Jenny Kane & Jennifer Ash

Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

10 REASONS TO GO ON AN IMAGINE WRITING RETREAT

Alison Knight and I are proud to present our very first “Imagine” writing retreat…

10 reasons to go on an Imagine Writing Retreat…

1                    Writers need writers! No one understands writing and a writer’s life like another writer. Mutual support is the name of the game!

2                    Located in the stunning Victorian manor, Northmoor House, Imagine’s retreat gives you the chance to stay in a home untouched by time (But don’t panic, there is Wi-Fi). You can even indulge in the waters of an original Victorian bathtub…don’t forget your bubble bath!

3                    With so many of the manor’s period features still in place, Northmoor is the ideal location for sparking inspiration and dreaming up new plotlines.

4                    On the edge of Exmoor, near the popular village of Dulverton, there are plenty of beautiful places to explore should you, or any non-writing friends or partners, wish to. There are miles of good walking land on hand. The pre-historic Tarr Steps are but minutes away, and the cafes in Dulverton are excellent. I can personally recommend the poached eggs on crumpets in The Copper Kettle.

Tarr Steps

 

5                    However, you might not want to stray into the village for food because we have employed an excellent local caterer, who is providing a delicious menu that will cater for all dietary requirements. All food is locally sourced.

6                    Come along for a confidence boost! At Imagine we pride ourselves on helping everyone to get their words onto the page. We are here for beginners and experts alike.

Kate Griffin

7                    Meet Kate Griffin! One of Faber and Faber’s most successful crime writers. Kate Griffin is the author of the brilliant Kitty Peck Mysteries. An expert on Victorian London, Kate will be our guest speaker on the Wednesday evening.

8                    Find your inner writer’s peace of mind. We all know that authors suffer from imposter syndrome: “Why am I writing? I’m not good enough!” We all say it! Local happiness mentor and fellow writer, Trina Stacey, will be available for optional one-to-one conversations about how to believe in your abilities, and convince you that you are allowed to do what makes you happy.

9                    Let’s face it – Monday to Friday in a beautiful Victorian Manor, with time to write, all food provided, plus three optional workshops, a chance to meet Kate Griffin, and the opportunity to share writing ideas over a glass of wine (or two) – for only £450 (10% less if you book before 31st October) is a BARGAIN.

10               IT WILL BE A LOT OF FUN!

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Full details are available at https://www.imaginecreativewriting.co.uk/writing-retreats 

If you have any queries please email Alison or myself at imaginecreativewritng@gmail.com

PLEASE REMEMBER THAT THE EARLY BIRD DISCOUNT ENDS ON 31ST OCTOBER

Now is the time to drop heavy hints about wanting a writing retreat for Christmas… 

Happy writing everyone,

Jenny xx

Guest post from Marie Gameson: The Giddy Career of Mr Gadd (deceased)

I’m delighted to welcome Marie Gameson to my blog today to talk a little about her fascinating new book, The Giddy Career of Mr Gadd (deceased).

Over to you Marie…

 

“Winifred is exasperated by her Catholic mother’s inability to accept her conversion to Buddhism, and by her family’s determination to drag her back to her former life. But when an elderly stranger – haunted by his dead father – turns up on Winnie’s doorstep, insisting that stories she wrote as a teenager hold the key to his supernatural problems, Winnie is forced to renew acquaintance with her younger self.

Why did she write about a Mr Gadd, who died years before she was born?”

The Giddy Career of Mr Gadd (deceased) does have lots of humour, but the main theme is grief – not so much grief for the dead as for the living. The main character, Winnie Rigby, is exasperated that her conversion to Buddhism and attachment to the Orient are strongly resisted by her Catholic family, who make persistent attempts to remind her of the person she used to be.

I wrote this book to explore an issue which has long bothered me, and more so recently:  how do you cope when someone close to you has substantially changed? The reason could be because they have had some physical or mental trauma, joined a cult, become an addict, or simply because they have adopted a new political or spiritual belief system. Of course, in the case of the latter, the grieved-for person can be annoyingly positive about the change; most of us have come across a new zealot, and have good reason to avoid ‘born-again Christians’, or ‘born-again anythings’. But whatever the reason for someone changing, that person is still alive, still looks pretty much the same, and yet is no longer the person you remember.

In the case of Winnie Rigby, after practising Zen Buddhism for some years, she had an enlightening experience whilst on a mountain in Taiwan, which increased her resolve to further her practice. Since being forced back to the UK by her family, she feels alienated and out of touch with her old life; in fact neither her old neighbourhood nor her old acquaintances seem familiar, which is inconvenient, as people who insist they know her turn up with irritating frequency.

Consequently, her only objective is to get back to Taiwan just as soon as she can figure out how to replace the funds that have mysteriously disappeared from her account – (on her instructions according to the Bank) – but which seem to have gone to a cause that sounds suspiciously close to her mother’s heart.

Winnie’s refusal to return to her former persona or to traipse through pointless memories is challenged when an elderly man turns up on her doorstep, haunted by his dead father’s restless spirit, and insisting that the younger Winnie knew something about this late Mr Gadd. Although Winnie has no time for ghosts or superstition, when she is given proof that she did indeed write about Mr Gadd, she reluctantly agrees to try and find out why she wrote about a man who not only died years before she was born, but whose afterlife she seems to have recorded.

But the more she remembers, the more the answers seem to lie in the East. In her search for the elusive Mr Gadd, Winnie may fulfil her wish to return to the Orient – but unravelling the mystery of Gadd is bringing another unexpected revelation.

 

Taroko Gorge, Taiwan (where Winnie ‘saw the light’)

 

Although the book took a year to write, the preparation included a few months in Taiwan, two trips to China, an MA in Translation, a dissertation about Chinese ancestor worship, and frankly – countless fags and glasses of wine. It’s really nice that some people have said that they loved the book, but it is possible that I have reacted a little negatively when they have gone on to ask when the next one is coming out…

But with that little whinge out the way, the book has been a wonderful journey for me in terms of trying to reconcile East and West. Whether they are truly reconcilable or not, I will finish with a photograph I took some years back in Taipei of a Buddhist nun begging for alms. I rather like it.

Bio-

Marie Gameson is half of the mother and daughter writing team who published The Turtle Run as ‘Marie Evelyn’. Her latest book, The Giddy Career of Mr Gadd (deceased) was published by Salt this summer and is available on Amazon. You can find out more about her and her books at her website, www.marie-gameson.com 

You can buy The Giddy Career of Mr Gadd (deceased) from-

https://www.amazon.co.uk/Giddy-Career-Mr-Gadd-deceased/dp/1784631183/

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Many thanks for visiting today Marie. This sounds like a fantastic read.

Happy reading everyone,

Jenny xx

Clinging onto summer: Abi’s Neighbour

With autumn beginning to take a firm grip, I thought it would be nice to share a little from my Cornish sunshine novel- Abi’s Neighbour!!

 

The sequel to my bestselling novel, Abi’s House, Abi’s Neighbour introduces new characters- some nice- and some who are going to take a little getting used to…

Here’s the blurb to help you picture the scene…

Abi Carter has finally found happiness. Living in her perfect tin miner’s cottage, she has good friends and a gorgeous boyfriend, Max. Life is good. But all that’s about to change when a new neighbour moves in next door.

