Jenny Kane & Jennifer Ash

Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

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Blowing the Dust Off: Marie Laval’s A Spell in Provence

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On August 16, 2017

In Blog, Contemporary fiction, Contemporary Romantic Fiction, Fiction, Jenny Kane, Romance

It’s Day 3 of my ‘Blowing the Dust Off’ series of blogs. Today I’m welcoming fellow Accent author, Marie Laval, to my place to talk about her French romance, A Spell in Provence.

Grab a cuppa and enjoy…

 

FINDING INSPIRATION IN PROVENCE 

People often wonder how writers find ideas for their novels. Although I can find inspiration from many different places – a song, a painting, a poem, or even a road map! – I can pinpoint the exact moment when I got the idea for my contemporary romantic suspense A SPELL IN PROVENCE. A few years ago I visited the lovely town of Cassis during a family holiday in Provence. We had an impromptu picnic lunch of baguette, ham and cheese on a village square and sat next to an old stone fountain with an inscription in Latin…and that was it!   

 

Fountains have a special place in the novel, but they are, and always were, very important in Provence. According to an old Provençal saying ‘Eici, l’aigo es d’or’, which translates by ‘Here, water is gold’ – and no wonder when you think how hot it can get in the summer and how parched the earth can be. Anyone who read the wonderful ‘Jean de Florette’ and ‘Manon des Sources’ by Marcel Pagnol, or saw the films, can remember the struggles and hardship the characters faced and their anguish of the characters when the water supply ran dry.

A SPELL IN PROVENCE is set near Bonnieux in the Lubéron region of Provence, one of the many hill-top villages dotting the countryside. My heroine leaves England and buys Bellefontaine, a ‘bastide’ (an old farmhouse) she renovates and plans to open as a guesthouse….until eerie things happen and jeopardise her dream. The hero of the story, Fabien Coste, is heir to an old aristocratic family and has turned his ancestral manor house into a luxury hotel. Once again, the manor house is based on a real place – the castle in Lourmarin – but I have of course changed a few details.

Another important setting in the story is the ancient village of ‘Bories’, which are stone huts dating back from the Iron Age, and which were still used as shelter by shepherds until a few years ago. You can also find isolated bories scattered in the landscape when you travel through Provence.

Provence is not only a beautiful place, it also has a fascinating history – in particular ancient history – which is pivotal to my novel’s story line. Before the Greeks, and later the Romans settled there, the Salyens were the largest Gallic tribe. By the 6th century BC, their main centre was Entremont, which is located on a plateau above what is now Aix-en-Provence.

There were other important centres, such as nearby Glanum. This settlement was dedicated to the Celtic god Glanis, and built around a spring known for its healing powers. The Salyens had the strange – some might say gruesome – custom of displaying the severed heads of enemies at the city gate. They left no writing but many statues of gods and warriors, some of them holding severed heads.

 

When researching and writing A SPELL IN PROVENCE, I loved surrounding myself with photos of hill-top villages, of old fountains and of lavender and sunflower fields. I grew up in Lyon and spent many holidays in the South of France as a child. Writing the novel brought back fond memories of playing in the sunshine, breathing in scents of herbs and flowers, and listening to the woody song of the cicadas.

A SPELL IN PROVENCE is published by Áccent Press and is available from http://www.amazon.co.uk/dp/B00RVQO8RM

 ***

Blurb:

With few roots in England and having just lost her job, Amy Carter decides to give up on home and start a new life in France, spending her redundancy package turning an overgrown Provençal farmhouse, Bellefontaine, into a successful hotel. Though she has big plans for her new home, none of them involves falling in love – least of all with Fabien Coste, the handsome but arrogant owner of a nearby château.  As romance blossoms, eerie and strange happenings in Bellefontaine hint at a dark mystery of the Provençal countryside which dates back many centuries and holds an entanglement between the ladies of Bellefontaine and the ducs de Coste at its centre. As Amy works to unravel the mystery, she begins to wonder if it may not just be her heart at risk, but her life too.

A SPELL IN PROVENCE is published by Áccent Press and is available from http://www.amazon.co.uk/dp/B00RVQO8RM

 

Excerpt

Shivering in the cold breeze despite her shawl, Amy joined the guests lining up to be greeted by Fabien, who in true lord of the manor style, stood tall and imposing at the top of the steps, with torches burning on either side of him.

          He might wear a black dining suit and a crisp white shirt instead of a suit of armour, but there was something untamed, fundamentally uncivilized and proprietary about the way he surveyed the crowd – as if he truly owned everything and everyone, like Frédéric had said, and Amy was seized by an irresistible, irrational and overwhelming urge to flee. She didn’t want to speak to Fabien Coste, didn’t want to put up with his arrogant ways. He could keep his fancy chateau, his contacts and glamorous guests, she didn’t need him. She would walk home. It wasn’t that far.

          She was about to step aside when he looked down and their gaze met. Shadows danced on his face. The torches hissed in the breeze, their flames shooting high in the air and reflecting in his green eyes, giving them a deep, dangerous glow. For the space of a heartbeat, the noise of conversations around her became distant and fuzzy, and all she could see was him.

          He walked down, took her hand and lifted it to his lips. Even though his mouth barely touched her skin, a flash of heat reverberated through her body.

          ‘Mademoiselle Carter – Amy, you’re here at last.’

          It was the first time he’d spoken her first name. He made it sound French, sensual and incredibly romantic. Aimée. Beloved.

          ‘Shall I escort you inside and introduce you to a few people?’

          Panic made her heart flutter and turned her brain to mush.

          ‘Well, it’s just that …’

          He arched a dark eyebrow, looked down, and smiled as if he knew exactly what she was feeling.

          ‘You’re here now. You might as well make the most of it.’

 

Author Bio:

Originally from Lyon in France, Marie studied History and Law at university there before moving to Lancashire in England where she worked in a variety of jobs, from PA in a busy university department to teacher of French in schools and colleges. Writing, however, was always her passion, and she spends what little free time she has dreaming and making up stories. She writes both contemporary and historical romance. ANGEL HEART, THE LION’S EMBRACE, the DANCING FOR THE DEVIL Trilogy are published by Áccent Press, as is her contemporary romantic suspense novel A SPELL IN PROVENCE. She also writes short stories for the World Romance Writers – Letterbox Love Stories and Escape to Africa – and has just signed a publishing contract with Choc Lit for another contemporary suspense novel to be published in 2018.

You can find Marie here http://marielaval.blogspot.co.uk/

and https://www.facebook.com/marielavalauthor?fref=ts

and https://www.goodreads.com/author/show/6538479.Marie_Laval

https://twitter.com/MarieLaval1

 

Many thanks Marie. I’ve always wanted to visit Provence- I am inspired to head that way sooner rather than later.

Don’t forget to come back tomorrow to read what Kirsten McKenzie has to offer us.

Happy reading,

Jenny x

 

 

 

 

Blowing the Dust Off: Nell Peter’s By Any Other Name

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On August 15, 2017

In Blog, Contemporary fiction, crime, Fiction, Jenny Kane

It’s Day 2 of my Blowing the Dust Off series. Today we are in the company of Nell Peters (she of the end of the month blogging epics). She is taking a peak at her first crime novel By Any Other Name.

Go grab a cuppa, sit down, and enjoy…

 

Hi Jenny – is it the end of the month already? Oh no, different gig – I’m here to waffle on about one of my backlist masterpieces! Silly me …

It was on (Friday) 25th April 2014, that I received an email from Greg Rees, then an editor at Accent, telling me he’d finished the complete MS of By Any Other Name and wanted to publish it – as he read through, he’d been flabbergasted not once, but twice apparently. Go me! The offer came as a huge surprise, since when he’d liked the original three chapter submission and asked for the rest, I’d rather dismissed the possibility of things going any further – I expected to receive yet another ‘not right for our list at this time’ or ‘I just don’t love it enough’ type rejection. I’ve had enough of those to metaphorically paper a medium-sized room, although funnily enough, none for that particular book, as I’d only just finished writing it. When I say ‘just finished writing’ I mean the final two thirds of a crime novel started so long ago I can’t actually put a date on it – except that it was just after Queen Victoria died.

The first third of BAON had to be rewritten too from memory, after #3 son managed to crash my PC spectacularly and send all my files spiralling into cyber space, without hope of retrieval – and I had no back-up, nada! Rookie mistake … I dipped into the rewrite now and again over the years, in between writing other stuff, and eventually got to the bit where everything had disappeared in a puff of ether. Then I had to actually start thinking how the plot would evolve and finish the thing – it actually took on a whole different outline to my original mental blueprint.

However, that Friday the excitement and anticipation of publication had to take a back seat very quickly, because the following day was GD Isla-Rose’s first birthday – and she was having a big party, for which I’d promised to make a pink princess fairy castle cake, plus oodles of buffet food. I mentioned the cake making to Greg and he very helpfully sent a link to an M&S creation that would have been perfect, except for the seven day waiting period. Damn! So, into the kitchen toddled the least domesticated female since Lizzie Borden’s stepmother served up that putrefied mutton …

Isla is #4 son’s (now) older daughter and he rocked up to, erm, help with the cake. By the time we’d finished many hours later, all book publication thoughts had left the building and the kitchen had suffered a snow blizzard, covered in flour and icing sugar (as were we!) But we were reasonably pleased/relieved at the result. Happy to report that of the too many people packed into their tiny house, nobody died of food poisoning from the party fodder and a good time was had by all.

The next week, my contract arrived, but before I could sign it (against the advice of the Society of Authors, I might add) my father was taken ill in Twickenham and I had to speed off to his bedside, via long distance trains and a tube strike. Dad was fine, of course – he’s a life-long hypochondriac, but even they become genuinely ill sometimes, and at eighty-nine it was a bit risky to ignore his protestations. I eventually managed to extract myself from his sick bay and return to my lap top in Norfolk to begin the process of whipping the MS into pristine shape for November release.

