Jenny Kane & Jennifer Ash

Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

Novel Progress 7: Paper editing

The completion of Another Glass of Champagne – the fourth part of my Another Cup of… series grows nearer!! At the moment I’m deep into the edits. For me editing a novel is a five part process-

1. Read through draft on the computer

2. Print out the draft and edit on paper

3. Type in changes and edit as I type

4. Check that there isn’t word or plot repetition

5. Final read through- out loud

Novel edited

I have just completed part two of the editing process, and I am heading into part three…while helping to run, and take part in, the Tiverton Literary Festival. I am incapable of only doing one thing at once!!

Editing at this stage of novel writing is my favourite part of the process. I just love the feeling of being almost there- of polishing it up- of making it every word count…before time runs out!

Another Glass of Champagne_edited-1

Happy reading everyone!

Jenny xx

Guest Blog from Lorna Peel: Life in Ireland during World War Two

I’m delighted to welcome Lorna Peel to my blog today, as part of the blog tour for her brand new book, Into the Unknown.

Over to you Lorna…

tourbutton_intotheunknown

The Irish Free State remained neutral during ‘The Emergency’, as the Second World War was called in Ireland – the only member of the British Commonwealth to do so. An estimated seventy thousand men and women served in the British armed forces, including almost five thousand members of the Irish Defence Forces who deserted to fight.

Kate’s father, mother and grandmother lived in Co Galway on the west coast of Ireland. Kate’s father was a solicitor and despite having a good job, they couldn’t afford to be extravagant. He had a car but with petrol priced one shilling and sixpence per gallon and rationed, the car was only used to get him to and from work. By 1942, petrol was so scarce that most private cars were off the road.

During The Emergency, every person was issued with a ration book. Goods rationed included tobacco, butter, tea, sugar, flour, soap and clothing. Inside each ration book were several pages of instructions in both Irish and English followed by pages of numbered squares, either marked by the product name (Flour, Tea, etc.) or containing a letter to be used for different purchases. Space was also provided for keeping details of when, where and what was bought.

Kate’s mother had approximately four pounds per weeks for housekeeping. She cooked on a rather antiquated solid fuel range which was powered by a turf (peat) as coal was no longer available for domestic use. Overall, the Sheridans did not fare too badly as, unlike in the United Kingdom, eggs and meat were not rationed as most people had their own animals to provide these necessities. Mrs Sheridan kept chickens to produce eggs and for eating and any surplus eggs would be bartered for other commodities at the local shop, where she also bought flour for baking in eight-stone bags. In January 1941, the tea ration was two ounces per person per week, but by April it was reduced to once ounce. Like in the United Kingdom, rationing continued long after the end of the war.

Censorship of the press was rigid. Critical commentary was not allowed and no weather reports were printed so, apart from letters which were read and censored, the Sheridans would have known relatively little about the war and Kate’s part in it.

Into_The_Unknown_by_Lorna_Peel-200

BOOK GIVEAWAY!

Make sure to follow the whole tour—the more posts you visit throughout, the more chances you’ll get to enter the giveaway. The tour dates are here: http://www.writermarketing.co.uk/prpromotion/blog-tours/currently-on-tour/lorna-peel-2/

a Rafflecopter giveaway

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Excerpt:

“You don’t know much about my family, do you?” She frowned. “I’ll tell you, seeing as we’re stuck here for the time being. My father is a solicitor in Galway but he met Mummy at a wedding here in London. They live a few miles outside Galway now, beside the sea. Granny Barbara can’t stand him and makes no secret of the fact that she thinks Mummy married beneath her. Daddy and Granny Norah are Catholic but Mummy is Church of England, and when Mummy announced she wanted to marry Daddy there was uproar. Granny Barbara and Granddad Thomas were completely against it, but Mummy and Daddy were completely for it.”

“So what happened?” Charlie asked.

“Granddad Thomas and Daddy came to an arrangement. Mummy could marry Daddy, but any children they had who were born in Ireland would be brought up Church of England, not Catholic. It’s always amazed me that Daddy agreed, but Granddad Thomas was quite frightening, from what very little I remember of him. He died when I was five, a few months after Mummy, Daddy and I were here on a visit.”

“He was,” Charlie smiled, “very Victorian in his outlook. He used to frighten the life out of me. He caught me smoking in the garden once. I was about fifteen and I can remember him bellowing at me, ‘Are you smoking a cigarette, boy? A gentleman smokes a cigar.’ He gave me a cigar and the thing almost gave me bronchitis, so I stayed with cigarettes.” He laughed. “So were you brought up Church of England?”

“I was baptised Church of Ireland, which is Anglican, too. Apparently, Daddy stood outside the church and refused to go in.” She sighed. “They really needn’t have bothered because I’ve no time for religion. Poor Mummy, she tries so hard. She’s on every committee there is, but means well, even if the locals do still call her the ‘blow-in’ after twenty-two years.”

“Why?”

“She sounds exactly like Helen and Granny Barbara—that very posh English accent—and it rubs some people up the wrong way because they think she’s putting it on. Poor Mummy; she’ll never fit in, no matter how hard she tries. Daddy’s only brother, Michael, fought in the Irish War of Independence against the British. He got shot shortly before the Truce in 1921 but didn’t die for a long, long time. Daddy paid for him to be looked after in a nursing home. I was about four when he died. That’s why Daddy is a bit, you know, about Britain. There’s no reasoning with him. Everything is all Britain’s fault, according to him, but he’s not involved in anything. I know you were wondering, Charlie,” she finished softly.

***

Blurb

London on 3 September 1939 is in upheaval. War is inevitable. Into this turmoil steps Kate Sheridan, newly arrived from Ireland to live with her aunt and uncle, and look for work. When she meets Flight Lieutenant Charlie Butler sparks fly, but he is a notorious womaniser. Should she ignore all the warnings and get involved with a ladies man whose life will be in daily danger?

