Jenny Kane & Jennifer Ash

Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

The Bridesmaid’s Dilemma Blog Tour: Opening Lines

I’m delighted to be hosting Karen King as she embarks upon a blog tour for her new rom com, The Bridesmaid’s Dilemma. Why not settle down a enjoy the very beginning of Karen’s latest publication?

Over to you Karen…

Thanks so much for inviting me over, Jenny. The Bridesmaid’s Dilemma is my third romcom for Accent Press and is mainly set in Majorca. Whenever I’m at a resort I always admire how the reps deal with the various holiday makers, the activities they do with them from poolside exercises, kids clubs and putting on shows. I was on the aeroplane once with a stag party, and they were quite raucous but seemed nice guys, so the idea of a travel rep having a holiday romance with a guy from a stag party that books into her hotel probably stemmed from these two things. The setting was definitely inspired by a trip to Majorca with my husband a couple of years ago to celebrate our third anniversary. It’s a beautiful island, and we actually took a trip to the Caves of Drach which feature in the novel. I really had fun writing this book and hope that readers love Jess and Eddie as much as I do.

Here’s a bit about the book:

Fun-loving travel rep Jess doesn’t want to be chief bridesmaid at her snooty cousin’s wedding, but it will cause a family feud if she refuses. She doesn’t want to fall in love either but when a raucous stag party arrives at her Majorcan hotel, Jess hits it off instantly with best man, Eddie. A summer romance is exactly what commitment-phobe Jess needs and, as the stag-do draws to a close, so does the holiday fling. She has no intentions of carrying on the summer fun but when Eddie turns up again, Jess is faced with a big dilemma.
Will this bridesmaid get the happy-ever-after she never knew she wanted?

The Bridesmaid Dilemma is published on 7 June, in paperback and as an ebook. You can n preorder it here:

https://tinyurl.com/y8z6k8ut

Opening Lines

Jess stretched out on the sunbed, factor fifteen and the parasol protecting her already golden skin from the heat of the afternoon sun. It was lovely to finally have the chance to relax by the pool. As usual, the morning had been full-on. She and Libby – lounging on the sunbed next to her – were in charge of the Fitness Classes and had spent two hours jumping, bending, stretching, and jogging on the spot with a group of holidaymakers. Being a holiday rep with Time of Your Life Holidays was fun but exhausting.

‘This is heaven. I could lie here all day.’

‘Me too. This week’s been so hectic. It’s going to be non-stop now the schools have broken up.’ Libby sighed. ‘Lucky you, having next weekend off. I wouldn’t mind flying back home for a few days.’

‘I’d like it a lot more if I didn’t have to be chief bridesmaid at Charlotte’s wedding,’ Jess replied. ‘That’s going to be a barrel of fun – not.’

Her first reaction when her cousin Charlotte had asked her to be chief bridesmaid was astonishment – she and Charlotte had never got on and usually tried to avoid each other.

Her second reaction had been panic. She didn’t do weddings, or frothy dresses, and she knew that Charlotte, with her obsession for perfection, would be the bridezilla from hell. She couldn’t refuse though, not when she knew how much it meant to her mum. And so, Jess had reluctantly agreed, even though she suspected that she’d only been asked because Charlotte had no sisters and precious few friends – even the other two bridesmaids were sisters of her fiancé, Russell.

‘It might not be that bad. And I bet the best man is a hunk. You know what they say about the chief bridesmaid and best man,’ Libby teased. ‘It’s compulsory for them to have a dance together and a few kisses – at the very least.’ She grinned at Jess and cocked her head to one side. ‘What’s her fella like?’

‘No idea, never met him. I haven’t seen Charlotte for years. All I know is that his name’s Russell and his work involves something to do with exports.’

‘I can’t believe your cousin doesn’t have a Facebook page. We could have a nose then, see what this Russell is like.’

‘Charlotte “doesn’t approve of society’s obsession with social media.”’ Jess made finger quotes as she said the words. It would have been a lot easier to keep in touch with Charlotte if she was on Facebook – and if she was less of a nightmare person – but as it was, wedding-related messages were coming solely through email.

‘She sounds a right barrel of laughs. So, you’ve no idea who the best man is?’

‘Mum said he’s an old school friend of Russell’s. I expect he’ll be very staid and boring. Russell will be, too. Charlotte’s boyfriends always are.’

Author Bio

Karen King writes sassy, heart-warming romance and edgy YA with a heart. ‘The Bridesmaid’s Dilemma ‘ is her third romcom for Accent Press. Her second title, ‘The Cornish Hotel by the Sea’ rose to #3 in the Amazon Bestseller Holiday Charts in the UK, #2 in Australia and was in the top hundred overall bestsellers. Her first title, I do?… or do I? has recently been published in France under the title ‘Un Fiancé Inattendu’. In addition, Accent Press have republished her earlier romance novels, ‘The Millionaire Plan’ and ‘Never Say Forever’.

Karen has also written several short stories for women’s magazine and had 120 children’s books published. She started her writing career writing scripts and articles for Jackie and other teen and children’s magazines.

She is member of the Romantic Novelists’ Association, the Society of Authors and the Society of Women Writers and Journalists,

When she isn’t writing, Karen likes travelling, watching the ‘soaps’ and reading. Give her a good book and a box of chocolates and she thinks she’s in Heaven.

Author links

Website: http://www.karenking.net/

Twitter: @karen_king

Karen King Romance Author Facebook Page

Karen King Young Adult Books Facebook Page

Pinterest: https://uk.pinterest.com/karenkingauthor/

Instagram: https://www.instagram.com/karenkingauthor/?hl=en

Bookbub: https://www.bookbub.com/profile/3187489145

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Good luck with your new book Karen,

Happy reading everyone,

Jenny x

End of the month with Nell Peters: 2 years on…

For the past two years I’ve been lucky enough to have the fabulous Nell Peters write end of the month blogs for me. Let’s see what she has in store for us as May winds to an end.

Over to you Nell…

Good morning! And how are we today?

Back again – and on the second anniversary of my guest blogs for Jenny. I’m very soon going to run out of things to rattle on about!

On this day in 1902 Australia were all out for 36 v England at Edgbaston, their lowest ever cricket score. Elsewhere, the Second Boer War ended after two years, seven months, two weeks and six days – the first having lasted but four months. The British Army was reinforced by volunteer contingents from the Empire, including Canada, Australia, New Zealand, the Cape Colony and Natal and wisely no longer wore ‘here-I-am-feel-free-to-shoot-me’ red uniforms.

This was thanks to Lieutenant Harry Lumsden of the Corps of Guides, who was the first British officer to provide his men with practical working garments when he served in India in 1846. He had white cotton dyed with mud so that when they dried, the uniforms blended in with the surrounding landscape – this became known as khaki, Hindi for dust.

The Boers (Boer being the Afrikaans and Dutch word for farmer – I’m such a linguist!) were adept at guerrilla warfare and wore no uniform at all, so they were hard to spot amongst farming communities, where they found places to hide, horses and supplies. Brutally, the British solution to that was a ‘scorched earth’ policy of burning down or destroying farmhouses, crops etc. and rounding up the inhabitants of the countryside to be held in segregated concentration camps, often under horrific conditions. Many thousands – mostly women and children – died during their incarceration.