When the big day arrived, it was something of an anti-climax. There had been no pre-order, ARCs, trumpet or whistle blowing prior to the launch and apart from me posting on social media, the day passed unheralded with me gawping at the lap top. I joined some FB groups to get myself ‘out there’ – from one day to the next I went from being a no-group bod to belonging to four, and rising.

Once your book finally hits the cyber shelves, even as a very unsatisfactory print on demand, reviews are eagerly awaited and after a couple of weeks or so, one landed on Amazon for BAON – a 1*! At that time Accent used to put new releases on a freebie offer for a limited time to encourage sales and ‘Patsy’ (her name is ingrained in my memory forever!), I noticed, made a habit of grabbing any freebie going and rubbishing it, after reading just a few pages. If you have a healthy clutch of reviews, you can weather a low rating, but when it’s the first it takes ages to up your average, which is frankly depressing.

By Any Other Name is a genre-crossing crime novel and admittedly a bit Marmite. There are similarities to I Let You Go in that the plot stands on its head at about two thirds of the way through – it’s difficult to say much more, so why not read the blurb:

A summer job to die for – and people do.

Emily Kelly can’t believe her luck when she is employed as temporary companion to Sir Gerald Ffinche and falls in love with his son, Richard.

However, it’s obvious their happiness isn’t shared by all, when one tragedy is quickly followed by another; and as the body count mounts, subtle clues are left to incriminate Emily and destroy her relationship.

Police involved seem incapable of exposing the real culprit; perhaps a family member, one of the household staff, or someone else close to the Ffinches?

No one is above suspicion, and no one is safe until a psychopath is unmasked – or thereafter.

With a shoal of red herrings and a plot that turns quickly from almost-cosy to taut psychological thriller, this is an enthralling, chilling read that will appeal to those who relish the unpredictability of Clare Mackintosh.

    ‘Twists abound as love blossoms amongst the dead bodies in a genre-crossing novel with a dark undertow all its own.’

Marika Cobbold, best-selling author.

     Fancy reading an excerpt? Be my guest:

Chapter One

As Emily rushed around, scooping up all the stuff she needed to take to work, an advertisement in the local free paper caught her attention:

‘Footloose and Versatile Female, Aged under 35 years.

Must be free July and August. Telephone in complete confidence …’

Not much to go on, but what could possibly be worse than painting red crescent smiles on toy clowns’ faces day in, day out, until September, she asked herself. Exactly. She ripped out the bottom half of the page, folded it roughly and shoved it in her bag, before heading out the door at speed.

She’d recently finished the first year of a degree course in Psychology, passing all assignments with flying colours and notching up the requisite number of credits to enable her to continue – much to her tutors’ blatant amazement, her attendance record having won no awards. But without visible (or invisible) means of support, Emily had to take a holiday job in a local toy factory just to survive until the next loan cheque arrived on the doormat. Though the work was mind-numbingly awful, it was all she could get; she hadn’t been there long and for the third time in as many days, was about to miss the last bus that would deliver her to her paint pot on time.

She forgot all about the ad until lunchtime, when she was sitting eating crisps with Doreen and some of the other women who worked in the paint section.

‘What do you think about this, Dor?’ she asked, waving the scrap of paper under her nose.

Doreen adjusted her half-moon glasses and scrutinised the print. ‘Well, if I was ten years younger…’

‘And the rest!’ scoffed Peroxide Pam, who was reading over Doreen’s shoulder, gnashing her Wrigley’s for all to see and hear.

Doreen pursed her lips, ignoring Pam, ‘As I was saying, if I was ten years younger, Em, I’d apply for it meself – what have you got to lose?’

The arrival of Mr Spinks, their line supervisor, put an end to any further debate.

‘Come, come now ladies. Idle chatter won’t get the baby bathed – not in a month of Sundays.’ Spinks was a short, round man – a regular sleaze ball, who vastly overestimated his levels of charisma and importance. ‘The lunch break is finished – now back to your work stations, quick as you can.’ He clapped raw sausage fingers together, the effort of movement making his chins wobble.

She took a moment to suck the last traces of nicotine from her roll-up and stubbed it out on the handy ‘No Smoking’ sign provided – which meant the others left without her and she found herself alone in the locker room, with Spinks blocking the exit. Damn!

‘Well, if it isn’t Miss Smarty Pants…’ he was getting a little too close for comfort, ‘I don’t know why you think you are so much cleverer than the rest of us – just because you managed to cheat your way into university, that doesn’t make you any better than me…’ His damp breath was making her hair frizz and she wanted to get away from his horrible disrobing gaze.

Thank goodness, Doreen’s antennae were on top form. She reappeared at the end of the dingy corridor, ‘There you are, Em. I wondered where you’d got to – mustn’t waste company time, now must we?’ She smiled ingratiatingly at Spinks, who jumped back from Emily as though she had broken out in seeping plague boils.

He scowled, ‘Very good, Mrs Mason, that’s the Dunkirk spirit. Carry on, now.’

She started to follow Doreen, changed her mind and spun around to face him once more, ‘Actually, Mr Spinks, I’m working here during the vacs to earn money – that’s why everyone works here isn’t it, to earn money? I don’t think of myself as any better or any worse than anyone else – including you.’ She felt Doreen’s sharp tug at her elbow, ‘And the name is Kelly, Emily Kelly – not Smarty Pants. She left last week, I believe.’ Then she allowed herself to be dragged away.

Spinks stalked off in the opposite direction, gargantuan buttocks flubbing together and one arm held awkwardly behind his back, like Prince Charles. ‘Rome wasn’t built in a day, you know,’ he called over his shoulder.

‘Wazzock,’ hissed Doreen, not too loudly, ‘don’t you take no notice of him, Em, Mrs Spinks is probably keeping him on tight rations in the bedroom department.’ She inclined her head and winked a blue-shadowed crêpe eyelid.

‘I’m amazed there is a Mrs Spinks.’ Emily suffered a gruesome mind’s eye flash of him in the nude – even his spare tyres had spare tyres – which sent shivers up and down her neurological pathways.

‘Oh yeah, right under the thumb he is,’ Doreen was one of those people who seemed to know everything about everybody.

‘Does she have a Seeing Eye Dog and a white stick?’

Doreen shrugged, ‘Never met the woman in person, but I saw them out shopping on a Saturday once. She’s one of them scrawny, mean-looking women – probably a terrible nag. And Spinks never brings her along to the Christmas parties.’

‘Lucky escape for her, I imagine?’ Emily scoffed.

She looked genuinely shocked, ‘You must be joking! It’s the social event of the year round here.’ Emily made a mental note never to sink that low. ‘Okay, Miss Smarty Pants – time we was getting back to our work of national importance.’

Back at the production line, plastic clowns were standing all in a row, waiting for her to make them look happy and appealing and well worth their outrageous price tag. Doreen hitched up her weighty boobs with equally weighty forearms and waddled off to her seat, her lumpy backside straining to be free of the tight brown overall. As always, she was anxious to catch the beginning of The Archers – which was the highlight of her day.

Not being a fan of radio drama, Emily loaded her paintbrush with crimson gloop and settled down to switch off from life in the sweatshop and daydream her way through to clocking-off time. Johnny Depp featured regularly in her fantasy world and that afternoon, she was guest of honour at his sumptuous mansion, high in the Hollywood Hills. Dearest Johnny couldn’t do enough for her, waiting on her hand and foot as she soaked up the Californian sun at the side of his turquoise infinity pool, sipping vintage champagne through a sparkly straw.

Her imagination took a detour to that interesting advertisement and the possible scenarios it might throw up. Was it possible a terminally ill Adonis was searching for someone like her to sooth his fevered brow, during his final, tragic weeks? As a reward for her unstinting care, he would bequeath to her all his money, plus a controlling share portfolio in a selection of designer dress and shoe shops. Or could it be an eccentric zillionaire sought a beautiful, lithe young woman (such as Emily, obviously) to work an hour a day on his very own Caribbean Island? Naturally, her allotted tasks wouldn’t be too taxing – perhaps grooming the Guinea pig twice a week, arranging vases of exotic flowers to his satisfaction, pouring just the right amount of expensive, scented bath oil into his hot tub; that sort of thing.

If you’d like to read more, here’s the international link.

http://mybook.to/BAON

Toodles.

Nell Peters

***

Thanks Nell – fabulous blog as ever.

Don’t forget to come back tomorrow to see which book Marie Laval is going to share with us.

Happy reading,

Jenny x

Blowing the Dust Off: Laura Wilkinson’s Public Battles, Private Wars.

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On August 14, 2017

In Blog, Contemporary fiction, Contemporary Romantic Fiction, Fiction, Jenny Kane

It’s Day 1 of my ‘Blowing the Dust Off’ series of blogs. Over the next ten days, I’ll be hosting 10 different authors; each will tell us a little about one of their novels. Unlike my usual guests posts, they won’t be promoting a new work of fiction, but giving us a timely reminder of some of the treasures they have produced in the past.

Today the lovely Laura Wilkinson is kicking off the series for us by reminding us about her excellent novel, Public Battles, Private Wars.

Grab a cuppa and enjoy…

 

Thanks so much for inviting me to be the inaugural guest of your new series: Blowing the Dust Off, Jenny. What an honour and what a great idea for a series.

Today, I’m going to talk about Public Battles, Private Wars, my ‘miners’ strike’ novel. I use quotation marks because although there was a lot of focus on the strike around publication back in 2014 (it was the 30 year anniversary of the dispute), in truth the conflict forms the backdrop – it’s primarily a story about love and friendship – of both the toxic variety and the genuine, wonderful kind. It’s worth pointing out here that the novel is just 99p for Kindle at the moment – as is Redemption Song, for a limited time.

Like a lot of writers I’m neither a fully-paid-up member of the planner nor pantster clubs; I fall somewhere in between.