Charlie Butler has no intention of getting involved with a woman. But when he meets Kate his resolve is shattered. Should he allow his heart to rule his head and fall for a nineteen-year-old Irish girl while there is a war to fight?

Private conflicts and personal doubts are soon overshadowed. Will the horrors of war bring Kate and Charlie together or tear them apart?

***

Buy Links

Amazon UK – http://www.amazon.co.uk/dp/B00UAY719Y

Amazon US – http://amzn.com/B00UAY719Y

iBooks UK – https://itunes.apple.com/gb/book/id974054282?mt=11

iBooks US – https://itunes.apple.com/us/book/into-the-unknown/id974054282

Smashwords – https://www.smashwords.com/books/view/525040

Kobo – https://store.kobobooks.com/en-US/ebook/into-the-unknown-10

Nook UK – http://www.nook.com/gb/ebooks/into-the-unknown-by-lorna-peel/2940046616323

Barnes and Noble – http://www.barnesandnoble.com/w/books/1121346684

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Author Bio and Links

Lorna Peel is an author of contemporary and historical romantic fiction. She has had work published in three Irish magazines – historical articles on The Stone of Scone in ‘Ireland’s Own’, on The Irish Potato Famine in the ‘Leitrim Guardian’ – and Lucy’s Lesson, a contemporary short story in ‘Woman’s Way’.

Her first novel, Only You, a contemporary romance, was published in 2014. Into The Unknown, an historical novel set during WWII, will be published on 5 May 2015.

Lorna was born in England and lived in North Wales until her family moved to Ireland to become farmers, which is a book in itself! She lives in rural Ireland, where she write, researches her family history, and grows fruit and vegetables. She also keeps chickens (and a Guinea Hen who now thinks she’s a chicken!).

http://lornapeel.com

http://twitter.com/PeelLorna

http://www.facebook.com/LornaPeelAuthor

http://pinterest.com/lornapeel

http://www.goodreads.com/LornaPeel

http://www.tsu.co/lornapeelauthor

https://plus.google.com/+LornaPeel

Thank you for hosting me, Jenny!

***

Many thanks for dropping by today Lorna,

Good luck on your blog tour,

Jenny xx

WMS_blogtour

 

Tiverton Literary Festival: Cupcakes, Crime, Poetry, & Romance at The Oak Room

Today I had the great pleasure of attending the official opening of a brand new venue in Tiverton, Devon- The Oak Room – which will be the prime location for the Tiverton Literary Festival. (3rd -7th June)

Oak Room 3

A converted church, there has been a church on the site of The Oak Room since 166o. The current building, made of imposing limestone, was built in 1831. It was used as a United Reformed Church until 2012, when the church was put up for sale. In 2014 Sue Searle, bought the church with a view to converting it into a café, art gallery and events venue- and she has done an amazing job!!

Sue Searle on the Oak Room stage

Sue Searle on the Oak Room stage

Why not come along on 3rd June and join the Cupcakes and Romance panel? With a cupcake to hand, come and listen to bestselling authors Julie Cohen (Where Love Lies), Alison Rose, (Off the Record), and Rachel Brimble (What a Woman Desires), chat to me about their work, their writing, and their inspiration. You’ll have the opportunity to ask questions of your own, and find out just what makes their imaginations spark a heart warming tale.

Julie Cohen

Julie Cohen

Or perhaps you fancy sipping a latte while listening to some of the countries best crime writers?

Simon Hall

Simon Hall

Poet and journalist Paul Mortimer, will be hosting an hour of murder, suspense and dodgy dealings, as bestselling crime writers, Simon Hall (The TV Detective Novels), Nicola Upson (The Josephine Tey novels) and Clare Donoghue (The Watcher), talk about committing crimes via the pen and computer keyboard. There will be a chance to ask your own questions, enjoy refreshments, and purchase some books.

Oak Room 4

Coffee at The Oak Room

Paul Mortimer will also be at the Oak Room for an evening of outstanding and award winning poetry from the Poetry Café and Junction 25 team.

poetry cafe

On Thursday 4th June join award winning and, bestselling author, Michael Jecks, for a light hearted look at the life of a writer. Reflecting on a career spent with one foot in the Fourteenth Century fighting the Hundred Year’s War (often with murderous intent never far behind), and the other foot in Devon, scribbling words at high speed, Michael raises a glass to a life only half lived in reality. With a talk entitled ’20 Writing Questions’ I can guarantee an evening of smiles!!

Michael Jecks

Michael Jecks

There are many many more literary events being held at The Oak Room, and throughout Tiverton town as a whole, between 3rd and 7th June- just checkout the web site for details www.tivlitfest.co.uk

tivvibadge_websiteThe Oak Room

Tickets are available from www.tivlitfest.co.uk , or from Tiverton Library, Reapers Wholefoods on Bampton Street, and Majestic Wines, Tiverton.

Hope to see you there!!

Jenny xx

 

 

Interview with Teresa F. Morgan: One Fine Day

Today I’m interviewing fellow writer, Teresa Morgan, about her latest book, One Fine Day.

Time to pop the kettle on, and enjoy five minutes with your feet up, while you join in our chatter…

coffee cups

What inspired you to write your book?

One Fine Day is inspired by a mix of things really. I’ve always been fascinated how celebrities can just split up. Especially those that get together, marry and divorce in the space of a year – or less! Having been through a divorce, I know it’s not easy, but us ‘normal’ folk have the financial worry which makes our decision to break up harder, whereas if both parties are rich and famous, they don’t have that financial insecurity to face. And so I wonder if this lessens their effort to work at a relationship. Also, I love Superman/Clark Kent and wondered what sort of person would need to go under a disguise to find their perfect partner… and decided a heart-throb actor (who looks a lot like Bradley Cooper) would be a perfect candidate.

One Fine Day

Do you model any of your characters after people you know? If so, do these people see themselves in your characters?

Steve’s sister, Ruby, in One Fine Day is bossy and swears a lot… she’s very much like me. I’m not sure I like to make my characters like people I know… I might steal a name but usually I’ll use characters off the television to be safe. A fictional character based on another fictional character.

