Jenny Kane & Jennifer Ash

Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

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Opening Lines with Jennifer Macaire: A Crown in Time

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On May 28, 2020

In Blog, Fiction, Historical fiction, Opening Lines Blog

This week’s Opening Lines come from the pen of Jennifer Macaire.

Why not sit back and enjoy the first 500 words from her timeslip novel, A Crown in Time?

Over to you Jennifer…

In my last series, which started with The Road to Alexander, I wrote about a modern woman kidnapped by Alexander the Great and forced to spend the rest of her life in ancient times. The series ended, and instead of resting on my laurels and taking up something more relaxing like hang-gliding off cliffs or deep sea exploration, I started a new book. This time I was heading to the Crusades, and since I love time slip books, my heroine was sent back on a mission to set time back on track after a serious mistake put the future in jeopardy.

A Crown in Time: She must rewrite history, or be erased from Time forever…

(The Tempus U Time Travel series)

Since it was perfected in 2900, time travel has been reserved for an elite, highly trained few. However, on certain occasions, a Corrector is needed to rectify a mistake in the past.

Do your job well, and you’ll go down in history. Fail, and you will be erased from Time . . .

In the far future, a convicted criminal is given a chance at redemption. The Corrector Program at Tempus University is sending Isobel back in time, to the year 1270, to rewrite history.

Her mission? To save the crown of France.

If she follows the Corrector’s Handbook everything should run smoothly. But soon, Isobel finds herself accompanying a hot-headed young noble on his way to fight the infidel in Tunis: a battle Isobel knows is fated to be lost.

Isobel must fulfil her duty, knowing she can never return to her time, knowing one wrong move can doom the future, or doom her to be burned as a witch.

***

First 500 words:

Pax in nomine Domini

Peace in the name of the Lord

The nurse in charge of freezing my molecules inserted a glowing needle into my arm and had me count backwards from ten. I got to zero and stared at her, perplexed. ‘Now what?’

‘Again.’

I obeyed without question. Years of prison had left their mark. Then a cold wave washed through me. I felt my blood freeze. No one had told me it would be so painful. My teeth chattered and the place where the needle was inserted into my arm ached and ached. The pain grew. Frost bloomed in silver flowers on my hands and face. The pain was so intense I passed out. My last thought before I fainted was that despite all the work and planning, the program would now lose its Corrector. I was dying.

I didn’t die. I woke up lying on my back in the middle of a large mud puddle. Rain pelted my face, and my body convulsed with painful tremors. Groaning, I rolled over and propped myself up on my forearms. I retched and gagged, waves of nausea rolling through me. I tried to stand, but my legs wouldn’t hold me. I crawled off the road and collapsed on the verge. I had no idea why I’d been beamed into the middle of a road. I could have been killed.

I looked closer at the road and sighed. If anything was going to come down it, it would probably be an ox plodding before a heavy farm cart. The farmer would have been able to stop in time. Unlike me. I hadn’t been able to stop my car in time. I’d killed a child, and I’d been punished with life in a reproduction prison. For four years, I lay on a metal table once a month and donated an ovule, and in between, I worked at the prison library, copying ancient books and disks onto gel matrix for safekeeping. Then one day, I’d been given a choice. Go back in time and change a mistake, or continue to live in solitude, where my only jobs had been to produce eggs and reproduce books.

I’d been twenty years old when I went to prison. Twenty-four when I entered the Corrector Program at Tempus University, and now I was twenty-five, though I knew nothing of life. I felt both ancient and absurdly young. I’d barely had time to start living my own life when it ended. Now, I had the chance at a new beginning.

If only I could remember what that was. My mission now lay before me. I closed my eyes and tried to remember exactly what I had to do. Unfortunately, there seemed to be an empty space in my brain where that information was supposed to be. I couldn’t remember the first thing about it. I shivered with panic and cold. If my mission failed, the Time Correctors Facility from Tempus U would erase this portion of time, and I’d be erased along with it. I would never have existed past the day I entered the Tempus University TimeCorrector Program. In the far future, it would be as if I stepped inside the doors of that building  –  and simply vanished…

***

You can buy from all good retailers, including…

getbook.at/Crown (paperback)

mybook.to/CrownInTime (kindle)

Bio

Jennifer Macaire lives in France with her husband, three children, & various dogs & horses. She spent nearly the entire quarantine sitting on her balcony & reading, and she thinks healthcare workers are amazing super-heroes.

Many thanks Jennifer,

Happy reading everyone,

Jenny x

Opening Lines with Karen King: The Year of Starting Over

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On May 21, 2020

In Contemporary fiction, Contemporary Romantic Fiction, Fiction, Jenny Kane, Opening Lines Blog, Romance

This week, I’m delighted to welcome fellow author, Karen King, to my Opening Lines blog, to share the first 500 word from A Year of Starting Over.

Over to you Karen…

Hi Jenny,

Thanks so much for inviting me over to your blog. The opening lines I’m going to share are taken from my feelgood novel, The Year of Starting Over, published by Bookouture. The inspiration for this story came partly from my own ‘year of starting over’ when my husband Dave and I moved to Spain at the end of 2017. We live in Andalusia, the setting of the book, and some of the incidents actually happened to us.

Blurb

What if – to find yourself – you had to run away?

Last year was meant to be when Holly got her happy-ever-after. But stuck in a job that’s going nowhere, and a relationship that feels more like it’s going backwards… this year Holly has decided it’s time to change her life. She just has to:

– End the relationship with the commitment-phobic boyfriend
– Go on a proper adventure
– Learn to be herself again
– Definitely, categorically not fall in love.

Cramming her belongings into her little yellow Mini, Holly drives on to a ferry bound to Spain, to stay at a remote farmhouse near a beautiful village in the Andalusian hills.

But the day she arrives she nearly crashes her car into a gorgeous guy on a motorbike. He’s called Matias and their paths keep crossing, much to Holly’s irritation. Because as she learns to speak Spanish from the locals, finally starts laying out plans for her own design business, and sips sangria in the sunlit village square, Holly is beginning to remember who she is and what she wants.

So she won’t allow herself be distracted by Matias. Because this year – for Holly – there are more important things in life than love. And she won’t let yet another bad relationship ruin everything… will she?

A moving and uplifting romantic comedy about living each moment and learning to trust yourself again, for fans of Jenny Hale, Debbie Macomber, and Sophie Kinsella.

First 500 words.

 Crash!

Holly groaned as she looked at the illuminated red numbers on the bedside clock: two thirty. Scott was finally home. He’d obviously gone on to a club with his mates and was now drunk. Again. She’d asked him not to be late back as she was on the early shift at Sunshine Lodge tomorrow, but he’d protested that it was Friday night and he’d been working hard all week, adding, ‘I need to chill out, babe. It’s not my fault you have to work tomorrow.’ It was a fair point, which made her feel guilty – as it was meant to do. Scott worked long hours as assistant manager of a games shop and often had to work weekends himself so couldn’t always have a Friday night out.

