Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

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How to Write Short Stories by Ashley Lister

I’m honoured to have the brilliant Ashley Lister with me today, to talk about his forthcoming creative writing book, How to Write Short Stories.

I’ve had the pleasure of being taught by Ashley – and having taught him in return. He is a wonderful writer, poet, creative writing lecturer, and a right good chap…

Over to you Ashley…

To my mind, short stories are different from any other kind of writing.

Not only is the short story shorter than the novel, but the novel is allowed to ramble and take the reader on digressions. A short story can’t get away with that. If we’re reading Charlotte Perkins Gilman’s ‘The Yellow Wallpaper’, we’re reading a story where every word must count. There is no scope for the main character to have thoughts on the weather, local politics, or the imagined shoe sizes of indigenous otters. The main character can’t take a trip to B&Q and study wallpaper swatches in the hope of redecorating. Every syllable in the short story needs to stay focused on the purpose of that narrative.

Poetry shares this specificity of restrained vocabulary, where every syllable is vital to the message being conveyed. But poetry is invariably shorter, and to my mind, unlike short stories, good poetry usually has a rhyme such as the one below:

There was an old woman from Hyde
Who ate rotten apples and died
The apples fermented
Inside the lamented
And made cider, inside her insides.

All of which is my way of saying that the short story is unlike any other form of literature out there. I say this with fondness in my voice because I genuinely love the short story. I’ve written hundreds of short stories; I’ve obtained a PhD based on a thesis I wrote about short stories; and now I’ve published a book explaining how to write short stories.

How to Write Short Stories and Get Them Published is the essential guide to writing short fiction. It takes the aspiring writer from their initial idea through to potential outlets for publication and pitching proposals to publishers.

Along the journey this guide considers the most important aspects of creative writing, such as character, plot, point of view, description and dialogue. All of these areas are illustrated with examples of classic fiction, and accompanied by exercises that will help every writer hone their natural skill and talent into the ability to craft compelling short stories.

How to Write Short Stories and Get Them Published is due out in December of 2019. It’s published by Little Brown and you can pre-order your copy using this link: https://www.amazon.co.uk/dp/1472143787/ref=cm_sw_em_r_mt_dp_U_fpDlDbM5CS66H

Today, because my good friend Jenny invited me to write a blog post about my forthcoming book, I thought it would be prudent to share five tips for short story writing.

  1. Read good stories. Read people who know what they’re doing with a pen. If you’re reading this blog, it’s likely that you’re already familiar with the writing of Jenny Kane/Jennifer Ash: read her books and watch how she demonstrates her mastery of the craft. There is a balance between description and action. There is a strong use of character and dialogue. Watch how she does this, make notes, and try to emulate this sophisticated style of writing.
  2. Read rubbish stories. Like a lot of parents people, I’ve sat through some bloody awful films that my child thought would be entertaining (such as Theodore Rex, and The Cat in the Hat). Rather than grumbling about this, or trying to sleep or better my score on Candy Crush, I’ve used this as a learning experience. What don’t I like about the film? Is the dialogue too stilted? Am I having difficulty empathising with the characters? Is the plot too outrageous? Is the whole thing too dull? I make mental notes as I’m watching and I silently vow to avoid these mistakes in my own writing.
  3. Practice. Writing is a skill. We only develop our skills through practice: therefore it makes sense to practice. Aim for an hour a day if possible. If family, work, or life get in the way of that, steal whatever minutes you can find, and use them to help develop your craft. (I should also mention that my forthcoming book, How to Write Short Stories and Get Them Published, includes lots of writing exercises to act as spurs for creativity).
  4. Be honest with yourself. Once you’ve written a story, read through your work and assess whether or not it did what you wanted. If it was a horror story, do you think it frightens? If it’s a romance, will it make your readers feel satisfied in their belief of the power of love? Is it cohesive? Are there parts that work and parts that don’t work? Does it need a little editing or a lot of editing? Being honest is not simply a matter of saying, “That’s brilliant,” or “That’s rubbish.” It’s a matter of saying, “Does this story do its job?” And if not: “What I can do to amend it so that it does do its job?”
  5. Write the stories. Polish the stories. Send the stories out to potential publishers. And, when you get rejected, send the stories out again and again. Writing is not easy. Publishing is even harder. And remaining positive in the face of rejection is damned near impossible. However, if you believe in your writing, and if you approach the market intelligently, there’s no reason why every capable writer shouldn’t be able to get their work to the audience that needs them.

As I mentioned before, How to Write Short Stories and Get Them Published is due out in December of 2019. It’s published by Little Brown and you can pre-order your copy using this link: https://www.amazon.co.uk/dp/1472143787/ref=cm_sw_em_r_mt_dp_U_fpDlDbM5CS66H

***

Bio

Ashley Lister is a prolific writer, having written more than fifty full length books and over a hundred short stories. Aside from regularly blogging about poetry and writing in general, Ashley also lectures in creative writing.

***

Many thanks Ashley,

This looks like a must read for any creative writer.

Happy reading- and writing- everyone,

Jenny x

Robin Hood and The Outlaw’s Ransom

The Outlaw’s Ransom was my very first title under the name of Jennifer Ash.

Blurb

The first in an exciting new series by acclaimed author Jenny Kane writing as Jennifer Ash.

When craftsman’s daughter Mathilda is kidnapped by the notorious Folville brothers, as punishment for her father’s debts, she fears for her life.  Although of noble birth, the Folvilles are infamous throughout the county for disregarding the law – and for using any means necessary to deliver their brand of ‘justice’.

Mathilda must prove her worth to the Folvilles in order to win her freedom. To do so she must go against her instincts and, disguised as the paramour of the enigmatic Robert de Folville, undertake a mission that will take her far from home and put her life in the hands of a dangerous brigand – and that’s just the start of things…

The Outlaw’s Ransom (which originally saw life as part of my contemporary fiction/medieval mystery timeslip novel, Romancing Robin Hood), is a book that’s very close to my heart.  Anyone who follows this blog will know that it is my love of all things Robin Hood which led to me researching the real life criminal gang, the Folville brothers, and considering how they might have been influenced by the outlaw ballads that would have been circulating at the time.

It was interesting to be able to give, what I imagine, the Folville family’s perspective on the Robin Hood stories might be.

rh-and-the-monk

Extract

…Eustace de Folville continued, ‘You know something of us, Mathilda, from living in these parts. And, I have no doubt, my dear brother has explained to you our beliefs on maintaining our lands and beyond, keeping a weather eye on the dealings of all men in this hundred.’

Mathilda bit her tongue in an effort to remain demurely mute, trying to concentrate on what Eustace was saying and not on the unknown fate of her younger brother.

‘He has also, I believe, told you of his fascination with stories,’ Eustace gave Robert a blunt stare; leaving Mathilda to wonder whether it was his brother’s passion for the minstrels’ tales, or the fact he’d shared that belief and interest with a mere chattel, that Eustace disapproved of.

