Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

Tag: childrens books

Who the hell are you?

Hello, it’s Jenny Kane here – or is it?

Last week I was lucky enough to go to the Exeter Writer and Blogger Meet Up, organised by the lovely Kim Nash and Holly Martin. It was a relaxed affair, with the only request made of us being that we wore name badges. I decided, in the interests of simplicity, just to use two of my many names- more for my sanity than anything else!

It was so busy – really wonderful! However, I had an attack of shy syndrome, and so I sat and chatted to many of the folk I’d met before- despite telling myself I must be brave and mingle!

This situation was not destined to remain however…

The pub in which was all met was open to the public as well as to us writer types. Unbeknown to me (as I had my back to the bar and am as deaf as a post), a stag party had come in. There they were, all dressed as characters from Top Gun, merrily ( I use the word advisedly) chatting to some of my fellow writers. Then, suddenly, there was a tap on my shoulder, and the words, ‘Hey, you’re the porn woman’ were being hurtled towards me at high speed…

Cue some good natured banter with said stag party.

Letting my inner Kay Jaybee take over, I coaxed the lads outside, where I took lots of photos for them – of them I hasten to add- and was about to make my way off when one of them produced a Sharpie…A little clothing signing later and I bid them a fond farewell and returned to the writer throng.

It was at that moment when a lady – who I regretfully didn’t catch the name of- turned to me and uttered the immortal words ‘Who the hell are you?!’

And so…maybe it’s time for a recap…

Jenny Kane writes RomCom style contemporary fiction – with a hint of romance and a healthy spattering of coffee drinking included. (Tea drinkers are also welcome)

book-pile

Jenny Kane also writes children’s picture books of the very quirky variety. There is no coffee on offer, but cookies are involved by way of compensation.

title-page

Jennifer Ash writes fourteenth century medieval mysteries– also with a hint of romance, but with no coffee whatsoever. There is ale though – lots of ale.

The Outlaw's Ransom

Kay Jaybee writes award winning, full on, adult only, erotica (not porn, despite the claims of the aforementioned stag party). It has been known to include coffee… Enough said… If you wish to learn about Kay, then feel free to visit her at www.kayjaybee.me.uk You should NOT visit Kay unless you are over 18. If you are under 18 and you visit her, you’ll make her very cross- not something I’d advise you doing…

best-of-kjb

There is another ‘ME’, but that name is not shared…ever…

And then of course, there is me. The actual me, who looks remarkably like Jenny and Jennifer and Kay. I can’t tell you that much about her except she works 12-14 hour shifts as a writer every day, and goes to work, and runs a house, and has a family (pretty much like every other writer I know). She often has moments of total forgetfulness, is very clumsy, drinks WAY too much coffee, loves Malteasers, and is rather keen on all things Robin Hood…Oh, and she is generally a very happy person.

Hope that’s helped a bit.

After the stag do incident I became much braver, and I spoke to some wonderful people in Exeter- although not as many as I’d have liked to as time ran out on me. Maybe next time.

Happy reading everyone,

Jenny/Jennifer/Kay/Me xxx

crazy

 

 

So, who the hell are you then?

Hello, it’s Jenny Kane here – or is it?

This week I was lucky enough to announce the pre-order of my first entirely historical mystery, The Outlaw’s Ransom. As this is a new genre, it comes with a new pen name – Jennifer Ash.

outlaws-ransom-pre

As some of you will know, I also write as two other ‘people’ as well- both for the over 18’s only market…

Then of course, there’s the real me, who occasionally gets a bit lost in translation.

I often get asked questions like – ‘Don’t you get a bit confused?’ ‘Do you have trouble remembering who you’re supposed to be?’ ‘Why not just publish everything under your own name?’

Well – in answer to the first two questions – yes, I do sometimes get confused, and when I am called by my real name I frequently take a few seconds to realise I’m the person being addressed.  As to the third question, well- it’s largely a marketing thing, and rather boringly to do with bookshelf spacing, advertising and so on.

crazy

Here’s a quick guide as to who all my ‘ME’s’ are!