Ardent imperialist Cecil Rhodes didn’t live to see the British victory at the end of the war, having died a few weeks beforehand on March 26th. Rhodes was a British-born financier, statesman, and empire builder who was Prime Minister of Cape Colony from 1890 to 1896. He also co-founded the now global diamond company, De Beers with Charles Rudd in 1880, so called after the De Beers brothers who originally owned the land where the diamonds were mined. Next (1887) came the purchase of the Kimberley Central Mining Company, to form De Beers Consolidated Mining Ltd.

A controversial figure even now, Rhodes also had a philanthropic side. His will gifted a large area of land on the slopes of Table Mountain to the South African nation and part of this estate became the upper campus of the University of Cape Town (my youngest sister-in-law went there!) Another area became the Kirstenbosch National Botanical Gardens, and land that wasn’t developed is now a conservation area. He also made a bequest of funds to establish the Rhodes Scholarship – the world’s first international study programme. The scholarship enabled students from territories under British rule, or formerly under British rule and from Germany to study at Rhodes’ alma mater, Oxford University. His aim was to promote leadership marked by public spirit and good character, and to ‘render war impossible’ by promoting friendship between the great powers. That worked well…

#3 son was recently headhunted by De Beers – as I write this (in advance, obvs), he has had three interviews and will have a fourth either in Mumbai or Bangkok, where he is currently based. I’m not sure he actually wants to move just yet, but it’s a bit of a diamond-encrusted feather in his cap to be sought out, I imagine. And since he travelled around SA as part of his gap year, he at least has something to talk about to fill any pregnant pauses while he’s being grilled. He had a high old time travelling (I know, because I paid his credit card bills!) – quite literally when he did the Bloukrans Bridge bungee jump. It’s one of the world’s highest at 216 metres (709 ft) above the Bloukrans River on the Garden Route. He also swam with sharks in a rather flimsy-looking cage and did a parachute jump. When he was home again, he actually told me in all seriousness that he’d have been very scared of jumping from the back of the tiny plane, if he hadn’t had a parachute on his back…

The OH was born in the UK but spent his formative years from the age of ten in Johannesburg, where he went to the Marist Brothers Independent Catholic Day School, along with one of the De Beers sons. The Marist Brothers were apparently a mean bunch with a penchant for corporal punishment at the drop of a hat, and I don’t think he’s been inside a Catholic church since he left.

In fact, churches generally give him the creeps and he has to be dragged, screaming, to weddings and funerals. In between school and uni, he was conscripted into the SA Army for two years’ National Service, where he joined the Paras and had to learn Afrikaans mighty quickly. Unfortunately, his jumping career was cut short when he fell awkwardly on an old ankle injury (motor bike accident) and spent a few weeks in hospital.

Thereafter he was sent for duty in the Townships and the Angolan Bush, where he spent his twenty-first birthday and slept through a mortar attack on the camp (not on the same day, I’m guessing). When out on patrol in the Bush, troops weren’t allowed to wash or clean their teeth lest the scent was picked up by enemy forces. Scary stuff, and a swift education in what apartheid really meant to those who weren’t lucky enough to be white and comparatively wealthy. He never really came to terms with the regime, left uni after less than a year and returned to the UK. He still has his red beret, though thankfully doesn’t wear it Frank Spencer-style.

Of course, we all know that Ramesses II, also known as Ramesses the Great, became Pharaoh of Ancient Egypt (19th Dynasty) on this day in 1279 BC, but what else has happened? Let me see … Jerusalem’s rabbi Sjabtai Tswi proclaimed himself the Messiah in 1665 – the guy must have had an ego the size of Mars: the planet, not the chocolate bar. Almost two hundred years later in 1853, Elisha Kane’s Arctic expedition left New York aboard the good ship Advance – any relation, Jenny? Kane was an American surgeon and explorer making his second trip to the Arctic, but had to abandon the icebound vessel on May 20 1855. The crew marched for eighty-three days to Upernavik, carrying their sick and wounded and remarkably lost only one man. They were saved by a handy sailing ship and Kane returned to New York on October 11 1855. The following year Kane published his two-volume Arctic Explorations, before he sadly died in Havana ten days short of his thirty-seventh birthday.

In 1861, on the same day that the Mint in New Orleans was decommissioned, General Pierre Gustave Toutant Beauregard was given command of the Confederate Alexandria Line. I mention that only because Beauregard is a name that always makes me smile, though I’ve no idea why. But since he’s popped up here, let me tell you that he was a prominent general during the American Civil War and had several nicknames, including Little Napoleon, Little Frenchman – he was born in Louisiana and didn’t learn to speak English until he went to school in New York, aged twelve – and Felix. Felix? In April 1865, it was Beauregard and his commander, General Joseph E Johnston, who convinced President Jefferson Davis and the remaining cabinet members that the war should end. After the military, he held two posts as an executive on the railroads and used his civil engineering knowledge to patent the design for a cable car in 1869.

The oldest recorded bride, one Minnie Munro aged 102, wed Dudley Reid 83, at Point Clare, New South Wales in Australia on 31st May 1991 – that’s what you call a toy boy – telling reporters they planned to make the most of the time they would have together. As children, grandchildren and great-grandchildren gathered for the ceremony in the gardens of the couple’s home at Orana Nursing Village, widow Minnie proudly showed off her antique amethyst engagement ring and said, ‘He’s been waiting for me a long time and I am pretty old you know, so I decided to say yes.’ The couple met four years previously at a health centre in nearby Woy Woy. So good they named it twice?

It was not such a happy occasion on this day in 2007, when actress Billie Piper and radio DJ Chris Evans divorced after six years of marriage. Billie was born Leian Paul Piper to parents Paul Victor Piper and Mandy Kane Kent (another Kane?!) and is a singer, dancer and actress who played Rose Tyler in Doctor Who from 2005-6. Perhaps attracted by the fact they share the same middle name, she didn’t hang around and married actor Laurence Paul Fox (Hathaway in Lewis) on 31st December 2007. By marriage she became sister-in-law to Richard Ayoade (The IT Crowd) who was newly wed to Laurence’s sister, Lydia. Alas, Billie headed to the divorce courts again – also in May, but the 12th – after eight years and two children.

Two Walters were born on this day – Walt Whitman (so called because his father was also Walter), American poet, essayist, and journalist in 1819, and artist Walter Richard Sickert, born in Munich in 1860. When he was eight, the family moved to England and were granted citizenship. Although he was the son and grandson of painters, he initially wanted to be an actor and appeared in small parts with Sir Henry Irving’s theatre company, before going to the Slade School to study art in 1881. After less than a year he left to become a pupil of Whistler, whose influence can be seen in his early work.

In his late twenties, Sickert took a keen interest in the crimes of Jack the Ripper. He believed he had lodged in a room used by the serial killer, having been told this by his landlady, who suspected a previous lodger. He produced a painting of the dark, melancholy room entitled Jack the Ripper’s Bedroom which now hangs in Manchester Art Gallery. Author Patricia Cornwell wrote a book in 2002 called Portrait of a Killer: Jack the Ripper – Case Closed in which she names Walter Sickert as Jack. Not wholly original, as Jean Overton Fuller wrote Sickert and the Ripper Crimes in 1990, making the same claim. However in a 2004 article on Sickert, the Oxford Dictionary of National Biography dismissed any allegation that he was Jack the Ripper as ‘fantasy’. So, ladies and gentlemen, I invite you to decide for yourselves. Or not.

