Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

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Nothing’s Forgotten: Booking at The Hooded Man Event

What a year it’s turning out to be! There are days when I can’t believe my luck. Here I am, black coffee at my side (of course!), a packet of chocolate buttons on standby, a new book deal with WHSmith to sell my forthcoming novel, Another Glass of Champagne, in its airport, railway station, and service station shops, and two new novel contracts on the starting slopes- and, to add the cherry to my virtual cupcake, I have been invited to sell my part modern/part medieval novel, Romancing Robin Hood at this years celebration of all things ‘Robin of Sherwood’ – The Hooded Man II event.

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If you are a regular to this site, you’ll know that I have been running a series of blogs about Robin of Sherwood, which is being revived as a one off audio show called, The Knights of the Apocalypse. (#KOTA). If you’ve missed them, you can find the blogs here- Blog 1, Blog 2, Blog 3

I am looking forward to attending The Hooded Man event at Chepstow on 30th April- 1st May. I’m also a bit nervous!! This is a massive event, with people travelling from all over the world to attend- and I’ll be on my own with a pile of books!! However- I am SO excited. What an opportunity! Maybe- at last- I’ll be able to thank, in person, the people who set my life on its path of historical research and fiction!

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And what better day than this- 2nd April 2016- to announce that I’ll be attending this RoS event- as it was on this very day, at 5.35pm, 30 years ago, that Jason Connery first took his longbow as Robin Hood, in the opening episode of series three- Hernes Son (Part1) Where do the years go?!

I look forward to seeing some of you at the event!!

Happy reading,

Jenny x

 

Guest Interview with Catherine Hokin: Blood and Roses

I’m delighted to welcome historical fiction author, Catherine Hokin, to my site today. Why not pop the kettle on, fetch a cuppa, – maybe a slice of cake- and sit down for five minutes to read about Catherine’s latest novel? I have to say, it sounds fantastic.

coffee and cake

What inspired you to write your book?

Blood and Roses tells the story of Margaret of Anjou (1430-1482), wife of King Henry VI, and her pivotal role in the Wars of the Roses. As a child, my father ran a war gaming society (in the days when this actually involved a sand table and little soldiers) and the members were obsessed with the Wars of the Roses and the people involved – to the point where I started to think some of the characters were actually still alive. Among all the people they argued about (and they argued a lot), it was Margaret of Anjou who captured my imagination because they loathed her! Then I met her in the Shakespeare version which depicts her almost as a devil – as a contrary teenager, anyone who could engender this much fury (especially among men) was definitely worth my attention. Then at university, as part of my History degree, I wrote a thesis on medieval politics, witchcraft and propaganda and there she was again. She’s an itch I’ve long wanted to scratch!

CHokin- Blood

Do you model any of your characters after people you know? If so, do these people see themselves in your characters?

Not people I specifically know although I did draw on character traits from Claire Underwood in House of Cards and Alicia Florrick in The Good Wife who I would say are very modern Margarets. I don’t tend to use people in my life but I do draw on relationships. The dynamic between Margaret and her son Edward is key to the book – particularly from the viewpoint of how to raise a strong boy and then let him go, even if the path he chooses is dangerous. I have a son who was 18 when I was writing this and I really drew on our relationship. He thought that was great till he read the death scene…

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What type of research did you have to do for your book?

Detailed research is essential to give novels like this credibility – there are a lot of expert readers out there! So the research was extensive and took nearly 2 years – I read everything I could about the time period and the characters, including non-fiction books by other authors and contemporary chronicles written during/shortly after Margaret’s life. You have to read widely to get the different perspectives and find the gaps in the facts where the story starts to grow. I loved researching the really gory battles (the exploding teeth as a result of head injuries at Towton was fascinating) as much as the food and clothing! But you have to be careful not to overwhelm the reader – a lot of what I read came down to 2 or 3 words in the actual novel. And I can now pretty much calculate any distance in terms of how long it takes a horse to get there!

 

Henry VI - Part 3, Act 2

Henry VI – Part 3, Act 2

What excites you the most about your book?

Hopefully what has certainly gripped some of the reviewer’s imaginations! There has always been speculation about who was the father of Margaret’s son. Her husband Henry was essentially a monk and Prince Edward was born 8 years into the marriage. There have been candidates out forward but none of them are believable when you consider Margaret’s character – rather like Elizabeth I, I don’t believe she would have been foolish enough to have an affair that would have threatened her power. So, I looked for the gaps in the facts and found something: at a crucial point in the conflict, Margaret’s army was refused entry to London by her supposed friend, Jacquetta Woodville. The betrayal is stated everywhere but not explained – I had my story…

If you were stranded on a desert island with three other people, fictional or real, who would they be and why?

