Jenny Kane & Jennifer Ash

Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

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Opening Lines with Victoria Dowd: Body on the Island

By

On February 18, 2021

In Blog, crime, Fiction, Opening Lines Blog, thriller

I’m delighted to welcome author, and fellow member of the Exeter |Author’s Association, Victoria Dowd, to my site today, to share the Opening Lines from her forthcoming novel, Body on the Island.

Blurb

An uninhabited island.
Ten stranded strangers.
No way to escape.

Ursula Smart (not her real name), realising therapy alone cannot teach her how to survive this life, is determined to make some changes. She signs herself up for a survival course — along with her mother, aunts Charlotte and Mirabelle and Bridget.
But the promised gentle weekend of foraging and camping in the Outer Hebrides swiftly turns into a desperate battle for survival.
Their boat capsizes. Washed up on an uninhabited island, the Smart women face starvation, freezing conditions and — worse — no Wi-Fi.
Then the murders begin.
Someone is killing them off one by one. Will the Smarts escape or will they be next?

A DARKLY COMIC GOLDEN AGE MURDER MYSTERY
Victoria Dowd’s brilliant whodunnit is perfect for fans of Agatha Christie, Anthony Horowitz, Faith Martin and Stuart Turton.

FIRST 500 WORDS

As I’m drowning, I see my Dad’s murdered eyes below me. They are wide in warning. I hear his voice below the waves. ‘Do not come over to this side. There is nothing good here, Ursula. Stay. Stay alive.’

‘Stay alive,’ I call back. ‘Stay alive.’

‘I’m trying!’ It’s not Dad who answers but Mother’s voice shouting back at me, her mouth filling with icy saltwater, before she is thrown out from me on another high wave.

‘Don’t die!’ I shout.

‘That had occurred to me.’ Her eyes are wide like Dad’s. She spins out from me as if she’s been carelessly thrown away.

‘Mother!’ I scream. ‘Hold my hand.’

She reaches and grabs me. We are so small among this broken sea. The freezing spray pits my skin.

‘Ursula,’ Mother shouts. ‘Stay with me!’ Always a command. She scans the mineral black waters quickly. ‘Charlotte?’ Her mouth is wide but the sound is washed away in another wave.

I see a hand rise up across the bow of the listing boat. Aunt Charlotte’s fist, strong and capable above the waves.

‘Mirabelle?’ Mother calls.

No response.

‘Mirabelle?’

There are heads floating all around, rising high on the waves before plunging down fast, rollercoastered against the wet shale sky. The water is bitter, and I’m pushed under again. The cold shocks my head as if I’m being baptized in ice water. I can’t feel or move my limbs, yet I’m moving so fast that my eyes, raw with burning salt, are unable to process the changing snapshots of sky and water. I catch a glimpse of Mother’s face again, her eyes are ripe with fear.

Somewhere in another great swell, I lose Mother’s hand.

‘Mother? Mother? Mother!’

I am that lost child in a crowd again, feeling her hand slip from mine.

I’m falling.

I hear screams and see the faces of my other travelling companions full of panic. They don’t seem to see me. I lock with two bewildered eyes for a moment. A woman’s, sea-green and two perfect mirrors of the water. Her head turns before I can make out the face. Then the hands grab her.

I’m thrown high again by another wave.

The hands are on Green Eyes’ shoulders, making their way spider-fast to the crown of her head. Her eyes are wide and pleading now. Fear, desperation reflect on their surface. Then the thin-boned hands push down on her delicate head and the green eyes disappear beneath a spume of white water. Her small hands reach up and twist with tiny dancer’s fingers.

Whoever reaches out and pushes the woman down again has their back to me.

She struggles free for a moment, her mouth gasping above the water, her head tilted back against the waves. The mouth lingers open as if caught on a word that is instantly drowned out. Her head is forced below once more.

In that moment, it’s as if I’m looking at them from the other side of a window. I…

***

If you would like to preorder your copy of Body on the Island, you can find it via all good book retailers including

Amazon UK https://www.amazon.co.uk/dp/B08W9F5ZKC

Amazon.com https://www.amazon.com/dp/B08W9F5ZKC

Bio

Victoria’s novel, Body on the Island, will be published on 23rd February. It’s the sequel to her debut novel, The Smart Woman’s Guide to Murder, which was published in 2020 by Joffe Books and was Classic Mystery’s Book of the Year. It is also a finalist in The People’s Book Prize.