Jenny Kane writes RomCom style contemporary fiction – with a hint of romance and a healthy spattering of coffee drinking included. (Tea drinkers are also welcome)

book-pile

Jenny Kane also writes children’s picture books of the very quirky variety. There is no coffee on offer, but cookies are involved by way of compensation.

title-page

Jennifer Ash writes fourteenth century medieval mysteries– also with a hint of romance, but with no coffee whatsoever. There is ale though – lots of ale.

The Outlaw's Ransom

Kay Jaybee writes award winning, full on, adult only, erotica. It has been known to include coffee, although not as a drink.. Enough said… If you wish to learn about Kay, then feel free to visit her at www.kayjaybee.me.uk You should NOT visit Kay unless you are over 18. If you are under 18 and you visit her, you’ll make her very cross- not something I’d advise you doing…

best-of-kjb

There is another ‘ME’, but that name is not shared…ever…

And then of course, there is me. The actual me, who looks remarkably like Jenny and Jennifer and Kay. I can’t tell you that much about her except she works 12 hour shifts as a writer, and goes to work, and runs a house, and has a family (pretty much like every other writer I know).She often has moments of total forgetfulness, is very clumsy, drinks WAY too much coffee, loves Malteasers, and is rather keen on all things Robin Hood…Oh, and she is very happy.

Hope that’s helped you a bit. As to me, well…it’s way to late for any help this end!

Happy reading everyone,

Jenny/Jennifer/Kay/Me xxx

 

 

A Little Gobblefunk Thinking

If the genius that was Mr Dahl was alive today, this year would have marked his 100th birthday. In celebration of his life, Devonshire Libraries, and many other libraries cross the UK, are remembering his work with a Dahl themed summer reading scheme.

BFG quote

As part of this scheme, I was honoured to be invited along to the Tiverton and Cullumpton Libraries in Devon recently, to teach two Gobblefunk workshops.

And just what is Gobblefunk I hear you ask? (Although, if you’d read the book The BFG– or even seen the film- you’ll already know.)

Gobblefunk is a rather mixed up version of English that the BFG (Big Friendly Giant) speaks – and it just Phizz-Whiffing!!! (That’s ‘brilliant’ to us non-giant types.)

Roald originally came up with the idea after his first wife, actress Patricia Neal, became very ill and wasn’t able to talk properly. They made up their own language so that they could speak to each other. Roald thought having a language that mixed up words and sounds was such a brilliant idea, that he should invent a character who spoke that way. A few years later, along came the BFG.

Dahl will, without doubt, be forever remembered as one of the best storytellers of all time. Such was his dedication to perfecting his characters, that in 1982, after the publication of The BFG, it was discovered that he had created a language of 238 word’s for his giant to speak. You can find this dictionary here – http://wonderfuldahl.blogspot.co.uk/p/dahl-dictionary.html

Roald Dahl books

Dahl created his Gobblefunk words by pulling three different words, or parts of words (such as ing, ly, ter, y), out of a bag of words he kept in the shed where he wrote. He placed these words all together on the tray he rested on to write, and used them to make up a completely new word, to which he then gave a meaning.

For example, ‘hop’, ‘scotch’ and ‘y’ became the word ‘Hopscotchy.’ Dahl decided that this new piece of Gobblefunk meant ‘cheerful.’

Next time you write a story, why not use Dahl’s Gobblefunk to help you? why not? Life’s short – enjoy words more!

Gobblefunk

All you have to do is write out a selection of your favourite words on individual pieces of paper, along with some word endings, and mix them up in a bag or a hat. From then on, whenever you need the name of a place, a thing, a creature, a feeling- or anything else you like- you can pull two or three words out of your bag, put them together, and have fun deciding what your brand new word would mean!

For example, if you pulled out the words ‘runny’, ‘flop,’ and ‘ter’, you could put them together to make ‘Runnyflopter. ’

What could a Runnyflopter be? A monster? A bunny rabbit with massive ears? A vat of oozing potion?

When you add some Gobblefunk to your stories, you can let you imagination run wild!

Happy creating!

Jenny xx

(PS – I have no idea what is going on with blog ‘font-wise’ – sorry!)

EXCITING TIMES- Taking a Leap into Children’s Fiction!

Ever since I can remember I’ve made up stories in my head. I remember doing this long before I could either read or write. As a young child I would devour books at a rate that the local library simply could not keep up with, and there were some picture books that I borrowed and renewed so often, that they might as well have belonged to me!

