Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

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Guest blog from Richard Dee: What is Steampunk anyway?

It’s my pleasure to invite friend, fellow author, and member of the Exeter Author Association, Richard Dee to my site today. Richard’s latest book, A New Life in Ventis is available on pre-order now!

Over to you Richard…

Thanks Jenny for the invitation, now a few of you might be wondering what a Steampunk author is doing here, plugging his next work. Aren’t we straying a little off-piste?

And what is Steampunk anyway?

There are many interpretations of the genre, here’s mine.

Picture a world, a world without oil, without electricity. Imagine a place where the steam engine is King, driving vehicles and industry. Where portable power is provided by clockwork engines; powered by coiled springs. It’s conventional to depict this world as Victorian, because it gives us a reference point, it’s the nearest we can get in our experience. And let’s be honest; the costumes are pretty cool too!

But when you think about it, if oil and electricity had not been utilised in our society, where would our Victorian’s be today? Could we have vast aircraft, with jet engines powered by coal gas? Could we have clockwork computers, printing onto paper? Or mechanically driven moving picture shows? Of course we could, and so much more.

Who knows what else might have been invented by necessity? And what are the limits of the technology? Might the world even be a better place?

That’s an awful lot of questions in two paragraphs.

So you could say that a Steampunk world is really just a different us. Even though I called my Country Norlandia, it could just as easily be an England that went in a different direction. And as it’s us, the people in my world are no different to the people in Jenny’s or anyone else’s stories. They have the same emotions, the same vices and the same tales to tell.

My fictional world of Norlandia and the stories set there have romance, corruption, revenge, heroes, villains and all the other elements of any adventure, the only difference is that they are set against the background of smoking chimneys, coal dust and the whirring gears of fantastic machines. The technology is a character, not the main event. In the same way as a village or a beach, or even, dare I say it, a coffee shop?

Once I started creating the world, I realised that I could adapt a lot of what we have today and invent new ways to make it work differently. By keeping it practical and useful but just slightly ‘not the way it’s done here’ it enhances the difference in the setting. Things like the gas powered jet engine, it’s perfectly possible but not quite how we do it. And you can also have fun creating those little bits of back story that give the place its atmosphere, like the suggestion of myth and magic in exotic foreign lands, the novelty of Cofé and how the lack of instant communication makes people behave differently.

Anyway, if you wanted to learn the intricacies of Fantasy World building you wouldn’t be here, I’ll get back to the story.

A New Life in Ventis, the novel I came here to tell you about, is the second one that I have set in Norlandia. It follows the further adventures of Horis Strongman, an ordinary person who finds himself thrust into extraordinary circumstances. He’s a city boy, naive and out of place in the country. Luckily he finds a feisty sidekick in Grace, and then there’s his new friend Maloney, an ex-soldier with a mechanical arm and a dislike of authority, to keep him safe and on track.

In the first book, The Rocks of Aserol, published in 2016, Horis is the unwitting pawn in a conspiracy. Sent to be the expendable minion, he discovers a secret, falls in love and is rescued from the fate his unscrupulous superiors intended. He sets off to make things right.

A reviewer commented: – There’s something of a ripping yarn about this excellent tale of adventure. False accusations, discoveries kept secret, villains who murder to get their way, and the whiff of requited love – it’s all here in this classic steampunk saga.

That story was complete, or so I thought, I moved on to other projects. Then I started getting requests to continue the adventures from readers. One said, so, what becomes of the hero? All I’ll say is, the story does have an end but there are still questions unanswered. I think Mr Dee would disappoint quite a few readers if he didn’t come up with a sequel – or better still – a series.

And another commented, I absolutely adored it but the ending!!!!!!  What’s going to happen next? Please tell me you’ve written a sequel.

Seeing those remarks made me wonder, what could happen next? I knew that I had to continue the story; A New Life in Ventis was the result.

In the second book Horis experiences the joy of reunion, he discovers that the bad guys are still out to get him and will stop at nothing in their pursuit. He also learns…, well that would be telling.

Here’s what one of my fantastic team of beta readers said: – “A New Life in Ventis took off with a bang, and kept up the tempo throughout the entire story. Overall, it is another excellent book!”

And, if my editor is to be believed, there needs to be a third part to the tale as well. There are certainly enough possibilities, enough machines and fiendish adversaries to justify many more adventures for Horis, Grace and Maloney. And who knows, maybe Horis will find the quiet life he craves.

We will have to see what happens; the creation of the world so far has already resulted in an alarming amount of research and invention. Sufficient to make a book of short stories, Tales from Norlandia, which; incidentally, is now available exclusively from my website.

Here’s a chapter from A New Life in Ventis to give you a flavour of the story.

In the Provincial Hotel, Asero

Sayrah Faith was unused to flattery. So that when the stranger leant over the reception desk in the Provincial Hotel and complimented her on her appearance; she was unsure just how to reply. Flustered, she put her hand to the side of her head, patting her tightly wound hair.

“Oh sir, you should not,” she answered breathlessly, unaware that her normally well-hidden feminine instincts had made her react in the same way as the girls she considered ‘flighty’. The cheap novels she read so avidly described such situations as this, but she had never been part of one herself. She found that she quite liked the sensation it produced. It was just as the novels had described it.

“How may I help you?” she asked, attempting to strike the sort of pose that ‘heroines’ did. In her bone corset and tight gown and with her stomach sucked in she found the posture uncomfortable. Still, she reasoned, it might be worth holding it for a while longer.

“I’m looking for a room,” the man replied. Sayrah was on safer ground here. She pulled the pencil from behind her ear and automatically licked the point. Then she thought that perhaps she should not have done, as the man’s eyes widened. Flustered again she opened the ledger and ran her finger down the page.

“We have a single available,” she began but the man shook his head.

“Oh no, a double room for me,” he said. “I may be on my own but I do prefer comfort, a single bed leaves me no room to spread myself, don’t you agree?”

He was tall and thin, with a heavy moustache and side whiskers yet had an air of mystery and excitement about him. Sayrah was unworldly; in her mind she could hear her mother’s voice. ‘Double beds are only for marriage and the worst kind of adventures,’ she had used to say. Sayrah had never been a party to these ‘adventures’ and although she was aware of their nature had never been in a position to experience them. In her life thus far, men had treated her at best with indifference, it was because of her plainness and larger body she was sure, but this man had a twinkle in his eye and a kind face. Perhaps he was what the novels referred to as ‘the one’.