My first instinct was to say Richard Armitage, Tom Hiddleston and Bruce Springsteen but that’s not what I think you mean so…

I would have said Margaret so I could find out if my take on her life is as realistic as I wanted it to be but I think she would be terrifying so I’ll leave her behind. First of all, I need a good cook (I like to eat) so I’m going to choose the fabulous Julia Childs as long as she was played by Meryl Streep (I know that’s a 2 in 1 but it’s my fantasy). I imagine I might be there a long time so I need someone with a wealth of fascinating stories so I’m going to choose my favourite author, Gabriel Garcia Marquez – this hopefully means that I will also finally learn Spanish which I’ve been meaning to do for ages. And finally, I need someone who would add a bit of spice to the whole thing so I’m choosing Adam from my favourite film ‘Only Lovers Left Alive’. He’s a vampire which is a bit of an issue but maybe fish blood will be ok and at least he won’t eat the food stocks, he’s a great musician so there’s the entertainment sorted and he’s played by Tom Hiddleston…

Links:

https://www.catherinehokin.com/

http://catherinehokin.blogspot.co.uk/

https://www.facebook.com/cathokin/

Twitter @cathokin

CHokin

Bio:

Catherine is a Glasgow-based author whose debut novel, Blood and Roses was published in January 2016 by Yolk Publishing. The novel brings a feminist perspective to the story of Margaret of Anjou (1430-1482, wife of Henry VI) and her pivotal role in the Wars of the Roses, exploring the relationship between Margaret and her son and her part in shaping the course of the bloody political rivalry of the fifteenth century. Catherine also writes short stories – she was 3rd prize winner in the 2015 West Sussex Writers Short Story Competition and a finalist in the Scottish Arts Club 2015 Short Story Competition. She regularly blogs as Heroine Chic, casting a historical, and often hysterical, eye over women in history, popular culture and life in general. She is profiled in the March 2016 edition of Writing Magazine. For 2016 she has been awarded a place on the Scottish Book Trust Author Mentoring Programme to develop her second novel. In her spare time she listens to loud music, watches far too many movies and tries to remember to talk to her husband and children.

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Thank you such a wonderful interview Catherine.

Happy reading everyone,

Jenny x

 

 

 

My First Time: Nell Peters

This week it’s the turn of the always lovely Nell Peters, aka Anne Polhill Walton, to share her first time publishing experiences- and a picture of a chicken…Ummm…

Over to you Nell…

First Time

Can you remember writing the first story you actually wanted to write, rather than those you were forced to write at school? What was it about?

At a loose end over a summer in Montreal (early 20s, pre-children), living in a house with the St Lawrence at the bottom of the garden, I settled down at a picnic table and started writing stories for young children – in between swatting mosquitoes. They were the sort of traditional tales I’d been raised on – gentle escapism, make-believe storylines and not a boy (or girl) wizard in sight, as far as I remember. They were rubbish.

What was your first official publication?

That was a poem published in an anthology for Mother’s Day – I forget what year, but I had four children by then. It was entitled ‘Bonjour Maman’ and some of it was in French, so I had to translate for my mother as she doesn’t speak the lingo.

What affect did that have on your life?

I became rich and famous overnight. Oh no – that wasn’t me. Am eejit.

By Any Name final

Does your first published story reflect your current writing style?

As you specify ‘story’, that would be my psychological crime novel By Any Other Name, which was published in November 2014 by Accent Press. Obviously, my style hasn’t changed too much since then, but with Hostile Witness – launched February 2016, my editor took out a lot (actually most) of the humour I find impossible to resist, to make it quite dark.

Hostile Witness ver 2

What are you working on at the moment?

This questionnaire, silly!

Buy links

By Any Other Name – http://viewbook.at/By_Any_Other_Name_by_Nell_Peters

Hostile Witness – http://mybook.to/hostilewitness

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Author Bio and links

Nell Peters is a pen name, as Anne Polhill Walton is something of a mouthful. After I abandoned my quest to become the next Enid Blyton, I started to write poetry and that remained my first love for many years, before I moved on to writing crime – a genre that very much suits my warped mind. Poetry as a therapy continues to be an interest.

I live in Norfolk UK and most of the family are close-ish, so we have some very chaotic weekend get-togethers, Christmases etc. We are collecting a frightening number of Grands – three of each at the last count. Oh, and Pavlova the chicken who turned up almost two years ago and just stayed. She is named not after a meringue dessert, but Ivan Pavlov (he of dog fame) because she responds to classical conditioning. Did I mention my warped mind?

chicken

On Facebook I have an author page: https://www.facebook.com/NellPetersAuthor/

And on Twitter I am myself as @paegon

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Many thanks Nell (Anne!)- fabulous! Love Pavlova!

Happy reading,

Jenny x

Sunshine Dreaming: Returning to Abi’s House

I’m delighted to say that the sequel to my Cornish friendship and romance novel, Abi’s House, is well underway, and will be out in the world in Summer 2017. (Yes- that is just over a year away!!)

