Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

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Interview with Mark Colenutt (a.k.a M.J.Colewood)

Today I’m delighted to welcome Mark Colenutt  co-author of The Last Treasure of Ancient England. You may be surprised to learn that M.J. Colewood is not one, but two authors: Mark Colenutt and Jacqueline Wood who joined forces to write this wonderful book. Today I am joined by Mark.

Why not make a cuppa and join us for a quick chat?

What inspired you to write your book?

At the age of eleven I went to a remote Devon boarding school which was steeped in history and legend so that got the imagination flowing. Over the years it grew into the story that you can read in the novel.

Do you model any of your characters after people you know? If so, do these people see themselves in your characters?

There is only one character that was a real person at the school. Sadly, he has since passed on but his nephew has read the book and said that I did his uncle justice by depicting him in the humane way that we all admired about him.

What type of research did you have to do for your book?

I had to swot up on my medieval history and iron out finer points over the Battle of Hastings and the Norman invasion to ensure it was accurate according to the historic record. It was also fortunate to benefit from the very latest discovery of the site of the Anglo-Saxons’ last stand following Hastings in north Devon.

Do you prefer to plot your story or just go with the flow?

It is imperative to plot the story before sitting down to write in the case of this novel as it is a treasure hunt and mystery, several mysteries in fact, all wrapped up into one. It is therefore essential to pace the revealing of the mysteries and discovery of the various clues. If not, the storyline cannot function and the reader would not only get lost but not be given a fair chance of working out the solutions and guessing the mysteries. That said, once the writing commences the story comes to life and unexpected twists and turns present themselves, which are enthusiastically embraced and pressed into service for the greater good of the plot and characters.

What is your writing regime?

As I hold down a full-time teaching job and an even fuller-time job looking after and a three-and-a-half-year old, basically my writing regime is whenever I can but predominantly in the early hours while all are asleep. So, I tend to rise around five or five thirty and get an hour and a half’s writing done and at the weekend that extends to a couple of hours on Saturday and Sunday mornings. It’s not ideal but it’s that or nothing and I don’t want the writing to inhibit family life during the waking hours.

What excites you the most about your book?

The fact that it is a real treasure hunt filled with clues, riddles, symbols and adventure that really does end in a revelation worth discovering. Few treasure hunts bring that to life and so that was the missive with this novel. If you have read a book or watched a film about a treasure hunt and were disappointed that the hunt was lackluster and the treasure not worth waiting for, then that is not the case in the Last Treasure of Ancient England. It is not only what excites me the most but also the novel’s greatest achievement.

If you were stranded on a desert island with three other people, fictional or real, who would they be and why?

For debate Christopher Hitchens, for companionship my daughter and for survival Bear Grylls. In the case of my last choice, there’s no point Einstein or Billy Connolly coming along to keep me company if I can’t even make a fire or shelter.

Anything else you’d like to share with us?

The novel does in fact transcend generations. The older reader will be returned to their youth and enjoy not only the quick-paced storyline but also writing that immerses them in the past, in several pasts, teaching them what they were never told at school about the Norman invasion of England. For the younger reader it will capture their imagination as they are thrown onto the front lines at the Battle of Hastings and then later find themselves in the wilds of Devon hunting down the last treasure of ancient England, shadowed by dark forces. One reader has called it ‘the Da Vinci code in Devon’ and I can settle for that briefest of epithets, although the writing is of a higher standard, believe me.

Links

Read more at www.chesterbentleymysteries.com

Twitter @MJColewood

Facebook @chesterbentleymysteries

Bio

Born in Plymouth, Devon, I was educated at Blundell’s School and then at St. Mary’s College, Strawberry Hill, London. Upon completing my degree, I took off to Malaysia and New Zealand before returning one last time to the UK capital before I boarded the plane that would eventually carry me to my adopted homeland of Spain.

After a year and a half in the Spanish capital, I decided it was time to leave and seek colour and adventure in the Andalusian south. I settled in Seville, which had been a place that had fascinated me from a very young age and I was not disappointed. Eleven years later and it was time to move on again, this time the north of Spain.

By this time, I had completed two books and was engaged in a third, imagining a fourth and wishfully thinking of a fifth.

At present I live and work in Girona, a pleasant, laidback green part of the country which is ideally sandwiched between the Pyrenees, France, Barcelona and the Mediterranean.

Not surprisingly, I have produced a collection of books on Spain over the years in ‘The Hispanophile Series’, from literary criticism in the form of my Handbook to the ‘Legacy & Odyssey of Don Quixote’, to a city guide in Old Seville and even a book of photography and the first in the novel form of a paperback, hence the format: ‘photoback’, and entitled ‘A Vision of Seville’.

I have also written two history titles about the British Raj.

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Many thanks Mark, great interview.

Happy reading everyone,

Jenny x

Guest post from P. J. Reed: The Torcian Chronicles

I’m delighted to welcome my friend and fellow author, P.J. Reed, to my blog today. 

Once again the power of a trip to a coffee shop is revealed!

Over to you Pam…

A big thanks to Jenny for inviting me onto her blog. I am a completely random author. I basically fell into writing. My first hints of writing came during a poetry lesson at University where I was studying to become an infant teacher. We had to produce a series of poems in a variety of styles, which was probably the most interesting part of the course. I handed him in my meagre sleep- deprived offerings and weirdly enough he seemed to enjoy them and told me that I should seriously consider a career in writing. This struck me as rather strange as I was half-way through my teaching degree.  I was unsure whether it was a commentary on my teaching or writing abilities.

Obviously, I thought he was mad and completely ignored his delusional ramblings.

Then it happened.

One morning I nipped in to Costa for a cup of tea and a slice of chocolate tiffin, as I am particularly partial to any food with chocolate in the title and my life changed forever.  A story unfolded before my eyes like movie and I dived into Torcia the first fantasy world I ever created.  I saw the main character of the story, a warlock sitting in ragged clothes in a dingy, cluttered garret clutching onto the side of a medieval looking wooden inn. He was sitting quietly on his favourite armchair by the fire, but something was very wrong in Torcia as even from the inside of his lodgings he could feel his people’s suffering as the invasion of Torcia accelerated.  It was all very exciting as I didn’t know what was going to happen next, I just sat down at my laptop and my fingers typed the images which flashed across my brain.

After two years the first book in ‘The Torcian Chronicles’ was written.

It was a big, bold book of magic, warfare, suffering and defiance. So, I named book one … Defiance!

In Defiance, the land of Torcia lies in chaos and ruin. Naturally rich in faulstan veins, the power behind all magic a sleeping Torcia attracted the attention of Mivir, her eastern neighbour. In Torcia magic was subjugated and its practitioners imprisoned by the Protectors, a religious order dedicated to protecting the citizens of Torcia from the dangers of magic. Mivir, however, knew the power of magic and cultivated, refining the black art to create a virtually impregnable army. Unfortunately, Mivir also developed an insatiable demand for magical or aweosung energy, a need that could only be met by mining the faulstan rich lands of Torcia.  The Torcian armies were no much for the magically enhanced Outriders and warlocks of Mivir. Soon the whole of northern Torcian lay waste, devoid of life and ready for the mining.

In a desperate effort to save his embattled country, King Athemar summoned his surviving council members and devised a plan to save Torcia. He would fight fire with fire and destroy Mivir using Torcian magic. One of the last ancient warlocks of Torcian would be rejuvenated and sent on a mission deep within the Mivir while the last of his soldiers rallied for the final defence of Torcia.

It wasn’t perfect and too be honest it was full of spelling mistakes I had missed as being dyslexic I have an interesting relationship with spellings. I was then faced with the big dilemma – to self- publish or not?

I had heard the horror stories of writers being rejected for years only to end up throwing their ‘book baby’ in the flames of authors self- doubt or should I just self-publish and save myself years of heartbreak.

Being of a slightly contrary nature, I decided to send my manuscript off for one year’s worth of refusals just because my family stated in no uncertain terms I would never ever get a book published. So, I sent my manuscript off to several publishers and was completely shocked to get two offers in just under four months.  It was very strange.