“I couldn’t say,” she blurted, then realised that wasn’t the right answer for a worldly wise woman to give. She blushed but the man never noticed.

“Now, my dear,” the man continued, “where might I get a good meal tonight with pleasant ambience? I know,” he added, “perhaps you could accompany me, I wish to know all about Aserol and I’m sure we might have an enjoyable time.”

Maloney was sat in the porter’s office, close to the desk, reading a news-sheet, his ears pricked up at the conversation. Sayrah was unable to hear the insincerity in the stranger’s voice and he did not like to think of her being gulled by a stranger. And there was another possibility; this may be an attempt to elicit information about Horis and Grace.

Since he had returned to work, Maloney had been alert, waiting for such a moment, he had no doubt that Terrance would seek Horis and Grace out for revenge and he wondered if this was just the start of things. Sayrah was an easy target for an unscrupulous agent after all. He merely needed to flatter her and she would be his. Maloney put down his sheet and crossed to the door, to better hear what else transpired.

“There is an excellent eatery on the sea promenade,” Sayrah said, she had never tried it but had longed to. As she walked alone some nights she had looked through the windows at the couples inside and wished herself there, in happy communion with ‘the one’. Pride would not allow her to go alone, perhaps tonight might be her chance to sample its fare. “It is called the Icthyus.”

“After the piscorae,” said the man. “Very well, I will call by speaker and arrange a table, is eight of the clock suitable for you?”

“Why yes,” said Sayrah. “I will be delighted to accept.”

“Good,” said the man. “Where is your speaker booth? I will set the wheels in motion.”

Maloney’s office was between the desk and the speaker room; he busied himself as the man passed then went to the other wall and listened carefully. He could hear the man on the speaker as he called the operator. But instead of asking for the eatery, he heard him ask for a number in Bingham. That was a town halfway to Metropol City. That alone served to warn him that his suspicions might be well founded.

The connection was made. “I am in Aserol,” he said, “with good news. Already I have a possible source of information; about one of the persons you wish me to find.”

There was a space while the other party replied, Maloney could not hear the words but guessed that the man was speaking to Terrance, or perhaps some representative of the government.

The man suddenly laughed.

“Some old spinster at the hotel where I suspect the three met. I think that the two were employees and your man was the guest. I’ve turned on my considerable charm and I have the lady eating from my hand. I will try to get more information from her tonight.”

There was silence as the other person spoke. The man laughed again. “If I must, if there is no other way,” he said. “But I would rather not; hopefully she will tell me before I have to do that.”

Again there was the silence. “Very well,” the man said. “I will report to you again at this time tomorrow, assuming that I survive the night.” Maloney heard the click as the call ended, then the noises as a second call was quickly made and a table at the eatery was booked.

Maloney stretched and straightened, peering through his door he saw the man speaking to Sayrah; no doubt he was confirming their meeting.

