Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

Category: Historical fiction Page 16 of 23

Blowing the Dust Off: Jane Jackson’s Eye of the Wind

It’s Day 6 of my ‘Blowing the Dust Off’ series of blogs. Today the lovely Jane Jackson is reminding us about her excellent novel, Eye of the Wind.

Grab a cuppa and enjoy…

Thanks so much for inviting me onto your blog, Jenny.  Your brief was that guests should choose one of their books published at least two years ago.  I have chosen ‘Eye of the Wind.’ I’m passionate about the characters, story and background in every book I’ve written, but this one is a special favourite.  Why?  Because Melissa and Gabriel have no choice but to keep secrets, from their families and each other.  As the attraction between them grows, this creates enormous tension which is tough for them, but makes a gripping story.

As a professional writer for over four decades with thirty-two books published, I’ve learned a lot about my craft. A strong plot is important. But for me character comes first.  The characters drive the story and if they don’t grab and hold your interest, you’re not likely to read on. There are so many new books published every week all begging for your attention.

One thing I learned to do (and passed on to my students when I was teaching the craft of novel writing) was give main character/s something to hide, something to protect, and something to overcome.  This gave them greater depth, made them more real, while adding tension and conflict to the story.  Something else I learned as a people-watcher –not nosiness but vital research – is that the reason someone gives for choosing a particular course of action might seem reasonable and logical. But that’s never the full story. Look deeper and you’ll see that there’s more behind it, a pay-off that gives them something they want and feel they don’t have.

e.g.  Jo buys a lottery ticket every week and tells her family all the things she would do for them if she won. Taken at face value Jo’s reason for doing the lottery is so she can be generous. But her underlying motive is to control her family by making them grateful to her.  And this is because she feels unappreciated, taken for granted.  I’m not suggesting that every time you meet someone you should second-guess their actions and behaviour, but occasionally looking a bit deeper can give you some terrific ideas for aspects of character.

Writers are often asked where they get their ideas from, what inspires them.  Mine come from where I live – a creek-side village close to the third largest natural harbour in the world.  Cornwall is an island within an island and has a long and varied history. When copper mining was at its height, tiny Gwennap parish was the wealthiest area in the world.  The Packet Service based in Falmouth carried mail all over the globe and brought back bullion from British-owned sugar, coffee and tobacco plantations.  News of victory against the French at Trafalgar, and the death of Admiral Lord Nelson, was carried ashore at Fish Strand Quay in Falmouth by Lt Lapenotiere, who hired a post chaise to take him to London.  The first trials of nitro-glycerine, invented by Alfred Nobel, took place at Falmouth docks.  William Bickford, a leather currier living in Truro, invented the first safety fuse for use in Cornish mines and quarries.  These backgrounds, and more, have featured in my books.

I hope you enjoy this excerpt from ‘Eye of the Wind.’

Her gaze was clear and candid, and a tiny frown puckered her forehead. ‘You sound different.’

He smiled briefly. ‘Not used to talking.’

‘No, I don’t mean your voice: I mean your mode of speech.’

He bent his head, clenching his teeth as tension cramped his gut. In France, speaking only Breton, his disguise a matter of life and death, it had been easy to remain in character. But here in his home county and with her… Looking up he shrugged. ‘You’re right, miss. I used to work closely with the master and I wanted to better myself. Picked up his way of talking. No offence intended.’

‘No, no, I didn’t mean – it was not a criticism, Gabriel, merely an observation. But one I should not have made.’  Embarrassment had smothered her suspicion.

Torn between relief at avoiding potential danger and anger at his carelessness, he deliberately steered the conversation away from the past.  ‘May I wish you well for tomorrow?’

She drew a deep breath then blurted, ‘I’ll be glad when it’s over.’

‘No need to be nervous. You know what you’re doing.’

‘I hope so.’ It was heartfelt, anxious. After a moment she admitted, ‘My uncles don’t share your confidence.’

‘You know why, don’t you?’  He saw concern cloud her face. ‘You are attempting something men believe can – should – only be done by another man.’ One corner of his mouth lifted in brief irony. ‘This is a severe threat to their dignity.’

She was silent then tossed her head. ‘If their dignity is so fragile it must rest on very shaky foundations.’

‘It does,’ he confided. ‘And that is a secret all men would prefer to remain hidden.’

‘Her eyes widened. ‘Really?  No, you are not serious.’

‘Indeed I am.’

Seeing his rueful smile, she gasped and blushed, covering her mouth with her fingertips. ‘You should not say such things.’

‘Perhaps. But there will be occasions when you find that knowledge helpful.’

Watching her visible struggle as she recollected herself and withdrew from his unexpected and startling candour he realized that, despite being out in society, she had not acquired the usual veneer of arch sophistication he would have expected in a young woman of her background. And found himself fiercely glad.

She cleared her throat. ‘About – about the wood…’

It was a deliberate if reluctant retreat from an intimacy he should have resisted. Gabriel knew he must let her go. He turned away and set the basket on the ground.  ‘Why don’t you take a day or two to think about it, miss?’

‘But what you said – about the other trees being more valuable. Would they really raise a lot of money quickly?’

Watching her blush deepen and her lashes flutter down as she realized how much her question revealed, Gabriel wondered just how desperate a financial crisis her father had left her to deal with.  Picking up the last stone he began tying it onto a corner of the canvas, careful not to look at her.

‘They would, miss. And with proper management these woods will still be generating income a hundred years from now.’

‘Truly?’ She sounded stunned. ‘Thank you, Gabriel. Thank you very much.’

His hands grew still as he watched her walk quickly away up the path, her long stride peculiarly graceful, self-consciousness forgotten now she had so many more important matters to occupy her.

That evening after washing himself and his filthy shirt, he shaved carefully. With no mirror he had to work by touch alone. It took a long time, and he did not dare go too close to the wound on his throat. But the honey had done its work and healing had begun. Smearing a fresh cloth with the sweet-smelling salve he bound up his throat once more. Passing a hand over his almost-smooth jaw when he had finished, he smiled. No doubt Berryman would shudder at his efforts. But not only did he feel cleaner than he had for months, he also felt ridiculously proud.

When the men assembled at midday, the overnight rain was just a memory. The sun shone from a sky the colour of cornflowers dotted with thistledown clouds. Word that Francis Tregonning was dead and his wife ill had spread like flames in a gale. All were anxious about the yard and their jobs.

Melissa rode into the yard on Samson. Wearing her black habit and a small beaver hat with narrow rolled brim over her upswept hair, she was very pale but appeared calm as she dismounted. Standing near the back, his arms folded, Gabriel watched her fasten the rein to an iron ring, her fingers trembling. Remaining here was sheer madness. If he cared now in just this short time…Was he not in enough peril?

‘Eye of the Wind’   by Jane Jackson. Accent Press 2013. £1.99.

Kindle link:  http://amzn.to/2qiGcOw

Paperback available from third party sellers.

Reviews:  ‘A first-class historical novel … coupled with a gripping story-line.’    Western Morning News.

‘Satisfying on many levels, well-written and pleasurable to read.’   Historical Novels Review.

Author bio:  Jane Jackson’s first book was published in 1976. She wrote fourteen romances for Harlequin, ten romantic historical novels, and will soon complete the eighth of her Polvellan Cornish Mysteries writing as Rachel Ennis. She has been shortlisted for five major awards.

