about self-publishing on my website so do take a look if you’re interested.

Tell us about your latest book. What excites you the most about it?

Well, I’ve finished my Robin Hood books now – the final novella (The Abbey of Death) has actually found a publisher which is really exciting for me but it means I’ve been able to start work on an entirely new series.

This one is about a warrior-druid in post-Roman Britain and I am loving writing it. It was nice having readymade characters like Friar Tuck and Little John who I simply needed to flesh out and bring to life but this time around I’m coming up with my own creations and its strangely liberating!

The setting is really interesting to research since not much is known about 5th century Britain, especially Scotland, but most exciting for me is my main character. A six foot six, handsome, muscular druid who fights like a hero from legend, on a quest that will take him all around this great island meeting all sorts of weird and wonderful folk along the way…Honestly, it’s just huge fun to write, I’m so lucky to have a job like this.

If you were stranded on a desert island with three other people, fictional or real, who would they be and why?

Obviously my family but for the sake of making this a little more interesting I’ll come up with a different answer. Besides, now I think about it, why would I want to strand my wife and kids on an island just to make my own loin-cloth clad, bearded, pitiful existence more bearable?!

So…we’d need some laughter out there in the middle of nowhere and I reckon Sir Terry Pratchett would have been the ideal companion. I loved his Discworld books and it would have been great to spend time with him talking about writing and just general silliness.

 

Next we’d want some music to keep our spirits up so I’d probably pick fellow Glaswegian Angus Young of AC/DC. I’m assuming he’d have rescued a battered old acoustic guitar from the shipwreck so he’d be able to keep us entertained with folk renditions of “Thunderstruck” and “Hell or High Water”. Maybe I’d get a chance to play the guitar myself although if it came to a fight about it he’d win, even if he is just five inches tall.

 

Finally, I’d choose my own new character, the warrior-druid Bellicus. Not only would he protect the rest of us from wild animals with his martial prowess, but he’s a trained musician and spent many years learning the skills of a druid. He’d heal our wounds, talk for hours about the gods and their foibles, show me and Angus a new chord or two on the shared guitar, and give us the last rites if one of us died in a freak gardening accident.

Actually it sounds like a pretty fun place – where do I sign up?

*** 

Buy Links

viewAuthor.at/SA-McKay

Social Links

Twitter – @SA_McKay

Facebook – www.Facebook.com/RobinHoodNovel

Website with link to my mailing list and a FREE, exclusive Forest Lord story, only available to subscribers! https://stevenamckay.com/mailing-list/

 

Bio

Steven A. McKay was born in Scotland in 1977. His first book, “Wolf’s Head”, came out in 2013 and was an Amazon UK top 20 bestseller. “Blood of the Wolf” is the fourth and final book in the Forest Lord series which has over 95,000 sales so far. Steven is currently working on a brand new tale set in post-Roman Britain.

***

Many thanks for taking the time out to join us today Steven. I’m very much looking forward to reading your Robin Hood stories (my Kindle is loaded and ready to go), and indeed your post Roman stories in the near future.

Happy reading everyone,

Jenny (Well, I’m Jennifer really, as I have my medieval hat on today!) x 

From Tiverton to Penzance- via Chippenham…

It’s almost the summer. In writer land that means the literary festival circuit is in full swing.

This year I’m embarking upon a mini-circuit of my own – starting in my home town of Tiverton, Devon this very week – before heading to Chippenham Literary Festival in Wiltshire on 30th June, and then turning towards the very South West of the country, and taking part in Cornwall’s Penzance Literary Festival.

It would be wonderful to meet lots of you lovely folk along the way. If you’d like to drop by and say hello, here is a run down of my schedule over the next few weeks.

On Friday 23rd of June I will be in Tiverton Library, Tiverton selling my latest novels, chatting to readers and writers, and signing any books that you wave in my direction (Make sure they’re mine- I can get a bit carried away with my biro!)

On Sunday 25th June I will be joined by my business partner, the lovely Alison Knight, to teach a writing workshop entitled ‘Who, What, Where , When.’ There are still places left- so feel free to book a seat now if you’d like to take part. (Alison also has a workshop on writing Young Adult fiction – do not miss it!!)  Tickets are available from www.tivertonlitfest.co.uk 

Then it’s off to Chippenham, Wiltshire for the second leg of my tour.

On the evening of Friday 30th June I’m joined by a star line up of romance authors, to chat about our work, writing in general, and share the joy – and peculiarities- of our working lives! There will be wine and cake – enough said!!

The following day, 1st July, Alison and I are teaching our ‘How to Write Romance’ workshop at the nearby Wiltshire History Centre. Details can be found here- www.imaginecreativewriting.co.uk

Leg three of my exhibition, will find me on a train from Tiverton Parkway to Penzance Literary Festival in Cornwall on 6th July. This is quite a big deal for me as I haven’t been back to Penzance since the death of my beloved grandparents.  My father was born and raised in Penzance, but I have no family in the town at all now, and it is going to be strange experience indeed being there on my own.

On 6th July, between 3-4pm I am taking part in the Local Authors panel, talking about how Cornwall inspires fiction.

On 8th July, between 10am and 1pm, I will be teaching a Life Writing workshop for beginners and new writers to the genre.

Details of both events can be found here- http://www.pzlitfest.co.uk/speaker/jenny-kane/

On the 9th July I intend to sleep – lots!!

Abi’s Neighbour and I – for that is the novel I’m touring with- would be delighted to see you on our travels!

 

Get those tickets booked (at the Chippenham event tickets are on the door), and I’ll see you soon!

Happy travels,

Jenny xx

Interview with Grace Lowrie

I’m delighted to welcome Grace Lowrie over for a cuppa and a slice of cake today- not to mention a chat about her latest book. Why not go and fetch a drink and join us..

Thank you so much for having me on your fabulous blog, Jenny!

What inspired you to write your book?

For several years I worked in a garden centre and as a garden designer; transforming other people’s outdoor spaces. It was a wonderful experience and made me aware of how the simple act of gardening can help to ground and restore people. I wanted to write a love story using the healing power of green places to bring two characters together – thus Safe With Me was born.

 

What type of research did you have to do for your book?

