Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

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Opening Lines with Jan Baynham: The Stolen Sister

I’m welcoming the super lovely, and ultra-talented, Jan Baynham to my place today to share the #openinglines from her brand new novel: THE STOLEN SISTER

Thank you for inviting be back to your lovely blog, Jenny.

Introduction

The Stolen Sister is my sixth novel. It has all the features which readers are coming to expect of my books – a dual timeline, contrasting locations, family secrets and two love stories. In this novel, there is also the theme of grief, resilience, sibling relationships, romantic love, a search for identity and reconciliation. It’s set in beautiful Crete in 1963 and again twenty years later, as well as rural mid-Wales. The Stolen Sister is the story of Greta, a young Welsh painter who arrives in the fictional town of Fáros Limáni to join an art commune. In 1984, her daughter Zoë travels to Crete to carry out her mother’s dying wish to have her ashes scattered into the sea there even though she knows nothing of her mother’s connection with the island. Through my words, I hope I’ve been able to take the reader on a virtual trip to this stunning island, as seen through Zoë’s eyes as she returns to the place of her birth for the first time.

Matala caves

Blurb

Lost letters. A secret Greek love affair. A daughter’s search for the truth.

Crete, 1963. Young artist Greta Ellis arrives at the sun-soaked port of Fáros Limáni, ready to paint and explore the beautiful Greek island.

There she meets passionate local, Andreas Papadakis, and Greta is swept up in a world of colour, freedom and forbidden love. But when tragedy strikes, Greta is forced to make an impossible choice that will change the course of her life — and her heart — forever.

Wales, 1984. After the death of her beloved mother Greta, silversmith Zoë Carter receives a sealed letter that upends everything she thought she knew. Greta’s dying wish is for her ashes to be scattered in Crete, a place precious to her . . . but somewhere she had never spoken of.

Searching through her mother’s belongings, Zoë uncovers a series of letters. Written in Greek and dated the year before she was born, they reveal a passionate love affair. And a tragedy that tore it apart.

Determined to know the truth, Zoë travels to Crete to follow the trail left behind in her mother’s letters. Through the olive groves and whitewashed villages of Crete, she begins to piece together a story of love, betrayal and loss — and discovers that her family was never what it seemed.

Perfect for fans of Lucinda Riley, Kate Morton, Dinah Jefferies, Santa Montefiore, Fiona Valpy, Barbara Davis, Angela Petch, Karen Swan or Anita Chapman.

First 500 Words

Prologue

North West Crete, 1967

Greta forced herself to smile as she watched her handsome new husband join in with the traditional Greek dancers, his blue eyes sparkling as he swayed his hips and dipped in time with the others as they circled the dance floor. The haunting sound of the bouzouki music filled the busy taverna above the noise of the fun and laughter of the diners. Since arriving in Crete four years before as a naive art student, she’d heard the instrument played many times but tonight there was something unnerving about the music. It seemed dissonant to her. Something wasn’t right.

She quickly dismissed the feeling when her three-year-old daughter wriggled down from her lap.

‘Me dance, too.’ Even though she could hardly keep her eyes open, the little girl ran towards the dancers who stopped and clapped, welcoming a laughing Greta and her daughter to join John in the circle. They all sidestepped and dipped, then kicked each leg in time to the music.

The meal at the taverna, situated a few miles out of Fáros Limáni, was to celebrate John joining his wife and daughter to make a new life together and to thank their American friends, Bill and Nancy, who’d helped them settle. John had left his temporary teaching job in Heraklion for a permanent post close to where they were going to live.

Returning to sit down at the table, Greta pulled the little girl onto her lap, loving how she snuggled into her and fell asleep, safe in her mother’s arms. She always looks so like her father as she sleeps. The same long dark lashes, the same beautiful face.

She looked at a smiling John, sitting next to her. How she loved her new husband! She couldn’t believe how lucky she was that life was good again . . . so why did she have a niggle of foreboding?

‘Someone’s exhausted. Shall we go?’ John stood and held out his arms to take the little one from Greta. Bill and Nancy stood to go with them.

They took the coastal road back to the port. Relieved John was driving slowly round such sharp bends and that the road was deserted, Greta relaxed into the seat behind him.

‘Not far now, sweetheart.’ John glanced in the rear mirror at the little girl fast asleep between Greta and Nancy.

A wall of rock loomed in the headlights.

Greta screamed. ‘John!’

John yanked the steering wheel in order to try to take the hairpin bend he’d been distracted from. ‘Holy shit! Hold on!’ Searing pain shot through the whole of Greta’s body as the car crashed into the cliff. She heard the thud of John’s head slamming down onto the centre of the steering wheel. Unable to move, deafening noise engulfing her — screams, the horn blaring continuously, her daughter wailing, panic in voices.

‘Oh, God.’ Bill shook his friend. John didn’t respond even as Bill shook him harder. Choked, he said, ‘I’ll get Greta out first. You lift the…

Here are some of the amazing reviews for Jan’s incredible work.

⭐⭐⭐⭐⭐ ‘The most compelling, evocative, heart-wrenching book I have ever read.’

⭐⭐⭐⭐⭐ ‘Captivating and emotional . . . A top, top, must-read.’

⭐⭐⭐⭐⭐ ‘One of the best sagas I’ve read in a very long time.’

⭐⭐⭐⭐⭐ ‘A novel that will transport you to Greece, with its sensory delights of sights, sounds and flavours.’

⭐⭐⭐⭐⭐ ‘The vivid imagery used to paint Greece is stunning and made me feel as if I was there. If you enjoy a multi-layered novel brimming with secrets, you’ll adore this story.’

⭐⭐⭐⭐⭐ ‘Historical fiction at its best.’

You can buy The Stolen Sister from all good retailers, including:

Amazon UK – https://www.amazon.co.uk/Stolen-Sister-powerful-emotional-historical-ebook/dp/B0GN9Z34YH/ref

Amazon US – https://www.amazon.com/Stolen-Sister-powerful-emotional-historical-ebook/dp/B0GN9Z34YH/ref 

BIO

Originally from mid-Wales, Jan lives in Radyr, on the outskirts of Cardiff. After retiring from a career in teaching and advisory education, she now writes historical fiction and sagas. Fascinated by family secrets and ‘skeletons lurking in cupboards’, Jan writes dual narrative, dual timeline historical novels that explore how decisions and actions made by family members from one generation impact on the lives of the next. Setting and a sense of place play an important part in all of Jan’s stories and as well as her native mid-Wales, there is always a contrasting location in sunnier climes. She is published by Joffe Books/Choc Lit. She enjoys meeting up with other writers, especially members of her local Cariad RNA Chapter as well as when attending talks and workshops.

X- @JanBaynham https://twitter.com/JanBaynham

Facebook – Jan Baynham Writer https://www.facebook.com/JanBayLit/?locale=en_GB

Instagram – janbaynham https://www.instagram.com/janbaynham/?hl=en-gb

Threads – https://www.threads.com/@janbaynham

Blog – Jan’s Journey into Writing https://janbaynham.blogspot.com

Amazon Page – Jan Baynham https://www.amazon.co.uk/stores/Jan-Baynham/author/B085DC6BKR?ref 

Many thanks for sharing your work with us today, Jan,

Happy reading,

Jenny xx

Opening Lines with Rachel Brimble: Shared Secrets from the Home Front Nurses

I’m delighted to be welcoming back a fabulous author, and dear friend, to my website.