She is an award-winning short story writer, winning the Gothic Fiction prize for short fiction in 2019 and was runner up in The New Writer’s writer of the year award. She has been short listed by Writers’ Forum and long-listed for The Willesden Herald International Short Story Competition. Her work has been published in various literary journals, including Aesthetica: A Review of Contemporary Artists; Between These Shores Literary and Arts Journal; Dream Catcher magazine; and Gold Dust.

She also writes the Adapting Agatha series on her blog which can be found at https://victoriadowd.com/ . She has spoken at various literary festivals about Agatha Christie.

Victoria is originally from Yorkshire and graduated in law from Cambridge University. She was a criminal defence barrister for many years until finally hanging up her wig for more fictional crimes.

Website https://victoriadowd.com/

Twitter https://twitter.com/victoria_dowd

FB https://www.facebook.com/profile.php?id=625505478

Victoria Dowd | Facebook

Instagram https://www.instagram.com/dowdvictoria/

***

Many thanks for popping by with your fabulous opening lines, Victoria.

Happy reading everyone,

Jenny xx

Happy Valentine’s Day: Robin Hood Style

By

On February 14, 2021

In Blog, Contemporary fiction, Contemporary Romantic Fiction, crime, Fiction, Historical fiction, Jennifer Ash, Jenny Kane, medieval, Romance

Valentines

To celebrate St. Valentine’s Day, I thought I’d share a little of Romancing Robin Hood– my part romance/part medieval mystery novel- with you.

Romancing Robin Hood is a contemporary romance is based on the life of Dr Grace Harper, a medieval history lecturer with a major Robin Hood obsession. So much so, that instead of writing a textbook on medieval life, Grace is secretly writing a novella about a fourteenth century girl called Mathilda, who gets mixed up with a real outlaw family of the day, the Folvilles. As you read Grace’s story, you can read the medieval mystery she is writing alongside!

The problem is, Grace is so embroiled in her work and passion for outlaws, that real life is passing her by.

RH- E Flynn

With her wedding approaching fast, Grace’s best friend Daisy can’t help wishing a similar happiness to her own for her Robin Hood loving friend…

Extract

…Daisy hadn’t grown up picturing herself floating down the aisle in an over-sequinned ivory frock, nor as a doting parent, looking after triplets and walking a black Labrador. So when, on an out-of-hours trip to the local vet’s surgery she’d met Marcus and discovered that love at first sight wasn’t a myth, it had knocked her for six.

She’d been on a late-night emergency dash to the surgery with an owl a neighbour had found injured in the road. Its wing had required a splint, and it was too big a job for only one pair of hands. Daisy had been more than a bit surprised when the locum vet had stirred some long-suppressed feeling of interest in her, and even more amazed when that feeling had been reciprocated.

It was all luck, sheer luck. Daisy had always believed that anyone meeting anybody was down to two people meeting at exactly the right place, at exactly the right time, while both feeling precisely the right amount of chemistry. The fact that any couples existed at all seemed to Daisy to be one of the greatest miracles of humanity.

She pictured Grace, tucked away in her mad little office only living in the twenty-first century on a part-time basis. Daisy had long since got used to the fact that her closest friend’s mind was more often than not placed firmly in the 1300s. Daisy wished Grace would finish her book. It had become such a part of her. Such an exclusive aim that nothing else seemed to matter very much. Even the job she used to love seemed to be a burden to her now, and Daisy sensed that Grace was beginning to resent the hours it took her away from her life’s work. Maybe if she could get her book over with – get it out of her system – then Grace would stop living in the wrong timeframe.

Daisy knew Grace appreciated that she never advised her to find a bloke, settle down, and live ‘happily ever after,’ and she was equally grateful Grace had never once suggested anything similar to her. Now she had Marcus, however, Daisy had begun to want the same contentment for her friend, and had to bite her tongue whenever they spoke on the phone; something that happened less and less these days.