My publishers even had a press release stating – “WiDo Publishing™ submissions editor Allie Maldonado found this high fantasy novel fascinating and exciting. “P.J has written a tale of depth and intrigue, complex but not confusing, with multi-faceted characters you can absolutely cheer for. Pretty amazing for a first novel. It’s a great foundation for a series.”

So here I am waiting for my high fantasy novel ‘The Torcian Chronicles’ to be published in January 2018.  For further information about The Torcian Chronicles’ visit my fantasy website at http://fantasyworlds.jigsy.com.

My publishers wanted the sequel written as soon as possible, so I sat down and began to write the sequel of prison, plots and magical mayhem.

I do not know exactly what will happen as my characters tell the story of their adventures themselves, but I know it be exciting, occasionally funny and always highly dangerous.

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Defiance‘ the first instalment of The Torcian Chronicles, is available to pre-order at a discounted price from – 
If you would like to learn more about Torcia please visit the Fantasy Worlds website at http://fantasyworlds.jigsy.com or leave a comment below!

 

Bio – P.J. Reed is a writer and poet from England. She holds a BAEd from Canterbury Christ Church University, an MA from Bradford University and has dabbled in Psychology at the OU. She is an outrageously eclectic writer.

Her work has appeared in a wide variety of online and print magazines, collections, anthologies and podcasts. In 2015 she was shortlisted for the National Poetry Anthology award. Her haiku collections include – Haiku Nation, Frozen Haiku, Flicker and Haiku Yellow.

The Dark Tales of Witherleigh’ her sinister thriller based on a remote Devon village is available to download from Radish Publications.

Defiance‘ the first instalment of The Torcian Chronicles, her high fantasy magical adventure series will be published Spring 2018.

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Social Media Links

Read More at http://fantasyworlds.jigsy.com

Twitter – https://twitter.com/PJReed_author

Facebook – https://www.facebook.com/p.j.reedauthor

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Many thanks Pam – fabulous blog. Love that map!

Happy reading,

Jenny xx 

End of the month with Nell Peters: There goes October!

Somehow we’re here again. The end of the month- and that only means one thing…

Over to you Nell…

Hi, y’all – and happy Halloween, All Hallows Eve, or Samhain if you prefer. Like the proverbial bad penny, I’m back again – well, at least I hope I am. Let me explain:

I’m writing this blog even more in advance than usual because we are away from 22nd October to 30th – flying back then from a late break in the sun (hopefully!) That’s assuming the OH is still in one piece after his flight to Monaco on Friday 13th (cue spooky music!) – he’s due back practically minutes before we set off. Could be worse; I’ve had to meet him at the airport before now. With all the shenanigans going on with air travel recently – so glad we are booked on BA and not Monarch or Ryanair – I have fingers and toes crossed that our flight isn’t delayed until the 31st, because historically that has been a very bad day for plane crashes.

Exactly a hundred years ago during WWI, a Fokker (careful how you say that) piloted by a Lt. Pastor suffered structural failure and crashed – it was the second such accident in three days, and needless to say, all those aircraft had to be grounded until the design fault could be identified and rectified. Pastor was under the command of infamous fighter ace Manfred von Richthofen, aka as the Red Baron, because he held the hereditary title of Freiherr (free lord) and painted his plane red – all the unit’s planes were brightly coloured, hence their epithet, The Flying Circus.

I’ve mentioned before that my grandfather was a youthful pilot with the Royal Flying Corps – a sepia photograph of him sitting in his flimsy plane hangs on one of our landings. As I drift past and glance his way, it never ceases to amaze me how incredibly brave those young airmen (of whatever nationality) were, when their life expectancy was a mere seventeen flying hours – they were indeed ‘Those Magnificent Men in their Flying Machines’. Unlike my grandfather, the Red Baron didn’t survive to see peace declared despite his eighty air combat victories; his luck ran out in April 1918. Drat – I have that song rattling around my head now … they go up tiddly up up, they go down tiddly down down.

 

Coincidentally, The Battle of Britain ended on this day in 1940 – since 10th July, nearly three thousand RAF pilots, including many from what was then the British Empire plus refugees from Nazi-occupied countries in Europe, had been defending British air space over southern England against the Luftwaffe’s relentless attempt to wipe out airborne defences. Flushed with his successful infiltration of much of Europe, this was the prelude to Hitler’s ultimate plan to invade and conquer this ‘Sceptred Isle’. The pilots of Fighter Command, dubbed ‘The Few’ by Churchill, had an average age of just twenty and were paid £264 pa (a little over £30,000 in today’s money). Sadly, during ‘Our Finest Hour’ (Churchill again) five hundred and forty-four fliers were killed and over a thousand aircraft lost – but (fortunately for us) they were victorious and Adolf backed off to lick his wounds.

In 1949 a pilot conducting secret tests of a prototype aircraft died when he crashed into houses in Yeovil, also killing two victims on the ground – and the following year a British European Airways (now part of BA) Viking failed to make it off the runway at Heathrow (then London Airport) in foggy conditions. Of the thirty people on board, only a stewardess and one passenger lived to tell the tale. Fast forward to 1964, when NASA astronaut Theodore Freeman perished after a goose smashed through the cockpit canopy of his Northrop Talon jet trainer in Texas, causing shards of Plexiglas to enter the engine, which caught fire. Although Freeman ejected, he was too close to the ground for his parachute to open properly. He was posthumously awarded the Purple Heart.

More Halloween air disasters in 1979, 1994, 1996 and 1999, and in 2000 there were two – in total, hundreds of passengers and crew lost their lives. Most recently, in 2015, on the day that New Zealand beat Australia 34-17 during the Rugby World Cup final at Twickenham, a Russian airliner came to grief in Egypt and two hundred and twenty four people died. So you see my point? Maybe not a good day to fly, if you have a choice. There have been some good aeronautically-associated events on 31st October, however – like Rear Admiral George J Dufek becoming the first American to land an airplane at the South Pole in 1956, and BA taking on its first female pilots in 1987. Shall we move along, feet firmly planted on terra firma?

George Dufek

No more cheerfully, Indira Gandhi was assassinated on this day in 1984 (very George Orwell) by two of her security guards – you can’t trust anyone, can you? Both men were in turn shot by other guards, and although one survived, he was executed when found guilty of murder. In a speech given on the day before her death, Mrs G declared prophetically, ‘I am alive today, I may not be there tomorrow…I shall continue to serve until my last breath and when I die, I can say that every drop of my blood will invigorate India and strengthen it. Even if I died in the service of the nation, I would be proud of it. Every drop of my blood will contribute to the growth of this nation and make it strong and dynamic.

Indira Gandhi

Indira (no relation to Mahatma) was India’s first and so far only woman PM. Politics were obviously in the genes, because her dad was India’s first PM, Jawaharal Nehru. She had two sons – Sanjay, the younger, had been her chosen successor politically, but died in a flying accident in 1980, leaving Rajiv (a pilot) to take up the reins following her death. He was himself assassinated in 1991.

Dangerous stuff, politics, as Italian fascist PM Benito Mussolini may have noticed in 1926, when an assassination attempt was made on his life – not a brilliant way for him to celebrate his fourth anniversary of taking office. Fifteen year-old schoolboy, Anteo Zamboni tried to shoot the leader in Bologna during a parade, but the unfortunate youth missed and was immediately set upon by squadistri (fascist squads) who didn’t ask any questions and lynched him.

This was the second unsuccessful attempt on Il Duce’s life that year – in April, middle-aged Irish woman, The Honourable (but not very) Violet Gibson, daughter of Lord Ashbourne, shot him as he walked among the crowds in Rome after delivering a speech. Armed with a revolver disguised by her shawl, she fired once, but Mussolini moved his head at that moment and she hit his nose (no ‘on the nose’ jokes, please); when she tried again, the gun misfired. Poor old Vi was almost lynched (what is it with Italians and lynching?) by an angry mob, but police intervened and escorted her away for questioning. Mussolini’s wound was slight, and after being patched up, he and his bandaged nose continued walkabout. Violet was deported to Britain and spent the rest of her life in a mental asylum.