Rachel Brimble’s latest #saga, Shared Secrets from the Home Front Nurses (from her #bestselling, World War II series), is published by Boldwood and is available from all good retailers.

It’s a pleasure to be able to share its #openinglines with you today.

BLURB:

1943: Becoming a Home Front nurse, meant Kathy Scott was finally able to escape the violence of her childhood. At long last, her life has taken a turn for the better. Particularly because, for the very first time, she’s made some wonderful friends–fellow nurses Sylvia, Freda and Veronica.

Kathy’s known for not being short of a word or two. So nobody’s more surprised than her when she finds herself tongue-tied around Freda’s handsome brother, James – who’s home from war with an unexplained injury.

Eventually they start to open up to each other… But can two people who have felt so broken by their experiences ever find a chance for happiness?

Don’t miss this powerful and unputdownable wartime saga about courage, healing and the power of friendship!

FIRST 500 WORDS:

Standing in line in the Upper Borough Hospital canteen, Nurse Kathy Scott resisted the urge to shiver, as the ghosts of her dead parents knocked their violent knuckles along her spine.

‘Just leave me be,’ she murmured, as she glared at the back of the nurse’s head in front of her.

The nurse turned and frowned. ‘Did you say something?’

Kathy sniffed. ‘Not to you.’

Their glares locked before the other nurse faced forwards again. Kathy defiantly lifted her chin as she fought against her guilt for being so rude. The simple fact was, the woman didn’t deserve her derision. Kathy scowled. Damn her parents for everything they had done to her when they were alive and how they continued to haunt her even after their deaths.

Tightening her fingers around her empty tray, Kathy cursed the unfairness of how easily her memories and treacherous feelings for her parents returned, over and over again, despite the beatings, the humiliation… the absence of basic humanity, that they had inflicted on her. How could it be that she still cared for them? She impatiently tapped her foot on the tiled floor as she waited in line, pitiful tears blurring her view as she stared at the taped bank of windows on the opposite side of the noisy room. Uniformed nurses chatted and laughed as they stood around in groups or sat at the long tables eating what meagre hot lunches the hospital had managed to cobble together for their hardworking staff on this damp and grey Wednesday afternoon.

An image of her parents’ body bags being wheeled past her on stretchers by the rescue workers who had found them amid the rubble of her destroyed home rose in Kathy’s mind and she swallowed the lump that dared to rise in her throat. Almost a year had passed since Bath had suffered the three days of German bombing that had killed her parents and reduced the house they’d all lived in together on Kingsmead Street to little more than bricks and ash, her mum and dad thankfully buried beneath the lot. Kathy clenched her jaw, refusing to acknowledge the single tear that slipped over her cheek. Good riddance to bad rubbish

God, how she hated these moments of care for them that continued to catch her unawares. How could she still think of them? They beat her, berated her, treated her like dirt and the ultimate inconvenience, yet despite the testy, often unjustified and downright horrible attitude she enforced to protect herself from the rest of the world half the time, her parents still spitefully lingered in part of her heart.

‘What can I get you, love?’

Kathy started.

The grey-haired kitchen lady smiled kindly from behind the serving counter, ladle in hand. ‘We’ve got vegetable soup with a nice chunk of bread. Or maybe you fancy a bit of shepherd’s pie?’

Kathy leaned forward to inspect the contents inside the silver chafing dishes in front of her. She screwed up her nose, her…

You can buy this, the latest in the Home Front Nurses series from all good retailers, including: https://mybook.to/SharedSecrets  

BIO

Rachel Brimble is the author of 35 novels and has been published by Harlequin Mills & Boon, Kensington Books, Harper Road Press and more. She now writes for Boldwood Books. Her latest Amazon bestselling WWII series, The Home Front Nurses is her most popular series to date with book four released in February 2026.

Her next series will be set in Castle Combe, The War Orphans will start in September 2026.

Rachel is also the owner of The Writer Printable Co, an Etsy shop offering printable and editable novel writing resources to help new authors on their journey to writing success.

Link: https://thewriterprintableco.etsy.com

To sign up for her publisher’s newsletter, click here: https://bit.ly/RachelBrimbleNews

Website: https://bit.ly/3wH7HQs

Twitter: https://bit.ly/3AQvK0A

Facebook: https://bit.ly/3i49GZ3

Instagram: https://bit.ly/3lTQZbF

BookBub: https://shorturl.at/nrxFJ 

Many thanks for sharing your opening lines with us, Rachel.

Happy reading everyone,

Jenny x

Opening Lines: Secrets at the Ambrose Café by Carryl Church

I’m delighted to welcome fellow author, former student, and friend, Carryl Church, back to my blog today, to share the #openinglines from her fabulous second novel, Secrets at the Ambrose Café.

 Blurb:

Two women. Two different worlds. One secret that could ruin them both.

Exeter, 1925. Della Wilde has set aside her dream of moving to Paris to study at the renowned Le Cordon Bleu, choosing instead to support her family torn apart by war. By day, she works at the prestigious Ambrose Café, serving the city’s elite — she feels utterly invisible. Until a chance encounter with rebellious Alice Winters, the daughter of a powerful MP, upends Della’s world.

Alice is a woman caught between duty and desire. She secretly yearns to be an artist but is expected to marry a respectable suitor and raise a family. Della, with her sharp wit and quiet strength, is unlike anyone she has ever known. She makes Alice feel alive.

So she draws Della into her orbit — first as a muse for her secret art, then as something infinitely more intimate. But in a world where reputations are easily shattered, their growing bond is a danger that threatens not only their futures, but those around them.

As Alice risks scandal and Della faces the consequences of following her heart, they must decide: will they allow others to choose their path, or dare to forge their own?

This historical tale of courage, forbidden love and self-discovery is perfect for fans of Sarah Waters, Cynthia Ellingsen, Fiona Valpy or Rhys Bowen. 

Here are the first 500 words…

Exeter, 1925

Della stepped back to assess the birthday cake. The first cake Hastings trusted her to decorate without guidance. Three tiers of sponge encased in fondant icing stood regal on a glass stand. Embossed gold-leaf frescos circled the base, edible pearls tumbled over the layers and the top was crowned with wishes to the birthday girl in swirls of chocolate ganache. Twenty-one silver candles finished the decadent masterpiece.

Mrs Hastings came to her side, flour-dusted hands resting on generous hips. Della felt the weight of the Ambrose’s reputation heavy on her shoulders as her boss studied the cake, searching out imperfections.

Eventually she threw Della a smile. ‘You’ve the steadiest hand, Della Wilde. That lettering is flawless.’

William crashed through the double doors to the kitchen, leaving them swinging back and forth long after his arrival. He weaved his tray aloft and dumped it on the washing trolley. ‘It’s getting a bit rowdy in there.’ He cocked his head at the ballroom beyond the servery doors, where a birthday party was in full swing.