Grace’s emails were getting shorter too. The long paragraphs detailing the woes of teaching students with an ever-decreasing intelligence had blunted down to, ‘You ok? I’m good. Writing sparse. See you soon. Bye G x’

The book. That in itself was a problem. Grace’s publishers and colleagues, Daisy knew, were expecting an academic tome. A textbook for future medievalists to ponder over in the university libraries of the world. And, in time, that was exactly what they were going to get, but not yet, for Grace had confided to Daisy that this wasn’t the only thing she was working on, and her textbook was coming a poor third place to work and the other book she couldn’t seem to stop herself from writing.

‘Why,’ Grace had forcefully expounded on their last meeting, ‘should I slog my guts out writing a book only a handful of bored students and obsessive freaks like myself will ever pick up, let alone read?’

As a result, Grace was writing a novel, ‘A semi-factual novel,’ she’d said, ‘a story which will tell any student what they need to know about the Folville family and their criminal activities – which bear a tremendous resemblance to the stories of a certain famous literary outlaw! – and hopefully promote interest in the subject for those who aren’t that into history without boring them to death.’

It sounded like a good idea to Daisy, but she also knew, as Grace did, that it was precisely the sort of book academics frowned upon, and she was worried about Grace’s determination to finish it. Daisy thought it would be more sensible to concentrate on one manuscript at a time, and get the dry epic that everyone was expecting out of the way first. Perhaps it would have been completed by now if Grace could focus on one project at a time, rather than it currently being a year in the preparation without a final result in sight. Daisy suspected Grace’s boss had no idea what she was really up to. After all, she was using the same lifetime of research for both manuscripts. She also had an underlying suspicion that subconsciously Grace didn’t want to finish either the textbook or the novel; that her friend was afraid to finish them. After all, what would she fill her hours with once they were done?

Daisy’s mobile began to play a tinny version of Nellie the Elephant. She hastily plopped a small black guinea pig, which she’d temporarily called Charcoal, into a run with his numerous friends, and fished her phone from her dungarees pocket.

‘Hi, Marcus.’

‘Hi honey, you OK?’

‘Just delivering the tribe to their outside quarters, then I’m off to face the horror that is dress shopping.’

Her future husband laughed, ‘You’ll be fine. You’re just a bit rusty, that’s all.’

‘Rusty! I haven’t owned a dress since I went to parties as a small child. Thirty-odd years ago!’

‘I don’t understand why you don’t go with Grace at the weekend. It would be easier together wouldn’t it?’

Daisy sighed, ‘I’d love to go with her, but I’ll never get her away from her work more than once this month, and I’ve yet to arrange a date for her to buy a bridesmaid outfit.’

‘Well, good luck, babe. I’m off to rob some bulls of their manhood.’

Daisy giggled, ‘Have fun. Oh, why did you call by the way?’

‘Just wanted to hear your voice, nothing else.’

‘Oh cute – ta.’

‘Idiot! Enjoy shopping.’

As she clicked her battered blue mobile shut and slid it back into her working clothes, Daisy thought of Grace again. Perhaps she should accidentally invite loads of single men to the wedding to tempt her friend with. The trouble was, unless they wore Lincoln Green, and carried a bow and quiver of arrows, Daisy very much doubted whether Grace would even notice they were there…

 

If that extract has whetted your appetite for more, Romancing Robin Hood is available in paperback, and e-formats from all good retailers- including…

Kindle –
(Available via KDP for those who subscribe)
Paperback-

 

Happy Valentine’s Day,

Jenny x

 

Criminal Inspiration: Folville Thinking

By

On January 12, 2021

In adventure, crime, Fiction, Historical fiction, history, Jennifer Ash, medieval, The Folville Chronicles

Although it cannot be categorically stated that the compilers of the Robin Hood ballads were influenced by the actual criminal gangs of the day, it is highly likely. Why wouldn’t the writers of the past be influenced by the political and local economic situation around them, just as we are today? If you study the literature and the criminal records of the thirteenth and fourteenth centuries- as I did for five years- many similarities can be noted between the actions of gangs like the Folvilles, and those detailed in the ballads and political songs.

