Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

Category: medieval Page 7 of 11

A little peep at: The Winter Outlaw

Let’s take a peep inside The Folville Chronicles – Book Two: The Winter Outlaw .

Blurb

1329:  It is the dead of winter. The notorious Folville brothers are on edge. There are rumours of an unknown outlaw terrorising the Leicestershire countryside—a man who has designs on the Folville family’s criminal connections.

Determined to stop this usurper in his tracks, Robert Folville unearths a man hiding in one of Ashby-Folville’s sheep shelters. A steward from far-off West Markham in Nottinghamshire, the cold, hungry Adam Calvin claims he knows nothing of any threat to the Folville family. He has troubles of his own, for he is being pursued by vengeful sheriff, Edmund de Cressy, for a crime he did not commit.

Mathilda of Twyford, newly betrothed to Robert de Folville, believes Adam’s story, but with rumours about a vendetta against the family growing, the Folville brothers are suspicious of every stranger.

***

Here’s the prologue to whet your appetite…

Prologue: Winter 1329

Adam Calvin’s vision blurred as his eyes streamed in the cold. His breath came in wheezing puffs. He needed to rest, but he daren’t. Not yet.

It was only as the vague outline of a cluster of homes and workshops came into view in the distance that he realised where his legs had been taking him. Slowing his pace, but not stopping, Adam risked a glance over his shoulder. He’d expected to see dogs, horses and men chasing him, but there was nothing. No one.

Scanning the scene ahead, making sure he wasn’t running into trouble as well as away from it, Adam exhaled heavily and aimed for a building he hoped was still standing.

The last time he’d visited the tiny village of Walesby there had been an old grain store on its outskirts. Built too close to the point where the frequently flooding Rivers Maun and Meden merged, the grain store had paid the price of a poor location. Long since abandoned in favour of a superior bake house, it was a perfect temporary hiding place for a man on the run.

Adam had no breath left with which to sigh for relief when he saw the neglected grain store. Uttering a prayer of thanks to Our Lady for the fact the building hadn’t been pulled down, he lifted the worn latch. He eased his way into the damp space, which was stuffed with rotting sacks containing all manner of rubbish.

Scrabbling awkwardly over the first few rows of musty sacks, Adam made himself a man-sized gap at the back of the room. Sinking down as far as he could, hoping both the sacks and the dark would shield him long enough for his cramped limbs to rest, he did his best to ignore the putrid stench and allowed his mind to catch up on events.

Only a few hours ago everything in Adam’s life had been as it should be.

He’d been fast asleep in his cot in the small private room his status as steward to Lord John de Markham gave him.

Had given him.

Adam wasn’t sure what time it had been when he’d been shaken to his senses from sleep by Ulric, the kitchen boy. He suspected it hadn’t been much more than an hour after he’d bedded down for the night.

Ulric, who’d frantically reported that a hue and cry had been called to capture Adam, had urged his master to move quickly. The sheriff had unexpectedly arrived and there had been a brief meeting between him, the Lord Markham and one other unknown man. An anxious Ulric had said that rumours were flying around like snowflakes in the wind.

Some of the household staff were saying Adam had stolen something, some that there had been a death; a murder.

Either way, for his own safety, Steward Calvin had to leave. Fast.

Confused, scared and angry that his good name was being questioned; without having time to find out what was going on or defend himself, Adam had grabbed his scrip. Pulling on his boots and cloak, with Ulric’s help he’d headed through the manor via the servants’ walkways.

The only item Adam hadn’t been able to find to take with him was his knife. Contenting himself with lifting one from Cook’s precious supplies as he ran through the kitchen, he’d left the manor that had been his home for the past twenty years.

With a fleeting nod of gratitude to his young helper, Adam had fled into the frosty night. Only minutes later he’d heard the calls of the hue and cry; echoes of the posse’s footfalls thudding against the hard, icy earth.

Now, wiping tears of exhaustion away with the back of his hand, Adam strained his ears through the winter air. All he could hear was the busy work of the mice or rats who were taking as much advantage of the building as he was.

Glad of the water pouch Ulric had stuffed in his scrip, Adam took a tiny sip. He didn’t know how long it would have to last him. Closing his eyes, he rested his head against the sacks that boxed him in and tried to think.

Had he outstripped the hue and cry? If they were nearby, taking the chance to rest while waiting for him to run again, then Adam was sure he’d have heard something ‑ but there were no muttered voices, no horses panting and no hounds barking at his scent.

Adam managed to get his breathing under control. He’d been part of the hue and cry on occasions himself, and he knew such groups didn’t tend to chase their quarry far, or for long. Especially not on a cold winter’s night, when they could be tucked up in bed before the demands of the next working day.

With growing confidence that he’d chosen his bolthole well, Adam allowed himself to relax a fraction. Few people lived in Walesby since the most recent of many destructive floods, and its location meant he was only a few steps from the edge of Sherwood Forest. A desperate man could easily disappear into the woodland’s depths.

As the hours ticked on, Adam became convinced that the pursuit had stopped. However, he knew that by the morning the hue and cry would be replaced with soldiers if the sheriff barked the order. His bolthole wouldn’t stay safe for long.

Yet that wasn’t what concerned Adam the most. He wanted to know what he was supposed to have done that warranted his midnight flight. How could he even begin to go about clearing his name if he didn’t know what he was accused of?

In the meantime, where was he going to go?

***

Ever since I did my PhD (on medieval crime and its portrayal in the ballad literature of the fourteenth century), I have wanted to use what I learnt to tell a series of stories. Although I’ve written all sorts of things between 1999, when my PhD finished, and now – I still wasn’t sure it would ever happen.  Yet, here I am! The first three novels – one short – two long – are out in the world – and book four is in the planning stages!