The bell rang. “Porter,” called Sayrah, “there are bags to take up.”

~~~~

A New Life in Ventis will be released on November 1st 2018 as an eBook and paperback.

You can find more about Norlandia and The Rocks of Aserol at richarddeescifi.co.uk/rocks

Tales from Norlandia is available as an eBook at richarddeescifi.co.uk/shop 

***

Many thanks for dropping by today Richard, and for sharing such a great story. Good luck with your new release!

Happy reading,

Jenny xx

Apaches, Blues and Cadillacs – The ABC of Growing Up With American As A Second Language

I’m delighted to welcome Richard Wall to my place with a fascinating blog about living- and writing- with the duel influences of American and British culture.

Over to you Richard…

Apaches, Blues and Cadillacs – The ABC of Growing Up With American As A Second Language

The USA has been in the news lately for all the wrong reasons. A new president who comes across as petulant, ignorant and divisive, and a spate of mass shootings is giving a great nation extremely bad press when it comes to world opinion.

As ever, the actions of the “few” has created a backlash of bad feeling towards the “many” – ordinary Americans just trying to get on with their lives.

America, it seems, is like Marmite. But whether you love the place with a passion or hate it and all it stands for, there is no denying the huge cultural impact the United States has made on life in Great Britain since the end of WW2.

Opinion varies as to whether this is a good thing or not, but what follows is my personal viewpoint.

As a writer, people often ask me why, as an Englishman, my stories contain so many references to American culture. Well, you could say I had no choice in the matter! Despite growing up in the backwater of a small market town in rural Herefordshire, I’ve been around Americans all my life.

I was born in 1962 and my g-g-generation was (I think) probably the first to be subjected daily to the American way of life without ever having to leave British shores. In the early 1960’s, television technology advanced and TV sets became accessible to more and more UK households; the numbers of channels and programmes increased and TV influences from across the pond came thick and fast. As a result of this, I, like everyone else in my age-group, grew up with American as a second language, absorbing an influence that reflects strongly in my writing.

My earliest memories are of watching John Wayne movies on our old black and white TV, and then playing cowboys and indians (I always wanted to be Geronimo, leader of the Apaches). I watched Neil Armstrong step onto the moon and news reports of the Vietnam war.

There were also countless US TV shows: Champion The Wonder Horse, Casey Jones, Bonanza, Kojak, Starsky and Hutch, The Rockford Files, M*A*S*H, Taxi, and many more.

When I began to take an interest in music I learned that blues men from the 1930’s inspired the Beatles, the Rolling Stones (also in their 50th year), Led Zeppelin and other British bands who took this music back to America to a white audience who were largely unaware of their own musical heritage.

American movies introduced me to classic American cars: Steve McQueen’s 1969 Ford Mustang (Bullitt), Gene Hackman’s 1971 Pontiac Le Mans (The French Connection), Jim Rockford’s Pontiac Firebird and Barry Newman’s Dodge Challenger (Vanishing Point).

Someone once said; “if you can’t see the beauty in an old American car, then you’ve got no soul.

American writers, such as: Stephen King, Andrew Vachss, Elmore Leonard, John Steinbeck, and Langston Hughes (and lately Ran Walker), added layers of depth and context to my TV and film influences, and gave me an ear for US colloquialisms.

When I finally realised my dream and visited the USA (Florida, and Rhode Island, courtesy of a nuclear submarine), I found it every bit as cool and exciting as I imagined it to be as a child.

Since then I have returned many times; visiting California, Oklahoma, New Mexico, Texas, Colorado and including one memorable road trip through Tennessee, Arkansas, Louisiana and the Mississippi Delta, visiting blues heritage sites and seeing with my own eyes the places where my blues heroes were born, lived and died.

All of these lifetime influences have been bubbling and fermenting in a cultural stew that I hope adds flavour to my writing.

My first short story to be published on Amazon was ‘Evel Knievel and The Fat Elvis Diner

An Englishman in Oklahoma is watching a storm approaching when he receives an email on his phone. As he waits for the email to download, it causes him to reflect on his childhood in 1970’s England, his relationship with his father and the journey that brought him to the USA.

Five Pairs of Shorts’ a collection of short stories, some with strong American influences, followed soon after.

In 2015 came my first novel, Fat Man Blues, inspired by the Mississippi road trip, and which has attracted a great deal of interest (and praise) across the world since its release. Fat Man Blues has opened the doors to a fascinating world where I have been extremely fortunate to meet and become friends with talented and creative people from across the planet.

Earlier this year I wrote another short story: ‘Hank Williams’ Cadillac’:

Vince and Stu’s road trip through Texas is cut short when Stu’s ancient Honda breaks down in the quiet town of Rambling. Nearby is Bubba’s used-car lot, containing a collection of classic American cars. Following a bizarre encounter with a talking crow, and a deal signed in blood, Stu trades in his Honda for a powder-blue 1952 Cadillac convertible. Back on the road, the two buddies continue their journey in style, until a series of Burma Shave road signs and an encounter in a cemetery changes things forever.

This was inspired by a road trip with friends, from Oklahoma City to Colorado, which took us along parts of Route 66, where glimpses of the America from my childhood imagination can still be seen. By the way, the cover photograph (taken by me in 2012) features the beautiful 1955 Cadillac in which we took a tour of Memphis.

The American influence continues with another short story due to be released at the end of the year. Beelzebub Jones will accompany the spaghetti western-themed concept album of UK Blues Man, Andrew ‘HalfDeaf’ McClatchie.

So, America. Good guys or bad guys?

Well, my personal view is that I’m British and proud to be so, but I can also speak American, because I grew up with it. At the end of the day we are all just people.

Ordinary Americans just want a quiet life, like we all do, and are among the friendliest people on the planet.

 

In the town of Kingfisher, Oklahoma, I was honoured to meet a WW2 veteran who, it transpired, fought in North Africa around the same time as my late father. He shook my hand with an iron grip and said: In North Africa we had everything and the Brits had nothing. I got nothing but respect for them; you push ’em back and push ’em back and push ’em back until they’re up against the wall and then they come back at you like tomcats…”

These words from an American made me proud to be British.

Oh, and I love Marmite.

***

Richard Wall can be found loitering around www.richardwall.org 

***

Many thanks for sharing your blog with us today Richard. Great stuff.

Happy reading,

Jenny x

Improving the recipe: a slice of lemon cake

In May of this year I started to write a brand new contemporary fiction novel. Normally I would have finished it long ago, but what with writing a novel as Jennifer Ash and starting Imagine, as well, I have been rather slower with my Jenny Kane words this year.

However, I am delighted to say that I have now reached the redrafting stage of my next novel, which goes by the working title of Lemon Cake, Espresso, and Thigh Boots.

Redrafting is rather like improving a recipe. I’m adding in an extra spoonful of words here and there, taking out excess sugar, and removing the overdose of fat (well commas actually).