The earliest mention found (to date) of the name Robin Hood in literature appears in the poem The Vision of Piers Plowman, which was written by William Langland in c.1377. This was a protest poem complaining about the harsh conditions endured by the poor in the Fourteen Century. Not only did it mention Robin Hood, but it also makes reference to a real outlaw gang, the Folvilles.

“And some ryde and to recovere that unrightfully was wonne:

He wised hem wynne it ayein wightnesses of handes,

And fecchen it from false men with Folvyles lawes.”

In 1310, John de Folville, Lord of Ashby Folville, died, leaving his widow Alice and seven sons. The eldest son, also John, inherited the Ashby-Folville manor. Historical records show that John lived largely within the bounds of the law. However, his brothers, Eustace, Laurence, Richard, Robert, Thomas and Walter formed a criminal gang which became notorious. Between the mid 1320’s and 1330’s, the Folville brothers ran the town of Ashby Folville and its surrounds as a base for criminal activity.

The first crime that brought the Folvilles to the notice of the authorities was the murder of the Baron of the Exchequer, Roger Belers. Over the following decade, the Folville brothers’ travelled the countryside assaulting those they considered deserving of such treatment, and holding people and places to ransom. They hired themselves out as mercenaries, willing to commit crimes for the right price. In fact, if you look closely enough at the criminal activities of the Folville family and the Robin Hood ballads, you’ll see a great number of similarities. So many in fact, that I began to wonder if the ballad writers had been influenced by the actions of Folvilles – or if Folvilles had been influenced by the popularity of the ballads.

It was this latter theory that forms the inspiration behind The Folville Chronicles (The Outlaw’s Ransom, The Winter Outlaw, Edward’s Outlaw and Outlaw Justice).

These medieval murder mysteries show Robert de Folville and his brothers using the ballads of Robin and his outlaws as a code of behaviour. Be warned however- this isn’t the code of behaviour we associate with Robin Hood today. There’s no robbing the rich to give to the poor in the fourteenth century. The original ballads were all about punishing the greedy, lazy and the cruel. There was never any question of any money gained from such punishments being given away.

Perhaps it was inevitable that my doctoral research, combined with my love for the stories of Robin Hood, would eventually inspire my novels.

Writers, filmmakers and poets ever since the tales were first spoken, have all adapted the outlaw figure to fit their imagination, and to appeal to the audience of the age. The Robin Hood needed by the fourteenth century listener isn’t going to be the same one demanded of the Tudor population, and that version of the hero has been reinvented again and again ever since. From the wonderfully thigh slapping Errol Flynn, the mystical Robin’s portrayed by Michael Praed and Jason Connery in the 1980’s, to the pantomime figure presented in the late 90’s by Kevin Costner, and the PVC nightmare of the most recent incantation by Taron Egerton…perhaps each generation gets the Robin Hood it deserves?

In 1332 the Folville gang committed their most serious crime. They kidnapped the Justice of the Peace, Sir Richard Willoughby, on the road between Melton Mowbray and Grantham, near Waltham-on-the-Wolds. A ransom of 1,300 marks was demanded for his safe return. While the Folvilles’ waited for the ransom to be paid, they stole over a hundred pounds of goods from Willoughby, while they dragged him from wood to wood.

The implications of Willoughby’s kidnap were fair reaching. However, to go into them here would be to ruin the aforementioned fourth novel. I will say however, that the kidnap and ransom of nobles passing through their land, the targeting of corrupt officials, and the general gang activity employed by the Folvilles, echo similar incidents within the Robin Hood ballads, from The Lytell Geste to the later tales, such as Robin Hood and Guy of Gisborne.

Rather than tell the story of the Folville brothers through their eyes, I introduced an outsider; a fictional protagonist to see their world with fresh eyes. Enter Mathilda of Twyford.

We first meet Mathilda in Book One of the Chronicles, The Outlaw’s Ransom.  A nineteen year old unmarried woman, Mathilda’s life revolves around looking after her father and brothers, running the home and the family pottery business since the death of her mother. Her life changes abruptly when she is forced to get to know the notorious Folville family rather better than she would have liked – and Mathilda finds herself surrounded by criminals and under a very frightening type of suspicion…

Blurb- The Outlaw’s Ransom

When potter’s daughter Mathilda is kidnapped by the notorious Folville brothers as punishment for her father’s debts, she fears for her life. Although of noble birth, the Folvilles are infamous throughout the county for using crime to rule their lands—and for using any means necessary to deliver their distinctive brand of ‘justice’.

