Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

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Interview with Karen King: Rise of the Soul Catchers

It’s interview time!

Today my lovely friend Karen King is dropping by for a chat. Why not grab a cuppa and come and join us?

What inspired you to write your book?

Rise of the Soul Catchers is a mixture of my favourite genres, fantasy and romance. It’ s inspired by my belief that love is eternal and that we meet our loved ones again when we die.  The two main characters, teenagers Sapphire and Will, are killed in the first chapter and separated. They discover that the afterworld is split into seven zones, each named after a colour of the rainbow. They each believe the other one to have been taken by the Soul Catchers to Red, a zone where all your nightmares come true. They love each other so much that they go to Red to find each other. The story is written from both their viewpoints, so for some of the story we follow their individual journey separately. It was first published as Sapphire Blue but has now been republished and rebranded, by Littwitz Press.

Do you model any of your characters after people you know? If so, do these people see themselves in your characters?

I never base any of my characters on an existing person but I do take bits from people I  know or meet, things they say or do, certain mannerisms they have, so it’s very likely that some traits, actions or incidents will appear in one of my books. My daughters often say to me ‘you got that off me!’ or that they can think one of their characters is based on something one of their sisters did. And I confess in my acknowledgements that they are a constant inspiration for me

What type of research did you have to do for your book?

None! As it’s set in the afterlife I could make the world and characters however I wanted them to be!

Which Point of View do you prefer to write in and why?

I don’t have a preference it depends on the character and the story. Rise of the Soul Catchers is written in the present tense, using first person viewpoint for Sapphire and third person for Will.  It was the way the story came to me, so I went with it. I chose different viewpoints for Sapphire and Will so that it would be immediately clear which character viewpoint we’re in. So far, I’ve used third person past tense for all my romance novels, but first person past for my other YA, Perfect Summer. The YA I’m now working on is written in first person too, so maybe it’s a YA thing!

Do you prefer to plot your story or just go with the flow?

A bit of both. I always work out my main characters and story plot before I start so I have a base to work from then I just write the first draft as it comes. The characters often do things I hadn’t planned, and the plot might go off at an unexpected tangent, but I go with it. Once I’ve finished the first draft I start rereading and revising, deleting anything I don’t think works.

Anything else you want to tell us?

Yes, can I give a shout out for my romcom, The Bridesmaid’s Dilemma, which is now on pre-order  and will be published by Accent Press on 7 June.

***

Blurb- Rise of the Soul Catchers

Can love survive anything – even death?

Sapphire and Will vow to love each other forever. But when a car crash ends that dream all too soon, they find themselves separated in an afterlife with zones named after the colours of the rainbow. Determined to find each other, they start an adventurous journey alongside a cast of characters they don’t know whether to trust. They finally meet again in the terror-fuelled Red Zone where the dreaded Soul Catchers are planning on taking over the entire afterworld and are plunged into a dangerous battle. Is their love strong enough to survive against the odds?

 (Previously published as Sapphire Blue)

***

Here’s a great extract for you…

Rise of the Soul Catchers extract. Sapphire’s Viewpoint

Chapter Two 

I am alive.

I lie still, keeping my eyes closed, trying to feel if I’m hurt, if anything is broken. I flex my fingers, my toes, move my head real slow from side to side. Everything seems fine.

Oh God, Will! Is Will okay?  I snap open my eyes, sit up, look over at the passenger seat praying that Will is alive too. Only there’s no passenger seat. No car. No Will.

What the hell has happened? Did I dream it?

I couldn’t have dreamt it. I remember it all so vividly. Will driving along, singing, the container in the middle of the road, the tree zooming toward us, the crash. Besides I’m not in bed. I’m…

I look around. Everywhere is covered by a thick, white mist and it’s eerily quiet. Where am I?

“Sapphire!”

Grandpa?  Surprised, I swing around and stare at my grandpa walking through the mist toward me, waving with a big smile on his face. Now I know I’m dreaming. Grandpa died two years ago.

“Sapphire!” Grandpa’s right in front of me. He holds out his arms for me to run into them, like I used to when I was little, but I can’t move. My feet are glued to the ground as I gape at him. “Grandpa?” I whisper

. “It’s me,” he says. “It’s really me.” He reaches out and envelopes me in a big hug. I feel his arms wrap around me, smell the familiar musky-scent and relax a little, allow myself to sink into the warmth and comfort of his embrace. “Don’t be frightened, I’ll look after you.” Grandpa’s voice is soft, gentle and I’m so glad to see him again that I nestle in closer and rest my head on his shoulder just like I used to do when I was little.

“I’ve missed you, Grandpa,” I mumble.

“I’ve missed you too, sweetie. It’s so lovely to see you again, but not like this. Not so soon. You’re too young.” His eyes are shining with tears.

Too young for what? Suddenly I’m jolted back to the present. What’s happening? What’s Grandpa doing here? I want to wake up. I don’t like this dream. I focus on waking, imagine myself opening my eyes, finding myself in my comfy bed with its bright, daisy-flowered duvet cover, snuggling up to the big, yellow Miss Sunshine cushion Will bought. That’s what he calls me. His Little Miss Sunshine. He says I brighten up his life.

Will.

Where’s Will? “Wake up,” I whisper to myself. “Wake up.”

“This isn’t a dream, love,” Grandpa tells me as he strokes my hair. “I know it’s a lot to take in and it will seem strange at first, but you’ll get used to it. There’s lots of family waiting to meet you, aunts and uncle and your great-grandparents. We’ll all look after you.”

His words freak me out. I try to pull away from him. “They’re all dead!” I scream. “And, so are you. You’re dead!” I pinch my arm. Hard. Squeeze my eyes shut. This is a dream. It must be a dream.

Wake up! Wake up! Wake up! …

***

Buy Links

Rise of the Soul Catchers is available for pre-order from Amazon and will be published on 25th April.

Amazon: http://ow.ly/Fz1L30j0hqh

 

Author bio

Karen King writes edgy YA with a heart and sassy, heart-warming romance. Her first YA, Perfect Summer, was runner up in the Red Telephone Books 2011 YA Novel Competition and her second YA, Sapphire Blue, now republished as Rise of the Soul Catchers by Littwitz Press, was called ‘the best YA book out there right now’ by a reviewer for Ind’Tale magazine.

Karen has four romcoms published by Accent Press, and a fifth one is due out in June this year, Her latest romcom, The Cornish Hotel by the Sea, was #3 in the Amazon bestseller holiday reads.  She has recently signed a two book-contract with Bookouture for more romance novels.

Karen has also written several short stories for women’s magazine and had 120 children’s books published.

When she isn’t writing, Karen likes travelling, watching the ‘soaps’ and reading. Give her a good book and a box of chocolates and she thinks she’s in Heaven.

Author links

Website: http://www.karenking.net/

Twitter: @karen_king

Karen King Young Adult Books Facebook Page

Karen King Romance Author Facebook Page

Pinterest: https://uk.pinterest.com/karenkingauthor/ 

***

Many thanks Karen. Great interview.

I happen to know this is a fabulous book- so happy reading folks,

Jenny xx

Everything happens for a reason: James D Mortain

I’m delighted to welcome James D Mortain to my blog today. He- like me- is something of an accidental author- although out entry into the wonderful world of words is very different.

Over to you James…

Everything happens for a reason!

I consider myself something of an accidental author.

Why?

Well, up until a sequence of events changed my outlook on life, the concept of writing a novel had simply never crossed my mind.

In 2011, I was a detective in Bath CID with twelve years’ service behind me. My wife and I had been struggling to have a family for a number of years, but in this particular year, we were to be in luck! We had embarked on fertility treatment. For those reading this going through the same process, you know what ‘hope’ really means. It was a challenging pregnancy. My wife was in and out of hospital more times than I can remember. We knew we were going to have a little girl, due in the early part of January, but October came, and so began the sequence of events that would change my life.