You can buy The Winter Outlaw from Amazon and all good book retailers-

UK: http://ow.ly/RsKq30j0jev 
US: http://ow.ly/EvyF30j0jfk  

Happy reading,

Jen xx

Catching up with Mathilda: The Outlaw’s Ransom

With Edward’s Outlaw, the third book in The Folvilles Chronicles series only days away from publication, I thought I’d take a look back at Mathilda of Twyford’s first adventure-  Book One in the series: The Outlaw’s Ransom

Blurb

When potter’s daughter Mathilda is kidnapped by the notorious Folville brothers as punishment for her father’s debts, she fears for her life. Although of noble birth, the Folvilles are infamous throughout the county for using crime to rule their lands—and for using any means necessary to deliver their distinctive brand of ‘justice’.

Mathilda must prove her worth to the Folvilles in order to win her freedom. To do so, she must go against her instincts and, disguised as the betrothed of Robert de Folville, undertake a mission that will send her to Bakewell in Derbyshire, and the home of Nicholas Coterel, one of the most infamous men in England.

With her life in the hands of more than one dangerous brigand, Mathilda must win the trust of the Folville’s housekeeper, Sarah, and Robert Folville himself if she has any chance of survival.

Never have the teachings gleaned from the tales of Robyn Hode been so useful…

Here’s a little extract for you…

Mathilda thought she was used to the dark, but the night-time gloom of the small room she shared with her brothers at home was nothing like this. The sheer density of this darkness enveloped her, physically gliding over her clammy skin. It made her breathless, as if it was trying to squeeze the life from her.

As moisture oozed between her naked toes, she presumed that the suspiciously soft surface she crouched on was moss, which had grown to form a damp cushion on the stone floor. It was a theory backed up by the smell of mould and general filthiness which hung in the air.

Trying not to think about how long she was going to be left in this windowless cell, Mathilda stretched her arms out to either side, and bravely felt for the extent of the walls, hoping she wasn’t about to touch something other than cold stone. The child’s voice that lingered at the back of her mind, even though she was a woman of nineteen, was telling her – screaming at her – that there might be bodies in here, secured in rusted irons, abandoned and rotting. She battled the voice down. Thinking like that would do her no good at all. Her father had always congratulated his only daughter on her level-headedness, and now it was being so thoroughly put to the test, she was determined not to let him down.

Stretching her fingers into the blackness, Mathilda placed the tips of her fingers against the wall behind her. It was wet. Trickles of water had found a way in from somewhere, giving the walls the same slimy covering as the floor.

Continuing to trace the outline of the rough stone wall, Mathilda kept her feet exactly where they were. In seconds her fingertips came to a corner, and by twisting at the waist, she quickly managed to plot her prison from one side of the heavy wooden door to the other. The dungeon could be no more than five feet square, although it must be about six feet tall. Her own five-foot frame had stumbled down a step when she’d been pushed into the cell, and her head was at least a foot clear of the ceiling. The bleak eerie silence was eating away at Mathilda’s determination to be brave, and the cold brought her suppressed fear to the fore. Suddenly the shivering she had stoically ignored overtook her, and there was nothing she could do but let it invade her…

 

You can buy The Outlaw’s Ransom for your Kindle or as a paperback from-

Kindle-

https://www.amazon.co.uk/dp/B07B3TNRYN/ref=sr_1_1?ie=UTF8&qid=1519759895&sr=8-1&keywords=the+outlaw%27s+ransom

https://www.amazon.com/dp/B07B3TNRYN/ref=sr_1_1?ie=UTF8&qid=1519760741&sr=8-1&keywords=the+outlaw%27s+ransom

Paperback-

https://www.amazon.co.uk/Outlaws-Ransom-Folville-Chronicles/dp/1999855264/ref=sr_1_2?s=books&ie=UTF8&qid=1520007697&sr=1-2&keywords=the+outlaw%27s+ransom

https://www.amazon.com/Outlaws-Ransom-Folville-Chronicles/dp/1999855264/ref=sr_1_1?s=books&ie=UTF8&qid=1520007771&sr=1-1&keywords=the+outlaw%27s+ransom

(Please note that if you have read Romancing Robin Hood by Jenny Kane and Jennifer Ash- then you will already be familiar with the story with The Outlaw’s Ransom)

If you enjoy Mathilda’s first adventure, then you can rad more in The Winter Outlaw (The Folville Chronicles- Book 2), and Edward’s Outlaw (The Folville Chronicles- Book 3), which will be out on 3rd December.

***

Happy reading,

Jen xx

Edward’s Outlaw: Cover and Blurb Release

What a year it’s been for my ‘Jennifer Ash’ side!

Not only have I had the pleasure (the privilege), of writing a number of audio scripts for ITV’s Robin of Sherwood, I’ve also been very busy with the continuing adventures of Mathilda of Twyford.

Mathilda’s earliest adventure, which features in the first book of The Folville ChroniclesThe Outlaw’s Ransom – was re-released by Littwitz Press. The second book in the series, The Winter Outlaw came out in March. Now, after eight months intense writing, I can announce the forthcoming arrival of the third of The Folville ChroniclesEdward’s Outlaw.

Edward’s Outlaw will be released on 3rd December.

Pre-order for the eBook version of Edward’s Outlaw (Paperback link coming soon)

Blurb

January 1330: King Edward III’s England is awash with the corruption and criminal activity that his mother, Queen Isabella had turned a blind eye to- providing it was to her advantage.

Now, having claimed the Crown for his own, Edward is determined to clean up England. Encouraged by his new wife, Philippa of Hainault and her special advisor- a man who knows the noble felons of the countries Midland region very well- King Edward sends a messenger to Roger Wennesley of Melton Mowbray in Leicestershire with orders to work with the county sheriff to arrest five of the Folville brothers…including the newly married Robert de Folville.

Robert takes his wife, Mathilda, to Rockingham Castle for her own safety, but no sooner has he left, when a maid is found murdered in the castle’s beautiful guest suite, the Fire Room. The dead girl looks a lot like Mathilda. Was she the target, or is Mathilda de Folville’s life in danger?