Meanwhile, I’m off in my Tardis to wrong rights and generally make a nuisance of myself. See you in June, perhaps?

Thanks, Jenny and toodles, all!

NP

Once again- a HUGE thank you for such an excellent blog – and for the previous 23 fabulous blogs!! Very much appreciated. It is no co-incidence that the last day of the month sees more visitors to my web site than any other.

Happy reading everyone,

Jenny x

 

 

 

 

 

Opening Lines Blog: Rachel Ennis’s Second Chances

It’s Thursday! So, go and pop your feet up for five minutes. It’s time to enjoy some more ‘Opening Lines,’

This week Rachel Ennis (otherwise known as Jane Pollard), is sharing the beginning of her Cornish Mystery, Second Chances.

For this series I have drawn on my experiences of village life though never using real people as characters. For the mysteries Jess Trevanion is asked to solve I had a wonderful time researching historical events such as ‘coffin ship’ runs to Murmansk during the first World War (‘Fallen Hero’); the aftermath of an underwater collision by a nuclear sub (‘The Loner’); intrigue and tragedy at the Congress of Vienna just before the Battle of Waterloo (‘Moving On’)  and the dangerous secret work undertaken by Cornish fishermen during WW2 (‘Silver Linings’)  None of the villagers who asked Jess to compile a family tree knew of the secrets buried in their pasts. But shocking revelations also brought new understanding.

The first 500 words of ‘Second Chances’

Jess hurried from the kitchen to answer the door. She didn’t recognise the knock. It wasn’t Elsie or Viv. They would have leaned in and called to her: Elsie to ask if she had a minute, and Viv wanting to know if she was decent.

Smiling at the thought, Jess wiped damp hands on her apron and opened the door.

‘Fiona!’

‘I hope this isn’t – You’re not in the middle of something?’

‘Washing up. I’ve been baking. That always means a pile of dishes.’ Fiona had insisted Rob buy her a dishwasher, saying she had more than enough to do without spending hours at the sink. Pushing the thought away, Jess stepped back, opening the door wider. ‘Come in.’

As Fiona stepped inside, wiping her feet on the mat, Jess returned to the kitchen and reached for the kettle. ‘Cup of tea?’

Fiona hesitated.

‘Or how about hot chocolate? There’s coffee, only instant though.’

Jess saw Fiona suppress a shudder. Rob had shared his amusement at Fiona’s attachment to the coffee machine they had been given as a wedding present, with a tray of pods for every occasion and time of day. Used to snatching a mouthful of cold, scummy hospital coffee between patients, he was grateful for anything he was able to finish while it was still hot.

‘Tea would be fine, thank you.’

‘Why don’t you sit down?’ Jess indicated the sofa. She noticed that beneath expertly applied makeup her daughter-in-law’s face was drawn. ‘The kettle’s just boiled so it won’t take a moment.’

Fiona took off her belted camel coat and unwound the pale pink pashmina looped loosely round her throat. Beneath it she wore a rose cashmere roll-neck over a black A-line skirt and black mid-heeled boots. Jess could not fault her taste or style. Even the way she sat was elegant. And yet she looked pinched and cold, and had definitely lost weight.

Jess took down cups and saucers, poured milk into a matching jug and put four date, cherry and almond cookies on a plate, then carried the laden tray to the low table. She opened the woodburner and added two more apple logs to the glowing embers, then sat down opposite Fiona.

She remained silent while pouring the tea and adding milk. Handing one cup and saucer to Fiona, she picked up the other, took a cookie from the plate and made herself comfortable.

Knees together, feet to one side, Fiona sipped. The cup rattled as she replaced it on the saucer. ‘This isn’t easy…’

Jess bit into her cookie and waited.

Fiona sat up straighter and took a breath but her gaze remained fixed on her cup. ‘My… situation has changed. I was misled and made a bad decision. I deeply regret it, but it’s in the past.’

Jess took a mouthful of tea, picturing Fiona rehearsing those words, or others like them, during her drive here. Guilt pricked. Was she being too harsh? She recalled Rob’s features, haggard with stress and …

Blurb for ‘Second Chances’

Having rekindled their relationship, historical investigator Jess Trevanion is looking forward to spending more time with partner Tom Peters. She’s also got a new historical puzzle to solve: the mysterious family background of the local Reskilly clan.

Tom and Jess bond over their love of the sea but it isn’t all smooth sailing. They are forced to abandon a boat trip when they come across an old friend in dire straits ‑ an event which has serious repercussions. Meanwhile, a shock encounter with her daughter-in-law makes Jess worry for her son’s future ‑ and she isn’t the only one with unexpected goings-on in her personal life. Her friends Mor, Viv, and Annie have momentous news of their own, and Polvellan will never be the same again.

A combination of Jess’s historical discoveries and the ups and downs in the lives of her and her friends lead her to make a decision she’s been putting off ‑ but will she make the right choice this time? 

Buy Link:     http://amzn.to/2oWLJ9L

https://www.facebook.com/PolvellanCornishMysteries/

https://twitter.com/JJacksonAuthor

 

Bio:    Writing as Dana James, Jane Jackson, and Rachel Ennis, Jane has been a professional author for over thirty-five years and shortlisted for four major awards. Happily married to a Cornishman, with children and grandchildren, she has lived in Cornwall all her life finding inspiration for her books in the county’s scenery, history and people.  ‘Second Chances’ is her 38th published book.

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Wow- 38 books! That is amazing. Well done Rachel/Jane/Dana!!

I hope you enjoyed that. Next week Fiona Morgan will be here with 500 words.

See you then.

Jenny x

 

 

Crossing the Lines of research: Patricia Leslie

I’m delighted to be joined by Patricia Leslie today. She has been carrying out some vital location research- some intended- some  accidental…

Over to you Patricia…

I like to wander. I do some basic research on a location so I know what’s around, grab a map and a camera, and head out. It seems to balance out the detailed planning that goes into holidays and research trips, and I enjoy the surprise of stumbling upon the unexpected. I know I’ve found something great when I start slipping it into a story. In the United Kingdom recently, against plans to do some serious location research in the Outer Hebrides for the next two books in my Crossing the Line series, I found myself researching another site for the novel that will come after the current series. Not planned at all!

We were in Northumbria and my daughter expressed a desire to visit Hadrian’s Wall. The Wall wasn’t on my research radar, but it seemed a good way to spend a sunny day so off we went ending up in Vindolanda. It wasn’t until we started stepping over the ruins of a succession of Roman Forts and I read the dates and backstory of the site that I realised it fitted neatly into a planned novel set in the Gallic Roman Empire in the 3rd century AD. Of course, the physical location wasn’t exactly right, but the building remains and layout of the forts and accompanying settlement can be translated from one country to another, and the dates were perfect. This future novel will also have links with England of the same time period so I started snapping and plotting and planning. Characters that hadn’t yet been thought of, started to ghost into my imagination. I could hear dogs barking, people trading goods, using the baths, soldiers marching, and commands being shouted. I can’t wait to write this story!