It was early October when I received the first calls from my mother stating that my father wasn’t well. He was a strong man. He might have been a grumpy old git from time-to-time, but he was rarely unwell. Days passed. His condition worsened. The family knew it was serious. Mid October and dad was having tests at the hospital. By late October, he was diagnosed with widespread cancer. Just days later, he was gone.

My wife, now heavily pregnant, my commitment to the job, my family, my emotions, everything was spinning, but we had to ensure the health of my wife and our unborn child.

A few weeks later, having said our final goodbyes to my dad, a magical thing happened; my wife began labour pains — not so magical for her — but at last, we had a brief respite of positivity. It was 22nd December. On the 23rd, she was admitted to the maternity unit. We spent the late evening watching the clock — would we have a Christmas Eve baby? The clock went beyond midnight — yes, we would … oh! … No, we wouldn’t. Christmas Eve came and went. Christmas morning arrived and it was snowing outside in the hospital car park. The countdown was on and at just gone midday, my gorgeous daughter, Gracie, was born. The mixture of emotions we felt was obvious, but in my arms I held the most precious of gifts on Christmas Day.

I returned to work a father, having lost my own. Suddenly, priorities were different, concerns were changed and it provided clarity to my wife and I as to what was important and what we wanted the future to hold for little Gracie.

My mother-in-law, Liz, lived in North Devon, a place we loved to visit, particularly Westward Ho! We decided to prospect on the sale of our house in Bath — we had tried previously without a single viewing, but this time we had four full asking price offers on the first day! That was it — our sign. Offers agreed, we found a home in North Devon, but then came the hard part; I had to leave my job. It was a huge shock to all of my colleagues, but the relief and anticipation for me was overwhelming. All I had to do now was find a job in my new neighbourhood — how hard could that be?

August 2012, I was jobless, seriously homesick, missing my mates and missing the buzz of the job. I arranged to meet my old uniform colleagues for a night out in Bath and then the most significant event occurred. Towards the end of the night, I had consumed a skin full of booze. I got chatting to a chap seated alongside me at the end of the bar. He’d been to a book signing event at Toppings & Co. I asked him who he had seen (I had seen the brilliant Lee Child there a year or two before); his response, “It was mine, actually.”  I didn’t have a clue who he was, I apologised for not recognizing him and I asked for his name. Turned out I was chatting with Chris Ryan, ex-SAS veteran and author of many successful books. You can imagine my excitement at meeting a real-life legend. We continued to chat. He told me a little of his life as an author; I told him what I had recently done, and in that short conversation, the spark of creativity within me was ignited.

Next day, I enthusiastically relayed my chance encounter to my wife and mentioned something that he had said: that I had the knowledge and real-life experience that most crime writers would dream of having and why didn’t I consider writing a novel? To my astonishment, my wife agreed to the idea.

The trouble was I had no writing experience, no specific writing qualifications and frankly, no idea of what I was doing. However, I tried it anyway and later that same day I opened the laptop and Detective Deans was born. I gave the story a title, I knew the kind of real-life case I wanted to develop and I simply let the story take me where it naturally wanted to go.

What I hadn’t anticipated, was just how addictive writing would be. My story soon became a major focus in my life. I was now employed during the day, my little girl was growing and I was lucky that my wife indulged my ‘whim’. To her, it was my new hobby. To me, it was so much more.

After a year, the draft of STORM LOG-0505 was completed, but what was I going to do with it next? I truly believed in my story. I just couldn’t imagine anyone else being interested, after all, I still didn’t know what I was doing. I finally allowed a few people close to me to read it. They liked it. Some even loved it! I recruited professional help and found an editor. He picked my story apart, but crucially, he liked it too. I reached the stage where I had edited the thing so many times that I was making changes for the sake of it. I decided to take it to the next level and seek an agent. I threw all of my efforts into submissions and amazingly, within 48 hours of my first cast, I had a reply. An agent was keen to see my full manuscript. I sent it off. I waited. Soon I had a reply with lots of helpful tips and further proposed changes. I immediately went to work on the manuscript, and then BANG! I was struck down with viral meningitis.

I was sick. Very sick. For months, I lost control of my cognitive abilities, my vision changed, I suffered with blistering headaches and I battled with chronic fatigue. And with it, my hopes of gaining an agent evaporated, but … everything happens for a reason.

My condition slowly improved, I eased myself back into my day job and I took stock of the situation. I began writing again and I regained control. I wasn’t going to beat myself up and knock myself down with disappointment. It was time to go it alone.

I found a designer, Jessica Bell, who designed a fabulous cover for my story. Suddenly, my book was real. Editors polished the content and formatters made the inside look attractive. And then, in April 2016, STORM LOG-0505 was released to the world. For any author, releasing a new book is a special moment. For me, it was an achievement of Himalayan proportions. I watched the Amazon sales report like a hawk, waiting for those initial sales to start flooding in … but nothing happened, and so began my second publishing crash-course in marketing and promotion. I wasn’t using Facebook or Twitter at the time, but I soon began to build my platform and the sales started to trickle through. Then reviews came … and they were good … in fact, they were amazing! Four and five stars. People were actually enjoying my story AND wanting more! This trend continued until almost a year after its release, and one morning I woke up to discover STORM LOG-0505 had a little orange banner beside it on Amazon Kindle that said, ‘Best Seller’. My novel had reached the top spot in Psychic Suspense. Imagine my bewilderment!

I held author events — I absolutely loved them. Incredibly, people were bothering to hear me talk about my writing. I thought it was bonkers, yet all the while, I was working on the sequel.

Taking a third of the time to write and a third of the cost to publish, in November 2017, DEAD BY DESIGN was released. A week later, it too had a little orange banner beside it on Amazon Kindle.

Today, buoyed by the positive reviews and many kind messages I receive from my readers, I actually ‘feel’ like an author. I strive to improve and learn with each page I write, and each day I wake up and know I am closer to realising my goal of becoming a full-time writer.

Unexpected and magical things can really happen. Six years ago, I was slogging away at my desk, and thanks to a brave decision and a chance encounter, my new pathway in life couldn’t be further removed. We all suffer knockbacks and disappointment and I’m sure for me more will follow, but at least when it does, I can honestly accept that no matter how bad it might feel at the time, everything happens for a reason.

Biography

James D Mortain uses an author pseudonym and brings authenticity to his work through twelve years of police service with the Avon and Somerset Constabulary. His father’s death and the birth of his first child shaped a defining period and re-evaluation of his life, resulting in 2012 with his resignation from the police force and a move to North Devon.

Jobless and homesick James returned to Bath visiting friends, where a chance encounter and conversation with successful author, Chris Ryan, motivated him to start writing. Believing everything happens for a reason and nothing happens by chance, James embarked on creating a fresh British detective series influenced by his police experience and infused with paranormal overtones, inspired by a close friend with extraordinary ability.

James has created a character in Detective Deans, who must challenge everything he has been taught to believe. In the first book, STORM LOG-0505, Detective Deans hunts for a missing student, but what he discovers in a small North Devon community exposes him to a ‘paranormal awakening’ and the perilous clutches a sophisticated killer. DEAD BY DESIGN is the series follow-on and pits Deans against his greatest challenge yet. The final part of the trilogy is in the making and will be published in 2019.

Visit James here –
Website:        jamesdmortain.com
Twitter:         @JamesDMortain
Facebook:      James D Mortain & James D Mortain – Books

STORM LOG-0505

The wait is almost over for Detective Andrew Deans; years of agony and despair hanging on the results of his wife’s fertility treatment. But a student is missing. And he must find her.

Compelled to leave his wife in Bath, Deans heads to North Devon, where he encounters Denise Moon, a medium, who exposes him to a psychic dimension he could never have imagined existed, in what soon becomes a murder hunt.