Anthony was next, spinning his empty tray like an acrobat. ‘Della, they’re ready for the cake.’ He stopped to inspect her work. ‘Blimey. It’s beautiful.’ He met her gaze, eyes wide with admiration.

A cheer from the other side of the doors snatched their attention. Anthony lit a match and set the candles ablaze.

‘Ready?’ He moved to take the trolley.

‘I’ll take it.’ William stepped in his path, leaving Anthony little choice but to acquiesce.

Della followed her cake on its journey to the servery doors, hoping it lived up to the occasion. She opened one side — Anthony took the other. As William entered the party, more cheering erupted. It was a rare opportunity to hear guests take pleasure in her work. She lingered to see the clientele in their finery. The birthday girl stood on the top table, adorned in a crimson bias-cut dress twinkling with sequins. Long necklaces of jet beads fell in layers across her taut body. A feather boa trailed her sinewy arms, and a headband sat regally on dark blonde hair cut in the daring Eton crop. A single artfully sculpted curl escaped from behind her ear, which dripped with diamanté earrings. She turned, exposing a smooth, bare back. Della followed the contours of her spine to the base.

Anthony shared in her voyeuristic activity. ‘I’ve never seen the like.’

‘Who is she?’ Della couldn’t drag her gaze from the spectacle. Silk stockings and silver heels pranced among the café’s finest china and cutglass coupes. The birthday girl held one aloft while she threw her head back in laughter, exposing the tight ribbing of her neck. A cigarette smouldered at the end of a silver holder in her free bejewelled hand. A tuxedoed man looked on with proprietorial eyes.

‘Alice Winters,’ Anthony replied.

Della shrugged.

‘You know, the MP Robert Winters. She’s his daughter — and a handful by the looks of things.’ He checked his watch and disappeared to…

***

If you want to find out what happens next, you can buy Secrets at the Ambrose Café from all good retailers, including:

Amazon: https://amzn.eu/d/dIlEnja

Waterstones: https://www.waterstones.com/book/secrets-at-the-ambrose-caf/carryl-church/9781781898857

Audible: https://www.audible.co.uk/pd/Secrets-at-the-Ambrose-Cafe-Audiobook/B0F8W2K986?source_code=ASSGB149080119000H&share_location=pdp

***

Bio:

Carryl writes historical fiction with a focus on the 20th Century. Her writing explores love in turbulent times, both romantic and familial. The people we’re given and those we choose for ourselves.

An early fascination with cinema led to a career as a Film and Photography Archivist. Years spent watching archive footage gave her a unique insight into how people lived in the early 20th century now brought vividly to life in her stories.

Originally from the Isle of Wight, Carryl now lives in Devon. The local landscape and locations are an inspiration for her novels. Carryl has a BA in Media and Literature and an MA in Film and Television Archiving. After working in Media Archives for seventeen years, including The Imperial War Museum and The BBC, she now writes full-time in the company of her cat, Ditsy.

Website: https://carrylchurch.co.uk/

Instagram: @CarrylChurch

Facebook: Carryl Church

***

Many thanks for sharing your #openinglines with us today.

Happy reading everyone,

Jenny x

 

Opening Lines: Winter Wishes for the Home Front Nurses by Rachel Brimble

I’m delighted to be able to share the #openinglines from the latest in the Home Front Nurses series with you today.

Written by good friend, and fabulous writer, Rachel Brimble; Winter Wishes for the Home Front Nurses follows the personal and professional lives of nurses, Freda, Sylvia and Veronica as they help Bath recover from Germany’s attack on the city in the previous April.

Blurb

An uplifting story of courage, friendship and love against the odds, perfect for fans of Lizzie Lane, Rosie Clarke, and Call the Midwife.

Winter, 1942.Secrets abound for the Home Front Nurses, but will one of them be able to tell the truth about her past before Christmas?

As the weather turns cold, and the war rages on, Veronica Campbell finds herself loving her job as a home front nurse more than ever. She’s spending time with her beloved best friends Sylvia and Freda, as well as assisting on life-saving operations with her fellow nurse Betty Wilson, and feeling valued and happy.

But at home, she wishes things were different. Because even cosied up by the fireside of her lovely little house, there’s a man who lives on her street. Someone she’d once thought she could trust, who – five years ago – had violently attacked her. His threats to her remain, but she’s been terrified into silence.

But everything changes when Betty needs somewhere to stay for Christmas, and Veronica impulsively suggests she move in with her. But can she trust Betty enough to let her guard down and tell her what happened that fateful day? Because if she doesn’t… will Betty be put at risk too?

Here are the first 500 words…

Chapter One: Veronica

Bath, August 1942

‘V! Wait for us! Have you heard the news?’

Startled from her worries, Veronica Campbell halted near the hospital entrance and spun around as her best friends and fellow nursing colleagues, Sylvia Roberts and Freda Parkes, hurried towards her, their faces stricken.

Tension immediately stiffened Veronica’s shoulders. What now? It sometimes felt, for the last three years of war, Europe had been battered with an endless stream of shock, horror and loss, even if Britain remained stalwart in its patriotic humour and tenacity.

Sylvia’s brown eyes were wide, and her bright auburn hair glowed beneath the rays of the lowering August sunshine as she came to a stop in front of Veronica. ‘The Duke of Kent is dead!’ she exclaimed. ‘Killed in a plane crash in Scotland.’

‘What?’ Veronica looked between her friends. ‘The King’s brother is dead? Was the duke in Scotland? I thought—’

‘No.’ Freda’s eyes were shadowed with sadness. ‘It would probably be easier to comprehend if he’d been killed in an air attack, but he was being flown to Iceland to visit the RAF stations. Offer moral support, I assume.’

Veronica frowned, her previous distraction of where she had to go and who she had to see in the next hour momentarily quieted. ‘That’s just awful.’

‘Well, it must be true,’ Sylvia said. ‘The press do not write about the Royal Family lightly.’

‘Apparently,’ Freda interrupted a second time, ‘the duke and the entire crew onboard were killed when the plane crashed into a hillside, which was off course from where they should have been headed. Goodness knows why. Anything could have happened, I suppose. Probably just a terrible accident.’

Sylvia blew out a heavy breath. ‘I’ll always remember when Queen Elizabeth said she felt she could look the East End in the face, after Buckingham Palace was bombed. God knows what she’ll say to the nation after losing her brother-in-law in such a horrible way.’

Veronica closed her eyes.

Here she was fretting about visiting Officer Matthews – one of the kindest men a girl could know – when the war continued to take more and more lives, day after day. What did it matter that she was visiting a man she suspected loved her… even if she didn’t love him, when people were dying every day? Whether royalty or pauper, Hitler gave no preferential treatment and the deaths of the duke and his entire crew would undoubtedly cheer the German leader up no end.

She opened her eyes and looked past her friends towards the hospital doors.

Eric Matthews had always been kind and considerate towards her, despite all he had been through and all he had done. And not just during the time he was serving, but from the day he had walked so unexpectedly – so anonymously – into her life.

Tears pricked her eyes and Veronica quickly blinked them away before Sylvia or Freda noticed. Yet the self-loathing evoked by the vile truth of what Eric knew about her would not deter…

***

You can buy the latest Home Front Nurses novel from all good retailers, including:  https://mybook.to/winterwishes

Bio:

Rachel lives with her husband in a small town near Bath, England and they have two adult daughters.