This was the day in 1959 when ex-marine and accomplished marksman Lee Harvey Oswald decided to visit the US Embassy in Moscow and declare he wanted to renounce his American citizenship. It was a Saturday, so perhaps he was at a loose end. Officer Richard Snyder accepted Oswald’s passport and a written note, but told him that further paperwork would need to be completed. Oswald didn’t follow through with the process and when he became disaffected with life in Russia (not too many burger joints there at that time, I imagine) returned to the United States in 1962. News of the defection made the front pages of American newspapers, four years before he would be reviled globally as the alleged assassin of JFK. Speaking of the late President, he held his last meeting with FBI Director, J Edgar Hoover this day in 1963.

Lee Harvey Oswald

31st October falls within the zodiac sign of Scorpio (23/10 to 21/11). Honesty and fairness are two qualities that make Scorpios a good friend to have – they are dedicated and loyal, but if they feel let down, it’s curtains. Quick-witted and intelligent, they are full of surprises but also very emotional. Ideal careers for Scorpios include scientist, physician, researcher, sailor, detective, business manager and psychologist.

 

I can think of only four Scorpios I’ve known – although I’m sure there are probably many others – one being super-blogger and lovely lady, Anne Williams (23/10) of Being Anne, a great supporter of writers and thoroughly good egg (whatever that means?) Then there’s a sister-in-law (10/11) who is mad as a box of frogs … seriously.

She’s the sort of person that if you pick up the phone and hear her voice on the other end, you really, really want to pretend nobody is in and you are the answering machine. Another I haven’t been in touch with for many years now – he (7/11) was a member of the Bomb Squad and worked in all sorts of hairy situations worldwide. I don’t know if it’s true, but he told me that a group of them were drinking in a bar (are the military allowed to drink in uniform off-base?) and someone asked what the bomb insignia on their sleeves stood for – they told him they were the Army darts team. The third (21/11) is a lecturer in Sociology, has OCD by the bucket load and is tattooed almost everywhere on his body (he tells me!) Typical Scorpios? You decide – I know who I’m voting for.

Boston Custer was born on 31st October 1848 – one of the younger brothers of Lt Colonel George, of Little Big Horn fame, or infamy. Boston – unlike brothers George and Thomas – was unable to officially join the army due to ill health and so became a civilian contractor. In this capacity he was a guide, forager, packer and scout for the regiment on the 1876 expedition against the Lakota Indian tribe. On June 25th, along with his teenage nephew Henry Armstrong (Autie) Reed, Boston was with the pack train at the rear of George’s troops when a messenger reported that his big bro had requested ammunition for an impending fight. Boston and Autie left the train to take the ammo forward and joined the main column, as it moved into position to attack a sprawling Indian village along the Little Big Horn River. If they had stayed put, they might have survived the battle that became known as Custer’s Last Stand. But they didn’t, and perished along with George and Thomas. A fourth brother, Nevin, became a farmer because he suffered from asthma and rheumatism and was not fit for the military, even as a civilian contractor – strangely lucky for him.

A century after Boston Custer, English actor Michael Kitchen was born in Leicester – although he’s been in many TV and film dramas, he’s perhaps best know now as DCS Christopher Foyle in Foyle’s War, who is driven around by the splendidly-named Honeysuckle Weeks and always gets his man.

Continuing the parts of a house name theme, American soap actress Deidre Hall was born a year before Michael, so Happy 70th today! – her twin sister, Andrea, is also an actress. In sharp contrast to MK’s prolific and varied career, Deidre has played the role of Dr Marlena Evans in Days of Our Lives for forty years – wow! She won her first award for the part in 1982 – the year another set of twins, aka the Cheeky Girls, were born on Halloween. I’m sure Monica and Gabriela Irimia have heard all the jokes, so I’ll leave it there.

Thanks again for having me, Jenny – and no, I am not wearing a horror mask, I always look like this.

Toodles.

NP

Nell Peters writes mainly Crime. Her two Accent Press novels can be found here: www.myBook.to/hostilewitness and www.myBook.to/BAON and other books are on Amazon KDP.

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Thank you ever so much Nell. Another stunning blog. Loved it.

Happy reading everyone,

Jenny x

Guest blog from Richard Dee: What is Steampunk anyway?

It’s my pleasure to invite friend, fellow author, and member of the Exeter Author Association, Richard Dee to my site today. Richard’s latest book, A New Life in Ventis is available on pre-order now!

Over to you Richard…

Thanks Jenny for the invitation, now a few of you might be wondering what a Steampunk author is doing here, plugging his next work. Aren’t we straying a little off-piste?

And what is Steampunk anyway?

There are many interpretations of the genre, here’s mine.

Picture a world, a world without oil, without electricity. Imagine a place where the steam engine is King, driving vehicles and industry. Where portable power is provided by clockwork engines; powered by coiled springs. It’s conventional to depict this world as Victorian, because it gives us a reference point, it’s the nearest we can get in our experience. And let’s be honest; the costumes are pretty cool too!

But when you think about it, if oil and electricity had not been utilised in our society, where would our Victorian’s be today? Could we have vast aircraft, with jet engines powered by coal gas? Could we have clockwork computers, printing onto paper? Or mechanically driven moving picture shows? Of course we could, and so much more.

Who knows what else might have been invented by necessity? And what are the limits of the technology? Might the world even be a better place?

That’s an awful lot of questions in two paragraphs.

So you could say that a Steampunk world is really just a different us. Even though I called my Country Norlandia, it could just as easily be an England that went in a different direction. And as it’s us, the people in my world are no different to the people in Jenny’s or anyone else’s stories. They have the same emotions, the same vices and the same tales to tell.

My fictional world of Norlandia and the stories set there have romance, corruption, revenge, heroes, villains and all the other elements of any adventure, the only difference is that they are set against the background of smoking chimneys, coal dust and the whirring gears of fantastic machines. The technology is a character, not the main event. In the same way as a village or a beach, or even, dare I say it, a coffee shop?

Once I started creating the world, I realised that I could adapt a lot of what we have today and invent new ways to make it work differently. By keeping it practical and useful but just slightly ‘not the way it’s done here’ it enhances the difference in the setting. Things like the gas powered jet engine, it’s perfectly possible but not quite how we do it. And you can also have fun creating those little bits of back story that give the place its atmosphere, like the suggestion of myth and magic in exotic foreign lands, the novelty of Cofé and how the lack of instant communication makes people behave differently.

Anyway, if you wanted to learn the intricacies of Fantasy World building you wouldn’t be here, I’ll get back to the story.

A New Life in Ventis, the novel I came here to tell you about, is the second one that I have set in Norlandia. It follows the further adventures of Horis Strongman, an ordinary person who finds himself thrust into extraordinary circumstances. He’s a city boy, naive and out of place in the country. Luckily he finds a feisty sidekick in Grace, and then there’s his new friend Maloney, an ex-soldier with a mechanical arm and a dislike of authority, to keep him safe and on track.

In the first book, The Rocks of Aserol, published in 2016, Horis is the unwitting pawn in a conspiracy. Sent to be the expendable minion, he discovers a secret, falls in love and is rescued from the fate his unscrupulous superiors intended. He sets off to make things right.

A reviewer commented: – There’s something of a ripping yarn about this excellent tale of adventure. False accusations, discoveries kept secret, villains who murder to get their way, and the whiff of requited love – it’s all here in this classic steampunk saga.

That story was complete, or so I thought, I moved on to other projects. Then I started getting requests to continue the adventures from readers. One said, so, what becomes of the hero? All I’ll say is, the story does have an end but there are still questions unanswered. I think Mr Dee would disappoint quite a few readers if he didn’t come up with a sequel – or better still – a series.