Set in and around both the Roman Baths, Bath and the New York Central Public Library in the USA, this novel will have a little more in the way of spice than my previous JK novels- although not enough for it to warrant an over 18’s only sticker!

Roman Baths

Playful and fun, this story deals with the problems that go hand in hand with consciously deciding to live with two personalities…something I might just know something about.

There will – of course- be coffee involved. Espresso in this case- plus a serious- and I do mean serious- lemon cake craving.

I shall say no more about the plotline for now.

When will it be finished?

Watch this space…

Happy reading,

Jenny xxx

 

Bampton Charter Fair

Next week, on 26th October, I’m delighted to say I will be at the Bampton Charter Fair, selling my books, reading, and giving talks to adults and children about my work, and the joy of playing with words.

I will be with my fellow authors from the Exeter Author Association- you’ll be able to find us in the Community Hall on Station Road, conveniently next to a café and a nonstop supply of coffee!

The Devonshire Bampton Charter Fair has been an established tradition for centuries. here’s what the official Charter Website has to say-

Bampton Fair existed even before King Henry III granted it a Royal Charter in 1258 and it is always held on the last Thursday of October. It is one of the oldest surviving Charter Fairs in the country.

For centuries, the fair mainly sold sheep and cattle and was the largest sheep fair in the South West of England. During the 1880’s to the 1980’s it evolved to become the famous Bampton Pony Fair trading in Exmoor ponies.
Today this traditional Devon fair continues to attract local producers of foods and livestock, crafts and traditional skills from Exmoor and its surrounding villages. The streets, church, pubs and venues of Bampton are filled to over flowing with around 100 stalls, entertainments  including craft and music workshops, demonstrations and concerts, and funfair.

Opening from 9am, the Charter Fair regularly attracts in the region of 10,000 visitors- so why not come along and join the fun, pick up a few early Christmas presents, and hear a story or two along the way.

Hope to see you there!

Jenny xx

10 REASONS TO GO ON AN IMAGINE WRITING RETREAT

Alison Knight and I are proud to present our very first “Imagine” writing retreat…

10 reasons to go on an Imagine Writing Retreat…

1                    Writers need writers! No one understands writing and a writer’s life like another writer. Mutual support is the name of the game!

2                    Located in the stunning Victorian manor, Northmoor House, Imagine’s retreat gives you the chance to stay in a home untouched by time (But don’t panic, there is Wi-Fi). You can even indulge in the waters of an original Victorian bathtub…don’t forget your bubble bath!

3                    With so many of the manor’s period features still in place, Northmoor is the ideal location for sparking inspiration and dreaming up new plotlines.

4                    On the edge of Exmoor, near the popular village of Dulverton, there are plenty of beautiful places to explore should you, or any non-writing friends or partners, wish to. There are miles of good walking land on hand. The pre-historic Tarr Steps are but minutes away, and the cafes in Dulverton are excellent. I can personally recommend the poached eggs on crumpets in The Copper Kettle.

Tarr Steps

 

5                    However, you might not want to stray into the village for food because we have employed an excellent local caterer, who is providing a delicious menu that will cater for all dietary requirements. All food is locally sourced.

6                    Come along for a confidence boost! At Imagine we pride ourselves on helping everyone to get their words onto the page. We are here for beginners and experts alike.

Kate Griffin

7                    Meet Kate Griffin! One of Faber and Faber’s most successful crime writers. Kate Griffin is the author of the brilliant Kitty Peck Mysteries. An expert on Victorian London, Kate will be our guest speaker on the Wednesday evening.

8                    Find your inner writer’s peace of mind. We all know that authors suffer from imposter syndrome: “Why am I writing? I’m not good enough!” We all say it! Local happiness mentor and fellow writer, Trina Stacey, will be available for optional one-to-one conversations about how to believe in your abilities, and convince you that you are allowed to do what makes you happy.

9                    Let’s face it – Monday to Friday in a beautiful Victorian Manor, with time to write, all food provided, plus three optional workshops, a chance to meet Kate Griffin, and the opportunity to share writing ideas over a glass of wine (or two) – for only £450 (10% less if you book before 31st October) is a BARGAIN.

10               IT WILL BE A LOT OF FUN!

***

Full details are available at https://www.imaginecreativewriting.co.uk/writing-retreats 

If you have any queries please email Alison or myself at imaginecreativewritng@gmail.com

PLEASE REMEMBER THAT THE EARLY BIRD DISCOUNT ENDS ON 31ST OCTOBER

Now is the time to drop heavy hints about wanting a writing retreat for Christmas… 

Happy writing everyone,

Jenny xx

Guest post from Marie Gameson: The Giddy Career of Mr Gadd (deceased)

I’m delighted to welcome Marie Gameson to my blog today to talk a little about her fascinating new book, The Giddy Career of Mr Gadd (deceased).

Over to you Marie…

 

“Winifred is exasperated by her Catholic mother’s inability to accept her conversion to Buddhism, and by her family’s determination to drag her back to her former life. But when an elderly stranger – haunted by his dead father – turns up on Winnie’s doorstep, insisting that stories she wrote as a teenager hold the key to his supernatural problems, Winnie is forced to renew acquaintance with her younger self.

Why did she write about a Mr Gadd, who died years before she was born?”

The Giddy Career of Mr Gadd (deceased) does have lots of humour, but the main theme is grief – not so much grief for the dead as for the living. The main character, Winnie Rigby, is exasperated that her conversion to Buddhism and attachment to the Orient are strongly resisted by her Catholic family, who make persistent attempts to remind her of the person she used to be.

I wrote this book to explore an issue which has long bothered me, and more so recently:  how do you cope when someone close to you has substantially changed? The reason could be because they have had some physical or mental trauma, joined a cult, become an addict, or simply because they have adopted a new political or spiritual belief system. Of course, in the case of the latter, the grieved-for person can be annoyingly positive about the change; most of us have come across a new zealot, and have good reason to avoid ‘born-again Christians’, or ‘born-again anythings’. But whatever the reason for someone changing, that person is still alive, still looks pretty much the same, and yet is no longer the person you remember.

In the case of Winnie Rigby, after practising Zen Buddhism for some years, she had an enlightening experience whilst on a mountain in Taiwan, which increased her resolve to further her practice. Since being forced back to the UK by her family, she feels alienated and out of touch with her old life; in fact neither her old neighbourhood nor her old acquaintances seem familiar, which is inconvenient, as people who insist they know her turn up with irritating frequency.

Consequently, her only objective is to get back to Taiwan just as soon as she can figure out how to replace the funds that have mysteriously disappeared from her account – (on her instructions according to the Bank) – but which seem to have gone to a cause that sounds suspiciously close to her mother’s heart.