She is the author of 35 novels and has been published by Harlequin Mills & Boon, Kensington Books, Harper Road Press and more. She now writes for Boldwood Books and books 1 and 2 of her latest series, The Home Front Nurses, have been Amazon bestsellers with book 3, Winter Wishes for the Home Front Nurses released in August 2025.

Rachel is also the owner of The Writer Printable Co, an Etsy shop offering printables to help new authors on their journeys to writing success.

Link: https://thewriterprintableco.etsy.com

To sign up for her publisher’s newsletter, click here: https://bit.ly/RachelBrimbleNews

Website: https://bit.ly/3wH7HQs

Twitter: https://bit.ly/3AQvK0A

Facebook: https://bit.ly/3i49GZ3

Instagram: https://bit.ly/3lTQZbF

BookBub: https://shorturl.at/nrxFJ

Many thanks for sharing your opening lines with us today, Rachel.

Happy reading everyone,

Jenny x

Interview with Carryl Church: Secrets at the Ambrose Café

Today  I’m delighted to be interviewing author, Carryl Church, about her second historical novel, Secrets at the Ambrose Café.

Grab a cuppa and put your feet up for five minutes, and come and say hello.

What inspired you to write Secrets at the Ambrose Café?

The 1920s has held a fascination for me since my teenage years when two of my favourite television series were The House of Eliott and Jeeves and Wooster – I read the novels too! I relished the idea of setting a story in that period.

Inspiration for me often starts with a location. In the case of this book, it was Deller’s Café – a chain of beautiful catering establishments with branches in Exeter, Paignton and Taunton. The main Exeter branch in particular really captured my imagination. Built in the baroque style and with a decadent interior encompassing many architectural features – it was said to be one of the finest buildings in Exeter. In Agatha Christie’s novel The Sittaford Mystery, her characters visit Deller’s Café in a chapter bearing the cafe’s name. Sadly, Deller’s was damaged by an incendiary bomb in the Exeter Blitz of 1942 and demolished in the subsequent rehabilitation of the High Street – a loss still keenly felt.

I wanted the artistic freedom to make the location my own, so The Ambrose Café was born, but I named my character Della in a nod to the wonderful institution that inspired the story. As soon as I saw my book cover, I was delighted that it captured the sumptuous café of my imagination so well.

What type of research did you have to do for your book?

I started with the Exeter Memories website which is a great resource if you’re interested in the history of the city. I then found a website dedicated to Deller’s Café which included wonderful photographs of the interiors, staff, details of the menus and numerous banquets the café hosted.

For a more detailed look at the 1920s, my background as a Film and Photography Archivist was a great help. I searched the National Archives database and discovered a series they’d produced called ‘the roaring twenties’ which offered fantastic insight into the period gleaned from the 1921 census. For building an authentic picture of post WW1 society and the political and psychological impact of the war, I searched the Imperial War Museum database and listened to oral histories. I worked for the Imperial War Museum as an Archivist many years ago and had seen footage from the period to draw upon too. I also read widely around the subject and although Deller’s Café is no longer there, I visited the locations in Exeter.

Do you model any of your characters after people you know? If so, do these people see themselves in your characters?

I can honestly say I never consciously model my characters on people I know. I think if I did, I’d find it too restrictive. I figure out who my characters are by writing them. I always knew this book would be about two women. I could see Della in her apron working away in the kitchen and the rest grew from there.

Which Point of View do you prefer to write in and why?

Close third person comes naturally. I’ve written short stories in first person, but I prefer to stick with what works for me. However, I enjoy reading in a variety of POV.

Do you prefer to plot your story or just go with the flow?

A little of both. When I first started writing, I’d just see where the story took me which meant I often disappeared down a few blind alleys. Now I appreciate the benefit of having a framework and an idea of where the story is going but I like to leave room for my characters to surprise me. It makes them feel more alive on the page.

What is your writing regime?

I tend to write seven days a week and I’m not very good at taking breaks. I’m up early to get my son to school. I have a writing room in our attic, and I’m usually at my laptop by 7am where I’ll eat breakfast. If I’m in the midst of the story and its flowing or I’m editing, I’ll often get thirty to forty minutes done and find it quite a productive time before getting organised for the school run. Once I’m back, I’ll go for a walk then I’m at my desk for the rest of the morning. I have a back and neck injury, so I have to take regular breaks but sometimes I forget and pay for it later. In the afternoons I tend to focus on other things like admin or research. I usually have a second burst of writing in the evening followed by some yoga to try and undo the damage I’ve done sitting at my desk for too long! At weekends this is broken up by family time, but I still take the opportunity to slip away and write when I can. As soon as one book is finished, I’ll start on the next.

What excites you most about your book?

The characters. One in particular – Mr Gillespie. I won’t give any spoilers, but he almost wrote himself and at times I had to stop him stealing every scene! He brought me a lot of joy.

Blurb:

Two women. Two different worlds. One secret that could ruin them both.

Exeter, 1925. Della Wilde has set aside her dream of moving to Paris to study at the renowned Le Cordon Bleu, choosing instead to support her family torn apart by war. By day, she works at the prestigious Ambrose Café, serving the city’s elite — she feels utterly invisible. Until a chance encounter with rebellious Alice Winters, the daughter of a powerful MP, upends Della’s world.

Alice is a woman caught between duty and desire. She secretly yearns to be an artist but is expected to marry a respectable suitor and raise a family. Della, with her sharp wit and quiet strength, is unlike anyone she has ever known. She makes Alice feel alive.

So she draws Della into her orbit — first as a muse for her secret art, then as something infinitely more intimate. But in a world where reputations are easily shattered, their growing bond is a danger that threatens not only their futures, but those around them.

As Alice risks scandal and Della faces the consequences of following her heart, they must decide: will they allow others to choose their path, or dare to forge their own?

This historical tale of courage, forbidden love and self-discovery is perfect for fans of Sarah Waters, Cynthia Ellingsen, Fiona Valpy or Rhys Bowen. 

You can buy Secrets at the Ambrose Café from all good retailers, including Amazon: https://amzn.eu/d/dIlEnja

Audible: https://www.audible.co.uk/pd/Secrets-at-the-Ambrose-Cafe-Audiobook/B0F8W2K986?source_code=ASSGB149080119000H&share_location=pdp

Bio:

Carryl writes historical fiction with a focus on the 20th Century. Her writing explores love in turbulent times, both romantic and familial. The people we’re given and those we choose for ourselves.

An early fascination with cinema led to a career as a Film and Photography Archivist. Years spent watching archive footage gave her a unique insight into how people lived in the early 20th century now brought vividly to life in her stories.

Originally from the Isle of Wight, Carryl now lives in Devon. The local landscape and locations are an inspiration for her novels. Carryl has a BA in Media and Literature and an MA in Film and Television Archiving. After working in Media Archives for seventeen years, including The Imperial War Museum and The BBC, she now writes full-time in the company of her cat, Ditsy.