But when he had to work weekends, she didn’t come crashing in and wake him up in the early hours of the morning, did she? She swatted down her irritation, reminding herself that was because she didn’t like going clubbing. She preferred to spend her days and evenings off work either making cushions and throws to brighten up their flat or creating designs for the mugs, clocks and phone covers she sold on Dandibug, an online arts and crafts marketplace, hoping that one day she could turn it into a full-time business. Anyway, if she did come in late, she doubted if Scott would notice: he slept like a log and snored like a mechanical saw.

Holly turned over and tried to go back to sleep. Her friend Susie was always telling her, ‘You’re too much of a pushover, Holly. You should stand up to Scott.’ Susie didn’t understand that Holly hated conflict of any kind. She didn’t want to argue. She wanted to live in a nice, peaceful home like Pops and Nanna had. She missed them so much. Holly’s parents had split up when she was a baby; she’d never known her dad, and her mum was out at work

Pops and Nanna had adored Holly, and each other, and their love had shone out like a beacon of happiness. They’d been together since they were fourteen, got married at twenty-one and lived happily ever after. Nanna died two years ago, and Pops had missed her so much that when he too had gone peacefully in his sleep a few weeks ago, the knowledge that he was now with Nanna helped Holly and her mother cope with the grief of losing him. Nanna and Pops had both lived until their early nineties so had a good few innings, as Pops would have said.

Ever since she was little, Holly had dreamt of being happily married, just like Nanna and Pops, but all the guys she’d dated seemed to want a good time with no long-term commitment. She was hoping Scott was different; she loved him so much and he said he loved her too, but they’d been living together for over a year now and he hadn’t shown any sign… 

Buy Links

Amazon: https://geni.us/B07KFGL5P2Social

Apple: http://ow.ly/Mfgd30nBig8

Kobo: http://ow.ly/edYm30nBijM

Googleplay: http://ow.ly/qTmS30nBi94

Author Bio

Karen King is a multi-published bestselling author of fiction for both adults and children. She has also written several short stories for women’s magazines.

Currently published by Bookouture and Headline. Karen has recently signed a two-book deal with Bookouture to write psychological thrillers. The first one will be out in November, and the second one in 2021. She is also contracted to write three romance novels for Headline, which will be out in 2021 and 2022.

Contact links

Website

Amazon Author Page

Facebook 

Twitter

Bookbub

Many thanks Karen,

Happy reading everyone

Jenny x

Opening Lines with Anna Legat: A Conspiracy of Silence

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On May 14, 2020

In Blog, crime, Fiction, Jenny Kane, News, Opening Lines Blog, thriller

Today I’m delighted to welcome Anna Legat to my blog. She is not just here to share her Opening Lines, but to reveal the cover for her latest DI Gillian Marsh, detective novel, A Conspiracy of Silence, which you can pre-order now!

Blurb:

When a body is found in the grounds of a prestigious Wiltshire private school, DI Gillian Marsh takes on the case. The young groundsman, Bradley Watson, has been shot dead, pierced through the heart with an arrow.

As the investigation gathers pace, DI Marsh is frustrated to find the Whalehurst staff and students united in silence. This scandal must not taint their reputation. But when Gillian discovers pictures of missing Whalehurst pupil, fifteen-year-old Rachel Snyder, on Bradley’s dead body – photos taken on the night she disappeared, and he was murdered – the link between the two is undeniable.

But what is Whalehurst refusing to reveal? And does Gillian have what it takes to bring about justice?

First 500 words 

Sarah Snyder was waiting in her car. She tapped her blue fingernails in close proximity to the horn, but she held back from sounding it. To kill time, she checked her lipstick in the rear view mirror and rubbed her front teeth to remove a red smudge. She turned on the radio only to hear the part of the news she wasn’t interested in: sport, followed by the weather. She was restless but she was pleased: Rachel was taking her sweet time.

Rachel was chatting to her friends ‑ Rhiannon and a couple of other girls. Only once did she steal a glance in the direction of her mother’s car – just to check Sarah was there, waiting. Reassured, she turned back to her chums and whispered something into Rhiannon’s ear. Whatever she said, it made Rhiannon laugh. Rachel laughed too.

It was an immeasurable relief to see her child happy, having a conversation with other people, and laughing. She was laughing! Sarah was so relieved she wanted to cry.

Only three days ago the picture had been very different. Head down, eyes boring a hole in the ground, Rachel would clutch her bag to her chest and run for the car as if the hounds of hell were after her. She would slump in her seat and mutter under her breath, Drive, Mum, just drive, and not speak for the rest of the day. She would lock herself in her room and brood.

Sarah winced at the memory and pushed it out of her mind. She waited and counted her blessings, of which there were many. She decided she would cancel the GP appointment. There was nothing wrong with Rachel, just the usual growing pains of puberty.

At last Rachel parted company with her friends, waved to someone hidden inside the school, and headed for the car. Her face, still beaming and full of bounce, appeared in the wound-down window.

‘Hi, Mum.’

‘I take it you had a good day?’ Sarah pulled her sunglasses to the tip of her nose and produced an expectant grin.

Rachel made a non-committal noise. She pecked her mother on the cheek and slid into the passenger seat. She was still smiling, addressing her smile to the windscreen and to the view of the tarmac in front of the car, but that was enough for her mother to flick her sunglasses up her nose and start the engine.

‘That good!’

The front right wheel stumbled over the kerb while the rear one rubbed against it as the car lurched sharply across the road to join the line of traffic leaving the school. Were it not a big and sturdy four-wheel-drive, it would have been written off a long time ago. Sarah did not treat it well. She used it more like a bulldozer than a means of transportation.

Accustomed to her mother’s driving antics, Rachel didn’t as much as blink. She bent forward in her seat and began tampering with the radio in search of a…

***

What readers are saying about Anna Legat:

‘Brilliant. I didn’t want to put it down!‘

‘It’s a rare author who can keep me guessing until the end – and the ending was a shocker‘

‘Plenty of twists and turns’

‘A brilliantly complex spaghetti of unrelated sub-plots to challenge any armchair sleuth‘

‘I thoroughly enjoyed this book, reading it cover to cover in a weekend’

‘I shall look out for more from Ms Legat’
***

Bio

Anna Legat is a Wiltshire-based author, best known for her DI Gillian Marsh murder mystery series. A globe-trotter and Jack-of-all-trades, Anna has been an attorney, legal adviser, a silver-service waitress, a school teacher and a librarian. She read law at the University of South Africa and Warsaw University, then gained teaching qualifications in New Zealand. She has lived in far-flung places all over the world where she delighted in people-watching and collecting precious life experiences for her stories. Anna writes, reads, lives and breathes books and can no longer tell the difference between fact and fiction.