Cassandra Henley-Pinkerton represents everything Abi thought she’d escaped when she left London. Obnoxious and stuck-up, Cassandra hates living in Cornwall. Worst of all, it looks like she has her sights set on Max.

But Cassandra has problems of her own. Not only is her wealthy married lawyer putting off joining her in their Cornish love nest, but now someone seems intent on sabotaging her business.

Will Cassandra mellow enough to turn to Abi for help – or are they destined never to get along?

Complete with sun, sea and a gorgeous Cornwall setting, Abi’s Neighbour is the PERFECT summer escape.

(Abi’s Neighbour can be read as a standalone novel, or as a sequel to Abi’s House)

***

Now all you need to imagine the sun warming your face, a glass of something chilled awaiting you in the fridge, and a business suited woman standing outside this house…and she’s not happy…

Extract

The untidy, clipboard-wielding woman started talking as soon as she climbed out of her Mini. ‘Hello, my name’s Maggie, and I’m from –’

Cassandra cut impatiently across the formalities. ‘Sennen Agents, obviously. It’s written across your car.’

‘Oh, yes. So it is.’ Maggie paused, ‘Anyway, I’m sorry I’m late, I got stuck behind a tractor down the lane.’ She jingled a key ring in front of her. ‘I have your keys, Miss Pinkerton.’

‘No, you don’t.’ ‘I don’t?’ The estate agent frowned, looking away from the woman that stood before her in expensive couture with crossed arms and a far from happy expression. Flicking through the papers on her clipboard, Maggie said, ‘I was instructed by a Mr Justin Smythe that you would be accepting the keys on his behalf?’

‘I meant, no, my name is not Miss Pinkerton. It is Ms Henley-Pinkerton.’

‘Oh. I see.’ Maggie refrained from further comment as she clutched the keys a little tighter.

Determined to make sure the situation was clearly understood, Cassandra pulled her jacket on, turning herself back into the sharp-suited businesswoman she was. ‘In addition to your error regarding my name, there appears to have been a further mistake.’

‘There has?’

‘Mr Smythe has not purchased this property. He has merely rented it, with an additional agreement to sublet it as a holiday home. I am here for two months to make the place suitable.’ Cassandra ran a disdainful eye over the beautiful exterior stonework. ‘It would seem that my work is going to be well and truly cut out.’

‘This is a much sought-after street, Ms HenleyPinkerton. And this particular property is in excellent period condition.’ Feeling defensive on behalf of the old miner’s cottage, Maggie bit her tongue and flicked through her paperwork faster. Extracting a copy of the bill of sale, she passed it to the slim, angular blonde. ‘I think the misunderstanding must be yours. Mr Smythe has purchased number two Miners Row outright. It was a cash sale.’

Snatching the papers from Maggie’s fingers, Cassandra’s shoulders tensed into painful knots. Why hadn’t Justin told her he’d done this? She was convinced she was right. And anyway, he’d never deliberately make her appear foolish in front of a country bumpkin estate agent…  Yet as Cassandra scanned the document before her, she could see there’d been no mistake. Closing her eyes, she counted to ten, before opening them again to regard the badly dressed woman before her, who was once again holding out the offending set of keys.  Failing to take them, Cassandra gestured towards the little house.

‘Perhaps you would show me around, after I’ve made a call to Mr Smythe?’ Maggie, already feeling sorry for this unpleasant woman’s future neighbours, took unprofessional pleasure in saying, ‘Good luck with that call. The phone signal here is unpredictable to say the least.’

It had taken a ten-minute walk towards Sennen village to get a decent reception on her mobile phone, and then, when she’d been able to connect the call, Justin’s line was engaged. When she’d finally got through, she was more than ready to explode. ‘Justin! How could you have done this to me without a word? You’ve made me look a total idiot.’

Clearly thrilled that he’d managed to buy the terrace for a knock-down price – which, he’d claimed, was a far more economic use of their funds, an investment that would make them a fortune to enjoy in their retirement – he’d sounded so excited about what it meant for their future together that Cassandra had found it hard to remain cross. Assuring her that the situation remained the same, and that she was still only expected to stay in Cornwall while he secured his new position and got the wheels of the divorce in motion, Justin told Cassandra he loved her and would be with her very soon.

Returning to the terrace reassured, if lacking some of her earlier dignity, Cassandra swallowed back all the words she’d have liked to say as she opened the door and the gloom of the dark and narrow hallway enveloped her. She was sure that awful Maggie woman had been laughing at her. The agent had taken clear pleasure in telling her that if she hadn’t stormed off so quickly she’d have found out that the phone reception was excellent if you sat on the bench in the back garden.

Vowing to never drink champagne in any form ever again, as it clearly caused her to agree to things far too readily, Cassandra saw the next two months stretching out before her like a lifetime.  Letting out some of the tension which had been simmering inside her since she’d first seen the for sale sign, she picked up a stone and threw it at the back fence, hard. Maggie had gone, leaving her reluctant client sitting on an old weathered bench in the narrow rectangular plot at the back of the house.

Playing her phone through her fingers, Cassandra saw that there was enough reception to make calls if she sat in this spot – but only in this spot. One step in either direction killed the signal dead, which was probably why the previous owners had placed a bench here. And probably why they left this Godforsaken place!  The Internet simply didn’t exist here. When she’d swallowed her pride and asked Maggie about the strength of the local broadband coverage, the agent had actually had the audacity to laugh, before informing Cassandra with obvious satisfaction that people came to Sennen for their holidays to leave the world of emails and work behind them.

Breathing slowly, she pulled her shoulders back, pushed her long, perfectly straight blonde hair behind her ears, and took a pen and paper out of her bag. It looked as if she was going to have to tackle this, old school.

First she would make a list of what she considered necessary to make the house habitable for holidaymakers, then she would locate the nearest library or internet café so she could source decorators and builders to get the work underway. The sooner she got everything done, and herself back to hustle and bustle of London, the better.

Deciding there was no way she could sleep in this house, which Maggie had proudly described as ‘comfortable’, ‘sought-after’, and ‘ready to be made absolutely perfect’, Cassandra hooked her handbag onto her shoulder and headed back into the whitewashed stone house. Shivering in the chill of the hallway, despite the heat of the June day, she jumped in the silence when the doorbell rang just as she bent to pick up her overnight bag. For a second she froze. It had been years since she’d heard a doorbell ring. In her block of flats back home she buzzed people in via an intercom, and anyway, people never just dropped by. She hoped it wasn’t that dreadful Maggie back with some other piece of unwanted advice.

It wasn’t Maggie. It was a petite woman in paint spattered clothes, with a large shaggy dog at her side. Cassandra’s unwanted visitor wore a wide smile and held a bunch of flowers in one hand and some bedding in the other.  ‘Hello. My name’s Abi, I live next door. Welcome to Miners Row. I hope you’ll be very happy here.’

***

I hope you enjoyed that!!