Gripped by a mysterious happening attributed to his own paranormal awakening and alienated from all but his new mystical muse, Deans is closing in on a sophisticated killer, but all is not as it seems and Deans’ future is about to change.

Amazon UK  Amazon US

DEAD BY DESIGN

Detective Deans is back in this highly anticipated crime thriller sequel, but this time he seeks far more than just the truth!

A young couple in their prime is found dead in the marital bed. As they lie naked, staring at each other with eyes wide open – filled with fear, his colleagues assume a double suicide, but Detective Andrew Deans senses that darker forces are at work.

Deans is facing an awakening – a spiritual birth, but he is stuck in a living nightmare. Those around him are watching … judging … expecting him to break.

As he waits to hear the news he dreads most, Deans receives an unmarked DVD and the true meaning of horror is revealed.

Playing by the rules is getting him nowhere. Now, it’s time to do things his way. But death and tragedy haven’t finished with him… yet.

Amazon UK  Amazon US

THE NIGHT SHIFT (A SHORT STORY)

Thursday, 17th August. Ten years before…

When a fly-on-the-wall documentary crew drops in on a night shift in Bath city centre, PC Ellie Grange and her team are fuelled with anticipation at the thought of becoming TV reality stars.

They need it real, they want it uncensored, and they crave a true-to-life experience of the demands faced by Britain’s cops on our streets.

It’s a beautiful evening – the first night shift of a set in the historic Georgian city… what could possibly go wrong?

Amazon UK  Amazon US 

***

Fantastic blog- thank you so much James,

Happy reading everyone,

Jenny xx

Opening Lines: The Man in the Needlecord Jacket by Linda MacDonald

It’s time for another in the popular blog series “Opening Lines.”

This week I’m delighted to welcome Linda MacDonald to my site to share the first 500 words (precisely) of her novel, The Man in the Needlecord Jacket.

Over to you Linda…

The Man in the Needlecord Jacket is told from the perspectives of two women who are each struggling to let go of a long-term destructive partnership.

When Felicity meets Coll, a charismatic artist, she has high hopes of being distracted from her failed marriage. What she doesn’t know is that he has a partner, Sarah, with whom he has planned a future. Sarah is deeply in love with Coll, but his controlling behaviour and associations with other women have always made her life difficult. When he becomes obsessed with Felicity, Sarah’s world collapses and a series of events is set in motion that will challenge the integrity of all the characters involved.

I was inspired to explore the issue of mental abuse in partnerships and the grey area of an infidelity that is emotional, not physical.  Here are the first 500 words …

Sarah’s Story – July 2013

In early December last year, my life took an ominous turn. It was a time of grey skies and drizzle-filled days and when Coll came over to my place for a midweek supper. I had finished decorating the small Christmas tree, tidied leftover tinsel and trinkets into a carrier bag and was sitting at my dining table putting stamps on my cards ready for posting. He arrived with a local Exeter paper in his hand and he waved it at me with a flourish before plonking it down in front of me, scattering my neat pile of cards.

No hello or how are you? I could tell he was on one of his missions. I would have to listen before I spoke, and then perhaps feign enthusiasm for yet another wild scheme which would take a good half hour in the telling. His eyes were excited and there was a smear of green paint on the back of his left hand. It’s interesting how one remembers trivial details surrounding major events.

He said, ‘I want to find an outlet for my paintings and try to seize some of the Christmas present-buying market. There’s a new restaurant opened this side of Pinhoe. I might try there, if someone hasn’t already beaten me to it. Look, it says “locally sourced produce”.’ And he jabbed a finger on the advert in question, demanding my scrutiny. ‘The clientele might appreciate local art too. Can’t get much more local than me. I’ll go and have a meal there on Friday and see what it’s like.’

I noticed he said ‘I’ll go and have a meal.’ Not ‘we.’ He saw my narrowed eyes.

‘You won’t want to be hanging around while I talk pictures,’ he said.

It would have been nice to have been asked. He was always inclined to do what he wanted without considering my feelings. A man of impulses. Highly annoying but also part of the attraction because when the impulses included me – which they did often at the start of our relationship – life was sublime.

‘Good idea,’ I said. I thought it was. I had no inkling that it was going to be the worst idea in the world.

Felicity – Early December 2012

My new restaurant has barely been open a week when I am hovering near the entrance lobby and a table for one is requested by an attractive middle-aged man. I assume he is on business, but as we are outside the centre of Exeter on the edge of a small village, this is unusual. Also, he is clad

like a rock-star in faded denim and a dark grey needlecord jacket. Not the favoured garb of my clientele who are usually besuited or, that most broadly interpreted of phrases, smart-casual.

I show him to a small table by the window and give him a menu. He requests a glass of house white in a voice of liquid gold. In my mind, I begin to elaborate on…

***

You can find out what happens next by purchasing The Man in the Needlecord Jacket from – Amazon: https://www.amazon.co.uk/Man-Needlecord-Jacket-Linda-MacDonald/dp/1788037111/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=&sr=

About the Author

Linda MacDonald is the author of four independently published novels: Meeting Lydia and the stand-alone sequels, A Meeting of a Different Kind, The Alone Alternative and The Man in the Needlecord Jacket. They are all contemporary adult fiction, multi-themed, but with a focus on relationship issues.

After studying psychology at Goldsmiths’, Linda trained as a secondary science and biology teacher. She taught these subjects for several years before moving to a sixth-form college to teach psychology. In 2012, she gave up teaching to focus fully on writing.

Linda was born and brought up in Cockermouth, Cumbria and now lives in Beckenham, Kent.

Twitter: @LindaMac1

Facebook: https://www.facebook.com/LindaMacDonaldAuthor/

***

Many thanks Linda. Great extract.

Come back next week to read the first 500 words from Liz Mistry.

Happy reading,

Jenny x

Interview with Rachel Sargeant: The Perfect Neighbours

It’s interview time! Why not get the kettle boiling, make a cuppa, grab some cake and settle down to see what I’ve been talking about with author, Rachel Sargeant…

Hello, Jenny. Thank you for inviting me onto your blog and for giving me these fun questions to answer.

What inspired you to write your book?

My latest book, The Perfect Neighbours, came out of two ideas. I lived for ten years in a British expat community in Germany. It is an unusual, close-knit environment that I’ve always felt would make a great setting for a novel if I could find the right project. When I moved back to England, I read a newspaper report about a criminal case that was going through the courts at that time. The crime was so bizarre and audacious that many people thought it was a spoof. I did some research and discovered that the case was by no means unique. This kind of crime has sadly claimed many victims over the years. This made me wonder whether a similar crime could occur in a small community where everyone knows everyone’s business, or thinks they do. I found the right story for my expat setting.

 

Do you model any of your characters after people you know? If so, do these people see themselves in your characters?

My characters are completely made up. Apart from the dubious ethics of using real people, I don’t think I could mould real people to do and say what I want. My latest novel features a dark mix of secretive and menacing neighbours. Thankfully all my real neighbours, past and present, are nothing like them.

What type of research did you have to do for your book?

This book started life as a portfolio piece for my M.A. in Creative Writing and required a lot of research for the accompanying academic essay. I researched a number of topics including hospitality and friendship. (There were other major topics too which I can’t mention without giving away the plot.) By the time I finished working with my editor at HarperCollins, the novel became more commercial and these topics provided only a light touch.

Which Point of View do you prefer to write in and why?

I tend to write in the third person, possibly because I like to feature several characters’ viewpoints in the story.

Do you prefer to plot your story or just go with the flow?

I have to plot. In life, I’m a planner and list maker. The same holds true for my writing.

What is your writing regime?

I get home from my job as a school librarian at 4pm, check social media and then write until 7pm. I also put in a few hours at the weekend. Most of this writing will be editing previous drafts as I tend to write first drafts in school holidays.