I begin any story with a clear(ish) vision of the story arc, with a beginning and a sense of where I’d like my characters to end up. Research is done on the hoof, as and when I feel the need. Lazy? Maybe. But it works for me and research can become a distraction, something which gets in the way of writing. A master of displacement activity, I had to remind myself of this constantly while working on Public Battles, Private Wars, for there is stacks of information on the subject.

The novel is set against the backdrop of the 1984/85 Miners’ Strike and there is a wealth of writing on the subject, though surprisingly little fiction (I found only three novels back in 2012 when I began writing) and genuine poverty when it comes to fictional representations of women’s role in the struggle.

The origins of this novel lie in a photograph I came across on the internet while researching another story idea set in the 80s – a story that has since gone on to become my latest novel – Skin Deep. It was an image of a group of women marching down a suburban street; women who looked powerful, in control, purposeful; not hapless victims of a political struggle to smash the unions led by a woman in Westminster.

I am old enough to recall this landmark strike in modern history and as a former steel worker’s daughter I have some understanding of strife and hardship as a result of strike and redundancy (Thatcher crushed the steel industry before turning on coal), but I’m not from a mining community, I wasn’t a political animal as a girl, though my mother and sister were. If I was to do the story, and the real women of the conflict, justice, I needed to do some research.

Because I find images inspirational, I began by looking at photographs from the era and the women’s groups that sprang up to rally round the miners. Images of women, young and old, huddled over industrial sized cookers, preparing meals for pickets and hungry children. Women in town halls cheering on the likes of Tony Benn (RIP), Arthur Scargill and Bruce Kent. Women marching next to their men, shoulder to shoulder on the picket lines. Women shielding their faces from oncoming policemen on horseback. Shocking images.

Then I began to read, to gather the facts. I read lots of books, articles, diaries and accounts. I spoke to people – experts and those who lived through it – about the profound effects that long, hard year had on their lives. It was a terrible time, no mistaking. There was extreme hardship and, ultimately, defeat. But, out of those desperate times came some good. Quite a lot for many women, as it happens.

Alongside specific fact gathering about the strike, I imbued myself with a sense of the period – fashion, music, popular books, TV shows, the mores of the time. I looked at clips on YouTube and watched films like Billy Eliot and This is England. My central character likes to bake cakes. I am a domestic disaster, with a particular talent for spoiling even the most straightforward of dishes. I read up on baking and even tried some recipes – with laughable results.

There is another strand in Public Battles, Private Wars, that required research, and I have to be careful how much I say because of spoilers, but my leading man is a former soldier who served during the Falklands War. Ignorant in the extreme about military matters, I needed to look into this too if this particular plot strand was to feel authentic and my character be three dimensional. Again, I read articles and reports online, and I spoke with a number of particularly lovely officers at the MOD. Special mention has to go to a former soldier, John Marham, who now works for a military charity who gave up a morning to meet with me and talk about his experiences of army life. He was generous with his knowledge and personal stories, talking me through everything from training to the sound a magazine makes when loaded into the gun barrel.

Now, I can’t recall how much time I spent researching. Probably not as long as I’ve made it sound. I was greedy for the information – it was fascinating – and so I devoured it quickly. The novel took a year to write – the same timescale as the strike – and once I had all this information rammed into my brain, I had to forget most of it. For here’s the thing: in fiction, you must wear your research lightly. It must never feel didactic, it must never get in the way of the story or the characters, and this felt especially important to me given that there is a wealth of non-fiction. If people want facts there are gazillions of sources. If you want to live the life vicarious of a downtrodden young women who finds the best of herself during strange and difficult times then this novel might be for you.

Blurb:

Yorkshire 1983.

Miner’s wife Mandy is stuck in a rut. Her future looks set and she wants more. But Mandy can’t do anything other than bake and raise her four children. Husband Rob is a good looking drinker, content to spend his days in the small town where they live.

When a childhood friend – beautiful, clever Ruth – and her Falklands war hero husband, Dan, return to town, their homecoming is shrouded in mystery. Mandy looks to Ruth for inspiration, but Ruth isn’t all she appears.

Conflict with the Coal Board turns into war and the men come out on strike. The community and its way of life is threatened. Mandy abandons dreams of liberation from the kitchen sink and joins a support group. As the strike rumbles on, relationships are pushed to the brink, and Mandy finds out who her true friends are.

A story of love, betrayal, and cakes, Public Battles, Private Wars follows one woman’s journey of discovery and a community fighting for survival.

National Museum of Wales Book of the Month – June 2014

‘Vivid and engaging. A touching, well-written novel’ Welsh Books Council Reader Report

‘The Full Monty for women’ BBC presenter Jeni Barnett

‘I absolutely loved it’ Bookaholic Holly – in Top Ten books of 2014 for Bookaholic Confessions. Read the full review here.

‘A compelling story with some great characters. Public Battlers, Private Wars is a story that looks at friendships, community, love and jealousy.’ Random Things Through my Letterbox. Full review here.

‘A novel with a big heart’ Pen & Paper. Full review here.

Facebook Author Page

Twitter

Goodreads

Pinterest

Laura’s website

Promotional Film about the novel

Buy from Accent Press

Buy from Amazon

Buy from Waterstones online

 

About Laura

Liverpool born, Laura is a taff at heart. She’s published four novels and many short stories. Some have made the shortlists of major competitions. Her novel, Public Battles, Private Wars, was a National Museum of Wales book of the month; Redemption Song was a Kindle top twenty. The Family Line is a family drama set in the near future, looking at identity and parenting. ‘It will haunt your dreams.’ Books at Broadway. Her latest, is Skin Deep: ‘A superb read.’ Northern Soul magazine. Alongside writing, she works as an editor and runs workshops on the art of fiction. www.laura-wilkinson.co.uk   Twitter @ScorpioScribble Facebook: Laura Wilkinson Author Instagram: laura_wilkinsonwriter Pinterest: laura1765 Goodreads: Laura_ Wilkinson 

***

Many thanks for starting the series in such excellent style Laura.

Come back tomorrow to find out what crime writer Nell Peters is digging out of her archive.

Happy reading,

Jenny x

Another Cup of Coffee: Amy’s Adventure Begins

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On August 13, 2017

In Blog, Contemporary fiction, Contemporary Romantic Fiction, Fiction, Jenny Kane, Romance

Starting tomorrow, my blog will be hosting a 10 day series of posts dedicated to promoting books written at least 2 years ago. This ‘Blowing the Dust Off’ series will help introduce you to some of the treasures your favourite authors have written in the past.

It seemed fitting, prior to ‘Blowing the Dust Off,’ to feature a blog about my own earliest novel.

Why not grab a cuppa and have a read….

Another Cup of Coffee - New cover 2015

Another Cup of Coffee is the story of Amy Crane’s quest to get her life back on track…and this is how her adventure begins…

Aberdeen airport

…It was only once she’d checked in at Aberdeen airport, her luggage safely stowed, that Amy finally stopped moving. Slumped on a bench, looking around at the people rushing by, she realised that this was the first time she’d been inactive for weeks.

Once her impulsive decision to go home to England had been made, she’d barely stopped for a break in the haste to work her notice period, sort out the ending of the lease on her rented flat, and arrange somewhere to stay in London. Now that stillness was about to be forced upon her, Amy had to face the reality of what she’d done by throwing in a good job and a nice flat for no job and a rented room in a shared house in London that she’d never even seen.

‘I need coffee,’ she muttered to herself. Hoisting her tatty fabric handbag higher onto her shoulder in a bracing gesture, she headed for the café located next to the departure checkpoint.

Having successfully managed to purvey her order to the Chinese-speaking assistant via a mixture of words and semaphore, Amy sat down on one of the fiendishly uncomfortable steel seats. Ignoring the unsightly build-up of used cups, half-eaten meals and spilt fizzy pop, Amy briefly allowed herself to contemplate her situation. Almost instantly her nerves regrouped in her gut, and Amy decided to put off any serious thoughts about the future until she was on the plane. That way, any possible temptations to chicken out and stay in Scotland after all would no longer be an option. Major life planning could wait. For now she would just indulge in her drink and watch the world go by. Then she’d have a wander around the meagre collection of shops, and perhaps buy a book or magazine for the flight, putting reality off for a bit longer.

Unable to put off the moment, Amy picked up her backpack and headed over to the departure gate. As she passed the newsagents’ her eyes landed on a copy of one magazine in particular- it had the appropriate headline, New job, New home, New life.

Amy muttered the words over and over in her head like a mantra, as she purchased the magazine fate seemed to have left for her before joining the queue of people who were also turning their back on the Granite City, for to business commitments, holidays, or in her case, for ever.

During the seventy-minute flight, Amy had managed to concoct enough excuses to delay any plan of action as to what to do next for a little longer. She’d examined the flight safety card thoroughly, had uncharacteristically engaged her fellow passengers in mindless conversation, and flicked through her magazine. Amy had read the occasional relevant passage, but had been disappointed not to find an article entitled You’ve Ditched Your Life – So Now What?

Now, trudging down the gloomy concourse at Heathrow to retrieve her luggage and trying to ignore the patina of perspiration on her palms, Amy was suddenly aware that someone was talking to her.

‘You OK?’

The man striding next to her spoke with a soft Irish lilt, ‘You’ve been chatting to yourself ever since we landed.’

‘Oh, God, have I?’ Amy’s face flushed. ‘I’m sorry; I’m always talking to myself. You must think I’m nuts.’

‘No!’ His eyes twinkled at her as he spoke. ‘Well, maybe just a bit.’

Amy wondered how old he was. Roughly her age perhaps; she always found it difficult to tell with men in suits. Amy didn’t want to think about it, or she’d get onto thinking about how much time had passed since she’d last smiled at a man of her own age, let alone spoken to one, and that way lay madness. ‘You’re probably right. I’ve just chucked in my life, so perhaps I’m insane.’

‘A lot on your mind then,’ he nodded his bespectacled head.