Eager to find out more about the people that would have lived in these settlements, I hit the Visitor’s Centre and Accompanying gift store, and bought some books. Then went back outside to take more photos. About a week later, in Bath, I felt the same sense of excitement wandering around the famous Roman Baths. I then moved into current novel research mode when we randomly booked our accommodation for the night at The George Inn – a 16th century inn. The walls of our room were at least three feet thick, the heavy beams low, the doors, windows and fireplaces as rustic and genuine as I could hope for.

It seems likely that Crossing the Line books one and two will include a lot of rain and a few blizzards. My first few days in England coincided with the tail-end of the “Beast from the East” and a very cold start to spring followed by days of pouring rain in the Outer Hebrides. When my characters travel through these areas they will be as cold and wet as I was (more so), without the benefit of a car with heated seats to escape to. When they come across stone circles and black houses, they will be extensions of the very same ones that I came across on the Isle of Lewis. Callanish was very much a planned stop on my itinerary. Experiencing the environment and the outlying lochs and fields of peat and machair, not to mention the many sheep, was an interesting aside. The colours of a wet Hebridean landscape are surprisingly dramatic. The history of the people and islands, deep and rich. I took more photos. I bought more books.

Glastonbury Tor may also make an appearance. Here’s another site I hadn’t planned on visiting, but noting it’s proximity on my road map as I drove north from Padstow in Cornwall, decided another side trip was in order. I arrived early in the morning with mist in the hills and valley, and few people (read tourists like me) about. With a darkening sky and rain imminent, I walked the path up to the Tor. A Christian monastery does not figure in Crossing the Line, but the site was important to the local people for centuries before Christianity. I don’t know how, but the Tor too may figure in the story. One of my characters is of Cornish background. That’s not too far away – I’m sure I can work it.

The benefits of wandering is that it allows for a more fluid creative flow of ideas. Without the rigid structure of a detailed itinerary to stick to, the mind can stay relaxed and open to possibility. Besides that, I’m easily distracted by what may be around the corner or over the next hill.

Bio

Patricia Leslie is an Australian author with a passion for combining history, fantasy, and action into stories that nudge at the boundaries of reality. Her latest novel is Keeper of the Way, published by Odyssey Books.

For reviews, interviews, articles and updates on her novels and adventures, visit her website: patricialeslie.net and facebook page: Patricia Leslie – author

For photos of her adventures, books, and chickens, follow her on insta: @patricialeslee (if you don’t have an Instagram account just drop in to her website)

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Many thanks for visiting my blog today Patricia. You’re research has taken you to many of my favourite places in the UK.

Happy reading everyone,

Jenny x

Performances in the Great War: Blog Tour with Freda Lightfoot

I’m welcoming Freda Lightfoot to my place today as part of her Blog Tour for  Girls of the Great War.

Make sure you check out all of the blogs in the tour for your chance to take part in a great giveaway (details below)

Over to you Freda…

Thank you so much for inviting me on your blog. Entertainment was a place where soldiers could escape the harsh realities of their dangerous life. They were always overjoyed to see these performances. Concerts took place to liven up the troops. Two or three concerts a day were often available and most popular. Drama presented a particular challenge: contemporary comedies and romances were played with canteen furniture, and the scenery was often a backdrop of night sky. Violin solos, string quartets, operatic arias, all were performed behind the front lines. It was not unusual for the audience to be in their hospital beds, or wheeled out of the wards, even if rain beat down upon them. Shows were also given on ships, and out in the wild country or desert.

Back in England the war naturally brought a surge in patriotism, both in drama and cinema. Music hall was one of the dominant forms in World War One. Theatre managers, newspaper editors, civic leaders and even clergymen insisted that people wanted cheering up and were not expected or even allowed to use their brains or be presented with serious matter. The war was expected to end by Christmas. Many plays were written about the suffering, but the emphasis was more on the humorous to attract the masses. Soldiers on leave flocked to the theatres with their sweethearts, eager to be amused and entertained. There were many famous performers such as Harry Lauder, Vesta Tilley dressed as a soldier, Gertie Gitana and others, all popular with troops out in the war and for soldiers and their families back home.

After the war, popular tastes began to change. Entertainment then preferred Charleston, jazz and syncopation. Performers would often entertain cinema audiences between films. Queues too would be entertained by dancing dogs or a man playing a banjo or accordion. Then a collection would be taken up for the soldiers and sailors. Benefit performances were held to raise money to entertain wounded soldiers; just as there were Tank Weeks, or fund raising for an ambulance.

In Girls of the Great War, Cecily, having lost the love of her life, eagerly goes to entertain the soldiers in France, filled with the need to help and overcome depression, Her sister, mother and Johnny, a drummer friend, accompanied her, a part of which proved to be a problem. I was inspired to write this because I’d been involved in amateur dramatics for much of my life. I still love the theatre, and have collected many books on the history of it and famous actors. Writing about it was a joy, and I have touched on this theme in one or two others of my books.

*** 

Excerpt of Cecily’s first performance in Girls of the Great War:

There was no proper stage, no curtains, dressing rooms or footlights, but they did have acetylene gas lamps glimmering brightly around the boxes. They worked for hours rehearsing and enduring more instructions from Queenie on what and how they should perform. Cecily suffered a flutter of panic as she became aware of hundreds more men gathering in the audience. A few were seated on boxes or benches, the rest of the area packed with a solid mass standing shoulder to shoulder. Many had been patiently waiting hours for the concert to start. Looking at the state of them it was evident that many had come direct from the trenches where they’d probably been trapped in horrific conditions for months. Those unable to move from their tent pulled the flaps open so that they too could hear the concert.

Heart pounding and nerves jangling, Cecily felt the urge to turn and run as the moment for the concert to start came closer. Was her mother right and she couldn’t sing well at all? Would they roar and boo at her as they had that time at Queenie?

She steadied her breathing, smoothed down her skirt with sweaty fingers and when she walked on stage the men gave a loud cheer of welcome. The excitement in their faces filled her with hope and as she stepped forward to the front of the boxed stage the audience instantly fell silent, looking enthralled and spellbound. She exchanged a swift glance with Merryn, counted one, two, three, four . . . and her sister and Johnny both began to play, sounding most professional. Cecily started to sing:

There’s a Long, Long Trail A-winding.

Into the land of my dreams,

Where the nightingales are singing

And a white moon beams:

As she sang, her fears, depression and worries vanished in a surge of elation, soaring into a new life, and bringing these soldiers pleasure and relief from the war. When the song was over she received a tumultuous applause, cheers, whistles and roars of appreciation from them. Smiling broadly she went on to sing ‘Roses of Picardy’, followed by ‘Pack Up Your Troubles in Your Old Kit Bag’ and many other popular favourites. Most of the Tommies would readily join in to sing the chorus whenever Cecily invited them to do so. Others would weep, as if fraught with emotion because they were homesick and felt greatly moved by this reminder of England. Then would again cheer and roar with happiness at the end, urging her to sing an encore.

‘You are doing quite well,’ her mother casually remarked during the short interval, a comment Cecily greatly appreciated. ‘Now sing some of those jolly music hall songs that I recommended.’

‘Right you are.’