‘The balladeers have become obsessed of late with the injustices of this land. Often rightly so. Naturally the fabled Robyn Hode has become a hero. An ordinary man who breaks the law, and yet somehow remains good and faithful in the eyes of the Church, is bound to be favoured. In years past such a character’s popularity would have been unthinkable, but these days, well …’

Eustace began to pace in front of the fire, reminding Mathilda of how his brother had moved earlier, ‘Now we are empowered by the young King, the Earl of Huntingdon, and Sheriff Ingram, to keep these lands safe and well run, and by God and Our Lady we’ll do it, even if we have to sweep some capricious damned souls to an earlier hell than they were expecting along the way.’

Eustace was shouting now, but not at her. His voice had adopted a hectoring passion, and Mathilda resolved that she would never willingly disappoint this man; it would be too dangerous.

‘Many of the complaints of crimes and infringements that reach my family’s ears are not accurate. Far more felonies are alleged out of spite or personal grievance than are ever actually committed. We require more eyes and ears, girl. Accurate, unbiased eyes and ears.

‘The sheriff of this county is not a bad man. No worse than the rest anyway; but Ingram is sorely stretched. He has not only this shire, but Nottinghamshire and Derbyshire within his writ. The man cannot be everywhere at once. No man can.

‘We are believed to have a band of criminals under our control, Mathilda. This is not true. I’m no Hode, although I am lucky to have the respect of the immediate population, and although I know that respect is because they go in fear of me, I’d rather have that than no respect at all. Hode’s principles I embrace, as I do other outlaw heroes’ who have flouted a law more corrupt than they are. Those such as Gamelyn can give a man a good example to follow. What was it he declared, Robert, to the Justice at his false trial?’

Moving into the light of the table, Robert thought for a second before reeling off a verse he’d probably known by heart since childhood, ‘Come from the seat of justice: all too oft Hast thou polluted law’s clear stream with wrong; Too oft hast taken reward against the poor; Too oft hast lent thine aid to villainy, And given judgment ’gainst the innocent. Come down and meet thine own meed at the bar, While I, in thy place, give more rightful doom And see that justice dwells in law for once.’

Eustace nodded to his brother, who’d already shrunk back into the shadows of the nearest wall, ‘I do not have such a band at my beck and call, Mathilda. When I need help I have to pay for it.’

***

The values that – in my mind at least- the Folville brothers see in the stories of Robin Hood form an important undying theme to this tale- and to Mathilda of Twyford they will make the difference between life and death.

lytell-geste

If you’d like to read my first medieval mystery, then The Outlaw’s Ransom is available in the UK for your Kindle here –

https://jennykane.co.uk/historical-fiction/the-outlaws-ransom/ 

Happy reading everyone,

Jennifer (aka Jenny!!) xx

 

OUT NOW: The Folville Chronicles Box Set

I’m delighted to announce that the eBook box set of the 3 Folville Chronicle novels

(The Outlaw’s Ransom, The Winter Outlaw and Edwards’s Outlaw)

is out now in the UK, Europe, Australia and New Zealand

Just in time for your summer binge-reading, you can download all 3 of Mathilda of Twyford’s adventures for only £6.99

Blurb

This special collection is a perfect read for all fans of Robin Hood and medieval adventure.

BOOK 1: THE OUTLAW’S RANSOM
When potter’s daughter Mathilda is kidnapped by the notorious Folville brothers as punishment for her father’s debts, she must prove her worth in order to win her freedom. With her life in the hands of the most infamous men in England, Mathilda must win the trust of the Folville’s housekeeper, Sarah, and Robert Folville himself if she has any chance of survival.
Never have the teachings gleaned from the tales of Robyn Hode been so useful…

BOOK 2: THE WINTER OUTLAW
1329: It is the dead of winter and the notorious Folville brothers are on edge. There are rumours of an unknown outlaw terrorising the Leicestershire countryside. Could this man be Adam Calvin, who is being pursued for a crime he did not commit?
Mathilda of Twyford, newly betrothed to Robert de Folville, believes Adam’s story. But after
an attack on the household’s trusted housekeeper, it falls to Mathilda to work out who can be trusted and who can’t… With the Folvilles’ past about to trip them up, it’s going to take a level head and extreme bravery if Mathilda and Robert are ever going to make it to their Winter Solstice wedding.

BOOK 3: EDWARD’S OUTLAW
January 1330: King Edward III’s is determined to clean up England and sends a messenger to Roger Wennesley of Melton Mowbray in Leicestershire with orders to arrest five of the Folville brothers … including the newly married Robert de Folville. Robert takes his wife, Mathilda, to Rockingham Castle for her own safety, but no sooner has he left, when a maid is found murdered in the castle’s beautiful guest suite, the Fire Room. The dead girl looks a lot like Mathilda. Was she the target, or is Mathilda de Folville’s life in danger?

Buy link

https://www.amazon.co.uk/dp/B07V387V3K/ref=sr_1_1?keywords=The+Folville+Chronicles+Box+Set&qid=1562690677&s=digital-text&sr=1-1  

(This box set will be available in the US and Canada in approx. one month’s time)

Happy reading!!

Jennifer xx

Opening Lines with Gilli Allan: Buried Treasure

This week’s ‘Opening Lines’ comes from friend and fellow author, Gilli Allan.

Buried Treasure is out now!

Blurb

Their backgrounds could hardly be further apart, their expectations in life more different. And there is nothing in the first meeting between the conference planner and the university lecturer which suggests they should expect or even want to connect again. But they have more in common than they could ever have imagined. Both have unresolved issues from the past which have marked them; both have an archaeological puzzle they want to solve. Their stories intertwine and they discover together that treasure isn’t always what it seems. 

First 500 words of Buried Treasure…

Prologue

Why did everyone laugh at her? Even her sister. It was true, and Rachel knew it.  Their great Uncle Alf Sydney HAD found treasure on his farm. And Uncle Bill  –  who should have been at school that day but was on the tractor with him  –  agreed how they’d dug it up, cleaned it as best they could, and kept it in the room they called the parlour.

These days the nearest thing they had to treasure was laid out on the table.  Called ‘the Sydney Collection’, the stones, coins and broken bits of pottery were all a bit dull and boring, to be honest. More exciting were the weird and wonderful things Uncle Bill had brought back from far flung places, when he was soldiering.

But back when Bill was still a boy, the treasure they’d dug out of a muddy field, was kept on the sideboard. Jane imagined it piled up high, lighting up the dark room with beams of glittery light. So much money and necklaces, bracelets and brooches, and long strings of pearls, it would have spilled onto the floor!  She was sure there’d have been crowns too, and gold caskets studded with rubies and emeralds. And even that piece of jewellery that gave her the shivers just to think about it  –  a diamond tiara like the one Cinderella wore to the ball. That was until the police came and snatched it all away.  