Which Point of View do you prefer to write in and why?

I prefer writing in third person so that I can fluctuate between the hero and the heroine. I always do this with a scene change though, so the reader isn’t hopping from one head to another. But I do like to give the reader the hero’s perspective and not always the heroine’s. In fact, One Fine Day is predominately the hero’s point of view.

Do you prefer to plot your story or just go with the flow?

Writing romance you know there has to be a happy ending. I usually have ideas of things I need to put into my story, but I am probably a bit of a “just go with the flow” type writer. I’m not very good at plotting my story, I just want to get on with writing it.

What is your writing regime?

Tuesdays, Wednesday and Thursdays are my free days, so I try to write in those days when the boys are at school. I’m giving myself a target of around 2000 words a week… but really, I like to achieve a 1000 words a day. I also have to fit in exercise, housework, and catching up with friends, but I’m trying to do more during the day so that evenings I relax and can use as my social media and blogging time.

***

Teresa F Morgan

Teresa F Morgan

Blurb for One Fine Day

Just a boy standing in front of a girl…

Actor Steve Mason has it all … gorgeous looks, the perfect starlet girlfriend hanging on his arm and his name on every Hollywood producer’s lips. That is, until it turns out the ‘perfect girl’ is actually a perfect PR stunt! Dumped and with his name plastered across every tabloid headline, Steve decides to head home to England, questioning if he’ll ever find a woman who genuinely loves him for who he is, and not just his place on the Sexiest Man Alive list.

It’s been fifteen long years since Ruby last saw her big brother – but the new LA version of Steve complete with designer wardrobe, California tan and an American accent is too much to bear – Ruby hardly recognises him and decides it’s time to get her brother back!

With Ruby’s help, Steve goes undercover as he plays the part of a regular guy who leads a regular life. And then one perfectly fine, ordinary day he meets lovely, funny, down-to-earth Lydia. But when Hollywood comes calling, will Steve be able to leave both Lydia and his little sister behind?

***

Buy Links:

Amazon UK Paperback

Amazon UK Ebook

Amazon US

Kobo

Add On Goodreads

Harper Impulse

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Bio

Author bio

I live in sunny Weston-super-Mare, trying to hold onto my Surrey accent where I was born and bred. For years I persevered with boring jobs, until my two boys joined my nest. In an attempt to find something to work around them, and to ensure I never endured full time boredom again, I found writing. I am at my happiest baking cakes, putting proper home cooked dinners on the table (whether the kids eat them or not), reading a good romance, or creating a touch of escapism with heroes readers will fall in love with.

Blog / Website / Twitter / Facebook / Goodreads

***

Many thanks for visiting today Teresa.

Happy reading everyone,

Jenny xx

 

Another Cup of Coffee: Amy’s Adventure Begins

As I come to the end of writing the latest novel in the ‘Another Cup of…’ series (Another Glass of Champagne, is due out early next year), I thought I’d share a mini extract with you from the first in the series.

Another Cup of Coffee is the story of Amy Crane’s quest to get her life back on track…and this is how her adventure really begins…

Another Cup of Coffee - New cover 2015

 

Aberdeen airport

It was only once she’d checked in at Aberdeen airport, her luggage safely stowed, that Amy finally stopped moving. Slumped on a bench, looking around at the people rushing by, she realised that this was the first time she’d been inactive for weeks.

Once her impulsive decision to go home to England had been made, she’d barely stopped for a break in the haste to work her notice period, sort out the ending of the lease on her rented flat, and arrange somewhere to stay in London. Now that stillness was about to be forced upon her, Amy had to face the reality of what she’d done by throwing in a good job and a nice flat for no job and a rented room in a shared house in London that she’d never even seen.

‘I need coffee,’ she muttered to herself. Hoisting her tatty fabric handbag higher onto her shoulder in a bracing gesture, she headed for the café located next to the departure checkpoint.

Having successfully managed to purvey her order to the Chinese-speaking assistant via a mixture of words and semaphore, Amy sat down on one of the fiendishly uncomfortable steel seats. Ignoring the unsightly build-up of used cups, half-eaten meals and spilt fizzy pop, Amy briefly allowed herself to contemplate her situation. Almost instantly her nerves regrouped in her gut, and Amy decided to put off any serious thoughts about the future until she was on the plane. That way, any possible temptations to chicken out and stay in Scotland after all would no longer be an option. Major life planning could wait. For now she would just indulge in her drink and watch the world go by. Then she’d have a wander around the meagre collection of shops, and perhaps buy a book or magazine for the flight, putting reality off for a bit longer.

Unable to put off the moment, Amy picked up her backpack and headed over to the departure gate. As she passed the newsagents’ her eyes landed on a copy of one magazine in particular- it had the appropriate headline, New job, New home, New life.

Amy muttered the words over and over in her head like a mantra, as she purchased the magazine fate seemed to have left for her before joining the queue of people who were also turning their back on the Granite City, for to business commitments, holidays, or in her case, for ever.

During the seventy-minute flight, Amy had managed to concoct enough excuses to delay any plan of action as to what to do next for a little longer. She’d examined the flight safety card thoroughly, had uncharacteristically engaged her fellow passengers in mindless conversation, and flicked through her magazine. Amy had read the occasional relevant passage, but had been disappointed not to find an article entitled You’ve Ditched Your Life – So Now What?

Now, trudging down the gloomy concourse at Heathrow to retrieve her luggage and trying to ignore the patina of perspiration on her palms, Amy was suddenly aware that someone was talking to her.

‘You OK?’

The man striding next to her spoke with a soft Irish lilt, ‘You’ve been chatting to yourself ever since we landed.’

‘Oh, God, have I?’ Amy’s face flushed. ‘I’m sorry; I’m always talking to myself. You must think I’m nuts.’

‘No!’ His eyes twinkled at her as he spoke. ‘Well, maybe just a bit.’