And another commented, I absolutely adored it but the ending!!!!!!  What’s going to happen next? Please tell me you’ve written a sequel.

Seeing those remarks made me wonder, what could happen next? I knew that I had to continue the story; A New Life in Ventis was the result.

In the second book Horis experiences the joy of reunion, he discovers that the bad guys are still out to get him and will stop at nothing in their pursuit. He also learns…, well that would be telling.

Here’s what one of my fantastic team of beta readers said: – “A New Life in Ventis took off with a bang, and kept up the tempo throughout the entire story. Overall, it is another excellent book!”

And, if my editor is to be believed, there needs to be a third part to the tale as well. There are certainly enough possibilities, enough machines and fiendish adversaries to justify many more adventures for Horis, Grace and Maloney. And who knows, maybe Horis will find the quiet life he craves.

We will have to see what happens; the creation of the world so far has already resulted in an alarming amount of research and invention. Sufficient to make a book of short stories, Tales from Norlandia, which; incidentally, is now available exclusively from my website.

Here’s a chapter from A New Life in Ventis to give you a flavour of the story.

In the Provincial Hotel, Asero

Sayrah Faith was unused to flattery. So that when the stranger leant over the reception desk in the Provincial Hotel and complimented her on her appearance; she was unsure just how to reply. Flustered, she put her hand to the side of her head, patting her tightly wound hair.

“Oh sir, you should not,” she answered breathlessly, unaware that her normally well-hidden feminine instincts had made her react in the same way as the girls she considered ‘flighty’. The cheap novels she read so avidly described such situations as this, but she had never been part of one herself. She found that she quite liked the sensation it produced. It was just as the novels had described it.

“How may I help you?” she asked, attempting to strike the sort of pose that ‘heroines’ did. In her bone corset and tight gown and with her stomach sucked in she found the posture uncomfortable. Still, she reasoned, it might be worth holding it for a while longer.

“I’m looking for a room,” the man replied. Sayrah was on safer ground here. She pulled the pencil from behind her ear and automatically licked the point. Then she thought that perhaps she should not have done, as the man’s eyes widened. Flustered again she opened the ledger and ran her finger down the page.

“We have a single available,” she began but the man shook his head.

“Oh no, a double room for me,” he said. “I may be on my own but I do prefer comfort, a single bed leaves me no room to spread myself, don’t you agree?”

He was tall and thin, with a heavy moustache and side whiskers yet had an air of mystery and excitement about him. Sayrah was unworldly; in her mind she could hear her mother’s voice. ‘Double beds are only for marriage and the worst kind of adventures,’ she had used to say. Sayrah had never been a party to these ‘adventures’ and although she was aware of their nature had never been in a position to experience them. In her life thus far, men had treated her at best with indifference, it was because of her plainness and larger body she was sure, but this man had a twinkle in his eye and a kind face. Perhaps he was what the novels referred to as ‘the one’.

“I couldn’t say,” she blurted, then realised that wasn’t the right answer for a worldly wise woman to give. She blushed but the man never noticed.

“Now, my dear,” the man continued, “where might I get a good meal tonight with pleasant ambience? I know,” he added, “perhaps you could accompany me, I wish to know all about Aserol and I’m sure we might have an enjoyable time.”

Maloney was sat in the porter’s office, close to the desk, reading a news-sheet, his ears pricked up at the conversation. Sayrah was unable to hear the insincerity in the stranger’s voice and he did not like to think of her being gulled by a stranger. And there was another possibility; this may be an attempt to elicit information about Horis and Grace.

Since he had returned to work, Maloney had been alert, waiting for such a moment, he had no doubt that Terrance would seek Horis and Grace out for revenge and he wondered if this was just the start of things. Sayrah was an easy target for an unscrupulous agent after all. He merely needed to flatter her and she would be his. Maloney put down his sheet and crossed to the door, to better hear what else transpired.

“There is an excellent eatery on the sea promenade,” Sayrah said, she had never tried it but had longed to. As she walked alone some nights she had looked through the windows at the couples inside and wished herself there, in happy communion with ‘the one’. Pride would not allow her to go alone, perhaps tonight might be her chance to sample its fare. “It is called the Icthyus.”

“After the piscorae,” said the man. “Very well, I will call by speaker and arrange a table, is eight of the clock suitable for you?”

“Why yes,” said Sayrah. “I will be delighted to accept.”

“Good,” said the man. “Where is your speaker booth? I will set the wheels in motion.”

Maloney’s office was between the desk and the speaker room; he busied himself as the man passed then went to the other wall and listened carefully. He could hear the man on the speaker as he called the operator. But instead of asking for the eatery, he heard him ask for a number in Bingham. That was a town halfway to Metropol City. That alone served to warn him that his suspicions might be well founded.

The connection was made. “I am in Aserol,” he said, “with good news. Already I have a possible source of information; about one of the persons you wish me to find.”

There was a space while the other party replied, Maloney could not hear the words but guessed that the man was speaking to Terrance, or perhaps some representative of the government.

The man suddenly laughed.

“Some old spinster at the hotel where I suspect the three met. I think that the two were employees and your man was the guest. I’ve turned on my considerable charm and I have the lady eating from my hand. I will try to get more information from her tonight.”

There was silence as the other person spoke. The man laughed again. “If I must, if there is no other way,” he said. “But I would rather not; hopefully she will tell me before I have to do that.”

Again there was the silence. “Very well,” the man said. “I will report to you again at this time tomorrow, assuming that I survive the night.” Maloney heard the click as the call ended, then the noises as a second call was quickly made and a table at the eatery was booked.

Maloney stretched and straightened, peering through his door he saw the man speaking to Sayrah; no doubt he was confirming their meeting.