Asked to investigate by the sheriff in exchange for him deliberately taking his time in the hunt for her husband, Mathilda soon uncovers far more than murder…a web of carefully laid deception which trails from London, to Derbyshire, and beyond…

***

After being thrust into solving mysteries in books one and two in order to save her own life, this time Mathilda finds herself in the role of detective. Word of her skill at getting to the bottom of crimes has spread. In fact, the only person that doubts Mathilda’s skills as an investigator is Mathilda herself…

 

I had a wonderful time writing Mathilda’s latest adventure – and setting up the background for book four. In fact, clues to book four (which I will be writing at the end of 2019), have been scattered through the lines of all of The Folville Chronicle novels so far…

Come back for more novel release news soon.

Happy reading,

Jennifer xx

 

 

The Folville Chronicles 1: The Outlaw’s Ransom

With the third book in The Folvilles Chronicles series only days  away from being sent to my editor for proofing, I thought it high time we took a look back at Book One in the series: The Outlaw’s Ransom

When potter’s daughter Mathilda is kidnapped by the notorious Folville brothers as punishment for her father’s debts, she fears for her life. Although of noble birth, the Folvilles are infamous throughout the county for using crime to rule their lands—and for using any means necessary to deliver their distinctive brand of ‘justice’.

Mathilda must prove her worth to the Folvilles in order to win her freedom. To do so, she must go against her instincts and, disguised as the betrothed of Robert de Folville, undertake a mission that will send her to Bakewell in Derbyshire, and the home of Nicholas Coterel, one of the most infamous men in England.

With her life in the hands of more than one dangerous brigand, Mathilda must win the trust of the Folville’s housekeeper, Sarah, and Robert Folville himself if she has any chance of survival.

Never have the teachings gleaned from the tales of Robyn Hode been so useful…

Here’s a little extract for you…

Mathilda thought she was used to the dark, but the night-time gloom of the small room she shared with her brothers at home was nothing like this. The sheer density of this darkness enveloped her, physically gliding over her clammy skin. It made her breathless, as if it was trying to squeeze the life from her.

As moisture oozed between her naked toes, she presumed that the suspiciously soft surface she crouched on was moss, which had grown to form a damp cushion on the stone floor. It was a theory backed up by the smell of mould and general filthiness which hung in the air.

Trying not to think about how long she was going to be left in this windowless cell, Mathilda stretched her arms out to either side, and bravely felt for the extent of the walls, hoping she wasn’t about to touch something other than cold stone. The child’s voice that lingered at the back of her mind, even though she was a woman of nineteen, was telling her – screaming at her – that there might be bodies in here, secured in rusted irons, abandoned and rotting. She battled the voice down. Thinking like that would do her no good at all. Her father had always congratulated his only daughter on her level-headedness, and now it was being so thoroughly put to the test, she was determined not to let him down.

Stretching her fingers into the blackness, Mathilda placed the tips of her fingers against the wall behind her. It was wet. Trickles of water had found a way in from somewhere, giving the walls the same slimy covering as the floor.

Continuing to trace the outline of the rough stone wall, Mathilda kept her feet exactly where they were. In seconds her fingertips came to a corner, and by twisting at the waist, she quickly managed to plot her prison from one side of the heavy wooden door to the other. The dungeon could be no more than five feet square, although it must be about six feet tall. Her own five-foot frame had stumbled down a step when she’d been pushed into the cell, and her head was at least a foot clear of the ceiling. The bleak eerie silence was eating away at Mathilda’s determination to be brave, and the cold brought her suppressed fear to the fore. Suddenly the shivering she had stoically ignored overtook her, and there was nothing she could do but let it invade her…

 

You can buy The Outlaw’s Ransom for your Kindle or as a paperback from-

Kindle-

https://www.amazon.co.uk/dp/B07B3TNRYN/ref=sr_1_1?ie=UTF8&qid=1519759895&sr=8-1&keywords=the+outlaw%27s+ransom

https://www.amazon.com/dp/B07B3TNRYN/ref=sr_1_1?ie=UTF8&qid=1519760741&sr=8-1&keywords=the+outlaw%27s+ransom

Paperback-

https://www.amazon.co.uk/Outlaws-Ransom-Folville-Chronicles/dp/1999855264/ref=sr_1_2?s=books&ie=UTF8&qid=1520007697&sr=1-2&keywords=the+outlaw%27s+ransom

https://www.amazon.com/Outlaws-Ransom-Folville-Chronicles/dp/1999855264/ref=sr_1_1?s=books&ie=UTF8&qid=1520007771&sr=1-1&keywords=the+outlaw%27s+ransom

(Please note that if you have read Romancing Robin Hood by Jenny Kane and Jennifer Ash- then you will already be familiar with the story with The Outlaw’s Ransom)

If you enjoy Mathilda’s first adventure, then you can rad more in The Winter Outlaw (The Folville Chronicles- Book 2), and Edward’s Outlaw (The Folville Chronicles- Book 3), which will be out later this year.

***

Happy reading,

Jen xx

Opening Lines: Dark Words from Tracey Norman

This week ‘Opening Lines’ delves into the realms of folklore and fantasy with Tracey Norman.

Friend, actress, author, expert on all things ‘witch’, and a fellow member of the Exeter Author Association, Tracey is bringing us the very beginning of her story, Dark Words.

Over to you Tracey…

Living not far from Dartmoor, I have a wealth of inspiration on my doorstep. When I was introduced to the reservoir, forests and stone circle of Fernworthy, something about the place spoke to me and it has become something of a retreat for me when I need space, or peace and quiet to write.

Periodically, during particularly hot periods, the reservoir’s water levels drop dramatically, revealing the various hut circles and bridges which were submerged when the reservoir was built. Wandering around these rarely-seen features, I came across a boundary-type stone which appeared to have been carved with an unusual chequerboard effect. It piqued my curiosity, so I tried to find out more about it – unsuccessfully.