Cecily went on to sing ‘Burlington Bertie From Bow’and ‘Fall In And Follow Me’. These brought bright smiles and laughter to all the Tommies’ faces. She finished with ‘Your King and Country Want You’, bringing forth loud cheers of agreement. How she loved singing to these soldiers. If she hadn’t been a star before, she certainly felt like one now.

Blurb
Cecily Hanson longs to live life on her own terms—to leave the shadow of her overbearing mother and marry her childhood sweetheart once he returns from the Great War. But when her fiancé is lost at sea, this future is shattered. Looking for meaning again, she decides to perform for the troops in France.

Life on the front line is both rewarding and terrifying, and Cecily soon finds herself more involved—and more in danger—than she ever thought possible. And her family has followed her to France. Her sister, Merryn, has fallen for a young drummer whose charm hides a dark side, while their mother, Queenie—a faded star of the stage tormented by her own secret heartache—seems set on a path of self-destruction.

As the war draws to a close and their hopes turn once again to the future, Cecily and Merryn are more determined than ever to unravel the truth about their mother’s past: what has she been hiding from them—and why?

Buy links:

Amazon UK: https://amzn.to/2wKaX2y

Amazon US: https://amzn.to/2rGc528

Bio

I was born in a small mill town in Lancashire. My mother comes from generations of weavers, and my father was a shoe-repairer. I still remember the first pair of clogs he made for me. After several years of teaching, I opened a bookshop in Kendal, Cumbria. And while living in the rural Lakeland Fells, rearing sheep and hens, I turned to writing. I wrote over fifty articles and short stories for magazines such as My Weekly and Woman’s Realm, before finding my vocation as a novelist and became a Sunday Times Bestselling author. I’ve now written over forty-eight novels, mostly sagas and historical fiction, my three latest books, including Girls of the Great War, out in May are published by Amazon Lake Union. I spend warm winters living in Spain, and the rainy summers in Britain.

Website: www.freda@fredalightfoot.co.uk

Facebook: http://www.facebook.com/pages/Freda-Lightfoot-Books/149641371839646

Twitter: @fredalightfoot

Goodreads: https://www.goodreads.com/author/show/448774.Freda_Lightfoot

My Blogspot: http://www.fredalightfoot.blogspot.com/

If you wish to be kept up to date on new titles and contests, sign up on my website http://www.fredalightfoot.co.uk  to subscribe to my Newsletter: I only send out 4 or 5 a year so your inbox won’t be flooded.

*****

GIVEAWAY!

Make sure to follow the whole tour—the more posts you visit throughout, the more chances you’ll get to enter the giveaway. The tour dates are here:  http://writermarketing.co.uk/prpromotion/blog-tours/currently-on-tour/freda-lightfoot-3/ 

ENTER HERE– http://www.rafflecopter.com/rafl/display/8b9ec5be184/?

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Many thanks for stopping by on your tour Freda!

Happy reading everyone,

Jenny x

Opening Lines: A Spell in the Country by Heide Goody and Iain Grant

We’re off into the world of comedy fantasy and cosy crime for this week’s Opening Lines.

With thanks to Heide Goody and Iain Grant for sharing the first 500 words from A Spell in the Country.

Blurb

Dee is a Good Witch but she wonders if she could be a better witch. 
She wonders if there’s more to life than Disney movie marathons, eating a whole box of chocolates for dinner and brewing up potions in her bathtub. So when she’s offered a chance to go on a personal development course in the English countryside, she packs her bags, says goodbye to the Shelter for Unloved Animals charity shop and sets a course for self-improvement.

Caroline isn’t just a Good Witch, she’s a fricking awesome witch.
She likes to find the easy path through life: what her good looks can’t get for her, a few magic charms can. But she’s bored of being a waitress and needs something different in her life. So when a one night stand offers her a place on an all-expenses-paid residential course in a big old country house, she figures she’s got nothing to lose.

Jenny is a Wicked Witch. She just wishes she wasn’t.
On her fifteenth birthday, she got her first wart, her own imp and a Celine Dion CD. She still has the imp. She also has a barely controllable urge to eat human children which is socially awkward to say the least and not made any easier when a teenager on the run turns to her for help. With gangsters and bent cops on their trail, Jenny needs to find a place outside the city where they can lay low for a while.

For very different reasons, three very different witches end up on the same training course and land in a whole lot of trouble when they discover that there’s a reason why their free country break sounds too good to be true. Foul-mouthed imps, wererats, naked gardeners, tree monsters, ghosts and stampeding donkeys abound in a tale about discovering your inner witch.”

First 500 words…

Chapter 1 – The Three Witches

The Good Witch of Northfield

Dee Finch didn’t consider herself to be just a good witch. Of course she was a good witch. That kind of thing was in the blood. No, Dee wasn’t just a good witch; she was a good witch, and that meant being good and doing good; whenever and wherever, whatever people might think. So Dee felt compelled to tell the young man in the shopping precinct that his hat was on fire.

“Your hat is on fire, poppet,” she said.

Surprisingly, the young man responded with a delighted smile. “Well, that’s the final question answered.”

Not the reaction Dee expected. It wasn’t as if it was the kind of hat one could set on fire without being instantly aware of it. If, say, he had been wearing a bowler hat, one might imagine a small fire on the crown might go unnoticed for a minute or two. But this was a woolly hat with a minor conflagration where a bobble might be.

Dee imagined that the young man had absent-mindedly put a roll-up behind his ear, and forgotten that it was already lit. It was the only immediately obvious explanation.

“Your hat is on fire,” she said again.

“Indeed,” he said. “Let me just—” He flipped through the papers on the clipboard in his hand.

“On fire,” she repeated.

“Yep.” He clicked his pen and put a tick in a box. “Now, would you have a few minutes to complete the rest of the survey?”

“Survey?”

Dee felt she had lost her grip on the situation. The man’s hat was on fire and, on a fundamental level, she wanted it dealt with. But now he was talking about a survey and had a look in his eye which suggested his day had been a long struggle to get people to participate.

“What kind of survey?” asked Dee. “I can’t be too long, sweetness. I was only popping out for some safety pins and a bottle of linctus for Mrs Binder.”

“It’s all about trying to become a better you,” said the young man.

“And you do understand what I mean when I say your hat is on fire?” she said.

“I do. Now, can I take your name?”

“Yes. It’s Dee Finch. Miss.”

 

Dee returned to the Shelter for Unloved Animals charity shop with a brochure from the young survey-taker and a great deal to think about.

“Thank God you’re here,” said Mr Tilbury. “It’s been bedlam since you left.”

Dee looked up from the brochure. The shop was empty, apart from Mr Tilbury who was manning the till. Clothes hung unregarded on their racks. Books gathered dust on the shelves. The poster of the charity mascot, Terry the Boss-Eyed Tortoise, with the slogan of ‘Ugly Animals Need Love Too’ still hung slightly askew on the wall. It was so quiet that one could almost hear the creak of time passing.

“Bedlam?” repeated Dee.

“A man came in and wanted to know if we had a book,” said Mr…

***

Buy Links

Amazon UK: https://www.amazon.co.uk/Spell-Country-Heide-Goody-ebook/dp/B078NRFL93

Amazon US: https://www.amazon.com/Spell-Country-Heide-Goody-ebook/dp/B078NRFL93 

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I hope you enjoyed that. Another fabulous book introduction.