I wish I could say that I scrupulously researched every aspect of my story before writing it, I admire those authors who do, but the truth is I don’t have that much patience. I consciously spent time sitting writing in a greasy spoon, to get a feel for my character’s working life, but for the most part I relied on past experiences – such as working in a garden centre – and my vivid imagination. Thankfully writing fiction allows for a certain degree of artistic licence.

Which Point of View do you prefer to write in and why?

The three novels in The Wildham Series were all written in first person. They are classed as Women’s Fiction because of the darker issues covered, but I conceived the stories as romances and writing in the first person feels comfortable in that genre. My chapters alternate in POV between the two lead characters, which was both fun and challenging and will hopefully help readers to put themselves into the story.  Conversely the very first novel I started writing (and still haven’t finished) is primarily not a romance and is written in third person to give a slightly removed, overview feel. But even for my first attempt I didn’t make life easy for myself – the POV is inner limited (where the narrator can see inside just one character’s head) but the chapters alternate between four different character POVs. Perhaps it’s not surprising I still haven’t finished that book! In short; I write in whichever POV feels natural for the story I’m writing.

 Do you prefer to plot your story or just go with the flow?

I’m definitely a plotter. Organised and tidy by nature, though not obsessively so, I find a certain amount of control helps keep anxiety at bay. I’m in awe of pantster authors who can just start writing without any clear idea of where they’re going or how they’ll get there – it must be like having a superpower! Before I start writing I need a firm feel for my characters and a beginning, middle and end planned out – especially the ending because I love a good twist.

What excites you the most about your book?

The powerful, almost magical, quality of a close bond forged in childhood. Safe With Me is the story of two souls finding their way back to each other against all odds.

Blurb-

How far would you go to feel safe again? 
Abandoned as children, Kat and Jamie were inseparable growing up in foster care. But their bond couldn’t protect them forever. 

From a troubled upbringing to working in a London greasy spoon, Kat’s life has never been easy. On the surface Jamie’s living the high-life, but appearances can be deceiving. 

When they unexpectedly reunite, their feelings become too intense to ignore. But as secrets come back to haunt them, are they destined to be separated once more?

***

Buy Links:

Safe With Me will be published on 22nd June 2017 and is available to pre-order:

https://www.amazon.co.uk/dp/B071F2QZB7  

https://www.amazon.com/dp/B071F2QZB7  

Author Bio and links:

Grace Lowrie has worked as a sculptor, prop maker and garden designer. She published her debut romance Kindred Hearts in 2015.

A lover of rock music, art nouveau design, blue cheese and grumpy ginger tomcats, Grace is also an avid reader of fiction – preferring coffee and a sinister undercurrent, over tea and chick lit. When not making prop costumes or hanging out with her favourite nephews, she continues to write stories from her Hertfordshire home.

 http://www.gracelowrie.com/blog

http://www.facebook.com/GraceLowrieWriter

http://www.twitter.com/gracelowrie1

http://www.pinterest.com/grace_lowrie

https://www.instagram.com/grace_lowrie/

https://www.goodreads.com/Grace_Lowrie

https://www.amazon.co.uk/Grace-Lowrie/e/B00UNCPYCY

***

Many thanks for stopping by today Grace.

Happy reading everyone

Jenny x

Blog Tour: Exclusive extract from Skin Deep

I’m delighted to welcome talented author, and my lovely friend, Laura Wilkinson, to my site today as part of her blog tour.

Laura is here today with an exclusive extract from her brand new novel, Skin Deep.

Skin Deep Blurb:

It’s what’s inside that counts…

Art student and former model Diana has always been admired for her beauty but what use are good looks when you want to shine for your talent? Insecure and desperate for inspiration, Diana needs a muse.

Facially disfigured four-year-old Cal lives a life largely hidden from the world. But he was born to be looked at and he needs love too. A chance encounter changes everything; Cal becomes Diana’s muse. But as Diana’s reputation develops and Cal grows up, their relationship implodes.

Both struggle to be accepted for what lies within. Is it possible to find acceptance in a society where what’s on the outside counts for so much?

Taken from Part One of Skin Deep, set in Manchester in the mid-1980s

We walked about the Hulme estate and Alan took photo after photo.

‘Funny that estate also means a stately home, isn’t it? You couldn’t get much further from ornamental gardens, gilded mirrors and roaming stags. Though this place has its own kind of beauty,’ I said.

‘You think so?’ He shook his head. ‘Think I’m more traditional than you on that front.’

He took pictures of the syringes and Kit Kat foils on the stairwells – the detritus of the addict’s life – the boarded up shops, the dogs tied to bollards with string outside The Spinners pub, the old PSV club, the girls in the line for the cash point with their turned-out toes and gently curved arms, dancers-in-waiting from The Northern Ballet School, trying to be regal and graceful in the middle of all this gorgeous, vital ugliness. We stretched towards the edges of the community, noting the distinct change in character once normal society was within reach. The blocks of flats were lower, the disaffection and alienation less marked; this was a better class of slum, and the inhabitants considered themselves lucky to be outside the crescents. The sun was setting as we crossed the bridge spanning the motorway and made our way back into the bowels of the estate. In the distance, the warehouses lining the river Medlock were backlit by the dying sun.

Alan stopped and lifted the camera, then dropped it down again. ‘The whole area was built on swampland, below the water level. They never bothered to drain it when the first lot of slums went up. In Victorian Manchester, Irish immigrants would regularly wake up to a dwelling ankle-deep in polluted river water. And when they tore those slums down they still didn’t bother to drain. Built right on top again. It’s as if the rich and powerful hope that the earth itself will swallow up the human waste dumped here.’

‘Rotten foundations?’

‘The foundations for anything need to be right, don’t they?’

I nodded. I’d not heard Alan so serious. He was angry and sad, and he moved me.

The child; human waste.

‘I found something at that party.’

He turned away from the view to look at me.

I continued. ‘I was somewhere I wasn’t meant to be.’ I told him everything I knew, or guessed, or imagined.

He shrugged. ‘It’s no secret they have a boy.’

How does Alan know this? Off-kilter Alan, who doesn’t have any friends other than me and Linda, and doesn’t seem to work, or sign on, or be connected to anyone worth knowing, let alone Mr and Mrs Super Cool of Hulme.