In 2015, I was invited to contribute a story to Secret Invasion, a charity horror anthology of South West-based Lovecraftian tales raising money for MIND. I seized the opportunity to provide a backstory for the enigmatic stone. Thus was born the tale of the taciturn, sinister villagers, the stone tablets and the landscape which bound them together.

I have taken several liberties with the landscape. The house and estate I describe are both fictitious and I have no idea what secrets the old quarry may contain, as it has long been flooded. The drowned village beneath the reservoir is of far greater antiquity than my story suggests and was abandoned long before the events I describe.

However, if you visit Fernworthy reservoir, you can walk around its shores, you can see the (now fenced off) flooded quarry and, if the water level is sufficiently low, you may be lucky enough to spot parts of the hut circles just beyond the edge of the picnic area. A walk into the forest itself will take you to the Fernworthy stone circle and the twin circles of the Grey Wethers can be found on the open moor just beyond the forest boundary.

I highly recommend visiting the reservoir at dusk and siting at one of the picnic tables at the water’s edge. As the sun sinks in the sky, watch the light glinting on the water and revel in a tranquillity my characters never knew….but beware if you hear chanting…

(Dark Words has since been published in Folklore and Fairy Tales Reimagined, so it can be enjoyed with slightly less horror!)

Secret Invasion is a new collection of original horror fiction set in the mystical landscape of England’s West Country, influenced by the storytelling of Howard Phillips Lovecraft. This anthology includes a Q&A with horror maestro Ramsey Campbell followed by fifteen chilling tales by writers such as Andrew Lane (Young Sherlock Holmes), Jessica Palmer (Sweet William) and Nigel Foster.

 

First 500 words from Dark Words

Excavation fieldwork notes – 2015 – Alison Forster

It was good to finally crawl into my tent at the end of another long, hot day and kick off my boots. Stripping off my socks, I flexed my toes and massaged my ankles, then stretched out on my camp bed. Half past five. An hour until dinner. Plenty of time to go over the day’s notes and perhaps pop along to the finds tent to see how the cleaning and preservation was going.

I took my notebook from the large, upturned cardboard box next to the camp bed, which served as a rather flimsy table. Flipping through the pages of today’s notes, I started reading, pausing now and then to roll onto my side so I could annotate the page or make a note to myself for the following day. I wondered what other treasures were lying hidden beneath Dartmoor’s gorse and heather, just waiting for us to uncover and bring them back into the light.

The excavation was progressing very well. We had been extremely fortunate with both the weather and our finds. I still couldn’t quite believe that I was directing an excavation which had uncovered a previously unknown stone circle on the moor. It was undoubtedly the find of my career. Thank God I had decided against early retirement when the museum offered.

My planning finished, I sat up and took a swig from the water bottle on the ‘table’. I shoved my boots out of the way under the camp bed and put on trainers, then headed over to the finds tent to see how the team were getting on.

Much of what we had found were potsherds, with a few flint blades and one or two shell beads. I stopped to have a quick chat with each of the four students working on the artefacts, then, satisfied that everything was in order, I went to the mess tent and helped set up the meal.

Our mealtimes were generally noisy, chaotic affairs, but now that the stone circle’s significance had sunk in, everyone was hugely enthusiastic and motivated. I could hear discussions all around me about its possible ritual use and comparisons between it and the other stone circles not far away. Personally, I was very keen to find out if there was any connection between this new circle, the twin circles of Grey Wethers and the Fernworthy circle with its stone row and burial mounds. The thought of being able to identify an ancient ritual centre, with the attendant research, academic papers and perhaps a book, which would keep me in paid work for some time, was so enticing that it was almost palpable. I ate my food with as much gusto as my colleagues and students that night, flushed with our incredible good luck and determined to do whatever it took to secure funding for follow-up work next season.

At the end of the evening, after the cider had started flowing slightly more slowly and half the

Bio

I am a professional actress and voice artist who has always been a storyteller, whether on stage, in front of a keyboard or behind part of my extensive collection of notebooks and pens. Living not far from Dartmoor, I have a wealth of subject matter on my doorstep. My first short story (written under the pen name Anna Norman and published in the Lovecraft-inspired Secret Invasion, a charity anthology in aid of MIND, in 2015), is based on the landscape and artefacts in and around Dartmoor’s Fernworthy Reservoir, one of my favourite places.

In 2016, I accidentally became a playwright, having decided to do something meaningful with the Honours degree in History I achieved from The Open University in 2015. The result was a one-act play, WITCH, which examines the human story behind accusations of witchcraft, focusing on the social conditions and interactions which led to such accusations. It was based on depositions from the 1687 trial of a Lyme Regis housewife. The play, in which I perform alongside my colleagues from our company Circle of Spears Productions, enjoyed a very successful debut season in 2016 in the library at the Museum of Witchcraft and Magic in Boscastle (where better to perform a play about witch trials?!) and since then, has gone on to enjoy further success in a number of venues across Devon, with a lengthy list of performances in 2017. It is currently being booked by universities as Theatre in Education.

I have been lucky enough to secure a contract with Troy Books in Cornwall for a book based on the research I originally undertook to write WITCH – it will look at the various issues raised in the play, expand on them and examine how theatre may be used to preserve our social history whilst simultaneously making it more accessible.

I published my first children’s book in 2017. Written for my daughter in 2010, when she was three, Sammy’s Saturday Job has finally been released as a Kindle ebook.  It follows the tale of a little dragon who wants to be a firefighter. She gets a chance to help out, but it doesn’t go well and she needs to work out how to put things right. It encourages children to persevere and to think creatively about helping others. It also promotes inclusiveness by showing that being different doesn’t mean that you have nothing to offer.

Publishing this particular story means a great deal to me because the three year-old I wrote it for became a ten year-old who sat down with me and helped me to work out what illustrations I should draw for it and where they should go.  I can’t think of a better editing assistant.