Winnie’s refusal to return to her former persona or to traipse through pointless memories is challenged when an elderly man turns up on her doorstep, haunted by his dead father’s restless spirit, and insisting that the younger Winnie knew something about this late Mr Gadd. Although Winnie has no time for ghosts or superstition, when she is given proof that she did indeed write about Mr Gadd, she reluctantly agrees to try and find out why she wrote about a man who not only died years before she was born, but whose afterlife she seems to have recorded.

But the more she remembers, the more the answers seem to lie in the East. In her search for the elusive Mr Gadd, Winnie may fulfil her wish to return to the Orient – but unravelling the mystery of Gadd is bringing another unexpected revelation.

 

Taroko Gorge, Taiwan (where Winnie ‘saw the light’)

 

Although the book took a year to write, the preparation included a few months in Taiwan, two trips to China, an MA in Translation, a dissertation about Chinese ancestor worship, and frankly – countless fags and glasses of wine. It’s really nice that some people have said that they loved the book, but it is possible that I have reacted a little negatively when they have gone on to ask when the next one is coming out…

But with that little whinge out the way, the book has been a wonderful journey for me in terms of trying to reconcile East and West. Whether they are truly reconcilable or not, I will finish with a photograph I took some years back in Taipei of a Buddhist nun begging for alms. I rather like it.

Bio-

Marie Gameson is half of the mother and daughter writing team who published The Turtle Run as ‘Marie Evelyn’. Her latest book, The Giddy Career of Mr Gadd (deceased) was published by Salt this summer and is available on Amazon. You can find out more about her and her books at her website, www.marie-gameson.com 

You can buy The Giddy Career of Mr Gadd (deceased) from-

https://www.amazon.co.uk/Giddy-Career-Mr-Gadd-deceased/dp/1784631183/

***

Many thanks for visiting today Marie. This sounds like a fantastic read.

Happy reading everyone,

Jenny xx

Clinging onto summer: Abi’s Neighbour

With autumn beginning to take a firm grip, I thought it would be nice to share a little from my Cornish sunshine novel- Abi’s Neighbour!!

 

The sequel to my bestselling novel, Abi’s House, Abi’s Neighbour introduces new characters- some nice- and some who are going to take a little getting used to…

Here’s the blurb to help you picture the scene…

Abi Carter has finally found happiness. Living in her perfect tin miner’s cottage, she has good friends and a gorgeous boyfriend, Max. Life is good. But all that’s about to change when a new neighbour moves in next door.

Cassandra Henley-Pinkerton represents everything Abi thought she’d escaped when she left London. Obnoxious and stuck-up, Cassandra hates living in Cornwall. Worst of all, it looks like she has her sights set on Max.

But Cassandra has problems of her own. Not only is her wealthy married lawyer putting off joining her in their Cornish love nest, but now someone seems intent on sabotaging her business.

Will Cassandra mellow enough to turn to Abi for help – or are they destined never to get along?

Complete with sun, sea and a gorgeous Cornwall setting, Abi’s Neighbour is the PERFECT summer escape.

(Abi’s Neighbour can be read as a standalone novel, or as a sequel to Abi’s House)

***

Now all you need to imagine the sun warming your face, a glass of something chilled awaiting you in the fridge, and a business suited woman standing outside this house…and she’s not happy…

Extract

The untidy, clipboard-wielding woman started talking as soon as she climbed out of her Mini. ‘Hello, my name’s Maggie, and I’m from –’

Cassandra cut impatiently across the formalities. ‘Sennen Agents, obviously. It’s written across your car.’

‘Oh, yes. So it is.’ Maggie paused, ‘Anyway, I’m sorry I’m late, I got stuck behind a tractor down the lane.’ She jingled a key ring in front of her. ‘I have your keys, Miss Pinkerton.’

‘No, you don’t.’ ‘I don’t?’ The estate agent frowned, looking away from the woman that stood before her in expensive couture with crossed arms and a far from happy expression. Flicking through the papers on her clipboard, Maggie said, ‘I was instructed by a Mr Justin Smythe that you would be accepting the keys on his behalf?’

‘I meant, no, my name is not Miss Pinkerton. It is Ms Henley-Pinkerton.’

‘Oh. I see.’ Maggie refrained from further comment as she clutched the keys a little tighter.

Determined to make sure the situation was clearly understood, Cassandra pulled her jacket on, turning herself back into the sharp-suited businesswoman she was. ‘In addition to your error regarding my name, there appears to have been a further mistake.’

‘There has?’

‘Mr Smythe has not purchased this property. He has merely rented it, with an additional agreement to sublet it as a holiday home. I am here for two months to make the place suitable.’ Cassandra ran a disdainful eye over the beautiful exterior stonework. ‘It would seem that my work is going to be well and truly cut out.’

‘This is a much sought-after street, Ms HenleyPinkerton. And this particular property is in excellent period condition.’ Feeling defensive on behalf of the old miner’s cottage, Maggie bit her tongue and flicked through her paperwork faster. Extracting a copy of the bill of sale, she passed it to the slim, angular blonde. ‘I think the misunderstanding must be yours. Mr Smythe has purchased number two Miners Row outright. It was a cash sale.’

Snatching the papers from Maggie’s fingers, Cassandra’s shoulders tensed into painful knots. Why hadn’t Justin told her he’d done this? She was convinced she was right. And anyway, he’d never deliberately make her appear foolish in front of a country bumpkin estate agent…  Yet as Cassandra scanned the document before her, she could see there’d been no mistake. Closing her eyes, she counted to ten, before opening them again to regard the badly dressed woman before her, who was once again holding out the offending set of keys.  Failing to take them, Cassandra gestured towards the little house.

‘Perhaps you would show me around, after I’ve made a call to Mr Smythe?’ Maggie, already feeling sorry for this unpleasant woman’s future neighbours, took unprofessional pleasure in saying, ‘Good luck with that call. The phone signal here is unpredictable to say the least.’

It had taken a ten-minute walk towards Sennen village to get a decent reception on her mobile phone, and then, when she’d been able to connect the call, Justin’s line was engaged. When she’d finally got through, she was more than ready to explode. ‘Justin! How could you have done this to me without a word? You’ve made me look a total idiot.’

Clearly thrilled that he’d managed to buy the terrace for a knock-down price – which, he’d claimed, was a far more economic use of their funds, an investment that would make them a fortune to enjoy in their retirement – he’d sounded so excited about what it meant for their future together that Cassandra had found it hard to remain cross. Assuring her that the situation remained the same, and that she was still only expected to stay in Cornwall while he secured his new position and got the wheels of the divorce in motion, Justin told Cassandra he loved her and would be with her very soon.

Returning to the terrace reassured, if lacking some of her earlier dignity, Cassandra swallowed back all the words she’d have liked to say as she opened the door and the gloom of the dark and narrow hallway enveloped her. She was sure that awful Maggie woman had been laughing at her. The agent had taken clear pleasure in telling her that if she hadn’t stormed off so quickly she’d have found out that the phone reception was excellent if you sat on the bench in the back garden.