Abi’s Neighbour is available from all good retailers, including-

https://www.amazon.co.uk/Abis-Neighbour-Jenny-Kane/dp/178615028X/ref=sr_1_1?s=books&ie=UTF8&qid=1487006698&sr=1-1&keywords=abi%27s+neighbour

https://www.amazon.com/Abis-Neighbour-Jenny-Kane/dp/178615028X/ref=sr_1_1?s=books&ie=UTF8&qid=1487006868&sr=1-1&keywords=Abi%27s+Neighbour+by+Jenny+Kane

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Happy reading!!

Jenny xx

Interview with Sarah Dahl: Monk

 I’m delighted to welcome Sarah Dahl back to my site to enjoy a cuppa and a chat about her latest historical romance (with spice); Monk.

Why not grab a slice of cake and join is?

What inspired you to write your book?

It has never been clearer than in this case: “Monk” was created out of mild frustration and the question “What if?”. There’s this scene in the first series of History Channel’s Vikings where Ragnar brings home an attractive young monk, Athelstan, who makes the couple curious. They enter his room and ask him to join them in bed. The audience doesn’t get to know if that is a test of Ragnar’s, to check if the “new man in the house” will be a threat to his marriage. Or if they just want to have their own version of fun with the man of God who seems so stressed out by their love-making. We know the Vikings had a very relaxed attitude towards phyical aspects, including sex. The scenario is not too far-fetched. But: in the series, the monk shies away. The atmosphere is sizzling and tense, you literally hold your breath before he answers “no, I can’t” – although you see his eyes and body saying the opposite. That didn’t leave my mind. I wondered if the producers were shying away from his “yes” out of realistic thinking or just Hollywood-esk prudery. We couldn’t know then how the monk’s answer would affect the coming plotlines.

But from that day I pondered the question “What if the monk had said yes? He wanted to. The temptation was too much, he was overwhelmed. He was close to a “yes”. But was it realistic? I thought: Heck, I can do this. I’ll write what would have happened, and make it just as sizzling …

So I did my very own version of a monk being seduced by his Viking captors.

Do you model any of your characters after people you know?

In this case: see above. I bluntly admit to stealing the main characters’ basics from the series, then made them my own people in my own story and setting. I go very much deeper into their minds and world views. All three, Yngvarr, his wife Runa, and the monk Alistair, are very vivid and accessible on several levels. So concerning your question:

Which Point of View do you prefer to write in and why?

I went bold and brave with this one, and made it three points of view. Which is a first, for such a relatively short piece. This way, readers can dive into every character separately and feel with them, make it a tight and direct experience. Eliminate the guessing and questions. You can’t do that with TV-series’ characters, whose feelings and thoughts are guess-work after all. But in “Monk” I play with the three views and how the actions unfolding affect every one of the three – and ultimately change them.

Yes, it’s carnal, but also: very emotional, a revelation, a turmoil, life-changing. All three of them hand themselves over to the situation and come out differently, not having anticipated what this “game” would do to them. So maybe I modelled my characters after what inspired me, but I very much made them my own material and went deep with them. Through their shy monk –  despite him being very much at their mercy – my Vikings are suddenly not so fierce and confident anymore 😉

What type of research did you have to do for your book?

This is especially funny for “Monk”. I’m quite solid concerning Viking research and reality and am very aware of staying realistic and true to the period in every detail. To then be extra-sure I always give the stories to my researcher-friend, John, who then double-checks for any flaws that distort the reality of the era. I was very sure that by now I’m firm enough, and he won’t find anything major, but then came the discussion of “the rope”, haha. He said no sane Viking would just cut the rope that lay around the captives neck. They used iron collars, for one, and then would never cut a valuable rope when freeing the slave. It would be a strange act to destroy the thing. My problem was that the Viking should scare the monk a little with the swift movement of the knife, make him flinch and graze his Adam’s apple; make him aware that he is, from now on, at their mercy. It should break the confident gaze of the captive and display the mortal danger he is in. There’s so much to that brief moment! But could that work with iron collars the Viking would have to fiddle with? Would him forcing these open in slow motion have the same effect for monk and readers as a fast-moved knife? Surely not. My monk would have impatiently rolled his eyes at some point, haha. So: even though my researcher was right, technically, I overruled his verdict and stuck with my fast and threatening knife-movement. I needed to shock the monk, not bore him to death before the real action had even started 😉

Links:

Author homepage and buy links: https://sarah-dahl.com/book/monk

Publisher Pronoun with buy links: https://books.pronoun.com/sarahdahl

Goodreads: https://www.goodreads.com/author/show/16341241.Sarah_Dahl

Facebook page: https://www.facebook.com/sarahdahl13

Twitter: @sarahdahl13

Bio:

Sarah Dahl lives on the edge of the rural German Eifel and writes historical fiction (novels and short stories) primarily set in the Viking age. She also works as an editor, translates, and coaches new writers in German and English. She is interested in everyday life in bygone centuries and the human stories that may have occurred behind the hard, historical facts. Her author page is: sarah-dahl.com 

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Many thanks Sarah for dropping by today hun. Good luck with your new story.

Happy reading everyone,

Jenny x

Interview with Jon Hartless

It’s interview time. Today Steampunk author Jon Hartless is here for a writer type chinwag 

Why not grab yourself a cuppa, put your feet up for five minutes, and come and join us for a chat?

What inspired you to write your book?

It was a bit of a mental collision between different ideas, topics and real life. I’d known of the Bentley Boys for some time but only in the sense that I knew they were famous racing drivers of the 1920s. I did some research about the era, learning how most of the Bentley Boys were very rich playboys and I saw that the gulf between the rich and the poor could be encoded very neatly by using motor racing and car ownership. With the rich in cars and the poor on foot, you have a very clear demarcation between the two.

I’d also seen on TV a wonderful car called Brutus, the engine of which came from an old 1920s airplane. The car was a big, brutal, black vehicle that was very difficult to drive, as shown on an old episode of Top Gear (obviously before Jeremy Clarkson developed his hobby of beating up members of the production crew for not having a hot meal for him on demand), wherein Clarkson had trouble on the track as the vehicle was quite skittish owing to the power.

The final factor that came into play was chatting to someone I met at a Steampunk event at the Commandery in Worcester; she was involved in amateur dramatics and she was doing a Christmas pantomime which, in essence, was a Steampunk version of Chitty Chitty Bang Bang. Unfortunately, I never saw it and so I know nothing else about it, but that left the vague image floating in my mind, bobbling about.

And so, eventually, all these elements collided in my brain and there it was; a steampunk motor racing story, giving me many opportunities to examine inequality within society, as well as the roles we are expected to adopt and conform to by the status quo, all centring on the heroine and a huge Brutus-like car that exacts a terrible price on any who try to drive it.

What type of research did you have to do for your book?

I did a lot of background reading on the Bentley Boys and associated topics, such as the rise and fall of the original Bentley Motor, and on motor racing in general back in those very early days of the sport. Books included biographies, autobiographies, reminiscences and the like, some written almost at the time, some not done until years later, and I also picked up anything I could on motoring and that era (the 1920s) that I could find. And of course anything on the Victorian era helped, given that the Victorian epoch didn’t really end until the Great War, and you can argue it extended (in certain ways) even beyond that.

Which Point of View do you prefer to write in and why?