To find out more: https://annalegatblog.wordpress.com/
Good luck with your new novel Anna.
Happy reading everyone
Jenny xx

Opening Lines from Morwenna Blackwood: The (D)evolution of Us

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On May 4, 2020

In Blog, crime, Fiction, News, Opening Lines Blog, thriller

It is with the greatest of pleasure that I bring you this week’s Opening Lines from Morwenna Blackwood.

Not only is this Morwenna’s debut novel – but it is also a novel written during my very first set of #novelinayear workshops. To say I’m proud of the work Morwenna has produced is an understatement.

So, put your feet up with a cuppa, and take a look at The (D)evolution of Us.

Over to you Morwenna…

Once upon a time, I heard about a writing workshop run by best-selling author, Jenny Kane.  It was held in my local café, and as ’twas a dark and stormy day and I’d just been given a pen in the shape of a cactus, I thought I’d go.  I loved it, and at the end, Jenny mentioned that she was thinking of running a Novel in a Year course as part of Imagine Creative Writing.  I signed up there and then (with my new pen).  Over the year, I wrote The (D)Evolution of Us, and with the support of Jenny, my local writers’ group and my brilliant husband, I submitted my manuscript to darkstroke, it was released on Star Wars Day, and we all lived happily ever after…?

***

I spent most of my childhood and teenage years hiding in libraries; now, I carry my own personal one around in my pocket wherever I go.  This doesn’t mean I don’t still stop and lose track of time in bookshops and bookstalls, though.  In fact, this morning, on my lockdown-permitted-exercise walk, some lovely person had left a storage container full of books at the end of their front garden, with a note on it inviting passers-by to pick one, or leave one for others who might be in need of a random lockdown read.  I couldn’t help myself – I paused for a look.

The thing I love most about reading second-hand books is finding bits of other stories inside them: forgotten bookmarks; ticket stubs; Biro-ed dedications; and best of all, notes scrawled in the margins.  In the books I own, I am a margin-scrawler.  My husband says this is defacing someone else’s work, but to me, it’s adding to it.  Stories are inextricably linked, and in any case, what one reader gets from a book will be different to the next, and that’s the beauty of it.  Perception is everything.

The (D)Evolution of Us is an exploration – or explanation – of those ideas.  The novel is a noir existential thriller, set in a small Devon town at the turn of the 21st century, and is told from the view points of the three protagonists, Richard, Kayleigh and Catherine.  The girls are best friends.  Catherine is dead.

Mental illness, personal history, personality and perception drive the actions of all three as they struggle to make sense of their lives and their agency; whilst living in a town where everyone appears to know everything about everyone else, and the days roll away in a work-pub-work-pub cycle.

This is my debut novel, and its origins lie in my own existential dread.  In the end, I decided to wholeheartedly pursue the only thing I’ve ever wanted to do – write – and if there’s ever a starting point to anything, the story of Richard, Kayleigh and Catherine is it for me.

If you come into possession of the paperback, feel free to write in the margins.

***

Blurb

… the water was red and translucent, like when you rinse a paint brush in a jam jar.  The deeper into the water, the darker the red got.  No, the thicker it got.  It wasn’t water, it was human.  It was Cath.

Cath is dead, but why and how isn’t clear cut to her best friend, Kayleigh.  As Kayleigh searches for answers, she is drawn deeper into Cath’s hidden world.  The (D)Evolution of Us questions where a story really begins, and whether the world in our heads is more real than reality.

First 500 words

Prologue

PRIVATE AND CONFIDENTIAL

Dear Dr Farefield,

I reviewed Catherine at The Meadows today. She reported that her OCD was less ‘loud’ than when we last met in November, after the Crisis Team was called. This improvement has coincided with the resuming of clomipramine, which seems likely to have been helpful, as it has been in the past. Catherine agreed to the suggestion that this dose be increased to 200mg: 100mg morning and evening.

Catherine is coping well with life and states that her relationship with Richard is good. However she refuses to tell him about restarting the clomipramine, which is of concern to me. She has also resumed her writing.  I again offered Catherine a course of CBT, but she was resolute that she found it ‘useless’.

Catherine has now found employment in a health food shop but struggles with her OCD when closing down the tills and locking up at the end of the day, though she admits that she recognises that her rituals are entirely irrational.

Overall, in spite of her very significant persisting difficulties, I think that Catherine’s life has improved with the reintroduction of clomipramine.

Yours sinc,

Dr E Whittle

Consultant Psychiatrist

PRIVATE AND CONFIDENTIAL

Dear Dr Farefield,

I met with Kayleigh at The Meadows this morning, where she revealed to me that she is in the first trimester of pregnancy. She had requested the appointment (we were not due to meet again for another six weeks), in order, primarily, to discuss her medication, with regards to her new condition.

I found the fact that she did this encouraging, as I did her general demeanour. She was casually, but neatly, dressed, maintained good eye-contact throughout our interview, and appeared to have a good understanding of her mental health, and how it could impact on her (unborn) child.

We decided together that it would be prudent for Kayleigh to remain taking her lithium for the duration of her pregnancy, with close monitoring from her midwife and the Perinatal Team.

In spite of Kayleigh’s reports of having been ‘stable’ for the last few months, I have suggested that we meet at The Meadows every six weeks for the foreseeable future. I have also asked her to make an appointment for bloods to check her lithium levels as soon as possible – it is critical that she maintains a therapeutic dose.

Yours sinc,

Dr E Whittle

Consultant Psychiatrist

Richard

I’m half-listening to the radio, running a bath for my girlfriend, Cath. She’s sitting on the toilet seat, staring at me. I’m standing in the doorway, staring at her. Then I start to laugh. They’re playing that song by Marillion – Kayleigh – the one her hippy twat of a best mate likes to say she was named for, even though she’s too bloody old. I say she’s a hippy twat – I’d still shag her. She needs a good seeing to – and a good slap. She dots her ‘i’s with hearts, for fuck’s sake! And then the phone rings. Bloody witches. I…

You can buy The (D)evolution of Us from all good retailers, including…

mybook.to/devolution

Bio – When Morwenna Blackwood was six years old, she got told off for filling a school exercise book with an endless story when she should have been listening to the teacher/eating her tea/colouring with her friends.  The story was about a frog.  It never did end; and Morwenna never looked back.

Born and raised in Devon, Morwenna suffered from severe OCD and depression, and spent her childhood and teens in libraries.  She travelled about for a decade before returning to Devon.  She now has an MA in Creative Writing from the University of Exeter, and lives with her husband, son and three cats in a cottage that Bilbo Baggins would be proud of.  When she is not writing, she works for an animal rescue charity, or can be found down by the sea.

She often thinks about that frog.

Amazon Author Central: amazon.com/author/morwennablackwood

FB Page: https://www.facebook.com/morwennablackwood

Twitter: @MorwennaBlackw1

Instagram: morwennablackwood_

***

Many thanks Morwenna- wishing you huge success.