What excites you the most about your book?

The most overwhelming thing is seeing the reviews on Amazon and GoodReads from real readers who’ve bought my book, read it and written about it. It’s very humbling.

About the author

Rachel Sargeant grew up in Lincolnshire. The Perfect Neighbours is her third novel. She is a previous winner of Writing Magazine’s Crime Short Story competition and has been placed or shortlisted in various competitions, including the Bristol Short Story Prize. Her stories have appeared in My Weekly and the Accent Press Saucy Shorts series. Rachel has a degree in German and Librarianship from Aberystwyth University and a Masters in Creative Writing from Lancaster University. She spent several years living in Germany where she taught English and she now lives in Gloucestershire with her husband and children.

Website: http://www.rachelsargeant.co.uk/

Twitter: https://twitter.com/RachelSargeant3

 

About The Perfect Neighbours

The Perfect Neighbours is a Kindle Top Ten bestseller published by HarperCollins Killer Reads.

“An original, gripping thriller that is both unnerving and shocking in equal measure. I was immediately drawn into the strange, claustrophobic neighbourhood and Rachel Sargeant creates a thrilling sense of foreboding throughout.” Phoebe Morgan, author of The Doll House

The perfect neighbours tell the perfect lies… When Helen moves to Germany with her loving husband Gary, she can’t wait to join the expat community of teachers from the local International School. But her new start is about to become her worst nightmare.

Behind the shutters lies a devastating secret… As soon as the charming family across the way welcome Helen into their home, she begins to suspect that all is not as it seems. Then Gary starts to behave strangely and a child goes missing, vanished without a trace.

When violence and tragedy strike, cracks appear in the neighbourhood, and Helen realises her perfect neighbours are capable of almost anything.

Available from Amazon:

https://www.amazon.co.uk/Perfect-Neighbours-Rachel-Sargeant-ebook/dp/B074M2VJ3P/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1507722593&sr=1-1&keywords=the+perfect+neighbours

Or HarperCollins website:

https://www.harpercollins.co.uk/9780008276737

***

Extract from The Perfect Neighbours

Gary squeezed Helen’s hand. “Excited?”

She said nothing. Was she excited? New start in a new country. As a full-time wife. She managed a smile and nodded.

They drove off the A road – the Landstrasse as Gary called it – into a grey, built-up area. She thought of the coach trip she’d made with a Year 10 class to Bulgaria; Communist-built apartment blocks on the outskirts of Sofia.

Gary pulled up at traffic lights and pointed. “And behind there is the Niers International School.”

Through the spike-topped metal fence on the right she made out rows of full bicycle stands. It looked like a provincial railway station.

“But you can’t see it properly from here,” he added.

A pot-bellied man in a dark uniform was standing by a sentry hut, the wooden roof scabby and cracked.

“You have guards?” she asked.

“Don’t mind Klaus. We have two full-time security men to patrol the site. The parents like it. Except our guys spend most of the time playing toy soldiers in their little house.”

Helen laughed until she noticed Ausländer Raus spray-painted on a bus shelter. “Does that mean what I think it means?”

The light went green, and they turned left.

“Foreigners Out – but you hardly ever see that stuff. Most of the Germans love the international school,” he said. “Lots of locals work here in support roles, and the parents spend good money in the town.”

He’d told her about the parents before. Most worked for big international companies in Düsseldorf, and others were rich locals prepared to pay for an English-speaking education. And some were teachers.

“Think about it, Helen,” Gary had said when they sat down with their pros and cons sheet on one of his weekend visits, agonizing over where to live. “Not yet, but in a few years, if we have children, it could be their school. There are so many perks, as well as the salary.”

That had been the clincher: Gary could earn more staying out here than the two of them put together in the UK. Helen had stopped being stubborn in light of the cold hard figures. She quit her job and put her house up for rent.

He went over a speed bump, and she felt the seatbelt rub against her collarbone.

“Have you noticed the street names?” He pointed at one, multisyllabic, a jumble of Ls and Es. “Can you read them?”

She shook her head. They had been driving non-stop since Calais. The traffic signs after the border into Germany had become a strident Teutonic yellow. Here the street names were in white, more like British ones, but they were unpronounceable.

Gary crawled along at 20 mph and seemed unfazed by the need to slalom his way around parked cars, playing children, and speed bumps. She glanced at his profile – round cheekbones, smooth jaw, patient eyes. Who would have thought affability could be so magnetic? Her stomach settled.

***

Many thanks Rachel. Great interview and wonderful extract.

Happy reading everyone,

Jenny x

Opening Lines: The Allotment Girls by Kate Thompson

It’s time for this weeks “Opening Lines” blog!

This week I’m delighted to welcome Kate Thompson to my site to share the first 500 words (precisely) of The Allotment Girls…

During the Second World War, life in the iconic Bryant & May match factory is grimy and tough. Annie, Rose, Pearl and Millie carry on making matches for the British Army, with bombs raining down around them.

Inspired by the Dig for Victory campaign, Annie persuades the owners to start Bryant & May allotment in the factory grounds. With plenty of sweat and toil, the girls eventually carve out a corner of the yard into a green plot full of life and colour.  In the darkest of times, the girls find their allotment a tranquil, happy escape. Using pierced dustbin lids to sieve through the shrapnel and debris, they bring about a powerful change, not just in the factory, but their own lives. As the war rages on, the garden becomes a place of community, friendship – and deceit. As the garden thrives and grows, so do the girls’ secrets . . .

Prologue

January 1897

It must be said, nowhere does a funeral quite like the East End. This one, taking place on a bitter Monday in January, quite surpassed anything the poor folk of the parish of Bethnal Green had ever before seen. Even in the depths of his guilt, he had to acknowledge this fact.

The entire funeral route was lined with thousands of people, a respectful crowd largely, all dressed in their best clothes and washed for the occasion. The sea of black bonnets, shawls and caps was chequered with the odd cluster of bright colour from the hats of assembled factory girls.

Even the weather had put on its funeral best, with scrawls of black cloud dirtying the sky and a rattling wind hammering the windows like fists. The police had been deployed in great numbers, but their presence was not required, he noted, as he tried to blend into the sea of faces.

He had never seen so many people before, sitting on walls, clinging to gas lamps and perched on sills, all craning their necks for a better view.

‘Almost be worth being burnt to have such a handsome turnout,’ muttered a man in the crowd next to him, before his wife slapped him into silence. ‘Wash your mouth out,’ she hissed. ‘The cortège is coming.’

A hush fell over the crowd. A painful lump lodged in his throat as the first notes of ‘Dead March in Saul’ drifted over the cobbles. The cortège was led by the Wapping Gas Workers’ brass band, the dramatic clash of their instru­ments driving deep into his heart.

And then came the bodies. A mixture of horror and awe settled over the crowd. For once, no one was looking at the lavish wreaths or the magnificent black horses, resplendent in their rich purple plumes and velvets. All eyes were fixed only on the coffins, growing gradually smaller in size as they passed by.

‘Just children,’ wept the woman next to him, pressing a broad black handkerchief to her mouth in dismay. But to him they had names, and he murmured them quietly, like an undercover priest, as each coffin filed past.

Eliza, fifteen. Mary, twelve. Alfred, ten. Beatrice, nine. John, seven. Margaret, five. Marie, three.

By the time baby Emily’s body passed him, he could no longer hold back his anguish, and a strange cry escaped him. In comparison to her parents’ coffins, Emily’s seemed absurdly small, and he longed to reach out and cradle her, to save her the journey into the cold, dark earth.

But they were already gone, one step closer to the closing scene of the mass burial that would be discussed in every public house in the borough for months to come.

And then came the mourners. And how! Conveyances of all descriptions, filled with anyone who had a connection to the dead. Mourning carriages, hansom cabs, broughams and even three omnibuses, willing to take passengers, mainly women it had to be said, to the final resting place.