The bell rang. “Porter,” called Sayrah, “there are bags to take up.”

~~~~

A New Life in Ventis will be released on November 1st 2018 as an eBook and paperback.

You can find more about Norlandia and The Rocks of Aserol at richarddeescifi.co.uk/rocks

Tales from Norlandia is available as an eBook at richarddeescifi.co.uk/shop 

***

Many thanks for dropping by today Richard, and for sharing such a great story. Good luck with your new release!

Happy reading,

Jenny xx

Apaches, Blues and Cadillacs – The ABC of Growing Up With American As A Second Language

I’m delighted to welcome Richard Wall to my place with a fascinating blog about living- and writing- with the duel influences of American and British culture.

Over to you Richard…

Apaches, Blues and Cadillacs – The ABC of Growing Up With American As A Second Language

The USA has been in the news lately for all the wrong reasons. A new president who comes across as petulant, ignorant and divisive, and a spate of mass shootings is giving a great nation extremely bad press when it comes to world opinion.

As ever, the actions of the “few” has created a backlash of bad feeling towards the “many” – ordinary Americans just trying to get on with their lives.

America, it seems, is like Marmite. But whether you love the place with a passion or hate it and all it stands for, there is no denying the huge cultural impact the United States has made on life in Great Britain since the end of WW2.

Opinion varies as to whether this is a good thing or not, but what follows is my personal viewpoint.

As a writer, people often ask me why, as an Englishman, my stories contain so many references to American culture. Well, you could say I had no choice in the matter! Despite growing up in the backwater of a small market town in rural Herefordshire, I’ve been around Americans all my life.

I was born in 1962 and my g-g-generation was (I think) probably the first to be subjected daily to the American way of life without ever having to leave British shores. In the early 1960’s, television technology advanced and TV sets became accessible to more and more UK households; the numbers of channels and programmes increased and TV influences from across the pond came thick and fast. As a result of this, I, like everyone else in my age-group, grew up with American as a second language, absorbing an influence that reflects strongly in my writing.

My earliest memories are of watching John Wayne movies on our old black and white TV, and then playing cowboys and indians (I always wanted to be Geronimo, leader of the Apaches). I watched Neil Armstrong step onto the moon and news reports of the Vietnam war.

There were also countless US TV shows: Champion The Wonder Horse, Casey Jones, Bonanza, Kojak, Starsky and Hutch, The Rockford Files, M*A*S*H, Taxi, and many more.

When I began to take an interest in music I learned that blues men from the 1930’s inspired the Beatles, the Rolling Stones (also in their 50th year), Led Zeppelin and other British bands who took this music back to America to a white audience who were largely unaware of their own musical heritage.

American movies introduced me to classic American cars: Steve McQueen’s 1969 Ford Mustang (Bullitt), Gene Hackman’s 1971 Pontiac Le Mans (The French Connection), Jim Rockford’s Pontiac Firebird and Barry Newman’s Dodge Challenger (Vanishing Point).

Someone once said; “if you can’t see the beauty in an old American car, then you’ve got no soul.

American writers, such as: Stephen King, Andrew Vachss, Elmore Leonard, John Steinbeck, and Langston Hughes (and lately Ran Walker), added layers of depth and context to my TV and film influences, and gave me an ear for US colloquialisms.

When I finally realised my dream and visited the USA (Florida, and Rhode Island, courtesy of a nuclear submarine), I found it every bit as cool and exciting as I imagined it to be as a child.

Since then I have returned many times; visiting California, Oklahoma, New Mexico, Texas, Colorado and including one memorable road trip through Tennessee, Arkansas, Louisiana and the Mississippi Delta, visiting blues heritage sites and seeing with my own eyes the places where my blues heroes were born, lived and died.

All of these lifetime influences have been bubbling and fermenting in a cultural stew that I hope adds flavour to my writing.

My first short story to be published on Amazon was ‘Evel Knievel and The Fat Elvis Diner

An Englishman in Oklahoma is watching a storm approaching when he receives an email on his phone. As he waits for the email to download, it causes him to reflect on his childhood in 1970’s England, his relationship with his father and the journey that brought him to the USA.

Five Pairs of Shorts’ a collection of short stories, some with strong American influences, followed soon after.

In 2015 came my first novel, Fat Man Blues, inspired by the Mississippi road trip, and which has attracted a great deal of interest (and praise) across the world since its release. Fat Man Blues has opened the doors to a fascinating world where I have been extremely fortunate to meet and become friends with talented and creative people from across the planet.

Earlier this year I wrote another short story: ‘Hank Williams’ Cadillac’:

Vince and Stu’s road trip through Texas is cut short when Stu’s ancient Honda breaks down in the quiet town of Rambling. Nearby is Bubba’s used-car lot, containing a collection of classic American cars. Following a bizarre encounter with a talking crow, and a deal signed in blood, Stu trades in his Honda for a powder-blue 1952 Cadillac convertible. Back on the road, the two buddies continue their journey in style, until a series of Burma Shave road signs and an encounter in a cemetery changes things forever.

This was inspired by a road trip with friends, from Oklahoma City to Colorado, which took us along parts of Route 66, where glimpses of the America from my childhood imagination can still be seen. By the way, the cover photograph (taken by me in 2012) features the beautiful 1955 Cadillac in which we took a tour of Memphis.

The American influence continues with another short story due to be released at the end of the year. Beelzebub Jones will accompany the spaghetti western-themed concept album of UK Blues Man, Andrew ‘HalfDeaf’ McClatchie.

So, America. Good guys or bad guys?

Well, my personal view is that I’m British and proud to be so, but I can also speak American, because I grew up with it. At the end of the day we are all just people.

Ordinary Americans just want a quiet life, like we all do, and are among the friendliest people on the planet.

 

In the town of Kingfisher, Oklahoma, I was honoured to meet a WW2 veteran who, it transpired, fought in North Africa around the same time as my late father. He shook my hand with an iron grip and said: In North Africa we had everything and the Brits had nothing. I got nothing but respect for them; you push ’em back and push ’em back and push ’em back until they’re up against the wall and then they come back at you like tomcats…”

These words from an American made me proud to be British.

Oh, and I love Marmite.

***

Richard Wall can be found loitering around www.richardwall.org 

***

Many thanks for sharing your blog with us today Richard. Great stuff.

Happy reading,

Jenny x

Improving the recipe: a slice of lemon cake

In May of this year I started to write a brand new contemporary fiction novel. Normally I would have finished it long ago, but what with writing a novel as Jennifer Ash and starting Imagine, as well, I have been rather slower with my Jenny Kane words this year.

However, I am delighted to say that I have now reached the redrafting stage of my next novel, which goes by the working title of Lemon Cake, Espresso, and Thigh Boots.

Redrafting is rather like improving a recipe. I’m adding in an extra spoonful of words here and there, taking out excess sugar, and removing the overdose of fat (well commas actually).

Set in and around both the Roman Baths, Bath and the New York Central Public Library in the USA, this novel will have a little more in the way of spice than my previous JK novels- although not enough for it to warrant an over 18’s only sticker!

Roman Baths

Playful and fun, this story deals with the problems that go hand in hand with consciously deciding to live with two personalities…something I might just know something about.

There will – of course- be coffee involved. Espresso in this case- plus a serious- and I do mean serious- lemon cake craving.

I shall say no more about the plotline for now.

When will it be finished?

Watch this space…

Happy reading,

Jenny xxx

 

Guest post from Marie Gameson: The Giddy Career of Mr Gadd (deceased)

I’m delighted to welcome Marie Gameson to my blog today to talk a little about her fascinating new book, The Giddy Career of Mr Gadd (deceased).

Over to you Marie…

 

“Winifred is exasperated by her Catholic mother’s inability to accept her conversion to Buddhism, and by her family’s determination to drag her back to her former life. But when an elderly stranger – haunted by his dead father – turns up on Winnie’s doorstep, insisting that stories she wrote as a teenager hold the key to his supernatural problems, Winnie is forced to renew acquaintance with her younger self.

Why did she write about a Mr Gadd, who died years before she was born?”

The Giddy Career of Mr Gadd (deceased) does have lots of humour, but the main theme is grief – not so much grief for the dead as for the living. The main character, Winnie Rigby, is exasperated that her conversion to Buddhism and attachment to the Orient are strongly resisted by her Catholic family, who make persistent attempts to remind her of the person she used to be.