She taught the craft of novel writing for twenty years and was delighted and privileged to see eleven former students become professional novelists.  Happily married to a Cornishman, with children and grandchildren, she has lived in Cornwall all her life finding inspiration for her books in the county’s scenery, history and people.  Her hobbies are reading, coastal walks, baking, vintage vehicle rallies – and reading.

www.janejackson.net

www.facebook.com/PolvellanCornishMysteries

Twitter: @JJacksonAuthor

***

Thanks every so much Jane. Great blog!

Come back tomorrow to discover which book Alison Rose is blowing the dust off.

Happy reading,

Jenny xxx

 

Blowing the Dust Off: Rachel Brimble’s The Temptation of Laura

It’s Day 5 of my Blowing the Dust Off series. Today we are in the company of the fabulous Rachel Brimble. She is taking a peck at her Victorian romance, The Temptation of Laura.

Go grab a cuppa, sit down, and enjoy…

 

The Temptation of Laura…

Despite the title of my second Victorian romance, The Temptation of Laura is not so much about the temptation of Laura herself, but the temptations life throws at her, the hero and many of the secondary characters. Temptation is all around us and more often than not, that temptation could be perceived as opportunity. It’s fear that holds us back from surrendering or resisting.

The book is set against the backdrop of Bath’s theatre world during the late 19th century. There were many changes happening, socially, economically and sexually during this time. The first whispers of the women’s revolution had begun to circulate…not that many men noticed until around 1903 when The Women’s Social and Political Union was founded.

The leaders and supporters of the group began to cause a stir––marching and petitioning for their right to vote. This is marked as a hugely significant and rightly respected time for women at the time. Men had no choice but to sit up and take notice when so many women banded together and refused to be ignored.

This leads me to the question of temptation…I love exploring this theme and all the imaginings it conjures. Each of us is faced with temptations (or decisions) every day and I, for one, am hugely guilty of making the easy, expected, even socially acceptable decision. My books tend to be about the women who do the exact opposite. What better way to earn a living than to create a woman you admire and want to see succeed in her chosen vocation, romance or spiritually satisfying path?

Laura’s story began in book one of my Victorian series with eKensington when she appeared as a secondary character in The Seduction of Emily. It wasn’t long before I knew she deserved a richer, more in-depth story of her own. As a prostitute struggling for a better life…a dreamer who longs to be onstage, I sensed Laura would be a joy to write and spend some time with over the course of 85,000 words. She didn’t let me down J

Hope I’ve ‘tempted’ you to read the book!

 

Here’s the blurb & buy links:

Laura Robinson has always been dazzled by the glamour of the stage. But perhaps acting and selling one’s favors are not so different—for Laura must feign pleasure with the men she beds to survive. Now, with her only friend at death’s door and a ruthless pimp at her heels, escaping her occupation seems impossible. Hoping to attract a gentleman, she attends the theater. Yet the man Laura captivates is no customer, but a rising star and playwright…

Adam Lacey has been driven to distraction since the moment he saw Laura. She is his ideal leading lady come to irresistible life—and so much more. Certain they can make the perfect team on and off stage, he is determined to win her heart—and discover her story. But that is precisely what Laura fears. And she has no idea that Adam harbors shameful secrets of his own. Will the truth free them to love—or destroy all their dreams…?

 Amazon US

 Amazon UK

 Barnes & Noble

 

Bio:

Rachel lives with her husband and two teenage daughters in a small town near Bath in the UK. After having several novels published by small US presses, she secured agent representation in 2011. Since 2013, she has had seven books published by Harlequin Superromance (Templeton Cove Stories) and an eight coming in Feb 2018. She also has four Victorian romances with eKensington/Lyrical Press.

Rachel is a member of the Romantic Novelists Association and Romance Writers of America, and was selected to mentor the Superromance finalist of So You Think You Can Write 2014 contest. When she isn’t writing, you’ll find Rachel with her head in a book or walking the beautiful English countryside with her family. Her dream place to live is Bourton-on-the-Water in South West England.

She likes nothing more than connecting and chatting with her readers and fellow romance writers. Rachel would love to hear from you!

Links:

 Website

Blog

Twitter

Facebook

Facebook Street Team – Rachel’s Readers

Amazon Author Page:

https://www.amazon.com/Rachel-Brimble/e/B007829ZRM/ref=sr_ntt_srch_lnk_1?qid=1490948101&sr=8-1

Goodreads:

https://www.goodreads.com/author/show/1806411.Rachel_Brimble

 Many thanks Rachel, fabulous stuff.

Don’t forget to come back tomorrow to see what Jane Jackson is tempting us with.

Happy reading,

Jenny xx

 

 

 

The Outlaw’s Ransom: Extract

outlaws-ransom-5-star

This winter sees the release of the follow up novel to The Outlaw’s Ransom,;The Winter Outlaw– in the meantime, here’s a reminder of what happens in The Outlaw’s Ransom…

Blurb

The first in an exciting new series by acclaimed author Jenny Kane writing as Jennifer Ash.

When craftsman’s daughter Mathilda is kidnapped by the notorious Folville brothers, as punishment for her father’s debts, she fears for her life.  Although of noble birth, the Folvilles are infamous throughout the county for disregarding the law – and for using any means necessary to deliver their brand of ‘justice’.

Mathilda must prove her worth to the Folvilles in order to win her freedom. To do so she must go against her instincts and, disguised as the paramour of the enigmatic Robert de Folville, undertake a mission that will take her far from home and put her life in the hands of a dangerous brigand – and that’s just the start of things…

A thrilling tale of medieval mystery and romance – and with a nod to the tales of Robin Hood – The Outlaw’s Ransom is perfect for fans of C.J. Sansom and Jean Plaidy.

The Outlaw's RansomThe Outlaw’s Ransom (which originally saw life as part of my contemporary fiction/medieval mystery timeslip novel, Romancing Robin Hood), is a book that’s very close to my heart.  Anyone who follows this blog will know that it is my love of all things Robin Hood which led to me researching the real life criminal gang, the Folville brothers, and considering how they might have been influenced by the outlaw ballads that would have been circulating at the time.

It was interesting to be able to give, what I imagine, the Folville family’s perspective on the Robin Hood stories might be.

rh-and-the-monk

Extract

…Eustace de Folville continued, ‘You know something of us, Mathilda, from living in these parts. And, I have no doubt, my dear brother has explained to you our beliefs on maintaining our lands and beyond, keeping a weather eye on the dealings of all men in this hundred.’

Mathilda bit her tongue in an effort to remain demurely mute, trying to concentrate on what Eustace was saying and not on the unknown fate of her younger brother.

‘He has also, I believe, told you of his fascination with stories,’ Eustace gave Robert a blunt stare; leaving Mathilda to wonder whether it was his brother’s passion for the minstrels’ tales, or the fact he’d shared that belief and interest with a mere chattel, that Eustace disapproved of.

‘The balladeers have become obsessed of late with the injustices of this land. Often rightly so. Naturally the fabled Robyn Hode has become a hero. An ordinary man who breaks the law, and yet somehow remains good and faithful in the eyes of the Church, is bound to be favoured. In years past such a character’s popularity would have been unthinkable, but these days, well …’

Eustace began to pace in front of the fire, reminding Mathilda of how his brother had moved earlier, ‘Now we are empowered by the young King, the Earl of Huntingdon, and Sheriff Ingram, to keep these lands safe and well run, and by God and Our Lady we’ll do it, even if we have to sweep some capricious damned souls to an earlier hell than they were expecting along the way.’