Currently, as well as my WITCH non-fiction, I am working on a High Fantasy novel which tells the first instalment in the back-story of a character I created for a Dungeons & Dragons campaign I was involved in. Sometimes, a character will really capture your imagination and this is certainly the case with my feisty, independent elf Aamena. I am hoping that the book will be out in late 2018.

Social Media links

Facebook – www.facebook.com/TraceyNormansWITCHbook

www.facebook.com/TraceyNormanAuthor

Twitter – @WITCHplayCoS and @fireeyeschron

Websites – www.traceynormanswitch.com   and   www.thefireeyeschronicles.co.uk

Buy links

Secret Invasion (in aid of MIND): https://www.justgiving.com/fundraising/secretinvasion

Folklore and Fairy Tales Reimagined: https://www.amazon.co.uk/dp/B07728RXWS/ref=dp-kindle-redirect?_encoding=UTF8&btkr=1

***
Many thanks to Tracey for popping by!

See you next week!

Happy reading,

Jenny xx

The Folville Chronicles: Bakewell Connection

I have recently returned from a family holiday to the Peak District. The area, more or less in the middle of England, is one of my favourite places to go.

With moors, mountains, caves, forests and stunning villages, I make sure I visit as often as I can. It isn’t only the geography and geology that appeal however- but the history. In particular the fourteenth century background to the Bakewell area of Derbyshire. Why? Well…if I mentioned the Coterel family, regular readers of this blog might understand.

James, John, Nicholas and Laurence Coterel formed a notorious criminal family who operated in and around Bakewell in the 1320’s and 1330’s. They were powerful men. Nicholas and James even worked for the Queen of England for a while- but more about that when the next ‘The Folville Chronicles’ novel comes out at Christmas….

At the current time I am only 10,000 words (ish) from completing writing Book 3 of The Folville Chronicles- Edward’s Outlaw. Continuing the story of Mathilda of Twyford and her relationship with the criminally connected Folville family of Leicestershire, Edwards’ Outlaw will take us into Rockingham castle, (Leicestershire). However, this doesn’t mean I can’t start to look ahead to Book 4 (title as yet unknown) and another story location- and that is precisely what I was doing as I enjoyed the sunshine and walking terrain of the Peaks last week.

I have always known that, like in The Outlaw’s Ransom, Mathilda and her Folville family would be spending some time in Derbyshire during Book 4- especially around the Bakewell area where a foul deed will require Mathilda’s special brand of detective abilities- and the Folvilles’ unique take on legal justice…

Concentrating on a joint crime (from the historical record) the Folvilles and the Coterel brothers are about to commence a long planned, and very daring venture- but is it a crime?

It was as I was cycling along the Monsal Trail between Buxton and Bakewell that I realised where this ‘crime’ will take place…and what a beautiful place it still is…

Obviously I’m not going to reveal any more about the plot yet. For a start, I don’t want to ruin it- plus, I haven’t worked it all out yet!!

One of the highlights of my Peak District holiday, was when I stood on Bakewell bridge and looked across into the town. As I stood there, watching the bustle of people go by I couldn’t help but think of Mathilda when she was sent there by Robert de Folville in The Outlaw’s Ransom. It was the furthest she had ever strayed from her home in Twyford, Leicestershire, and led to an adventure and mystery that would change her life forever.

Happy reading!

Jennifer x

Edward’s Outlaw: and the winner is…

Regular readers of this blog will know that I have recently been running a competition- with the support of my lovely publishers, Littwitz Press- to find a name for one of the characters in the forthcoming novel, Edwards’ Outlaw.

This, the third book in The Folville Chronicles, will be published just in time for Christmas.

I was overwhelmed with name ideas- for which I am very grateful. It has been a lot of fun going through the suggestions.

A few of the names you lovely folk up with already belonged to characters in the book. For example, Barnaby Eaton-Jones suggested Bella (after a cat!)- a name which already features strongly throughout the novel.

Before I tell you the name I did pick- and the winner- I’ll tell you a little about the character.

She’s a young maid in Rockingham castle. The year is 1331- just. It’s early January, the winter is biting, and Mathilda de Folville is in the castle- so trouble isn’t far behind. Within only a few hours of Mathilda arriving, one of the young maids friend is dead…She and Mathilda need to work fast to find out what is going on.

So- what’s this brave young woman’s name?

It’s Bettrys- and it’s an old Latin and Welsh name meaning ‘Bringer of Joy.’ Over the centuries the name has developed into the more popular, Beatrice. Bettrys is 16 years old and doesn’t remember her parents, although she knows her mother was Welsh.

***

Many thanks to Chris Averiss for this excellent suggestion. Edwards’ Outlaw will be dedicated to you- and Bettrys will be one of its stars.

Right then – I’d better get writing, or Edward’s Outlaw will never be ready in time to feature in your Christmas stocking!

Happy reading,

Jen xx

 

 

 

 

 

Ask a writer: Robin of Sherwood

Two weeks ago I had the pleasure of attending the Hooded Man Event in Gloucester. This gathering was for fans of the 1980’s television show Robin of Sherwood – a show that I have recently written three brand new audio scripts for.

While I was in Gloucester I was busy selling my novels, so I didn’t get to talk to as many people as I would have liked. Since my return to Devon, I’ve been asked a number of questions relating to the writing of those three scripts – The Waterford BoyMathilda’s Legacy – The Baron’s Daughter.

Today, I’m going to attempt to answer those questions. Obviously the answers I give are from my angle only. I don’t work for Spiteful Puppet or ITV- so I have no knowledge as to what the future holds for RoS.

So- in no particular order….

How difficult is it to switch from writing books to script writing for audio?