It just wasn’t fair, Jane told the girls in her class. But they shook their heads as if they knew she was pretending. No matter how often she said  –  “Honest, it’s true! It’s in a museum in London now” –  they still wouldn’t believe her. If she’d she been able to honestly say she’d seen it herself, would that have made a difference?  But London was a long way away, and expensive to visit. “One day…” she’d been promised.

Everyone was already paired up or in gangs when she arrived at the new school, so to be made to feel stupid, boastful and a fibber, when all she wanted was to make friends…! She kept her mouth shut from then on, and kept to herself old Uncle Alf’s mysterious wink, and the tap to the side of his nose, whenever he talked about the treasure.

Chapter 1

“Fairy tales can come true; it can happen to you…”  The old song evokes nostalgic memories of the farm, of family singsongs around the upright piano; Uncle Alf bashing out the tune, and Bill and Mary, egging him on. Why is it running through her head now, decades later, when both Alf and Bill are long dead, and the farm sold?  Deep down maybe she believes she’s on her way to achieving her own dream? But anyone who thinks that dreams really can come true is as delusional as the child who still believes in Santa  –  or Prince Charming.  A sick jolt runs down her spine.  How stupid had she been?…

***

Buy BURIED TREASURE via mybook.to/BURIEDTREASURE  

Find Gilli’s other books LIFE CLASS, TORN and FLY or FALL at:

https://accentpressbooks.com/collections/gilli-allan

http://www.amazon.co.uk/Gilli-Allan/e/B004W7GG7I

Find Gilli at:

http://twitter.com/gilliallan   (@gilliallan)

https://www.facebook.com/GilliAllan.AUTHOR

http://gilliallan.blogspot.com

http://www.goodreads.com/author/show/1027644.Gilli_Allan

https://romanticnovelistsassociation.org/rna_author/gilli-allan/ 

***

Bio

Gilli Allan began to write in childhood – a hobby pursued throughout her teenage. Writing was only abandoned when she left home, and real life supplanted the fiction.

After a few false starts she worked longest and most happily as a commercial artist, and only began writing again when she became a mother.

Living in Gloucestershire with her husband Geoff, Gilli is still a keen artist. She draws and paints and has now moved into book illustration.

She is published by Accent Press and each of her books, TORN, LIFE CLASS and FLY or FALL has won a ‘Chill with a Book’ award.

Following in the family tradition, her son, historian Thomas Williams, is also a writer. His most recent work, published by William Collins, is ‘Viking Britain’.

***

Many thanks for visiting today Gilli. Good luck and wishing you many happy sales.

Jenny x

 

A little peep at: The Winter Outlaw

Let’s take a peep inside The Folville Chronicles – Book Two: The Winter Outlaw .

Blurb

1329:  It is the dead of winter. The notorious Folville brothers are on edge. There are rumours of an unknown outlaw terrorising the Leicestershire countryside—a man who has designs on the Folville family’s criminal connections.

Determined to stop this usurper in his tracks, Robert Folville unearths a man hiding in one of Ashby-Folville’s sheep shelters. A steward from far-off West Markham in Nottinghamshire, the cold, hungry Adam Calvin claims he knows nothing of any threat to the Folville family. He has troubles of his own, for he is being pursued by vengeful sheriff, Edmund de Cressy, for a crime he did not commit.

Mathilda of Twyford, newly betrothed to Robert de Folville, believes Adam’s story, but with rumours about a vendetta against the family growing, the Folville brothers are suspicious of every stranger.

***

Here’s the prologue to whet your appetite…

Prologue: Winter 1329

Adam Calvin’s vision blurred as his eyes streamed in the cold. His breath came in wheezing puffs. He needed to rest, but he daren’t. Not yet.

It was only as the vague outline of a cluster of homes and workshops came into view in the distance that he realised where his legs had been taking him. Slowing his pace, but not stopping, Adam risked a glance over his shoulder. He’d expected to see dogs, horses and men chasing him, but there was nothing. No one.

Scanning the scene ahead, making sure he wasn’t running into trouble as well as away from it, Adam exhaled heavily and aimed for a building he hoped was still standing.

The last time he’d visited the tiny village of Walesby there had been an old grain store on its outskirts. Built too close to the point where the frequently flooding Rivers Maun and Meden merged, the grain store had paid the price of a poor location. Long since abandoned in favour of a superior bake house, it was a perfect temporary hiding place for a man on the run.

Adam had no breath left with which to sigh for relief when he saw the neglected grain store. Uttering a prayer of thanks to Our Lady for the fact the building hadn’t been pulled down, he lifted the worn latch. He eased his way into the damp space, which was stuffed with rotting sacks containing all manner of rubbish.

Scrabbling awkwardly over the first few rows of musty sacks, Adam made himself a man-sized gap at the back of the room. Sinking down as far as he could, hoping both the sacks and the dark would shield him long enough for his cramped limbs to rest, he did his best to ignore the putrid stench and allowed his mind to catch up on events.

Only a few hours ago everything in Adam’s life had been as it should be.

He’d been fast asleep in his cot in the small private room his status as steward to Lord John de Markham gave him.

Had given him.

Adam wasn’t sure what time it had been when he’d been shaken to his senses from sleep by Ulric, the kitchen boy. He suspected it hadn’t been much more than an hour after he’d bedded down for the night.

Ulric, who’d frantically reported that a hue and cry had been called to capture Adam, had urged his master to move quickly. The sheriff had unexpectedly arrived and there had been a brief meeting between him, the Lord Markham and one other unknown man. An anxious Ulric had said that rumours were flying around like snowflakes in the wind.

Some of the household staff were saying Adam had stolen something, some that there had been a death; a murder.

Either way, for his own safety, Steward Calvin had to leave. Fast.

Confused, scared and angry that his good name was being questioned; without having time to find out what was going on or defend himself, Adam had grabbed his scrip. Pulling on his boots and cloak, with Ulric’s help he’d headed through the manor via the servants’ walkways.

The only item Adam hadn’t been able to find to take with him was his knife. Contenting himself with lifting one from Cook’s precious supplies as he ran through the kitchen, he’d left the manor that had been his home for the past twenty years.

With a fleeting nod of gratitude to his young helper, Adam had fled into the frosty night. Only minutes later he’d heard the calls of the hue and cry; echoes of the posse’s footfalls thudding against the hard, icy earth.

Now, wiping tears of exhaustion away with the back of his hand, Adam strained his ears through the winter air. All he could hear was the busy work of the mice or rats who were taking as much advantage of the building as he was.

Glad of the water pouch Ulric had stuffed in his scrip, Adam took a tiny sip. He didn’t know how long it would have to last him. Closing his eyes, he rested his head against the sacks that boxed him in and tried to think.

Had he outstripped the hue and cry? If they were nearby, taking the chance to rest while waiting for him to run again, then Adam was sure he’d have heard something ‑ but there were no muttered voices, no horses panting and no hounds barking at his scent.