Amy carried on rambling. ‘No job, a home I’ve only seen from a brochure, and I’m getting a serious case of cold feet.’

They reached the dimly-lit baggage collection area as the carousel sparked into life. The whole room spoke of transitory lives, and the dank atmosphere made Amy shiver inside.

The man had obviously noticed her growing unease. ‘Look, I know I’m a total stranger, and it’s none of my business; but if it helps, I think it sounds fantastic. Exciting and brave.’

rucksack

Spotting her luggage heading towards her, Amy grimaced. ‘I don’t feel very brave.’ She grabbed her heavy bag before it lumbered out of reach.

‘You have a blank page. A new canvas to start from. I’d swap what I’ve got for that, and so would most of this lot.’ He gestured to the anonymous crowds that surged around them. ‘Go with the flow, have fun, be yourself, and smile. You have a nice smile.’ Then he scooped up his navy executive wheeled case, extended the handle, and rapidly disappeared, his grey suit merging with hundreds of others in the crush.

Amy stood there, oblivious to the fact that she was in everybody’s way. A blank page. For the first time in days excitement overtook the fear, as she hurried off to hail a taxi to transport her into the unchartered wilds of Richmond…

***

Obviously I don’t want to ruin the story for you- so for the really meaty bits you’ll have to buy a copy!!

***

Buy links–

Another Cup of Coffee is available as an e-Book and in paperback from all good bookshops/book retailers

Come back tomorrow to read the first in the official #Blowing the Dust Off’ series.
Happy Reading,
 
Jenny xx

Nell Peters: End of the Month Blog. Caretaking for Jenny in July

By

On July 31, 2017

In Blog, Contemporary fiction, crime, Fiction

Hello! It’s just us this month as Jenny has been foolish enough to go on holiday and leave me in charge for a day – so come on in; the world is our bucket of jellied eels. Urgh. Talking about eels, I recently had a slightly bizarre conversation with someone who told me that eels really mess up fishing tackle if they are caught on a rod and line – their slime gloops all over the place as they struggle to get free and it royally gums up the works. With that unsavoury image lurking, let’s move on, shall we?

July is the seventh month of the year (Wiki very helpfully qualifies this as falling between June and August for the benefit of any Martians who happen to be swotting up on earth months) in both the Julian and Gregorian calendars, and the fourth month to have thirty-one days. The Roman Senate renamed Quintilis as July in honour of their general, Gaius Julius Caesar, it being his birth month. I wonder if that was before or after the unfortunate ‘Et tu, Brute?’ incident on the Ides of March, when JC should have worn his Kevlar toga? But all you really need to know is that the most important day in July falls on the thirteenth, when Jenny and I celebrate our birthdays. You forgot again, didn’t you? Tsk.

This is on average the warmest month in most of the northern hemisphere (coldest in the south), kicking off the second half of the year after the longest day in June. ‘Dog Days’, or the hottest, most uncomfortable part of summer, begin early on when the hot, sultry weather starts – in theory, at least. Spring lambs, born in late winter or early spring, are usually sold before July 1st.

July is also traditionally known as ‘fence month’ or the closed season for deer in England. Trinity Term (sitting of the English High Court of Justice), ends on the 31st, and the elections of the Japanese House of Councillors, replacing half its seats, are held every three years – the latest in 2016. In Ancient Rome the festival of Poplifugia was celebrated on July 5th, and Ludi Apollinares began on July 13th, lasting for several days, although these dates do not correspond to the modern Gregorian calendar. Don’t really know why I mentioned them then…

I mentioned the High Court a few lines back; last July – Friday 9th, I believe – #3 son and I went to the funeral of an old neighbour in Chiswick, a brilliant man called Dr John Anthony Roberts CBE QC DCL FCI.Arb, a High Court Judge, whose biography is quite fascinating.

We met one Sunday morning when I was teaching #3 son (it’s always him, isn’t it?) – aged about two – to ride his tricycle down the pavement of our quiet road, because the gardens were tiny and he kept riding into walls. I’m pleased to report his spatial awareness has improved with age and (to my knowledge) he’s never driven any of the flash cars he’s so fond of into a wall, or anything else.

Unfortunately, that day the little chap got a bit carried away with his peddling and crashed into the wheel of Dr Roberts’ parked Rolls Royce, which he was cleaning – trees lining the road bore huge purple berries which the birds gobbled greedily, and when nature took its course, all the cars got covered with toxic purple poo, which was the devil to get off without destroying the paint job. No damage was done to the Roller *breathes huge sigh of relief and cancels remortgage application* and there began an unusual friendship between the two of them that lasted more than a quarter of a century.

John’s great grandfather, Joseph Jenkins Roberts, was born in Norfolk, Virginia, and became the first President of Liberia. His grandfather, John Anthony Roberts (Snr.), born in Liberia, was a cable engineer who worked in Brazil, America and England, between 1891 and 1892. John was born in Sierra Leone in May 1928 to John Anthony Roberts (Jnr. – this is starting to get confusing)), a Brazilian – his mother (whose name I can’t find) was born in Sierra Leone, a descendant of liberated Africans who chose to return after the Slave Trade was abolished. That’s some heritage.

He came to the law relatively late – he was a civil servant in Sierra Leone before coming to the UK to join the RAF, where he qualified as an accountant before joining aircrew, and then returned to Sierra Leone to work in Air Traffic Control (at the invitation of the PM!) Back to the UK with a wife (Eulette, a midwife at Queen Charlotte’s Hospital, where #3 was born) and son (Anthony John Roberts, thank goodness!) in tow. It was while he was again working as a Civil Servant here between 1964 and 1969 that he studied law part-time and got his degree. But if you want to practice as a barrister you need to join Chambers as a pupil for a year as general dogsbody earning a pittance to earn your wig, so to speak. After an unsuccessful search for a place, he was told he stood no chance whatsoever, because he was a) black and b) almost twice as old as the average pupil – so what did he do when he hit one of #3’s brick walls? He set up his own Chambers and over the years took on barristers and pupils of all colours and creeds. Oh, and women, who at that time would have found it even harder to gain a place than an older black man.

#3 did his work experience at those Chambers as a mini-Pupil and rather liked the life – especially when two of the younger barristers took him to the West Country for a day trip in an E-type Jag to collect some court papers. Have they never heard of the post or couriers? In the end, he didn’t read law, even though he had a place waiting for him post degree in Chambers. His choice and he now leads a rather enviable life flying around the world.

Before I move on, let me list just a few of Dr John Anthony Roberts’ achievements:

  • The first known person of African ancestry to be the Head of his Chambers in England and Wales.
  • The first person of African ancestry to be made a QC in England and Wales.
  • The first person of African ancestry to be made a Recorder of the Crown Court in England and Wales.
  • The first person of African ancestry to be appointed by the British Government to dependent territories as a High Court Judge of the Supreme Courts of the British Virgin Islands, and Anguilla, British West Indies.
  • The first Head of Chambers to accept seven female barristers at one time in 1975. A record during that era.

Phew! Lovely man with a huge personality and a huge laugh.

This was as far as I got with Jenny’s July blog before my father died unexpectedly.

Normal service will be resumed in August. Allegedly.

Toodles.

NP

www.Author.to/nellpeters

 

 

 

 

Sarah Dahl: The Awakening

By

On July 21, 2017

In Blog, Fiction, Historical fiction, Jenny Kane, Romance

Today I’m delighted to welcome Sarah Dahl to my blog to help celebrate the launch of her latest book, The Awakening.

OUT TODAY, The Awakening is a passionate romance inspired by our Viking past.

Over to you Sarah…

Inspiration for my book:

“The Awakening – Embrace beyond Passion” is a story I wrote some time ago and now had to considerably edit to make it more like my current ‘voice’ and in keeping with the other stories in my Tales of Freya collection. Therefore it was hard to recall the exact inspiration for this story – I get inspiration from many things and then let my mind play with it. For my characters, I’m often very visual and discover someone on Pinterest or TV. Then I imagine them as a person from the early medieval – what if I made them a ‘Viking’ character. I have an inspirational mood board on my wall right opposite my desk that I look at to let my mind wander. Most stories just start with the idea of an interesting character or an event, or both. From there I let it all flow and try different directions for a theme. In “The Awakening” the theme is “liberation begins in the mind” and “follow your passions”. As the Tales of Freya stories are short, I don’t have to plot much but can just write from the heart and then edit. Which brings me to:

Plot or flow:

I’m a pantser as they say, and find plotting a long story from beginning to end very hard to pull off. Naturally, I’d just write from scene to scene and develop as I go, often not knowing the ending myself. For the stories in the Tales of Freya collection it was easier, as for short stories the plot and character arcs can be more straightforward. I always just start with an idea, something I want to happen, and then write with the flow until I’m happy.

The research for “The Awakening”:

Of course, as a historical fiction writer I have to be firm and confident in the Viking environment and era. I read all the books and see as many sites as I can. My fave non-fiction is “Vikings at War” by Hjardar/Vike; it has brilliant detail and is the most extensive and visual book on the era I have seen. Also, every year I go to at least Haithabu/Hedeby here in Germany for a few days, to this once huge, Danish Viking trading town that is now a museum and open-air site by the Slien. The atmosphere of the reconstructed houses and pier just sparks creativity and a sense of the time. Soaking it all up, I just let my feet and mind wander, focussing on the big picture and then the details, imagining what stories could have happened in those narrow streets and houses. This year I became aware of the harsh winds, the never-ending gusts that penetrate the streets and houses, so much so that roofs don’t need smoke holes … the smoke from the fires just disappears through the walls and roof of the Viking town houses. So I tried to incorporate the harsh elements and their effects more in my story “The Awakening”, too.