Eustace was shouting now, but not at her. His voice had adopted a hectoring passion, and Mathilda resolved that she would never willingly disappoint this man; it would be too dangerous.

‘Many of the complaints of crimes and infringements that reach my family’s ears are not accurate. Far more felonies are alleged out of spite or personal grievance than are ever actually committed. We require more eyes and ears, girl. Accurate, unbiased eyes and ears.

‘The sheriff of this county is not a bad man. No worse than the rest anyway; but Ingram is sorely stretched. He has not only this shire, but Nottinghamshire and Derbyshire within his writ. The man cannot be everywhere at once. No man can.

‘We are believed to have a band of criminals under our control, Mathilda. This is not true. I’m no Hode, although I am lucky to have the respect of the immediate population, and although I know that respect is because they go in fear of me, I’d rather have that than no respect at all. Hode’s principles I embrace, as I do other outlaw heroes’ who have flouted a law more corrupt than they are. Those such as Gamelyn can give a man a good example to follow. What was it he declared, Robert, to the Justice at his false trial?’

Moving into the light of the table, Robert thought for a second before reeling off a verse he’d probably known by heart since childhood, ‘Come from the seat of justice: all too oft Hast thou polluted law’s clear stream with wrong; Too oft hast taken reward against the poor; Too oft hast lent thine aid to villainy, And given judgment ’gainst the innocent. Come down and meet thine own meed at the bar, While I, in thy place, give more rightful doom And see that justice dwells in law for once.’

Eustace nodded to his brother, who’d already shrunk back into the shadows of the nearest wall, ‘I do not have such a band at my beck and call, Mathilda. When I need help I have to pay for it.’

***

The values that – in my mind at least- the Folville brothers see in the stories of Robin Hood form an important undying theme to this tale- and to Mathilda of Twyford they will make the difference between life and death…

lytell-geste

If you’d like to read my first medieval mystery, then The Outlaw’s Ransom is available for your Kindle here –

https://www.amazon.co.uk/Outlaws-Ransom-Jennifer-Ash-ebook/dp/B01LZDKPQM/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1475660907&sr=1-1&keywords=The+Outlaw%27s+Ransom+Jennifer+Ash

https://www.amazon.com/Outlaws-Ransom-Jennifer-Ash-ebook/dp/B01LZDKPQM/ref=sr_1_1?ie=UTF8&qid=1475660990&sr=8-1&keywords=The+Outlaw%27s+Ransom+Jennifer+Ash

Happy reading everyone,

Jennifer (aka Jenny!!) xx

 

Carol Mcgrath’s Blog Tour: Historical Fact into Fiction and ‘The Woman in the Shadows’.

I’m delighted to welcome Carol McGrath today as part of her blog tour for her brand new release, The Woman in the Shadows.

Over to you Carol…

Historical Fact into Fiction and ‘The Woman in the Shadows’.

Thank you, Jenny, for hosting the second hop on The Woman in the Shadows Blog Tour.

There has always been an expectation for writers of Historical Fiction to provide the reading public with Historical Fact. In fact, the best we generally can do is provide convincing glimpses of the personalities we write, their conflicts and their world. In other words the reader often wants to accept everything written by historical novelists as ‘truth.’

I came to History very young, encouraged by television serials and novels by writers such as Jean Plaidy. I lived it and believed it all, though these writers never claimed to be Historians. We do not write the ‘truth’, nor do Historians much of the time either, but we do attempt, if we are any good, to recreate a believable historical world for the reader. We research, but we incorporate the research into the fabric of the historical lives we recreate. Our aim is to tell a good story and put flesh on the bones of history. We resurrect dead people and give them renewed life. We do not tell the ‘truth’ about these personalities, certainly not consistently, but we try to speculate in an informed way so that we come up with stories and characters that are plausible.

Writing about Elizabeth Cromwell was a huge challenge, my greatest to date. Much is known about her infamous husband, Henry VIII’s minister during the 1530s who found a solution to The King’s Great Matter, engineered Henry’s divorce from Catherine of Aragon and his remarriage to Anne Boleyn. Thomas Cromwell closed monasteries and lined the King’s pockets with rich pickings, and then he brought Anne Boleyn down along with a group of her devoted courtiers, including her brother. What was Elizabeth Cromwell’s marriage really like? What was marriage to such a man? Who was Elizabeth Cromwell?

The events of the 1530s occur outside the remit of The Woman in the Shadows. Elizabeth Cromwell sadly died in 1529. All that is known about her is that she had been married before, had no living children from that marriage and came from a family involved in the cloth trade. We know a little about her mother, father, brother and sister. We know that she was well-off and was raised in Putney, as had been Thomas. The Cromwells owned a fulling mill, a brewery, land on which Walter Cromwell grazed sheep, a smithy and a brewery and pub. Walter Cromwell, the father, was not poor though he may well have been a drunk. Both Thomas and Elizabeth hailed from a trading middling class.

To bring Elizabeth to the page, I took these scant facts and padded them out. I used my knowledge of Thomas Cromwell’s early life, researching in primary and secondary source material. He had returned to England by 1513 after a period in France, Italy and Flanders. He married Elizabeth circa 1514. They had three children by 1520. Thomas was a cloth-man and a self-taught lawyer who worked for The Merchant Adventurers. By 1518 he was involved in land transactions for Cardinal Wolsey, possibly introduced by a relative to Wolsey. He was also, by 1522, drawing closer to court.

I had to look at this world from Elizabeth’s perspective, not that of a twenty-first century woman. I had to know and understand this world with all its warts and delights, misogamy, cruelty, bad smells and wonderful fragrances, its cut-throat poverty and rich merchants, colourful pageants and Saints’ Days. I had to consider the New Learning, Humanism,  that interested the Cromwells and their close friends.

Researching the Cloth Trade was fascinating too. Could Elizabeth have inherited her first husband’s business interests? Could she have been a cloth merchant? Widows could marry as they wished, so could she have married Thomas for love? He never remarried after her death, but could he have had an affair? I did find possible evidence of one, in that he referred to a possible daughter in a will he wrote in the early 1530s, a girl, Jane, who dwelled near Chester and was born around 1520. Did Elizabeth possess emotions as we have them today and if so did they play out differently to the way we react to betrayal in marriage nowadays?  These are a few of the questions I consider in the novel.

I hope I have succeeded in bringing Elizabeth out of the shadows and given her a renewed life, at least in fiction. I hope I have made us think about Thomas Cromwell as he may have been during the years of their marriage and before he climbed the greasy pole of ambition within the Tudor Court. Most of all, if you read it, I hope that you enjoy reading The Woman in the Shadows. Without you there would not be a book.