I have always been passionate about children reading, and so when I had children of my own, I read to them from day one, and now they are in their teens, I’m still reading to them- and they still love it. Okay, so we’ve moved on from The Gruffalo, and now read Terry Pratchett novels together- but it is still a highlight of the day- to just sit for twenty minutes and read with my children. Why should there be a age limit on sharing books anyway?

children's books

When my children were smaller, and my working hours were more flexible, I used to love going into primary schools to teach the occasional ad hoc creative writing session. These moments often involved me behaving in a quite batty way. Sometimes dressed as Robin Hood, or Doctor Who, or whoever I felt like at the time…I’d leap around the room with sonic screw driver, bow and arrow, or simply a bag of gobblefunk (thank you Roald Dahl), getting the children to think without noticing they were thinking, and make up stories about the oddest things possible whilst making them laugh just as much as I could.

It won’t surprise you to know therefore, that  have ALWAYS wanted to have a children’s story published. Somehow however, what with all the adult fiction, and the day job, I never got round to it.

That situation however, is just about to change…

I was chatting to my dear friend, Dr Richard Wagner a couple of years ago, and mentioned my children’s work in passing. I thought nothing more about it, until last year, when Richard asked if I’d read through a children’s book he’d written.

Longfellow cover

I did this willingly, and the next thing I knew what that his publishers, Hush Puppy Books, were emailing me to ask if I had any stories they might like to see… You can guess what my reply was!

One of the first tales I made up for my own children was called There’s A Cow in the Flat. They loved it so much that I took it to local nursery’s and primary schools to share- and each time I did the story grew, and changed, and adjusted, to suit the whims of the children I was with.

And I am delighted to say that the finished version of There’s A Cow In The Flat will soon be hitting the world!!! Complete with some GORGEOUS pictures from the wonderful illustrator Ryan Doherty.

Just check out the star of the show. This is Oscar- who is just about to have a very unusual day! (Illustration by the brilliant Ryan Doherty )

Oscar 2

 

I’ll be back very soon with lots more children’s story information- for this publication (due for release in the autumn), is just the first of many…

Happy reading everyone!

Jenny xxx

 

Guest Post by Victoria Addis: Love and Romance in Children’s Fiction

I am honoured to be able to share this wonderful blog with you today from the Charing Hermit herself, Victoria Addis!

Over to you Victoria…

Love and Romance in Children’s Fiction

Love and romance are central themes, not just in literature but in life. Relationships forming, ending or carrying through into old age are the framework on which families, friendships and the ties that bind are built and tested. Where the intricacies of romantic love may take centre stage in adult and young adult fiction of any genre, the rules are slightly different when writing for children.

When thinking about romance in books for children, our first thought is probably of fairy tales, with their downtrodden Princesses and handsome Prince Charmings playing out a form of idealised love. The main characters in these stories are always teenagers or adults and usually one-dimensional. Without much cause for identification with the characters, children enjoy these stories for the excitement of the plot and the fun of the “bad guys”. The romantic element has its appeal in the security of familial love, and in the wish to play grown ups.

Crane_beauty5

Contemporary children’s fiction usually features characters that readers can relate to. Main characters are usually children themselves and are either a type of everyman girl or boy thrown into strange circumstances such as Harry Potter or unusual characters that draw readers to them through their quirks, like the Baudelaire children from A Series of Unfortunate Events.

Romance in these novels is not centralised through the main characters as it is in fairy tales. Contemporary children’s fiction works with an undercurrent of romantic possibility in its protagonists and a backdrop of true romance, relationships and sexuality in its older, secondary characters.

Romantic relationships are just as necessary in children’s fiction as they are when writing for adults. In order to create depth in a fictional world, romantic love and its darker themes must play a part.

A Series of Unfortunate Events strikes this balance really well. The romantic possibility between Violet Baudelaire and the Duncan Quagmire opens up a bridge to the adult world while remaining within the understanding of a younger audience. The darker undertones of Violet’s relationship with Count Olaf and plot lines surrounding her sexualisation add depth to the general sense of danger associated with the novels “bad guy”.