I take great pride in being authentic and never use the era as mere stage props. I did several blog posts about authenticity: how every author should do their thorough homework and really know what they are writing about, especially if using a historical time period. Read it all until you don’t have to look stuff up anymore (ideally, but there’s always something …) Once my first draft is written and I checked details myself, I let my Viking reenactor-friends read it for authenticity and plausibility, and also discuss with beta-readers. “The Awakening” is set in a rural village by the fjord, so in smaller Viking houses, not the huge rural longhouses readers might first depict. More the kind you find in villages and towns like Hedeby. So naturally, when I went there this year, I focussed on the layouts of houses and daily tasks my characters would need to do in the story, because something secret and daring is hidden in Ingrid’s little farmhouse. Most things I don’t have to research anymore, but what about details such as how someone undresses? In which order would they do it and would the jewellery clang? How loudly? These are the things my reenactors then have to discuss with me, and go through step by step as I see it happening before my inner eye 😉

Preferred POV:

That’s a good question … I can do both; it all depends on the story and which character should tell the story, through whose eyes we should see and feel things. It doesn’t matter if it’s a man or woman, and I use both first person POV or deep third depending on what works best. In the Tales of Freya stories, I mostly use deep third. The view points can be that of men or/and women. For some reason I can work really well from a male POV. “The Current – A Battle of Seduction” is told from the warrior’s perspective on this seductive shield maiden, and I found it easy to slip into his skin. Whereas “The Awakening” is Ingrid’s story, and the next one, “Monk”, will even be told from three different POVs … I guess it’s all about gut feeling. With experience and craft comes a gut feeling for whose story I want to tell and how.

Most exciting about book for me:

For “The Awakening” the most exciting has to be that a story that I’ve worked on for so long finally gets to see the light – I get it ‘off my desk’ and out to people – and it starts its own life now, can be read by everyone, like a child that grows up and after tender care leaves the house. Which is frightening, of course, because one grows so attached to the story-baby over time. After the great success and many positive reviews of “The Current” I’m very excited and anxious to see what people will make of this very different story. “Awakening” really can’t be compared to the first one, “Current”, in the collection. The first spans several weeks whereas the latter covers only a few hours. The whole plotline and tone are different and the themes of course … so, yeah, we will see. Deep breath and fingers crossed 🙂

Blurb – “The Awakening – Embrace beyond Passion”

 The second in the collection of sensual short stories set in the Viking age, the Tales of Freya:

In a world of crackling fires and rough landscapes, long winters and bloody raids, the immediacy of life and death ignites undeniable passions. Warriors and monks, healers and housewives – all follow the call of their hearts and bodies to indulge in pleasures that may forever change their lives …

Ingrid leads a quiet, joyless life with a husband who is oblivious to her needs. Every time the dragon boats carry him away, she resigns herself to the solitude of her modest hilltop farm by the fjord. But her uneventful world is shaken to the core when the shadows of her house reveal a secret that sets her passions afire.

***

Release date: July 21, 2017, by Pronoun

Buy links:

https://books.pronoun.com/the-awakening3/

http://amzn.to/2tyak9p

Author homepage: sarah-dahl.com

Mailing list for Book Alert: https://mailing.sarah-dahl.com/?p=subscribe&id=2

Facebook: https://www.facebook.com/sarahdahl13/

Twitter: @sarahdahl13

***

Bio

Sarah Dahl lives on the edge of the rural German Eifel and writes historical fiction primarily set in the Viking age. She also works as an editor, translates, and coaches new writers in German and English. She is interested in everyday life in bygone centuries and the human stories that may have occurred behind the hard, historical facts. Her author page is: sarah-dahl.com

***

Many thanks Sarah – and congratulations on your brand new book!

Happy reading,

Jenny xx

Interview with Bethany Askew: Poppy’s Seed

By

On July 19, 2017

In Blog, Contemporary fiction, Fiction, Interview, Jenny Kane

I’m delighted to welcome Bethany Askew to my site today to talk about her latest novel, Poppy’s Seed. I was lucky enough to meet Bethany while we were both being interviewed by the lovely Suzie Grogan on 10 Radio last week. I had no hesitation in asking Bethany if she’d mind sharing information about her excellent novel with us today.

Over to you Bethany…

What inspired you to write your latest novel Poppy’s Seed?

This book was based on a dream I had. It was very vivid. I remembered every detail. The moment I woke I up I scribbled it down so I wouldn’t forget it.

It was about a couple who moved to Lyme Regis and met someone who changed their lives, and whilst causing havoc in their relationship, she also showed them things about themselves and each other that they never knew before. Only the ending was left uncertain.

Initially the girl they met ran a shop in Lyme Regis. It was only when the storyline became clearer to me that I made her into an artist and jewellery maker. I had a very definite idea of where in Lyme Regis her shop was and what type of shop it had to be.

I didn’t really know why the couple had moved to Lyme Regis, but when my husband and I retired and moved house it became clear to me that I could write with experience of this difficult time.

The main protagonists were very real in my dream, particularly the girl who had to be unique: a free-thinking, free-spirited girl, living by no rules and knowing no boundaries.

The character of Poppy is inspired by reading biographies of artists and writers such as Vita Sackville-West and Vanessa Bell, women who lived outside the social norms of society in their time. I have always been fascinated by the Bloomsbury set and their contemporaries and Poppy’s untidy habits and messy house are based on the artist Augustus John and his family, who put their creativity above mundane things like tidiness and cleanliness.

Poppy’s Seed is a contemporary novel that deals with the problems of many modern families, including the effect of children and stepchildren on a couple; the balance of power between two people; and the compromises made to keep a relationship going.

I like to write about women’s lives and relationships and am particularly interested in a woman’s role as wife and mother and the effect of marriage and divorce on family dynamics.

Do you model any of your characters after people you know? If so, do these people see themselves in your characters?

My main female protagonists tend to be versions of me, with some of my characteristics exaggerated. I’m certainly not as house proud or as sexually adventurous as Emily in Poppy’s Seed but we share the same practical and optimistic view of life. And there is a lot of myself in Charlotte in my novel Out of Step:  Charlotte’s experiences of divorce, access, and custody battles are based on my own.

The World Within is my most auto-biographical story. Set in the 1970’s, when it was still socially unacceptable to be an unmarried mother, it tells the story of Jemma, who has to give up her plans for further education when she becomes pregnant. Set in my home town of Taunton, this book is inspired by my own teenage years, with an alternative version of Jemma’s life played out simultaneously, the reader left at the end to decide which Jemma has the more fulfilled life, the one who went to university as planned or the one who married and had a baby and stayed behind in Taunton.

The only one of my novels that has nothing of me in it is Counting the Days , which is a true story, based on my parents-in-law’s letters written during World War Two. A bit of a departure for me, this was written mainly for the family, but it has sold well at the presentations my husband and I give to local interested societies, where we show the photographs my father-in-law took on active service overseas and read extracts from the letters.

My website www.onactiveservice.co.uk is a valuable resource to anyone interested in World War Two: it reproduces the letters and war diary entries verbatim, seventy three years ago to the day they were written, together with wartime photographs of England and Egypt and India.

Do you prefer to plot your story or go with the flow?

I’m not one of those writers who plans their books chapter by chapter. My stories evolve as I go along. My ideas for characters change and even when the characters  are fixed I find they sometimes do things I don’t expect and I have to re-think everything.  Originally Poppy’s Seed was going to be far more about relationships and family dynamics but as I wrote it Poppy took over more and more and I found she had a secret agenda that I could weave through the story. The character of the step-daughter also changed: at first she was far more bohemian and artistic but I couldn’t have two characters like Poppy so I toned her down a bit. I like to include step-children in my novels as it is something I can write about with experience.  I feel it is a reflection on modern society and a situation many people nowadays can relate to.

Which point of view do you prefer to write in and why?

I like my readers to be involved in what my characters are thinking, to hear the characters thoughts and feelings and experience their lives. I have experimented with different perspectives. I have found that if I write as “I” then it is hard to describe how “I” look or sound or even what “I” may be wearing.

Writing as a man is also hard, though I seem to have done it successfully in Poppy’s Seed. One male reader said, “It was as though you had read my mind. Reading your book made me realise how difficult I must have been to live with I when I first retired.”

In this book the reader hears Emily’s and Peter’s perspectives on the same situation. She thinks she’s trying to help him find ways to enjoy his retirement; he thinks she’s trying to boss him around. This way I can also describe each character as seen by the other.

The only one of my novels that has varied from this approach is Counting the Days, which is written from an objective point of view because, although it is a novel, it is based on fact and apart from the few intimate thoughts expressed in the letters I was using, it was hard for me to know the exact feelings of my main protagonists. It was more a case of charting their joint story.

What is your writing regime?

 I don’t have one. I just write when the mood takes me. Certainly not every day. And I rarely write for hours.

Although I don’t write every day the book I am working on is constantly on my mind and I am usually jotting down notes or words or phrases that come to mind.

I try to keep these logically in a notebook but they often end up on endless scraps of odd paper as ideas strike me suddenly.

I write on my laptop in my armchair if I am writing a fair bit, or at my desk in my study if it’s only a few odd sentences or ideas.

When I have an idea for a story I live with it for a while, even up to a year, getting the characters clear in my mind and letting myself feel how the story will progress, what the characters look like, where they will live etc.

Each part I write is like a scene in a film or play. I “see” the  characters in my mind acting it out for me and just write down what they do. I like to take a break between chapters for my actors to re-group before they act out the next scene. Sometimes I’ll come back to the previous scene and add a bit or re-write it. My writing for the day might just consist of a few sentences, but every little bit matters. I start my stories without any structure at all and see what happens. Then, as I progress and the story becomes clearer I plan what will happen in future chapters. Characters and events often change!

I am completely self-taught. I have never been on a creative writing course or any workshops and have never liaised with other writers. I have always known I wanted to write and when I had fewer family commitments I just sat down at my PC one day and started to write a novel. This first novel, The Time Before will never be published. It is very much a first attempt. I didn’t plan it or structure it. I just had an idea and off I went! But I learnt a lot about writing just by doing it. Now I have written five novels and a short story as well as a modest amount of poetry. I couldn’t imagine life without a novel to work on and I have just started writing my sixth! I like to have something to channel mu energies into, something completely my own that I have accomplished. I miss my characters once I have finished though. Maybe that’s why I’m always ready to write another one!