I prefer the third person omniscient, but my one digital publisher (who sells mostly in the United States) repeatedly warns all their authors against this as their feedback from the public demonstrated this is not a popular voice, for some reason. It seems that the authorial voice telling you that a character is lying is unacceptable to the readers as they demand to know how anyone can know this, and hence the limited third person is preferred, wherein the impersonal narrator knows no more than the characters do… hence it may be suspected that a character is lying, but no more. Quite what the problem is with the concept of an omniscient author I do not know, but American readers just don’t seem to like it.

Having said that, Full Throttle is written by an editor writing “now” but looking back about one hundred years to the events “then”, so everything is being selected and filtered through his mind. Which makes for an interesting change.

Do you prefer to plot your story or just go with the flow?

I generally know the outline – where the story starts, where it ends, and a few points in between – but within those parameters I just let it develop wherever it wants to go. I could claim that unstructured free-flowing subconscious creativity is a primary requisite to creating a real, living world, but in truth I’m just too lazy to plot everything out beforehand.

What is your writing regime?

I’m out and about in my job, visiting different people in different places, so quite often my regime is nothing more than having an hour to spare between appointments and quickly getting the laptop out and doing what I can while sitting in the car. Finding a quiet side road is essential for this to work…

Links

https://www.amazon.co.uk/Full-Throttle-Jon-Hartless/dp/1786154579/ref=sr_1_1?ie=UTF8&qid=1504432789&sr=8-1&keywords=jon+hartless

Bio

Jon Hartless was born in the seventies, which is rather long time ago. Full Throttle is his first novel with a traditional publisher.

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Thanks for stopping by today, Jon.

Happy reading everyone,

Jennyxx

 

 

End of the month round up with Nell Peters

OK- I am in denial. It is not the end of September! It can’t be…except, it is…

Over to Nell!

Good grief! We’ve reached the end of September already – how did that happen? Anyway, let’s not waste any time as I’m sure you have better things to do, like giving your pet rhino a pedicure, or similar.

Red-headed actress Rula Lenska was born seventy years ago today as Róża Maria Leopoldyna Łubieńska – wow, pity her poor teachers calling the register. And she must have had custom-made, extra-long name tags for her school uniform. The family claim membership of the Polish aristocracy, with her parents being a count and countess – I wonder how impressed the good folk of St Neots were by that, because that’s where Rula was born. Perfectly nice town though it is, St Neots doesn’t quite conjure the same mental image as Warsaw, Krakow, Gdansk or even Radomsko, does it?

Early on in her career and certainly by the time she hit thirty, Lenska had renounced her countess title. She said at the time, ‘In England it doesn’t count, if you’ll excuse the pun.’ Oh, how very droll. However, a good few years afterwards in January 2006, when she signed up for Celebrity Big Brother, she justified her decision to take part with the words, ‘I’m a crazy Polish countess who likes a challenge’. Do make up your mind, dear.

I’ve never seen CBB – a fact that horrified near-neighbour Peter, who is a designer on the show, when we were chatting at a party locally. Even I, though, knew about RL cavorting with MP George Galloway in a role-play task where he pretended to be a cat licking milk from her cupped hands, and Lenska stroked his ears and moustache. Eew … or perhaps mew. Apparently, she also managed to lock herself in the toilet during her time in the house, giving late singer Pete Burns the golden opportunity to quip, ‘Oh dear, what can the matter be, clapped-out actress stuck in the lavatory.’ How brutal – made me laugh when I read it, of course, but rather mean. I’m hanging my head in shame … really.

My mother also managed to lock herself in the downstairs toilet, a few days before my dad’s funeral. I got a call from the Bluebird lunch carer saying Mum had been in there quite some time and seemed to have forgotten how to slide back the basic lock in order to get out. When Sally (said carer) tried to relay instructions through the door, my mother said she didn’t know what she was talking about and became abusive. So, Sally rang her office and some bright spark there told her to contact me. What sensible advice, when they were in Twickenham and I was at home in Norfolk – a buck expertly passed if ever there was one.

Sally decided a chisel to jimmy the lock was the way to go and so I guided her through the idiosyncratic locked door system of the ground floor – each lock with ever more weirdo-shaped keys that need to be persuaded into action – out into the back garden and around the house to the potting shed. My father was always one for ‘we’ll get a man in’ but did have some basic tools and I was pretty sure that was where they’d be, along with various lawn mowers and other garden machinery, an ancient bicycle or two, a zillion disused flower pots and industrial strength spider webs. After she managed to get the shed door open, Sally quickly located a chisel and squealed with delight when she saw an axe. I persuaded her (with much difficulty) to leave that where it was.

While she was attempting her breaking and entering, she had to hang up the phone, promising to call back when the prisoner had been sprung. An hour passed and I was beside myself with worry, when she finally rang back. Mission aborted. She’d called the Fire Brigade. We had to end the call once again, as she was expecting them to ring. By the time I heard from her again, I was (even more of) a basket case – but job done. Not impressed by three hunky firemen setting her free with a strategically placed crowbar, my mother had spat harsh words at Sally for letting strangers into her house and insulted the poor guys loud and long – nothing to do with dementia, that’s how my mother rocks.

Going back to aforementioned Rula Lenska, Marc Bolan shared her date of birth, but died just two weeks short of his thirtieth birthday when the Mini being driven by his girlfriend hit a tree on Barnes Common – I passed the spot on many an occasion when I lived in London, and there were always flowers placed there. The singer/songwriter/poet/musician was actually born Mark Feld and tried out stage names Toby Tyler and Mark Bowland along the way, before settling on Marc Bolan. Through his father Simeon’s bloodline, he shares Rula Lenska’s Polish (plus in his case, Russian) ancestry, but does not appear to lay any claim to the nobility – so, just dead common like the rest of us.

While at school (from which he was expelled at fifteen for bad behaviour), he played guitar in the trio Susie and the Hula Hoops, with vocalists Helen Shapiro, twelve at the time, and Helen’s cousin the appropriately-named Susie Singer. I can remember Helen’s hit, Walking Back to Happiness – boy I’m old, but not as old as her, because she was born on 28th September 1946, the year before Lenska and Bolan.

The glam rock band T. Rex recorded Ride a White Swan in 1970 with producer Tony Visconti (who also managed David Bowie) – it was the single that changed Bolan’s career, and was inspired by Mungo Jerry’s success with In the Summertime, tempting Bolan away from predominantly acoustic to a more electric sound. Friends Bolan and Bowie both inflicted pretty awful names on their sons – Rolan (although he was named as Rolan Seymour Feld on his birth certificate) and Zowie, who wasn’t so lucky but is now rather more prosaically known as film director Duncan Jones.

The band were originally known as Tyrannosaurus Rex, named after one of the largest carnivorous dinosaurs – a ferocious beastie capable of the ultimate in bone-crushing action. Ouch. These prehistoric predators were approx 40’ long and up to 20’ tall, with strong thighs and long, powerful tails built for speed, plus a 5’ skull which drilled into prey. They suffered from a bit of a design fault, though – while the two-fingered forearms could seize prey, they were too short to reach the mouth and deposit the poor unfortunate victim. Doh! That’s when their serrated, conical teeth came in handy (sorry!) – to pierce and grip flesh, and then rip it away from the body of their quarry. That could become the latest diet craze – tie up your arms somehow to make their reach shorter! Because we don’t have T. Rex-type teeth, no food would make it as far as the lips, ergo no calories consumed – sorted! I may yet become rich and famous …

On this day in 1955, another young man died as the result of a car crash – one James Dean, twenty-four year old American actor and cultural icon of teenage disillusionment, angst and social estrangement, as portrayed in arguably his most famous film, Rebel Without a Cause. American teens of the era easily identified with the dilemma of his character, Jim Stark, who feels that no one, not even his peers, can understand him.