***

Buy Link

http://tinyurl.com/y85r2zkf 

Social Links

https://www.facebook.com/daughtersofhastings

http://scribbling-inthemargins.blogspot.gr/

http://www.goodreads.com/author/dashboard

http://pinterest.com/carol0275/

www.carolcmcgrath.co.uk

Follow me on Twitter @carolmcgrath

 

Bio

Carol McGrath has an MA in Creative Writing from The Seamus Heaney Centre, Queens University Belfast, followed by an MPhil in Creative Writing from University of London. The Handfasted Wife, first in a trilogy about the royal women of 1066 was shortlisted for the RoNAs in 2014. The Swan-Daughter and The Betrothed Sister complete this best-selling trilogy. The Woman in the Shadows, a novel that considers Henry VIII’s statesman, Thomas Cromwell, through the eyes of Elizabeth his wife, will be published on August 4th, 2017. Carol is working on a new medieval Trilogy, The Rose Trilogy, set in the High Middle Ages.  It subject matter is three linked medieval queens, sometimes considered ‘She Wolves’. She speaks at events and conferences on the subject of medieval women, writing Historical Fiction, The Bayeux Tapestry, and Fabrics, Tapestry and Embroidery as incorporated into fiction. Carol was the co-ordinator of the Historical Novels Association Conference, Oxford in September 2016 and reviews for the HNS.  Find Carol on her website:

www.carolcmcgrath.co.uk.

***

Many thanks for visiting on your tour today Carol. Good luck with your new book. Happy touring!

Jenny xx

 

Summer Wedding: Romancing Robin Hood

To celebrate the paperback version of Romancing Robin Hood being available at the new price of £7.99,  I thought I’d share a little taster of what lays hidden within its modern/medieval pages.

RRH- new 2015

Romancing Robin Hood is a contemporary romance is based on the life of Dr Grace Harper, a medieval history lecturer with a major Robin Hood obsession. So much so, that instead of writing a textbook on medieval life, Grace is secretly writing a novella about a fourteenth century girl called Mathilda, who gets mixed up with a real outlaw family of the day, the Folvilles. (Which you can also read about within this same novel)

The problem is that Grace is so embroiled in her work and passion for outlaws, that real life is passing her by. A fact that the unexpected wedding announcement of her best friend Daisy, has thrown into sharp focus…

summer wedding

Extract

…Daisy hadn’t grown up picturing herself floating down the aisle in an over-sequinned ivory frock, nor as a doting parent, looking after triplets and walking a black Labrador. So when, on an out-of-hours trip to the local vet’s surgery she’d met Marcus and discovered that love at first sight wasn’t a myth, it had knocked her for six.

She’d been on a late-night emergency dash to the surgery with an owl a neighbour had found injured in the road. Its wing had required a splint, and it was too big a job for only one pair of hands. Daisy had been more than a bit surprised when the locum vet had stirred some long-suppressed feeling of interest in her, and even more amazed when that feeling had been reciprocated.

It was all luck, sheer luck. Daisy had always believed that anyone meeting anybody was down to two people meeting at exactly the right place, at exactly the right time, while both feeling precisely the right amount of chemistry. The fact that any couples existed at all seemed to Daisy to be one of the greatest miracles of humanity.

She pictured Grace, tucked away in her mad little office only living in the twenty-first century on a part-time basis. Daisy had long since got used to the fact that her closest friend’s mind was more often than not placed firmly in the 1300s. Daisy wished Grace would finish her book. It had become such a part of her. Such an exclusive aim that nothing else seemed to matter very much. Even the job she used to love seemed to be a burden to her now, and Daisy sensed that Grace was beginning to resent the hours it took her away from her life’s work. Maybe if she could get her book over with – get it out of her system – then Grace would stop living in the wrong timeframe.

Daisy knew Grace appreciated that she never advised her to find a bloke, settle down, and live ‘happily ever after,’ and she was equally grateful Grace had never once suggested anything similar to her. Now she had Marcus, however, Daisy had begun to want the same contentment for her friend, and had to bite her tongue whenever they spoke on the phone; something that happened less and less these days.

Grace’s emails were getting shorter too. The long paragraphs detailing the woes of teaching students with an ever-decreasing intelligence had blunted down to, ‘You ok? I’m good. Writing sparse. See you soon. Bye G x’

The book. That in itself was a problem. Grace’s publishers and colleagues, Daisy knew, were expecting an academic tome. A textbook for future medievalists to ponder over in the university libraries of the world. And, in time, that was exactly what they were going to get, but not yet, for Grace had confided to Daisy that this wasn’t the only thing she was working on, and her textbook was coming a poor third place to work and the other book she couldn’t seem to stop herself from writing.

‘Why,’ Grace had forcefully expounded on their last meeting, ‘should I slog my guts out writing a book only a handful of bored students and obsessive freaks like myself will ever pick up, let alone read?’

As a result, Grace was writing a novel, ‘A semi-factual novel,’ she’d said, ‘a story which will tell any student what they need to know about the Folville family and their criminal activities – which bear a tremendous resemblance to the stories of a certain famous literary outlaw! – and hopefully promote interest in the subject for those who aren’t that into history without boring them to death.’

It sounded like a good idea to Daisy, but she also knew, as Grace did, that it was precisely the sort of book academics frowned upon, and she was worried about Grace’s determination to finish it. Daisy thought it would be more sensible to concentrate on one manuscript at a time, and get the dry epic that everyone was expecting out of the way first. Perhaps it would have been completed by now if Grace could focus on one project at a time, rather than it currently being a year in the preparation without a final result in sight. Daisy suspected Grace’s boss had no idea what she was really up to. After all, she was using the same lifetime of research for both manuscripts. She also had an underlying suspicion that subconsciously Grace didn’t want to finish either the textbook or the novel; that her friend was afraid to finish them. After all, what would she fill her hours with once they were done?

Daisy’s mobile began to play a tinny version of Nellie the Elephant. She hastily plopped a small black guinea pig, which she’d temporarily called Charcoal, into a run with his numerous friends, and fished her phone from her dungarees pocket.

‘Hi, Marcus.’

‘Hi honey, you OK?’

‘Just delivering the tribe to their outside quarters, then I’m off to face the horror that is dress shopping.’

Her future husband laughed, ‘You’ll be fine. You’re just a bit rusty, that’s all.’

‘Rusty! I haven’t owned a dress since I went to parties as a small child. Thirty-odd years ago!’

‘I don’t understand why you don’t go with Grace at the weekend. It would be easier together wouldn’t it?’

Daisy sighed, ‘I’d love to go with her, but I’ll never get her away from her work more than once this month, and I’ve yet to arrange a date for her to buy a bridesmaid outfit.’

‘Well, good luck, babe. I’m off to rob some bulls of their manhood.’

Daisy giggled, ‘Have fun. Oh, why did you call by the way?’

‘Just wanted to hear your voice, nothing else.’

‘Oh cute – ta.’

‘Idiot! Enjoy shopping.’

As she clicked her battered blue mobile shut and slid it back into her working clothes, Daisy thought of Grace again. Perhaps she should accidentally invite loads of single men to the wedding to tempt her friend with. The trouble was, unless they wore Lincoln Green, and carried a bow and quiver of arrows, Daisy very much doubted whether Grace would even notice they were there…

RH- RoS 2

Blurb

Dr Grace Harper has loved the stories of Robin Hood ever since she first saw them on TV as a girl. Now, with her fortieth birthday just around the corner, she’s a successful academic in Medieval History, with a tenured position at a top university.