Script writing is a whole new world. I had never written a script before, so I was learning fast when I wrote The Waterford Boy. I was kindly lent a couple of scripts that Iain Meadows (The Blood that Binds and The Templar’s Promise) had written in the past, so I knew how to format my work, but beyond that I felt my way along. (With help from Iain and Barnaby)

I’ve been a novelist for 12 years, so it was quite a challenge suddenly writing something where I couldn’t describe a scene properly with words. Everything has to be displayed via dialogue and background sound. This meant that writing about someone’s appearance, for example, has to be done via the comments of other characters. The scene in The Waterford Boy, where Robin, Will and Nasir disguise themselves to blend into Nottingham market, was particularly tricky to put together for that very reason.

It was slightly easier writing the two narrated stories- The forthcoming The Baron’s Daughter however, is a full cast reading…so that needed everything explaining via conversation and sound effects. You’ll find out if I managed that in a few months time!

Although writing scripts is a very different skill to writing a novel- I loved it! Let’s hope I get to do some more one day.

Will Robin of Sherwood audio do anything like prequels or sequels for example prequel Rebels of Loxley or the daughters (sons) of Sherwood? Any plans to expand the Robin of Sherwood universe further?

I’d have to say ‘no’ to that. The licence for what Spiteful Puppet can do is strict- plus, there isn’t the mega multi-national audience that you have for other popular shows such as Doctor Who or Star Trek. The prequel angle has been explored a little bit with Mathilda’s Legacy (the story of how the Earl of Huntington met Robert of Huntington’s mother).

However, if you enjoy all stories Robin Hood, then there are many writers who have been inspired by Robin of Sherwood and have expanded into many other directions, from fantasy to comics to legend redevelopment. You only have to look at my fellow audio script writers Paul Kane (The Red Lord) and Tony Lees (The Trial of John Little– coming soon) to find a collection of Robin Hood stories to keep you going for ages.

Do you make drawings to picture parts of your audio-book stories?

The only art work associated with the audio books is the brilliant cover showing both Robin’s.  I am not responsible for that thankfully – which is probably just as well as I have no artistic skill at all! I wish I did.

Once you knew you were doing more than one audio story, did you put your own returning characters (other than the obvious) into the stories, or was that a temptation too far (against the canon)?

It would be so tempting to do that. I would love to write more about Mathilda of Huntington if the chance ever arose. (Unlikely!) However, the answer to the question is ‘no’. The stories are slotted into the ready made framework of the existing episodes, and so any onward play with my own invented characters wouldn’t be practical – although it would be fun for me as writer.

However, I have enjoyed making reference to the characters we know and love. I took great pleasure, for example, in referencing Lord Edgar in Mathilda’s Legacy– Robert’s mother clearly had very little time for her future brother-in-law….

It is wonderful to be able to play with the nostalgia we all feel for the characters we loved – and the ones we loved to hate.

Which was your favourite of the audio scripts you’ve written?

Tricky one.

The Waterford Boy will always be special because it was my first script- and it made a dream come true. Never did I think I’d write for the best TV show of all time (to me anyway!) Judi Trott read it so beautifully as well. I have to confess to listening to it often just to hear her lovely voice.

The Baron’s Daughter was also special because it was my first full cast script. I got to put words into Michal Praed’s mouth – and who wouldn’t want to do that???

However- if pushed- I think Mathilda’s Legacy is my favourite. Partly because it was the first one I heard as a completed audio. The second I heard Michael Craig read my words- and then the famous theme music burst into life- I was a star struck 14 year old unable to believe that  I was listening to a story I’d created.

It was also quite something being given the responsibility of inventing (to some extent- David of Huntington was married to Mathilda) Robert of Huntingdon’s mother. I hope you all like the woman I created to be a future heroes mother.

Which was your favourite RoS episode?

That is an impossible question. I love them all. To narrow it down – it was either Adam Bell (first one I ever saw) or Herne’s Son parts one and two or The Prisoner…or…..

Many thanks to everyone who has sent questions to me since the HM3. I have been overwhelmed by the kindness showed to me after I fiddled with your favourite stories. I promise, if I am ever lucky enough to write more, I will continue to try as hard as I can to be true to the Robin of Sherwood ethos, and write stories to make you feel as though you have been transported back to 5.35 on a Saturday afternoon in the 1980’s. Well – I’ll try anyway!

Nothing’s forgotten,

Jennifer x

Paul Kane: Living and Breathing Robin Hood

Robin Hood obsessive alert!!!!

You’ve been warned…

I’m delighted to welcome Paul Kane to my place today. Fellow Robin Hood fan, writer of an audio script for Robin of Sherwood- and author of very much more.

Over to you Paul…

When Jen very kindly asked me to contribute a blog to her site regarding my connection with the Robin Hood legend, I started to think about how long he’s been in my life. From an early age, bank holidays were very often spent at Sherwood Forest – we lived about 20 minutes away from it. So, as well as learning about the legend – about Robin and Marion, Little John and Friar Tuck, Will Scarlet – I was breathing the same air they did back then, soaking up the atmosphere.

Then along came Richard Carpenter’s Robin of Sherwood, which I would sit and watch religiously with my dad, and Saturday teatimes would never really be the same. Of course, back then I had no idea it had been created by the same man who came up with the wonderful Catweazle, I just knew that this was a version of Hood I could get behind. As well as having all the traditional elements to it, the robbing the rich to give to the poor and so on, it also had a supernatural slant: I mean, come on, the very first episode was called ‘Robin Hood and the Sorcerer’… doesn’t get any better than that! Except, actually, it did – and as we tuned in every week we would marvel at witches, demons, Satanic cults and woodland gods. I was in seventh heaven!

Even when it came time for Michael Praed to step down from the title role, the changeover to Jason Connery was handled seamlessly. In fact, I loved it even more not knowing what was going on at the end of ‘The Greatest Enemy’. Had Robin come back from the dead, was he a ghost? No, in fact what had happened was a clever segue into that other origins story, Robert of Huntingdon taking over the mantle from Robin of Loxley – but both of them Herne’s sons. Wonderful stuff!