 ***

The Allotment Girls is available now: https://www.amazon.co.uk/Allotment-Girls-Kate-Thompson/dp/1509822259/ref=sr_1_1?ie=UTF8&qid=1520333328&sr=8-1&keywords=the+allotment+girls

Paperback can also be purchased at Sainsburys, WHSmith and other retailers.

Connect with Kate:

@Katethompson380

www.katethompsonmedia.co.uk 

Many thanks Kate. Great stuff.

Come back next week to read the first 500 words from a noel by Linda MacDonald

Happy reading,

Jenny x

In Search of King Arthur: Tim Walker

I’m delighted to welcome Tim Walker back to my site today. On this visit he is sharing a little of his search for King Arthur.

Over to you Tim…

The search for a tangible King Arthur remains as inconclusive as ever due to lack of compelling, physical evidence, although some continue to try and convince us otherwise. There are many places in Britain that lay claim to have connections to a ‘real’ Arthur – Tintagel where he was said to have been conceived; Camalat (South Cadbury in Somerset), an impressive iron age citadel; Glastonbury Abbey where monks in 1190 claimed to have found his grave; Camelford – a village in Cornwall that claims to be the site of the Battle of Camlann, where Arthur was mortally wounded around the year 515 AD (a date arrived at through research by historian John Morris). Avalon, or The Island of Apples, where Arthur’s body was taken, is thought to be near Glastonbury – its proximity to Camelford lending support to the claims of this patch of the West country. There are other ‘Arthurian’ sites at various locations in Wales, at Birdoswald on Hadrian’s Wall, and north of the wall at Caledonian Wood.

At the visitor centre near Camelford at the aptly-named Slaughterbridge, I followed a path to a low cliff above the River Camel and look across to the meadow on which Arthur is said to have fought his last battle. On the muddy riverbank below lies The Arthur Stone – a granite tombstone dated to 540 AD engraved with Celtic runes that have been interpreted as stating ‘here lies the son of Arthur’, throwing up the intriguing possibility that it was not Arthur but his heir who fought and died on this spot some years after his illustrious father (or that both father and son fought battles there, as the keepers of the visitor centre would like us to believe). Legend has it that the victorious Saxons desecrated his burial site and rolled the tombstone down to the riverbank where it remains to this day. Hold on a minute, did King Arthur have a son? In Geoffrey of Monmouth’s account, Arthur is succeeded by his cousin, Constantine of Cornwall.

In the absence of something more substantial from historians and archaeologists, these remain theories in the realm of legend. One theory is that Arthur may not have been a king at all, but a ‘leader of battles’ a ‘Dux Bellorum’ or a hired sword, working for a group of tribal leaders, in the immediate post-Roman era. Bernard Cornwell’s excellent novel, The Winter King, adopts this point of view.

Another perspective is offered by historical fiction author Chris Flynn (The Bear, The Dragon and The Wolf) who argues the case for a Northern Arthur who is a cavalry commander, possibly drawing on the influence of Sarmatian cavalry units once garrisoned at Hadrian’s Wall, who organises resistance to the spread of Anglo-Saxons in the north-east (www. botrbooks.com/blog). Also in this corner is Alistair Moffat, who puts forward the case for Arthur being a warlord based in the Scottish borderlands north of Hadrian’s Wall in the years after Roman evacuation, in his book, Arthur and the Lost Kingdoms. His book builds a case based on literary sources, historical documents and interpretations of place names to build a compelling and intriguing case for a Scottish Arthur. Add this to the Welsh chroniclers’ Arthur, and you have a folk hero claimed by three home nations.

Clearly, it was a troubled time for the Britons, left exposed by the removal of Roman protection. However, there is no physical or archaeological evidence for who the leaders were, where battles took place and when. It has been suggested that the legend of King Arthur is a composite of the feats of a number of Briton leaders over a broad period stretching from the mid-fifth to the mid-sixth centuries, embellished by bards over the years until written down in 1136 AD by Geoffrey of Monmouth in his book, The History of the Kings of Britain.

Victories in as many as seventeen battles on British soil have been attributed to Arthur, plus his overseas adventures, giving credence to the notion that this was not the work of one leader but of several – collapsed together for the purposes of engaging storytelling by bards to make one great heroic figure who battled to preserve a Romano-Briton way of life.

Contemporary historian, Miles Russell (writing in History Revealed magazine), has re-examined Geoffrey’s claim that the inspiration for his work was based on an ancient book ‘in the British tongue’ and found that it may have some credence (despite the source text never having been found or mentioned by any other). To support his theory he uses as an example Geoffrey’s telling of the coming of Julius Caesar in 55 and 54 BC – an account that has similarities to the ‘official’ Roman version but differs in some details and is told from a British point of view. Geoffrey certainly did his homework, poring over source material as diverse as folklore, chronicles, church manuscripts, king-lists, dynastic tables, oral tales and bardic praise poems.

In Geoffrey of Monmouth’s ‘history’ we get a compelling story of a time of desperate struggle following the end of Roman Britain. He gives us a linage of Fifth Century kings – Constantine, Vortigern, Ambrosius Aurelianus, Uther Pendragon and then King Arthur.

Arthur becomes king at the age of fifteen and marries Ganhumara (‘Guinevere’) who is from a noble Romano-Briton family. Arthur forms an alliance with his nephew, King Hoel of Brittany, and they inflict defeats on the Saxons at Lincoln and Bath before crushing a combined force of Picts (Scots) and Hibernian (Irish) tribes at Loch Lomond. They then attacks Ireland, the Orkneys, Iceland, Norway, Sweden and parts of Gaul (France), forcing the people to pay them homage. He lays waste to fields, slaughters the population of these places and burns down their towns – the exact opposite of a chivalric king. Geoffrey’s Arthur is an arrogant, aggressive and brutal warlord who kills and takes what he wants.

But Geoffrey’s story does not end there – Arthur is summoned by the Roman Emperor to face charges of war crimes and responds by raising a large army, sailing to Gaul, and meeting the Roman army in battle, defeating and killing the emperor. Arthur’s mind is set on capturing Rome, but he is forced to return home at news that his nephew Mordred has taken his queen, Ganhumara, and seized the kingdom. In a bloody civil war in which thousands die, both Mordred and Arthur fall in battle – Arthur’s body is taken to the Isle of Avalon and he is succeeded by his cousin, Constantine of Cornwall.

This is a summary of Geoffrey’s account in his Historia, and it is an intriguing thought that he MAY have taken it from a lost manuscript. Later generations lightened the blood-soaked narrative, adding more sorcery, the romance of Camelot, chivalric heroes (the knights of the round table), the quest for the Holy Grail, an evil foe in Morgana, and a doomed love triangle involving Arthur, Guinevere and Lancelot.

Despite the fanciful tale of Arthur taking on the might of the Roman Empire, there is still the possibility that Geoffrey’s account was largely based on genuine source material that offers a glimpse of native Briton resistance to foreign invaders in the fifth and sixth centuries. Geoffrey’s King Arthur could not possibly have done all those things – he is most certainly a composite of several characters, including Ambrosius Aurelianus, who perhaps has better credentials as a noble leader who led the Britons to early victories over the Saxons.

Clearly, there was organised resistance to invaders, and tales of bravery told by chroniclers and bards from the Briton resistance point of view – and perhaps missing texts. Arthur is the embodiment of this oral tradition from the fifth and sixth centuries, offering us intangible glimpses of deeds in a period wedged between the gloating records of Roman and Anglo-Saxon conquerors.