A keen participant in motor racing, Dean was driving his Porsche 550 Spyder to a race meeting when the accident happened, having been stopped less than two hours earlier for speeding. The crash occurred at an intersection, when a 1950 Ford Tudor driven by Donald Turnupseed (I kid you not!) turned in front of the Porsche. Because he was driving too fast, Dean was unable to stop, colliding side-on with the other car. The actor died instantly, while Donald walked away with minor injuries. A subsequent coroner’s jury delivered a verdict that Dean was entirely at fault due to his speed, and found Turnupseed innocent of any criminal act. Fellow actor Humphrey Bogart observed about JD’s image and legacy: ‘Dean died at just the right time. He left behind a legend. If he had lived, he’d never have been able to live up to his publicity.’ Harsh, but possibly true. Unbelievably, according to Forbes Magazine (a US bi-weekly business publication, maxim The Capitalist Tool), James Dean’s estate still makes around $5M annually. Not too shabby …

This year, the Day of Atonement, or Yom Kippur is observed on 30th September, being the 10th of Tishri in the Hebrew calendar, or the tenth day of the seventh month, and is regarded as the ‘Sabbath of Sabbaths’. It is considered the most important holiday in the Jewish faith. Falling in the month of Tishri (variably September or October in the Gregorian calendar), it marks the culmination of the Ten Days of Awe, a period of introspection and repentance that follows Rosh Hashanah, the Jewish New Year.

I wonder quite how that sits with International Blasphemy Day, observed annually (mostly in North America and Europe) on 30/9 since 2009, after a student contacted the Centre for Inquiry in New York proposing the idea, which the CFI supported. Ronald Lindsay, president and CEO of the CFI said of Blasphemy Day, ‘We think religious beliefs should be subject to examination and criticism just as political beliefs are …’ For those who – like me – haven’t heard of the CFI, they are a non-profit educational organization, their primary mission to foster a secular society based on science, reason, freedom of inquiry, and humanist values. In January 2016, Richard Dawkins hitched his foundation’s wagon to the CFI. Probably enough said.

Today is also Chewing Gum Day (a lot of blaspheming going on when folk tread in the damned stuff?), International Lace Day and Family Health and Fitness Day USA – the latter two taking place on the last Saturday in September rather than a specific date. And then there’s National Mud Pack Day, also an American affair. The blurb says, ‘This holiday is for learning and appreciating the use of mud on the face or really any part of the body. Mud packs have been popular for years for facial treatments to keep the skin young, soft and supple, so let today be the day you learn how to nourish your skin with mud.’

No sooner said than done – it has been raining, so I’m off to dig up the garden (or maybe I’ll get a man in) and then luxuriate with a homemade concoction slathered over all the wrinkles. You may not recognise the youthful creature who guest blogs next month – plus, of course, I will be super-skinny from trying out and perfecting The T. Rex Short Arm Diet! May have to work on the name …

Thanks, as always, for having me, Jenny!

Toodles.

NP

Many thanks to Nell for another entertaining and fascinating blog. I will never look at Rula Lenska in the same way again!

Happy reading everyone.

Jenny x

 

 

 

13 years and counting: a rethink and a retreat

Over the past few weeks I have been very busy rethinking how I run my writing life.

I have been working as a professional author for 13 years this month- unlucky for some perhaps. I will be honest- it has felt pretty unlucky at times this year. A great many changes have assailed me over recent months, and it has taken some serious thought as to how to keep going – or even if I should keep going.

However, thanks to my family, my incredible friends, a great deal of writerly advice, and an amazing weekend at the Scotswrite17 conference in Glasgow, I can now see a way forward- and normal service will be resumed very soon.

When I say normal service, what I actually mean is normal-ish. I have decided that I will no longer be working 14 hour days , with only 10 days holiday a year, and only weekend mornings off work during the week. No more than 10 hours a day will be worked from now on (yes- I know- that won’t always happen- but my intentions are good), no work on a Saturday, and I will take at least 2 weeks off a yr. Luxury!!!

I need to take more walks- have more adventures- see more people- and as a result- I will have more stories to write about later.

As many of you know, I have recently started a new business with my lovely friend Alison Knight – this being an entrepreneur type is hard work, but very rewarding. Our creative writing workshop business, Imagine, has taken off in ways we never imagined (pun intended!) I never dreamt I’d be teaching dementia sufferers how to write stories- nor that I’d have to turn people away from my classes because the tickets were sold out and there was no more room to sit. I feel honoured to say the least.

This change of focus, away from writing 3 novels a year, down to writing one and a half novels and teaching, has done me a lot of good already. And that is just the start of the changes afoot.

Those of you who have kindly been following my work for some years, will know that my career began at Kay Jaybee (over 18’s erotica). For the time being, Kay Jaybee is having a writing break. All her old work is being re-edited, revamped and- over the next two years- will reappear looking all lovely and shiny, ready for a brand new readership.

My Jennifer Ash side meanwhile, is beginning to gather pace. I am currently awaiting the republication of The Outlaw’s Ransom– and the brand new publication of The Winter Outlaw– watch this space…At the moment neither volume is available- but it won’t be long until they are. I am also doing some other work as Jennifer…but for now my lips are sealed on that..

So that leaves Jenny…All of Jenny’s books are still available- so if you fancy a Cornish romance or a coffee shop adventure, then I’m your girl! I am working on a new novel as Jenny- which is a little different…again I will simply tease you by saying, I’ll keep you informed…

All these teasers…So what can I tell you?

Well..Imagine is proud to present its first writing retreat! Fancy escaping onto Exmoor next March to write, dream, chat writing, maybe take a class or two, and meet guest speaker, Kate Griffin (writer of brilliant Victorian crime mysteries for Faber Faber), and generally enjoy chill out time? Then book your place soon to take advantage of our 10% off Early bird discount!

All details for the Northmoor Manor retreat can be found here- Imagine

I can also tell you that I am travelling the country doing more writer talks- so if you want to book a writer talk or a workshop- just let me know and I’ll see what I can do! I can be contacted via imaginecreativewriting@gmail.com

Fleet street photographer Richard Lappas had no idea what he was getting into – K Y Eden, Tracey Norman, myself (with P J Reed taking this pic)

I have been lucky enough to become a member of the Exeter Author Association- and so far I’ve had many adventures! Today’s author photo shoot was so much fun- I’m still giggling. I was balanced on a very precarious bridge for some time…just prior to hugging a very lichen cover tree…photos soon! The next Exeter Author Event is the Bampton Charter festival on 26th October – Bampton, Devon. Do come along and see us selling our books, reading, running mini workshops, and generally making folk smile.

Having listed all that – and forgive the indulgence- it has helped me get things straight in my own head- I’d better go and get on with it all. I’ve only worked 9 hours today , so not breaking my own rules just yet!