Sennen

Abi’s Neighbour will follow on from where we left Max, Abi, Beth and their friends in the beautiful Sennen Cove, at the very tip of the Penwith peninsula in Cornwall. There will – obviously- be a new neighbour moving in next door to Abi on Miners Row…but I’m saying no more for now!

In the meantime, why not hide from the awful weather this Easter weekend, indulge in a little Cornish sunshine, and discover the world of Abi Carter, and her dream home.

Blurb

Newly widowed at barely thirty, Abi Carter is desperate to escape the Stepford Wives-style life that Luke, her late husband, had been so keen for her to live.

Abi decides to fulfil a lifelong dream. As a child on holiday in a Cornwall as a child she fell in love with a cottage – the prophetically named Abbey’s House. Now she is going to see if she can find the place again, relive the happy memories … maybe even buy a place of her own nearby?

On impulse Abi sets off to Cornwall, where a chance meeting in a village pub brings new friends Beth and Max into her life. Beth, like Abi, has a life-changing decision to make. Max, Beth’s best mate, is new to the village. He soon helps Abi track down the house of her dreams … but things aren’t quite that simple. There’s the complicated life Abi left behind, including her late husband’s brother, Simon – a man with more than friendship on his mind … Will Abi’s house remain a dream, or will the bricks and mortar become a reality?

Abi's House_edited-1

Here are some of the lovely review’s Abi’s House has received…

A summer read as scrumptious as its Cornish backdrop. Brilliant!”

“This novel is a box of delights…the perfect escapist read…”

“Better than a Cornish Cream Tea…”

“Reading a Jenny Kane book is like opening a journal by a much loved friend…”

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To pick up your copy Abi’s House in either paperback or on Kindle visit any good book retailer or follow these links –

 
Happy reading,
Jenny xx

Nothing’s Forgotten: An Interview with #KOTA Producer Barnaby Eaton-Jones

I’m delighted to be interviewing the producer of  the brand new Robin of Sherwood audio production today (The Knights of the Apocalypse #KOTA) – Barnaby Eaton-Jones- today!

Got your coffee and cake? Feet up for five minutes? Then let’s begin!

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How did you get involved in #KOTA?

I was asked to co-produce by Simon Barnard, of Bafflegab Productions, as I’d been organising the 30th anniversary ‘Robin Of Sherwood’ celebration – The Hooded Man 2014, which made history by being the only event to have both Hooded Men together at the same time and on stage together being interviewed; Michael Praed and Jason Connery. It was I who liaised with Richard ‘Kip’ Carpenter’s estate and suggested we use the unproduced KOTA script, as well as asking all the surviving actors from the show whether they wanted to come on board. Sadly, Simon left the project in late 2015 and I become sole Producer and basically started the production again (re-casting, re-writing, booking new studios, finding a new audio company – Spiteful Puppet – and generally making sure that ITV and Kip’s estate didn’t pull the plug on it, which was very, very close to happening). It was all rather hectic but I think the production become stronger because of it.

Judi Trott and Nickolas Grace

Judi Trott and Nickolas Grace

Have you always like RH/RoS? You’re much too young to have watched RoS when it aired the first time around.

You flatter me! Ha. I am easily old enough to have watched it the first time round. When the show ended, I was hitting my teenage years, and so I recall it all with great clarity and loved every second of it. I think I’d always had a fascination with Robin Hood (I recall reading the ‘proper’ legend, which was anything but, that had been written by Enid Blyton – a simplified version of the most well-known tale – when I was young. But, Robin Of Sherwood was a different chalice of mead. It was rooted in the ’80s but yet seemingly tireless. It was rather ‘adult’ for a teatime adventure slot on ITV (there is talk in the first episode of Will Scarlet’s wife being raped by soldiers, hence his rather unhinged character and desire to fight the Normans). I eagerly awaited ‘Look-In’ (the TV guide for kids), that had a comic strip of the show in it and the odd article and I recall the confusion when Michael Praed’s Robin died and the next series saw the introduction of a new Hooded Man, in the form of Jason Connery’s Robert of Huntingdon. As I got older, I loved the fact that Kip had basically used the two most well-known legends for the outlaw – the first being a Saxon peasant, in the form of Robin of Loxley, and the second being a well-to-do song of an Earl, in the form of Robert of Huntingdon. Artistic leeway aside, with Kip’s interpretation featuring a regular Merry Man in the form of a Saracen called Nasir, I think his vision was pitch perfect for the show and I don’t believe there’s been one better before or since.

Recording of #KOTA

What’s your ‘real’ job?