Amy wondered how old he was. Roughly her age perhaps; she always found it difficult to tell with men in suits. Amy didn’t want to think about it, or she’d get onto thinking about how much time had passed since she’d last smiled at a man of her own age, let alone spoken to one, and that way lay madness. ‘You’re probably right. I’ve just chucked in my life, so perhaps I’m insane.’

‘A lot on your mind then,’ he nodded his bespectacled head.

Amy carried on rambling. ‘No job, a home I’ve only seen from a brochure, and I’m getting a serious case of cold feet.’

They reached the dimly-lit baggage collection area as the carousel sparked into life. The whole room spoke of transitory lives, and the dank atmosphere made Amy shiver inside.

The man had obviously noticed her growing unease. ‘Look, I know I’m a total stranger, and it’s none of my business; but if it helps, I think it sounds fantastic. Exciting and brave.’

rucksack

Spotting her luggage heading towards her, Amy grimaced. ‘I don’t feel very brave.’ She grabbed her heavy bag before it lumbered out of reach.

‘You have a blank page. A new canvas to start from. I’d swap what I’ve got for that, and so would most of this lot.’ He gestured to the anonymous crowds that surged around them. ‘Go with the flow, have fun, be yourself, and smile. You have a nice smile.’ Then he scooped up his navy executive wheeled case, extended the handle, and rapidly disappeared, his grey suit merging with hundreds of others in the crush.

Amy stood there, oblivious to the fact that she was in everybody’s way. A blank page. For the first time in days excitement overtook the fear, as she hurried off to hail a taxi to transport her into the unchartered wilds of Richmond…

***

Obviously I don’t want to ruin the story for you- so for the really meaty bits you’ll have to buy a copy!!

***

Buy links

Another Cup of Coffee is available as an e-Book and in paperback from all good bookshops/book retailers

Happy Reading,
Jenny xx

Guest Post for A SPELL IN PROVENCE by Marie Laval: Little Time Bubbles

I’m pleased to welcome Marie Laval to my site today, to talk about capturing the senses within her fabulous novel, A Spell in Provence.

Over to you Marie…

LITTLE TIME BUBBLES

As writers we know how important it is to use the five senses – sight, smell, taste, touch and sound – to bring scenes and characters to life and immerse the reader in the story. The sense of smell is, I think, the most magical, powerful and nostalgic of all senses. A fleeting, ephemeral scent can make us travel back in time and bring people and emotions back to life – if only for a few seconds. It can make us smile or cry, it can be soothing or reopen old wounds. There are scents many of us can identify and relate to. A writer uses scents to give the reader a more intense feel for a particular place, time or scene. Some smells may be a little ‘cliché’ but still work. The smell of burning leaves reminds us of autumn. Orange peel, cinnamon and clove take us back to winter and Christmas, and freshly-cut grass evokes spring and summer. As for flowers and plants, many readers will know the scent of roses, lilac, wisteria, lilies, to name but a few. A scene describing a walk in the countryside will feel more real if it includes scents, for example woods carpeted with wild garlic and bluebells or with damp, rotten leaves; a deep forest of fir trees with pine needles on the ground; the scent of grass and earth after a spring shower.

ASpellinProvence3

In A SPELL IN PROVENCE, my contemporary romantic suspense published by Áccent Press, Amy Carter buys an old farmhouse with a garden overgrown with wild flowers, rosemary, thyme and lavender – scents we all associate with Provence and the south of France. The scent of pine from the nearby cedar forest changes from fresh and invigorating at the start of the story to dark and overpowering as Bellefontaine’s mystery deepens. To help make characters unique and bring them to life we often give them a unique fragrance. I do confess to a predilection for sandalwood for my heroes, and vanilla, rose, jasmine or orange blossom for my heroines. In A SPELL IN PROVENCE, Amy Carter is very liberal in her use of Bourbon Vanilla bubble bath. In DANCING FOR THE DEVIL, my historical romance to be released by Áccent Press in June, my heroine loves orange blossom cologne because it reminds her of her village in the Sahara. I always have these fragrances at hand when I write to remind myself of the characters I have created.

http://www.dreamstime.com/stock-photos-beautiful-landscape-provence-france-abbaye-de-senanque-near-village-gordes-vaucluse-region-image40478843

Other distinctive scents can also help define a character’s habits and personality, for example tobacco, cigarette and cigar smoke which cling to their clothes, or the smell of brandy, whisky or mint pastilles which lingers on their breath. And let’s not forget leather… Perfumes can be associated with happy, traumatic or painful memories and the emotions some trigger are so personal they can be difficult to capture and communicate. To this day I cannot be near a woman wearing Guerlain’s Shalimar without thinking of my mother because it was her favourite perfume. Food smells are incredibly evocative too. Freshly baked bread, tomato and garlic sauce, or freshly baked fruit tarts, especially apricots (we had an apricot tree in the garden), will always remind me of childhood and home. If I close my eyes, I can almost hear my mother sing in the kitchen. So fragrances can be like little time bubbles or time machines allowing us to revisit places and moments in time, whether we want it or not.

provence-market-173065_1280

A SPELL IN PROVENCE Blurb

With few roots in England and having just lost her job, Amy Carter decides to give up on home and start a new life in France, spending her redundancy package turning an overgrown Provençal farmhouse, Bellefontaine, into a successful hotel. Though she has big plans for her new home, none of them involves falling in love – least of all with Fabien Coste, the handsome but arrogant owner of a nearby château.  As romance blossoms, eerie and strange happenings in Bellefontaine hint at a dark mystery of the Provençal countryside which dates back many centuries and holds an entanglement between the ladies of Bellefontaine and the ducs de Coste at its centre. As Amy works to unravel the mystery, she begins to wonder if it may not just be her heart at risk, but her life too.