But Grace is in a bit of a rut. She’s supposed to be writing a textbook on a real-life medieval gang of high-class criminals – the Folvilles – but she keeps being drawn into the world of the novel she’s secretly writing – a novel which entwines the Folvilles with her long-time love of Robin Hood – and a feisty young girl named Mathilda, who is the key to a medieval mystery…

Meanwhile, Grace’s best friend Daisy – who’s as keen on animals as Grace is on the Merry Men – is unexpectedly getting married, and a reluctant Grace is press-ganged into being her bridesmaid. As Grace sees Daisy’s new-found happiness, she starts to re-evaluate her own life. Is her devotion to a man who may or may not have lived hundreds of years ago really a substitute for a real-life hero of her own? It doesn’t get any easier when she meets Dr Robert Franks – a rival academic who Grace is determined to dislike but finds herself being increasingly drawn to…

Buy Links Romancing Robin Hood is available from all good paperback and e-retailers.

Amazon UK- http://www.amazon.co.uk/Romancing-Robin-Hood-Jenny-Kane-ebook/dp/B00M4838S2/ref=sr_1_1?ie=UTF8&qid=1407428558&sr=8-1&keywords=romancing+robin+hood

Amazon.com- http://www.amazon.co.uk/Romancing-Robin-Hood-Jenny-Kane-ebook/dp/B00M4838S2/ref=sr_1_1?ie=UTF8&qid=1407428558&sr=8-1&keywords=romancing+robin+hood 

Kobo link – http://store.kobobooks.com/en-US/ebook/romancing-robin-hood

***

Happy reading,

Jenny x

Sarah Dahl: The Awakening

Today I’m delighted to welcome Sarah Dahl to my blog to help celebrate the launch of her latest book, The Awakening.

OUT TODAY, The Awakening is a passionate romance inspired by our Viking past.

Over to you Sarah…

Inspiration for my book:

“The Awakening – Embrace beyond Passion” is a story I wrote some time ago and now had to considerably edit to make it more like my current ‘voice’ and in keeping with the other stories in my Tales of Freya collection. Therefore it was hard to recall the exact inspiration for this story – I get inspiration from many things and then let my mind play with it. For my characters, I’m often very visual and discover someone on Pinterest or TV. Then I imagine them as a person from the early medieval – what if I made them a ‘Viking’ character. I have an inspirational mood board on my wall right opposite my desk that I look at to let my mind wander. Most stories just start with the idea of an interesting character or an event, or both. From there I let it all flow and try different directions for a theme. In “The Awakening” the theme is “liberation begins in the mind” and “follow your passions”. As the Tales of Freya stories are short, I don’t have to plot much but can just write from the heart and then edit. Which brings me to:

Plot or flow:

I’m a pantser as they say, and find plotting a long story from beginning to end very hard to pull off. Naturally, I’d just write from scene to scene and develop as I go, often not knowing the ending myself. For the stories in the Tales of Freya collection it was easier, as for short stories the plot and character arcs can be more straightforward. I always just start with an idea, something I want to happen, and then write with the flow until I’m happy.

The research for “The Awakening”:

Of course, as a historical fiction writer I have to be firm and confident in the Viking environment and era. I read all the books and see as many sites as I can. My fave non-fiction is “Vikings at War” by Hjardar/Vike; it has brilliant detail and is the most extensive and visual book on the era I have seen. Also, every year I go to at least Haithabu/Hedeby here in Germany for a few days, to this once huge, Danish Viking trading town that is now a museum and open-air site by the Slien. The atmosphere of the reconstructed houses and pier just sparks creativity and a sense of the time. Soaking it all up, I just let my feet and mind wander, focussing on the big picture and then the details, imagining what stories could have happened in those narrow streets and houses. This year I became aware of the harsh winds, the never-ending gusts that penetrate the streets and houses, so much so that roofs don’t need smoke holes … the smoke from the fires just disappears through the walls and roof of the Viking town houses. So I tried to incorporate the harsh elements and their effects more in my story “The Awakening”, too.

I take great pride in being authentic and never use the era as mere stage props. I did several blog posts about authenticity: how every author should do their thorough homework and really know what they are writing about, especially if using a historical time period. Read it all until you don’t have to look stuff up anymore (ideally, but there’s always something …) Once my first draft is written and I checked details myself, I let my Viking reenactor-friends read it for authenticity and plausibility, and also discuss with beta-readers. “The Awakening” is set in a rural village by the fjord, so in smaller Viking houses, not the huge rural longhouses readers might first depict. More the kind you find in villages and towns like Hedeby. So naturally, when I went there this year, I focussed on the layouts of houses and daily tasks my characters would need to do in the story, because something secret and daring is hidden in Ingrid’s little farmhouse. Most things I don’t have to research anymore, but what about details such as how someone undresses? In which order would they do it and would the jewellery clang? How loudly? These are the things my reenactors then have to discuss with me, and go through step by step as I see it happening before my inner eye 😉

Preferred POV:

That’s a good question … I can do both; it all depends on the story and which character should tell the story, through whose eyes we should see and feel things. It doesn’t matter if it’s a man or woman, and I use both first person POV or deep third depending on what works best. In the Tales of Freya stories, I mostly use deep third. The view points can be that of men or/and women. For some reason I can work really well from a male POV. “The Current – A Battle of Seduction” is told from the warrior’s perspective on this seductive shield maiden, and I found it easy to slip into his skin. Whereas “The Awakening” is Ingrid’s story, and the next one, “Monk”, will even be told from three different POVs … I guess it’s all about gut feeling. With experience and craft comes a gut feeling for whose story I want to tell and how.

Most exciting about book for me:

For “The Awakening” the most exciting has to be that a story that I’ve worked on for so long finally gets to see the light – I get it ‘off my desk’ and out to people – and it starts its own life now, can be read by everyone, like a child that grows up and after tender care leaves the house. Which is frightening, of course, because one grows so attached to the story-baby over time. After the great success and many positive reviews of “The Current” I’m very excited and anxious to see what people will make of this very different story. “Awakening” really can’t be compared to the first one, “Current”, in the collection. The first spans several weeks whereas the latter covers only a few hours. The whole plotline and tone are different and the themes of course … so, yeah, we will see. Deep breath and fingers crossed 🙂

Blurb – “The Awakening – Embrace beyond Passion”

 The second in the collection of sensual short stories set in the Viking age, the Tales of Freya:

In a world of crackling fires and rough landscapes, long winters and bloody raids, the immediacy of life and death ignites undeniable passions. Warriors and monks, healers and housewives – all follow the call of their hearts and bodies to indulge in pleasures that may forever change their lives …

Ingrid leads a quiet, joyless life with a husband who is oblivious to her needs. Every time the dragon boats carry him away, she resigns herself to the solitude of her modest hilltop farm by the fjord. But her uneventful world is shaken to the core when the shadows of her house reveal a secret that sets her passions afire.

***

Release date: July 21, 2017, by Pronoun

Buy links:

https://books.pronoun.com/the-awakening3/

http://amzn.to/2tyak9p

Author homepage: sarah-dahl.com

Mailing list for Book Alert: https://mailing.sarah-dahl.com/?p=subscribe&id=2

Facebook: https://www.facebook.com/sarahdahl13/

Twitter: @sarahdahl13

***

Bio

Sarah Dahl lives on the edge of the rural German Eifel and writes historical fiction primarily set in the Viking age. She also works as an editor, translates, and coaches new writers in German and English. She is interested in everyday life in bygone centuries and the human stories that may have occurred behind the hard, historical facts. Her author page is: sarah-dahl.com

***

Many thanks Sarah – and congratulations on your brand new book!