My two little daughters will say it’s being a silly Daddy. I work from home, so I look after them. But, I basically do anything that’s creative. I’ve been a writer (documentaries on television, published book, published poet, etc), a publisher (Chinbeard Books Ltd), an actor (mostly on stage but a lot of voiceover work and the odd foray into the limelight), a director/producer (I just find projects easier to do if I sort them myself!), a musical tart (writing and performing comedy songs, not-comedy songs and, at one time, spending nearly a decade being Elwood in a 10-piece Blues Brothers tribute I managed), an improviser (my monthly comedy show has returned after a little break, to take a year-long residency in Cheltenham at The Playhouse) and an impressario (I have run The OFFSTAGE Theatre Group since 1993 and we’ve toured here and overseas with many original and ‘classic’ productions). It all sounds highly egotistical but, in a nutshell, my life has been geared to make people happy. I love that. It’s not for me, though of course it does make me happy too, but knowing an audience is having a good time – in comedy or in drama or in music – really fuels me. So, I try not to have an ego. If I do, I certainly keep it in my back pocket.

Colin Baker and Barnaby

Have you always been a ‘creative’ type?

Yes. See above. Ahem. At school, I was known for writing ‘too long stories’ (can stories be ‘too long’? I don’t think so). Often being given a subject and ending up finishing my exercise book and asking for a new one to end it in, as well as illustrating them too. I think that began as early as Infant School, as did my love of standing up and making people laugh. I was probably about 4 or 5 when I was cast as Grumpy in the school play and I only had one line – “I am Grumpy!” – but I still recall the roar of laughter when I said it and the feeling that I wanted to do that again and again.

Barnaby - radio

I’m Sorry I’ll Read That Again

 What’s next for you after #KOTA has aired?

I’m currently putting together a tour for the revival of an old BBC Radio comedy series called ‘I’m Sorry I’ll Read That Again’ (which starred John Cleese, Graeme Garden, Bill Oddie, Tim Brooke-Taylor, et all). We did a one-off version for charity, to see how it faired and it seemed to work well and attract a big audience. So, we’ve been kindly granted a longer licence by Graeme and Bill to tour with it. Plus, I’ve finally got time to get my publishing company back on track a bit. We’ve got a lot of books finished and ready to be released but I just haven’t had the time. Of course, I also need to be beaten up by my little daughters and make them laugh by falling over a lot.

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Many thanks for such a great interview Barnaby- and for the exclusive photographs! I know you are extremely busy getting the #KOTA production ready in time for next months premiere!

Happy reading everyone,

Jenny x

Interview with Tracey Sinclair: Romance and Fantasy

I’m delighted to welcome Tracey Sinclair to my site today to tell us about her latest books. Why not grab a cuppa, a slice of cake, put your feet up, and join us for a chat! 

coffee and cake

What inspired you to write your book?

I know one of the most commonly asked questions for writers is, where do you get your ideas from, but the only honest answer is, everywhere! My romance, Bridesmaid Blues, was inspired by the fact that, as a single woman, I was bridesmaid to an awful lot of friends (I used to joke that the film 27 Dresses was my autobiography!) I was also the only bridesmaid at a wedding where my ex-boyfriend was best man, and though that worked out fine in real life, I saw the comic possibilities of it as a basis for a story.

For the Dark Dates urban fantasy books, it was a little different – I was sick of the wimpy, whiny heroines I was seeing in some books (naming no names, but sparkling vampires may have been involved!) and I wanted to create a series based around someone who wasn’t like that, but also wasn’t some kind of superwoman – just a normal, relatable woman thrown into extraordinary circumstances.

Bridesmaid Blues Final High res

Do you model any of your characters after people you know? If so, do these people see themselves in your characters?

I do, quite often, though usually I take a mix of characteristics from several people and combine them so as to protect the guilty! Funnily enough, I often combine siblings’ characteristics into one person. The glamorous Hali from Bridesmaid Blues is based on a brother and sister who were great friends to me when, like Luce in the novel, I first moved to London, while Katie in Dark Dates is loosely based on a couple of dryly funny, no nonsense sisters who are also good friends of mine. Sometimes people see it, but I try not to make them too much of a carbon copy, otherwise I think you worry too much about offending people instead of staying true to the characters.

Do you prefer to plot your story or just go with the flow?

I usually have an idea for the start of the book, and the end, but the middle is left to unfold as it will. It’s a bit nerve-wracking, and often ends up being quite surprising, but it works out – although I do a lot of advance notes, sketching out scenes, and an awful lot of rewrites.

What is your writing regime?

I write loose fragments and character sketches, to test or flesh out ideas, characters or scenes, then I do a first draft in longhand. Then, depending on how well it’s going, I’ll do another longhand draft and then at least a couple more on the computer.

In terms of routine, I tend not to write a lot over the winter as I have a lot of other commitments (I’m a freelance writer and editor, so I work around a lot of deadlines) but from March-October I usually write every day, depending where I am in the story.

What excites you the most about your book?

It’s different things for different books, I think. With Bridesmaid Blues, I relished the idea of writing a rom-com that was set in my home city of Newcastle, because you see so many books about women being whisked off to glamourous lives in New York or Paris, and I wanted a more down to earth setting. With Angel Falls, which is the latest in the Dark Dates series, it’s the thrill of writing about characters I’ve become familiar with, and that readers have become attached to – knowing you’re putting out a book that people are looking forward to, and that feature characters that readers have come to really care about is pretty much the biggest thrill I can think of!