In his Wardstone Chronicles (or Spooks Books) series, Joseph Delaney exploits romantic possibility in the uneasy friendship between the apprentice Tom Ward and the witch Alice Dean. Tom’s mistrust of Alice has a hint of misogyny about it, echoing the Spook’s treatment of his witch-wife Meg Skelton who he keeps locked up and controlled. As with A Series of Unfortunate Events, the romantic possibility plays into other themes, adding depth to the writing by illuminating feminist issues.

The Harry Potter series provides an excellent example of romance and romantic themes in children’s fiction, as it grows from children’s literature into the realm of young adult. The difference between the first and second halves of the series is marked.

At first, relationships are friendships filled with romantic possibility; Ginny’s shyness around Harry, Hermione and Ron’s constant sniping at each other, and they are complimented by romantic relationships in older, secondary characters, notably Percy Weasley and Penelope Clearwater. In later books, these relationships become more complex and emotional as the characters mature.

The main difference between romantic possibility in children’s fiction and first relationships in young adult fiction is the move from curiosity to experience. Romantic possibility in children’s fiction is unsure, maybe even unnoticed by the characters and certainly less subject to emotional baggage. In children’s fiction romantic relationships and their complications are a necessary background feature, which come to take centre stage as the readership ages.

So, how do you write romantic possibility into your children’s book?

1)      All relationships are built on friendships, so introduce characters for your main characters to take an interest in or even to take a disliking to.

2)      Create tension by having your character respond jealously, dismissively, over- eagerly or with curiosity to them. These emotional reactions are the bedrock of romantic possibility and when used subtly can add great depth without having to lead to a romantic plot line.

3)      Use older characters to introduce more serious elements of love and relationships, especially darker issues.

4)      Use it for a reason- does it say something about your character that they respond with jealousy rather than curiosity? Does it make a larger point about fitting in, feeling wanted? Or does it relate to larger themes in your book, such as the treatment of women?

Of course, romantic relationships need not be a background feature in writing for children; you could always go all out and write a story of very first love. If romance is the central focus in a children’s novel, then the strongest elements will be friendship and curiosity. You can exploit playground knowledge of sex and relationships and the copying of adult behaviours or reach for something deeper with shared experience and meaningful bonds. However you decide to incorporate romance into your children’s novel, it should form a part of your fictional world to give it the authenticity of real life experience.

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Victoria is a postgraduate literature student and children’s writer.

http://thecharminghermit.blogspot.co.uk/

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Many thanks again Victoria- wonderful blog.
Happy reading everyone,
Jenny xx

Who’s Gonna Tell The Kids?

Who’s gonna tell the kids?

By Richard Wagner, M.Div., Ph.D.

“People’s deepest fears about death and dying often spring straight from a traumatic childhood incident or misshapen belief about the end of life that was passed on to them when they were kids.”

I often talk about how postponing any thoughtful consideration of our death till it’s too late, can have disastrous consequences for us in terms of preparing for the inevitable.  I addressed how our death-denying culture provides precious few opportunities for us to deal healthily with our mortality before it comes crashing in on us.

richard

Why is dealing with death so hard for us?  Early childhood messages about death sure don’t help.  Think phantoms, skeletons, things that go bump in the night, and specter of hell and damnation.  From a young age, most of us have had it drilled into our heads that we shouldn’t ask questions or even talk about death because it’s either inappropriate, it’ll bring bad luck, or worse, hasten death.

How many times, as a child, did a relative, family friend, or even a beloved family pet simply disappear, never to be heard from or spoken of again?  Or perhaps you were told that the absent loved one is now in heaven or asleep with the angels, the “D” word being avoided like Aunt Agnes’s infamous tuna surprise?  Or maybe, when you were a kid, you were told that someone you knew had died, but that you wouldn’t be able to go to the funeral because that was no place for kids.  And how much of the confusion, bewilderment, and unresolved grief from your childhood are you still carrying around with you today?  Is it any wonder that, when faced with the prospect of our own death, we often feel like we’ve been ordered to belt out our swan song without ever having an opportunity to learn the tune.

art of death

In the first chapter of my book, The Amateur’s Guide To Death And Dying, I ask my readers to confront head-on the un-golden silence that surrounds the end of life.  I invite them to consider the early messages they got about death and dying.  I ask; how old were you when you first heard about or witnessed these things?  What were the messages you picked up about death and dying from the movies or television?  People often report that their deepest fears about death spring straight from a traumatic childhood incident or misshapen belief about the end of life that was passed on to them when they were kids.  And, not surprisingly, most people report that they continue to carry these fears with them as adults.