As it transpired Alan was not the loser I’d assumed he was. People talked to Alan; he gained their trust. When Cardie Girl had deserted him, he’d got into a conversation with the scarlet-lipped punk who’d spilt all sorts about Pru and Michael. They were junkies, rich kids from Chelsea who’d stayed on after they dropped out of university in the late seventies, later ‘working’ as artists and rebelling against the Thatcherite regime. Purportedly, they ran a small printing press and published a Marxist magazine that was distributed on campus – I’d never seen it – organised parties and marches and generally made a nuisance of themselves. I wondered how a couple of junkies managed to squeeze all this in between fixes.

‘So everyone knows they’ve got a kid. Do they know they lock him up?’

‘Not everyone. And they might not always lock him up. It might have been a one-off, you know, ’cos of the party.’

I saw the boy’s hand in my mind’s eye, dredged up the hazy image of his body. He’d been rounded, fleshy, not starved. They fed him. ‘Anyone seen him?’

‘Not many people have.’

‘No bloody wonder if they keep him locked up. It’s not right.’

‘He’s a spastic. People make fun. They keep him out of the way for protection.’

‘That does not make it right.’ I was shouting. ‘It’s wrong to trap a kid. Force them to do things they don’t want to.’ My voice cracked and I heard how strange and overblown I sounded.

‘Force them to do things they don’t want to? We don’t know that Pru and Michael do that. Diana? You OK?’

I was crying. Alan couldn’t have understood where my tears came from, but he pulled me to his chest, and I didn’t object to the stink of his armpits or smelly old jacket. At least not at the time; I complained bitterly later. Bunny made me do things I didn’t want to. She’d locked me in a wardrobe and told me she’d let me out only when I was ready to be beautiful. Having inherited my mother’s stubborn gene I’d stayed there for hours, belly griping with hunger, bladder aching. In the end I’d pissed on her shoes and I got a beating for that too.

Alan pulled a tissue from his pocket and I noticed the ring on the little finger of his left hand. It was made of white gold, I was sure, and had an expensive, handcrafted look about it. I shook my head, refusing the tissue, wondering where and how Alan had acquired such a lovely piece of jewellery. I dug a tissue from my own pocket and sniffled into it. ‘Don’t tell Linda. They’re Jim’s friends.’

‘I won’t. Look, if they lock him up, then it is definitely not right, but it might have been a one-off and even if it wasn’t I’m not sure what we can do about it,’ he said. ‘They’re the parents, we don’t even know them. It’s none of our business. You’ve got to try and forget about it.’

‘I’m not sure I can.’ I wiped my eyes and smiled weakly at him, and he pointed the camera at me.

‘You look lovely when you’re upset. Different, vulnerable. Let me take your picture.’

‘I HATE my picture being taken!’ I grimaced and turned my back on him.

‘But you were a model, a beauty queen…’ I started walking towards the crescents, his footsteps echoing on the paving slabs as he lurched after me. ‘That’s why I hate it,’ I said. ‘I spent my childhood smiling so hard my cheeks ached, my eyes watering from the glare of the flashbulbs. I’m surprised I didn’t develop epilepsy or something.’

‘I’d have thought most girls would have loved it, the attention. Linda made it sound like it was amazing.’

‘The attention wears thin after a while, and it couldn’t make up for the hours spent getting my hair and nails done when all I wanted to do was hang out with my friends, play with my Barbie dolls and other normal stuff.’ I couldn’t look at him.

‘You didn’t tell your mum you weren’t happy?’

It was so rude to keep my back to him, he deserved better. I turned. ‘I tried to, but she never listened. And the winning the competitions and getting jobs was nice, when I did, which wasn’t always…’

He raised his eyebrows and opened his eyes so wide I could see white all around his irises. He said, ‘You didn’t always win? No way!’

It took me a while to realise he was teasing. I smiled at my arrogance and wondered if I was losing my appeal. First Jim, now Alan. ‘Hey, we need to keep moving if we want to keep hold of your camera. It’s getting dark,’ I said, linking my arm in his, ‘muggers’ll be out soon.’

‘Today’s been great. Thanks for coming with me.’

‘My pleasure. Sorry about the outburst.’

We strode along, our long legs and broad steps carrying us home faster than most. Alan talked about using his bathroom as a dark room, and asked if I’d like to watch him develop the shots he’d taken. As we marched along the curve of the crescent I saw a figure outside number fifty: Jim. Linda would be pleased. And a lightbulb came on in my head.

Jim! He’s the way into Pru and Michael’s world, the way to the boy. Today has indeed been good.

 *** 

Buy links

Amazon: https://www.amazon.co.uk/gp/product/B06XWKT5HM/ref=s9_acsd_simh_hd_bw_b17GB_c_x_1_w?pf_rd_m=A3P5ROKL5A1OLE&pf_rd_s=merchandised-search-4&pf_rd_r=D9ENXMEBEPB0150BR1BM&pf_rd_t=101&pf_rd_p=fd347e45-37c2-5ef7-938e-e2348b8d0a86&pf_rd_i=266239

Waterstones:

https://www.waterstones.com/book/skin-deep/laura-wilkinson/9781783758678

WHSmith: https://www.whsmith.co.uk/search/go?af=cat1%3Abooks&w=Skin+Deep+by+Laura+Wilkinson

About Laura:

Liverpool born, Laura is a taff at heart. She has published six novels for adults (two under a pseudonym) and numerous short stories, some of which have made the short lists of international competitions. Public Battles, Private Wars, was a Welsh Books Council Book of the month; Redemption Song was a Kindle top twenty. The Family Line is a family drama set in the near future, looking at identity and parenting. Her latest is Skin Deep. Alongside writing, Laura works as an editor & mentor for literary consultancies and runs workshops on aspects of craft. She’s spoken at festivals and events nationwide, including the Frome Festival, Gladfest, University of Kingston, The Women’s Library and Museum in Docklands. She lives in Brighton with her husband and sons.

www.laura-wilkinson.co.uk   Twitter @ScorpioScribble Facebook: Laura Wilkinson Author Instagram: laura_wilkinsonwriter Pinterest: laura1765 Goodreads: Laura_ Wilkinson

***

Thank you for sharing such a fantastic extract Laura. Good luck with the rest of your tour,- and with the gorgeous Skin Deep!