Mathilda must prove her worth to the Folvilles in order to win her freedom. To do so, she must go against her instincts and, disguised as the betrothed of Robert de Folville, undertake a mission that will send her to Bakewell in Derbyshire, and the home of Nicholas Coterel, one of the most villainous men in England.

With her life in the hands of more than one dangerous brigand, Mathilda must win the trust of the Folville’s housekeeper, Sarah, and Robert Folville himself if she has any chance of survival.

Never have the teachings gleaned from the tales of Robyn Hode been so useful…

Extract from The Outlaw’s Ransom

…The Folville didn’t say anything else, but satisfied himself with watching Mathilda as she stood, half bowed, before him. She wasn’t shaking now. He’d noticed how hard she had fought within herself to still her external reactions to his news of her change in circumstance and had admired her self-control. It was almost as if she had an offended dignity about her rather than terror; an unusual reaction from a prisoner in the presence of a Folville.

He wondered if she’d been taught her letters. Most families didn’t waste their time teaching their womenfolk such things, but Mathilda of Twyford was clearly sharp and capable. With her mother gone, she’d run the household, and he imagined she did that job well. He saw that his family’s plan for this girl might work, but only if she kept that nerve. Otherwise… well, she wouldn’t be the first to die during his family’s quest to maintain their position.

Breaking the silence that had stretched out between them he said, ‘I recall you have questions for me. I can see your head jarring with them.’

‘If I may, my Lord?’

‘You may, although I should caution you, I may not choose to offer a reply.’

Mathilda licked her lips and ran her clammy palms down her grubby belted surcoat, which largely hid her brother’s leather hose, and flexed her numb bare toes.

‘Please, my Lord, who are you?’

This produced a bark of laughter, ‘You are well-mannered despite the indignity of being thrust, if only for a short while, into our cell. I am Robert de Folville, one of seven brothers of this manor.’

Mathilda curtsied, more out of natural impulse than any feelings of reverence towards this man, whom she knew for certain, had been party to at least one murder. ‘You are kin to my Lord Eustace, my Lord?’

‘Yes, girl, I am.’ He cocked his head to one side. ‘That worries you?’

‘He is a man I have been taught to fear, forgive my impudence, my Lord.’

He snorted. ‘I would rather have honest impudence than bluff and lies. So, you have been instructed by your father to be wary of us?’

‘Not only my father, sir.’ Abruptly worried that her boldness might place her family in more danger, Mathilda clamped her mouth shut. Seeing, however, that the Folville wasn’t cross, but had an expression of acceptance on his face, Mathilda braved a further question.

‘Where is my father, my Lord, and Matthew and Oswin, my brothers?’

Robert de Folville paused and, after a moment’s consideration, gestured for the servant boy to bring her a chair. Mathilda was glad to be allowed to sit down, but was puzzled at the equal status she was being afforded after her earlier abuse, as Folville sat next to her, leaning uncomfortably close to her slight, tense frame….

***

I never dreamt, back when I was a medieval history student at the University of Leicester, that I’d be a writer one day. Nor did I think I’d use all the research I did back then to create fictional adventures based on historical events.

I honestly can’t believe my luck.

BUY LINKS

The Outlaw’s Ransom – The Folville Chronicles Book One

The Winter’s Outlaw – The Folville Chronicles Book Two

Edward’s Outlaw – The Folville Chronicles Book Three

Outlaw Justice – The Folville Chronicles Book Four

The first three novel are also available as an e-boxset – https://www.amazon.co.uk/Folville-Chronicles-Box-Set-Books-ebook/dp/B07V387V3K/ref=sr_1_1?keywords=The+Folville+Chronicles+Box+set&qid=1572970631&sr=8-1

You can also find the Robin of Sherwood audio scripts I’ve written here – www.spitefulpuppet.com

Happy reading,

Jen x

COVER REVEAL: Outlaw Justice

By

On November 24, 2020

In adventure, crime, Historical fiction, history, Jennifer Ash, The Folville Chronicles

Today, I am delighted to be able to share the cover for the fourth novel in my medieval crime/ mystery series,

The Folville Chronicles

Outlaw Justice

Continuing the story of Mathilda of Twyford- now Lady Mathilda de Folville – Outlaw Justice takes another peep at the seven Folville brothers, from Ashby Folville in Leicestershire- and weaves a story around their real life crimes and adventures.