Perhaps my thirteenth year in the business isn’t so bad after all…

Happy reading,

Jenny xx

 

 

 

Empty Nest Syndrome and Champagne

One of the main characters in my Another Cup of… series is a writer called Kit Lambert. When we first met Kit in Another Cup of Coffee, she was making a name for herself by writing erotica. As her career progressed Kit moved into contemporary fiction, and now she has a novel publishing contract, with all the pressures of having to produce work to tight deadlines upon her.

Another Glass Of Champagne

In the final novel of the series, Another Glass of Champagne, Kit, mum of twins, and wife to bookshop owner Phil, suddenly finds herself unable to write at all, but he can’t understand why. Surely writer’s block is something that can be easily shaken off- or is just a myth invented by those who can’t be bothered to write today…or is it?

Not even sitting at her usual table in the corner of Pickwicks Coffee House, (run by her friend Peggy) is helping the words become unstuck…

 

Extract

When she got back, Kit found Peggy looking thoughtful, ‘Why have you closed your work down, honey? I usually steal a read of your latest work in progress when I think you’re not looking.’ ‘I haven’t got much done today.’

Kit mumbled. ‘It’s been a mulling things over sort of a day.’ Changing the subject, she said, ‘Scott says there are some sandwiches ready for your lunch when Megan comes back through.’

‘Good, I’m starving.’

‘Are you and Megan managing alright with only two of you on the serving team? It’s already busy, but by July it’s going to be packed between eleven and two.’

‘Actually, Scott and I were talking about that over the weekend. Would your Helena fancy giving us a hand and earning some money before she heads off to university? Where is she going again?’ Flinching slightly, and hoping Peggy hadn’t noticed, Kit said, ‘She’s aiming for Bath to do Chemistry, and Thomas’s hoping to be off to Exeter. Assuming they get their grades, that is.’

‘Of course they will. What’s Thomas going to study?’

‘History.’

‘Sounds good. So, do you think Helena will want the job? It would save me a lot of bother with adverts and stuff.’

Kit nodded. She knew exactly how much time it took to go through interviews and training staff in this place, so someone who was already familiar with Pickwicks layout would be a real advantage to Peggy. ‘I’ll ask her. Helena’s bank balance could certainly do with a top-up. Goodness knows it’s time she stood on her own two feet financially.’

Megan came back into the café and Peggy got up to go and have her lunch before another influx of customers forced her to forego her only real break of the day. As an afterthought, she turned back to Kit. ‘If you’d rather your daughter wasn’t here during the day, just say. I mean, this is your office after all!’

‘I don’t mind at all. I’ll ask her this evening, assuming she comes home She seems to live at her mates’ houses these days.’

‘Making the most of seeing her friends before she heads west, I suppose.’

Peggy waved as she disappeared into the kitchen, to what Kit hoped wasn’t a tuna sandwich, before she could see the tell-tale glint of tears fighting to form at the corner of her eyes. Cross with herself for being so emotional, Kit looked at her screen. Peggy had opened a new document and typed the words You can talk to me, you know. Love Peggy xx across the top of the page.

Kit should have known that she couldn’t hide anything from Peggy. The manageress knew her habits better than anyone, having been host to them for the past decade or so. Kit didn’t even want to guess how many cups of coffee, scones, and slices of toast she’d consumed at that table in that time. Just the thought of the amount of butter she’d spread over her early morning snacks was enough to make her feel as though her hips were expanding right there on the seat.

Making her mind up to talk to Peggy soon, she picked up her mobile and sent Helena a text, telling her about the possible employment opportunity at Pickwicks. Kit wasn’t sure if she did actually want Helena around all day while she was writing. But then, she thought, I’m not exactly writing now, am I…

***

You may be thinking that Kit sounds like a real writer you’ve come across- and you’d be right. Kit and I are pretty much the same person- but with huge exaggerations into fiction of course!! For a start, I do not have twins!

The reason behind Kit’s writers block is very personal to me at the moment. During Another Glass of Champagne, Kit’s twins are getting ready to head off to university. My own daughter has just made that leap, and I, like Kit, am finding quite hard to write at the moment. Nothing feels quite right- although there is no logical reason for that to be the case- I have more time, and yet…

My motive for giving Kit empty nest syndrome inspired word block was a pre-emptive strike on my own behalf. Perhaps it was even therapy – because I knew that I was about to go through a similar experience to Kit myself. I thought that if I tackled the issue on paper via a pretend me first, it wouldn’t be so bad in reality.

Only time will tell whether my plan will work. My writing isn’t blocked at the moment- but it’s only day one of not having my daughter here. I am eating a hell of a lot of cake though…

To see what else the Pickwick’s crew are up to, then you can buy Another Glass of Champagne from all good bookshops and eBook retailers, including-

http://www.amazon.co.uk/s/ref=nb_sb_noss?url=search-alias%3Daps&field-keywords=Another+Glass+of+Champagne+Jenny+Kane

http://www.amazon.com/s/ref=nb_sb_noss/188-7813436-7626710?url=search-alias%3Daps&field-keywords=Another+Glass+of+Champagne+Jenny+Kane

***

Happy reading,

Jenny xx

Guest Post from Tim Walker: Postcards from London

Today I’m delighted to be able to welcome Tim Walker to my site. A successful independent author and former journalist, Tim is sharing a short story from his new collection, Postcards from London. All I’ll say is- this is a must read for any Beatles fan!

So pop the kettle on, put your feet up for five minutes, and indulge a few moments of reading pleasure.

***

Blurb to Postcards of London

The city of London is the star of this collection of fifteen engaging stories from author Tim Walker. Drawing on the vivid history of the city where he has both lived and worked, Postcards from London celebrates the magnificently multifaceted metropolis that is home to 8.8 million people.

Imagine Iron Age fishermen, open-mouthed to see Roman galleys, rowed by slaves, dropping anchor at their village – a place the Romans would turn into the port and fortified town of Londinium. These Romans were the first of many men of vision who would come to shape the city we see today.

London’s long and complex history almost defies imagination, but the author has conjured citizens from many familiar eras, and some yet to be imagined. Turn over these picture postcards to explore his city through a collage of human dramas told in a range of genres. See the tumult of these imagined lives spotlighted at moments in London’s past, present and, who knows, perhaps its future.

 

Let it Be

A flash fiction postcard in Postcards from London by Tim Walker…

A bright, chilly January morning in 1969 saw Brian on the West End beat. Rounding the corner into Savile Row, he found a small crowd gathering outside Apple Records, the headquarters of world-famous pop group, The Beatles. First bobby on the scene, he asked a young man what was going on.

“We’ve heard a rumour that The Beatles are going to play on the rooftop,” the excited youth said.

PC Brian Smith radioed it in, and was told to enter the building and wait for further instructions. He squeezed past busy roadies carrying equipment up three steps and into the narrow front door of what was a large grey stone converted townhouse – glancing at a row of framed gold records on the walls before his eyes settled on the receptionist. Her pretty face, heavily made-up with Mary Quant mascara on long lashes framed by a lacquered brown bob, wore a pensive look. She hesitated before confirming that the band would be giving a brief performance of their new songs on the rooftop.

“Can I see the manager please?” Brian asked, showing initiative.