*****

Uther’s Destiny – Blurb

In the year 467 AD Britannia is in shock at the murder of charismatic High King, Ambrosius Aurelianus, and looks to his brother and successor, Uther, to continue his work in leading the resistance to barbarian invaders. Uther’s destiny as a warrior king seems set until his world is turned on its head when his burning desire to possess the beautiful Ygerne leads to conflict. Could the fate of his kingdom hang in the balance as a consequence?

Court healer and schemer, Merlyn, sees an opportunity in Uther’s lustful obsession to fulfil the prophetic visions that guide him. He is encouraged on his mission by druids who align their desire for a return to ancient ways with his urge to protect the one destined to save the Britons from invaders and lead them to a time of peace and prosperity. Merlyn must use his wisdom and guile to thwart the machinations of an enemy intent on foiling his plans.

Meanwhile, Saxon chiefs Octa and Ælla have their own plans for seizing the island of Britannia and forging a new colony of Germanic tribes. Can Uther rise above his family problems and raise an army to oppose them?

Book three in A Light in the Dark Ages series, Uther’s Destiny is an historical fiction novel set in the Fifth Century – a time of myths and legends that builds to the greatest legend of all – King Arthur and his knights.

***

In my historical book series, A Light in the Dark Ages, I have attempted my own alternative history of the period starting with the departure of the Romans and building to the coming of King Arthur, putting flesh on the mythical bones of early kings Vortigern, Ambrosius Aurelianus and Uther Pendragon – lighting the way for the coming of King Arthur.

Book one – Abandoned! – http://myBook.to/Abandoned

Book two – Ambrosius: Last of the Romans – http://myBook.to/Ambrosius

Book three – Uther’s Destiny – http://myBook.to/Uther

Author website: http://timwalkerwrites.co.uk 

***

 

Great blog- thanks Tim.

Happy reading everyone,

Jenny x

 

Opening Lines: The Corner Shop in Cockleberry Bay by Nicola May

It’s Thursday – which means it is ‘Opening Lines’ day.

Today I’m delighted to welcome Nicola May back to my site to share the first 500 words (exactly) of her brand new novel.

Over to you Nicola…

Blurb

Rosa Larkin is down on her luck in London, so when she inherits a near-derelict corner shop in a quaint Devon village, her first thought is to sell it for cash and sort out her life. But nothing is straightforward about this legacy.  While the identity of her benefactor remains a mystery, the will states that the shop cannot be sold, only passed on to somebody who really deserves it.

 Rosa decides to throw herself into getting the shop up and running again. But can she do it all on her own? And if not, who will help her succeed – and who among the small seaside community of Cockleberry Bay will work secretly to see her fail?

With surprising and heartfelt results, Rosa, accompanied at all times by her little sausage dog Hot, slowly unravels the shadowy secrets of the inheritance, and also brings her own, long-hidden heritage into the light.

***

The Corner Shop in Cockleberry Bay – The First 500 words

‘Are you sure you’ve got the right person?’

Rosa took off her bright blue woolly hat and scratched the back of her head, causing her dark brown curls to become even more unruly.

The tall, pinched-faced solicitor nodded. ‘Yes, of course we have. Evans, Donald and Simpson do not make mistakes. You, Miss Larkin, are now the official owner of the Corner Shop in Cockleberry Bay.’

He handed the bewildered twenty-five-year-old a battered leather briefcase and pointed to a small combination padlock on its brass clasp.

‘Here. The will stated that you – and only you – can open this, using your date of birth.’

‘This is all very strange,’ Rosa said.  ‘And where exactly is this Cockleberry Bay?’

‘Devon, dear, Devon.’  The solicitor looked under his rimless glasses. ‘I take it you know where that is?’

‘I may have a cockney accent, Mr Donald, but I’m not stupid.’

‘Well, open it then.’ The solicitor was shifting from foot to foot in anticipation. He confided, ‘We’ve been wanting to know what’s in there for days.’

Showing no emotion, Rosa gazed at him with her striking green eyes and asked coolly: ‘Is there anything else I need?’

‘Er, no – but are you not going to . . .?’

‘I need to get to work.’ Rosa put her hat and scarf back on, zipped up her fur-lined bomber jacket and headed for the door. ‘Thank you so much for your help.’

And she was gone.

‘Rude!’

The solicitor peered crossly out of the window of the offices in Staple Inn and watched as the young woman, the briefcase in her arms, strode across the frosty cobbled courtyard and out into the bustle of London’s ancient legal quarter.

*

‘You’re late again, Rosa. This is a discount store, not a charity shop.’

‘Oh, turn that frown upside down, Mr Brown. I’m here now, aren’t I?’

But there wasn’t even a glint of the usual smile from her now reddening supervisor.

‘I’m going to have to let you go, Rosa. I need committed staff and to be honest, I don’t think you know what that word means. You’ve had all your warnings. I will speak to Head Office, and they will settle your final pay.’

Rosa sighed. ‘Really?’  When Mr Brown said nothing, she picked up the briefcase from the floor and added: ‘Whilst you’re at it, maybe you could tell them I’ve been wanting to stick this shitty, unfulfilling job right up their pound-coin-shaped backsides for weeks anyway.’

*

Rosa’s elderly neighbour was putting a holly wreath on her front door when she arrived at home, mid-morning.

‘You’re back early, dearie.’

Rosa murmured under her breath, ‘And Ethel Beanacre wins the award for the Nosiest Neighbour of the Year.’

‘What was that, love?’

‘Nothing, Ethel, just talking to myself.’

The sight of the worn briefcase secured further interest.

‘Robbed a bank, have you?’ Ethel’s awful cackle reminded Rosa of Catherine Tate’s ‘Gran’ character.

Rosa scrabbled for her key. ‘Don’t tell anyone, will…

***

Available from 9th April – you can pre-order your copy of The Cockleberry Bay here: https://www.amazon.co.uk/Corner-Shop-Cockleberry-Bay-ebook/dp/B07B8KML35/ref=tmm_kin_title_0?_encoding=UTF8&qid=&sr=

 

Bio

The Corner Shop in Cockleberry Bay is Nicola May’s ninth novel. In 2012 she won Best Author Read at the Festival of Romance for The School Gates and again in 2014 for Christmas Evie. Nicola likes to write about love, life and friendship in a realistic way, describing her novels as ‘chicklit with a kick’.

Nicola May lives near the famous Ascot racecourse with her black-and-white rescue cat, Stan.  Her hobbies include watching films that involve a lot of swooning, crabbing in South Devon, eating flapjacks – and, naturally, enjoying a flutter on the horses.

Follow Nicola on Twitter: @nicolamay1

See her on Instagram: author_nicola

She also has her own Nicola May Author Page on Facebook

Find out more about her and all of her books at https://www.amazon.co.uk/Nicola-May/e/B004QUBKWW

***

Fabulous stuff. Thanks Nicola.

Come back next week to read the first 500 words from one of Kate Thompson’s novels.

Happy reading,

Jenny xx

Opening Lines: CRONE by Jeannie Wycherley

Welcome to my brand new ‘Opening Lines’ blog series.

Each Thursday an author will share a little about their work – and JUST the first 500 words of one of their novels – even if that means leaving things mid-sentence…

I’m delighted to welcome Jeannie Wycherley as my first guest of the series.

Over to you Jeannie…

Crone is my debut novel, set in and around Ottery St Mary and Sidmouth in Devon (the fictional Abbotts Cromleigh and Elbury of the novel). It’s a story that emanates very much from the landscape. The physicality of Aefre, whom we meet as she is being reborn in the opening lines, is actually drawn from the detritus of the forest floor.

Birth and death are central to the novel, and in between those events some of the intriguing characters, such as the enigmatic Mr Kephisto (also known as the Story Keeper) live extremely long lives. Crone is a dark fantasy novel, so as the author I was able to play with the longevity of each character’s existence, but at its heart it is actually a mystery with supernatural elements, and I have been contacted by many readers who start their email with the words, “This isn’t the sort of book I would normally read, but …” I am so thrilled that Crone has drawn such a diverse audience and appeals to such a cross section of readers.