Vowing to never drink champagne in any form ever again, as it clearly caused her to agree to things far too readily, Cassandra saw the next two months stretching out before her like a lifetime.  Letting out some of the tension which had been simmering inside her since she’d first seen the for sale sign, she picked up a stone and threw it at the back fence, hard. Maggie had gone, leaving her reluctant client sitting on an old weathered bench in the narrow rectangular plot at the back of the house.

Playing her phone through her fingers, Cassandra saw that there was enough reception to make calls if she sat in this spot – but only in this spot. One step in either direction killed the signal dead, which was probably why the previous owners had placed a bench here. And probably why they left this Godforsaken place!  The Internet simply didn’t exist here. When she’d swallowed her pride and asked Maggie about the strength of the local broadband coverage, the agent had actually had the audacity to laugh, before informing Cassandra with obvious satisfaction that people came to Sennen for their holidays to leave the world of emails and work behind them.

Breathing slowly, she pulled her shoulders back, pushed her long, perfectly straight blonde hair behind her ears, and took a pen and paper out of her bag. It looked as if she was going to have to tackle this, old school.

First she would make a list of what she considered necessary to make the house habitable for holidaymakers, then she would locate the nearest library or internet café so she could source decorators and builders to get the work underway. The sooner she got everything done, and herself back to hustle and bustle of London, the better.

Deciding there was no way she could sleep in this house, which Maggie had proudly described as ‘comfortable’, ‘sought-after’, and ‘ready to be made absolutely perfect’, Cassandra hooked her handbag onto her shoulder and headed back into the whitewashed stone house. Shivering in the chill of the hallway, despite the heat of the June day, she jumped in the silence when the doorbell rang just as she bent to pick up her overnight bag. For a second she froze. It had been years since she’d heard a doorbell ring. In her block of flats back home she buzzed people in via an intercom, and anyway, people never just dropped by. She hoped it wasn’t that dreadful Maggie back with some other piece of unwanted advice.

It wasn’t Maggie. It was a petite woman in paint spattered clothes, with a large shaggy dog at her side. Cassandra’s unwanted visitor wore a wide smile and held a bunch of flowers in one hand and some bedding in the other.  ‘Hello. My name’s Abi, I live next door. Welcome to Miners Row. I hope you’ll be very happy here.’

***

I hope you enjoyed that!!

Abi’s Neighbour is available from all good retailers, including-

https://www.amazon.co.uk/Abis-Neighbour-Jenny-Kane/dp/178615028X/ref=sr_1_1?s=books&ie=UTF8&qid=1487006698&sr=1-1&keywords=abi%27s+neighbour

https://www.amazon.com/Abis-Neighbour-Jenny-Kane/dp/178615028X/ref=sr_1_1?s=books&ie=UTF8&qid=1487006868&sr=1-1&keywords=Abi%27s+Neighbour+by+Jenny+Kane

***

Happy reading!!

Jenny xx

Interview with Sarah Dahl: Monk

 I’m delighted to welcome Sarah Dahl back to my site to enjoy a cuppa and a chat about her latest historical romance (with spice); Monk.

Why not grab a slice of cake and join is?

What inspired you to write your book?

It has never been clearer than in this case: “Monk” was created out of mild frustration and the question “What if?”. There’s this scene in the first series of History Channel’s Vikings where Ragnar brings home an attractive young monk, Athelstan, who makes the couple curious. They enter his room and ask him to join them in bed. The audience doesn’t get to know if that is a test of Ragnar’s, to check if the “new man in the house” will be a threat to his marriage. Or if they just want to have their own version of fun with the man of God who seems so stressed out by their love-making. We know the Vikings had a very relaxed attitude towards phyical aspects, including sex. The scenario is not too far-fetched. But: in the series, the monk shies away. The atmosphere is sizzling and tense, you literally hold your breath before he answers “no, I can’t” – although you see his eyes and body saying the opposite. That didn’t leave my mind. I wondered if the producers were shying away from his “yes” out of realistic thinking or just Hollywood-esk prudery. We couldn’t know then how the monk’s answer would affect the coming plotlines.

But from that day I pondered the question “What if the monk had said yes? He wanted to. The temptation was too much, he was overwhelmed. He was close to a “yes”. But was it realistic? I thought: Heck, I can do this. I’ll write what would have happened, and make it just as sizzling …

So I did my very own version of a monk being seduced by his Viking captors.

Do you model any of your characters after people you know?

In this case: see above. I bluntly admit to stealing the main characters’ basics from the series, then made them my own people in my own story and setting. I go very much deeper into their minds and world views. All three, Yngvarr, his wife Runa, and the monk Alistair, are very vivid and accessible on several levels. So concerning your question:

Which Point of View do you prefer to write in and why?

I went bold and brave with this one, and made it three points of view. Which is a first, for such a relatively short piece. This way, readers can dive into every character separately and feel with them, make it a tight and direct experience. Eliminate the guessing and questions. You can’t do that with TV-series’ characters, whose feelings and thoughts are guess-work after all. But in “Monk” I play with the three views and how the actions unfolding affect every one of the three – and ultimately change them.

Yes, it’s carnal, but also: very emotional, a revelation, a turmoil, life-changing. All three of them hand themselves over to the situation and come out differently, not having anticipated what this “game” would do to them. So maybe I modelled my characters after what inspired me, but I very much made them my own material and went deep with them. Through their shy monk –  despite him being very much at their mercy – my Vikings are suddenly not so fierce and confident anymore 😉

What type of research did you have to do for your book?

This is especially funny for “Monk”. I’m quite solid concerning Viking research and reality and am very aware of staying realistic and true to the period in every detail. To then be extra-sure I always give the stories to my researcher-friend, John, who then double-checks for any flaws that distort the reality of the era. I was very sure that by now I’m firm enough, and he won’t find anything major, but then came the discussion of “the rope”, haha. He said no sane Viking would just cut the rope that lay around the captives neck. They used iron collars, for one, and then would never cut a valuable rope when freeing the slave. It would be a strange act to destroy the thing. My problem was that the Viking should scare the monk a little with the swift movement of the knife, make him flinch and graze his Adam’s apple; make him aware that he is, from now on, at their mercy. It should break the confident gaze of the captive and display the mortal danger he is in. There’s so much to that brief moment! But could that work with iron collars the Viking would have to fiddle with? Would him forcing these open in slow motion have the same effect for monk and readers as a fast-moved knife? Surely not. My monk would have impatiently rolled his eyes at some point, haha. So: even though my researcher was right, technically, I overruled his verdict and stuck with my fast and threatening knife-movement. I needed to shock the monk, not bore him to death before the real action had even started 😉

Links:

Author homepage and buy links: https://sarah-dahl.com/book/monk

Publisher Pronoun with buy links: https://books.pronoun.com/sarahdahl

Goodreads: https://www.goodreads.com/author/show/16341241.Sarah_Dahl

Facebook page: https://www.facebook.com/sarahdahl13

Twitter: @sarahdahl13

Bio:

Sarah Dahl lives on the edge of the rural German Eifel and writes historical fiction (novels and short stories) primarily set in the Viking age. She also works as an editor, translates, and coaches new writers in German and English. She is interested in everyday life in bygone centuries and the human stories that may have occurred behind the hard, historical facts. Her author page is: sarah-dahl.com 

***

Many thanks Sarah for dropping by today hun. Good luck with your new story.

Happy reading everyone,

Jenny x

Interview with Jon Hartless

It’s interview time. Today Steampunk author Jon Hartless is here for a writer type chinwag 

Why not grab yourself a cuppa, put your feet up for five minutes, and come and join us for a chat?

What inspired you to write your book?

It was a bit of a mental collision between different ideas, topics and real life. I’d known of the Bentley Boys for some time but only in the sense that I knew they were famous racing drivers of the 1920s. I did some research about the era, learning how most of the Bentley Boys were very rich playboys and I saw that the gulf between the rich and the poor could be encoded very neatly by using motor racing and car ownership. With the rich in cars and the poor on foot, you have a very clear demarcation between the two.

I’d also seen on TV a wonderful car called Brutus, the engine of which came from an old 1920s airplane. The car was a big, brutal, black vehicle that was very difficult to drive, as shown on an old episode of Top Gear (obviously before Jeremy Clarkson developed his hobby of beating up members of the production crew for not having a hot meal for him on demand), wherein Clarkson had trouble on the track as the vehicle was quite skittish owing to the power.

The final factor that came into play was chatting to someone I met at a Steampunk event at the Commandery in Worcester; she was involved in amateur dramatics and she was doing a Christmas pantomime which, in essence, was a Steampunk version of Chitty Chitty Bang Bang. Unfortunately, I never saw it and so I know nothing else about it, but that left the vague image floating in my mind, bobbling about.

And so, eventually, all these elements collided in my brain and there it was; a steampunk motor racing story, giving me many opportunities to examine inequality within society, as well as the roles we are expected to adopt and conform to by the status quo, all centring on the heroine and a huge Brutus-like car that exacts a terrible price on any who try to drive it.

What type of research did you have to do for your book?

I did a lot of background reading on the Bentley Boys and associated topics, such as the rise and fall of the original Bentley Motor, and on motor racing in general back in those very early days of the sport. Books included biographies, autobiographies, reminiscences and the like, some written almost at the time, some not done until years later, and I also picked up anything I could on motoring and that era (the 1920s) that I could find. And of course anything on the Victorian era helped, given that the Victorian epoch didn’t really end until the Great War, and you can argue it extended (in certain ways) even beyond that.

Which Point of View do you prefer to write in and why?

I prefer the third person omniscient, but my one digital publisher (who sells mostly in the United States) repeatedly warns all their authors against this as their feedback from the public demonstrated this is not a popular voice, for some reason. It seems that the authorial voice telling you that a character is lying is unacceptable to the readers as they demand to know how anyone can know this, and hence the limited third person is preferred, wherein the impersonal narrator knows no more than the characters do… hence it may be suspected that a character is lying, but no more. Quite what the problem is with the concept of an omniscient author I do not know, but American readers just don’t seem to like it.

Having said that, Full Throttle is written by an editor writing “now” but looking back about one hundred years to the events “then”, so everything is being selected and filtered through his mind. Which makes for an interesting change.

Do you prefer to plot your story or just go with the flow?

I generally know the outline – where the story starts, where it ends, and a few points in between – but within those parameters I just let it develop wherever it wants to go. I could claim that unstructured free-flowing subconscious creativity is a primary requisite to creating a real, living world, but in truth I’m just too lazy to plot everything out beforehand.

What is your writing regime?

I’m out and about in my job, visiting different people in different places, so quite often my regime is nothing more than having an hour to spare between appointments and quickly getting the laptop out and doing what I can while sitting in the car. Finding a quiet side road is essential for this to work…

Links

https://www.amazon.co.uk/Full-Throttle-Jon-Hartless/dp/1786154579/ref=sr_1_1?ie=UTF8&qid=1504432789&sr=8-1&keywords=jon+hartless

Bio

Jon Hartless was born in the seventies, which is rather long time ago. Full Throttle is his first novel with a traditional publisher.

***

Thanks for stopping by today, Jon.

Happy reading everyone,

Jennyxx

 

 

End of the month round up with Nell Peters

OK- I am in denial. It is not the end of September! It can’t be…except, it is…

Over to Nell!

Good grief! We’ve reached the end of September already – how did that happen? Anyway, let’s not waste any time as I’m sure you have better things to do, like giving your pet rhino a pedicure, or similar.

Red-headed actress Rula Lenska was born seventy years ago today as Róża Maria Leopoldyna Łubieńska – wow, pity her poor teachers calling the register. And she must have had custom-made, extra-long name tags for her school uniform. The family claim membership of the Polish aristocracy, with her parents being a count and countess – I wonder how impressed the good folk of St Neots were by that, because that’s where Rula was born. Perfectly nice town though it is, St Neots doesn’t quite conjure the same mental image as Warsaw, Krakow, Gdansk or even Radomsko, does it?

Early on in her career and certainly by the time she hit thirty, Lenska had renounced her countess title. She said at the time, ‘In England it doesn’t count, if you’ll excuse the pun.’ Oh, how very droll. However, a good few years afterwards in January 2006, when she signed up for Celebrity Big Brother, she justified her decision to take part with the words, ‘I’m a crazy Polish countess who likes a challenge’. Do make up your mind, dear.

I’ve never seen CBB – a fact that horrified near-neighbour Peter, who is a designer on the show, when we were chatting at a party locally. Even I, though, knew about RL cavorting with MP George Galloway in a role-play task where he pretended to be a cat licking milk from her cupped hands, and Lenska stroked his ears and moustache. Eew … or perhaps mew. Apparently, she also managed to lock herself in the toilet during her time in the house, giving late singer Pete Burns the golden opportunity to quip, ‘Oh dear, what can the matter be, clapped-out actress stuck in the lavatory.’ How brutal – made me laugh when I read it, of course, but rather mean. I’m hanging my head in shame … really.

My mother also managed to lock herself in the downstairs toilet, a few days before my dad’s funeral. I got a call from the Bluebird lunch carer saying Mum had been in there quite some time and seemed to have forgotten how to slide back the basic lock in order to get out. When Sally (said carer) tried to relay instructions through the door, my mother said she didn’t know what she was talking about and became abusive. So, Sally rang her office and some bright spark there told her to contact me. What sensible advice, when they were in Twickenham and I was at home in Norfolk – a buck expertly passed if ever there was one.