I wrote this book to explore an issue which has long bothered me, and more so recently:  how do you cope when someone close to you has substantially changed? The reason could be because they have had some physical or mental trauma, joined a cult, become an addict, or simply because they have adopted a new political or spiritual belief system. Of course, in the case of the latter, the grieved-for person can be annoyingly positive about the change; most of us have come across a new zealot, and have good reason to avoid ‘born-again Christians’, or ‘born-again anythings’. But whatever the reason for someone changing, that person is still alive, still looks pretty much the same, and yet is no longer the person you remember.

In the case of Winnie Rigby, after practising Zen Buddhism for some years, she had an enlightening experience whilst on a mountain in Taiwan, which increased her resolve to further her practice. Since being forced back to the UK by her family, she feels alienated and out of touch with her old life; in fact neither her old neighbourhood nor her old acquaintances seem familiar, which is inconvenient, as people who insist they know her turn up with irritating frequency.

Consequently, her only objective is to get back to Taiwan just as soon as she can figure out how to replace the funds that have mysteriously disappeared from her account – (on her instructions according to the Bank) – but which seem to have gone to a cause that sounds suspiciously close to her mother’s heart.

Winnie’s refusal to return to her former persona or to traipse through pointless memories is challenged when an elderly man turns up on her doorstep, haunted by his dead father’s restless spirit, and insisting that the younger Winnie knew something about this late Mr Gadd. Although Winnie has no time for ghosts or superstition, when she is given proof that she did indeed write about Mr Gadd, she reluctantly agrees to try and find out why she wrote about a man who not only died years before she was born, but whose afterlife she seems to have recorded.

But the more she remembers, the more the answers seem to lie in the East. In her search for the elusive Mr Gadd, Winnie may fulfil her wish to return to the Orient – but unravelling the mystery of Gadd is bringing another unexpected revelation.

 

Taroko Gorge, Taiwan (where Winnie ‘saw the light’)

 

Although the book took a year to write, the preparation included a few months in Taiwan, two trips to China, an MA in Translation, a dissertation about Chinese ancestor worship, and frankly – countless fags and glasses of wine. It’s really nice that some people have said that they loved the book, but it is possible that I have reacted a little negatively when they have gone on to ask when the next one is coming out…

But with that little whinge out the way, the book has been a wonderful journey for me in terms of trying to reconcile East and West. Whether they are truly reconcilable or not, I will finish with a photograph I took some years back in Taipei of a Buddhist nun begging for alms. I rather like it.

Bio-

Marie Gameson is half of the mother and daughter writing team who published The Turtle Run as ‘Marie Evelyn’. Her latest book, The Giddy Career of Mr Gadd (deceased) was published by Salt this summer and is available on Amazon. You can find out more about her and her books at her website, www.marie-gameson.com 

You can buy The Giddy Career of Mr Gadd (deceased) from-

https://www.amazon.co.uk/Giddy-Career-Mr-Gadd-deceased/dp/1784631183/

***

Many thanks for visiting today Marie. This sounds like a fantastic read.

Happy reading everyone,

Jenny xx

Interview with Sarah Dahl: Monk

 I’m delighted to welcome Sarah Dahl back to my site to enjoy a cuppa and a chat about her latest historical romance (with spice); Monk.

Why not grab a slice of cake and join is?

What inspired you to write your book?

It has never been clearer than in this case: “Monk” was created out of mild frustration and the question “What if?”. There’s this scene in the first series of History Channel’s Vikings where Ragnar brings home an attractive young monk, Athelstan, who makes the couple curious. They enter his room and ask him to join them in bed. The audience doesn’t get to know if that is a test of Ragnar’s, to check if the “new man in the house” will be a threat to his marriage. Or if they just want to have their own version of fun with the man of God who seems so stressed out by their love-making. We know the Vikings had a very relaxed attitude towards phyical aspects, including sex. The scenario is not too far-fetched. But: in the series, the monk shies away. The atmosphere is sizzling and tense, you literally hold your breath before he answers “no, I can’t” – although you see his eyes and body saying the opposite. That didn’t leave my mind. I wondered if the producers were shying away from his “yes” out of realistic thinking or just Hollywood-esk prudery. We couldn’t know then how the monk’s answer would affect the coming plotlines.

But from that day I pondered the question “What if the monk had said yes? He wanted to. The temptation was too much, he was overwhelmed. He was close to a “yes”. But was it realistic? I thought: Heck, I can do this. I’ll write what would have happened, and make it just as sizzling …

So I did my very own version of a monk being seduced by his Viking captors.

Do you model any of your characters after people you know?

In this case: see above. I bluntly admit to stealing the main characters’ basics from the series, then made them my own people in my own story and setting. I go very much deeper into their minds and world views. All three, Yngvarr, his wife Runa, and the monk Alistair, are very vivid and accessible on several levels. So concerning your question:

Which Point of View do you prefer to write in and why?

I went bold and brave with this one, and made it three points of view. Which is a first, for such a relatively short piece. This way, readers can dive into every character separately and feel with them, make it a tight and direct experience. Eliminate the guessing and questions. You can’t do that with TV-series’ characters, whose feelings and thoughts are guess-work after all. But in “Monk” I play with the three views and how the actions unfolding affect every one of the three – and ultimately change them.

Yes, it’s carnal, but also: very emotional, a revelation, a turmoil, life-changing. All three of them hand themselves over to the situation and come out differently, not having anticipated what this “game” would do to them. So maybe I modelled my characters after what inspired me, but I very much made them my own material and went deep with them. Through their shy monk –  despite him being very much at their mercy – my Vikings are suddenly not so fierce and confident anymore 😉

What type of research did you have to do for your book?

This is especially funny for “Monk”. I’m quite solid concerning Viking research and reality and am very aware of staying realistic and true to the period in every detail. To then be extra-sure I always give the stories to my researcher-friend, John, who then double-checks for any flaws that distort the reality of the era. I was very sure that by now I’m firm enough, and he won’t find anything major, but then came the discussion of “the rope”, haha. He said no sane Viking would just cut the rope that lay around the captives neck. They used iron collars, for one, and then would never cut a valuable rope when freeing the slave. It would be a strange act to destroy the thing. My problem was that the Viking should scare the monk a little with the swift movement of the knife, make him flinch and graze his Adam’s apple; make him aware that he is, from now on, at their mercy. It should break the confident gaze of the captive and display the mortal danger he is in. There’s so much to that brief moment! But could that work with iron collars the Viking would have to fiddle with? Would him forcing these open in slow motion have the same effect for monk and readers as a fast-moved knife? Surely not. My monk would have impatiently rolled his eyes at some point, haha. So: even though my researcher was right, technically, I overruled his verdict and stuck with my fast and threatening knife-movement. I needed to shock the monk, not bore him to death before the real action had even started 😉

Links:

Author homepage and buy links: https://sarah-dahl.com/book/monk

Publisher Pronoun with buy links: https://books.pronoun.com/sarahdahl

Goodreads: https://www.goodreads.com/author/show/16341241.Sarah_Dahl

Facebook page: https://www.facebook.com/sarahdahl13

Twitter: @sarahdahl13

Bio:

Sarah Dahl lives on the edge of the rural German Eifel and writes historical fiction (novels and short stories) primarily set in the Viking age. She also works as an editor, translates, and coaches new writers in German and English. She is interested in everyday life in bygone centuries and the human stories that may have occurred behind the hard, historical facts. Her author page is: sarah-dahl.com 

***

Many thanks Sarah for dropping by today hun. Good luck with your new story.

Happy reading everyone,

Jenny x

End of the month round up with Nell Peters

OK- I am in denial. It is not the end of September! It can’t be…except, it is…

Over to Nell!

Good grief! We’ve reached the end of September already – how did that happen? Anyway, let’s not waste any time as I’m sure you have better things to do, like giving your pet rhino a pedicure, or similar.

Red-headed actress Rula Lenska was born seventy years ago today as Róża Maria Leopoldyna Łubieńska – wow, pity her poor teachers calling the register. And she must have had custom-made, extra-long name tags for her school uniform. The family claim membership of the Polish aristocracy, with her parents being a count and countess – I wonder how impressed the good folk of St Neots were by that, because that’s where Rula was born. Perfectly nice town though it is, St Neots doesn’t quite conjure the same mental image as Warsaw, Krakow, Gdansk or even Radomsko, does it?