Website: https://carrylchurch.co.uk/

Instagram: @CarrylChurch

Facebook: Carryl Church

Many thanks for joining us today Carryl.

Happy reading everyone,

Jenny xx

Opening Lines with May Ellis: The Clarks Factory Girls at War

This week, I’m delighted to welcome May Ellis, to share the #openinglines of her massively successful saga, The Clarks Factory Girls at War.

Blurb

Can love blossom in times of trouble?

Life-long friends Louisa, Jeannie and Kate are following in the footsteps of their families, working at the Clarks shoe factory.

But when Britain declares war on Germany, the Somerset village of Street is shaken to its core. The Clarks factory is at the heart of life in the village, but the Clark family are Quakers and pacifists. Before long, there are fierce debates amongst the workers and tensions between those who oppose the war and those who believe the village men should go to fight.

Each of the girls must decide her own position but as brothers and sweethearts leave for France, Louisa is relieved that her sweetheart Mattie, a Quaker, who won’t be signing up. But she’ll soon find that they face fierce opposition at home as well as across the Channel.

Will the girls’ friendship be enough to keep them together, as everything around them falls apart?

A heartwarming and gripping new saga series perfect for fans of Elaine Everest and Rosie Clarke.

 *** 

Most of us have worn a pair of Clarks shoes at some point in our lives. Welcome to the village of Street in Somerset where friends Kate, Louisa and Jeannie work together in the Machine Room at the Clarks boot and shoe factory. The Clark family are major employers in the area, providing jobs for over four thousand workers. As Quakers, the Clarks live by the ethos of service and peace, and the local community benefits from their employers’ philanthropy.

Life is about to change drastically for the Clarks factory girls. The story starts on the day after war has been declared.

First 500 words of The Clarks Factory Girls at War by May Ellis.

August 1914

‘I can’t believe we’ve been at Clarks for two years already,’ said Louisa. ‘Do you remember our first day? We thought we were so grown up, didn’t we?’ She laughed. ‘We were so wet behind the ears. We’ve learned a lot since then.’

Her friends Jeannie and Kate laughed with her as the three of them climbed the stone steps to the Machine Room where they worked on the third floor of the main factory building. Above and below them was a steady stream of women and girls, all heading in the same direction. The three of them linked arms, their heads close together so they could hear each other above the noise of boots on the steps and the women’s chatter, as they’d done every day for the past two years since they started work together on this very day.

‘Oh, my word, I was so scared,’ said Kate. ‘I was so glad you two were with me, or I’m sure I’d have turned tail and run.’

That surprised Louisa, because Kate always seemed so fearless. She was the first to argue, the last to back down and she had the loudest laugh of the three of them. ‘Why were you scared?’ she asked.

Kate shrugged. ‘I stood in the doorway, looking around that huge room. It was noisy and smelly and… I don’t know… overwhelming, I suppose.’

‘I know what you mean,’ said Jeannie. She was the quietest of the trio, brought up in a Quaker family, generations of whom had worked for Clarks and worshipped alongside the family who owned the factory. She had a calm and thoughtfulness that Louisa appreciated and didn’t often find amongst her other acquaintances.

‘I always knew a lot of women worked in here,’ Kate went on, ‘including my sister Peg until she got married, but seeing all three hundred of them in the one big room was a shock.’

Jeannie nodded. ‘The smell of the machine oil and the leather made me feel sick. I was sure I’d skewer my hands on the machines the first time I used them, and the foreman scared me to death.’

The industrial sewing machines on which the girls were trained to stitch shoe linings were big and fierce, as was Mr Briars, the foreman. It had taken some getting used to, and many a week had passed before they got the hang of the machines and didn’t lose a good portion of their wages by being charged for wasted thread when they made mistakes and had to unpick their pieces.

‘I’m glad we started together,’ said Louisa, remembering her own nervousness on her first day at work.

‘So am I,’ said Jeannie. ‘Being with you both, my best friends from school, made it more exciting than frightening. And it was lucky Mr Briars used the same system as our teachers of putting girls in alphabetical order, so we got to stay together – Jeannie, Kate and Louisa – J. K. L.’

Louisa squeezed her arm. ‘I …

***

If you’d like to buy a copy of May’s latest novel, you can buy it here:

https://mybook.to/clarksfactorysocial

Author Bio

Readers may have come across May Ellis under her other pen name of Alison Knight. She has been a legal executive, a registered childminder, a professional fund-raiser and a teacher. She has travelled the world – from spending a year as an exchange student in the US in the 1970s and trekking the Great Wall of China to celebrate her fortieth year and lots of other interesting places in between. She founded Imagine Creative Writing with Jenny Kane with whom she organises regular writing retreats.

In her mid-forties she went to university part-time and gained a first-class degree in Creative Writing at Bath Spa University and an MA in the same subject from Oxford Brookes University, both while still working full-time.

She signed her first three-book publishing contract with Accent Press a year after she completed her master’s degree. Three further books were published by Darkstroke books in 2020-21. The Clarks Factory Girls at War, written as May Ellis and published by Boldwood Books, is her seventh novel and the first in a five-book series.

This new May Ellis saga series with Boldwood Books focusses on three friends, Kate, Louisa and Jeannie, who work at the Clarks shoe factory in Somerset in the First World War.

Social Media Links

https://www.facebook.com/alison.knight.942

https://www.alisonroseknight.com/

Many thanks to May, for sharing her opening lines.

Happy reading,

Jenny x

 

Opening Lines with Alison Knight: The Hidden

I’m delighted to welcome friend, fellow co-runner of Imagine and author, Alison Knight, to my place today.

Why not take five minutes, grab a cuppa, and enjoy the Opening Lines from Alison’s latest novel, The Hidden?

Thank you, Jenny, for inviting me back to your blog to talk about my latest book, The Hidden. This is my third novel published by Darkstroke in just ten months and it completes a trilogy of standalone but linked stories. The first book, Mine, is based on real events in London in the 1960s. The second, The Legacy, is a story inspired by a scene in Mine, so there are some cameo appearances by characters from the first book. The Hidden is set in the early 1970s and follows what has happened to one of the characters in The Legacy. I hope you enjoy the opening lines of The Hidden.

BLURB for THE HIDDEN

Secrets, nightmares, and a big black dog…

Montana, 1973.

Faye has found sanctuary in a simple cabin in the wilds of the Crazy Mountains in Montana with a dog called Bear. She’s a long way from her old life in England. But she knows that one day her peaceful life could be invaded by her enemies, and she keeps her guard up at all times.

Jeff returns home from Vietnam, a wounded, damaged hero, just weeks after his father’s sudden death. He finds hostile, secretive Faye living in his cabin and refusing to leave. The reading of his father’s will adds another layer of mystery to this woman’s presence.

The tension between them grows as Jeff tries to overcome his nightmares and expose Faye’s scars and secrets. The more he learns about her, the more enigmatic she seems.

When her enemies come calling, she needs Jeff to protect her. Can they learn to trust each other? And will Faye ever be safe?

FIRST 500 WORDS

As she left the witness box there was a flash of blinding light and the courtroom filled with smoke. She froze, terror holding her trapped, unable to escape. Around her, court officials called for order, women screamed and there were thuds and crashes as furniture was overturned.