Adam managed to get his breathing under control. He’d been part of the hue and cry on occasions himself, and he knew such groups didn’t tend to chase their quarry far, or for long. Especially not on a cold winter’s night, when they could be tucked up in bed before the demands of the next working day.

With growing confidence that he’d chosen his bolthole well, Adam allowed himself to relax a fraction. Few people lived in Walesby since the most recent of many destructive floods, and its location meant he was only a few steps from the edge of Sherwood Forest. A desperate man could easily disappear into the woodland’s depths.

As the hours ticked on, Adam became convinced that the pursuit had stopped. However, he knew that by the morning the hue and cry would be replaced with soldiers if the sheriff barked the order. His bolthole wouldn’t stay safe for long.

Yet that wasn’t what concerned Adam the most. He wanted to know what he was supposed to have done that warranted his midnight flight. How could he even begin to go about clearing his name if he didn’t know what he was accused of?

In the meantime, where was he going to go?

***

Ever since I did my PhD (on medieval crime and its portrayal in the ballad literature of the fourteenth century), I have wanted to use what I learnt to tell a series of stories. Although I’ve written all sorts of things between 1999, when my PhD finished, and now – I still wasn’t sure it would ever happen.  Yet, here I am! The first three novels – one short – two long – are out in the world – and book four is in the planning stages!

You can buy The Winter Outlaw from Amazon and all good book retailers-

UK: http://ow.ly/RsKq30j0jev 
US: http://ow.ly/EvyF30j0jfk  

Happy reading,

Jen xx

Release Blitz: Life and Other Dreams by Richard Dee

February 15th is the release day for Richard Dee’s Life and Other Dreams

Blurb

Rick lives here on Earth, now, with Cath. His life is boring, writing adverts for cat food and exotic holidays. When he’s asleep, he dreams vividly.

In his dreams, he lives as Dan, spending his time with his wife Vanessa. They live six-hundred years in the future, half a galaxy away. They’re explorers, searching for valuable minerals on Ecias, an alien paradise.

When the two worlds start to overlap, Rick starts to question what is real. Events in his waking and sleeping lives are mirrored, similar people inhabit both and coincidences mount up. Then disaster strikes in each world at the same time. In his dreams, Dan is accused of a crime he didn’t commit. Meanwhile, after one coincidence too many, Cath thinks that Rick’s dreams are hiding an affair and leaves him.

Is Rick going crazy, or can he be living in two places, two times, at once? If not, then which one of them is the reality? Will one life carry on when the other is on hold?

Let’s have a peep…

In this extract, I describe Rick’s visit to a psychiatrist, where he explains what he thinks are his dreams. He describes his life as Dan, on the planet Ecias, six hundred years from now.

“You’ve told me a lot about your dreams,” Doctor Borth said. “Can you tell me how real your life is when you’re in one of them? Do you feel surprised when you wake and find that you’re not there?” I wondered where this was going.

“It’s very real,” I said. “In my dreams, I have a full life. I’ve spent months on Ecias, done so much work. I’m a geological surveyor there, I checked out some of the technical terms I remember using, they all match. I’m not a scientist so I don’t know where they come from. When I’m there, I don’t think of here in the same way.”

He took more interest at that point, leaning forward. “So, when you’re on… Ecias, you use a technical vocabulary that you don’t in this life?”

“That’s right. It’s the same with the Latin names for plants and trees. And there’s more. I know things that can’t be true.”

“Wait,” he held up his hand. “What do you mean, things that can’t be true?”

“I can describe how a spaceship engine works, how we can travel faster than light. It all makes perfect sense to me. If I had the equipment, I could have a good try at making one for you. And I can use a multi-sensor mapping drone, use machinery that doesn’t exist.” I realised that my voice was getting louder; I was getting excited as I told him, remembering more and more as I went on.

“I’ve looked, none of it’s been invented but I use it all the time, I’m familiar with it, how it works and how it’s made. Hell, I can even tell you which planet the things are made on, who invented them. I don’t just use the stuff, if it breaks down in the forest, I can strip and repair it too.”

If that surprised him, he never showed it. His face was blank; the eyes behind the thick lenses gave nothing away. Maybe it was the sort of thing he heard all the time, perhaps his working life was filled with tales of galactic explorers.

“Interesting,” he muttered, almost to himself. “Do you live a day at a time in your dream?”

“If you mean, do I sleep there and wake there in the mornings, yes I do. In some dreams, I live on Ecias for a month or more. Before you ask, when I’m there, I don’t dream of here. Or if I do; I don’t recall it in the same way. When Cath left, I tried to remember and write everything down; I found that the act brought up more and more detail.”

“You mean like writing in a diary would here?” he suggested.

“I’ve never kept a diary, but I guess so. What I mean is that the act of remembering things prompted me to remember more things.” I showed him the thick sheaf of papers, the notes I had started on the day after Cath had left. There were more now, I’d added quite a lot to them, details about my findings online and the things that had happened with Anna had brought them up to date.

“Are they your notes? Can I see them?”

I passed them over, he flipped through the pages. “May I make copies?” he asked. “I can assure you that nobody but me will see them. I haven’t the time in this consultation to read them all.”

“Of course you can,”

“Thank you.” He stood and crossed to his desk. There was a small multi-function printer on it, next to a computer screen. He laid the papers on the tray and clicked a few buttons. There was the noise of the machine warming up. Soon, copies started to appear in the output tray. He had to reload the paper during the operation, I hadn’t realised how my rambling about life on Ecias had grown.

The machine finished. He returned my sheets to me and sat again. “Thank you, I will read them with interest. Now, tell me one specific thing,” he said. “Take a day in your life on Ecias and tell me about it. It doesn’t have to be a special day, any day you like.”

I thought for a moment, then I recounted the last day on Ecias that I had really been happy. I told him about the journey from our place into town, the time when Vanessa and I had ended up having sex by the side of the road. Telling him that, and he never flinched at some of the details, reminded me of the first time we had driven up to the place we would call home, our prefabricated cabin in the clearing. So I started talking about that.

I told him how the cabin had been dropped in by lifter, just as soon as we had cleared the undergrowth. From that, I remembered from the fun that Vanessa and I had doing it. I told him about the animals that we saw from our window, once they had got used to our being there. How we fed the local Sawgrass family muesli from our hands, how their tongues felt against our palms.

“Hold on,” he said. “Do you realise you’ve been talking for more than twenty minutes, you’ve told me more about the day you moved into the cabin, all the things you did, than I can remember about when I moved to my new house. And that was only a month ago. Not only that, it’s all consistent, there’s nothing that you’ve said that doesn’t follow logic, or change with repetition. It leads you to other memories as well, which indicates a consistent timeline.”

Here was the big question. “So, do you believe me?”

You can purchase Life and Other Dreams from Amazon at https://goo.gl/3s8mQ5 

I’m Richard Dee and I’m from Brixham in Devon. I was never a writer, at least not for ages. I made up stories in my head, based on dreams and events in my life, but I never did much with them. Life, a wife, three daughters and now three grandchildren have kept me busy.