Then, sadly, the show finished and I mourned its passing. I watched all the other adaptations over the years – some of which even included elements that Richard had invented, like the Saracen – but none ever came close for me. Only repeated viewings of his series, when it became available, would do. At the same time, my own writing career had started to take off, moving on from journalism to short stories and finally novels and scripts, as well as taking on the job of Special Publications Editor for the British Fantasy Society and helping to run their yearly convention, FantasyCon. It was around 2006 or 2007 that I spotted a shout out for pitches from Rebellion, the publishers of 2000 AD (another staple of my formative years). They were moving into novels, in particular those which would be part of a shared universe called ‘The Afterblight Chronicles’ – set in a future where 90% of the world’s population had died out from the A-B Virus.

I knew commissioning editor Jon Oliver from my time on the convention circuit, so I threw over a few ideas – one of which was a post-apocalyptic version of Hood. It just seemed like an obvious choice, once society had crumbled and mad dictators had taken over, to bring that legend back to life. It would be part of the Chronicles, but also a very distinct story in its own right. Luckily, Jon agreed, and suddenly I was writing my first mass market paperback: Arrowhead. Needless to say, my version was heavily influenced by RoS, whilst still going its own way; it had to really, as my Robin – Robert Stokes – was facing tanks and attack helicopters. Also needless to say, I was delighted when the book was so well received that another was commissioned shortly after the first’s release (a terrific launch ten years ago at FantasyCon in, appropriately, Nottingham).

I remember I had some vague notion about doing the whole ‘death of Hood’ legend – firing the arrow into the sky and all that – when it came to writing the sequel Broken Arrow. Thankfully, Jon talked me out of it saying: “When you have a hero like that on your hands, you don’t kill him off that quickly.” He was absolutely right, of course, and after that novel came Arrowland, forming a trilogy of books Rebellion released as the omnibus Hooded Man (which sold out of its first print run incredibly quickly). Not only that, but the novels had put me on the radar of…none other than Richard Carpenter, or Kip as I came to know him. He loved them, offered me a glowing quote, and even gave his grandson a copy to read. Imagine my joy at that – things had pretty much come full circle.

Or had they?

Spin on a few years, during which I’d pursued a couple of my other passions (the work of Clive Barker and Sir Arthur Conan Doyle, even crossing them over in books like Sherlock Holmes and the Servants of Hell) and mourned the sad passing of Kip himself. The world is still a poorer place without him. Rebellion had also asked me to continue the Hooded Man story with a novella which caught up with the characters a few years later, Flaming Arrow. And I was very excited to hear that RoS was returning in the form of a full cast audio adaptation of Kip’s Knights of the Apocalypse from Spiteful Puppet, something I reviewed for Sci-Fi Bulletin.

More audios followed, some of which I also reviewed – and during the course of this I got chatting with that lovely chap Barnaby Eaton Jones, of Spiteful Puppet. I mentioned the Hooded Man books, sent him a copy, and the next thing I knew I was being asked to pitch a RoS audio myself. As luck would have it again, I’d just finished my first audio script – a full cast drama adaptation of The Hellbound Heart for Bafflegab, which would star Tom Meeten (The Ghoul), Neve McIntosh (Doctor Who) and Alice Lowe (Prevenge) – so I felt confident enough to have a crack… sort of. It was still RoS and there was massive amount of performance anxiety, as you can probably appreciate.

But anyway, I began to think about elements of the show I’d loved myself and what we hadn’t seen so far in it. And, personally, I’d always thought it would be cool to see Robin and his band go up against a vampire, or at the very least someone who thought he was a vampire. I jotted down some ideas for a tale which pitted them against a Vlad the Impaler-type character, driven from his homeland and now a mercenary – and right there and then, The Red Lord was born.

I was over the moon when the pitch was commissioned, and even more thrilled when the script itself was passed – with a few minor tweaks – by SP and ITV. It was then that Barnaby told me it was being recorded soon, narrated by none other than Ian Ogilvy. Ian had played Lord Edgar in RoS, but also another quite well known character from my childhood. My better half Marie will tell you when that news came in, I screamed: “You’ll never guess who’s doing my audio! Only the Saint!” Yes, I don’t mind admitting I am that much of a geek…

And so it’s done, is totally wonderful, and something I’m incredibly proud of. Well, I would be, having lived and breathed Robin Hood – and Robin of Sherwood – all these decades. I hope the fans like it, after all I am one too, and I like to think that somewhere Kip is smiling as well.

Does this mean that everything’s finally come full circle now? Perhaps – but who can tell what the future will bring? Not me, that’s for sure. For now, though, I just feel incredibly fortunate to have had not one but two bites of the cherry.

Thanks for reading, thank you Jen for letting me waffle on, and finally may Herne protect you all!

Buy Links

Hooded Man:
Flaming Arrow:
The Red Lord:

Paul Kane is the award-winning, bestselling author and editor of over seventy books – including the Arrowhead trilogy (gathered together in the sellout Hooded Man omnibus, revolving around a post-apocalyptic version of Robin Hood), The Butterfly Man and Other Stories, Hellbound Hearts, The Mammoth Book of Body Horror and Pain Cages (an Amazon #1 bestseller). His non-fiction books include The Hellraiser Films and Their Legacy and Voices in the Dark, and his genre journalism has appeared in the likes of SFX, Rue Morgue and DeathRay. He has been a Guest at Alt.Fiction five times, was a Guest at the first SFX Weekender, at Thought Bubble in 2011, Derbyshire Literary Festival and Off the Shelf in 2012, Monster Mash and Event Horizon in 2013, Edge-Lit in 2014, HorrorCon, HorrorFest and Grimm Up North in 2015, The Dublin Ghost Story Festival and Sledge-Lit in 2016, plus IMATS Olympia and Celluloid Screams in 2017, as well as being a panellist at FantasyCon and the World Fantasy Convention, and a fiction judge at the Sci-Fi London festival. A former British Fantasy Society Special Publications Editor, he is currently serving as co-chair for the UK chapter of The Horror Writers Association. His work has been optioned and adapted for the big and small screen, including for US network primetime television, and his audio work includes the full cast drama adaptation of The Hellbound Heart for Bafflegab, starring Tom Meeten (The Ghoul), Neve McIntosh (Doctor Who) and Alice Lowe (Prevenge), and the Robin of Sherwood adventure The Red Lord for Spiteful Puppet/ITV narrated by Ian Ogilvy (Return of the Saint). Paul’s latest novels are Lunar (set to be turned into a feature film), the Y.A. story The Rainbow Man (as P.B. Kane), the sequel to REDBlood RED – the award-winning hit Sherlock Holmes & the Servants of Hell and Before (a recent Amazon Top 5 dark fantasy bestseller). He lives in Derbyshire, UK, with his wife Marie O’Regan and his family. Find out more at his site www.shadow-writer.co.uk which has featured Guest Writers such as Stephen King, Neil Gaiman, Charlaine Harris, Robert Kirkman, Dean Koontz and Guillermo del Toro.