It was vitally important to me to maintain truth within the supernatural, so yes, you have to suspend some disbelief as you do in any fantasy novel, but all the magic involved, among the elderly Guardians who are hunting Aefre for example, is ultimately feasible. I wasn’t interested in writing about sparkly wizards, and glittery unicorns. This is witchcraft with dirty hands and broken nails. It’s about real human experience. But ultimately, it is the age old story of a mother’s love for her child.

Crone Blurb

Heather Keynes’ teenage son died in a tragic car accident. Or so she thinks. However, deep in the wilds of the Devon countryside, an ancient evil has awoken … and is intent on hunting the residents of Abbotts Cromleigh.

No one is safe.

When Heather delves into a series of coincidental deaths, she is drawn reluctantly into the company of an odd group of elderly Guardians. Who are they, and what is their connection to the Great Oak? Why do they believe only Heather can put an end to centuries of horror? Who is the mysterious old woman in the forest and what is it that feeds her anger?

When Heather determines the true cause of her son’s death, she is hell-bent on vengeance. Determined to halt the march of the Crone once and for all, hatred becomes Heather’s ultimate weapon.

Furies collide in this twisted tale of murder, magic and salvation.

 

 

500 words – Opening Lines

Prologue

The cracking and snapping of dry bones reverberated through the stillness of the night. In the freezing air, at the very heart of the wood, in the slumped ruins of a long-forgotten dwelling, something dark began to manifest itself.

Little more than a mummified corpse, she unfolded her outer layer in a shower of dust and dry mould. Her skin, what remained of it, creaked like ancient leather and her flesh stretched taut over foul stringy innards. Then reaching, stretching, groaning, retching—she hauled herself upright. Once risen, she floated inches above the ground, while the mist—salty from the nearby sea—enveloped her like a pall and covered her foul nakedness.

She slipped out of her shack, and the wildlife in the undergrowth shrank from her black charisma, keeping their distance from her rancid stench, the stink of putrefaction.

In the treetops, caught out by her rapid manifestation, an owl blinked uneasily. Fearful, he observed her as she moved beneath him, then hopeful of evading her gaze he casually pivoted his head, pretended she was unseen and he was unseeing. But Aefre, even in her newly woken state, was both observant and deadly.

She was fast, lashed out at the owl, a missile of energy directed from her mind. His body exploded in a cloud of downy feathers. Her deformed claw-like fingers caught his remains as he fell from his perch, and she stuffed him into her mouth, whole. She chewed once, twice. Swallowed. A single line of blood dribbled from her chin, and the thinnest layer of fresh skin started to form a mouldering translucent veneer.

There was a halo of light to the east. Civilisation. For Aefre, the time was ripe. She was awake. It was time to bask in the thrill of the hunt. This time she would locate her sisters and join them in a merry dance of carnage.

First things first, however. She needed sustenance. She headed for town. She would find everything she needed there.

***

The boys tumbled out of the multiplex, blinking in the garish sodium lights of the car park, high on an adrenaline kick after enjoying the latest blockbuster. Max was grateful that James now had a driving licence and a car to go with it and they weren’t dependent on the non-existent bus service. It was hell being stuck in Abbotts Cromleigh with nothing to do.

Max was completing his A levels this year, and come September he would be off to University in a city where you didn’t need a car. Everything he needed would be on his doorstep. Live music venues, sporting facilities: Sheffield promised to be everything his small Devon home town couldn’t be.

He’d miss The Storykeeper though. Sheffield had bookshops, sure, but The Storykeeper was something special. It was housed in a higgledy-piggledy Elizabethan structure that had been added to time and again over the years, and thus appeared to stretch back and up endlessly. Shelves meandered like mysterious rivers throughout the building…

Buy link

Crone: myBook.to/CroneJW 

Jeannie Wycherley Bio

Jeannie Wycherley is the author of Crone (2017) and Deadly Encounters (2017) and numerous short stories that favour the weird including A Concerto for the Dead and Dying (2018). Crone is the recipient on an Indie B.R.A.G Medallion, and a Chill with a Book Readers’ Award. Jeannie’s next novel Beyond the Veil is due April 2018. Jeannie runs a gift shop with her husband in Sidmouth, adores her dogs, and make her evening meals in a cauldron. She lives somewhere between the forest and the sea in East Devon, England and draws literary inspiration from the landscape.

Social Media

Twitter: https://twitter.com/Thecushionlady

Facebook : https://www.facebook.com/jeanniewycherley/

Website: https://www.jeanniewycherley.co.uk/

Thank you for such a fabulous blog, Jeannie. Intriguing first 500 words…

Next week, Opening Lines, will feature contemporary fiction/romance writer, Nicola May.

Happy reading,

Jenny

 

Best Foot Forward by Bea Stevens

I’m delighted to have Bea Stevens with me today, sharing a little from her brand new romance:

Best Foot Forward.

Blurb

Liberty ‘Libby’ Lawrence adores designer labels – even though she can’t afford many. And she especially loves shoes. Her favourites are Christian Louboutins – though not those fake ones Bianca Morrison-Wright gets from the market (the red paint rubs off the soles and everything!)

She’s working as a manager (albeit junior manager) at a London hotel, when the boss announces that there has been a theft from his office. Libby couldn’t help noticing some strange marks on his carpet when she was called in for a reprimand recently (not that it was her fault, or anything) which lead her to surmise who the thief is.

Detective Sergeant James Harper, the hunky policemen who is assigned the case, seems interested in her theory – until she names her number one suspect. Libby is devastated, not only because he doesn’t believe her but – more importantly – that this guy knows NOTHING about shoes!

As Libby struggles to convince the sergeant that her hunch is right, her boss that she’s ready for promotion and herself that she’s not really falling for the gorgeous copper, she realises that maybe she’s wrong about the theft, she’s not suited to the hotel industry and that the handsome hunk is married!

Excerpt

I’m busy watching a yummy copper-haired guy who’s just walked through from the bar and is looking around. It’s him. It’s Mr Handsome Hunk himself.

Oh my God.

My heart pounds like a bass drum.

Cassie’s nearest and goes up to him, seating him on table twelve, just next to the deuce by the window. That’s a table of two, by the way, not just a tennis term.

I quickly pick up a menu and head over, trying not to catch the attention of the two reporters on the next table. Cassie’s eyes flash at me as our paths cross, and I suspect she’s thinking the same as me – what a stud!

‘Good afternoon, sir.’ I smile as I hand him the menu. ‘The soup today is potato and leek, and I’m afraid we’ve run out of lamb.’

He doesn’t even smile as he takes the menu from me. There’s a thud in my stomach.

‘Pity, I quite fancy lamb today.’

I daren’t tell him what – or rather who – I fancy.

‘Sorry, sir.’

He frowns; I hope it’s not because of the lamb.

‘Just be careful of the vegetables,’ Ben calls over from the next table.

‘You’re okay if you just want a pea, though,’ Rob chimes in with a chuckle.

Very funny. I shoot them a dirty look, stick my nose in the air and walk away. Or at least, I would have walked away if my heel hadn’t got caught in the tablecloth as I spun around. I yelp as my ankle twists and there’s a clatter of silverware as the contents of table twelve hurtle through the air, firing all around me like bullets as I fall with a hefty slam, ending up sprawled across the floor in between the two tables.

‘Libby, are you okay?’ Cassie’s there in an instant. I peer up gingerly, having covered my head with my arms in case the wineglasses came crashing over me.

‘I think so,’ I say, sitting up carefully.

The reporters on table fourteen are laughing hysterically, while the man on twelve is shaking his head and holding two glasses in his hands.

‘I’m really sorry.’ I slowly stand while Cassie gathers the cutlery.