            “Get out!” she heard her brother shout.

            She looked around in a daze. “Percy?” It couldn’t be him. He was dead. That’s why she was here, why she’d spilled their secrets.

            For a moment the smoke cleared, and she saw a figure in a balaclava running towards her. He was clad all in black. His eyes were filled with hatred. She knew why he was there. It was her time to die. He raised his arm and she saw the glint of steel in his hand. She closed her eyes as the knife descended and slashed the side of her face.

At last her survival instinct freed her from her terrified paralysis. She turned, desperate to get away, but she felt the blade pierce her body. She wanted to crawl away from the stinging slashes, but she was trapped, unable to move. She felt moisture on her skin – her blood or her tears?

“It’s all right,” she heard Percy whisper. “It’s not your time yet. You’ve won, Sis. Don’t give up now.”

“Percy!” she screamed, reaching out for him …

Montana, USA, 1973

Her hand touched fur. Fur? She opened her eyes, blinking as she registered the soft whining of the dog on the bed next to her. The vivid images of the London courtroom faded away as she took in her surroundings – the moonlight flooding through the window where she’d forgotten to close the curtains again; the patchwork quilt on the big wooden bed; the large pine chest and smaller matching bedside cabinet.

She sat up, bringing up her knees and leaning her elbows on them as she rubbed her face. The dog nuzzled her cheek, trying to lick up her salty tears. She pushed him away.

“It’s all right, Bear,” she said, scratching behind his ear. “It was just a dream.”

The same dream. Every. Bloody. Night. It’s been three years now. Will it ever go away?

            Knowing she wouldn’t get back to sleep, no matter how tired she felt, she got up and padded barefoot to the window. It was a clear night. She could see the dark silhouette of the mountains that stood guard above the fertile valley. Above them were millions of stars. It never ceased to soothe her, looking out at the moon and the endless sky above her. It reminded her of how huge the universe was, and how small and insignificant she was in comparison.

There had been a time when she hadn’t bothered to look around and to enjoy the beauty and majesty of her surroundings. Instead, she’d focused only on herself – her wants, her opinions, her pleasures. No one else had mattered. And look where that got me, she reminded herself. Today, she …

***

BUY LINK: https://mybook.to/thehidden

BIO

Alison Knight has been a legal executive, a registered childminder, a professional fund-raiser and a teacher. She has travelled the world – from spending a year as an exchange student in the US in the 1970s and trekking the Great Wall of China to celebrate her fortieth year and lots of other interesting places in between.

In her mid-forties, Alison went to university part-time and gained a first-class degree in Creative Writing at Bath Spa University and an MA in the same subject from Oxford Brookes University, both while still working full-time. Her first book was published a year after she completed her master’s degree.

Alison currently has a trio of novels published by Darkstroke. The first, Mine, is a domestic drama set in 1960s London based on real events in her family. She is the only person who can tell this particular story. Exploring themes of class, ambition and sexual politics, Mine shows how ordinary people can make choices that lead them into extraordinary situations.

The Legacy, a drama set in London in 1969, was inspired by a scene in Mine, and explores how an unexpected legacy can be both a blessing and a curse. The Legacy looks at themes of greed and expectations, and the lengths people will go to when they are desperate.

The Hidden, available from 23rd September 2021, is a romantic suspense that picks up the story of one of the characters in The Legacy. Set in Montana in 1973, two wounded, damaged people are forced together, each guarding their secrets. Can they learn to trust each other? And will their nightmares ever end?

Alison teaches creative and life-writing, runs workshops and retreats with Imagine Creative Writing Workshops with her friend and fellow author, Jenny Kane (www.imaginecreativewriting.co.uk). She also works as a freelance editor. She is a member of the Society of Authors and the Romantic Novelists’ Association.

She lives in Somerset, within sight of Glastonbury Tor.

SOCIAL MEDIA LINKS

www.facebook.com/alison.knight.942

www.alisonroseknight.com

@Alison_Knight59 on Twitter

www.imaginecreativewriting.co.uk

www.darkstroke.com/dark-stroke/alison-knight/ 

Many thanks for sharing your Opening Lines today, Alison.

Happy reading everyone,

Jenny x

Opening Lines with Judith Barrow: The Memory

This week, I’m delighted to welcome, Judith Barrow, to share the Opening Lines from her incredibly moving novel,

The Memory.

Over to you Judith…

Many people have asked me what was the inspiration for The Memory and my answer is always – memories: memories of being a carer for two of my aunts who lived with us, memories of losing a friend in my childhood; a friend who, although at the time I didn’t realise, was a Downs’ Syndrome child. But why I started to write the story; a story so different from my other four books, I can’t remember. Because it was something I’d begun years ago and was based around the journal I’d kept during that decade of looking after my relatives.

But what did begin to evolve when I settled down to writing The Memory was the realisation of why I’d been so reluctant to delve too far into my memories. The isolation, the loneliness, that Irene Hargreaves, the protagonist, endures; despite being married to Sam, her loving husband, dragged up my own feelings of being alone so much as a child. That awareness of always being on the outside; looking in on other families, relationships and friendships had followed me; had hidden deep inside my subconscious. And now, as a contented wife and mother, with steady enduring friendships, it unsettled me. Many people, and as a creative writing tutor I’m one, say that writing is cathartic. Working through Irene’s memories; especially that one memory that has ruled her life, made me acknowledge my own. And that’s fine. I always say to my students, if you don’t feel the emotions as you write, then neither will your reader. In The Memory I’m hoping the reader will sense the poignant, sad times with Irene, but will also rejoice with her in the happier memories.

BLURB

Mother and daughter tied together by shame and secrecy, love and hate.

I wait by the bed. I move into her line of vision and it’s as though we’re watching one another, my mother and me; two women – trapped.

Today has been a long time coming. Irene sits at her mother’s side waiting for the right moment, for the point at which she will know she is doing the right thing by Rose.

Rose was Irene’s little sister, an unwanted embarrassment to their mother Lilian but a treasure to Irene. Rose died thirty years ago, when she was eight, and nobody has talked about the circumstances of her death since. But Irene knows what she saw. Over the course of 24 hours their moving and tragic story is revealed – a story of love and duty, betrayal and loss – as Irene rediscovers the past and finds hope for the future.

“…A book that is both powerful and moving, exquisitely penetrating. I am drawn in, empathising so intensely with Irene that I feel every twinge of her frustration, resentment, utter weariness and abiding love.” Thorne Moore

“Judith Barrow’s greatest strength is her understanding of her characters and the times in which they live; The Memory is a poignant tale of love and hate in which you will feel every emotion experienced by Irene.” Terry Tyler

The new novel from the bestselling author of the Howarth family saga.

FIRST 500 WORDS.

Chapter One 2001 – Irene 

There’s a chink of light from the streetlamp coming through the vertical blinds. It spreads across the duvet on my mother’s bed and onto the pillow next to her head. I reach up and pull the curtains closer together. The faint line of light is still there, but blurred around the edges.

Which is how I feel. Blurred around the edges. Except, for me, there is no light.