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Links – darkdates.org

Facebook.com/darkdates

Twitter – @thriftygal

Books:

Angel Falls – http://www.amazon.co.uk/Angel-Falls-Cassandra-Bick-Chronicles-ebook/dp/B01AMOGRBY/

Bridesmaid Blues: http://www.amazon.co.uk/The-Bridesmaid-Blues-Tracey-Sinclair-ebook/dp/B00M83Y3VO/

Goodreads – https://www.goodreads.com/author/show/510122.Tracey_Sinclair

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Bio

Tracey Sinclair is a freelance editor and writer, theatre reviewer, author and playwright. She has been published widely in both print and online magazines, and included in a number of print anthologies. Her play Bystanders was produced at Baron’s Court Theatre in 2011, and again at the White Bear, Kennington and Tristan Bates Theatre, London in 2015, and Dark Dates: An Audience with Cassandra Bick, which she co-wrote with Zoe Cunningham and Peta Lily, has been performed at the Tristan Bates Theatre and the Brighton Fringe. Her first two books were published by Kennedy & Boyd, and her latest series is the Dark Dates/Cassandra Bick novels. A Northerner by birth and temperament, after spending most of her life in Newcastle and Glasgow, she bailed for sunnier climes and now lives happily by the sea in Brighton, with only occasional yearnings for a stottie sandwich or a macaroni pie.

You can follow her on Twitter under the profoundly misleading Twitter name, @thriftygal, or keep up with Dark Dates via darkdates.org or www.facebook.com/darkdates

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Many thanks Tracey- great interview!

Happy reading everyone,

Jenny xx

 

Dealing with the Rollercoaster: A Writer’s Guide to Handling Disappointment

There is simply no avoiding it- writing and disappointment goes hand in hand.

This could be shortest blog ever, because the best advice I can give any writer or aspiring writer is to believe nothing you are promised until you see it in black and white, on a piece of real paper, with signatures on it.

roller coaster

I am aware this sounds cynical, but in fact it is just the reality of the publishing business. Incredible offers are frequently made, and frequently taken away again. I’ve had people offer me the moon in one moment and then taken it away the next. It’s how it is.

These points might help you prepare for those ‘disappointment lows’ –

-Never forget an editor/agent/ publisher is in the business to make money first, and make you (and all the other authors on their books) successful second.

-A genuine promise made in the heat of a friendly conversation will probably never be upheld because circumstances change in publishing on an almost daily basis.

-Getting a contract is 100% incredible, but the come down after your book comes out and doesn’t instantly sell thousands can be hard to take- don’t worry about it- it’s a normal reaction. Market your own work. Use every PR opportunity given- I refer you to my post on books being invisible.

Between torture and fun

The golden rule is to be patient- work hard- and accept there will be massive highs and massive lows. When the lows come, have a strategy to deal with them- pick a place to walk where you can get lost in the scenery- go out with friends- do a top up your wardrobe by holding a cheap and cheerful raid of your nearest charity shop. Whatever makes you happy- do just that. Remember the next high won’t be far away if you keep working at it.

Disappointment

I think my favourite low was when a major publisher (who I will not name), told me I would never be successful because I wrote too intelligently; that I was too broadsheet and wasn’t tabloid enough. I don’t know who that is more insulting to- me or my readers. I was gutted at the time, but I laugh about it now.  

So the moral of this blog is this- if you want to be a writer you will be disappointed often- but the highs, when they come, are so worth it.

Good luck out there every one. Don’t give up!!

Jenny x

 

 

 

Nothings Forgotten: The Enduring Appeal of Robin of Sherwood #KOTA

Last week, I put up a blog about what led me to write my part contemporary fiction (or RomCom if you prefer), and part medieval crime novel Romancing Robin Hood– my instant and unwavering love for the legend of Robin Hood, which struck when I first watched Robin of Sherwood on the television as a young teenager. You can read blog here- link https://jennykane.co.uk/blog/nothings-forgotten-the-robin-of-sherwood-effect/

This passion for the legend, and the simultaneous admiration for those who wrote, produced, and starred in Robin of Sherwood has recently been ignited further with the news that the cast have reunited to form an audio show, which follows the sort on from where the television left off, over 30 years ago!

Details of this new episode- The Knights of the Apocalypse (#KOTA) – which stars the original cast (with Jason Connery as Robin) can be found here- https://www.indiegogo.com/projects/robin-of-sherwood-the-knights-of-the-apocalypse#/

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Thanks to the kindness of the producer of #KOTA I have been allowed to promote my work a little on the various Robin of Sherwood fan sites- and I have been overwhelmed with the love out there for a show that has been missing from our screens for such a long time.

So- what is it about Robin of Sherwood that ignited the imaginations of so many- to the extent that, all these years later, an annual Hooded Man get together is still held every year in Chepstow, and the tickets for the premiere of #KOTA sold out in only a few hours.