Early on in her career and certainly by the time she hit thirty, Lenska had renounced her countess title. She said at the time, ‘In England it doesn’t count, if you’ll excuse the pun.’ Oh, how very droll. However, a good few years afterwards in January 2006, when she signed up for Celebrity Big Brother, she justified her decision to take part with the words, ‘I’m a crazy Polish countess who likes a challenge’. Do make up your mind, dear.

I’ve never seen CBB – a fact that horrified near-neighbour Peter, who is a designer on the show, when we were chatting at a party locally. Even I, though, knew about RL cavorting with MP George Galloway in a role-play task where he pretended to be a cat licking milk from her cupped hands, and Lenska stroked his ears and moustache. Eew … or perhaps mew. Apparently, she also managed to lock herself in the toilet during her time in the house, giving late singer Pete Burns the golden opportunity to quip, ‘Oh dear, what can the matter be, clapped-out actress stuck in the lavatory.’ How brutal – made me laugh when I read it, of course, but rather mean. I’m hanging my head in shame … really.

My mother also managed to lock herself in the downstairs toilet, a few days before my dad’s funeral. I got a call from the Bluebird lunch carer saying Mum had been in there quite some time and seemed to have forgotten how to slide back the basic lock in order to get out. When Sally (said carer) tried to relay instructions through the door, my mother said she didn’t know what she was talking about and became abusive. So, Sally rang her office and some bright spark there told her to contact me. What sensible advice, when they were in Twickenham and I was at home in Norfolk – a buck expertly passed if ever there was one.

Sally decided a chisel to jimmy the lock was the way to go and so I guided her through the idiosyncratic locked door system of the ground floor – each lock with ever more weirdo-shaped keys that need to be persuaded into action – out into the back garden and around the house to the potting shed. My father was always one for ‘we’ll get a man in’ but did have some basic tools and I was pretty sure that was where they’d be, along with various lawn mowers and other garden machinery, an ancient bicycle or two, a zillion disused flower pots and industrial strength spider webs. After she managed to get the shed door open, Sally quickly located a chisel and squealed with delight when she saw an axe. I persuaded her (with much difficulty) to leave that where it was.

While she was attempting her breaking and entering, she had to hang up the phone, promising to call back when the prisoner had been sprung. An hour passed and I was beside myself with worry, when she finally rang back. Mission aborted. She’d called the Fire Brigade. We had to end the call once again, as she was expecting them to ring. By the time I heard from her again, I was (even more of) a basket case – but job done. Not impressed by three hunky firemen setting her free with a strategically placed crowbar, my mother had spat harsh words at Sally for letting strangers into her house and insulted the poor guys loud and long – nothing to do with dementia, that’s how my mother rocks.

Going back to aforementioned Rula Lenska, Marc Bolan shared her date of birth, but died just two weeks short of his thirtieth birthday when the Mini being driven by his girlfriend hit a tree on Barnes Common – I passed the spot on many an occasion when I lived in London, and there were always flowers placed there. The singer/songwriter/poet/musician was actually born Mark Feld and tried out stage names Toby Tyler and Mark Bowland along the way, before settling on Marc Bolan. Through his father Simeon’s bloodline, he shares Rula Lenska’s Polish (plus in his case, Russian) ancestry, but does not appear to lay any claim to the nobility – so, just dead common like the rest of us.

While at school (from which he was expelled at fifteen for bad behaviour), he played guitar in the trio Susie and the Hula Hoops, with vocalists Helen Shapiro, twelve at the time, and Helen’s cousin the appropriately-named Susie Singer. I can remember Helen’s hit, Walking Back to Happiness – boy I’m old, but not as old as her, because she was born on 28th September 1946, the year before Lenska and Bolan.

The glam rock band T. Rex recorded Ride a White Swan in 1970 with producer Tony Visconti (who also managed David Bowie) – it was the single that changed Bolan’s career, and was inspired by Mungo Jerry’s success with In the Summertime, tempting Bolan away from predominantly acoustic to a more electric sound. Friends Bolan and Bowie both inflicted pretty awful names on their sons – Rolan (although he was named as Rolan Seymour Feld on his birth certificate) and Zowie, who wasn’t so lucky but is now rather more prosaically known as film director Duncan Jones.

The band were originally known as Tyrannosaurus Rex, named after one of the largest carnivorous dinosaurs – a ferocious beastie capable of the ultimate in bone-crushing action. Ouch. These prehistoric predators were approx 40’ long and up to 20’ tall, with strong thighs and long, powerful tails built for speed, plus a 5’ skull which drilled into prey. They suffered from a bit of a design fault, though – while the two-fingered forearms could seize prey, they were too short to reach the mouth and deposit the poor unfortunate victim. Doh! That’s when their serrated, conical teeth came in handy (sorry!) – to pierce and grip flesh, and then rip it away from the body of their quarry. That could become the latest diet craze – tie up your arms somehow to make their reach shorter! Because we don’t have T. Rex-type teeth, no food would make it as far as the lips, ergo no calories consumed – sorted! I may yet become rich and famous …

On this day in 1955, another young man died as the result of a car crash – one James Dean, twenty-four year old American actor and cultural icon of teenage disillusionment, angst and social estrangement, as portrayed in arguably his most famous film, Rebel Without a Cause. American teens of the era easily identified with the dilemma of his character, Jim Stark, who feels that no one, not even his peers, can understand him.

A keen participant in motor racing, Dean was driving his Porsche 550 Spyder to a race meeting when the accident happened, having been stopped less than two hours earlier for speeding. The crash occurred at an intersection, when a 1950 Ford Tudor driven by Donald Turnupseed (I kid you not!) turned in front of the Porsche. Because he was driving too fast, Dean was unable to stop, colliding side-on with the other car. The actor died instantly, while Donald walked away with minor injuries. A subsequent coroner’s jury delivered a verdict that Dean was entirely at fault due to his speed, and found Turnupseed innocent of any criminal act. Fellow actor Humphrey Bogart observed about JD’s image and legacy: ‘Dean died at just the right time. He left behind a legend. If he had lived, he’d never have been able to live up to his publicity.’ Harsh, but possibly true. Unbelievably, according to Forbes Magazine (a US bi-weekly business publication, maxim The Capitalist Tool), James Dean’s estate still makes around $5M annually. Not too shabby …

This year, the Day of Atonement, or Yom Kippur is observed on 30th September, being the 10th of Tishri in the Hebrew calendar, or the tenth day of the seventh month, and is regarded as the ‘Sabbath of Sabbaths’. It is considered the most important holiday in the Jewish faith. Falling in the month of Tishri (variably September or October in the Gregorian calendar), it marks the culmination of the Ten Days of Awe, a period of introspection and repentance that follows Rosh Hashanah, the Jewish New Year.

I wonder quite how that sits with International Blasphemy Day, observed annually (mostly in North America and Europe) on 30/9 since 2009, after a student contacted the Centre for Inquiry in New York proposing the idea, which the CFI supported. Ronald Lindsay, president and CEO of the CFI said of Blasphemy Day, ‘We think religious beliefs should be subject to examination and criticism just as political beliefs are …’ For those who – like me – haven’t heard of the CFI, they are a non-profit educational organization, their primary mission to foster a secular society based on science, reason, freedom of inquiry, and humanist values. In January 2016, Richard Dawkins hitched his foundation’s wagon to the CFI. Probably enough said.

Today is also Chewing Gum Day (a lot of blaspheming going on when folk tread in the damned stuff?), International Lace Day and Family Health and Fitness Day USA – the latter two taking place on the last Saturday in September rather than a specific date. And then there’s National Mud Pack Day, also an American affair. The blurb says, ‘This holiday is for learning and appreciating the use of mud on the face or really any part of the body. Mud packs have been popular for years for facial treatments to keep the skin young, soft and supple, so let today be the day you learn how to nourish your skin with mud.’

No sooner said than done – it has been raining, so I’m off to dig up the garden (or maybe I’ll get a man in) and then luxuriate with a homemade concoction slathered over all the wrinkles. You may not recognise the youthful creature who guest blogs next month – plus, of course, I will be super-skinny from trying out and perfecting The T. Rex Short Arm Diet! May have to work on the name …

Thanks, as always, for having me, Jenny!

Toodles.

NP

Many thanks to Nell for another entertaining and fascinating blog. I will never look at Rula Lenska in the same way again!

Happy reading everyone.

Jenny x

 

 

 

Guest Post from Tim Walker: Postcards from London

Today I’m delighted to be able to welcome Tim Walker to my site. A successful independent author and former journalist, Tim is sharing a short story from his new collection, Postcards from London. All I’ll say is- this is a must read for any Beatles fan!

So pop the kettle on, put your feet up for five minutes, and indulge a few moments of reading pleasure.