Come back next week for the first 500 words from a book by Jane pollard.

Happy reading,

Jenny xx

Ask a writer: Robin of Sherwood

Two weeks ago I had the pleasure of attending the Hooded Man Event in Gloucester. This gathering was for fans of the 1980’s television show Robin of Sherwood – a show that I have recently written three brand new audio scripts for.

While I was in Gloucester I was busy selling my novels, so I didn’t get to talk to as many people as I would have liked. Since my return to Devon, I’ve been asked a number of questions relating to the writing of those three scripts – The Waterford BoyMathilda’s Legacy – The Baron’s Daughter.

Today, I’m going to attempt to answer those questions. Obviously the answers I give are from my angle only. I don’t work for Spiteful Puppet or ITV- so I have no knowledge as to what the future holds for RoS.

So- in no particular order….

How difficult is it to switch from writing books to script writing for audio?

Script writing is a whole new world. I had never written a script before, so I was learning fast when I wrote The Waterford Boy. I was kindly lent a couple of scripts that Iain Meadows (The Blood that Binds and The Templar’s Promise) had written in the past, so I knew how to format my work, but beyond that I felt my way along. (With help from Iain and Barnaby)

I’ve been a novelist for 12 years, so it was quite a challenge suddenly writing something where I couldn’t describe a scene properly with words. Everything has to be displayed via dialogue and background sound. This meant that writing about someone’s appearance, for example, has to be done via the comments of other characters. The scene in The Waterford Boy, where Robin, Will and Nasir disguise themselves to blend into Nottingham market, was particularly tricky to put together for that very reason.

It was slightly easier writing the two narrated stories- The forthcoming The Baron’s Daughter however, is a full cast reading…so that needed everything explaining via conversation and sound effects. You’ll find out if I managed that in a few months time!

Although writing scripts is a very different skill to writing a novel- I loved it! Let’s hope I get to do some more one day.

Will Robin of Sherwood audio do anything like prequels or sequels for example prequel Rebels of Loxley or the daughters (sons) of Sherwood? Any plans to expand the Robin of Sherwood universe further?

I’d have to say ‘no’ to that. The licence for what Spiteful Puppet can do is strict- plus, there isn’t the mega multi-national audience that you have for other popular shows such as Doctor Who or Star Trek. The prequel angle has been explored a little bit with Mathilda’s Legacy (the story of how the Earl of Huntington met Robert of Huntington’s mother).

However, if you enjoy all stories Robin Hood, then there are many writers who have been inspired by Robin of Sherwood and have expanded into many other directions, from fantasy to comics to legend redevelopment. You only have to look at my fellow audio script writers Paul Kane (The Red Lord) and Tony Lees (The Trial of John Little– coming soon) to find a collection of Robin Hood stories to keep you going for ages.

Do you make drawings to picture parts of your audio-book stories?

The only art work associated with the audio books is the brilliant cover showing both Robin’s.  I am not responsible for that thankfully – which is probably just as well as I have no artistic skill at all! I wish I did.

Once you knew you were doing more than one audio story, did you put your own returning characters (other than the obvious) into the stories, or was that a temptation too far (against the canon)?

It would be so tempting to do that. I would love to write more about Mathilda of Huntington if the chance ever arose. (Unlikely!) However, the answer to the question is ‘no’. The stories are slotted into the ready made framework of the existing episodes, and so any onward play with my own invented characters wouldn’t be practical – although it would be fun for me as writer.

However, I have enjoyed making reference to the characters we know and love. I took great pleasure, for example, in referencing Lord Edgar in Mathilda’s Legacy– Robert’s mother clearly had very little time for her future brother-in-law….

It is wonderful to be able to play with the nostalgia we all feel for the characters we loved – and the ones we loved to hate.

Which was your favourite of the audio scripts you’ve written?

Tricky one.

The Waterford Boy will always be special because it was my first script- and it made a dream come true. Never did I think I’d write for the best TV show of all time (to me anyway!) Judi Trott read it so beautifully as well. I have to confess to listening to it often just to hear her lovely voice.

The Baron’s Daughter was also special because it was my first full cast script. I got to put words into Michal Praed’s mouth – and who wouldn’t want to do that???

However- if pushed- I think Mathilda’s Legacy is my favourite. Partly because it was the first one I heard as a completed audio. The second I heard Michael Craig read my words- and then the famous theme music burst into life- I was a star struck 14 year old unable to believe that  I was listening to a story I’d created.

It was also quite something being given the responsibility of inventing (to some extent- David of Huntington was married to Mathilda) Robert of Huntingdon’s mother. I hope you all like the woman I created to be a future heroes mother.

Which was your favourite RoS episode?

That is an impossible question. I love them all. To narrow it down – it was either Adam Bell (first one I ever saw) or Herne’s Son parts one and two or The Prisoner…or…..

Many thanks to everyone who has sent questions to me since the HM3. I have been overwhelmed by the kindness showed to me after I fiddled with your favourite stories. I promise, if I am ever lucky enough to write more, I will continue to try as hard as I can to be true to the Robin of Sherwood ethos, and write stories to make you feel as though you have been transported back to 5.35 on a Saturday afternoon in the 1980’s. Well – I’ll try anyway!

Nothing’s forgotten,

Jennifer x

London Hat Hunting Mission Blog Tour: Interview with Winnie Mak Tselikas

Today I’m welcoming Winnie Mak Tselikas to my site to chat a little about her brand new children’s book, London Hat Hunting Mission, as part of her fabulous blog tour.

Let’s get started…

What inspired you to write your book?

I am Chinese from Hong Kong and my husband is half French half Greek, we have a 3-yr old son. Having grown up in a traditional Chinese family and now having my own multicultural family gave me food for thought on my own cultural root, role as a mum, and the world I want my son to be in. I believe the world can become a better place when people can better appreciate themselves as they are and at the same time respect the differences in others. So when I found that I couldn’t find a nice black rag doll for my son easily, it inspired me to create multicultural doll characters so that children from different part of the world can be represented in toys and books.

When I first moved to London, the diversity of people I got to meet here amazed me. The idea of this story in London comes naturally when I want to write a storybook that explores cultural diversity.

Do you model any of your characters after people you know? If so, do these people see themselves in your characters?

I chose the name of one character after my Indian friend. I develop the characters base on an existing personality model, so each character has his/her own personality. For example, Lea is logical and analytical while Parth likes hands on experience.

Have you always loved hats??

I don’t love hats in particular but I find it an illustrative way to introduce cultural diversity to children on picture books. I also like to imagine everyone having a unique invisible hat that controls how we think. While each of us has a different hat, I can’t really expect other people think like I do.

What excites you the most about your book?

It excites me each time when I hear from parents or teachers that they think positively of my book. I am also happy to receive plenty of interest from schools when I approach them on an upcoming book tour around London, so the opportunities to tell the story in front of a big group of children excite me too!

Any more books on the horizon?

My plan is to make the Adventure in One Dear World a series for the dolls and Mr Globe to travel around the world! I will probably set the scene of my next book in Paris. Later on, I would like to incorporate more cultural elements such as language, food, festivals in the future books/products I develop so children can have an all round experience through the stories.