I move around the bed, straightening the corners, making the inner softness of the duvet match the shape of the outer material; trying to make the cover lie flat but of course I can’t. The small round lump in the middle is my mother. However heavily her head lies on the pillow, however precisely her arms are down by her sides, her feet are never still. The cover twitches until centimetre by centimetre it slides to one side towards the floor like the pink, satin eiderdown used to do on my bed as a child.

In the end I yank her feet up and tuck the duvet underneath. Tonight of all nights I want her to look tidy. I want everything to be right.

She doesn’t like that and opens her eyes, giving up the pretence of being asleep. Lying face upwards, the skin falling back on her cheekbones, her flesh is extraordinarily smooth, pale. Translucent almost. Her eyes are vague under the thick lines of white brows drawn together.

I ignore her; I’m bone weary. That was one of my father’s phrases; he’d come in from working in the bank in the village and say it.

‘I’m bone weary, Lil.’ He’d rub at the lines on his forehead. ‘We had to stay behind for half an hour all because that silly woman’s till didn’t add up.’ Or ‘… because old Watkins insisted I show the new lad twice how I leave my books at night; just so he knows, as though I might not go in tomorrow.’ Old Watkins was the manager, a job my father said he could do standing on his head but never got the chance.

And then, one day, he didn’t go into the bank. Or the day after that. Or ever again.

 

I wait by the bed. I move into her line of vision and it’s as though we’re watching one another, my mother and me; two women – trapped.

‘I can’t go on, Mum.’ I lift my arms from my side, let them drop; my hands too substantial, too solid to hold up. They’re strong – dependable, Sam, my husband, always says. I just think they’re like shovels and I’ve always been resentful that I didn’t inherit my mother’s slender fingers. After all I got her fat arse and thick thighs, why not the nice bits?

I’ve been awake for over a day. I glance at the clock with the extra-large numbers, bought when she could still tell the time. Now it’s just something else for her to stare at, to puzzle…

You can buy The Memory from all good retailers, including-

Honno Page: https://bit.ly/2XL0zCi

Amazon: http://amzn.to/2klIJzN

BIO

Judith Barrow, originally from Saddleworth, a group of villages on the edge of the Pennines, has lived in Pembrokeshire, Wales, for over forty years.

She has an MA in Creative Writing with the University of Wales Trinity St David’s College, Carmarthen. BA (Hons) in Literature with the Open University, a Diploma in Drama from Swansea University. She is a Creative Writing tutor for Pembrokeshire County Council and holds private one to one workshops on all genres.

LINKS

Website: https://judithbarrowblog.com/

Facebook: https://www.facebook.com/judith.barrow.3

Twitter: https://twitter.com/judithbarrow77

Goodreads: https://bit.ly/3kMYXRU

LinkedIn: https://bit.ly/3oNJZxq

***

Many thanks for sharing your Opening Lines today, Judith.

Happy reading everyone,

Jenny x

Opening Lines with Alison Knight: Mine

Welcoming my good friend, business partner, and all round lovely person, Alison Knight, to my place today.

Put your feet up and enjoy the ‘Opening Lines’ from her brand new novel- Mine.

Over to you Alison…

I’m delighted to be Jenny’s guest today and to share with you the opening lines of my book, Mine, which was published by Darkstroke Books on the 25th November. This novel is very personal for me as it is based on real events in my family. I’m the only one left who can tell this story. It is set in London in the late 1960s and shows how ordinary people ended up in an extraordinary situation.

I wrote it as fiction rather than memoir because much of what really happened is lost. I therefore used memories, newspaper cuttings, court papers and knowledge of the culture of the time to piece together what might have happened.

This was the hardest thing I’ve ever written, but I also think it’s my best work yet. I hope I’ve done the story justice and brought the people involved to life so that the younger generations of my family can get to know a bit more about the people involved. I can’t say much more than that without giving away spoilers! All I can say is that writing Mine has given me the opportunity to understand things that I was too young to realise at the time. The people involved were victims of the prevailing attitudes of their times. If the same things happened in today’s world, I believe the outcome might have been very different.

FIRST FIVE HUNDRED WORDS 

Bow Church, East London, October 1968

A jangling siren broke through into the quiet interior of the church, disturbing hushed conversations.

“What’s all that noise?” asked Lily’s mum. “It sounds like it’s going to come through the flipping door.”

Lily kept her attention on the stained-glass window behind the altar, watching as the soft autumn sunlight made the blues and yellows glow. She felt so alone in the midst of her extended family as they gathered for her youngest sister’s wedding. Her husband Jack was driving the wedding car, so Lily sat beside her mother in the pew reserved for the close family of the bride.

“It’s an ambulance,” she said as its strident warning got louder and louder and then dwindled away as it sped past the building on its way to save some poor soul’s life. “Or maybe a police car, I don’t know. Either way, someone’s in trouble.”

She felt like rushing out of the church and chasing after it – to get them to take her away and lock her up in a ward or even a prison cell. Maybe then she might find some peace. Instead she had to stay where she was, acting as though everything was all right. But it wasn’t. There was nowhere she could go to forget about what a mess her life had become – at home she was losing every battle and at work she was terrified everyone would find out what a bloody mess she’d made of everything. She was so ashamed. It wasn’t supposed to be like this.

 

She hadn’t been happy when her daughter Beverley had decided to hide at the back of the church with her three-month-old baby. If she had to come to the wedding at all, they ought to stick together, hold their heads up high and brazen it out. By hiding in the back, Beverley was accepting that her illegitimate child was something shameful. If she was determined to keep her, Lily told her, she should be prepared for the stares and the comments because they weren’t going to go away. But she’d lost that battle with her daughter as well. She’s mine, Bev had said, and I’m not giving her up. Now everyone would be whispering about how the teenager and her baby had been banished to the back of the church.

Anyone looking at Lily at this moment would think she was a model of calm. Pride wouldn’t let her show just how spitting mad she was, but her hands shook as she smoothed out an imaginary crease in her new tailored dress, then fiddled with the carnation pinned to the matching jacket. Lily knew she looked good. She worked hard to make sure she always did. But she couldn’t find any joy in it today. She took a deep breath, trying to dispel the huge knot of butterflies in her stomach.

She had a headache. It had been there for weeks, squeezing her temples, making her eyes hurt. From the back of the church she heard a …

***

BLURB- Mine by Alison Knight

“What’s mine, I keep.”

London, 1968.

Lily’s dreams of a better life for her family are shattered when her teenage daughter refuses to give up her illegitimate child. It doesn’t help that Lily’s husband, Jack, takes their daughter’s side.

Taking refuge in her work at a law firm in the City, Lily’s growing feelings for her married boss soon provides a dangerous distraction.

Will Lily be able to resist temptation? Or will the decisions made by these ordinary people lead them down an extraordinary path that could destroy them all?

Mine – a powerful story of class, ambition and sexual politics.

Award-winning author of My Name is Leon, Kit de Waal, said this about Mine:

A heart breaking account of love and loss told by a great storyteller. Alison takes you into the heart of the tragedy with compassion, wit and even humour. A beautiful story.”