Sally decided a chisel to jimmy the lock was the way to go and so I guided her through the idiosyncratic locked door system of the ground floor – each lock with ever more weirdo-shaped keys that need to be persuaded into action – out into the back garden and around the house to the potting shed. My father was always one for ‘we’ll get a man in’ but did have some basic tools and I was pretty sure that was where they’d be, along with various lawn mowers and other garden machinery, an ancient bicycle or two, a zillion disused flower pots and industrial strength spider webs. After she managed to get the shed door open, Sally quickly located a chisel and squealed with delight when she saw an axe. I persuaded her (with much difficulty) to leave that where it was.

While she was attempting her breaking and entering, she had to hang up the phone, promising to call back when the prisoner had been sprung. An hour passed and I was beside myself with worry, when she finally rang back. Mission aborted. She’d called the Fire Brigade. We had to end the call once again, as she was expecting them to ring. By the time I heard from her again, I was (even more of) a basket case – but job done. Not impressed by three hunky firemen setting her free with a strategically placed crowbar, my mother had spat harsh words at Sally for letting strangers into her house and insulted the poor guys loud and long – nothing to do with dementia, that’s how my mother rocks.

Going back to aforementioned Rula Lenska, Marc Bolan shared her date of birth, but died just two weeks short of his thirtieth birthday when the Mini being driven by his girlfriend hit a tree on Barnes Common – I passed the spot on many an occasion when I lived in London, and there were always flowers placed there. The singer/songwriter/poet/musician was actually born Mark Feld and tried out stage names Toby Tyler and Mark Bowland along the way, before settling on Marc Bolan. Through his father Simeon’s bloodline, he shares Rula Lenska’s Polish (plus in his case, Russian) ancestry, but does not appear to lay any claim to the nobility – so, just dead common like the rest of us.

While at school (from which he was expelled at fifteen for bad behaviour), he played guitar in the trio Susie and the Hula Hoops, with vocalists Helen Shapiro, twelve at the time, and Helen’s cousin the appropriately-named Susie Singer. I can remember Helen’s hit, Walking Back to Happiness – boy I’m old, but not as old as her, because she was born on 28th September 1946, the year before Lenska and Bolan.

The glam rock band T. Rex recorded Ride a White Swan in 1970 with producer Tony Visconti (who also managed David Bowie) – it was the single that changed Bolan’s career, and was inspired by Mungo Jerry’s success with In the Summertime, tempting Bolan away from predominantly acoustic to a more electric sound. Friends Bolan and Bowie both inflicted pretty awful names on their sons – Rolan (although he was named as Rolan Seymour Feld on his birth certificate) and Zowie, who wasn’t so lucky but is now rather more prosaically known as film director Duncan Jones.

The band were originally known as Tyrannosaurus Rex, named after one of the largest carnivorous dinosaurs – a ferocious beastie capable of the ultimate in bone-crushing action. Ouch. These prehistoric predators were approx 40’ long and up to 20’ tall, with strong thighs and long, powerful tails built for speed, plus a 5’ skull which drilled into prey. They suffered from a bit of a design fault, though – while the two-fingered forearms could seize prey, they were too short to reach the mouth and deposit the poor unfortunate victim. Doh! That’s when their serrated, conical teeth came in handy (sorry!) – to pierce and grip flesh, and then rip it away from the body of their quarry. That could become the latest diet craze – tie up your arms somehow to make their reach shorter! Because we don’t have T. Rex-type teeth, no food would make it as far as the lips, ergo no calories consumed – sorted! I may yet become rich and famous …

On this day in 1955, another young man died as the result of a car crash – one James Dean, twenty-four year old American actor and cultural icon of teenage disillusionment, angst and social estrangement, as portrayed in arguably his most famous film, Rebel Without a Cause. American teens of the era easily identified with the dilemma of his character, Jim Stark, who feels that no one, not even his peers, can understand him.

A keen participant in motor racing, Dean was driving his Porsche 550 Spyder to a race meeting when the accident happened, having been stopped less than two hours earlier for speeding. The crash occurred at an intersection, when a 1950 Ford Tudor driven by Donald Turnupseed (I kid you not!) turned in front of the Porsche. Because he was driving too fast, Dean was unable to stop, colliding side-on with the other car. The actor died instantly, while Donald walked away with minor injuries. A subsequent coroner’s jury delivered a verdict that Dean was entirely at fault due to his speed, and found Turnupseed innocent of any criminal act. Fellow actor Humphrey Bogart observed about JD’s image and legacy: ‘Dean died at just the right time. He left behind a legend. If he had lived, he’d never have been able to live up to his publicity.’ Harsh, but possibly true. Unbelievably, according to Forbes Magazine (a US bi-weekly business publication, maxim The Capitalist Tool), James Dean’s estate still makes around $5M annually. Not too shabby …

This year, the Day of Atonement, or Yom Kippur is observed on 30th September, being the 10th of Tishri in the Hebrew calendar, or the tenth day of the seventh month, and is regarded as the ‘Sabbath of Sabbaths’. It is considered the most important holiday in the Jewish faith. Falling in the month of Tishri (variably September or October in the Gregorian calendar), it marks the culmination of the Ten Days of Awe, a period of introspection and repentance that follows Rosh Hashanah, the Jewish New Year.

I wonder quite how that sits with International Blasphemy Day, observed annually (mostly in North America and Europe) on 30/9 since 2009, after a student contacted the Centre for Inquiry in New York proposing the idea, which the CFI supported. Ronald Lindsay, president and CEO of the CFI said of Blasphemy Day, ‘We think religious beliefs should be subject to examination and criticism just as political beliefs are …’ For those who – like me – haven’t heard of the CFI, they are a non-profit educational organization, their primary mission to foster a secular society based on science, reason, freedom of inquiry, and humanist values. In January 2016, Richard Dawkins hitched his foundation’s wagon to the CFI. Probably enough said.

Today is also Chewing Gum Day (a lot of blaspheming going on when folk tread in the damned stuff?), International Lace Day and Family Health and Fitness Day USA – the latter two taking place on the last Saturday in September rather than a specific date. And then there’s National Mud Pack Day, also an American affair. The blurb says, ‘This holiday is for learning and appreciating the use of mud on the face or really any part of the body. Mud packs have been popular for years for facial treatments to keep the skin young, soft and supple, so let today be the day you learn how to nourish your skin with mud.’

No sooner said than done – it has been raining, so I’m off to dig up the garden (or maybe I’ll get a man in) and then luxuriate with a homemade concoction slathered over all the wrinkles. You may not recognise the youthful creature who guest blogs next month – plus, of course, I will be super-skinny from trying out and perfecting The T. Rex Short Arm Diet! May have to work on the name …

Thanks, as always, for having me, Jenny!

Toodles.

NP

Many thanks to Nell for another entertaining and fascinating blog. I will never look at Rula Lenska in the same way again!

Happy reading everyone.

Jenny x

 

 

 

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