Happy reading everyone,

Jenny x

Tiverton Literary Festival: 22nd-25th June

I am proud to be able to announce that the third Tiverton Literary Festival is only a few days away!

Started in 2015 by myself, Susie Griggs and Kerstin Muggeridge – I am delighted to see the festival going from strength to strength.

After two years at the helm, Kerstin and I have taken a step back to attend our families and our books (well, both actually) and the festival is now in the capable hands of Rachel Gee, Susie Griggs and Caro Bushnell.

The new team have got a fantastic line up- you will not want to miss out.

Check out the website for the full line up-

Here are a few of the events on offer…

Thursday 22nd June

7.15pm – 8.30pm.

Tiverton Library. Tickets: £5

TivLitFest Launch Event: Jane Corry in conversation with BBC journalist Simon Hall
Sunday Times bestselling psychological thriller writer Jane Corry will talk about her hit My Husband’s Wife and new book Blood Sisters with BBC South West crime correspondent Simon Hall.

Friday 23rd June

All day

Pop-up book swap @ CreaTIV Hub, Fore Street.
Pre-loved give a book, take a book event brought to you by CAG Devon Sustainable Villages.

 10am – 12 midday

Tiverton Library. Free Admission.

Author Showcase
20 authors from all over the South West all in one place, including Tiverton’s own Jenny Kane. (Ohh– me!!)  Lots of different styles and genres to suit all tastes. Come and meet some local talent and buy their books!

 

1.00 – 3.00pm

CreaTIV Hub, Fore Street. Free Admission.

Book Chat & Signing: Frank Westworth and Tyrrel Francis
Meet the authors of the Killing Sisters crime series and local combat sports drama Blood, Sweat and Tears

 

2.00 – 3.30pm.

Tiverton Library. Tickets: £15

WORKSHOP: So You Want To Be A Writer? Cathie Hartigan & Margaret James
How to give yourself the best chance of success. Have you entered competitions but got nowhere? Are those rejection letters pilling up? Read your opening paragraphs at this informal session and find out how to make your work stand out from the crowd. Come away with bags of hints and tips on how to find the best route to publication for you. Award winning writers themselves, Margaret James and Cathie Hartigan have many years of experience as creative writing teachers and competition judges. Apart from their own successful novels, they are co-authors of the #1Best Selling The Creative Writing Student’s Handbook.

4.30 – 6pm.

Elsie May’s Cafe, Phoenix Lane.

 £7.50 per child.

Elsie May’s Magical Teatime Stories: Family Event
Magical storytelling event aimed at under 10s and their families, older children welcome too. Come in your best party clothes for interactive stories, munch on high tea, make party hats, and experience magical surprises. Perhaps a tiger will come to tea!

High teas also available for adults by arrangement.
Book via facebook.com/elsiemaystiverton or call 01884 235935

7.00 – 8.00pm.

Tiverton Library. Tickets: £5

Crime Night: Rebecca Tope, L V Hay and James D Mortain
From Cosy crime in the Cotswolds, the suspense of an unsolved death in Brighton and strange goings on in North Devon our panel has something to offer all crime fiction buffs.

Saturday 24th June

All day

Brendon Books @ CreaTIV Hub, Fore Street.

New books available from the TivLitFest Book Shop, pick up titles from participating authors.

All day

Pop-up book swap @ CreaTIV Hub, Fore Street.

Pre-loved give a book, take a book event brought to you by CAG Devon Sustainable Villages.

 All day

The Oak Room Café

will be open all day for refreshments and book chat. Coffee and a cake anyone?

Meet at 10.30am.

Tiverton Library. Free: no ticket required.

Secret Story Trail: Family event
Start the trail with Amy Sparkes reading Ellie’s Magic Wellies, then visit some secret locations for more tales from Loreley Amiti and Olli Tooley. The trail ends with Exmoor Ponies writer Victoria Eveleigh at The Oak Room from 11.45am. Come in wellies or fancy dress. Free face painting from Alannah and craft session. NB. The end of the trail is not suitable for buggies. All children to be accompanied by an adult.

Start the trail with Amy Sparkes reading Ellie’s Magic Wellies, then visit some secret locations for more tales from Loreley Amiti and Olli Tooley

Loreley Amiti

11.00am-1.00pm.

Tiverton Library. Tickets: £15.

WORKSHOP: Writing for Children – Breaking Through with Amy Sparkes
A workshop with successful children’s author Amy Sparkes whose work has been published by Scholastic, Egmont and HarperCollins.

2.00-3.30pm.

Tiverton Library. Tickets: £3

Dan Metcalf – Code Breakers Workshop (age 7-11 years): Family Event
Meet author Dan Metcalf, listen to him read one of his books from the Lottie Lipton Adventures series and try your hand at code-breaking . Great fun for children aged 7-11 years.

2.00-3.00pm.

Tiverton Castle.

Tickets: £5 including refreshments

Historical Anecdotes and Research
Conversations with M J Colewood about the Chester Bentley medieval mysteries and local historian Douglas Rice about ‘The Siege of Tiverton Castle’. Sorry no wheelchair access inside the castle.

3.45pm (approx. 1 hour).

Meet at Tiverton Castle.

Free – no ticket required.

Guided History Walk – Tiverton Civic Society
Historical walking tour. Learn about Tiverton’s merchants and wool and textile heritage. The walk will end at The Oak Room where you will have the opportunity to buy refreshments.

3.30-5.00pm.

The Oak Room. Tickets: £15.

WORKSHOP: Exploring the young adult market with Alison Knight.
The market for books written for young adults (12-18 year-olds) is growing, thanks to the popularity of authors like JK Rowling, Bella Forrest and Anthony Horowitz.  As well as creating fantasy worlds that have caught the imagination of millions of teenagers and adults alike, a wide range of YA fiction also tackles life problems head on, providing emotional support and growth for young people.  Author Alison Knight will lead a workshop looking at YA stories, with writing exercises for teens and adults who are interested in writing for this market. This session is suitable for beginners and experienced writers and anyone who wants to know more about the growing YA book market.  Bring along your favourite YA book to add to the discussion! Sorry no wheelchair access at The Oak Room.

4.30 – 6.00pm.

Elsie May’s Cafe, Phoenix Lane. 