Happy reading,

Jenny xx

Book review: Kitty Peck and the Daughter of Sorrow

I was recently delighted to be asked to read and review the third book in Kate Griffin’s ‘The Kitty Peck Mysteries.

Why so excited? Well, having previously loved Book 1 (Kitty Peck and the Music Hall Murders) and Book 2 (Kitty Peck and The Child of Ill Fortune), I was awaiting part three of the series with plenty of anticipation.

I was not disappointed!

Kitty Peck and the Daughter of Sorrow (OUT TODAY) lives up to – and exceeds – the expectations of the first two instalments in the adventures of Kitty Peck, a young woman who has ‘Paradise’ forced upon her. In this case paradise is an inherited empire of music halls, organised crime, smuggling and protection rackets that used to be held together by her grandmother, the terrifying ‘Lady Ginger.’

Blurb-  Kitty Peck and the Daughter of Sorrow

Summer 1881: the streets of Limehouse are thick with opium… and menace. At eighteen Kitty Peck has inherited Paradise, a sprawling criminal empire on the banks of the Thames. Determined to do things differently to her fearsome grandmother, she now realises that the past casts a long and treacherous shadow. Haunted by a terrible secret and stalked by a criminal cabal intent on humiliation and destruction, Kitty must fight for the future of everyone she cares for…

***

The biggest problem I have with writing this review is my desire not to ruin either this novel, or the two that come before it, for you.

Books one and two were amongst the best Victorian crime thrillers I’ve ever read.

Kitty Peck is unique amongst its peers. It weaves a world of darkness together with a fierce lightness which shines from the loyalty of her friends- but now even those long term alliances are under threat.

As I read, I could feel Kitty’s total frustration. She can’t do what she wants to do any more- she can’t even do what she knows is the right thing to do. Kitty’s every move is tied into knots by the looming twin spectres of Paradise and her domineering- even while absent- grandmother.

Attempting to escape the guilt that has become part of Kitty’s lie- a consequence of events at the end of book two- Kitty turns to opium- but even in her drug fuelled dreams she is hit by the remaindered of what she has been forced to do to survive- and what she must do- and the price that will be paid to do it.

Kitty Peck and the Daughter of Sorrow is tense, fast paced, enthralling, and every single word is worth reading. As with books one and two, not a single sentence is wasted. Every paragraph moves the plot along at such a pace, that you will not want to put the book down once you’ve started to read it.

With the support of Peggy, Lucca, and her grandmothers Chinese bodyguards, Kitty Peck must keep Paradise going. So many people depend on Kitty for their livelihoods- without her they’d be on the streets. After all, Paradise is only one step from hell.

I have no hesitation in awarding Kitty Peck and the Daughter of Sorrow 5 stars.

Blurb for Book One-

Kitty Peck and the Music Hall Murders– Limehouse, 1880

Dancing girls are going missing from ‘Paradise’ – the criminal manor with ruthless efficiency by the ferocious Lady Ginger. Seventeen-year-old music hall seamstress Kitty Peck finds herself reluctantly drawn into a web of blackmail, depravity and murder when The Lady devises a singular scheme to discover the truth. But as Kitty’s scandalous and terrifying act becomes the talk of London, she finds herself facing someone even more deadly and horrifying than The Lady.

Blurb for Book Two-

Kitty Peck and the Child of Ill Fortune– March 1880, Limehouse.

Kitty Peck, a spirited but vulnerable seventeen-year-old, is the reluctant heiress to Paradise, the criminal empire previously overseen by the formidable Lady Ginger. Far from the colour and camaraderie of the music hall where Kitty had been working, this newfound power brings with it isolation and uncertainty. Desperate to reconnect with Joey, her estranged brother, Kitty travels to Paris. Reunited at last, she is unable to refuse his request to take a child back to London. Within days of her return it’s clear that someone has followed them… and this someone is determined to kill the child… and anyone who stands in their way.

Kitty Peck and the Child of Ill-Fortune is a fast-paced historical mystery with breath-taking twists and turns that takes us from the decadent, bohemian world of late 19th-Century Paris to a deadly secret at the heart of the British empire.

***

Happy reading everyone,

Jenny x

Interview with Steven. A. McKay: Robin Hood and Beyond

Today I am delighted to welcome Steven A McKay to my site for a natter. A fellow lover of myths, legends, and things historical; Steven is one of the most successful self-published authors in the UK. He also likes Robin of Sherwood…Enough said!!

So why not go and grab a drink and join us for a quick chat?

When did you first become interested in the Robin Hood legends?

Honestly, it was only when I decided to write a book about him. I have always been interested in King Arthur and I wanted to write something with a similar character and similar setting. You know: the green fields and woods of Britain with hard men drinking and fighting and loving! Bernard Cornwell had already done King Arthur so I had to look elsewhere and Robin Hood was the obvious choice. When I started researching the character I realised he, and the whole legend around him, was much richer and more interesting than I’d ever thought. It really made Wolf’s Head, and the following books, a joy to write.

What type of research did you have to do for your book?

First and foremost I had to learn about the legend. The elements that everyone knows, such as the characters and the golden arrow Robin wins in the Sheriff of Nottingham’s archery tournament. Then I had to really find out about my period (14th century in this case) because to write about a certain time you need to know the tiniest details.

Most of my research was done from books or the internet but I bought the entire Robin of Sherwood TV series on DVD and had a blast watching them. The friendship displayed by those characters, and even the actors portraying them, was a big influence on my novels.

I was very lucky to have Phil Rose, who played Friar Tuck in that show, write a foreword for one of my novellas and even read it out for the Audible version in that wonderful voice of his!

  

Do you prefer to plot your story or just go with the flow?

Well, as I mentioned, most people already know many of the elements of the Robin Hood legend so for those books I had certain things that had to happen. But I was able to put my own spin on the whole thing and, in general, although I have an idea for how to start and end a book, I don’t plan very far ahead. Normally I just write a few scenes and see where it takes me.
I think some people might work best by planning everything out in advance but, to me, letting a book develop organically leads to a much more dynamic, interesting read. I mean, if even the writer doesn’t know what’s coming next how can it be predictable?

Of course, that doesn’t stop people leaving reviews on Amazon saying they always knew what was coming next which is really weird since I didn’t even know myself when I was writing the books…!

You are one of the most successful self published writers I’ve come across. What would be your top three tips for a self published writer?

I think, first and foremost, you need a decent product that can stand up against the big guns in the publishing world. That means having a decent text that isn’t littered with errors, an exciting blurb, and a good cover image with – and this is hugely important for me – decent fonts. So many times I see good cover art on self-published books but the fonts are the standard ones that come free with Paint or whatever and it just looks amateurish. Hire a cover designer and an editor if you can afford it.

Second, even before you publish a book, try and find people to read it. Send them advance copies and ask them to post reviews on Amazon so as soon as it hits the virtual shelves potential buyers can find out what others thought of it.

Finally, if you’re going to run promotions such as the KDP Countdown deals, you need to tell people! There’s no point in making your book 99p for a week then complaining no one bought it – you need to tell them it’s on sale and that means using paid ads. Places like Bookbub, Freebooksy, Kindle Nation Daily etc are all worth using. I occasionally post tips about self-publishing on my website so do take a look if you’re interested.

Tell us about your latest book. What excites you the most about it?

Well, I’ve finished my Robin Hood books now – the final novella (The Abbey of Death) has actually found a publisher which is really exciting for me but it means I’ve been able to start work on an entirely new series.