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WOW- what a guest!! Thanks Paul- I am humbled by your productivity.

Many thanks for visiting today,

Jen xx

 

The Hooded Man 3: A different angle

Unusually for me, when it came to writing this round up of the weekend just past, I have been puzzling over a blank page.

The reason for this is clear – I’m still in the ‘coming down from a high’ zone. I’m not alone in this. Facebook this week is full of my fellow Hooded Man Event attendees suffering from post-event blues.

If ever there was a mark of an event’s success, it’s that people feel slightly bereft when it’s over- a bereavement that is undercut with happy hope – and the reassurance that in 2 years time it will all happen again.

Anyone who follows this blog cannot have failed to notice that I am fond of anything and everything to do with Robin Hood. Again, I’m not alone- especially when it comes to folk who are devoted to the 1980’s television show, Robin of Sherwood.

The Hooded Man 3 (HM3), was held in Gloucester this weekend just past. It was a two day celebration of Robin of Sherwood. It doesn’t matter that the show hasn’t aired for over 30 years- the loyalty of the fans is absolute- the friendship between the cast members is clear to see- and the atmosphere that buzzed around the hotel venue was 100% positive and happy.A great deal was going on- autographs were being signed, photos were taken, Bowlore performed incredible shows within their tented medieval stronghold, and talks were held….I however, can’t really tell you about these things. I saw the HM3 from a different perspective.This was my second adventure as a stall holder at a HM event. Last time was fabulous- I only had one book to sell (Romancing Robin Hood), and so had lots of time to wander around, chat to the cast, and meet lots of people.

This time…wow!!

So, let me back track a little.

In 2016 I was lucky enough to be invited to sell Romancing Robin Hood at the HM2 event by the lovely Barnaby Eaton-Jones (organiser and all round hardworking guy). As I mentioned above it was just fantastic. (The blog I wrote after the event is still available here if you want to take a peep) A week after that event I had an even bigger stroke of luck- I was invited to attend the premiere of the very first Robin of Sherwood audio revival- The Knights of the Apocalypse- in London.

I didn’t know it at the time, but this was the moment when Barnaby and fellow audio write, Iain Meadows, began to consider putting together a short series of Robin of Sherwood audio stories, to be narrated by the original cast.  It was also that moment when- again unknown to me- I was being considered as a writer for one of these stories.To cut a long story short- 2 years later, here I am having written three different Robin of Sherwood audios. The Waterford Boy (narrated by Judi Trott a.k.a Maid Marion), Mathilda’s Legacy (narrated by Michael Craig a.k.a Earl of Huntingdon), and the forthcoming The Baron’s Daughter, which will be a full cast read story.

One of the highlights of HM3 was signing this script for a fan of the show, and chatting to Judi about the recording of the audio story. Judi did such a good job of reading my story, I was amazed to discover how nervous she’d been about doing it. As a writer for the show (still in shock about that to be honest) I was allowed to go into the green room with all the cast and crew, I took part in a panel, and had photographs taken with the cast. However, I was so busy on my stall that I never did get into the green room to chat to the cast between events. This is NOT a complaint. I had a ball talking to everyone as they came by my book stall to talk about Robin of Sherwood and the influence it had on my work- especially Romancing Robin Hood- and how that novel has now spun off into The Folville Chronicles series.I sold out of The Winter Outlaw on day one, and by the end of day two, my stall was more of a place to come and say hello, than a place from which to buy things! It was just wonderful.There were plenty of other things to see and buy, including the real Albion from series 2 and 3, Herne himself stood proudly over us, and RoS inspired gifts and DVD’s were available.  An auction of original Robin of Sherwood merchandise made a small fortune for charity- and the banquet and after event disco and bar chatter went onto 3am! On the Sunday- while the world was ever so slightly the worse for drink and lack of sleep- I was privileged enough to take part on a panel about the audio books. In the company of producer, Barnaby Eaton Jones, fellow writer, Tony Lees, the brilliant Alex and Verity who provided the ‘Clannad-ish’ music for the new series, and the amazing Nickolas Grace (a.k.a the Sheriff of Nottingham), we shared our thoughts and experiences of what it is like to write for a show that aired when we were children.

To sit there, in a packed room, looking at the people I was writing for- the very same people I have a horror of letting down with my words- I felt humbled to be part of something so special and so popular. When Nickolas Grace began to speak about how much the show means to the cast, and how he wanted to do as many audios as he could…the lumps in our throats grew as tears formed in the great man’s eyes. A moving moment indeed.The overriding theme for the weekend however, has to be the laughter and the smiles- of which there were many.

On a personal note I’d like to thank Lesley and Michael for being there for me- and to every single person who said kind things about my work.

Roll on HM4 – just give us all a chance to recover first- there are audio stories to make…

Happy reading- and listening!

Jennifer xxx

PS. I’d better crack on with Book 3!!!

 

 

 

 

 

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