Blurb :

Four little Londoners, Hope, Jun, Lea and Parth, come from a different cultural background, are good friends living in London. They are travelling to the iconic places around the city in search of magic hats to cure Mr Globe’s headache.

 The book is illustrated with a mix of real life photographs of iconic places in London and digital illustration so children can have a vivid visual experience of London and at the same time open up their world of imagination.

Buy Link: https://onedearworld.com/products/childrensbook-london-hat-hunting-mission 

Amazon UK –https://amzn.to/2HbY6e6

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Links:

Homepage: https://www.onedearworld.com

Bio:

Winnie Mak Tselikas is a believer in diversity. Born and raised in Hong Kong, she studied engineering, worked in commercial sales and in 2011 switched to education upon moving to London. There, she met her half-French, half-Greek husband and they had a son, who now has family in China, France, Greece, HK, the UK and the US. Winnie considers her son to be a world citizen rather than of a particular nationality or culture. Inspired by her family and London’s diversity, she founded One Dear World and created the lovely adventures of Mr. Globe and the little Londoner dolls.

Social Media Links –

www.facebook.com/onedearworld

www.twitter.com/onedearworld

www.instagram.com/onedearworld

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(This is a Rachel’s Ransom Resources Blog Tour)

Don’t forget to catch every leg of the blog tour!

Happy reading,

Jenny x

 

Paul Kane: Living and Breathing Robin Hood

Robin Hood obsessive alert!!!!

You’ve been warned…

I’m delighted to welcome Paul Kane to my place today. Fellow Robin Hood fan, writer of an audio script for Robin of Sherwood- and author of very much more.

Over to you Paul…

When Jen very kindly asked me to contribute a blog to her site regarding my connection with the Robin Hood legend, I started to think about how long he’s been in my life. From an early age, bank holidays were very often spent at Sherwood Forest – we lived about 20 minutes away from it. So, as well as learning about the legend – about Robin and Marion, Little John and Friar Tuck, Will Scarlet – I was breathing the same air they did back then, soaking up the atmosphere.

Then along came Richard Carpenter’s Robin of Sherwood, which I would sit and watch religiously with my dad, and Saturday teatimes would never really be the same. Of course, back then I had no idea it had been created by the same man who came up with the wonderful Catweazle, I just knew that this was a version of Hood I could get behind. As well as having all the traditional elements to it, the robbing the rich to give to the poor and so on, it also had a supernatural slant: I mean, come on, the very first episode was called ‘Robin Hood and the Sorcerer’… doesn’t get any better than that! Except, actually, it did – and as we tuned in every week we would marvel at witches, demons, Satanic cults and woodland gods. I was in seventh heaven!

Even when it came time for Michael Praed to step down from the title role, the changeover to Jason Connery was handled seamlessly. In fact, I loved it even more not knowing what was going on at the end of ‘The Greatest Enemy’. Had Robin come back from the dead, was he a ghost? No, in fact what had happened was a clever segue into that other origins story, Robert of Huntingdon taking over the mantle from Robin of Loxley – but both of them Herne’s sons. Wonderful stuff!

Then, sadly, the show finished and I mourned its passing. I watched all the other adaptations over the years – some of which even included elements that Richard had invented, like the Saracen – but none ever came close for me. Only repeated viewings of his series, when it became available, would do. At the same time, my own writing career had started to take off, moving on from journalism to short stories and finally novels and scripts, as well as taking on the job of Special Publications Editor for the British Fantasy Society and helping to run their yearly convention, FantasyCon. It was around 2006 or 2007 that I spotted a shout out for pitches from Rebellion, the publishers of 2000 AD (another staple of my formative years). They were moving into novels, in particular those which would be part of a shared universe called ‘The Afterblight Chronicles’ – set in a future where 90% of the world’s population had died out from the A-B Virus.

I knew commissioning editor Jon Oliver from my time on the convention circuit, so I threw over a few ideas – one of which was a post-apocalyptic version of Hood. It just seemed like an obvious choice, once society had crumbled and mad dictators had taken over, to bring that legend back to life. It would be part of the Chronicles, but also a very distinct story in its own right. Luckily, Jon agreed, and suddenly I was writing my first mass market paperback: Arrowhead. Needless to say, my version was heavily influenced by RoS, whilst still going its own way; it had to really, as my Robin – Robert Stokes – was facing tanks and attack helicopters. Also needless to say, I was delighted when the book was so well received that another was commissioned shortly after the first’s release (a terrific launch ten years ago at FantasyCon in, appropriately, Nottingham).

I remember I had some vague notion about doing the whole ‘death of Hood’ legend – firing the arrow into the sky and all that – when it came to writing the sequel Broken Arrow. Thankfully, Jon talked me out of it saying: “When you have a hero like that on your hands, you don’t kill him off that quickly.” He was absolutely right, of course, and after that novel came Arrowland, forming a trilogy of books Rebellion released as the omnibus Hooded Man (which sold out of its first print run incredibly quickly). Not only that, but the novels had put me on the radar of…none other than Richard Carpenter, or Kip as I came to know him. He loved them, offered me a glowing quote, and even gave his grandson a copy to read. Imagine my joy at that – things had pretty much come full circle.

Or had they?

Spin on a few years, during which I’d pursued a couple of my other passions (the work of Clive Barker and Sir Arthur Conan Doyle, even crossing them over in books like Sherlock Holmes and the Servants of Hell) and mourned the sad passing of Kip himself. The world is still a poorer place without him. Rebellion had also asked me to continue the Hooded Man story with a novella which caught up with the characters a few years later, Flaming Arrow. And I was very excited to hear that RoS was returning in the form of a full cast audio adaptation of Kip’s Knights of the Apocalypse from Spiteful Puppet, something I reviewed for Sci-Fi Bulletin.

More audios followed, some of which I also reviewed – and during the course of this I got chatting with that lovely chap Barnaby Eaton Jones, of Spiteful Puppet. I mentioned the Hooded Man books, sent him a copy, and the next thing I knew I was being asked to pitch a RoS audio myself. As luck would have it again, I’d just finished my first audio script – a full cast drama adaptation of The Hellbound Heart for Bafflegab, which would star Tom Meeten (The Ghoul), Neve McIntosh (Doctor Who) and Alice Lowe (Prevenge) – so I felt confident enough to have a crack… sort of. It was still RoS and there was massive amount of performance anxiety, as you can probably appreciate.

But anyway, I began to think about elements of the show I’d loved myself and what we hadn’t seen so far in it. And, personally, I’d always thought it would be cool to see Robin and his band go up against a vampire, or at the very least someone who thought he was a vampire. I jotted down some ideas for a tale which pitted them against a Vlad the Impaler-type character, driven from his homeland and now a mercenary – and right there and then, The Red Lord was born.

I was over the moon when the pitch was commissioned, and even more thrilled when the script itself was passed – with a few minor tweaks – by SP and ITV. It was then that Barnaby told me it was being recorded soon, narrated by none other than Ian Ogilvy. Ian had played Lord Edgar in RoS, but also another quite well known character from my childhood. My better half Marie will tell you when that news came in, I screamed: “You’ll never guess who’s doing my audio! Only the Saint!” Yes, I don’t mind admitting I am that much of a geek…

And so it’s done, is totally wonderful, and something I’m incredibly proud of. Well, I would be, having lived and breathed Robin Hood – and Robin of Sherwood – all these decades. I hope the fans like it, after all I am one too, and I like to think that somewhere Kip is smiling as well.