You can find A SPELL IN PROVENCE on Amazon

http://www.amazon.co.uk/Spell-Provence-Marie-Laval-ebook/dp/B00RVQO8RM/ref=sr_1_10?s=digital-text&ie=UTF8&qid=1421344692&sr=1-10&keywords=accent+press

and

http://www.amazon.com/A-Spell-Provence-Marie-Laval-ebook/dp/B00RVQO8RM

You can also buy it in print at

http://www.accentpress.co.uk/Book/13421/A-Spell-in-Provence.html

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MarieLaval (2)

Marie Laval Bio

Originally from Lyon in France, Marie studied History and Law at university there before moving to Lancashire in England where she worked in a variety of jobs, from PA in a busy university department to teacher of French in schools and colleges. Writing, however, was always her passion, and she spends what little free time she has dreaming and making up stories. Her historical romances ANGEL HEART and THE LION’S EMBRACE are published by MuseItUp Publishing. A SPELL IN PROVENCE is her first contemporary romance. It is published by Áccent Press.

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Many thanks for writing us such a great blog Marie. Good luck with A Spell in Provence.

Happy reading,

Jenny xx

 

 

Guest Post from Jennifer Young: Looking For Charlotte Blog Tour

I’m delighted to be able to welcome Jennifer Young to my site today, as part of her blog tour for her new release, Looking For Charlotte.

Over to you Jennifer…

tourbutton_lookingforcharlotte

 

About the Journey: Looking For Charlotte

They say there are only seven basic plots. I have a book about that, in fact, but as it’s almost 700 pages long and I’m time-poor I haven’t yet got round to reading it. But everyone who has (well done, by the way) tells me that it’s true and there’s nothing original in this world.

I didn’t deliberately set out to pick one of those seven, though I have done in the past. As it happens, though, my latest book, Looking For Charlotte, fits more closely to an obvious plot device than anything I’ve ever attempted, even the variations-on-a-theme-by-Shakespeare trilogy that I’m working on (the theme is Romeo and Juliet, since you ask).

Looking For Charlotte by Jennifer Young

The clue is in the name. Looking For Charlotte is a journey or, as it’s referred to in the book, a quest. ‘Quest’ is a wonderful, evocative word, old-fashioned to the point of medieval, bringing to mind knights on noble steeds undertaking challenges set for them by mistresses or magicians, with the ultimate objective (in which they pretty much always succeed) of winning the hand of a fair lady.

The quest which my very modern heroine, Flora, undertakes isn’t one laid on her by a wicked witch, or even something she has to do to save her relationship, win promotion or achieve fame (all of which are perfectly worthy objectives). It’s much deeper than that, and it’s also entirely self-imposed.

When Flora sees on the news the story of a toddler abducted and almost certainly murdered by her father (who then killed himself) her reaction is to take up the search for the child where the police have given up. No-one makes her do it. No-one forces her to go out looking for a lonely grave, puts the spade in the boot of the car and hands her the key, points a dramatic finger and says to her: ‘Go’.

So why does she go? It’s partly to absolve her own guilt at mistakes she’s made in the past. It’s partly to do good to someone else, a stranger. Personally she has nothing not gain from it but yet she goes, undertaking a journey which is both physical and emotional. And when it ends, on a moor in the wild north-east of Scotland on a wild-weather day to the accompaniment of birdsong, the story ends.

In success, or in failure? That’s for me to know and you, if you wish, to find out. Read on…

Excerpt

They parted just beyond the bridge across the Ness, Grace heading up the pedestrian streets and Flora cutting across to the library, fronted by the long line of cars full of Saturday shoppers manoeuvering towards the car parks. She wasn’t a regular library user, but once the idea had taken her she remembered that there was something she wanted to check.

In the reference section, she stood for a moment before selecting the Ordnance Survey map that covered the area south of Ullapool. She knew it quite well. When the children were young they’d gone walking there regularly, able to reach the open spaces without pushing the slowest (usually Amelia, though Beth was the youngest) too hard. They’d graduated to more difficult walks, then stopped walking altogether. Eventually she had developed a fondness for the slightly less bleak terrain to the south of Inverness, where she went occasionally with Philip and his brother, or with a colleague from work. She hadn’t been out all year, not since before Christmas, in fact, and even then they’d been rained off not very far in and driven back to the comfort of a tea shop in Grantown-on-Spey.

A nostalgic yearning for a good long walk swept over her as she unfolded the map and smoothed it out across one of the desks. She and Danny used to look at maps together plotting their routes. His stubby forefinger, with its bitten nails, had traced the most challenging route to start, sliding along the steep and craggy ridges until he remembered the children and reluctantly redrew, shorter, safer.

She thought she knew the place where Alastair Anderson had left his car, and found it easily enough. Under her fingers the map was a flat web of never-parallel lines, of ugly pock-marking that told of steep, loose rocks and inhospitable terrain, just the type of place they used to walk. Somewhere up here, Charlotte Anderson was buried. Carried there, already dead? Or walked there and then killed? Surely neither was realistic; surely they would have found her, with their dogs and their mountain rescue helicopters scouring the ground for new scars, and all the rest of the equipment they had at their disposal.

Looking at the map had been a mistake. It was obvious now. Besides, she couldn’t see it any more; all she could see was the image of Suzanne Beauchamp, that beautiful face with the cold façade, like a wax death mask from Madame Tussauds. More poignant, of course, since it must hide a struggle, a struggle to conceal or to suppress a deadly mixture of grief and guilt.

‘Go away!’ she said softly to this mirage of a grieving woman, a little afraid of its power. ‘Go away!’ And then, in the only defence left to her, she began to fold the map away…

****

Blurb

Divorced and lonely, Flora Wilson is distraught when she hears news of the death of little Charlotte Anderson. Charlotte’s father killed her and then himself, and although he left a letter with clues to her grave, his two-year-old daughter still hasn’t been found. Convinced that she failed her own children, now grown up and seldom at home, Flora embarks on a quest to find Charlotte’s body to give the child’s mother closure, believing that by doing so she can somehow atone for her own failings.

As she hunts in winter through the remote moors of the Scottish Highlands, her obsession comes to challenge the very fabric of her life — her job, her friendship with her colleague Philip Metcalfe, and her relationships with her three children.