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Dan Rendell – (CoModerator of the Robin of Sherwood Facebook site and former convention organiser)

I am sat here on a warm, sunny day in 2016, asked to write a few words re. Robin of Sherwood’s enduring appeal. A few words cannot possibly do justice to a show which has managed to shape much of my formative years, provide such pleasure, enjoyment, and focus. It has picked me up on not so great days, prompted warm fire-side discussions about comradeship, history and legend, and given me life-long friends, propelling my own personal journey of discovery.

How do you repay a man – the legendary screenwriter Kip Carpenter, for providing hours worth of storytelling of this legendary English folk hero? How to thank the actors, the crew, the directors and the money men who all sprinkled their magic ; let people push the envelope of their skills, having the freedom to do their best work – research, set the mood, and to sit down and lend their feedback to the stories so that they grew ‘richer’ than ever expected.

I think because we’re dealing with such legendary material and archetypes, this is the main reason we are still here today talking about a tv series. There’s a rebel in every one of us, not one of us hasn’t dreamt about trying to right wrongs and make a difference. Who hasn’t run through woods, walked through empty arched doorways, dreaming, and then shouting aloud high from up in the battlements of a forgotten castle ruin. No matter the age, we are forever young.

Robin and his men got to do these amazing things whilst battling the forces of evil week after week. Primitive English folklore ran through the very fibres of the stories making it multi faceted and lending a mythic reality that felt earthy and “right.”

Whilst the flesh may die, ideas are bulletproof. We saw our hero die, and then “reborn,” to go on to more exciting adventures. It kept moving and kept evolving, following the same gang of close knit brothers-in-arms, each with their own unique story to tell, their personal demons, and all fiercely loyal.

Music, art, history and myth rolled into a neat package that warmed our hearts, albeit for just three years, has managed to do that for thirty and is in no apparent hurry to be forgotten as we come full circle and start a new (old) story, in a brand new medium.

It’s a series that will stay with me for the rest of my days.

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Christine Alexander– (Manager of the official RoS fan club, Spirit of Sherwood, for over 25 years. Organiser of the longest running RoS convention, Weekend in Sherwood)

“I think Robin of Sherwood has an enduring appeal. When you watch the show, you are transported to Sherwood, and it never feels dated. I think the reason it has had such a loyal following all these years, in addition to the amazing quality of the writing, acting, and cinematography, are the strong themes of friendship, loyalty, and fighting for what is good and right, against all odds. There is this brave group of men and women who have joined together to fight for what they believe in. Peasant, noble, soldier, lady, farmer, pagan, Muslim, Christian, they come together in all their beautiful diversity. Mirroring the wonderful friendships on the series, some of the best friends I have made are through our common interest in Robin of Sherwood.”

Fay Jessop– (Teacher, author, and lifelong RoS fan)

“For me, the enduring appeal of RoS is down to a couple of things. Firstly, it’s always felt timeless, but still very much of its time. By that I mean that, as a seven year old I loved it for the adventure and the black and white, good versus evil that I saw, and as an adult, when I came back to it, I saw it more in shades of grey, as my more grown up mind (allegedly!) saw the characters as grown ups. I wanted to be Marian when I was seven; galloping on horseback through the countryside behind Robin and wearing a crown of flowers to wed. Then, twenty odd years later when I came back to RoS, I wanted to be Gisburne’s stable hand (but then I do love a good antagonist!).

The look of and feel of RoS is at once both the epitome of the 1980s and totally timeless – the landscapes, the soundtrack, the acting still feels fresh today (even if the pace is a little slower than what today’s kids would be used to), and holds up for a modern audience. It was shot, and edited, with such love, and you can see that in every single scene. HTV brought Kip’s vision of mysticism and medieval politics to the screen so beautifully, and that fusion of magic and more earthly struggle was really potent.

Finally, and this is going to seem weird, rediscovering RoS, and realising, twenty years on, that a lot of it was shot on my doorstep helped me to fall in love with Somerset. I’d watched it as a kid in Hampshire, but at age 14 my family relocated to Somerset. That wasn’t a great age to move across country! Somehow, all of the teenage angst I’d felt about this eventually went away when I discovered RoS again some years later – I was so excited to find out that Crooks Peak (where Loxley buys it) was actually a mile or two down the road (and visible from the upstairs windows of where I live now!), and Brent Knoll is just down the M5, that it helped me to lay a lot of ghosts to rest, lose a lot of the sadness at moving away from where In was born, and learn to love this beautiful, distinctive part of the world I’ve called home for twenty five years. It might have taken a long time, but seeing it on film, and appreciating the landscape around me, certainly helped!”

***

Micheal

I could fill this blog with many many more testimonials very similar to those above. I’d like to thank Dan, Christine, and Fay for taking the time to send their thoughts to me, to share with you today.