£7.50 per child

Elsie May’s Magical Teatime Stories: Family Event
Magical storytelling event aimed at under 10s and their families, older children welcome too. Come in your best party clothes for interactive stories, munch on high tea, make party hats, and experience magical surprises. Perhaps a tiger will come to tea!

High teas also available for adults by arrangement.
Book via facebook.com/elsiemaystiverton or call 01884 235935

Judi Spiers and Christopher Biggins

7.00 – 10.30pm.

The Oak Room.

Tickets £10 (includes canapes).

TivLitFest Party with Christopher Biggins, Judi Spiers & Lucy English
Showbiz legend Christopher Biggins in conversation with Judi Piers, award winning performance poet Lucy English, acoustic vibes from local music acts. Join us at this fabulous festival fundraiser and mingle with other festival supporters. Licensed bar. Over 16s only please. Sorry no wheelchair access.

Sunday 25th June

12.30 – 2.30pm.

Tiverton Town Hall. Tickets: £15

WORKSHOP: Who, what, when, where! Jenny Kane & Alison Knight
Experienced novelists Alison Knight and Jenny Kane will help you to shape four of the most vital elements for any story; be it long or short. Characters, situation, time period, and location.  For beginners and those who wish to finesse their writing technique.

2.45 – 4.00pm.

Tiverton Town Hall. Tickets: £5

Female Author Panel
Exeter Novel Prize winner Su Bristow, #1 Bestselling writer Cathie Hartigan, Jan Ellis and Alison Knight. Listen to this lively panel of women writers talk about their work and books. Refreshments available from Gin & Jam WI.

4.30 – 6.00pm.

Elsie May’s Cafe, Phoenix Lane.

£7.50 per child.

Elsie May’s Magical Teatime Stories: Family Event
Magical storytelling event aimed at under 10s and their families, older children welcome too. Come in your best party clothes for interactive stories, munch on high tea, make party hats, and experience magical surprises. Perhaps a tiger will come to tea!
High teas also available for adults by arrangement.
Book via facebook.com/elsiemaystiverton or call 01884 235935

 5.00 – 6.30pm.

Tiverton Town Hall. Tickets: £5.

Maeve Haran and Liz Fenwick in conversation with Judi Spiers
This event is sponsored by Five Cedars Health & Beauty.
International Bestseller Maeve Haran and author of sweeping Cornish sagas Liz Fenwick will be in conversation with Judi Spiers, discussing their new books An Italian Holiday and The Returning Tide. Refreshments will be available from Gin & Jam WI.

7.30-9.00pm.

Tiverton Rugby Club.

£9 in advance, £10 on the door.

Johnny Kingdom’s West Country Tales: Festival Finale
An evening with man of Exmoor Johnny Kingdom. Watch clips from his wildlife filming and listen to some West Country Tales from the very entertaining and much loved Johnny. You will also have to opportunity to buy his books, DVDs and prints and chat to the man himself! Licensed bar. Free Parking.

***

All further details are on the Tiv Lit website. www.tivertonlitfest.co.uk

You can order tickets online or you can buy tickets in person from Tiverton Library or Reapers Health Food shop on Bampton Street, Tiverton.

***

See you there!!

Jenny xx

Sshhh- Don’t tell anyone…but it’s okay to write erotica

Three years ago I wrote an article for the Romance Matters magazine (the Romantic Novelist Association’s magazine), entitled I Want to Write Erotica; Sshhh- Don’t Tell Anyone…

Now, three years on, and not much has changed attitude wise. That some people don’t want to read or write erotica is perfectly normal – I wouldn’t want to read or write horror. However, I’d never give someone a hard time if they did want to read or write horror.

Sadly, the same isn’t always be said for erotica. It’s OK to be relaxed about being able to write about scaring someone to death, but not OK to be relaxed about fictional people enjoying an imaginative sex life. (Obviously erotica that crosses legal boundaries is NOT welcome- and that is another story).

It never ceases to amaze me, when I’m at conferences or writer meetings, how often I’m sidled up to by other romance or contemporary fiction writers and asked in hushed tones, ‘Um, I’d um…, like to write erotica. Could you give me a few tips? You won’t tell anyone will you?’

Erotica is frequently seen as either ‘the easy option,’ ‘the poor woman’s romance’, or worse still, as seedy. The only way to combat these three misconceptions is to write the best erotica possible, and to remind ourselves that writing it is not only great fun, but nothing to be ashamed of.

Lovers of erotica have similar expectations to romance readers; a strong storyline that includes attraction, a plot twist with obstacles to overcome before the leading characters ultimately get together. In erotica however, you have the freedom to delve further into the emotions involved; moving from the feelings of the heart, to our basest desires.

The sexual content of any erotic story must be integral to the plot from the beginning. In recent months there has been a temptation to take previously written romances and add sex scenes at will.  This “erotica sells so let’s shove in some kink” policy rarely makes for a satisfying read.

No erotic story should include a sex scene that doesn’t move the story forward. Gratuitous sex rarely enhances the reading experience; nor does it add weight to the plot. If you want sex for the sake of sex then read porn. (Which, I’m pleased to say is of a slightly higher quality than it used to be.)

Erotica done well is far from the easy option. Having said that, it is easy to write erotica badly. Amazon is littered with low grade Fifty Shades copyists and authors who have had one successful erotic story, and then have rewritten it over and over again; changing only the characters names and location each time. That policy might make you money- but at the cost of quality and professional pride.

The beauty of writing romance is that you can leave what goes on in your characters private moments behind closed doors. Conversely, the joy of erotica is that you can open those doors, and create stories that push both your own and your reader’s boundaries, by writing words you’d probably never say, about things you’d probably never do.

Erotica is nothing to be afraid of or ashamed of. But, like any other genre, it is only something you should write it if you want to- not because you think it’ll help sell your books. Trust me- it wont.

Above all, the golden rule of writing erotica is that it’s your audience’s imagination you need to turn on- anything else you turn on is merely a bonus!