I spent forty years in shipping, firstly at sea, then in Port Control and as a Thames River Pilot, with adventures to match anything I could imagine. When I retired, I just moved them out into space, changed some of the names and wrote them down.

I write Science Fiction and Steampunk adventures, as well as chronicling the exploits of Andorra Pett, reluctant amateur detective. When I’m not writing, I bake bread and biscuits, cook delicious meals and walk the Devon coast.

My first novel Freefall was published in 2013, followed by Ribbonworld in 2015. September 2016 saw the publication of The Rocks of Aserol, a Steampunk adventure, and Flash Fiction, a collection of Short Stories. Myra, the prequel to Freefall was published in 2017, along with Andorra Pett and the Oort Cloud Café, a murder mystery set in space, the first of a series featuring Andorra Pett.

Sequels to most of them have either followed or are in production. I also contributed a story to the 1066 Turned Upside Down collection of alternative history stories. I’m currently working on more prequels, sequels, and a few new projects.

My website is richarddeescifi.co.uk. Head over there to see what I get up to, you’ll find free short stories, regular features on writing, book reviews and guest appearances from other great authors. Click the FREE STUFF tab or the PORTFOLIO tab to get all the details about my work and pick up a free short story.

I’m on Facebook at RichardDeeAuthor  and Twitter at Richard Dee Sci-Fi I can also be contacted at mailto:richarddeescifi@gmail.com

***

Many thanks Richard. Good luck with your new novel.

Happy reading,

Jenny x

A little peep at: The Winter Outlaw

Let’s take a peep inside The Folville Chronicles – Book Two: The Winter Outlaw .

Blurb

1329:  It is the dead of winter. The notorious Folville brothers are on edge. There are rumours of an unknown outlaw terrorising the Leicestershire countryside—a man who has designs on the Folville family’s criminal connections.

Determined to stop this usurper in his tracks, Robert Folville unearths a man hiding in one of Ashby-Folville’s sheep shelters. A steward from far-off West Markham in Nottinghamshire, the cold, hungry Adam Calvin claims he knows nothing of any threat to the Folville family. He has troubles of his own, for he is being pursued by vengeful sheriff, Edmund de Cressy, for a crime he did not commit.

Mathilda of Twyford, newly betrothed to Robert de Folville, believes Adam’s story, but with rumours about a vendetta against the family growing, the Folville brothers are suspicious of every stranger.

***

Here’s the prologue to whet your appetite…

Prologue: Winter 1329

Adam Calvin’s vision blurred as his eyes streamed in the cold. His breath came in wheezing puffs. He needed to rest, but he daren’t. Not yet.

It was only as the vague outline of a cluster of homes and workshops came into view in the distance that he realised where his legs had been taking him. Slowing his pace, but not stopping, Adam risked a glance over his shoulder. He’d expected to see dogs, horses and men chasing him, but there was nothing. No one.

Scanning the scene ahead, making sure he wasn’t running into trouble as well as away from it, Adam exhaled heavily and aimed for a building he hoped was still standing.

The last time he’d visited the tiny village of Walesby there had been an old grain store on its outskirts. Built too close to the point where the frequently flooding Rivers Maun and Meden merged, the grain store had paid the price of a poor location. Long since abandoned in favour of a superior bake house, it was a perfect temporary hiding place for a man on the run.

Adam had no breath left with which to sigh for relief when he saw the neglected grain store. Uttering a prayer of thanks to Our Lady for the fact the building hadn’t been pulled down, he lifted the worn latch. He eased his way into the damp space, which was stuffed with rotting sacks containing all manner of rubbish.

Scrabbling awkwardly over the first few rows of musty sacks, Adam made himself a man-sized gap at the back of the room. Sinking down as far as he could, hoping both the sacks and the dark would shield him long enough for his cramped limbs to rest, he did his best to ignore the putrid stench and allowed his mind to catch up on events.

Only a few hours ago everything in Adam’s life had been as it should be.

He’d been fast asleep in his cot in the small private room his status as steward to Lord John de Markham gave him.

Had given him.

Adam wasn’t sure what time it had been when he’d been shaken to his senses from sleep by Ulric, the kitchen boy. He suspected it hadn’t been much more than an hour after he’d bedded down for the night.

Ulric, who’d frantically reported that a hue and cry had been called to capture Adam, had urged his master to move quickly. The sheriff had unexpectedly arrived and there had been a brief meeting between him, the Lord Markham and one other unknown man. An anxious Ulric had said that rumours were flying around like snowflakes in the wind.

Some of the household staff were saying Adam had stolen something, some that there had been a death; a murder.

Either way, for his own safety, Steward Calvin had to leave. Fast.

Confused, scared and angry that his good name was being questioned; without having time to find out what was going on or defend himself, Adam had grabbed his scrip. Pulling on his boots and cloak, with Ulric’s help he’d headed through the manor via the servants’ walkways.

The only item Adam hadn’t been able to find to take with him was his knife. Contenting himself with lifting one from Cook’s precious supplies as he ran through the kitchen, he’d left the manor that had been his home for the past twenty years.

With a fleeting nod of gratitude to his young helper, Adam had fled into the frosty night. Only minutes later he’d heard the calls of the hue and cry; echoes of the posse’s footfalls thudding against the hard, icy earth.

Now, wiping tears of exhaustion away with the back of his hand, Adam strained his ears through the winter air. All he could hear was the busy work of the mice or rats who were taking as much advantage of the building as he was.

Glad of the water pouch Ulric had stuffed in his scrip, Adam took a tiny sip. He didn’t know how long it would have to last him. Closing his eyes, he rested his head against the sacks that boxed him in and tried to think.

Had he outstripped the hue and cry? If they were nearby, taking the chance to rest while waiting for him to run again, then Adam was sure he’d have heard something ‑ but there were no muttered voices, no horses panting and no hounds barking at his scent.

Adam managed to get his breathing under control. He’d been part of the hue and cry on occasions himself, and he knew such groups didn’t tend to chase their quarry far, or for long. Especially not on a cold winter’s night, when they could be tucked up in bed before the demands of the next working day.

With growing confidence that he’d chosen his bolthole well, Adam allowed himself to relax a fraction. Few people lived in Walesby since the most recent of many destructive floods, and its location meant he was only a few steps from the edge of Sherwood Forest. A desperate man could easily disappear into the woodland’s depths.

As the hours ticked on, Adam became convinced that the pursuit had stopped. However, he knew that by the morning the hue and cry would be replaced with soldiers if the sheriff barked the order. His bolthole wouldn’t stay safe for long.

Yet that wasn’t what concerned Adam the most. He wanted to know what he was supposed to have done that warranted his midnight flight. How could he even begin to go about clearing his name if he didn’t know what he was accused of?