Happy reading Jenny

PS- She really did turn up with a cactus pen xx

Opening Lines with Jan Baynham: Her Mother’s Secret

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On April 30, 2020

In Blog, Fiction, Opening Lines Blog

This week, I’m delighted to welcome Jan Baynham to Opening Lines, to talk about her debut novel, Her Mother’s Secret.

Over to you, Jan…

‘Her Mother’s Secret’, with its sub-heading of ‘the Summer of ‘69’, is my debut novel. It is the first of three I’ve been contracted to write for Ruby Fiction. All three novels involve secrets and forbidden love, explore mother and daughter relationships and are mainly or partly set in countries other than Britain. ‘Her Mother’s Secret’ was published on April 21st as an ebook and most of it is set on Péfka, a fictional island off the coast of southern Greece. The story opens in 1991when a young Welsh woman, Alexandra Davies, is grieving after the untimely death of her mother. Elin has left her diary to her daughter and on reading it, Alexandra discovers a part of Elin’s life she knew nothing about. She is shocked as the secrets from Elin’s past are revealed and realises she didn’t know her mother as well as she thought. I tried to put myself in Alexandra’s shoes. Having had a very close relationship with her mother, how must she have felt finding out that her mother had kept such secrets from her?

The diary takes us back to 1969. Elin Morgan leaves Wales after finishing art college to spend the summer months studying at a painting school in Greece.  She records everything about her summer on the island but, while there, something happens that causes her to never paint again.  The secrets of that summer remain with her until she dies twenty-two years later.

Alexandra makes her own journey to Greece, following in her mother’s footsteps. She arrives on the same beautiful island that made such an impression on her mother. Once there, she sets about uncovering what really happened to Elin in that summer of ’69 and why it was never mentioned again. Will she understand why her mother closed down that part of her life?

Why Greece? Having had several holidays there now, I first visited the country in the seventies when we stayed with my aunt and Greek uncle. I fell in love with the climate, the vibrancy of the colours of the sea and flowers and the warmth of its people. It seemed to be an ideal place for a young artist to spend her summer. I enjoyed getting to know my Greek characters, some named after or based on people I’ve met and observed on visits over the years. Dimitra, the host at the taverna where Elin stays, is named after a lovely waitress from the hotel we go to in Crete. On a trip to a Cretan village, I watched a woodturner working at his lathe on pieces of olive wood and he became the inspiration for Yiannis who figures largely in Alexandra’s story. Vassilis is named after an elderly Greek who led me onto a taverna dance floor. He tried to teach me traditional dancing and had the bruised toes to prove it! He appears in both Elin’s and Alexandra’s story. I hope I’ve done justice to the country and its people by giving the reader a glimpse of life on my fictional island.

***

BLURB:

A secret left behind in the summer of ’69 …

It’s 1969 and free-spirited artist Elin Morgan has left Wales for a sun-drenched Greek island. As she makes new friends and enjoys the laidback lifestyle, she writes all about it in her diary. But Elin’s carefree summer of love doesn’t last long, and her island experience ultimately leaves her with a shocking secret …

Twenty-two years later, Elin’s daughter Alexandra has inherited the diary and is reeling from its revelations. The discovery compels Alexandra to make her own journey to the same island, following in her mother’s footsteps. Once there, she sets about uncovering what really happened to Elin in that summer of ’69.

FIRST 500 WORDS

Prologue

1969, The Peloponnese, Southern Greece

Sofia Simonides let out a scream and tottered backwards. Her pulse struggled to force blood around her veins. The body was slumped against the gnarled trunk of an ancient olive tree, head hanging to one side and resting on the left shoulder.

The man had a blue-grey pallor, his skin a candle-wax translucency. Sofia bent over and touched his cheek. It was icy cold; she gasped, drawing back her hand. Blood from a gash on one wrist had seeped over his thigh and there was a deep red stain in the sand. A long-bladed knife caked in dried blood lay by his side. Sofia eased out the piece of paper he clutched in one fist, unfolded it and read the message.

Falling to her knees, she sobbed.

‘Andreas, no-o-o! No! What have you done?’

A piercing howl from deep inside her shattered the cool, still air of the dawn.

Chapter One

Alexandra

1991, A market town in the heart of rural mid-Wales
The sky was lead-grey, heavy with blue-black rain clouds threatening a downpour. The dreariness of the day reflected my mood as I turned the Mini into the cul-de-sac. A shiny red two-seater was parked in the drive behind my father’s Audi. I pulled up alongside the kerb, took a deep breath, trying to avoid a downpour of my own, and entered the house. There was laughter coming from the kitchen.

‘What’s she doing here?’

My father and his friend turned to face me. His mouth gaped open.

‘Alexandra. Apologise, straight away. Sally, I’m very sorry. She has no right to speak to you like that.’

‘It’s all right, Richard. Alexandra’s upset. I’ll go now. The food’s almost done, anyway. You just need to serve it straight from the oven once the timer rings. Shall I call Claire down on my way out?’

I glared at the woman who stood there taking off Mam’s apron. My heart quickened. Mam? My mind was playing tricks on me. It wasn’t Mam, was it? She should be the one standing there, greeting me, cooking dinner. Not her. I struggled to breathe. How dare she? How dare he?

My father accompanied Sally outside, and I heard the throaty roar of the sports car signal that she’d gone. I braced myself for the row that would ensue, but I wasn’t being unreasonable, was I?

Claire entered the kitchen first. She was four years younger than me, tall and slim with long auburn hair and sage-green eyes. She took after my father’s side of the family. He idolised her.

‘What was all that about and where’s Sally?’ she said.

By then, my father had joined us and they both stared at me. ‘Well?’

‘That woman’s here all the time, wheedling her way in. She’s even taken to wearing Mam’s things.’ I twisted the cotton apron into a ball in my hands and heard my voice rise.

Claire moved to switch off the timer and reached for the oven gloves…

***

 ‘Her Mother’s Secret’ is available on Amazon:

https://www.amazon.co.uk/s?k=her+mother+s+secret+jan+baynham&ref=nb_sb_noss

Bio

After retiring from a career in teaching and advisory education, Jan joined a small writing group in a local library where she wrote her first piece of fiction.  From then on, she was hooked! She soon went on to take a writing class at the local university and began to submit short stories for publication to a wider audience. Her stories and flash fiction pieces have been longlisted and shortlisted in competitions and several appear in anthologies both online and in print. In October 2019, her first collection of stories was published.  Her stories started getting longer and longer so that, following a novel writing course, she began to write her first full-length novel. She loves being able to explore her characters in further depth and delve into their stories.

Originally from mid-Wales, Jan lives in Cardiff with her husband. Having joined the Romantic Novelists Association in 2016, she values the friendship and support from other members and regularly attends conferences, workshops, talks and get togethers. She is co-organiser of her local RNA Chapter and a member of the Society of Authors.