I’ll be back soon with more #KOFA and Hooded Man news…

Jenny x

 

 

My First Time: Maggie Cammis

It’s time for another instalment of my blog series, ‘My First Time’. Today I’m delighted to welcome Mggie Cammis to my site. Over to you Maggie…

First Time

Can you remember writing the first story you actually wanted to write, rather than those you were forced to write at school? What was it about?

I have vague recollections of a torrid story concerning a stolen horse and a damsel in distress but to be honest, I can’t remember writing many stories except for homework. I was far too busy reading. When the writing bug finally bit, I jumped straight in with a novel, which had an incestuous relationship at its heart. (I have no idea where that idea sprang from, but the characters just took up the story and ran with it.) Perhaps a little ambitious for a first attempt. It languished at the bottom of a drawer for years, too embarrassed to show its face.

What was your first official publication?

About ten years ago I entered a Writer’s News competition for a personal memoir. Mine was about my experiences working as a teenager in a liquorice factory in the late 1960s. I was thrilled when it won! The article was later published in a local magazine and it’s now available to read on my blog: The liquorice fields of Pontefract                                                                                                                       

My first published fiction was my novel ‘No News is Good News’, published by Accent Press. It’s set in the exciting world of 24-hour rolling news, and concerns a young editor whose career is compromised by an intriguing storyline.

No News Is Good News(1)

Eleanor was gearing up for marriage when her boyfriend Daniel rejected her without explanation and disappeared. Four years later, she has thrown herself into her hectic career as a TV news editor. She is happy and successful and has definitely moved on.

That is, until Daniel returns with a brand-new fiancée on his arm and Eleanor’s golden chance turns to be not as shiny as she had first anticipated.

What affect did that have on your life?                

The competition win confirmed my suspicions – maybe I could write after all. The publication of the novel endorsed them.

Does your first published story reflect your current writing style?                                                                  

No. That first novel attempt was littered with purple prose! I’ve learned a lot in the intervening years and it’s taken a lot of practice to find my own style.

What are you working on at the moment?

As well as the final edit of novel number 2 – working title ‘Background Feature’ – I’m well into the third, which is a complete departure, covering very different subject matter. It deals with some of the issues surrounding women of a certain age. My age. With added humour, of course.

***

Buy links to your first published story (if still available) and links to your latest book. http://maggiecammiss.com/non-fiction/the-licquorice-fields-of-pontefract/

http://www.amazon.co.uk/No-News-Good-Maggie-Cammiss/dp/1783757035/ref=sr_1_1?s=books&ie=UTF8&qid=1452605212&sr=1-1&keywords=no+news+is+good+news

https://www.accentpress.co.uk/maggie-cammiss

 Maggie Cammiss1

Author Bio and links

Always an avid reader, the first years of my working life were spent in public libraries. Later, I moved into film archives, and in 1989 joined Sky News when the channel first launched. At the end of 2005, after more than ten years as Head of the News Library, I left London with my partner – now my husband – to see what life outside the M25 had to offer. We settled in Norfolk, I joined the Cutting Edge Writers group and started to write seriously.

I came away from the hectic environment of a 24-hour rolling news channel with a gift: masses of background material for a novel. No News is Good News was published by Accent Press in December 2014. In 2012 I entered the NaNoWriMo challenge to write a novel in a month and succeeded with the first 50,000 words of a second novel, with a similar setting, which is now in its final edit. A third novel, with a different theme, is in progress. I also write short stories, some of which I read on local radio, and our writing group has just published an anthology of our work.

https://www.facebook.com/maggiecammisswriter/

http://maggiecammiss.com/

https://twitter.com/maggiecammiss

 ***

Great interview! Thanks Maggie.

Happy reading,

Jenny x

Guest Blog from Nell Peters: The Ides of March-ish

I love having guests on my blog. Some visitors I particularly look forward to, and today I’m thrilled to have one of my favourite guests sharing a little writers wisdom. Please welcome back Nell Peters.

Over to you Nell…

Hello, Jenny – thanks for having me again!

Last time I was a guest blogger here Christmas was approaching fast, with sleigh bells ring-ding-a-ding-a-ling loudly in our ears. Now we are a matter of days away from Easter. Scary! Of course, chocolate eggs and the like have been in the shops since 26th December, possibly before – I wonder what days of the year that posh choc company designate to convert their gold foil-covered bunnies rather unconvincingly into reindeer, or vice versa?

Most of the Christmas break disappeared for me under various edits required for a 4/1 deadline and it will hereinafter be referred to the Swear Box Christmas. This in no way overshadows that of two years ago, which became the Bug Christmas. And I don’t mean those cute little ladybird creatures with innumerable legs and spotted backs.