This one is about a warrior-druid in post-Roman Britain and I am loving writing it. It was nice having readymade characters like Friar Tuck and Little John who I simply needed to flesh out and bring to life but this time around I’m coming up with my own creations and its strangely liberating!

The setting is really interesting to research since not much is known about 5th century Britain, especially Scotland, but most exciting for me is my main character. A six foot six, handsome, muscular druid who fights like a hero from legend, on a quest that will take him all around this great island meeting all sorts of weird and wonderful folk along the way…Honestly, it’s just huge fun to write, I’m so lucky to have a job like this.

If you were stranded on a desert island with three other people, fictional or real, who would they be and why?

Obviously my family but for the sake of making this a little more interesting I’ll come up with a different answer. Besides, now I think about it, why would I want to strand my wife and kids on an island just to make my own loin-cloth clad, bearded, pitiful existence more bearable?!

So…we’d need some laughter out there in the middle of nowhere and I reckon Sir Terry Pratchett would have been the ideal companion. I loved his Discworld books and it would have been great to spend time with him talking about writing and just general silliness.

 

Next we’d want some music to keep our spirits up so I’d probably pick fellow Glaswegian Angus Young of AC/DC. I’m assuming he’d have rescued a battered old acoustic guitar from the shipwreck so he’d be able to keep us entertained with folk renditions of “Thunderstruck” and “Hell or High Water”. Maybe I’d get a chance to play the guitar myself although if it came to a fight about it he’d win, even if he is just five inches tall.

 

Finally, I’d choose my own new character, the warrior-druid Bellicus. Not only would he protect the rest of us from wild animals with his martial prowess, but he’s a trained musician and spent many years learning the skills of a druid. He’d heal our wounds, talk for hours about the gods and their foibles, show me and Angus a new chord or two on the shared guitar, and give us the last rites if one of us died in a freak gardening accident.

Actually it sounds like a pretty fun place – where do I sign up?

*** 

Buy Links

viewAuthor.at/SA-McKay

Social Links

Twitter – @SA_McKay

Facebook – www.Facebook.com/RobinHoodNovel

Website with link to my mailing list and a FREE, exclusive Forest Lord story, only available to subscribers! https://stevenamckay.com/mailing-list/

 

Bio

Steven A. McKay was born in Scotland in 1977. His first book, “Wolf’s Head”, came out in 2013 and was an Amazon UK top 20 bestseller. “Blood of the Wolf” is the fourth and final book in the Forest Lord series which has over 95,000 sales so far. Steven is currently working on a brand new tale set in post-Roman Britain.

***

Many thanks for taking the time out to join us today Steven. I’m very much looking forward to reading your Robin Hood stories (my Kindle is loaded and ready to go), and indeed your post Roman stories in the near future.

Happy reading everyone,

Jenny (Well, I’m Jennifer really, as I have my medieval hat on today!) x 

From Tiverton to Penzance- via Chippenham…

It’s almost the summer. In writer land that means the literary festival circuit is in full swing.

This year I’m embarking upon a mini-circuit of my own – starting in my home town of Tiverton, Devon this very week – before heading to Chippenham Literary Festival in Wiltshire on 30th June, and then turning towards the very South West of the country, and taking part in Cornwall’s Penzance Literary Festival.

It would be wonderful to meet lots of you lovely folk along the way. If you’d like to drop by and say hello, here is a run down of my schedule over the next few weeks.

On Friday 23rd of June I will be in Tiverton Library, Tiverton selling my latest novels, chatting to readers and writers, and signing any books that you wave in my direction (Make sure they’re mine- I can get a bit carried away with my biro!)

On Sunday 25th June I will be joined by my business partner, the lovely Alison Knight, to teach a writing workshop entitled ‘Who, What, Where , When.’ There are still places left- so feel free to book a seat now if you’d like to take part. (Alison also has a workshop on writing Young Adult fiction – do not miss it!!)  Tickets are available from www.tivertonlitfest.co.uk 

Then it’s off to Chippenham, Wiltshire for the second leg of my tour.

On the evening of Friday 30th June I’m joined by a star line up of romance authors, to chat about our work, writing in general, and share the joy – and peculiarities- of our working lives! There will be wine and cake – enough said!!

The following day, 1st July, Alison and I are teaching our ‘How to Write Romance’ workshop at the nearby Wiltshire History Centre. Details can be found here- www.imaginecreativewriting.co.uk

Leg three of my exhibition, will find me on a train from Tiverton Parkway to Penzance Literary Festival in Cornwall on 6th July. This is quite a big deal for me as I haven’t been back to Penzance since the death of my beloved grandparents.  My father was born and raised in Penzance, but I have no family in the town at all now, and it is going to be strange experience indeed being there on my own.

On 6th July, between 3-4pm I am taking part in the Local Authors panel, talking about how Cornwall inspires fiction.

On 8th July, between 10am and 1pm, I will be teaching a Life Writing workshop for beginners and new writers to the genre.

Details of both events can be found here- http://www.pzlitfest.co.uk/speaker/jenny-kane/

On the 9th July I intend to sleep – lots!!

Abi’s Neighbour and I – for that is the novel I’m touring with- would be delighted to see you on our travels!

 

Get those tickets booked (at the Chippenham event tickets are on the door), and I’ll see you soon!

Happy travels,

Jenny xx

Tiverton Literary Festival: 22nd-25th June

I am proud to be able to announce that the third Tiverton Literary Festival is only a few days away!

Started in 2015 by myself, Susie Griggs and Kerstin Muggeridge – I am delighted to see the festival going from strength to strength.

After two years at the helm, Kerstin and I have taken a step back to attend our families and our books (well, both actually) and the festival is now in the capable hands of Rachel Gee, Susie Griggs and Caro Bushnell.

The new team have got a fantastic line up- you will not want to miss out.

Check out the website for the full line up-

Here are a few of the events on offer…

Thursday 22nd June

7.15pm – 8.30pm.

Tiverton Library. Tickets: £5

TivLitFest Launch Event: Jane Corry in conversation with BBC journalist Simon Hall
Sunday Times bestselling psychological thriller writer Jane Corry will talk about her hit My Husband’s Wife and new book Blood Sisters with BBC South West crime correspondent Simon Hall.

Friday 23rd June

All day

Pop-up book swap @ CreaTIV Hub, Fore Street.
Pre-loved give a book, take a book event brought to you by CAG Devon Sustainable Villages.

 10am – 12 midday

Tiverton Library. Free Admission.

Author Showcase
20 authors from all over the South West all in one place, including Tiverton’s own Jenny Kane. (Ohh– me!!)  Lots of different styles and genres to suit all tastes. Come and meet some local talent and buy their books!

 

1.00 – 3.00pm

CreaTIV Hub, Fore Street. Free Admission.

Book Chat & Signing: Frank Westworth and Tyrrel Francis
Meet the authors of the Killing Sisters crime series and local combat sports drama Blood, Sweat and Tears

 

2.00 – 3.30pm.

Tiverton Library. Tickets: £15

WORKSHOP: So You Want To Be A Writer? Cathie Hartigan & Margaret James
How to give yourself the best chance of success. Have you entered competitions but got nowhere? Are those rejection letters pilling up? Read your opening paragraphs at this informal session and find out how to make your work stand out from the crowd. Come away with bags of hints and tips on how to find the best route to publication for you. Award winning writers themselves, Margaret James and Cathie Hartigan have many years of experience as creative writing teachers and competition judges. Apart from their own successful novels, they are co-authors of the #1Best Selling The Creative Writing Student’s Handbook.