You may find out more about Jan here:

Twitter: @JanBaynham  https://twitter.com/JanBaynham

Facebook: Jan Baynham Writer  https://www.facebook.com/JanBayLit/

Blog: www.janbaynham.blogspot.co.uk

***

Many thanks Jan,

Happy reading everyone.

Jenny x

 

Opening Lines with Carol McGrath: The Silken Rose

By

On April 1, 2020

In Blog, Historical fiction, history, medieval, Opening Lines Blog

Today I’m delighted to welcome Carol McGrath to my blog, as she goes on tour with her brand new historical novel, The Silken Rose.

Why not sit and relax for five minutes, while you enjoy a little background to this, the first of The She Wolf Trilogy – as well as the first 500 words.

Over to you Carol…

The Silken Rose is the first novel in The She Wolf Trilogy, three standalone novels about three medieval queens set during the thirteenth and fourteenth centuries. Ailenor of Provence, Eleanor of Castile and Isabella of France were considered she wolves by later writers but they were reviled by many barons during their reigns because of the influence the exercised over their husbands. Ailenor was guilty of nepotism, Eleanor grabbed lands and built up a property empire and, as for Isabella, say no more, she simply deposed her husband and set up her son Edward III as king in his stead. Their thrilling and intriguing stories are intersected with those of three ordinary women, ordinary in rank but independent and from the merchant class. The first appears in The Silken Rose. She is an embroiderer and Rosalind’s story intersects with that of Queen Ailenor.  Enjoy the short blub and extract. The book is published on 2nd April as an e book and as a paperback on 23rd July. The audio is currently available too.

It is 1236

Ailenor of Provence, cultured and intelligent, is thirteen when she marries Henry III. She is aware of the importance of providing heirs to secure the throne. She will protect England’s throne from those who would snatch it away. She is ruthless in her dealings with Henry’s barons.

Beautiful Ailenor’s shrewd and clever Savoyard uncles can support her, until her power is threatened when Henry’s half-siblings also arrive at court.

Henry and Ailenor become embroiled in an unpopular, expensive war to protect the last English territories in France, sparking conflict with warrior knight, Simon de Montfort, the King’s seneschal. It is the final straw.

Caught in a web of treachery and deceit, ‘she-wolf’ Ailenor’s courage is tested to the limit. Can she control her destiny and protect her family?

First 500 words…

Canterbury, January 1236

The road from Dover to Canterbury was mired with mud so progress was slow. Ailenor, Princess of Provence, had never seen such weather. She tugged back the oiled canvas and peered from her long, box-like carriage into the January landscape. A collection of gaunt faces stared back; figures huddled in heavy cloaks, watching the golden lions of Savoy and Provence pass through Canterbury’s gate into the cramped lanes of the city.

Domina Willelma’s rhythmic snores competed with the splashing of hooves moving laboriously through the gateway, the roll of wheels belonging to sumpter carts, the cracking of whips and the protesting snorts of an escort of three hundred horsemen. All the way from Dover, thirteen year-old Ailenor had listened to rain rattling on the curved roof of the carriage. With a hiss, it dripped through a minute crack onto the box of hot charcoal that warmed her feet.

She let the curtain drop and withdrew into her furs. It’s so different to my golden Provençal fields on which sun shines winter and summer.

A tear slid down her cheek. She instinctively drew her mantle closer. This was not what she imagined after Richard of Cornwall, King Henry’s brother, had visited their castle of Les Baux last year and she had listened to his thrilling tales of romance. England was not the magical land she visualised when she wrote her best poem ever, set in Cornwall, verse Prince Richard admired. Nor was it the green country filled with wild flowers she dreamed of when Henry, King of England, sent for her to become his bride.

She shivered in her damp gown. She had not wanted woollen gowns and underskirts. Rather, she desired velvets, silks and satins, and the finest linen for under-garments. But after two days’ travel over the Narrow Sea and on waterlogged roads she understood the need for warmth. She was now to dwell in a land where winter never ended and summer was but a distant prayer.

The carriage jolted to a halt. Uncle William, the Bishop, thrust his head through the heavy hanging.

‘We are approaching the palace. Prepare to descend.’ He almost fell off his horse as he pushed his neck further into the carriage to waggle a long finger at Ailenor’s senior lady. ‘Waken that woman at once. Order her to tidy your dress.’ With a grunt, he withdrew before Ailenor could reply.

‘Domina Willelma, wake up.’ Ailenor gently shook her lady’s shoulder. ‘Uncle William says ‑’

‘By our sainted Lady, my child, forgive me. Why have you permitted me to sleep?’ Lady Willelma sat straight up, her dark eyes wide awake.

‘Because, dear Willelma, you have hardly slept since we left Vienne and that was three weeks ago.’

‘I’m neglecting my duty to your mother.’ Willelma opened the tassels of a velvet bag. My mother, Ailenor thought. If only she were here. She would make jests and have me laugh at it all. How can I face this awful land alone?

***

Buy Link –  https://tinyurl.com/ssdrk28 

Make sure you don’t miss a single stop on this amazing blog tour!

Bio

Following her first degree in English and History, Carol McGrath completed an MA in Creative Writing at The Seamus Heaney Centre, Belfast, followed by an MPhil from University of London.  Her fifth historical novel, The Silken Rose, first in The Rose Trilogy, published by the Headline Group, is set during the High Middle Ages. It features Ailenor of Provence and will be published on April 2nd 2020. Carol was the co-ordinator of the Historical Novels’ Society Conference, Oxford in September 2016.  Visit her website:

Carol’s links are all on her website: www.carolcmcgrath.co.uk

***

You can join in with Carol’s ‘virtual’ book launch tomorrow, on Twitter, from 3pm!

Many thanks fro visiting today Carol.

Good luck with your new novel and the rest of your blog tour.

Jenny x

 

 

 

 

 

Opening Lines with Jules Hayes: The Walls We Build

By

On March 26, 2020

In Blog, Fiction, Historical fiction, Opening Lines Blog

I’m delighted to welcome Jules Hayes to this week’s Opening Lines, with her new novel, The Walls We Build.

Over to you Jules…

Thank you for having my new book, and me, over on your blog, Jenny.

The Walls We Build is my debut historical novel and written under my pseudonym, Jules Hayes. I also write contemporary thrillers as JA Corrigan.

The Walls We Build, part love story, part thriller, and part mystery, is a sweeping generational dual timeline tale and set in the period between 1928 and 2004. The narrative boldly draws on the figure of Winston Churchill, who takes a small but important cameo role in this labyrinthine story of three childhood friends.

I was inspired to write the story after seeing a photograph of Winston Churchill – Britain’s pugnacious but passionate wartime Prime Minister – addressing battle-weary troops in Libya, North Africa, and only days after the Allied victory in the desert war campaign.