‘I saved these.’ The man hands me the two wineglasses. ‘Perhaps I could sit at table thirteen instead?’

‘I’m afraid we don’t have one,’ I murmur. ‘It’s considered, um…unlucky.’

***

If that’s whetted your appetite, you can buy Best Foot Forward here: https://tinyurl.com/y7hajzqm

***

Bio

Bea lives in the beautiful countryside of Shropshire, England, but is never averse to taking a trip to the local (and not-so-local) towns to check out the big stores for new shoes and bags (all in the name of research, of course J).

She has worked mainly in catering and admin, but had to give up her job when her fight against breast cancer took another downward turn. An eternal optimist, she took the opportunity to write – something she has always loved. Every cloud… and all that!

She hopes very much that you share her sense of humour and that you enjoy her first Chick Lit novel, Best Foot Forward.

Please feel free to contact her at https://www.facebook.com/AuthorBeaStevens/ 

***

Many thanks for sharing your lovely new novel with us today Bea.

Good luck, and happy writing.

Jenny xx

 

Let’s talk about sex. Or not.

Today I’m delighted to welcome back Tom Williams to my site to talk about…well…sex actually.

Over to you Tom…

With The White Rajah having just been republished by Endeavour, I find myself thinking once again about sex. As you do.

The thing is that there is a bit of sex in The White Rajah. Hardly any. Rather less than the average romance these days and almost certainly less than today’s Daily Telegraph. It’s all very sweet, and very consensual, because although The White Rajah tells the true story of James Brooke – the man who Conrad based Lord Jim on – and it features pirates and battles and Victorian politics, there is at its heart a love story. And [spoiler alert] there are no female characters.

It turns out that there are people who still get quite agitated about this. Who knew?

Sex in books, it seems, is still a pretty contentious issue. Back in the days of obscenity trials, it was clear what you could and couldn’t write about when it came to sex. Lady Chatterley’s Lover is possibly the most famous example, but other books to run foul of the UK censor included UlyssesLolita, The Well of Lonelinessand Tropic of Cancer. Nowadays, though, we (or at least all the nice liberal London folk and the sort of people who read blogs like this) like to mock gently at the poor repressed darlings of yesteryear. Today writers can write, and readers read, pretty much whatever they want to.

Well, as Evelyn Waugh’s Mr Salter might say, ‘Up to a point, Lord Copper.’ For while my literary friends are happy to explore the “thematic explorations of the relationship between surrender and freedom, the nature and demands of love, and the spiritual aspects of sexual desire” in Pauline Reage’s Story of O (thank you Book Rags Study Guides for that gem), there are other readers out there who see the world rather differently. This is from an Amazon review of Leslie Thomas’s The Secret Army:

But we also see a country overflowing with sexual immorality. Yes, s£x [sic] did and does take place, but open oral s£x in streets or respectable married women regularly having multiple partners, even being passed from person to person? Perhaps, but surely very rarely, and not anywhere else as a regular occurrence except in Mr Thomas’ mind, I expect.

The question of how much sex is too much (or too little) is, apparently, a constant concern of publishers. One author I know, whose ‘erotic’ novella seems pretty tame, told me that her publisher had asked her to hold back on the kink, while another, writing a straightforward romance, was apparently told to include more explicit sex.

Adding homosexuality into the picture and some Amazon reviewers are ready to condemn The White Rajah out of hand:

Pity that such an excellent story should be ruined by the sexual obsessions of the author.

I think Tom Williams spoiled a great yarn by introducing a ‘gay’ element into a well known and loved adventure.

At the same time, several reviewers on other sites have complained that I shy away from explicit details. (Apparently I’m not nearly obsessed enough.)

The one disappointment I had, and why I give it three stars rather than four, is that the relationship between the narrator and Brooke is related in very timid detail.  [Goodreads review]

Nowadays the notion that characters don’t have sex and that their bedroom activities don’t affect their broader relationship is simply silly. But how much detail do we need? Even well-known ‘mainstream’ authors often seem to feel the need to describe their heroine’s enthusiastic response to the hero’s thrusting organ, though I would have thought most of us could imagine it for ourselves. At the other extreme, though, we have books that avoid explicit sex but replace it with childish innuendo that I would think many adult readers find much more embarrassing. (I’m naming no names, but I have at least one mega best-seller in mind.)

Obviously, some writers are seeking to shock or excite and, for them, this isn’t a problem. But what about romantic fiction? What about old-fashioned adventure stories? What about literary efforts like Julian Barnes’ dreary Sense of an Ending with its sad little paragraph about masturbation. (Uck!) I was going to say that it was a problem for everyone except children’s writers, but in the age of Heather Has Two Mommies, sensible children’s authors are questioning whether ignoring sex in books for children and young adults is really a good idea.

So: close the bedroom door and leave everything to the imagination? Or bring on the whips and chains and explain exactly what she means when she says that she loves him to death? I’m guessing most of us will go for somewhere in between. But where? I have a friend who was astonished by Fifty Shades because she had never imagined such things. Other friends would regard an evening with the eponymous Christian as a bit on the dull side. How can any author write a book with real characters with real lives that can satisfy all their readers without shocking any of them? And is it even worth trying?

Frankly, I’ve given up worrying about it. If a book with a gay hero is going to horrify you, I recommend my Burke series with a rather aggressively heterosexual bloke having his way with a whole series of women. (I can hear some people tutting, but he was a real person and must have possessed extraordinary charm or stamina or both.) But if you can bear the idea that one of the great heroes of Victorian Britain was almost certainly gay, then read The White Rajah, enjoy the pirates and the politics and share Brooke’s love of Borneo and its people and let the sex look after itself. It generally does.

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Buy Link-

https://www.amazon.co.uk/White-Rajah-Historical-Brooke-Williamson-ebook/dp/B079VK7V34

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Bio

Have you ever noticed how many authors are described as ‘reclusive’? I have a lot of sympathy for them. My feeling is that authors generally like to hide at home with their laptops or their quill pens and write stuff. If they enjoyed being in the public eye, they’d be stand-up comics or pop stars.

Nowadays, though, writers are told that their audiences want to be able to relate to them as people. I’m not entirely sure about that. If you knew me, you might not want to relate to me at all. But here in hyperspace I apparently have to tell you that I’m young and good looking and live somewhere exciting with a beautiful partner, a son who is a brain surgeon and a daughter who is a swimwear model. Then you’ll buy my book.

Unfortunately, that’s not quite true. I’m older than you can possibly imagine. (Certainly older than I ever imagined until I suddenly woke up and realised that age had snuck up on me.) I live in Richmond, which is nice and on the outskirts of London which is a truly amazing city to live in. My wife is beautiful but, more importantly, she’s a lawyer, which is handy because a household with a writer in it always needs someone who can earn decent money. My son has left home and we never got round to the daughter.

We did have a ferret, which I thought would be an appropriately writer sort of thing to have around but he  eventually got even older than me (in ferret years) and died. I’d try to say something snappy and amusing about that but we loved that ferret and snappy and amusing doesn’t quite cut it.

I street skate and ski and can dance a mean Argentine tango. I’ve spent a lot of my life writing very boring things for money (unless you’re in Customer Care, in which case ‘Dealing With Customer Complaints’ is really, really interesting). Now I’m writing for fun.

If you all buy my books, I’ll be able to finish the next ones and I’ll never have to write for the insurance industry again and that will be a good thing, yes? So you’ll not only get to read a brilliant novel but your karmic balance will move rapidly into credit.

Can I go back to being reclusive now?

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Many thanks Tom.

An interesting perspective- and I for one, outside of erotica, agree with the sentiment that sex can get on with itself very well. Of course within erotica (and I do not count Fifty Shades as part of that genre), the attention to – shall we say ‘detail’- has to be more thorough!

Happy reading,

Jenny 

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