4.30 – 6pm.

Elsie May’s Cafe, Phoenix Lane.

 £7.50 per child.

Elsie May’s Magical Teatime Stories: Family Event
Magical storytelling event aimed at under 10s and their families, older children welcome too. Come in your best party clothes for interactive stories, munch on high tea, make party hats, and experience magical surprises. Perhaps a tiger will come to tea!

High teas also available for adults by arrangement.
Book via facebook.com/elsiemaystiverton or call 01884 235935

7.00 – 8.00pm.

Tiverton Library. Tickets: £5

Crime Night: Rebecca Tope, L V Hay and James D Mortain
From Cosy crime in the Cotswolds, the suspense of an unsolved death in Brighton and strange goings on in North Devon our panel has something to offer all crime fiction buffs.

Saturday 24th June

All day

Brendon Books @ CreaTIV Hub, Fore Street.

New books available from the TivLitFest Book Shop, pick up titles from participating authors.

All day

Pop-up book swap @ CreaTIV Hub, Fore Street.

Pre-loved give a book, take a book event brought to you by CAG Devon Sustainable Villages.

 All day

The Oak Room Café

will be open all day for refreshments and book chat. Coffee and a cake anyone?

Meet at 10.30am.

Tiverton Library. Free: no ticket required.

Secret Story Trail: Family event
Start the trail with Amy Sparkes reading Ellie’s Magic Wellies, then visit some secret locations for more tales from Loreley Amiti and Olli Tooley. The trail ends with Exmoor Ponies writer Victoria Eveleigh at The Oak Room from 11.45am. Come in wellies or fancy dress. Free face painting from Alannah and craft session. NB. The end of the trail is not suitable for buggies. All children to be accompanied by an adult.

Start the trail with Amy Sparkes reading Ellie’s Magic Wellies, then visit some secret locations for more tales from Loreley Amiti and Olli Tooley

Loreley Amiti

11.00am-1.00pm.

Tiverton Library. Tickets: £15.

WORKSHOP: Writing for Children – Breaking Through with Amy Sparkes
A workshop with successful children’s author Amy Sparkes whose work has been published by Scholastic, Egmont and HarperCollins.

2.00-3.30pm.

Tiverton Library. Tickets: £3

Dan Metcalf – Code Breakers Workshop (age 7-11 years): Family Event
Meet author Dan Metcalf, listen to him read one of his books from the Lottie Lipton Adventures series and try your hand at code-breaking . Great fun for children aged 7-11 years.

2.00-3.00pm.

Tiverton Castle.

Tickets: £5 including refreshments

Historical Anecdotes and Research
Conversations with M J Colewood about the Chester Bentley medieval mysteries and local historian Douglas Rice about ‘The Siege of Tiverton Castle’. Sorry no wheelchair access inside the castle.

3.45pm (approx. 1 hour).

Meet at Tiverton Castle.

Free – no ticket required.

Guided History Walk – Tiverton Civic Society
Historical walking tour. Learn about Tiverton’s merchants and wool and textile heritage. The walk will end at The Oak Room where you will have the opportunity to buy refreshments.

3.30-5.00pm.

The Oak Room. Tickets: £15.

WORKSHOP: Exploring the young adult market with Alison Knight.
The market for books written for young adults (12-18 year-olds) is growing, thanks to the popularity of authors like JK Rowling, Bella Forrest and Anthony Horowitz.  As well as creating fantasy worlds that have caught the imagination of millions of teenagers and adults alike, a wide range of YA fiction also tackles life problems head on, providing emotional support and growth for young people.  Author Alison Knight will lead a workshop looking at YA stories, with writing exercises for teens and adults who are interested in writing for this market. This session is suitable for beginners and experienced writers and anyone who wants to know more about the growing YA book market.  Bring along your favourite YA book to add to the discussion! Sorry no wheelchair access at The Oak Room.

4.30 – 6.00pm.

Elsie May’s Cafe, Phoenix Lane. 

£7.50 per child

Elsie May’s Magical Teatime Stories: Family Event
Magical storytelling event aimed at under 10s and their families, older children welcome too. Come in your best party clothes for interactive stories, munch on high tea, make party hats, and experience magical surprises. Perhaps a tiger will come to tea!

High teas also available for adults by arrangement.
Book via facebook.com/elsiemaystiverton or call 01884 235935

Judi Spiers and Christopher Biggins

7.00 – 10.30pm.

The Oak Room.

Tickets £10 (includes canapes).

TivLitFest Party with Christopher Biggins, Judi Spiers & Lucy English
Showbiz legend Christopher Biggins in conversation with Judi Piers, award winning performance poet Lucy English, acoustic vibes from local music acts. Join us at this fabulous festival fundraiser and mingle with other festival supporters. Licensed bar. Over 16s only please. Sorry no wheelchair access.

Sunday 25th June

12.30 – 2.30pm.

Tiverton Town Hall. Tickets: £15

WORKSHOP: Who, what, when, where! Jenny Kane & Alison Knight
Experienced novelists Alison Knight and Jenny Kane will help you to shape four of the most vital elements for any story; be it long or short. Characters, situation, time period, and location.  For beginners and those who wish to finesse their writing technique.

2.45 – 4.00pm.

Tiverton Town Hall. Tickets: £5

Female Author Panel
Exeter Novel Prize winner Su Bristow, #1 Bestselling writer Cathie Hartigan, Jan Ellis and Alison Knight. Listen to this lively panel of women writers talk about their work and books. Refreshments available from Gin & Jam WI.

4.30 – 6.00pm.

Elsie May’s Cafe, Phoenix Lane.

£7.50 per child.

Elsie May’s Magical Teatime Stories: Family Event
Magical storytelling event aimed at under 10s and their families, older children welcome too. Come in your best party clothes for interactive stories, munch on high tea, make party hats, and experience magical surprises. Perhaps a tiger will come to tea!
High teas also available for adults by arrangement.
Book via facebook.com/elsiemaystiverton or call 01884 235935

 5.00 – 6.30pm.

Tiverton Town Hall. Tickets: £5.

Maeve Haran and Liz Fenwick in conversation with Judi Spiers
This event is sponsored by Five Cedars Health & Beauty.
International Bestseller Maeve Haran and author of sweeping Cornish sagas Liz Fenwick will be in conversation with Judi Spiers, discussing their new books An Italian Holiday and The Returning Tide. Refreshments will be available from Gin & Jam WI.

7.30-9.00pm.

Tiverton Rugby Club.

£9 in advance, £10 on the door.

Johnny Kingdom’s West Country Tales: Festival Finale
An evening with man of Exmoor Johnny Kingdom. Watch clips from his wildlife filming and listen to some West Country Tales from the very entertaining and much loved Johnny. You will also have to opportunity to buy his books, DVDs and prints and chat to the man himself! Licensed bar. Free Parking.

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All further details are on the Tiv Lit website. www.tivertonlitfest.co.uk

You can order tickets online or you can buy tickets in person from Tiverton Library or Reapers Health Food shop on Bampton Street, Tiverton.

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See you there!!

Jenny xx

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