***

GIVEAWAY!

Make sure to follow the whole tour—the more posts you visit throughout, the more chances you’ll get to enter the giveaway. The tour dates are here: http://www.writermarketing.co.uk/prpromotion/blog-tours/currently-on-tour/jennifer-young-2/

a Rafflecopter giveaway

***

Buy Links

Tirgearr Publishing

http://tirgearrpublishing.com/authors/Young_Jennifer/looking-for-charlotte.htm

Amazon UK

http://amzn.to/1D7pNY6

Amazon US

http://amzn.to/1JmAwBR

Smashwords

https://www.smashwords.com/books/view/526032?ref=cw1985

Author bio

I live in Edinburgh and I write romance and contemporary women’s fiction. I’ve been writing all my life and my first book was published in February 2014, though I’ve had short stories published before then. The thing that runs through all my writing is an interest in the world around me. I love travel and geography and the locations of my stories is always important to me. And of course I love reading — anything and everything.

Links

Facebook

https://www.facebook.com/jenniferyoungauthor

Twitter

@JYnovelist

Website

http://www.jenniferyoungauthor.com/

***

Many thanks for visiting today Jennifer. Good luck with the rest of the tour!!

Don’t forget the giveaway folks!!

Happy reading,

Jenny xx

WMS_blogtour

 

Writing Champagne, with a Coffee Cup to Hand

Okay- I admit it, I have a serious coffee shop habit! I am addicted- not just to the caffeine- but to the coffee and teashops themselves. I just love them- all of them! I love to watch the people around me, to smile at strangers to see how they respond, to wrap my hands around a coffee mug and inhale the aroma of the drink within. For me, there is something very soothing about these places. Whether they are jammed packed and noisy, or as quiet as the proverbial grave, with myself as the only coffee swiller in residence, I simply feel at home in cafes.

Coffee - The Courtyard- Wiv

It won’t surprise you to learn then, that every novel I have ever written has taken shape in various coffee shops up and down the UK. I can’t write at home, with the distractions of ironing and dusting, so I pen all my words at cafe tables. There is even a plaque on the wall of my cafe, denoting where I write! It seemed totally natural to me therefore, that when it came to creating my first non-erotic novel, to make a coffee shop the focal point of the story.

Another Glass of Champagne_edited-1

For the last five months, I’ve been sat at my usual table in a local coffee shop each day, working on my latest novel, Another Glass of Champagne, the fourth in my Another Cup of… series.

It is eighteen months since the first in this contemporary romance series, Another Cup of Coffee, was released. I never dreamt it would become a series! (Book 2 – Another Cup of Christmas. Book 3- Christmas in the Cotswolds)

ACOChristmas- New 2015CITC- New cover 2015

Another Cup of Coffee Blurb-

Thirteen years ago Amy Crane ran away from everyone and everything she knew, ending up in an unfamiliar city with no obvious past and no idea of her future. Now, though, that past has just arrived on her doorstep, in the shape of an old music cassette that Amy hasn’t seen since she was at university.

Digging out her long-neglected Walkman, Amy listens to the lyrics that soundtracked her student days. As long-buried memories are wrenched from the places in her mind where she’s kept them safely locked away for over a decade, Amy is suddenly tired of hiding.

It’s time to confront everything about her life. Time to find all the friends she left behind in England, when her heart got broken and the life she was building for herself was shattered. Time to make sense of all the feelings she’s been bottling up for all this time. And most of all, it’s time to discover why Jack has sent her tape back to her now, after all these years…

With her mantra, ‘New life, New job, New home’, playing on a continuous loop in her head, Amy gears herself up with yet another bucket-sized cup of coffee, as she goes forth to lay the ghost of first love to rest…

 Another Cup of Coffee - New cover 2015

The coffee shop that features most within Another Cup of Coffee is Pickwicks, a tucked away cafe in Richmond, run by the ever bubbly Peggy, and her husband Scott. It is there that, newly arrived in London from Scotland, Amy Crane finds a refuge from her troubles, a temporary job, a possible future, and a potential friend in Kit.

In my latest work in progress (which should be out in early 2016), Amy, Jack, Kit and the Pickwicks crew are all five years older. Life has dealt them each a life changing situation to overcome- all of which should (if things go to plan), lead to the chance to celebrate…

Of course, until I have consumed a great deal more coffee myself, and edited at least another 80,000 words, the Pickwicks regulars won’t be getting anyway near that glass of champagne!!

***

If you’d like to read Another Cup of Coffee, you can buy it from all good bookshops, as well as from…

http://www.amazon.com/Another-Cup-Of-Coffee-contemporary-ebook/dp/B00EVYZC7M/ref=pd_sim_kstore_1?ie=UTF8&refRID=15EFJ85882KQYAJ71KED

http://www.amazon.co.uk/Another-Cup-Of-Coffee-contemporary-ebook/dp/B00EVYZC7M/ref=pd_sim_kinc_4?ie=UTF8&refRID=12DHKX85NFP0DNJJCKDS 

Happy reading,

Jenny x

Novel Progress 6: Concluding

A special kind of feeling occurs when I can see the end of a novel draft in sight. It’ a very physical thing- my fingertips tingle as if I have mild pins and needles, I type faster, my heart rate speeds a fraction (possibly due to increased coffee consumption)- oh, and I can’t stop smiling.

I want to reach the end, the goal post of the concluding sentence- and yet, at the same time I don’t want to get there. Being lost in the world that I’ve been creating- the lives of my fictitious friends- is a comfortable place to be. The moment I place that final full stop in place I have to step back- remove myself a little from the world I’ve invented. And that is precisely where I am with the fourth in my Another Cup of… series- for today I have placed the last word of Another Glass of Champagne on the computer screen!