In the meantime, where was he going to go?

***

Ever since I did my PhD (on medieval crime and its portrayal in the ballad literature of the fourteenth century), I have wanted to use what I learnt to tell a series of stories. Although I’ve written all sorts of things between 1999, when my PhD finished, and now – I still wasn’t sure it would ever happen.  Yet, here I am! The first three novels – one short – two long – are out in the world – and book four is in the planning stages!

You can buy The Winter Outlaw from Amazon and all good book retailers-

UK: http://ow.ly/RsKq30j0jev 
US: http://ow.ly/EvyF30j0jfk  

Happy reading,

Jen xx

Another Cup of Coffee at Christmas

Many thanks to everyone who supported my Another Cup of Coffee anniversary blog tour.

Now that it has come to an end, I thought I’d wave the flag for the three Christmas sequels that followed on its heels.

jennykaneschristmascollection200

These stories, Another Cup of Christmas, Christmas at the Cotswolds, Christmas at the Castle which can be purchased separately, or together in the Jenny Kane’s Christmas Collection, were a great deal of fun to write- especially as they gave me the chance to continue the story of Amy, Jack, Kit, Paul and their friends Peggy and Scott – not to mention Pickwicks’ new waitress, Megan.

Blurb for the Jenny Kane Christmas Collection-

There is something very special about Christmas…

Jenny Kane’s Christmas Collection combines all three seasonal shorts from Jenny’s best-selling Another Cup of … series in one festive anthology.

In ‘Another Cup of Christmas’, we return to Pickwicks Coffee House in London, the setting for Jenny’s bestselling novel Another Cup of Coffee. Together with old friends Kit, Amy, Scott and Peggy, we meet new Pickwicks waitress Megan, who’s in charge of organising a charity event for the local hospital…is romance as well as seasonal goodwill in the air?

‘Christmas in the Cotswolds’ sees Megan, now an established face at Pickwicks, travelling to the beautiful Cotswold countryside after an emergency call from her friend Izzie. Can Megan help Izzie pull off the perfect Christmas at her Arts and Crafts Centre – and save the business from disaster?

Kit Lambert, Pickwicks’ writer-in-residence, takes centre stage in ‘Christmas at the Castle’. Already nervous about appearing at her very first literary festival, in the grounds of a magnificent Scottish castle at Christmas time, Kit suddenly finds herself co-organising the whole thing – and trying to repair old friendships – with the deadline fast approaching…

***

Each novella is deliberately short, so that you can fit a peaceful moments reading into your busy Christmas preparation schedule. Either Another Cup of Christmas, Christmas at the Cotswolds, or Christmas at the Castle, can be easily consumed in one delicious ginger and nutmeg flavoured mouthful at a time!

You can still buy each story as a separate e-book, but now you can buy them in one book as well-

Amazon UK- https://www.amazon.co.uk/Jenny-Kanes-Christmas-Collection-Short-ebook/dp/B01M0ICD7A/ref=sr_1_2?ie=UTF8&qid=1474386377&sr=8-2&keywords=jenny+kane%27s+christmas+collection

Amazon.com-  https://www.amazon.com/Jenny-Kanes-Christmas-Collection-Short-ebook/dp/B01M0ICD7A/ref=sr_1_1?ie=UTF8&qid=1474387008&sr=8-1&keywords=jenny+kane%27s+christmas+collection

***

 

 

 

 

 

 

 

 

 

Here’s the very beginning of Another Cup of Christmas

December 4th 2012

Having politely escaped her third ‘So what are you doing for Christmas?’ conversation of the day, Megan Johnson was retreating back to the counter when she spotted Pickwicks’ most regular customer sit up from her work and brush a stray red hair from her eyes.

Knowing it had been at least half an hour since Kit’s caffeine addiction had been attended to, the waitress swiped up the percolator jug and headed in her direction.

Without bothering to ask if it was required, Megan poured the steaming liquid with practised care, before taking advantage of the lull in Christmas shopping trade, and sitting down opposite her friend. ‘Going OK?’

Swivelling the laptop round to face Megan, Kit rubbed the back of her neck, ‘I’m sure I’ve missed something. What do you think?’

Pickwicks Festive Fundraiser!

Spoil Yourself With An Afternoon of Pickwicks’ Finest Festive Fare.

 In Aid of the Royal Free Hospital’s Spinal Ward.

Saturday 22nd December from 2pm.

Deluxe Buffet And Festive Fundraising Fun!

Tickets are ONLY £25 per person

Don’t miss out!

Book your place at Pickwicks Coffee Shop, Richmond – NOW!!

Megan scanned the poster. ‘Oh, that’s fabulous! I thought you were writing your latest novel.’

‘To tell you the truth, that’s exactly what I should be doing, but Peggy asked me to do some publicity for the fundraiser and I thought I’d better get on with it. Time seems to be dissolving. It’ll be the 22nd before we know it.’

‘I know what you mean.’ Megan started to collect the dishes left by a couple who’d just vacated a nearby table. ‘The next three weeks are going to fly by.’

‘Two and a half weeks!’

‘Oh, hell! Really?’

‘That’s why I want to get these done; otherwise everyone will be too booked up with their own celebrations to have time to come.’ Gesturing towards the kitchen, Kit asked, ‘How’s Scott doing out there, or shouldn’t I ask?’

Megan’s permanent smile widened further across her lightly freckled face. ‘He’s amazing. I have no idea how he does it. The temperature in that kitchen is tropical, and yet Scott’s still beaming that massive toothy grin of his. I’m seriously beginning to think he is physically unable to stop cooking! Surely he must have pre-prepared as much as he can for the fundraiser by now?’

Kit nodded. ‘He probably has, but Peggy is getting paranoid there won’t be enough food.’ Glancing around, checking that Megan wasn’t needed by a customer for a moment, Kit pointed to a fresh pile of abandoned cups. ‘If I clear those, will you have a proper read of the poster? I’m sure I’ve missed something obvious but I can’t put my finger on it?’

Kit was already standing up and taking a tray from Megan’s hands before the waitress said, ‘On one condition.’

‘Which is?’

‘I can check my emails? I’m supposed to be liaising with the hospital about this for Peggy, but we’ve been so busy over the last few days I haven’t had time to see if Nick has got back to me about how many of the ward staff are coming.’

‘Nick?’

Megan silently cursed her inability to prevent the involuntary warm pink blush that hit her pale cheeks, ‘Yeah, he’s the admin guy for the ward that cared for Scott after his accident.’

‘Nice, is he?’ Kit gently teased the petite blonde waitress, wondering, not for the first time, why someone as kind and pretty as Megan hadn’t been snapped up years ago.

‘I’ve never met him, but he seems friendly. Well, he does via email and over the phone at least.’

‘You’ve spoken to him then?’