***

Links

Poppy’s Seed

https://www.amazon.co.uk/d/Books/Poppys-Seed-Bethany-Askew/1785899198/ref=sr_1_3?s=books&ie=UTF8&qid=1500110671&sr=1-3&keywords=bethany+askew

The World Within

https://www.amazon.co.uk/World-Within-Bethany-Askew-ebook/dp/B00C3L8LL4

Out of Step

https://www.amazon.com/Out-Step-Bethany-Askew-ebook/dp/B00BIJ0GRY

Counting the Days

https://www.amazon.com/Counting-Days-Bethany-Askew-ebook/dp/B00J2VOTQY

The Night of the Storm

https://www.amazon.co.uk/Night-Storm-Bethany-Askew-ebook/dp/B00CDL6CBU

Bethany Askew Amazon Author Page (all titles)

https://www.amazon.co.uk/Bethany-Askew/e/B00BJ61C56

***

Bio

Bethany Askew is the author of five novels: The Time Before, The World Within, Out of Step, Counting the Days and Poppy’s Seed.

She has also written a short story, The Night of the Storm, and she writes poetry.

Her work is published on Amazon and available in major retailers.

Future projects include a new short story, this one for the young adult market, and another full-length novel.

www.bethanyaskew.co.uk

www.onactiveservice.co.uk 

***

Thanks again for such a great interview Bethany.

Happy reading everyone,

Jenny xx

Birthday Perks

By

On July 13, 2017

In Blog, Contemporary fiction, Contemporary Romantic Fiction, crime, Fiction, Imagine

There are many advantages to having (yet another) birthday…This is what I’m telling myself as I wake up on my 45th birthday in a state of bewilderment that I’ve got this far through my life without anyone telling me I’m doing it wrong.

I will be honest- the idea of being 45 does not fill my with joy. On the other hand, not reaching 45 would have one hell of a lot worse, and so I’ll go with it- although it had better be a damn site better to me than 44 was!

A lot went wrong when I was 44 –  book deal promises died, publishers dissolved into the ether, writing promises were broken, and so on….On the other hand (again)…out of these professional ashes came Imagine… The creative writing business I am co-managing with the lovely Alison Knight.

It has already been so much fun- and we’ve had some fantastic adventures sourcing potential retreat venues, appearing on BBC Radio Wiltshire, teaching from Penzance to Chippenham, and lots of places in between. My highlight so far…

Carefully easing out the memories of a class of dementia sufferers who all want to get their life stories on paper before it’s too late. Humbling.

This last year has seen me embark upon my first literary tour, taking Abi’s Neighbour on a trip around the South West, ending up in Cornwall, where it is set, amongst the rocks of Penzance, and the yellow sands of Sennen.

Outside of my working life- my eldest daughter left compulsory education, has recently won a prize at the Royal Institution of Science for outstanding work in biology, and is about to head off to university. Meanwhile by youngest daughter has just won a scholarship to Maths school over the Summer, as well as an award for academic excellence in Statistics – not to mention a 2nd Dan Black Belt in mixed martial arts (Don’t mess with daughter number 2!!) I think you can say I’m a proud Mum.

***

As if to offset the extra wrinkles and gradual general in-toning, a birthday does bring with it some perks.

I get to stay in bed and write this rather than go to the café to write this! I’m going to take part of the day off so that I can explore a little of the beautiful Exmoor countryside, and- it my nostrils don’t deceive me, and I’m not hallucinating the aroma coming from the kitchen, later there will be cake…

If you like a bit of a saucy read, I can also offer you a little pressie- in the shape of my Kay Jaybee novella, Wednesday on Thursday– which is FREE on Amazon this week (over 18’s ONLY)

So, if you’ll excuse me, I’m off to see if the postman has been, and to pull on my walking shoes. If I’m a good girl they might just walk me in the direction of a scone or two…

Happy reading,

Jenny x

 

 

 

End of the month blog: June bustin’ out all over

By

On June 30, 2017

In Blog, Contemporary fiction, crime, Fiction, Jenny Kane, News

It’s that time again! Let’s buckle up for another dip into Nell Peter’s end of the month reminisces… 

Hi Jen – and everyone else!

As the month totters to a close, was it a case of June bustin’ out all over? What does that even mean? When I was weeny, hearing the Rogers and Hammerstein song from Carousel on the radio, my lurid imagination pictured a rather buxom woman wearing a too-small blouse that strained at the seams to cover her modesty. Think Donald McGill postcards, or Beryl Cook-type painted ladies. In reality, of course, the lyrics refer to an exploding renewal of life for flowers and trees, plus all other things summery. Because I’m so easily amused, I’ll stick with my childish version.

June 2017 was not exactly a fun-filled thirty days. There was the General Election, rocking up on the 8th – as someone who typically shies away from making political comment, thereafter for me it came as a huge relief not to be bombarded with so many posts from others, championing their own particular favourite in the most blinkered, patronising and dogmatic fashion. Did they really think no one else capable of cogent reasoning, to weigh up pros and cons and sensibly make up their minds how best to vote? How very dare they? I’ll have them know I’m (thankfully) not as stupid as I look.

And the spats on social media if someone had the nerve to disagree! Some exchanges were simply amusing to those munching popcorn whilst indulging in a spot of spectator sport, others downright nasty. My lovely late brother-in-law used to vote Monster Raving Loony, because he couldn’t be doing with any of the other parties – he may have had a point. And at the end of the day, it’s probably fair to say nobody got the result they wanted, except perhaps the DUP, who must have thought all their birthdays came at once. That Arlene Foster looks a bit scary!

Before all the carnage at the Polls, #3 son made a brief, last minute trip home on June 1st to attend a friend’s wedding. Sadly, the date had to be massively brought forward because the bride’s father was given a short time to live. Son landed at Heathrow from Bangkok around 6 pm, got through customs and picked up a hire car to drive to Norfolk, stopping off at #4’s en route. To repay his brother’s hospitality, he broke the toilet seat in the downstairs loo before heading on here, arriving at gone midnight – the day of the wedding.

Up bright and early (well early, anyway) he sped off for a haircut and to buy a suit, shirt, tie and shoes to wear to the nuptials (he lives rather well on expenses and has grown out of the suits hanging in his wardrobe, playing hide and seek with the moths) – oh and a new toilet seat. As ever falling on his feet, Next had clobber packages on offer so he got himself sorted in record time, then back here, 2nd shower (can tell he’s been living in a hot climate), dressed, paraded for ‘does my bum look big in this?’ scrutiny, scribbled in a card and shoved in some money – all the friends did that to fund a honeymoon. Then he was gone, to pick up mate Charlie (also home for the occasion, but only from London – amateur!), leaving detritus and much dirty washing in his wake. Oh, and the huge open suitcase obstacle in the hall, guaranteed to cripple anyone entering the front door. By ten the next day he had returned from the venue, grabbed his stuff (including clean clothes) and left for Heathrow, to fly to Bangkok-Mumbai-Jaipur – rather him than me.

The first leg was a thirteen hour flight and #3 would have been roughly halfway through when Richard, a colleague of the OH, started walking across London Bridge with his brother-in-law (his wife being abroad on business.) They were minding their own business after dinner and drinks when a white van crashed and Richard ran toward it to help – I imagine when three men wielding very serious weapons leapt out he realised he was in the wrong place at the wrong time and decided to make himself scarce. He can’t remember; possibly not a bad thing.

He does vaguely recall sitting on the pavement, thinking he’d been punched and wondering where all the blood that was pooling underneath him was coming from – and why he couldn’t breathe. When he heard shots, he thought his end had come, but a soldier on leave had other ideas, pushed him down and lay on top of him to stop profuse bleeding from stab wounds that had penetrated spleen, diaphragm and lung; interesting but effective technique that they don’t actually teach at med school. And because of that soldier’s quick thinking, and the fact that he is super-fit, Richard will make a full recovery – physically at least.

Two days after that, I heard that my long-ago American friend James (Jim) Angel had died from Lewy Body dementia, a multisystem disease which, like all forms of dementia, cruelly turns the sufferer into an empty shell, a shadow of their former self. I knew that he had been diagnosed and was receiving treatment in a specialist care facility in Portland, Oregon – last Christmas a mutual friend sent me a photo of a frail, grey-haired old man looking blankly at Santa. He wasn’t much older than me. But let me tell you about the Jim I knew and adored (in a purely platonic way!):

He was a peace-loving draft dodger (Vietnam – can’t argue with him there), living in London with his first wife (also American and a trainee nurse), working at BA Heathrow as an aeronautical scientist.

About my height (5’ 9”), he wasn’t much less around his girth and had a Brian Blessed-type voice and laugh, though cuter because of the accent – especially when he called everyone ‘shit bag’ as a term of affection. Bearded with a mass of dark, curly long hair and always dressed like a scruffy hippy, his larger than life personality belied a pretty grim childhood; his father was an alcoholic and aged eleven, Jim discovered his mum’s body in the garage of their home after she’d shot herself. One can only imagine …

We didn’t share a taste in music – he Captain Beefheart, me far more prosaic stuff, but we did go to a lot of gigs, including Pink Floyd and Elton John, which he cringed all the way through. After his wife left him, he returned to the US and while I was living in Montreal, I flew to California and spent most of one summer there. It was a brilliant time – he bought a rust bucket car for touring and we camped in forests and on beaches (so cold, even in CA!), watching seals in the Pacific Ocean and collecting beautiful driftwood, which he thought he might turn into ‘something real neat’ when he got time. We also went skinny-dipping in creeks – my first and last time, as it’s me that creeks now!