I hope you love the cover as much as I do. It fits so perfectly with the rest of the series!

I’m not going to give any spoilers… but here’s the blurb to whet the appetite…

Blurb – Outlaw Justice

England, 1331: Corrupt official, Sir Richard de Willoughby, has been appointed Justice of the Peace, with powers to hunt – and kill – those who oppose him. First on his list? The notorious Coterel brothers and their associates – the Folvilles…

The Folvilles must decide whether to flee into outlawry or take the law into their own hands – but is killing de Willoughby really the answer?

Robert de Folville is keen to dispose of the justice, but Robert’s ingenious wife, Mathilda, has a plan… one that could potentially rid them of Willoughby and yet see them escape the hangman’s noose. But these are tumultuous times and Mathilda must first put herself at great personal risk. Could the tale of a missing noblewoman, overheard by chance, be the key to solving a problem of life or death?

A gripping tale of real-life Robin Hoods, Outlaw Justice is the latest in the critically acclaimed ‘The Folville Chronicles’ series by Jennifer Ash.

***

Following on from The Outlaw’s Ransom, The Winter Outlaw and Edward’s Outlaw – Outlaw Justice can be read as part of the series, or as a standalone novel.

Publication date will be announced soon!

Happy reading,

Jenny xx

Meet The Winter Outlaw

By

On October 6, 2020

In Blog, crime, Fiction, Historical fiction, Jennifer Ash, medieval, News, Romance

As I’m up to my eyes in words at the moment, I thought I’d leave you a little something to read from The Folville Chronicles – Book Two – while I crack on!

The Winter Outlaw .

Blurb

1329:  It is the dead of winter. The notorious Folville brothers are on edge. There are rumours of an unknown outlaw terrorising the Leicestershire countryside—a man who has designs on the Folville family’s criminal connections.

Determined to stop this usurper in his tracks, Robert Folville unearths a man hiding in one of Ashby-Folville’s sheep shelters. A steward from far-off West Markham in Nottinghamshire, the cold, hungry Adam Calvin claims he knows nothing of any threat to the Folville family. He has troubles of his own, for he is being pursued by vengeful sheriff, Edmund de Cressy, for a crime he did not commit.

Mathilda of Twyford, newly betrothed to Robert de Folville, believes Adam’s story, but with rumours about a vendetta against the family growing, the Folville brothers are suspicious of every stranger.

***

Here’s the prologue to whet your appetite…

Prologue: Winter 1329

Adam Calvin’s vision blurred as his eyes streamed in the cold. His breath came in wheezing puffs. He needed to rest, but he daren’t. Not yet.

It was only as the vague outline of a cluster of homes and workshops came into view in the distance that he realised where his legs had been taking him. Slowing his pace, but not stopping, Adam risked a glance over his shoulder. He’d expected to see dogs, horses and men chasing him, but there was nothing. No one.

Scanning the scene ahead, making sure he wasn’t running into trouble as well as away from it, Adam exhaled heavily and aimed for a building he hoped was still standing.

The last time he’d visited the tiny village of Walesby there had been an old grain store on its outskirts. Built too close to the point where the frequently flooding Rivers Maun and Meden merged, the grain store had paid the price of a poor location. Long since abandoned in favour of a superior bake house, it was a perfect temporary hiding place for a man on the run.

Adam had no breath left with which to sigh for relief when he saw the neglected grain store. Uttering a prayer of thanks to Our Lady for the fact the building hadn’t been pulled down, he lifted the worn latch. He eased his way into the damp space, which was stuffed with rotting sacks containing all manner of rubbish.