‘There are loads of things to sort out.’ Megan, knowing that the crush she’d developed on Nick’s Irish accent was utterly ridiculous, turned her full attention to the poster on the screen before her…

***

jennykanes-christmas-collection-new

I hope that snippet has tempted you into taking a look at my coffee loving, friendship enhancing, romance brewing, mulled wine sipping, stories.

Happy reading everyone,

Jenny xx

PS- and if you enjoy those, you might want to read the final novel in the Another Cup of …series-Another Glass of Champagne

 

Opening Lines; By Virtue Fall by Carrie Elks

‘Opening Lines’ time is here!

This week I’m welcoming romance writer, Carrie Elks, to the blog with her brand new release, By Virtue Fall.

Over to you Carrie…

First of all many thanks to Jenny for featuring me on your blog. I was excited because as an author I spend hours trying to get the first few pages of a book completely right. 500 words isn’t a lot – for me it probably works out at a third of a scene – but it SHOULD be enough to engage the reader, give them a bit of information about the characters and set the scene for the rest of the book.

The extract below is from my newest release – By Virtue Fall. It’s the fourth book in a series (The Shakespeare Sisters) but can be read as a standalone romance. It’s set in a small town on the East Coast of America (think Gilmore Girls meets the Chesapeake Bay), and features a single mother called Juliet who’s trying to juggle a divorce, bringing up a six-year-old daughter, and getting her new floristry business on its feet.

As if she doesn’t have enough to contend with, a new man moves into the vacant house next door. Ryan Sutherland is a travel photographer, a single father of a six year old boy, and is so attractive Juliet finds him impossible to ignore.

Here are the first 500 words.

‘But I’ve always dreamed of yellow roses,’ the bride said, leaning forward. ‘Yellow roses mixed with white lilies, hand tied with string.’

‘Yellow is very vulgar, Melanie,’ Mrs Carlton, the older woman replied, waving her hand as if to dismiss her future daughter-in-law. ‘At the Smithson wedding they had peach flowers. They were very elegant and tasteful.’ She gave a nod at the end, as if that was her final word.

Juliet chewed the top of her pen lid, watching the two women debating their wedding flower preferences. Since she’d started her florist business a year before, it had become a familiar scene. Sometimes she felt more like a therapist than anything else.

Pulling the blue pen lid from her mouth, Juliet scribbled on the pad in front of her. ‘You know, yellow and peach roses can look fantastic together,’ she suggested, quickly sketching out a picture of a bouquet. ‘We did something similar at the Hatherly wedding in the summer, and it looked divine.’ She leaned in towards Mrs Carlton, as if they were bosom buddies. ‘And you know how discerning Eleanor Hatherly is.’

She was name-dropping but she didn’t care. Though she was an outsider, she’d lived in Maryland long enough to know that in these circles snobbery was still a thing. Hell, she’d been married to one of the biggest snobs in Shaw Haven, after all.

Was still married to him, she corrected herself. For now, at least. Thanks to  Maryland divorce laws, she and Thomas had to live separately for a year before their divorce could be finalised. Six months in, and she was already counting the days.

Melanie looked up at Juliet, a flash of hope in her eyes. ‘I’d love a peach and yellow bouquet.’

Patting her on the hand, Mrs Carlton smiled. ‘I knew we’d be able to agree on this. It’s the small details that are so important. You’ll learn that when you’re a Carlton, too.’

Grabbing her tablet, Juliet scrolled through her catalogue to show them the different arrangements, helping them narrow down the choices until they found the perfect one.

Welcome to married life. A world where you’ll run yourself ragged pleasing your husband, your in-laws and even your friends, while putting all your hopes and dreams on the backburner.

Juliet found her thoughts drifting back to her own wedding. She’d met Thomas when she was studying Fine Arts at Oxford Brookes University, and he’d been a Rhodes Scholar, an American studying at the more prestigious Oxford University. It had been a meeting of pure chance – she’d been working in a local florist at the weekends to try and eke out her student loan, in charge of deliveries in the local area. As she was walking up the path to Christ Church College, dodging the students and tourists who were admiring the fountain in the middle of the green, she’d been practically run over by the suave American post-grad who was running late for dinner.

He’d swept her off her…

WHERE TO BUY BY VIRTUE FALL

By Virtue Fall was released last week on October 11th – and is available to buy right now!

Amazon UK ➜  https://amzn.to/2AcOP2h

iBooks UK ➜  https://itunes.apple.com/gb/book/by-virtue-fall/id1363226299?mt=11

Kobo UK ➜  https://www.kobo.com/gb/en/ebook/by-virtue-fall-1

 

AUTHOR BIO

Carrie Elks writes contemporary romance with a sizzling edge. Her first book, Fix You, has been translated into eight languages and made a surprise appearance on Big Brother in Brazil. Luckily for her, it wasn’t voted out. Carrie lives with her husband, two lovely children and a larger-than-life black pug called Plato. When she isn’t writing or reading, she can be found baking, drinking an occasional (!) glass of wine, or chatting on social media.

***

Huge thanks Carrie. Good luck with your novel.

Come back next week to read another 500 words.

Happy reading,

Jenny x

 

Guest post from Phyllis Newman: The Vanishing Bride of Northfield House

I have a great blog for you today. Phyllis Newman is here explaining her motivation and how she satisfies her desire to kill…

Why not grab a slice of cake and a cuppa, and have a read?

 

What could be more natural than writing murder mysteries after a long career in finance and human resources? It satisfies in some small way my desire to kill someone!

I spent many decades at a large Midwestern university steeped in the various whims and vagaries of self-centered academics. As an administrator, I witnessed resentment, jealousy, fear, love, compassion, and hate (but no murders, fortunately! Not that promotion and tenure isn’t something to die for.) These emotions form the basis of all motives, the rationale for what we do in any walk of life.

Motivation is a theoretical construct used to explain behavior. It represents the reasons for people’s actions, desires, and needs. Motivation can also be defined as one’s direction to behavior, or what causes a person to want to repeat a behavior. A motive is what leads to all acts of love and devotion as well as every crime.

At the heart of every story you find motivation. Understanding one’s fellow man is essential if you are to write about people believably, for to reveal the rationale behind their behavior is to make them live and breathe. Real world interactions with people—especially those who are dealing with difficult situations—can yield a plethora of revelations about humanity. Every writer must search within themselves to find truth about their characters, and to reflect what they know, to write what they have experienced themselves. Yes, that old chestnut, write what you know! (It only now occurs to me that given the subject matter of THE VANISHED BRIDE OF NORTHFIELD HOUSE, this makes me look like a pretty creepy person.)

Motivation—whether to keep secrets, fall in love, or murder someone—defines the action in any novel but is most particularly important in a mystery. As a writer I must create events and portray thought processes that jumpstart and maintain the action. Without understanding what motivates them, your characters remain flat and unknowable to the reader. A connection with the characters is essential for a reader to identify with and appreciate the story.