“Would that be the Apple General Manager or the manager of The Beatles?” she asked, holding a white phone to her neck.

“Erm, both, if I may… Emily.” He said stiffly, leaning forward to read her name on a green Apple badge.

She punched some numbers on her switchboard and spoke in a quiet voice. “A police officer would like to see you.”

Brian gazed over her head at pictures of his music heroes, the Fab Four. The smell of weed drifted into the room from what looked like the post room behind reception. Emily, seeing him sniff the air, hurriedly pushed shut the door.

“Mr Taylor, the GM, will see you in his office. You’ll have to walk up the stairs, I’m afraid, as there’s no lift. All the way to the fourth floor, left at the top of the stairs.”

Brian thanked her and followed a film crew carrying camera equipment and tripods up the narrow staircase. His radio crackled into life and he stepped into the first floor corridor to improve reception. His CO told him he had no report of permission being granted to hold a public performance on the rooftop, but was unsure if they would be breaking any laws by doing so in their own building, unless it was so loud that it caused a disturbance.

“Find out what you can and report back,” he said tersely. “I’m sending more bobbies for crowd control outside the building.”

Brian looked about him and saw the name ‘John’ on an office door. He pushed the door open and found himself looking at John Lennon, sat with his feet on a desk, leaning back in a swivel chair, smoking a joint.

“Oh, hell, is this a raid?” he asked, looking momentarily startled as he saw Brian’s uniform.

“Erm, no, Mr Lennon. I’m just here to find out about this concert on the roof. Would you mind telling me what it’s all about?”

John pointed to a chair and sat up, squeezing the lit end of his joint and throwing it in a bin.

“Sorry about that, Officer…?”

“PC Brian Smith,” he said, easing himself into a leather armchair, cradling his helmet in his arms. “Oh, don’t worry about that, I’m a big fan, you know.”

“Glad to hear it,” John said, leaning over the desk to shake his hand. “We’ve just decided to play some of our latest tunes for our next album on the roof and make a promo film, if you know what I mean?”

“Erm, yes, but if you make too much noise you’ll disturb the other businesses in the area and we’re bound to get complaints. My boss tells me you’ve not notified the police, and a crowd is already gathering in the street, so maybe…”

John got to his feet and put his arm around Brian’s shoulders. “Look, PC Brian, it’s just a few songs and won’t take long. Why don’t you come up onto the roof and watch? Honest, we won’t make that much noise. You see, the wind will carry our music away into the ether.”

John guided Brian up the stairs, collecting the other Beatles as he went.

“You see, Brian, each of us has our own floor, because we can’t stand the sight of each other after ten years together, ain’t that right Ringo?”

The mop-topped drummer grinned sheepishly as John gathered each group member as they made their way to the roof. Once up there, Brian saw the instruments and speakers set up on a wooden platform, and the camera crew buzzing around their equipment.

“We’re nearly ready, John,” said a smartly-dressed man who looked like he was in charge. He smiled at Brian and held out his hand. “Hi, I’m George Martin. Why don’t you come over here with me? We’ll be starting in a few minutes.”

Brian’s radio crackled and he heard his CO saying, “They’ve barricaded the door, we can’t get in, what’s happening, Smith?”

“I can’t hear you sir, I’ll try to move to get a better reception.” He grinned at George Martin and clipped his radio onto his belt, turning the sound dial down.

After a brief soundcheck, The Beatles started playing. Brian looked down to the street below and saw the crowd had built up considerably, as workers on their lunch break began to converge on the building. Brian knew it would only be a matter of time before his colleagues gained entry. In fact, he had listened with great enthusiasm to five songs before the first of the officers barged their way onto the roof. Turning to George Martin, Brian asked, “How much time do you need?”

Martin smiled and replied, “We’re almost through. Thanks for your support. About ten minutes should do it.”

Brian pushed his way to a burly sergeant and said, “I’ve told them to wind it up, Sarge. Just a few more minutes.” The sergeant glared at him but said nothing. The Beatles were playing a third take of ‘Get Back’ and Paul, seeing that their time was up, cheekily changed the lyrics – “You’ve been playing on the roof again, and you know your Momma doesn’t like it, she’s gonna have you arrested.”

At the end of the song, John cheekily said, “I’d like to say thank you on behalf of the group and ourselves and I hope we’ve passed the audition.”

Brian turned to George Martin who thanked him and shook his hand.

“What will the album be called?” Brian asked.

“Not sure yet – it’ll either be ‘Get Back’ or ‘Let it Be’,” Martin replied.

Brian filed downstairs behind the line of policemen. He would stick to his story that he had negotiated a swift end to the impromptu gig. It was a memory that he would carry forward – much more than another drinking-out story – it was a sense that he had been part of something special that somehow crowned the swinging sixties, and that he was one of the very few privileged people to witness it. That it was to be The Beatles’ last ever performance made it more of a poignant landmark in his London life. It left him with a sense of belonging; a sense of pride; a sense of location on the continuum of history.

***

Author Bio-

Tim is an independent author and former journalist based near Windsor in Berkshire, UK.

Born in Hong Kong, he grew up in Liverpool and studied in South Wales, before gravitating to London where he working in newspaper publishing for ten years. In the mid-90s he went to Zambia in Africa to do publishing-related voluntary work. Following this, he stayed on and set up his own publishing and marketing business, before returning to the UK in 2009.

The River Thames was the inspiration for his first book, an anthology of short stories Thames Valley Tales published in July 2015. This collection of fifteen contemporary stories combines modern themes with the rich history and legend associated with towns and places along the Thames Valley.

In 2016 he published his first novel, a near-future/dystopian thriller Devil Gate Dawn and is currently writing an historical fiction series, A Light in the Dark Ages. The first two parts, Abandoned! (a novella) and Ambrosius: Last of the Romans (a novel) are now available from Amazon in e-book and paperback formats. Part Three, Uther’s Destiny, should follow in early 2018.

In January 2017 he published a children’s book, co-written with his 12-year-old daughter Cathy, called The Adventures of Charly Holmes in e-book format. The paperback was published by Xlibris Publishers in February 2017. In September 2017 he published his second collection of short stories, Postcards from London.

Author website: http://timwalkerwrites.co.uk

Author Central: http://Author.to/timwalkerwrites

Twitter: http://twitter.com/timwalker1666

Facebook Page: http://facebook.com/timwalkerwrites

 

Book Links:

Postcards from London: http://myBook.to/PostcardsFromLondon

Abandoned: http://myBook.to/Abandoned

Ambrosius: Last of the Romans: http://myBook.to/Ambrosius

Devil Gate Dawn: http://myBook.to/DevilGateDawn

Thames Valley Tales: http://myBook.to/ThamesValleyTales

The Adventures of Charly Holmes: http://myBook.to/CharlyHolmes1

***

Many thanks to Tim for such a great story. Wishing you much success with your new book.

Happy reading everyone,

Jenny xx

Guest post by Jon Hartless: How not to start a novel

Today I’m delighted to welcome author Jon Hartless, hot on the heels of the publication of his latest book, Full Throttle.

Over to you Jon…

About four or five years ago, I had an idea. That idea was “Let’s write a steampunk motor racing story inspired by the era of the Bentley Boys.”