Another Glass of Champagne_edited-1

This distancing myself from my own creation is vital for the next stage of the novel. For the completion of the final sentence is far from the end of a the writing story. Now comes the redraft- the polishing- the editing- the objective overview of my work. It’s time to make sure that every word is perfect for the job it has to do, that all the story threads have been tied up, that the time scale between events is physically possible, and then to track down and remove as many typos as humanly possible!

So while the conclusion brings me a feeling of immense satisfaction – it also heralds in the next stage. A process I enjoy a great deal- Another Glass of Champagne is about to be edited to within an inch of its life…

Happy reading,

Jenny xx

 

Guest Post from Della Galton: The Morning After the Life Before

Writing The Morning After The Life Before was probably one of the worst commercial decisions of my writing career. I knew when I began it – after discussions with my agent – that this book would not be taken on by a big mainstream publisher. Why? Because they deemed its predecessor, Ice and a Slice, not suitable to be sold in a supermarket. They felt it ‘showed alcohol in a bad light’ and might upset their alcohol advertisers. Who knew that supermarkets had so much control over the publishing industry? Tongue firmly in cheek.

Morning After

But… and this is a big but… Why do novelists write books? Love? Money? Fame? Well, for me, this one was a no brainer. It’s feedback from my readers. I have been touched beyond words by the number of people who have emailed and messaged me and left reviews on Amazon for Ice and a Slice. Thank you so much if you are among them.

Knowing you have written a book that has changed people’s lives – in a good way – and that has helped them to face their own demons is priceless. Many, many people asked me if I was writing a sequel to Ice and A Slice. In the end I simply couldn’t not write one. I wrote this novel for all of those people. Once again, I have used my own experiences – as well as researching thoroughly the bits I don’t know about. I do NOT – just for the record – know anything about being a dominatrix. Neither have I ever had a cocaine addiction. Or some of the other wackier things that happen in this novel. But I do know a lot about heartbreak and friendship and love.

ice

 

Heartbreak and friendship and love are some of the themes that run through this novel.

Without giving too much away and spoiling the book for you – The Morning After the Life Before is about how SJ copes – four and a half years on – with sobriety when it seems as though the whole world – even God – is against her.

Will she even cope? Or will she cave in under the pressure?

I must admit I didn’t know the answer to this one when I set out.

And I’m not about to reveal the ending. But here is the beginning.

Chapter One

SJ gave a very deep sigh and glanced once more at the phone. For the last two hours and twenty-two minutes, not that she was counting, the phone had become the focal point of her front room. No, not just her front room – her entire life.

The phone had sat in its cradle on the table by the television. She had sat on the sofa next to it, flicking surreptitious glances at it, while pretending to read Cosmopolitan and occasionally getting up to check that the display was still working in case there was a power cut.

“What if there is a power cut?” she’d said to Penny when they’d done the handover. “I have the plug-in kind of phone – it won’t work unless it has power.”

“I wouldn’t worry – they’ll phone back.”

“But what if they don’t? I thought you said it’s a matter of life and death. What if they’ve spent the last three weeks plucking up the courage to phone the helpline and this is their final desperate plea for help and then no one answers because there’s a power cut. What if they die?”

“They might die anyway,” Penny pointed out, with unnecessary sharpness, SJ thought, considering she was only trying to get things right. And considering that Penny had actually said – when she’d been trying to persuade SJ to sign up for phone service – that the helpline was a matter of life and death.

“We are the fifth emergency service,” she’d said, a mite pompously, SJ had thought. Especially as she hadn’t bothered to explain what she meant. Clearly, as everyone knew, police, ambulance and fire were the first three emergency services. But what was the fourth? And why weren’t they the fourth?

It was slightly crushing to realise that the Alcoholics Anonymous helpline couldn’t be all that important. Not if they were only the fifth.

“What if I miss the phone ringing because I’m out of the room – say I’m in the bathroom?” SJ had asked.

“I thought you said you had a carry-around phone.” There was a gleam of triumph in Penny’s voice.

“Yes I do, but if there was a power cut I’d be using my back up phone. My in-case-of-emergency, old fashioned, plug-straight-into-the-mains phone, wouldn’t I? So I won’t be able to carry that around, obviously.” SJ sighed patiently and resisted the urge to add, ‘so what have you got to say to that then, Miss Goody Two Shoes, know-it-all, pompous Penny?’ Which she would have done without hesitation once when someone like Penny wound her up.

But which she couldn’t do now because she was no longer that person any more. She was no longer judgmental and impatient and prickly – which she’d only ever been because she was lacking in self-esteem obviously. These days, she was serene and calm and peaceful. Serenity was her middle name. She’d considered, in fact, making Serenity her actual middle name by deed poll. Only there didn’t seem much point because no one ever asked you what your middle name was anyway. And deed polls were probably expensive.

“Someone might be trying to get through right now while we’re talking,” Penny said wearily.

“Right. I see. Yes, okay. Point taken.”

“Someone might be dying right now. So maybe if I could just put the phone down, SJ? Please – if you’re ready to take over. Are you?”

“Of course. Sorry. Um bye.”

“Goodbye, SJ.”

Penny disconnected. The phone rang almost immediately and SJ was so surprised she dropped the handset. Then when she reached to pick it up she knocked over her cup of calming peppermint tea which was on the glass-topped coffee table between her and the phone. Oh crap. The phone was still ringing. The tea pooled across the glass and began to drip down the wooden leg.

Double crap. What if there was some raging, desperate, suicidal alcoholic on the other end of the phone? What if they were pissed off because they hadn’t been able to get through? What if they shouted at her? What if they were an utter maniac? Don’t judge, SJ. Deep breaths, in, out, in, out, in, out. Try to stay calm. Serene and calm is where it’s at. If you feel serene your voice will be serene. Nothing to it. She punched the green button with a finger, intending to say, ‘Yep,’ in that ultra-cool voice that ultra-cool receptionists – usually the ones that worked in PR and marketing companies – were fond of using.

What actually came out of her mouth wasn’t yep. It was yip. She tried again. “Yip, yep, yip, yap.” Oh crap. Now she sounded like the next door neighbour’s Jack Russell terrier.