 In this newly published novel, my main character Anne Chatham ends up in the English countryside typing scholarly manuscripts of an agricultural nature. What gets her there and into the ensuing intrigues is determined by the sweep of history following The Great War, the social and political upheaval of the times, and a rich tapestry of family lore, dark secrets, and forbidden love.

In THE VANISHED BRIDE, I believe I have delivered a fun-to-read ghost story. It is a creepy supernatural gothic tale with a spirited heroine, intriguing mystery, engaging romance, and spirits who make the action lively. The story is a mix of mystery and romance with touches of supernatural spookiness and gothic horror.

All the characters in The Vanished Bride are haunted, either by disappointment, the unresolved past, unmet desire, or guilt. They are motivated by the same desires, love, hatred, jealousy, and a whole panoply of human emotion, making them like people everywhere. This is a psychological thriller where the details unfold one by one, death by death.

Extract:

My dance partner bowed with the élan befitting a king’s guardsman and, with a little smile, took his leave.

I turned to Martha. “Mrs. Langtry, how nice to see you.”

She gave me a blank stare. “Have we met?” She balanced a plate in her lap littered with the remnants of an artichoke-olive canapé.

The other women, who nibbled on smoked salmon on toast, watched us closely.

“Yes, but it’s been a while. I’m Anne. I work with Mr. Wellington.”

“How are you, dear?” She looked past me into the crowd. “Have a seat and talk to an old lady.” She made a shooing gesture to the tiny woman in black sitting next to her.

The little woman shot me a look of disdain before vacating her chair.

Martha opened an elaborate fan and fluttered it before her face.

Feeling warm, I wished for a fan of my own. But what I really wanted was a mask to hide behind. The scarlet dress made my desired invisibility impossible. I scanned the guests and spied Thomas again, but not his brother.

“Have you seen the bride?” said Martha.

“What?” I asked, assuming one of the revelers was dressed as a bride.

“Just lovely,” said Martha. “All those flowers.”

I searched among the tumult of guests, both the originals and their doubles reflected in the mirrored doors.

“Eleanor has never looked more beautiful,” Martha said, beaming.

I was engulfed by a wave of pure pity. Martha was at another party in another time.

She eyed me with disapproval. “That dress, dear. I hope you don’t think ill of me if I suggest it is most inappropriate.” She shook her head. “Quite improper.”

I felt a stab of humiliation. My confidence wavered. But I called upon Eleanor’s supporting presence and decided to humor my elderly companion. After all, her suffering trumped any discomfort I might feel.

“I must apologize, Mrs. Langtry.” I bowed my head with mock contrition. “I’m a simple country girl and didn’t know what I should wear.”

She laughed. “There, there, my dear. Don’t be disheartened. No one’s looking at you, anyway. They’ll all be looking at her.”

“Of course!” I agreed. “Do you need anything, Mrs. Langtry? May I get you a glass of water?” I touched her hand.

She jerked away from me and snarled, “Don’t do that. How dare you touch me!”

My face stung as I looked about at our companions. No one seemed to notice that Martha was unstable. I said as softly as possible, “Would you like to go to your room? Lie down for a while?”

“Why should I? I’ll miss all the fun.”

I was wondering how much fun she could possibly be having when she turned to me, leaning close, and whispered like a conspirator.

“You forget,” she said. “I know. I know everything. I saw what really happened.” She drew herself up with smug hauteur. “I’m telling.”

Telling what? She might have been thinking of Eleanor’s wedding—or another event tangled in her jumbled mind.

Martha closed her fan. We sat in silence, peering at the assembled throng as they paused with the music.

A hush fell.

For a moment, anticipation hung in the air.

Then an excited murmur ran through the room.

All heads turned towards the entrance. Charlotte stood at the top of the steps. She was dressed as an ethereal moth. A shimmering white gown rippled across her body, falling from the high collar at her throat to the floor. Her hair was hidden under a close-fitting, beaded skullcap. A pair of gossamer wings with fluttering ribbons completed the effect. The translucent fabric revealed every alluring curve of her body, unaltered by any foundation garments. She looked like a silken goddess, lit from within by moonlight.

The crowd broke into spontaneous applause at her appearance, and Charlotte beamed a glorious smile at her adoring admirers. Cries of appreciation bounced about the ballroom like reflected light.

It was only then I saw Owen. Dressed like Edgar Allen Poe, he wore a close-fitting black suit with a silk bow tied loosely around a high white collar. With his dark, tousled hair and solemn expression, he most assuredly recalled the famous poet.

He stood at the edge of the dancers, his eyes devouring Charlotte.

Something inside me withered and withdrew. With Charlotte’s arrival in her diaphanous costume, I felt sure I looked garish and overdone. Whoever or whatever infused me with confidence had fled.

Perhaps this was just what she’d planned. Her image was that of heavenly angel, otherworldly sylph, ethereal sprite. Mine was smoking demon with my tumble of black hair and crimson gown. I might as well have been holding a pitchfork.

As I watched Owen, who looked mesmerized by Charlotte’s silvery figure, a young man appeared before me, extending his hand. I rose without thinking, without seeing his face, and we spun awkwardly about the floor. A jazz number gripped the crowd, and another man stepped forwards and pulled me into the circle of revelers. I moved to unfamiliar music, rocking and bouncing, ungainly and clumsy, back and forth and around.

Drums pounded and horns blared in propulsive syncopation. I continued to dance and dance, unable to catch the tempo. The beat of the music pulsed throughout the room, the rhythmical throb vibrating the floor, and we swayed and dipped through the whirl of sparkling color and grinning faces. I feared I was making a spectacle of myself, but felt trapped in the crush of dancers.

Charlotte drifted through the mob like a cloud, bestowing kisses, dancing with one admirer, and laughing with another. I heard a babble of praise follow her whenever the music paused.

Everything tilted for a second when a waltz seized the room and rolled over the dancers. Another man took my hand and we eddied and swirled, round and round. Yet another man cut in. I hardly acknowledged my partners, barely felt their hand in mine, the other resting at my waist.

 *** 

Bio:

Phyllis M. Newman is a native southerner. Born in New Orleans, she spent formative years in Florida, Iowa, Mississippi, and on a dairy farm in Ross Country, Ohio. After a long career in finance and human resources at The Ohio State University, she turned her attention to writing fiction. She published a noir mystery, “Kat’s Eye” in 2015, and “The Vanished Bride of Northfield House” in 2018. Today she lives in Columbus, Ohio with her husband and three perpetually unimpressed cats, ghost watchers all.

You may contact/follow/like her at www.readphyllismnewman.com, or Facebook  https://facebook.com/ReadPhyllisMNewman/  ; or Twitter @phyllismnewman2

Readers can find The Vanished Bride of Northfield House at Amazon.com/co.uk, Kindle, and Barnes & Noble

Buy link:    http://www.amazon.com/dp/1939403456

British buy link:  https://goo.gl/uU5QBC

***

Thanks for such a great blog Phyllis,

Happy reading everyone,

Jenny xx

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