This powerful image compelled me to write a story about one of the men listening to Mr Churchill’s victory speech that day in April 1943. The idea took root, and once I began to write the story became so very clear, as did the characters, settings, and the themes. I wanted to write a mystery, I wanted to write a love story, I wanted to write about relationships, and I wanted Winston Churchill in a cameo role, mirroring my main male protagonist – Frank: An ordinary man and an extraordinary man. How do their paths continue cross over the years?

Blurb

Set against the stunning backdrop of Chartwell, Winston Churchill’s country home, and reverberating through three generations comes a tragic story of misguided honour, thwarted love and redemption.

Three Friends

Two Secrets

One Hidden Life

Growing up around Churchill’s estate, Frank, Florence and Hilda are inseparable, but as WW2 casts its menacing shadow their friendships become more complex and strained. Following Frank’s death in 2002, Florence writes to his grandson, Richard, hinting at a dark past.

On investigation, disturbing secrets come to light that have not only haunted his grandfather’s life but will now impact on Richard’s too. When a pivotal encounter between Frank and Churchill is revealed and a mystery relative in a psychiatric hospital discovered, just how much more does Florence dare disclose, and is Richard ready to hear?

For readers who enjoy the work of Kate Morton, Rachel Hore, Lucinda Riley, Katherine Webb and Juliet West.

***

First 500 words…

~ Out of intense complexities, intense simplicities emerge

1.

Frank

February 2002

Frank lifted his head a fraction and listened to his wife shuffling around in the bedroom above. She was keeping out of his way, just as she’d been doing for more years than he wanted to admit. He slumped further into the armchair that she’d placed strategically so he could look outside, and not bother her. With his chin resting on his chest, he scrutinised his useless body, knowing he’d never achieve the miraculous recovery his old employer had managed fifty years before.

Finally, Frank turned, his line of vision settling on the glass panels of the patio doors, and through those, towards the silver birch that stood as an arboreal chandelier in the harsh morning frost. He clocked the untidiness of the garden; bushes not pruned, last summer’s bedding plants long dead, and the grass was a bloody mess. He hated to think what was happening down at his allotment, although Richard would happily sort it, the garden too. Frank would love to see more of his favourite grandson, but instead, here he was, confined to this one room, hearing the familiar creak of footsteps on the stairs as Hilda made her way down. He could gauge every one of her movements around the house, always knowing exactly where she was. Now, she’d be loitering on the other side of the sitting room door. Waiting for him to die.

He should call Richard. Do it now. There were secrets he needed to share with his grandson. Where was his mobile? On the table in the hall? Frank pushed himself into standing, but his knees collapsed as a sharp pain ricocheted throughout the front of his skull. Excruciating. Just like the last time, although this was worse. Much. He couldn’t see his wife but sensed she’d crossed the threshold into the room; he tried to call out. No sound came from his lips and in the lull that came before the real tornado he managed to move his head. There she stood, red hair now white and wispy, her face expressionless. He tried again, tried to say the words, Richard and phone. She turned away.

Frank didn’t want this to be the last thing he saw. The back of a woman he’d once loved so much but whom he’d come to despise. Instead, he found what he wanted to see, the full and vibrant image of a life half shared and of a woman so different to his wife, in every conceivable way.

2

Florence

Westerham, Kent

May Day 1928

With her legs splayed out and her back leant against the biggest oak in the village, which was conveniently situated at the rear of the church and away from prying eyes, Florence finished the last puff of her cigarette. She placed it on the parched ground and used the scuffed heel of her boot to extinguish it properly. The countryside’s like a tinderbox, her dad had told her; the last thing she wanted was to start a fire …

***

Buy Links:

Amazon: getbook.at/TheWallsWeBuild

Waterstones: https://www.waterstones.com/book/the-walls-we-build/jules-hayes/9781916338005

Biography

Jules Hayes lives in Berkshire with her husband, daughter and a dog. She has a degree in modern history and holds a particular interest in events and characters from the early 20th century. As a former physiotherapist and trainer – old habits die hard – when not writing Jules likes to run. She also loves to watch films, read good novels and is a voracious consumer of non-fiction too, particularly biographies.

Jules Hayes’ second historical novel, which is due for publication in late 2020 is another dual timeline story.

Jules also writes contemporary thrillers as JA Corrigan.

***

Website: http://www.jules-hayes.com

Social Media:

Twitter: @JulesHayes6

http://www.twitter.com/JulesHayes6

Facebook Author Page: JulesHayesAuthor

http://www.facebook.com/JulesHayesAuthor

Instagram: JulesHayes6

http://www.instagram.com/juleshayes6

Writing thrillers as JA Corrigan.

Website: http://www.jacorrigan.com

Twitter: @juliannwriter

http://www.twitter.com/juliannwriter

Facebook Author Page: JACorrigan

http://www.facebook.com/jacorrigan

Instagram: corriganjulieann

http://www.instagram.com/corriganjulieann

***

Many thanks Jules,

Happy reading everyone,

Jenny x

Opening Lines with Charlie Laidlaw

By

On March 19, 2020

In Blog, Contemporary fiction, Fiction, Opening Lines Blog

This week’s Opening Lines blog shares the first 500 words of Charlie Laidlaw’s dark comedy, The Space Between Time.

Why not sit back for five minutes, and enjoy the very start of the story?

Blurb

There are more stars in the universe than there are grains of sand on Earth…

Emma Maria Rossini appears to be the luckiest girl in the world. She’s the daughter of a beautiful and loving mother, and her father is one of the most famous film actors of his generation. She’s also the granddaughter of a rather eccentric and obscure Italian astrophysicist.

But as her seemingly charmed life begins to unravel, and Emma experiences love and tragedy, she ultimately finds solace in her once-derided grandfather’s Theorem on the universe.

The Space Between Time is humorous and poignant and offers the metaphor that we are all connected, even to those we have loved and not quite lost.

First 500 words…

Density parameter of the universe

I have decided, somewhat reluctantly, but after careful consideration and under the influence of strong medication, to begin here:

Yippee! Mummy is taking me to the cinema and has told me that it’s a surprise. This doesn’t really make sense, because if taking me to the cinema is a surprise, why has she told me?

But this is typical Mum; opening her mouth and saying something, then realising that she shouldn’t have said it and wishing that she could un-say it. Even in my short life, I know she’s confused a lot of people – and offended many others. Nothing nasty, but if someone at the shops says what a nice day it is, Mum will often disagree, and I’m old enough to know that you’re not supposed to disagree about the weather.

Even if it’s been pouring with rain for hours, you’re supposed to agree that it’s just a passing shower. It’s not intentional, she simply doesn’t think, then realises she may have been rude, and sometimes goes back into the shop to apologise, or doesn’t go back and then frets that she should have done. Mum spends a lot of time worrying, usually about things that aren’t worth worrying about.

My Mum’s called Caitlin, by the way, although most grown-ups call her Cat. It’s a better name than Dog or Mouse, I suppose, and Mum does look a bit feline with her big eyes and unblinking gaze.