For those who don’t know, Steampunk is usually set in an alternative nineteenth century timeline in which technology had advanced to a greater degree than in reality, but the idea is flexible so please don’t feel that this definition is the only one. The Bentley Boys were very famous racing car drivers of the 1920s, beloved by the media for their wealth, social status, and derring-do racing lifestyle. This was at a time when most people still couldn’t even afford a car, never mind race one, and as such I thought the world of motor racing would be a perfect symbol for the gulf between the rich and the poor.

As ideas go, this one had quite a lot encoded within it. To begin with, this was to be a dirty, grubby Steampunk world, not a bright, shining version. Despite the presence of cutting-edge technology, my story would only feature glimpses of it, for only the wealthy elite would be able to afford it. This was to be a world very like ours, in which opportunity only exists for the rich and well-connected while everyone else is presented with the illusion of opportunity, a practice very familiar to us today.

And within this world we would focus on a young girl condemned to a life of poverty – material and intellectual – because of her working class background, her gender, and also her disability – she only has one arm, owing to a birth defect, and a weak knee from the same cause. But fortunately for her, her father has a small workshop and a secret project; a petrol engine designed specifically for motor racing. And there it was; an intelligent heroine named Poppy Orpington and a petrol-fuelled monster of a car called Thunderbus would rise up to challenge the racing elite and the social order, to smash conventions apart. Every piece slotted neatly into place.

And having thought of this, and having practically the whole thing in my mind, I then abandoned it to rewrite the core concept.  For no reason at all. Other than I was a complete prawn. For some reason I just lost faith in it and thought I’ll never get it accepted. Instead, I reimagined it as a book for young children, with large pictures on every page, where Poppy is a girl of about 8, whose eccentric father makes a car and they go off racing, towing a caravan behind them.

I then binned that idea and thought of making it a bit more “pulp”; in this version, Poppy – now a grown woman without any birth defect – is heading home from work one evening and is accosted by a sinister man who offers her 50 quid for something called Thunderbus. She has no idea what he’s talking about, and walks on. Then another man pops up and offers her 100 quid. Then two more agents appear and offer 250, and when again she refuses they attack her and try to take her prisoner. Poppy promptly goes Mrs Peel on their arses (old TV reference) and escapes. Back home she finds a letter from a solicitor saying very sorry, your father has died, and you have inherited everything; a small workshop, several debts, and something called Thunderbus.

So, Poppy visits the solicitor who gives her the keys to the workshop and says he has no idea what Thunderbus is. Poppy visits, the workshop, (and is probably attacked again by yet more sinister men), and finds that Thunderbus is a sort of small armoured tank with advanced weapons of the sort that has never been seen before and which will change the face of warfare, hence the many ominous agents want to get their hands on it and have killed her father in the attempt…

And at that point I gave up on that version, though it did briefly rise vampire-like with a new take, in that I thought; what if Poppy’s father knows it will take him about 15 years to make Thunderbus because of the complexity of doing it all alone, plus he knows that super-strength will be required to pilot the tank, and he looks at his baby daughter, asleep in her crib, and lops her arm off, thereafter telling her it is a birth defect and bringing her up to obey him in everything? The action would then jump forward to Poppy as a teen girl, worshiping her father as she has been brainwashed by him, and using her mechanical arm to use Thunderbus as her father commands, blowing up a bank here or a military installation there. The story would have then been of her ‘awakening’ as she realises the Mephistophelian nature of her father and rebels against him. But that idea died a death also. Thankfully.

And so, after all that, I finally thought, “hang on, what was wrong with the racing idea that practically wrote itself?” I went back to that, and the rest was plain sailing. Except for about thirty thousand rewrites and almost one hundred rejections. But these are a writer’s usual problems, or at least they are my usually problems, and finally the book was accepted and published, and here it is. If there is any point to this blog, I suppose it is have faith in a good idea. Or don’t be afraid to change it, if need be. Or something.

I hope you enjoy the book. A lot of torment went into creating it, never mind writing it…

https://www.amazon.co.uk/Full-Throttle-Jon-Hartless/dp/1786154579/ref=sr_1_1?s=books&ie=UTF8&qid=1504447643&sr=1-1&keywords=jon+hartless

https://www.facebook.com/jonhartlessauthor/

Full Throttle Extract:

PREFACE

By James Birkin, Editor.

Today, Poppy Orpington is hardly remembered at all. Some do know that she was a famous racing driver, though only a minority of these are aware that her first car was called Thunderbus, not Thunderbolt, a mistake arising from her later company of that name. Others wrongly dismiss her as the first of the modern celebrities, working the media for fame and money, while a few will gleefully recall libellous newspaper reports of harlotry in a Parisian bawdy house whenever her name is mentioned.

Most, however, are familiar only with her stained reputation from the Great War – a reputation, I maintain, that is thoroughly undeserved. However, I must not get ahead of myself. I shall explore everything in the right order and put Poppy in the context of her era. Her exoneration, should you wish to grant it, must be given at the right time and with a full understanding of Poppy’s character.

This, then, is the beginning of the testimony, taken from diaries, letters and personal contemporaneous interviews. Some may complain that my shaping of this material into a narrative rather than an academic account will diminish the authenticity of the work; I contest that Poppy’s biography is so dramatic in tone, and so rich in style, that it pulled itself naturally into this shape.

Nonetheless, a few disclaimers should be noted. Memory is fragile, and it is unsurprising to see the manner in which events can be transposed, altered and generally misunderstood. Please be assured that I have researched all areas as closely as possible and that everything in this book actually took place, though not necessarily in the order given.

Also, the spoken language at that time was rather more formal than today, especially amongst the upper classes and the well-educated, and this has driven me to lightly edit certain conversations between Poppy, Simeon, Helena and their contemporaries. Please be assured that I have endeavoured to keep the pith of each exchange, sacrificing the semi-archaic speech patterns only for the sake of lucidity.

The reader may ask just why I have devoted so much time to the Orpington archive of diaries, letters and more. Does it really matter what happened to an almost forgotten woman over a century ago? In my opinion, and simply put; yes. Poppy’s life has many parallels today, while her eventual fate in the early years of the twentieth century could – tragically – easily happen again. I will accordingly interpose a series of editor’s notes on those aspects of Poppy’s life that I feel are relevant to us. I shall endeavour to keep these interjections to a minimum, however, as they serve to illuminate rather than to distract.

Join me, then, as we travel back to when motor sport was still open to amateurs – albeit only wealthy amateurs – who could race their own cars side-by-side with the professionals of the day. Back when the sport still boasted heroic individuality rather than corporate wrangling over fuel consumption and weight limits. Back when cars were designed by hand and built by imagination, and were as much for the public road as the racetrack, unlike today’s machine-designed racing vehicles that have no function outside the sport and no individuality within it.

So, let us return to an age which is now regarded as a lost era of romance and rugged individualism, but which was also characterised by gross inequality, a rigid social order, casual violence toward women and unthinking submission toward authority. And let us never forget that the past is golden only when viewed from afar.

***

Bio

Jon Hartless was born in the seventies, which is rather long time ago. Full Throttle is his first novel with a traditional publisher.

Jon Hartless

Many thanks Jon, sounds great.

Happy reading everyone,

Jenny. xx

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