The Chinese Exhibition was on in San Francisco and we queued for hours from dawn to see it – passing the time shivering and watching the mist roll from the hills to engulf the Golden Gate Bridge and Alcatraz, listening to eerie foghorns. When the time came for my return flight, I didn’t know I’d never see him in the flesh again, although we did communicate in other ways, but not for some years now. Fly high, Jim Angel – you are free.

After living with it at close-ish quarters for more than a decade, dementia has touched me (actually, more like hit me over the head with an iron bar!) more than usual during June, after my mother was taken to hospital following an early morning fall – although couldn’t remember what happened because she, like my father, suffers from the vascular form. So, off I went to sit on trains for four hours in order to imitate Florrie Nightingale on her less impressive days. Neither of my parents have any short term memory whatsoever and refuse to leave the house – they have a team of visiting carers to ensure they are fed, watered, clean and safe, most of whom are very good, a few not so much. Lately, my father spends all his time in bed and when he’s not sleeping, he’s barking orders through the house – he seems to have regressed to childhood, when the household retained several servants. Fortunately, the OH was able to base himself in Twickenham for the nine, very long, days that I spent chez folks, disappearing to Starbucks or the library to use the internet when required. Don’t tell him, but without his company and the very late dinners we shared in the garden when all was quiet, I would have quickly overtaken certifiably insane. My ears are worn out from conversations with medics and bods from all manner of agencies, many of whom contradict the others. Mum is home and all is quiet on the western front again – for how long, your guess is as good as mine.

In 2012, along with over three thousand other hopefuls, I submitted a radio drama script to the BBC Writers’ Room hoping to have it accepted for production.

My masterpiece made it through three weedings and made the final thirty, before it fell flat on its face at the final hurdle. I’ll leave you with an excerpt – Jack and Joyce are an elderly couple with dementia, and Glenda their long-suffering daughter.

Toodles

NP

***

SCENE ONE:

INT: EARLY MORNING. KITCHEN. A WOMAN (JOYCE) IS HUMMING TUNELESSLY, WAITING FOR A KETTLE TO BOIL.

SFX: KETTLE. DISTANT TAPPING ON GLASS.

MALE (JACK) CALLING JOYCE’S NAME THROUGH GLASS.

JOYCE:                                           (REGISTERING) What on earth…? (LOUDER)

What are you doing out there, Jack? I’m making tea.

JACK:                                                   (OFF, MUFFLED THROUGH GLASS) I seem to have locked myself out, Majesty.

JOYCE:                                                You old fool. (HUFFING) Well where are the keys?

JACK:                                                   (OFF) I don’t know.

JOYCE:                                                Have you tried your dressing gown pocket?

JACK:                                                   (OFF) Erm…I’m not sure, I don’t remember.

JOYCE:                                                Well, have a look!

                                                                SFX: KEYS RATTLING THROUGH GLASS. THEN A KEY TURNING IN THE LOCK AND A DOOR OPENING.

JACK:                                                   I found them (LAUGHS) they were in my pocket all the time.

JOYCE:                                                What were you doing out in the garden anyway – you’ll catch a cold.

JACK:                                                   I went out to do something, but now I can’t remember what. Can I have a naughty, to warm me up? I don’t feel very well.

JOYCE:                                                I think I put the kettle on to make tea.

JACK:                                                   (LITTLE BOY SNIGGER) I’d rather have a naughty.

JOYCE:                                                Or did I make a pot of tea?

JACK:                                                   Is it Thursday today, Joyce?

JOYCE:                                                I don’t know – have a look at the paper.

JACK:                                                   Where is it?

JOYCE:                                                I don’t know. Shall I make tea?

JACK:                                                   Good idea, Majesty.

                                                                SFX: JOYCE OPENS THE FRIDGE. GLASS MILK BOTTLES CHINK.

JOYCE:                                                Oh dear; we do seem to have a lot of milk. Perhaps I should write a note for the milkman.

JACK:                                                   Why?

JOYCE:                                                No, you’re right – we’ll use it up, I expect. Or I’ll end up throwing it away…maybe I’ll put a note out next week.

JACK:                                                   What day is it today, Majesty?

JOYCE:                                                I don’t know – is it Friday? I’m not sure… No, it can’t be Friday because the dustmen haven’t been. Or at least I didn’t hear them.

JACK:                                                   Do the dustmen usually come on Friday?

JOYCE:                                                Yes, except over Christmas and Easter – then you never know when they’ll turn up. (TUTS) Disgraceful, when we pay so much in rates, or whatever they call them now.

JACK:                                                   Did we put the rubbish out?

JOYCE:                                                Oh yes, I expect so. That doesn’t mean to say they’ll collect it though. They don’t always – probably because you didn’t give them a big tip at Christmas.

JACK:                                                   Is it time for a naughty yet? It’s for medicinal purposes; I don’t feel very well at all. I think maybe I should have stayed in bed.

JOYCE:                                                I wonder if the dustmen have been…or if we’ll have to wait until next week…

                                                                PAUSE FOR A MOMENT.

JACK:                                                   Do you remember my friend Ralph Windsor?

JOYCE:                                                Of course I do, Jack – he was your Best Man… and he had that nice wife from Scotland.

JACK:                                                   Scotland? I don’t remember that. Have we had breakfast yet?

JOYCE:                                                I’m not sure. Would you like some toast? I think we’ve got some bread left.

JACK:                                                   I fancy fish and chips…could we have fish and chips? Do you fancy fish and chips, Majesty?

JOYCE:                                                Someone has to go out and buy fish and chips and we’re not dressed. Anyway, I’m not sure if they’re open yet; shall I do some toast?

JACK:                                                   Okay, yes please. With marmalade…no, make it honey. I like honey, don’t you? And if I could have a naughty with it, that would be very nice.

JOYCE:                                                Now, did I make the tea? Or have we drunk it already?

                                                                PAUSE FOR A MOMENT.

JACK:                                                   My friend Ralph Windsor was a jolly nice chap…very clever. Is he dead, Joyce?

JOYCE:                                                I think so. Shall I put the kettle on?

JACK:                                                   Why did he die?

JOYCE:                                                I don’t know.

JACK:                                                   Very clever boy, old Ralphie. I met him when we were seven – he’d dug a hole in the woods and when he went home for lunch I played in it. He came back and we started fighting over whose hole it was. (LAUGHS) Is he dead, now?

JOYCE:                                                Probably – I don’t think we’ve seen him for quite a while. Wasn’t his wife from Scotland?

JACK:                                                   Was she? Is she dead now? Do you know, I must be getting old because I can’t remember.

JOYCE:                                                I think she went back to Scotland…his wife. I forget her name.

                                                                SFX: TELEPHONE RINGS OFF IN THE HALLWAY, CONTINUING.

JACK:                                                   Is that someone at the door, Joyce?

JOYCE:                                                No, of course not – it’s the phone.

JACK:                                                   Who is it?

JOYCE:                                                How do I know?

PAUSE FOR A MOMENT

JACK:                                                   Aren’t you going to answer it, Joyce – I don’t feel at all well. I may have to go back to bed.

JOYCE:                                                (SIGHS) Looks like I’ll have to – I wonder who it is.

JACK:                                                   Poor old Ralphie…such a nice chap – and clever with it too. He had a very important job in the war – I remember he was on several convoys that were attacked by U-boats… (BEAT) Ralph’s father was a Regimental Sergeant Major, then a Yeoman of the Guard at the Tower – he looked magnificent when he was all dressed up in his uniform. A real gentleman…

                                                                THE PHONE STOPS RINGING.

JOYCE:                                                They’ve hung up! They didn’t wait very long…no patience at all some people…Never mind – if it’s important they’ll ring back next week.

JACK:                                                   That’s what my dear old mum used to say. I think it was her, anyway.

JOYCE:                                                There was nothing ‘dear’ about your mother – she didn’t think I was good enough to marry into her precious family…Huh! Would you like a cup of tea? I could put the kettle on.

JACK:                                                   Yes please, Majesty – unless I could have a naughty instead? I feel a bit rough – I think I should go back to bed.

JOYCE:                                                Well go back to bed, if you really think you should. I’ll make tea.

JACK:                                                   I remember meeting Ralph’s dad on the station once – he was all dressed up in his regalia. Magnificent – I felt I should salute him. Pucker gentleman, he was.

JOYCE:                                                What did you have for breakfast?

JACK:                                                   Damned if I can remember. (BEAT) Is it Monday today?

JOYCE:                                                I expect so. (BEAT) What do you fancy for lunch? (BEAT) I really must get my hair cut – I’ll make an appointment next week. (BEAT) I think I’ll get a shower now.

SCENE TWO:

INT: MID-MORNING. JOYCE HAS GONE TO ANSWER THE FRONT DOOR.

JOYCE:                                                (FROSTILY) Oh hello; it’s you, Glenda. I wasn’t expecting you – is it Saturday today?

GLENDA:                                            Yes, it’s Saturday. I tried ringing earlier – but there was no reply.

JOYCE:                                                Oh, I was probably out shopping.

GLENDA:                                            (VO) Pull the other one – you haven’t been out shopping since Elvis was breathing. (TO JOYCE) Never mind, I’m here now – shall I put the kettle on?

JOYCE:                                                What a good idea, I fancy a cup of tea. So, how are the girls? We haven’t seen them for a very long while.

GLENDA:                                            (TO JOYCE) Chloe was here in the week, Mum. She made you a nice chicken casserole. (VO) Stop wasting your breath. (TO JOYCE) They are all fine, thanks, except Claire’s a bit worried about these ‘A’ level exams she’s got coming up. If she doesn’t get the grades, she won’t get into her first choice of university so she’s panicking a bit.

JOYCE:                                                That’s nice dear – just hang your jacket on the banister and we’ll go on through to the kitchen.

SFX: COAT BEING FLUNG OVER WOOD, CARRIER BAGS RUSTLING.

JOYCE:                                                Ooh – is that something for me?