But it is a surprise to be going to the cinema because we almost never go to the cinema, and then only to see cartoons about dogs and cats – and big cats like lions. I keep telling her that I don’t like cartoons but – another Mum habit – she’s rarely listening or, if she is, then the information just wafts around her brain like smoke and quickly gets blown out her ears.

She told me recently that her brain is a bit of a butterfly, as if that neatly explained things, which it didn’t. I’d been telling her something really interesting about frogspawn and she’d been nodding and smiling in – mostly – the right places when the phone rang. It was Dad, who Mum spends most of the time worrying about, and who’s rarely here, but does try to phone from London or New York, or wherever he says he is.

When Dad phones, one of Mum’s feet taps on the floor, faster and faster. We have wooden floors, so it’s like living with a large woodpecker. For some reason, Mum rarely believes that he’s where he says he is.

Mum put down the phone and stared at it with narrowed eyes, as if it had done something naughty, then said bastard very loudly. ‘It’s a term of endearment,’ she told me, ignoring my sceptical expression. ‘Now, what were you telling me about toads?’

That’s also when she told me about the butterfly inside her head, which I also didn’t believe, because butterflies are only colourful insects and…

***

You can find out what happens next by buying The Space Between Time from all good retailers, including…

https://www.amazon.co.uk/s?k=the+space+between+time&ref=nb_sb_noss_2 

***

Bio

I’m the author of three novels, The Things We Learn When We’re Dead and The Space Between Time and Love Potions and Other Calamities.

I was born in Paisley, central Scotland, which wasn’t my fault. That week, Eddie Calvert with Norrie Paramor and his Orchestra were Top of the Pops, with Oh, Mein Papa, as sung by a young German woman remembering her once-famous clown father. That gives a clue to my age, not my musical taste.
I was brought up in the west of Scotland (quite near Paisley, but thankfully not too close) and graduated from the University of Edinburgh. I still have the scroll, but it’s in Latin, so it could say anything.
I then worked briefly as a street actor, baby photographer, puppeteer and restaurant dogsbody before becoming a journalist. I started in Glasgow and ended up in London, covering news, features and politics. I interviewed motorbike ace Barry Sheene, Noel Edmonds threatened me with legal action and, because of a bureaucratic muddle, I was ordered out of Greece.
I then took a year to travel round the world, visiting 19 countries. Highlights included being threatened by a man with a gun in Dubai, being given an armed bodyguard by the PLO in Beirut (not the same person with a gun), and visiting Robert Louis Stevenson’s grave in Samoa. What I did for the rest of the year I can’t quite remember.
Surprisingly, I was approached by a government agency to work in intelligence, which just shows how shoddy government recruitment was back then. However, it turned out to be very boring and I don’t like vodka martini.
Craving excitement and adventure, I ended up as a PR consultant, which is the fate of all journalists who haven’t won a Pulitzer Prize, and I’ve still to listen to Oh, Mein Papa.
I am married with two grown-up children and live in East Lothian.  And that’s about it.

You can find Charlie at…

www.charlielaidlawauthor.com

F: charlielaidlawauthor

T: @claidlawauthor

***

Many thanks Charlie,

Happy reading everyone,

Jenny x

Opening Lines with Marie Laval: A Paris Fairy Tale

By

On March 5, 2020

In Blog, Contemporary fiction, Contemporary Romantic Fiction, Fiction, Jenny Kane, Opening Lines Blog, Romance

On this week’s Opening Lines I’m delighted to welcome Marie Laval, with the first 500 words of her romance, A Paris Fairy Tale.

Over to you Marie…

It takes me so long to write a novel that I can’t always recall what gave me the original idea for the story. I can however remember exactly where and when A Paris Fairy Tale was born in my imagination. I was with my daughter Clémence at the beautiful John Ryland’s Library in Manchester city centre. If you are in Manchester, this wonderful building is well worth a visit, by the way…

After looking at the various collections on display, I sat in front of a computer and played around with an interactive programme describing the world of illuminated manuscripts in Paris in the Middle Ages. From that moment on, I was hooked… It took me two years to write the story and to get it published. I can honestly say that had it not rained that day, and had I not popped into John Ryland’s Library and had my daughter not been so patient whilst I took frantic notes and muttered to myself like a mad woman, A PARIS FAIRY TALE wouldn’t have existed.

Blurb

Is Paris the city of happily ever afters?
Workaholic art historian Aurora Black doesn’t have time for fairy tales or Prince Charmings, even in the most romantic city in the world. She has recently been hired by a Parisian auction house for a job that could make or break her career. Unfortunately, daredevil journalist Cédric Castel seems intent on disrupting Aurora’s routine.
As Aurora and Cédric embark on a journey across France, they get more than they bargained for as they find themselves battling rogue antiques dealers and personal demons, not to mention a growing attraction to each other.
But with the help of a fairy godmother or two, could they both find their happily ever afters?

A PARIS FAIRY TALE is available as an ebook and audiobook on Amazon and various other platforms.

***

First 500 words…

I love Paris when it’s sunny and I love Paris when it rains… No, that wasn’t right. Aurora sighed as she pulled a tissue out of her handbag to wipe the lenses of her glasses. She had hummed the song ever since landing at Charles de Gaulle Airport. Why could she not remember the lyrics? She should know them by heart. Paris was one of her most favourite places, even if all she had seen of the French capital city that day were thundering grey skies, student protests and wicked motorists who derived great pleasure from driving into puddles as she limped by in her uncomfortable new shoes.

She glanced at her reflection in the mirror and dabbed the soggy tissue under her eyes where the mascara had run. Her mad dash from the metro station in the torrential rain had left her looking like a drowned racoon. What would Florent Maupas think? Not only was she late to his party, but she hardly looked like a respectable historian… or a stylish one, for that matter. Her cocktail dress was, like the rest of her clothes, plain and serviceable, and so rarely worn it smelled of mothballs no matter how much perfume she sprayed on it. Her only concession to fashion was the silly new heels she couldn’t wait to take off.

She slipped her glasses back on, and pushed the tissue back into her bag. Never mind what she looked like. Florent Maupas had hired her for her brain, not her physique or dress sense.

‘Here you are at last, ma chère.I was getting worried.’

There was the man himself. Florent Maupas – handsome, grey-haired millionaire playboy and owner of one of Paris’ most prestigious auction houses.

‘I am sorry to be late, monsieur,’ she said with an apologetic smile. ‘I got lost on my way from the metro.’

‘Why didn’t you phone? My chauffeur would have picked you up from the hotel. The weather is appalling tonight. Poor you…you are drenched.’

She tucked a wet lock of hair behind her ear and smiled. ‘ I’ll be fine. I don’t mind the rain.’

‘That’s because you’re English!’ His bewildered tone suggested that she might as well be from Mars.