I believe that’s criminal.  I also believe that there is a better way to handle this delicate matter with young people than avoiding it, sidestepping it, or perpetuating a misconception.  I believe we can break the vicious cycle of our culture’s death phobia by refusing to contaminate another generation with it.  It would take a concerted effort, of course, and it would mean that we would have to resolve ourselves of our own fears first, but I believe it’s doable.

A good place to begin this effort is with the stories we read to and tell our children.  Stories, both written and recited, become the basis of our children’s understanding of the world.  Stories contribute to their language development as well as their critical thinking, and coping skills. Death and grief are particularly thorny subjects to communicate to children, not because our children are incapable of grasping the message, but because we, the adult storytellers, are often unprepared for, or uncomfortable with, the topics ourselves.

To address this problem, I developed a workshop titled:  Exploring Death and Grief Through the Medium of the Children’s Story.  In this workshop I help adults choose age specific messaging and images for their storytelling.  I help them mold the basic concepts about death and bereavement into the arc of their story.  And finally, I offer the workshop attendees tips on writing and illustrating their own story with the kids in their life.

Longfellow cover

By way of example, I share with my audience my latest children’s story, Longfellow And The Deep Hidden Woods.  (http://www.hushpuppybooks.com/our-books/longfellow-and-the-deep-hidden-woods/)  This is the story of Longfellow, the bravest and noblest wiener dog in the world.  As my story begins, Longfellow is a puppy learning how to be a good friend to his human companions; old Henry and Henry’s nurse Miss O’weeza Tuffy.  By the end of the story, Longfellow has grown old himself, but he is still ready for one final adventure.  What happens in between throws a tender light on the difficult truths of loss and longing as well as on our greatest hopes.  Curiously enough, all the adults who have read my story say they think it’s actually a book for adults.  Maybe so!  I can be really subversive like that.

Writing and illustrating a children’s story with your kids and grandkids can be an amazing bonding experience for both the adult and the child, but this is especially true when the topics are death and bereavement.  It’s a project that will open the door to a life-long appreciation for and the affirmation of life, especially it’s final season.  The discussion that will be part of your story-writing project will also help you reshape the coming generation’s perceptions about the end of life.  It may also help you rethink the early message you received about death and dying when you were a kid.

My workshop ends with one proviso.  I caution the adults in my workshop not to wait until there’s a pressing need for the story writing or telling.  I encourage them to start now, before grandpa or the beloved family pet is dead.  I suggest that they get a jump on this project right away.  Because, if they do, it won’t appear to their kids like they are trying to play catch up when death comes calling.  I mean think about it; we don’t hold off teaching young people arithmetic till they get their first job making change at the grocery or the fast food counter, right?

Try to imagine how writing a story about death and grief with your kids or grandkids will change the trajectory of their life in terms of their understanding of this fundamental fact of life.  Imagine if someone asks your kids or grand kids, twenty or forty years from now, what their earliest memories about death and dying are.  Surely they will think back fondly on the time they spent with you as you helped them understand the marvelous cycle of life.

Will this one exercise inoculate your kids or grand kids from all the culturally induced fears, apprehensions and superstitions that abound in our death-phobic society?  Probably not!  But as the old adage goes, an ounce of prevention is worth a pound of cure.

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Many many thanks to you Richard for visiting today.

I have had the privilege of reading Longfellow already- it’s a great book, with some simply gorgeous illustrations.

If you’d like to buy Longefellow and the Deep Hidden Woods, it is available from many retailers including…

Amazon UK- http://www.amazon.co.uk/Longfellow-Hidden-Woods-Richard-Wagner-ebook/dp/B00HAPZR92/ref=sr_1_fkmr1_1?s=books&ie=UTF8&qid=1393953970&sr=1-1-fkmr1&keywords=longfellow+and+the+deep+dark+woods

Amazon.com- http://www.amazon.com/Longfellow-Hidden-Woods-Richard-Wagner-ebook/dp/B00HAPZR92/ref=sr_1_1?s=books&ie=UTF8&qid=1393954050&sr=1-1&keywords=longfellow+and+the+deep+hidden+woods

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Happy reading everyone,

Jenny x

 

 

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