Does this mean that everything’s finally come full circle now? Perhaps – but who can tell what the future will bring? Not me, that’s for sure. For now, though, I just feel incredibly fortunate to have had not one but two bites of the cherry.

Thanks for reading, thank you Jen for letting me waffle on, and finally may Herne protect you all!

Buy Links

Hooded Man:
Flaming Arrow:
The Red Lord:

Paul Kane is the award-winning, bestselling author and editor of over seventy books – including the Arrowhead trilogy (gathered together in the sellout Hooded Man omnibus, revolving around a post-apocalyptic version of Robin Hood), The Butterfly Man and Other Stories, Hellbound Hearts, The Mammoth Book of Body Horror and Pain Cages (an Amazon #1 bestseller). His non-fiction books include The Hellraiser Films and Their Legacy and Voices in the Dark, and his genre journalism has appeared in the likes of SFX, Rue Morgue and DeathRay. He has been a Guest at Alt.Fiction five times, was a Guest at the first SFX Weekender, at Thought Bubble in 2011, Derbyshire Literary Festival and Off the Shelf in 2012, Monster Mash and Event Horizon in 2013, Edge-Lit in 2014, HorrorCon, HorrorFest and Grimm Up North in 2015, The Dublin Ghost Story Festival and Sledge-Lit in 2016, plus IMATS Olympia and Celluloid Screams in 2017, as well as being a panellist at FantasyCon and the World Fantasy Convention, and a fiction judge at the Sci-Fi London festival. A former British Fantasy Society Special Publications Editor, he is currently serving as co-chair for the UK chapter of The Horror Writers Association. His work has been optioned and adapted for the big and small screen, including for US network primetime television, and his audio work includes the full cast drama adaptation of The Hellbound Heart for Bafflegab, starring Tom Meeten (The Ghoul), Neve McIntosh (Doctor Who) and Alice Lowe (Prevenge), and the Robin of Sherwood adventure The Red Lord for Spiteful Puppet/ITV narrated by Ian Ogilvy (Return of the Saint). Paul’s latest novels are Lunar (set to be turned into a feature film), the Y.A. story The Rainbow Man (as P.B. Kane), the sequel to REDBlood RED – the award-winning hit Sherlock Holmes & the Servants of Hell and Before (a recent Amazon Top 5 dark fantasy bestseller). He lives in Derbyshire, UK, with his wife Marie O’Regan and his family. Find out more at his site www.shadow-writer.co.uk which has featured Guest Writers such as Stephen King, Neil Gaiman, Charlaine Harris, Robert Kirkman, Dean Koontz and Guillermo del Toro.

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WOW- what a guest!! Thanks Paul- I am humbled by your productivity.

Many thanks for visiting today,

Jen xx

 

How research into a tricky topic creates magic on the page: Viking healing taken a step further

I’m delighted to welcome Sarah Dahl to my blog today to give us inside information on how she approaches her research.

Over to you Sara…

How research into a tricky topic creates magic on the page: Viking healing taken a step further

“Healer – The Gift of Dreams” is the fifth Tale in the Tales of Freya collection of sensual short stories.

Viking farmer Magnus is plagued by a demon. Since his wife’s death, the dreaded Mara tortures his body and mind. Powerless, he sends for a healer, the unexpectedly young and beautiful Audr … Are her sensual powers and his unleashed virility enough to banish the demon from his bed?

My heroes: the “simple” people

The Tales of Freya are set in the Viking age, and therefore require a lot of research into the period. I’m quite firm when it comes to the historical aspects of daily life and how people lived together then. The big politics and power play bore me. I don’t write kings and queens – my heroes are healers and housewives, warriors and monks. In every Tale I zoom into the lives of “simple people” and their desires and hopes, then give the stories a sensual and erotic twist. In the end, my characters are changed and set on a new path, which doesn’t always have to be a simple Happy Ever After.

Is there an authenticity of emotions?

Authenticity is key. I have trusted Viking age experts and re-enactors at hand to make sure the details are historically correct and events could have happened the way I write them. Even more important and harder to agree on is the psychological aspect, though: What and how did these people probably feel about certain things? What were their morals, expectations, rules of living together? What was their world view? Over time, I became more certain about what makes believable characters here. Luckily, my readers love the stories’ in-depth exploration of emotions and passions just as much as the authenticity to the period. But there is one very central aspect that so far I only touched lightly: Their spiritual world views and thinking.

Embracing the Vikings’ spiritual lives – finally

Because religion and beliefs are a very delicate and hard-to-grasp subject for today’s people (me included), I so far shied away from including too much spirituality in my stories. Yes, gifts to the spirits and gods were common and pagan rituals central to their lives, but: I didn’t want to overload my short stories with too much side-baggage and completely focus on the central plot line. And I admit to some reluctance to interpret too deeply what little we know today of the Viking spiritual lives. But then: as a self-respecting author setting her stories in the Viking age, I couldn’t avoid the topic forever. I didn’t expect it to be central to a sensual short story, though. Until I read a research piece that surprised me.

Sensuality in healing?

In one text about Viking spirituality the author hinted that, in contrast to  our modern religions and healing, Viking healing rituals might very well have included sensual aspects. That of course made me listen up. Sensuality for healing? A hands-on and personal ritual that wasn’t only comforting and physically and mentally healing – but which included sexual aspects? Unfortunately, we don’t know much more. My experts were at a loss, too. Sources are just too scarce to judge. It was just a side note.

Daring to interpret and make it my own

The topic simmered in my writer’s brain, and I came up with the idea of a female healer (most were then female) and how she could create magic … to heal a desperate young man. Born was the story of the devastated Magnus, who, after the loss of his wife and child, is mentally and physically unable to go on with life. He calls for a healer, and instead of the old woman he expected he and the readers are surprised by young and attractive Audr. She sets to work with him, in a sensual ritual that includes his body and mind. But are her powers stronger than his demons? When she is gone, he finds that the greatest gift was always right in front of him …

Research reading as source for inspiration

The inspiration for this story came, as often, from reading a research piece, and thinking it further, wondering what the historical findings said about the people’s lives in that era. The research I had to do for Audr’s healing rituals was great fun, but I had to flesh out and interpret a lot. Sources are thinly spread and much is tinted by today’s views on the world. Which in turn also means a lot of writing freedom. I created a very personal and intimate ritual for Magnus, and something ignites between him and his healer that goes beyond what I imagine would be Audr’s approach with other patients. Audr’s spell is just too strong …

Author bio:

Sarah Dahl lives on the edge of the rural German Eifel and writes historical fiction (novels and short stories) primarily set in the Viking age. She also works as an editor, translates, and coaches new writers in German and English. She is interested in everyday life in bygone centuries and the human stories that may have occurred behind the hard, historical facts. Her author page is: sarah-dahl.com

Links: mybook.to/HealerSarahDahl

Amazon.com: https://www.amazon.com/dp/B07BVWD3YD

Amazon.co.uk: https://www.amazon.co.uk/gp/product/B07BVWD3YD

Author page: sarah-dahl.com/books

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Many thanks Sarah; great stuff.

Happy reading everyone,

Jenny x

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