***

Blurb to Postcards of London

The city of London is the star of this collection of fifteen engaging stories from author Tim Walker. Drawing on the vivid history of the city where he has both lived and worked, Postcards from London celebrates the magnificently multifaceted metropolis that is home to 8.8 million people.

Imagine Iron Age fishermen, open-mouthed to see Roman galleys, rowed by slaves, dropping anchor at their village – a place the Romans would turn into the port and fortified town of Londinium. These Romans were the first of many men of vision who would come to shape the city we see today.

London’s long and complex history almost defies imagination, but the author has conjured citizens from many familiar eras, and some yet to be imagined. Turn over these picture postcards to explore his city through a collage of human dramas told in a range of genres. See the tumult of these imagined lives spotlighted at moments in London’s past, present and, who knows, perhaps its future.

 

Let it Be

A flash fiction postcard in Postcards from London by Tim Walker…

A bright, chilly January morning in 1969 saw Brian on the West End beat. Rounding the corner into Savile Row, he found a small crowd gathering outside Apple Records, the headquarters of world-famous pop group, The Beatles. First bobby on the scene, he asked a young man what was going on.

“We’ve heard a rumour that The Beatles are going to play on the rooftop,” the excited youth said.

PC Brian Smith radioed it in, and was told to enter the building and wait for further instructions. He squeezed past busy roadies carrying equipment up three steps and into the narrow front door of what was a large grey stone converted townhouse – glancing at a row of framed gold records on the walls before his eyes settled on the receptionist. Her pretty face, heavily made-up with Mary Quant mascara on long lashes framed by a lacquered brown bob, wore a pensive look. She hesitated before confirming that the band would be giving a brief performance of their new songs on the rooftop.

“Can I see the manager please?” Brian asked, showing initiative.

“Would that be the Apple General Manager or the manager of The Beatles?” she asked, holding a white phone to her neck.

“Erm, both, if I may… Emily.” He said stiffly, leaning forward to read her name on a green Apple badge.

She punched some numbers on her switchboard and spoke in a quiet voice. “A police officer would like to see you.”

Brian gazed over her head at pictures of his music heroes, the Fab Four. The smell of weed drifted into the room from what looked like the post room behind reception. Emily, seeing him sniff the air, hurriedly pushed shut the door.

“Mr Taylor, the GM, will see you in his office. You’ll have to walk up the stairs, I’m afraid, as there’s no lift. All the way to the fourth floor, left at the top of the stairs.”

Brian thanked her and followed a film crew carrying camera equipment and tripods up the narrow staircase. His radio crackled into life and he stepped into the first floor corridor to improve reception. His CO told him he had no report of permission being granted to hold a public performance on the rooftop, but was unsure if they would be breaking any laws by doing so in their own building, unless it was so loud that it caused a disturbance.

“Find out what you can and report back,” he said tersely. “I’m sending more bobbies for crowd control outside the building.”

Brian looked about him and saw the name ‘John’ on an office door. He pushed the door open and found himself looking at John Lennon, sat with his feet on a desk, leaning back in a swivel chair, smoking a joint.

“Oh, hell, is this a raid?” he asked, looking momentarily startled as he saw Brian’s uniform.

“Erm, no, Mr Lennon. I’m just here to find out about this concert on the roof. Would you mind telling me what it’s all about?”

John pointed to a chair and sat up, squeezing the lit end of his joint and throwing it in a bin.

“Sorry about that, Officer…?”

“PC Brian Smith,” he said, easing himself into a leather armchair, cradling his helmet in his arms. “Oh, don’t worry about that, I’m a big fan, you know.”

“Glad to hear it,” John said, leaning over the desk to shake his hand. “We’ve just decided to play some of our latest tunes for our next album on the roof and make a promo film, if you know what I mean?”

“Erm, yes, but if you make too much noise you’ll disturb the other businesses in the area and we’re bound to get complaints. My boss tells me you’ve not notified the police, and a crowd is already gathering in the street, so maybe…”

John got to his feet and put his arm around Brian’s shoulders. “Look, PC Brian, it’s just a few songs and won’t take long. Why don’t you come up onto the roof and watch? Honest, we won’t make that much noise. You see, the wind will carry our music away into the ether.”

John guided Brian up the stairs, collecting the other Beatles as he went.

“You see, Brian, each of us has our own floor, because we can’t stand the sight of each other after ten years together, ain’t that right Ringo?”

The mop-topped drummer grinned sheepishly as John gathered each group member as they made their way to the roof. Once up there, Brian saw the instruments and speakers set up on a wooden platform, and the camera crew buzzing around their equipment.

“We’re nearly ready, John,” said a smartly-dressed man who looked like he was in charge. He smiled at Brian and held out his hand. “Hi, I’m George Martin. Why don’t you come over here with me? We’ll be starting in a few minutes.”

Brian’s radio crackled and he heard his CO saying, “They’ve barricaded the door, we can’t get in, what’s happening, Smith?”

“I can’t hear you sir, I’ll try to move to get a better reception.” He grinned at George Martin and clipped his radio onto his belt, turning the sound dial down.

After a brief soundcheck, The Beatles started playing. Brian looked down to the street below and saw the crowd had built up considerably, as workers on their lunch break began to converge on the building. Brian knew it would only be a matter of time before his colleagues gained entry. In fact, he had listened with great enthusiasm to five songs before the first of the officers barged their way onto the roof. Turning to George Martin, Brian asked, “How much time do you need?”

Martin smiled and replied, “We’re almost through. Thanks for your support. About ten minutes should do it.”

Brian pushed his way to a burly sergeant and said, “I’ve told them to wind it up, Sarge. Just a few more minutes.” The sergeant glared at him but said nothing. The Beatles were playing a third take of ‘Get Back’ and Paul, seeing that their time was up, cheekily changed the lyrics – “You’ve been playing on the roof again, and you know your Momma doesn’t like it, she’s gonna have you arrested.”

At the end of the song, John cheekily said, “I’d like to say thank you on behalf of the group and ourselves and I hope we’ve passed the audition.”

Brian turned to George Martin who thanked him and shook his hand.

“What will the album be called?” Brian asked.

“Not sure yet – it’ll either be ‘Get Back’ or ‘Let it Be’,” Martin replied.

Brian filed downstairs behind the line of policemen. He would stick to his story that he had negotiated a swift end to the impromptu gig. It was a memory that he would carry forward – much more than another drinking-out story – it was a sense that he had been part of something special that somehow crowned the swinging sixties, and that he was one of the very few privileged people to witness it. That it was to be The Beatles’ last ever performance made it more of a poignant landmark in his London life. It left him with a sense of belonging; a sense of pride; a sense of location on the continuum of history.

***

Author Bio-

Tim is an independent author and former journalist based near Windsor in Berkshire, UK.

Born in Hong Kong, he grew up in Liverpool and studied in South Wales, before gravitating to London where he working in newspaper publishing for ten years. In the mid-90s he went to Zambia in Africa to do publishing-related voluntary work. Following this, he stayed on and set up his own publishing and marketing business, before returning to the UK in 2009.

The River Thames was the inspiration for his first book, an anthology of short stories Thames Valley Tales published in July 2015. This collection of fifteen contemporary stories combines modern themes with the rich history and legend associated with towns and places along the Thames Valley.

In 2016 he published his first novel, a near-future/dystopian thriller Devil Gate Dawn and is currently writing an historical fiction series, A Light in the Dark Ages. The first two parts, Abandoned! (a novella) and Ambrosius: Last of the Romans (a novel) are now available from Amazon in e-book and paperback formats. Part Three, Uther’s Destiny, should follow in early 2018.

In January 2017 he published a children’s book, co-written with his 12-year-old daughter Cathy, called The Adventures of Charly Holmes in e-book format. The paperback was published by Xlibris Publishers in February 2017. In September 2017 he published his second collection of short stories, Postcards from London.

Author website: http://timwalkerwrites.co.uk

Author Central: http://Author.to/timwalkerwrites

Twitter: http://twitter.com/timwalker1666

Facebook Page: http://facebook.com/timwalkerwrites

 

Book Links:

Postcards from London: http://myBook.to/PostcardsFromLondon

Abandoned: http://myBook.to/Abandoned

Ambrosius: Last of the Romans: http://myBook.to/Ambrosius

Devil Gate Dawn: http://myBook.to/DevilGateDawn

Thames Valley Tales: http://myBook.to/ThamesValleyTales

The Adventures of Charly Holmes: http://myBook.to/CharlyHolmes1

***

Many thanks to Tim for such a great story. Wishing you much success with your new book.

Happy reading everyone,

Jenny xx

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