A PW

On Christmas Eve 2013, the youngest boy was twenty-one and everyone and their dog was coming to stay for several days. In our infinite wisdom, the OH and I felt we should get the main bathroom tarted up a bit for the invasion. Big mistake. Work inevitably fell behind schedule and the self-imposed deadline (22/12) was getting perilously close, when OH managed to put his foot through the floor…which forms part of the dining room ceiling. Not a good look. When everyone arrived on 23rd (actually our anniversary, but mostly forgotten after #4 son gate-crashed the party a week before his due date on New Years Eve) we had rather too few – shall we say – functioning facilities to accommodate the gathered masses. Pioneering spirit to the fore (we are British after all, don’t you know), we could have coped with that, had someone not turned up brewing a tummy bug. I’ll let you join your own dots from there – it was a challenging few days, to put it mildly, with enough left-over food to keep us going until midsummer. Oh, in case you were worrying about it, we did get the ceiling patched up in time – though that was really the least of our worries.

That’s all a distant memory now, and one we may (or may not) find amusing at some time in the future – if we live that long.

I’m pleased to report that Pavlova the chicken survived her second Christmas with us without ending up in the roasting tin – as threatened by various horrid sons throughout the year, amid pointed ‘fattening her up for Christmas’ remarks. Poor Pav didn’t know what she was getting herself into, when she turned up on our land a couple of years ago and decided to stay…

chicken

Back to the here and now…or almost. All the necessary edits were done and dusted on time for Hostile Witness – just as well, as it was on pre-order for a 4th Feb launch, so there was little leeway. But most importantly, another little cutie entered our lives; GD #3 and our fifth Grand, arrived only a little late on 7th Jan, and of course she is just as beautiful as her big sister, Isla. The baby is called Indie, so the ‘I’s have it in that household! Sorry …

Today, 15th March, is the seventy-fifth day of the year (this being a Leap Year – I bet there’s some bright spark out there who knows exactly how many days there are until Christmas 2016. If you find them, please gag them) and was known to the Romans as the Ides – the middle of the month. It was the day in 44BC that Julius Caesar probably wished he hadn’t bothered to get out of bed, or had at least had the presence of mind to wear his dagger-proof Kevlar toga.

dagger

Anything Roman still reminds me of our Head of Latin at school, Miss Mackinder. She was a terrifying woman with protruding teeth and a passion for cats, if not her pupils. She had a glare that could kill at a thousand yards and like most of the staff at that very staid, traditional Grammar she was a spinster who seemed very old – as anyone over twenty does to a young teen. Miss Mack used to spend her holidays in Rome, rescuing stray cats (and quite possibly scaring the natives). The author Judy Astley and I somehow survived years of regulation indoor shoes, regulation outdoor shoes, summer boaters and winter felt hats (hat detention if seen outside school grounds not wearing the damned things), and flame-coloured summer dresses that suited no one and could be seen from outer space. All this amid wood-panelled walls, and an oppressive atmosphere where pupils (all gels, natch) should neither be seen nor heard, or be caught doing anything unladylike. There was a list of school rules as long as the M1 and woe betide anyone who stepped out of line – they still had the cane! Where was ChildLine when we needed it?

Anyway, I digress – fast forward to 15th March 1493, when Christopher Columbus docked in Palos, Spain after his first trip to the Americas. It was a disappointing voyage of discovery because neither Colonel Sanders nor Ronald MacDonald had opened for business and so CC was stuck with paella for another few hundred years. Or maybe I imagined that bit?

Continuing the boat/water theme, in 1927 (when my mum was about six weeks old) the first Oxford v Cambridge Women’s Boat Race was held on the Isis in Oxford. It took place at 1.15 pm, when heads of colleges hoped young men students would be too distracted by their lunch to go along to gawp. To call it a race is a bit of a stretch though, because the boats rowed separately downstream and judging concentrated mainly on style and deportment – perhaps keeping their knees together, balancing books on their heads and not showing their bloomers? When that resulted in a tie, the teams rowed against each other upstream and Oxford won by two points. Ah…those were the days – remember this was a whole year before all women over the age of twenty-one in Great Britain and Northern Ireland were finally given the right to vote. Enlightened times indeed.

Before I send everyone to sleep, perhaps I should plug the latest masterpiece and go, so that you can get on with whatever floats your boat.

newrel

Immaculately edited psychological crime novel Hostile Witness can be found at mybook.to/hostilewitness

Because it was previously self-published, the book comes complete with two 5* reviews – always handy:

‘Many twists and turns – and a cliff-hanger ending. Quite an enjoyable read, with a delightfully twisty plot. Ms. Peters kept me guessing till the end.’

And

‘Thoroughly enjoyed this book and will look forward to the next one from this author. Keeps you guessing till the end.’

Common theme there, as in being kept guessing until the end – I know the end, but I’m not telling. Both reviews come from Amazon.com and were posted on consecutive days three years ago – slightly bizarre, but I’m not complaining!

I’m off now, but remember – beware the Ides of March. Et tu, Jenny! J

***

How I remember my own Latin lessons. I was lucky enough to be blessed with a wonderful Latin master- the amazing Mr White. Amazing because he was so patient with me- I was not the best language student!!

Thanks Nell,

Happy reading,

Jenny x

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