Happy writing,

Jenny  (a.k.a Kay Jaybee – over 18’s only)

 

 

 

 

 

 

Happy First Birthday: Another Glass of Champagne

I can’t quite believe that a year has gone by since Another Glass of Champagne– the last part of my Another Cup of…series – was published! Since then I’ve had my first Jennifer Ash novella published (The Outlaw’s Ransom), and my second Cornish novel, Abi’s Neighbour released, and I’ve written the novel, The Winter Outlaw, for Jennifer Ash. (Out in the winter)

AGOC

The original novel, Another Cup of Coffee novel was intended to be a one. Based in and around the Pickwick’s Coffee Shop, it revolved around the adventures of waitress Amy and erotica writer Kit. To my amazement, three Christmas novellas followed. The first two mini-novels (Another Cup of Christmas and Christmas in the Cotswolds) told former art student, Megan’s story, while the final seasonal outing took Kit up to a literary festival in Aberdeenshire. (Christmas in the Castle)

While Another Cup of Coffee very much involved the figure of bad-boy Jack alongside Kit and Amy, he had never had a novel that focused on him more than the other characters – until  Another Glass of Champagne.

The novel opens with, after an absence of a few years from his friend’s lives, Jack is heading back to London, with new opportunities, a new skill set, a determination to avoid romance at all costs, and fresh adventures well within his grasp- all of which could be celebrated with a glass of champagne.

The trouble is, knowing Jack, he might well mess it all up…

Blurb

A warm-hearted, contemporary tale about a group of friends living in a small corner of busy London, by bestselling author Jenny Kane.

Fortysomething Amy is shocked and delighted to discover she s expecting a baby not to mention terrified! Amy wants best friend Jack to be godfather, but he hasn’t been heard from in months. When Jack finally reappears, he s full of good intentions but his new business plan could spell disaster for the beloved Pickwicks Coffee Shop, and ruin a number of old friendships…

Meanwhile his love life is as complicated as ever and yet when he swears off men for good, Jack meets someone who makes him rethink his priorities…but is it too late for a fresh start?

 Author Kit has problems of her own: just when her career has started to take off, she finds herself unable to write and there s a deadline looming, plus two headstrong kids to see through their difficult teenage years…will she be able to cope?

 

Jack washes away another disaster!

Jack washes away another disaster!

Extract

Staring out of the train window, Jack exhaled a long, slow breath. Was this how Amy had felt when she had first come to Richmond after her years of self-imposed exile in Scotland? Sort of excited, but absolutely terrified at the same time? 

Jack wondered if, once he’d worked up the courage to go and see her, Amy would notice the parallels between their situations. A smile crossed his face. However she reacted, she would forgive him for not being in touch over the past few years. Amy always forgave him. For everything.

In his mind, he’d left Richmond for a good reason. Although he knew Amy accepted he’d needed to leave, he was less sure she understood why – which was why he’d decided to break off even phone and email contact with her. It was also why he hadn’t told any of his friends where he was; just to see if that helped.

It wasn’t that Jack wasn’t happy for Amy and Paul to be living the fairytale, but the fact that they were together, while he was still alone, was sometimes hard to take – especially when he knew Amy’s love could have been his if only he’d been prepared to risk it all those years ago. This nagging thought – one he accepted was utterly ridiculous, as he knew that he’d never have been able to ignore his sexuality, even for Amy – made him a rather less kind human being than he would have liked. He knew that until he could get past feeling he was missing out on something that all his friends took for granted, they were better off without him and the chip on his shoulder. Amy would understand, he was sure. Kit, on the other hand, might not be as understanding…

Jack’s smile disappeared. Years ago, back when they were dating, Kit would have forgiven him anything – but since Amy had come back into his life, and both women had become good friends in their own right, Kit had become much stronger. Jack had learnt that Kit had always hated how he could make her doubt her strength and resilience. These days she was so much more equipped to deal with him and his bullshit – and he knew it.

Perhaps he shouldn’t be coming back. After all, he knew he was as emotionally messed-up as ever – but he had to go somewhere, and anyway, whether he wanted to admit it or not, he’d been getting homesick.  Plus he’d had to get away from Kent…

Opening his eyes, Jack sighed as the train’s sudden slowing announced that they were arriving at St Pancras. Here he was again. Back in London, fleeing from yet another cock-up in his love life, and with nowhere to call home. He wished he hadn’t so rashly sold his place in Mortlake – he’d got far less than it was worth, too, in his haste to make a clean break.  

There were several Tube connections to Richmond Jack could have chosen to see his old friends straight away, but as he stood in the bustling station, he found himself unable to move a step further.  It wasn’t like him to be assailed by doubt, but this time it was different. Whatever he did, he always managed to upset people. He never meant to; usually he never even saw his offences coming.

On this occasion however, he knew that if he was going to go ahead with his latest plan and really make it work, he was going to cause trouble for some of his friends…

***

If you’d like to find out if Jack finally finds the man of his dreams, and how his latest escapade impacts on the lives of the Pickwicks crew, then you can buy Another Glass of Champagne from all good bookshops and from online retailers including-

http://www.amazon.co.uk/s/ref=nb_sb_noss?url=search-alias%3Daps&field-keywords=Another+Glass+of+Champagne+Jenny+Kane

http://www.amazon.com/s/ref=nb_sb_noss/188-7813436-7626710?url=search-alias%3Daps&field-keywords=Another+Glass+of+Champagne+Jenny+Kane 

***

I never dreamed that I’d end up writing five stories about the comings and goings of the folk who frequented the Pickwicks Coffee Shop in Richmond, London. I’m so glad I did though. I loved every second of writing that series. The characters became my friends- I still miss them!

So, from my own café corner in distant Devon, I’m raising a cuppa to Another Glass of Champagne! Happy birthday happy book!

Happy reading,

Jenny x

Wedding Thinking: Romancing Robin Hood

As many of you will know, I spend the majority of my writing time in the corner of a café in a small town in Devon. The shop next door but one to the café is one of those establishments that seems to change hands at least once a year. Recently it opened as a wedding dress retailer. At the moment it has some beautiful pseudo-medieval dresses making up the window display- and they got me thinking about the wedding in my part modern/part medieval novel, Romancing Robin Hood.

That in turn got me thinking about my forthcoming medieval novel, The Winter Outlaw…but more about that later…

RRH- new 2015

Romancing Robin Hood is a contemporary romance is based on the life of Dr Grace Harper, a medieval history lecturer with a major Robin Hood obsession. So much so, that instead of writing a textbook on medieval life, Grace is secretly writing a novella about a fourteenth century girl called Mathilda, who gets mixed up with a real outlaw family of the day, the Folvilles. (Which you can also read within my novel!)