“SJ it’s me.” Penny’s voice held a note of incredulity. “I’m just – er checking that the phone line transferred okay. “Is – everything all right?”

“It’s fine. Absolutely fine. Couldn’t be better. Sorry, I was practising my – um – my dog whisperer voice. I’m doing evening classes.”

“You’re doing evening classes in dog whispering!”

“Yep. I mean yip. Yip yip, yap, yippety yip – ha ha! What do you think?”

“Very – er – authentic, but do you suppose you could do it when you’re not answering the helpline?”

“Of course. Sure. Sorry.”

SJ disconnected and put her head in her hands, before realising belatedly that her elbows were now in a pool of peppermint tea. Fantastic. Why had she ever thought she could do this? She must be mad. She shouldn’t have volunteered. She should have contented herself with making tea at meetings or acting as treasurer. Even she couldn’t make too much of a hash-up of that. What did she know about giving up drinking anyway? What was she going to say to someone if they did phone up the AA helpline? Oh it’s easy – you just swap your vodka for a mug of peppermint tea. Nothing to it. No one was going to believe that, were they? Everyone knew it wasn’t easy to give up. Not when you’d been drinking on a daily basis for months, or years, or possibly even decades.

She’d only managed to give up because she’d had an utterly brilliant counsellor who she’d gone to see, week after week after week. And let’s face it she probably wouldn’t have done that if he hadn’t also been utterly gorgeous and if she hadn’t also had the most humungous crush on him. Would she have given up drinking at all if she hadn’t fallen in love with her counsellor?

Ironically, it was the thought of the utterly gorgeous Kit that snapped her out of the beating herself up mood she’d fallen into. She cleared up the peppermint tea spillage – grabbed her iPad from the kitchen and found her latest To Do list. At the top of the page she wrote:

Things not to say when answering the AA helpline

  1. Yip or yap, or yippety yip – or any possible derivative of the word yip.
  2. Yep. (Mainly because it was very hard to inject a decent amount of empathy and sympathy and understanding into the word yep. Yes with a question mark would be better – or yeah if you stretched it out a bit or maybe even yo – that was a pretty cool word around youngsters, these days. Except that yo didn’t sound very sympathetic either. Yo dude – you gotta problem with your drinking? Hey that’s tough. And anyway she wasn’t exactly young. Forty-two might be the answer to life, the universe and everything – but as an age it was well over the hill. How on earth had she got to forty-two anyway?)
  3. “Hello, this is the Alcoholics Anonymous helpline – how can I help?”

That would have made the most sense. But unfortunately she couldn’t say that in case it was her mother phoning, or her sister, Alison, or her best friend, Tanya. Not that her mother and her sister and Tanya didn’t know she was a recovering alcoholic. But there were people in her life, these days, who didn’t know. And it wasn’t the sort of thing she wanted to advertise when she answered her own phone. That was the trouble – she had no way of telling whether she was answering a call diverted from the helpline or whether it was someone who wanted to speak to her. It was a conundrum.

Although not that much of one because the phone hadn’t rung for – what – coming up for three hours now anyway. Soon her phone service shift would be over and she could go back to doing her housework or planning her Poetry and a Pint session. In fact, what the heck, why didn’t she do that now? What was she waiting for?

She had barely reached the door when the phone began to ring. SJ stared at it in surprise. She wasn’t imagining it, was she? It was ringing? She took a deep breath and strolled back into the room. This time she was going to get it right. She would be pleasant, polite, with a touch of concern. She would be relaxed, calm, the model helpline attendant. She felt her chest swell a little with pride at the thought. This was her chance to make a difference.

She picked up the phone. “Hello, can I help you?” Oh so simple – why hadn’t she thought of that before?

“Hello,” the girl’s voice was tearstained. “Is that the AA?”

“Yes it is.”

There was a small silence and SJ wondered if she’d sounded sympathetic enough. Maybe she’d been a bit matter of fact, or even abrupt. She sat back down on the sofa, pressing the phone close to her ear. “Are you okay?” she said softly.

“I don’t think I am,” said the girl and now she sounded so scared and so vulnerable that SJ forgot all about herself and how she was coming across and she just wanted to say something, anything that would help – even if it was only for a few moments, a few seconds.

“You’ve done the hardest part,” she said. “You’ve just phoned for help. You’ve made a phone call that could save your life. I know how hard it is to do that. I did it myself once.”

“Did you used to drink a lot then? I mean, really a lot. I don’t just mean wine. I mean, well, bottles and bottles of voddie?” The girl’s voice grew a little fainter and SJ realised she’d drawn away from the phone. She could hear sounds in the background, the clink of a bottle against a glass and the unmistakable glug of liquid.

“Are you drinking now?”

“No,” the girl said. There was a pause and SJ heard her swallowing and the slur in her voice when she spoke again. “No, I’m not drinking. I’m not phoning for myself. I’m phoning about a friend.”

“And is your friend able to come to the phone, honey?”

Another pause to swallow. “No – not really. She’s er… she’s asleep. Maybe when she wakes up.”

“Sure,” SJ said, knowing there was no friend. “So tell me about you. Are you okay?”

There was another long pause followed by a little beep and SJ realised as she held the phone away from her ear again that the display was blank – that the girl had hung up. She sat back on the sofa feeling terribly sad and also a little sick. So her very first call and she’d done nothing. Nothing at all. Somewhere out there was a very scared, very lonely, very drunk young girl and she – SJ – had been utterly powerless to help her.

***

And if you’d like to read on for a mere £1.99 – less than the price of a glass of Chardonnay! Please click here.

Thank you 🙂

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Bio

Della Galton is a novelist, short story writer, and journalist.  Writing is her passion.When she is not writing she enjoys walking her dogs in the beautiful Dorset countryside where she lives.

Ice and a Slice

The Morning After The Life Before

della

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Many thanks Della, for a fabulous blog!!!

Happy reading,

Jenny xx

 

 

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