Stepping closer, he added in a low voice. ‘Now, my dear, I must remind you not to breathe a word about the manuscript to anyone. It is vital nobody finds out about your real job here until your valuation is complete.’

She frowned. ‘Of course, monsieur.’ Who did he take her for? She was a professional, and as such knew that discretion was of the utmost importance.

He nodded. ‘Good. Now, let’s join our guests.’

She did her best not to limp as she followed him, even if pain clawed at her left foot so fiercely that she bit back a gasp of pain and dug her nails into her palm. Why didn’t she stick to her usual no-nonsense pumps? Whatever the shop assistant had said, glamorous high heels weren’t for…

Bio

Originally from Lyon in France, Marie now lives in Lancashire with her family. She works full-time as a modern languages teacher and in her spare time she loves writing romance and dreaming about romantic heroes. She writes both historical and contemporary romance and her best-selling Little Pink Taxi was her debut romantic comedy novel with Choc Lit. It was followed by A PARIS FAIRY TALE and BLUEBELL’S CHRISTMAS MAGIC. Marie belongs to Authors on the Edge and writes short stories for the best selling Miss Moonshine’s anthologies. She is a member of the Romantic Novelists Association and the Society of Authors. Her native France, as well as her passion for history and research, very much influences her writing, and all her novels have what she likes to call ‘a French twist’!

***

Many thanks Marie.

Happy reading everyone,

Jenny x

 

Opening Lines with Richard Gould: Mid Life Follies

By

On February 13, 2020

In Blog, Contemporary fiction, Contemporary Romantic Fiction, Fiction, Jenny Kane, Opening Lines Blog, Romance

After a break in January, Opening Lines is back!

Kicking off the first blog of the series for 2020 is Richard Gould, with his brand new novel, Mid Life Follies.

Over to you Richard…

Thank you, Jenny, for inviting me onto your blog.

Although I didn’t set out to be categorised as a Romantic Fiction novelist, that’s what I am. In case people haven’t noticed, there aren’t that many blokes writing (nor for that matter, reading) this genre, despite the fact that around 50% of those in relationships are likely to be men. I think the lack of male authors is a pity because a male take on romance can provide fresh insights into the ups and downs of starting, sustaining and ending relationships. I focus on second chance ones, using humour to describe tragi-heroic journeys in pursuit of love, while struggling to cope with cartloads of baggage.

Mid-life follies is well and truly about second chances. Following the early retirement of Hugh, the male protagonist, panic sets in for his wife, Liz. All the old clichés come to the fore – feeling trapped, needing space, fearing ageing – and she takes flight from the comfort of the family home.

My first thoughts about how to cover this theme were centred on the humour as the couple compete for who can have the most embarrassing mid-life crisis. Once I started writing, I recognised that there was considerable poignancy and home truths to add to the humour.

 Blurb

‘When you look in the mirror, do you see someone young and vibrant like you used to be,’ Liz asks her husband, ‘or old and decrepit like you’re going to be?’

This question is the trigger for Liz’s decision to leave the comfortable family home in Cambridge after twenty-three years of contented marriage. A brisk walk to clear her head of the feeling of being trapped doesn’t work. On a brief escape to the seaside, a wholly out of character one-night fling makes things worse.

A baffled Hugh is left to figure out why his wife has abandoned him. Is she suffering a mid-life crisis? Is he experiencing the same affliction?

A succession of twists and turns prevents a restoration to the normality that the couple increasingly crave as their children, parents and friends discover that immaturity is not solely the preserve of the young.

“This tale of self-doubt, adultery and forgiveness is shot through with humour and compassion. A most enjoyable read.” 

David Lister, The Independent 

***

First 500 words…

Soon after my fifty-ninth birthday, a lifelong interest in reading obituaries took a perverse turn for the worse. I began to ignore the parts about inspirational achievements and headed straight for statements about age of death. A vague insecurity arose if someone had passed away around the sixty mark. I would scrutinise the photo to assess whether, compared to me, they had been overweight, balding, wrinkled or showing any other sign that they hadn’t aged well. That all important sentence citing cause of death was of particular interest. I was content if a sixty-year-old had been hit by a bus or murdered by a jealous ex-lover. A long-standing debilitating disease was reasonable too, but what I didn’t want to see was reference to those sudden things that imperil older people, like a heart attack or a stroke. Because that could be my fate next year, next week or even tomorrow.

I was neither ill nor a hypochondriac, in fact a recent annual check-up had revealed that I was remarkably healthy for a fifty-nine year old. Instead, the cause of my anxiety was that a mid-life crisis had been activated. I use the word “activated” because I’m convinced I would never have suffered one had it not been for Liz’s conduct. Men can suffer them at a significantly younger age than my own, but quite simply I’d never seen the need because I’d been more than happy with life – my family, my job, my health, my friendships.

I know the exact date when it all started: 21st July.

The eighteenth of July had been the last day of the academic year and my farewell to teaching at Legends Academy – I was taking early retirement. I’d worked there for almost thirty years, just two since the daft new name had been selected by the governors following a poll to parents that had produced thirty-eight voters out of a school population of over a thousand. “Where Legends are Nurtured” became the school motto.

It would take a brave or even foolhardy person to challenge my opinion that the school had never nurtured a legend and was unlikely to ever do so. Our most successful ex-pupils achieved their fame through notoriety. Des Robins was the City trader who didn’t quite manage to bring down the bank where he worked, but it was a jolly close thing. Dino Stringer made his fortune drug dealing, his fleet of cars and lavish mansion the envy of many in the locality. It all came to an end with a car chase around the M25 and he’s still inside five years after the trial. Hazel Broad, aka Flightchick, had some success as a singer, but being smashed on stage diminished her popularity with promoters despite raising it for her audience. Those in the staff room with some interest in her well-being indicated that now she was spending her time opening supermarkets. I’d had high hopes for one of our lads, a promising footballer, but alas, Shane Hughes got no further…

Buy link

e-book             http://myBook.to/midlifefollies

Paperback     https://www.feedaread.com/books/Mid-life-follies-9781839451874.aspx

Bio

R J Gould is published by Endeavour Media and Headline Accent and is the author of four novels:  A Street Café Named Desire, The Engagement Party, Jack & Jill Went Downhill and Mid-life follies. He is a (rare male) member of the Romantic Novelists’ Association. Having been selected for the organisation’s New Writers Programme, his first novel was short-listed for the Joan Hessayon Award. Ahead of writing full time, R J Gould led a national educational charity. He has published in a wide range of educational journals, national newspapers and magazines and is the co-author of a major work on educating able young people, all rewarding, but his passion is writing fiction. He lives in Cambridge, England.

Social Media

Website:          http://www.rjgould.info

Twitter:           https://twitter.com/RJGould_author

Email:              rjgould.author@gmail.com

Facebook:        https://www.facebook.com/richard.gould.14418 

Many thanks Richard.

Wishing you much success with your new novel.

Jenny x

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