Blurb

Dr Grace Harper has loved the stories of Robin Hood ever since she first saw them on TV as a girl. Now, with her fortieth birthday just around the corner, she’s a successful academic in Medieval History, with a tenured position at a top university.

But Grace is in a bit of a rut. She’s supposed to be writing a textbook on a real-life medieval gang of high-class criminals – the Folvilles – but she keeps being drawn into the world of the novel she’s secretly writing – a novel which entwines the Folvilles with her long-time love of Robin Hood – and a feisty young girl named Mathilda, who is the key to a medieval mystery…

Meanwhile, Grace’s best friend Daisy – who’s as keen on animals as Grace is on the Merry Men – is unexpectedly getting married, and a reluctant Grace is press-ganged into being her bridesmaid. As Grace sees Daisy’s new-found happiness, she starts to re-evaluate her own life. Is her devotion to a man who may or may not have lived hundreds of years ago really a substitute for a real-life hero of her own? It doesn’t get any easier when she meets Dr Robert Franks – a rival academic who Grace is determined to dislike but finds herself being increasingly drawn to…

***

The problem with Grace, is that she is always so embroiled in her work and passion for outlaws, that real life is passing her by.

With the wedding of Grace’s best friend, Daisy, approaching fast, she can’t help wishing for some personal happiness herself…

summer wedding

Extract

…Daisy hadn’t grown up picturing herself floating down the aisle in an over-sequinned ivory frock, nor as a doting parent, looking after triplets and walking a black Labrador. So when, on an out-of-hours trip to the local vet’s surgery she’d met Marcus and discovered that love at first sight wasn’t a myth, it had knocked her for six.

She’d been on a late-night emergency dash to the surgery with an owl a neighbour had found injured in the road. Its wing had required a splint, and it was too big a job for only one pair of hands. Daisy had been more than a bit surprised when the locum vet had stirred some long-suppressed feeling of interest in her, and even more amazed when that feeling had been reciprocated.

It was all luck, sheer luck. Daisy had always believed that anyone meeting anybody was down to two people meeting at exactly the right place, at exactly the right time, while both feeling precisely the right amount of chemistry. The fact that any couples existed at all seemed to Daisy to be one of the greatest miracles of humanity.

She pictured Grace, tucked away in her mad little office only living in the twenty-first century on a part-time basis. Daisy had long since got used to the fact that her closest friend’s mind was more often than not placed firmly in the 1300s. Daisy wished Grace would finish her book. It had become such a part of her. Such an exclusive aim that nothing else seemed to matter very much. Even the job she used to love seemed to be a burden to her now, and Daisy sensed that Grace was beginning to resent the hours it took her away from her life’s work. Maybe if she could get her book over with – get it out of her system – then Grace would stop living in the wrong timeframe.

Daisy knew Grace appreciated that she never advised her to find a bloke, settle down, and live ‘happily ever after,’ and she was equally grateful Grace had never once suggested anything similar to her. Now she had Marcus, however, Daisy had begun to want the same contentment for her friend, and had to bite her tongue whenever they spoke on the phone; something that happened less and less these days.

Grace’s emails were getting shorter too. The long paragraphs detailing the woes of teaching students with an ever-decreasing intelligence had blunted down to, ‘You ok? I’m good. Writing sparse. See you soon. Bye G x’

The book. That in itself was a problem. Grace’s publishers and colleagues, Daisy knew, were expecting an academic tome. A textbook for future medievalists to ponder over in the university libraries of the world. And, in time, that was exactly what they were going to get, but not yet, for Grace had confided to Daisy that this wasn’t the only thing she was working on, and her textbook was coming a poor third place to work and the other book she couldn’t seem to stop herself from writing.

‘Why,’ Grace had forcefully expounded on their last meeting, ‘should I slog my guts out writing a book only a handful of bored students and obsessive freaks like myself will ever pick up, let alone read?’

As a result, Grace was writing a novel, ‘A semi-factual novel,’ she’d said, ‘a story which will tell any student what they need to know about the Folville family and their criminal activities – which bear a tremendous resemblance to the stories of a certain famous literary outlaw! – and hopefully promote interest in the subject for those who aren’t that into history without boring them to death.’

It sounded like a good idea to Daisy, but she also knew, as Grace did, that it was precisely the sort of book academics frowned upon, and she was worried about Grace’s determination to finish it. Daisy thought it would be more sensible to concentrate on one manuscript at a time, and get the dry epic that everyone was expecting out of the way first. Perhaps it would have been completed by now if Grace could focus on one project at a time, rather than it currently being a year in the preparation without a final result in sight. Daisy suspected Grace’s boss had no idea what she was really up to. After all, she was using the same lifetime of research for both manuscripts. She also had an underlying suspicion that subconsciously Grace didn’t want to finish either the textbook or the novel; that her friend was afraid to finish them. After all, what would she fill her hours with once they were done?

Daisy’s mobile began to play a tinny version of Nellie the Elephant. She hastily plopped a small black guinea pig, which she’d temporarily called Charcoal, into a run with his numerous friends, and fished her phone from her dungarees pocket.

‘Hi, Marcus.’

‘Hi honey, you OK?’

‘Just delivering the tribe to their outside quarters, then I’m off to face the horror that is dress shopping.’

Her future husband laughed, ‘You’ll be fine. You’re just a bit rusty, that’s all.’

‘Rusty! I haven’t owned a dress since I went to parties as a small child. Thirty-odd years ago!’

‘I don’t understand why you don’t go with Grace at the weekend. It would be easier together wouldn’t it?’

Daisy sighed, ‘I’d love to go with her, but I’ll never get her away from her work more than once this month, and I’ve yet to arrange a date for her to buy a bridesmaid outfit.’

‘Well, good luck, babe. I’m off to rob some bulls of their manhood.’

Daisy giggled, ‘Have fun. Oh, why did you call by the way?’

‘Just wanted to hear your voice, nothing else.’

‘Oh cute – ta.’

‘Idiot! Enjoy shopping.’