GLENDA:                                            I picked up a few bits and pieces on my way here – we’ll make up a proper shopping list in a minute, while we’re having tea. Where’s Dad?

JOYCE:                                                Oh…um…he’s around somewhere. Or maybe he went shopping.

JACK:                                                   (OFF) Is that you Glennie? I’m just up here getting dressed. I haven’t been feeling too well…

***

Another corking blog. Thanks Nell- especially for taking the time to write this wonderful piece when you’ve had such a testing month!

Great script!! You should resubmit it.

Happy reading everyone,

Jenny xx

Blog Tour: Exclusive extract from Skin Deep

By

On June 17, 2017

In Blog, Contemporary fiction, Contemporary Romantic Fiction, Fiction, Jenny Kane

I’m delighted to welcome talented author, and my lovely friend, Laura Wilkinson, to my site today as part of her blog tour.

Laura is here today with an exclusive extract from her brand new novel, Skin Deep.

Skin Deep Blurb:

It’s what’s inside that counts…

Art student and former model Diana has always been admired for her beauty but what use are good looks when you want to shine for your talent? Insecure and desperate for inspiration, Diana needs a muse.

Facially disfigured four-year-old Cal lives a life largely hidden from the world. But he was born to be looked at and he needs love too. A chance encounter changes everything; Cal becomes Diana’s muse. But as Diana’s reputation develops and Cal grows up, their relationship implodes.

Both struggle to be accepted for what lies within. Is it possible to find acceptance in a society where what’s on the outside counts for so much?

Taken from Part One of Skin Deep, set in Manchester in the mid-1980s

We walked about the Hulme estate and Alan took photo after photo.

‘Funny that estate also means a stately home, isn’t it? You couldn’t get much further from ornamental gardens, gilded mirrors and roaming stags. Though this place has its own kind of beauty,’ I said.

‘You think so?’ He shook his head. ‘Think I’m more traditional than you on that front.’

He took pictures of the syringes and Kit Kat foils on the stairwells – the detritus of the addict’s life – the boarded up shops, the dogs tied to bollards with string outside The Spinners pub, the old PSV club, the girls in the line for the cash point with their turned-out toes and gently curved arms, dancers-in-waiting from The Northern Ballet School, trying to be regal and graceful in the middle of all this gorgeous, vital ugliness. We stretched towards the edges of the community, noting the distinct change in character once normal society was within reach. The blocks of flats were lower, the disaffection and alienation less marked; this was a better class of slum, and the inhabitants considered themselves lucky to be outside the crescents. The sun was setting as we crossed the bridge spanning the motorway and made our way back into the bowels of the estate. In the distance, the warehouses lining the river Medlock were backlit by the dying sun.

Alan stopped and lifted the camera, then dropped it down again. ‘The whole area was built on swampland, below the water level. They never bothered to drain it when the first lot of slums went up. In Victorian Manchester, Irish immigrants would regularly wake up to a dwelling ankle-deep in polluted river water. And when they tore those slums down they still didn’t bother to drain. Built right on top again. It’s as if the rich and powerful hope that the earth itself will swallow up the human waste dumped here.’

‘Rotten foundations?’

‘The foundations for anything need to be right, don’t they?’

I nodded. I’d not heard Alan so serious. He was angry and sad, and he moved me.

The child; human waste.

‘I found something at that party.’

He turned away from the view to look at me.

I continued. ‘I was somewhere I wasn’t meant to be.’ I told him everything I knew, or guessed, or imagined.

He shrugged. ‘It’s no secret they have a boy.’

How does Alan know this? Off-kilter Alan, who doesn’t have any friends other than me and Linda, and doesn’t seem to work, or sign on, or be connected to anyone worth knowing, let alone Mr and Mrs Super Cool of Hulme.

As it transpired Alan was not the loser I’d assumed he was. People talked to Alan; he gained their trust. When Cardie Girl had deserted him, he’d got into a conversation with the scarlet-lipped punk who’d spilt all sorts about Pru and Michael. They were junkies, rich kids from Chelsea who’d stayed on after they dropped out of university in the late seventies, later ‘working’ as artists and rebelling against the Thatcherite regime. Purportedly, they ran a small printing press and published a Marxist magazine that was distributed on campus – I’d never seen it – organised parties and marches and generally made a nuisance of themselves. I wondered how a couple of junkies managed to squeeze all this in between fixes.

‘So everyone knows they’ve got a kid. Do they know they lock him up?’

‘Not everyone. And they might not always lock him up. It might have been a one-off, you know, ’cos of the party.’

I saw the boy’s hand in my mind’s eye, dredged up the hazy image of his body. He’d been rounded, fleshy, not starved. They fed him. ‘Anyone seen him?’

‘Not many people have.’

‘No bloody wonder if they keep him locked up. It’s not right.’

‘He’s a spastic. People make fun. They keep him out of the way for protection.’

‘That does not make it right.’ I was shouting. ‘It’s wrong to trap a kid. Force them to do things they don’t want to.’ My voice cracked and I heard how strange and overblown I sounded.

‘Force them to do things they don’t want to? We don’t know that Pru and Michael do that. Diana? You OK?’

I was crying. Alan couldn’t have understood where my tears came from, but he pulled me to his chest, and I didn’t object to the stink of his armpits or smelly old jacket. At least not at the time; I complained bitterly later. Bunny made me do things I didn’t want to. She’d locked me in a wardrobe and told me she’d let me out only when I was ready to be beautiful. Having inherited my mother’s stubborn gene I’d stayed there for hours, belly griping with hunger, bladder aching. In the end I’d pissed on her shoes and I got a beating for that too.

Alan pulled a tissue from his pocket and I noticed the ring on the little finger of his left hand. It was made of white gold, I was sure, and had an expensive, handcrafted look about it. I shook my head, refusing the tissue, wondering where and how Alan had acquired such a lovely piece of jewellery. I dug a tissue from my own pocket and sniffled into it. ‘Don’t tell Linda. They’re Jim’s friends.’

‘I won’t. Look, if they lock him up, then it is definitely not right, but it might have been a one-off and even if it wasn’t I’m not sure what we can do about it,’ he said. ‘They’re the parents, we don’t even know them. It’s none of our business. You’ve got to try and forget about it.’

‘I’m not sure I can.’ I wiped my eyes and smiled weakly at him, and he pointed the camera at me.

‘You look lovely when you’re upset. Different, vulnerable. Let me take your picture.’

‘I HATE my picture being taken!’ I grimaced and turned my back on him.

‘But you were a model, a beauty queen…’ I started walking towards the crescents, his footsteps echoing on the paving slabs as he lurched after me. ‘That’s why I hate it,’ I said. ‘I spent my childhood smiling so hard my cheeks ached, my eyes watering from the glare of the flashbulbs. I’m surprised I didn’t develop epilepsy or something.’

‘I’d have thought most girls would have loved it, the attention. Linda made it sound like it was amazing.’

‘The attention wears thin after a while, and it couldn’t make up for the hours spent getting my hair and nails done when all I wanted to do was hang out with my friends, play with my Barbie dolls and other normal stuff.’ I couldn’t look at him.

‘You didn’t tell your mum you weren’t happy?’

It was so rude to keep my back to him, he deserved better. I turned. ‘I tried to, but she never listened. And the winning the competitions and getting jobs was nice, when I did, which wasn’t always…’

He raised his eyebrows and opened his eyes so wide I could see white all around his irises. He said, ‘You didn’t always win? No way!’

It took me a while to realise he was teasing. I smiled at my arrogance and wondered if I was losing my appeal. First Jim, now Alan. ‘Hey, we need to keep moving if we want to keep hold of your camera. It’s getting dark,’ I said, linking my arm in his, ‘muggers’ll be out soon.’

‘Today’s been great. Thanks for coming with me.’

‘My pleasure. Sorry about the outburst.’

We strode along, our long legs and broad steps carrying us home faster than most. Alan talked about using his bathroom as a dark room, and asked if I’d like to watch him develop the shots he’d taken. As we marched along the curve of the crescent I saw a figure outside number fifty: Jim. Linda would be pleased. And a lightbulb came on in my head.

Jim! He’s the way into Pru and Michael’s world, the way to the boy. Today has indeed been good.

 *** 

Buy links

Amazon: https://www.amazon.co.uk/gp/product/B06XWKT5HM/ref=s9_acsd_simh_hd_bw_b17GB_c_x_1_w?pf_rd_m=A3P5ROKL5A1OLE&pf_rd_s=merchandised-search-4&pf_rd_r=D9ENXMEBEPB0150BR1BM&pf_rd_t=101&pf_rd_p=fd347e45-37c2-5ef7-938e-e2348b8d0a86&pf_rd_i=266239

Waterstones:

https://www.waterstones.com/book/skin-deep/laura-wilkinson/9781783758678

WHSmith: https://www.whsmith.co.uk/search/go?af=cat1%3Abooks&w=Skin+Deep+by+Laura+Wilkinson

About Laura:

Liverpool born, Laura is a taff at heart. She has published six novels for adults (two under a pseudonym) and numerous short stories, some of which have made the short lists of international competitions. Public Battles, Private Wars, was a Welsh Books Council Book of the month; Redemption Song was a Kindle top twenty. The Family Line is a family drama set in the near future, looking at identity and parenting. Her latest is Skin Deep. Alongside writing, Laura works as an editor & mentor for literary consultancies and runs workshops on aspects of craft. She’s spoken at festivals and events nationwide, including the Frome Festival, Gladfest, University of Kingston, The Women’s Library and Museum in Docklands. She lives in Brighton with her husband and sons.

www.laura-wilkinson.co.uk   Twitter @ScorpioScribble Facebook: Laura Wilkinson Author Instagram: laura_wilkinsonwriter Pinterest: laura1765 Goodreads: Laura_ Wilkinson

***

Thank you for sharing such a fantastic extract Laura. Good luck with the rest of your tour,- and with the gorgeous Skin Deep!

Happy reading everyone,

Jenny x

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