BUY LINK: mybook.to/mineknight

 ***

INVITATION TO AN ONLINE BOOK LAUNCH: On Saturday 28th November 2020, Alison will be joining four other authors for a joint event via Zoom called Darkstroke Defined: The five writers will talk about their new books, read extracts and answer questions. For your free ticket, go to: https://www.eventbrite.co.uk/e/darkstroke-defined-tickets-125793372363

BIO-

Alison has been a legal executive, a registered childminder, a professional fund-raiser and a teacher. She has travelled the world – from spending a year as an exchange student in the US in the 1970s and trekking the Great Wall of China to celebrate her fortieth year and lots of other interesting places in between.

In her mid-forties, Alison went to university part-time and gained a first-class degree in Creative Writing at Bath Spa University and an MA in the same subject from Oxford Brookes University, both while still working full-time. Her first book was published a year after she completed her master’s degree.

Mine, published by Darkstroke Books is a domestic drama set in 1960s London based on real events in her family. She is the only person who can tell this particular story. Exploring themes of class, ambition and sexual politics, Mine shows how ordinary people can make choices that lead them into extraordinary situations.

Alison co-manages Imagine Creative Writing with Jenny. She teaches creative and life-writing, runs workshops and retreats as well as working as a freelance editor. She is a member of the Society of Authors and the Romantic Novelists’ Association.

She lives in Somerset, within sight of Glastonbury Tor.

SOCIAL MEDIA LINKS – ALISON KNIGHT

www.imaginecreativewriting.co.uk

www.darkstroke.com/dark-stroke/alison-knight/

www.facebook.com/alison.knight.942

@Alison_Knight59 on Twitter

Many congratulations on your new novel, Alison,

Happy reading everyone,

Jenny xx

Opening Lines with Rachel Brimble: Christmas at Pennington’s

This week, on Opening Lines, I’m delighted to welcome a fabulous writer, and good friend, to my site.

Why not settle down with a cuppa, and read the first 500 words of Rachel Brimble’s latest release, Christmas at Pennington’s?

Blurb

Gripping drama as Pennington’s department store prepares for a glittering Christmas in 1911, but a killer stalks the women of Bath.

Christmas sees Pennington’s at its most glorious, thronged with shoppers, its grand staircase and balcony adorned with holly, mistletoe, tinsel and lights. It should be the happiest time, but dramas are seething beneath the surface.

For Cornelia Culford, in charge of jewellery, a divorce hearing looms, where she could lose custody of her young sons to her overbearing and unfaithful husband.

For Stephen Gower, being head of security at Pennington’s is the perfect refuge from a tragic past at Scotland Yard. But soon the past will call him back, as Joseph Carter and Elizabeth Pennington beg him to help solve the murder of Joseph’s first wife, now that it seems as if the killer has struck again.

For Joseph and Elizabeth, their marriage depends on exorcising the past. But can it ever be laid to rest?

FIRST 500 WORDS…

London, November 1911

Stephen Gower clasped his hands behind his back and fought to keep his gaze steady on Inspector King’s. ‘I appreciate that, sir, but it’s for the best that I leave. I’ve explained—’

‘And your explanation does not sit well with me.’ The inspector leaned his considerable bulk back in the chair behind his desk and narrowed his grey eyes. ‘Those young women and Detective Constable Walker were murdered at someone else’s hand, not yours.’

Tension stiffened Stephen’s shoulders. ‘That maybe so, but it was me who chose to not immediately act on those women’s fears. I should never have sent Walker to investigate instead of going myself.’

‘And who’s to say your being there would have stopped what happened? It could just as easily have been you who was killed. The Board’s investigation into your accountability that night will be sorted out as quickly as possible. You acted accordingly and I’m confident the Board will echo my sentiments.’

Stephen shook his head. ‘Sir, I appreciate your support—’

‘But instead of biding your time, you come to me with the daft idea of working as a security watchman at Pennington’s department store. What on earth were you thinking by taking yourself off to be interviewed without waiting to hear what the Board have to say?’

‘I need to work, you know that. I can’t sit around doing nothing while I wait for the decision to be made of whether or not I can continue to work for the constabulary. My mind is filled with those murders constantly. I can’t eat or sleep. I need some time away from London. Some time to get my head around everything that happened.’

King rose to his feet, his cheeks mottled. ‘How will a detective of your calibre ever be happy wandering back and forth around a damn department store? You’ll be bored out of your mind within a week.’

Stephen stood a little straighter. He didn’t doubt the inspector’s summary was wholly accurate, but he had to get out of the Yard. Out of London. To stay in the capital, to continue working for the police, where memories and images haunted him, was impossible.

He held the inspector’s gaze. ‘I submitted my resignation over a month ago, sir. Today I leave. There’s nothing more to discuss.’

The clock on the office’s grey wall ticked away each second, and when the raucous cheer of his fellow officers rang in the distance, Stephen hardened his resolve. Undoubtedly, a criminal of some description had been apprehended. Most probably someone who’d avoided capture for a considerable time, judging by the continuing cheers and laughter.

Yet, the inspector did not as much as glance towards the door. Stephen kept himself still. He would not – could not – falter in his decision to leave. No matter what the inspector said or did next, for Stephen’s sanity, he had to go.

Today.

‘Fine.’ Inspector King raised his hands in surrender. ‘Go. But there is no chance I’ll…’

If you’d like to find out what happens next, you can buy Christmas at Pennington’s from all good retailers- including…

Amazon UK – https://www.amazon.co.uk/Christmas-at-Penningtons-Rachel-Brimble-ebook/dp/B07RC9R3JK/ref=sr_1_fkmrnull_1?keywords=christmas+at+penningtons&qid=1557909447&s=gateway&sr=8-1-fkmrnull

Amazon US – https://www.amazon.com/Christmas-at-Penningtons-Rachel-Brimble-ebook/dp/B07RC9R3JK/ref=sr_1_fkmrnull_1?keywords=christmas+at+penningtons&qid=1557909484&s=gateway&sr=8-1-fkmrnull

Kobo: https://www.kobo.com/gb/en/ebook/christmas-at-pennington-s

Google Books: https://books.google.co.uk/books?id=RlKYDwAAQBAJ&dq=rachel+brimble+christmas+at+pennington%27s&hl=en&sa=X&ved=0ahUKEwipwODrpNDjAhVkqHEKHX-HB28Q6AEILDAA

Bio

Rachel lives with her husband and their two daughters in a small town near Bath, England. She is the author of over 20 published novels including the Pennington’s department store series (Aria Fiction) and the Templeton Cove Stories (Harlequin).

In July 2019, she signed a three-book deal with Aria Fiction for a Victorian trilogy set in a Bath brothel which will feature three heroines determined to change their lives and those of other women. The first book is due for release in Autumn 2020.

Rachel is a member of the Romantic Novelists Association and has thousands of social media followers all over the world.

To sign up for her newsletter (a guaranteed exclusive giveaway every month!), click here:

https://us12.list-manage.com/subscribe?u=ab0dc0484a3855f2bc769984f&id=bd3173973a

Website: https://rachelbrimble.com/

Twitter

Facebook

Instagram: https://www.instagram.com/rachelbrimbleauthor/?hl=en

***

Many thanks for visiting today Rachel.

Happy reading everyone,

Jenny x

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