As she clicked her battered blue mobile shut and slid it back into her working clothes, Daisy thought of Grace again. Perhaps she should accidentally invite loads of single men to the wedding to tempt her friend with. The trouble was, unless they wore Lincoln Green, and carried a bow and quiver of arrows, Daisy very much doubted whether Grace would even notice they were there…

RH- RoS 2

***

As I said above- it isn’t just Romancing Robin Hood that came to mind when I saw the historically inspired wedding dresses in the shop window.

In a few weeks time I will finish the publisher’s edits for my second Jennifer Ash novel, The Winter Outlaw. This story continues from where we left the medieval mystery solver, Mathilda of Twyford (that Grace invented in Romancing Robin Hood), telling you what happens after Mathilda settles herself into life in the Folville family household. (Mathilda’s story is told without Grace Harper’s accompanying story in The Outlaw’s Ransom) There may – or may not- be a wedding….

Buy Links for Romancing Robin Hood – E-book and paperback

Amazon UK- http://www.amazon.co.uk/Romancing-Robin-Hood-Jenny-Kane-ebook/dp/B00M4838S2/ref=sr_1_1?ie=UTF8&qid=1407428558&sr=8-1&keywords=romancing+robin+hood

Amazon.com- http://www.amazon.co.uk/Romancing-Robin-Hood-Jenny-Kane-ebook/dp/B00M4838S2/ref=sr_1_1?ie=UTF8&qid=1407428558&sr=8-1&keywords=romancing+robin+hood

***

Buy Links for The Outlaw’s Ransom – E-book only

Amazon.co.uk – https://www.amazon.co.uk/Outlaws-Ransom-Jennifer-Ash-ebook/dp/B01LZDKPQM/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1475660907&sr=1-1&keywords=The+Outlaw%27s+Ransom+Jennifer+Ash

Amazon.com – https://www.amazon.com/Outlaws-Ransom-Jennifer-Ash-ebook/dp/B01LZDKPQM/ref=sr_1_1?ie=UTF8&qid=1475660990&sr=8-1&keywords=The+Outlaw%27s+Ransom+Jennifer+Ash

Happy reading,

Jenny x

The Story So Far: Maggie Cammiss

I’m delighted to welcome fellow author, Maggie Cammiss to my site today! Why not grab a glass of something and a slab of cake, and settle down for a read.

Over to you Maggie…

Hi Jenny,

Thank you for having me on your blog again – the first time was just after my debut novel was published in 2014. A lot has happened since then, but my writing story began a long time ago.

It sounds like a cliché these days, but the old advice to write about what you know certainly worked for me. I was lucky in my working life; first in public libraries, which I absolutely loved, then into film archives. I spent seventeen years with Sky News, managing a team responsible for accumulating, cataloguing and maintaining a news footage archive. I’m not a journalist, and my background in libraries and archives presented an unconventional route into television.

It was a great job, really interesting. Working in rolling news was like being in a revolving door – there was always something going on, day and night – and it provided me with all the inspiration I needed for my first two novels, No News is Good News and Breaking News. There’s a romance at the heart of both novels, with the overheated environment of a television newsroom providing the setting. These novels aren’t specifically autobiographical but they probably reflect aspects of my younger self. The characters and storylines are entirely fictitious but that doesn’t stop old colleagues asking if they feature in them – I tell them I’ve changed the names to protect the guilty!

No News is Good News was released in 2014 but the publisher had closed its list by the time Breaking News was ready. I tried assisted publishing, but this was a very disheartening experience, so eventually I decided to go it alone. I recently relaunched both titles independently, with brand new covers, and they are available on Amazon. I think they look fabulous and I’m very proud of my efforts.

After writing two novels set in a working environment and featuring younger women, I needed a change of scenery and I also wanted to write about the experiences of women my own age. The current novel, working title, Serendipity, explores the relationships between four women, the secrets they keep from each other and the consequences of their silence. My new characters are older and hopefully wiser, and have their individual ways of dealing with some universal problems. There’s conflict and drama, a hint of romance and some wry comedy in the mix.

I write a lot of short stories, too, mostly as homework for my writing group, and I’m often asked where I get my ideas from. I have to admit to being an inveterate people-watcher and eavesdropper – I suspect many writers are. I tell everyone who comes to my house to be careful what they say – it might end up in a novel. Snippets of conversation I’ve accidently overheard are like gold dust. One of my best ones was in a shop. Two people came round the shelves towards me, one of them saying to the other, ‘Oh no, it’s not for me, it’s for the private detective.’ I couldn’t wait to get out of the shop and write it down.

As far as the writing itself goes, I’m more of a planner than a pantser – I like to know where I’m going. But when I have the basic outline I give my characters their head and follow where they lead. I’ve written myself into plenty of dead ends! The characters always know their own minds and often create problems I haven’t envisaged, but I’ve learned to wait; the solution will reveal itself in its own time – usually in the dead of night. Which is why I keep a notebook by the bed: to jot down those elusive thoughts that would otherwise vanish with the dawn. It helps me believe that I’m in control.

I love making stuff up – constructing scenarios, fitting imaginary characters into them and engineering all their relationships. It’s like playing God. I don’t always like the isolation, or the detrimental effect that writing has on my bottom, but overall, it’s my dream job.

***

Here’s the blurb for BREAKING NEWS:

Television producer Sara Cassidy has her life all mapped out. She loves her job making weekly feature programmes for TV news channel UK24, and is looking forward to furthering her ambitions in the media. She is devastated when her fiancé makes a shattering confession but she hardly has time to come to terms with the betrayal when her closest friend is involved in a freak accident and Sara’s world is turned upside down once again.

As Sara struggles to maintain a professional perspective she finds solace in a new interest and a blossoming romance. But she has to be careful who she trusts in the cut-throat world of television news. Just as she is finding her feet again the career that means so much reveals its murkier side.

When she suddenly finds herself at the other end of the camera lens, Sara discovers that in the struggle for ratings, loyalty is in short supply.

Blog:  https://maggiecammiss.com/

Facebook: https://www.facebook.com/maggiecammisswriter/

Twitter: https://twitter.com/maggiecammiss

Amazon: https://www.amazon.co.uk/Breaking-News-Maggie-Cammiss-ebook/dp/B071KY3BXG/ref=sr_1_1?ie=UTF8&qid=1493908719&sr=8-1&keywords=news+maggie+cammiss

 ***

Thanks Maggie!

Happy reading everyone,

Jenny xx

 

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