Scrabbling awkwardly over the first few rows of musty sacks, Adam made himself a man-sized gap at the back of the room. Sinking down as far as he could, hoping both the sacks and the dark would shield him long enough for his cramped limbs to rest, he did his best to ignore the putrid stench and allowed his mind to catch up on events.

Only a few hours ago everything in Adam’s life had been as it should be.

He’d been fast asleep in his cot in the small private room his status as steward to Lord John de Markham gave him.

Had given him.

Adam wasn’t sure what time it had been when he’d been shaken to his senses from sleep by Ulric, the kitchen boy. He suspected it hadn’t been much more than an hour after he’d bedded down for the night.

Ulric, who’d frantically reported that a hue and cry had been called to capture Adam, had urged his master to move quickly. The sheriff had unexpectedly arrived and there had been a brief meeting between him, the Lord Markham and one other unknown man. An anxious Ulric had said that rumours were flying around like snowflakes in the wind.

Some of the household staff were saying Adam had stolen something, some that there had been a death; a murder.

Either way, for his own safety, Steward Calvin had to leave. Fast.

Confused, scared and angry that his good name was being questioned; without having time to find out what was going on or defend himself, Adam had grabbed his scrip. Pulling on his boots and cloak, with Ulric’s help he’d headed through the manor via the servants’ walkways.

The only item Adam hadn’t been able to find to take with him was his knife. Contenting himself with lifting one from Cook’s precious supplies as he ran through the kitchen, he’d left the manor that had been his home for the past twenty years.

With a fleeting nod of gratitude to his young helper, Adam had fled into the frosty night. Only minutes later he’d heard the calls of the hue and cry; echoes of the posse’s footfalls thudding against the hard, icy earth.

Now, wiping tears of exhaustion away with the back of his hand, Adam strained his ears through the winter air. All he could hear was the busy work of the mice or rats who were taking as much advantage of the building as he was.

Glad of the water pouch Ulric had stuffed in his scrip, Adam took a tiny sip. He didn’t know how long it would have to last him. Closing his eyes, he rested his head against the sacks that boxed him in and tried to think.

Had he outstripped the hue and cry? If they were nearby, taking the chance to rest while waiting for him to run again, then Adam was sure he’d have heard something ‑ but there were no muttered voices, no horses panting and no hounds barking at his scent.

Adam managed to get his breathing under control. He’d been part of the hue and cry on occasions himself, and he knew such groups didn’t tend to chase their quarry far, or for long. Especially not on a cold winter’s night, when they could be tucked up in bed before the demands of the next working day.

With growing confidence that he’d chosen his bolthole well, Adam allowed himself to relax a fraction. Few people lived in Walesby since the most recent of many destructive floods, and its location meant he was only a few steps from the edge of Sherwood Forest. A desperate man could easily disappear into the woodland’s depths.

As the hours ticked on, Adam became convinced that the pursuit had stopped. However, he knew that by the morning the hue and cry would be replaced with soldiers if the sheriff barked the order. His bolthole wouldn’t stay safe for long.

Yet that wasn’t what concerned Adam the most. He wanted to know what he was supposed to have done that warranted his midnight flight. How could he even begin to go about clearing his name if he didn’t know what he was accused of?

In the meantime, where was he going to go?

***

Ever since I did my PhD (on medieval crime and its portrayal in the ballad literature of the fourteenth century), I have wanted to use what I learnt to tell a series of stories. Although I’ve written all sorts of things between 1999, when my PhD finished, and now – I still wasn’t sure it would ever happen.  Yet, here I am! The first three novels – one short – two long – are out in the world – and book four (Outlaw Justice), is in the final stages of edits.

You can buy The Winter Outlaw from Amazon and all good book retailers-

UK: http://ow.ly/RsKq30j0jev 
US: http://ow.ly/EvyF30j0jfk  

Happy reading,

Jen xx

Robin Hood and The Outlaw’s Ransom

By

On August 25, 2020

In Blog, crime, Fiction, Historical fiction, Jennifer Ash, medieval, Romance

With Outlaws Justice – the fourth book in The Folville Chronicles – in the final stages of editing, I thought it would be the perfect time to look back at the beginning of my historical crime/adventure/romance series.

The Outlaw’s Ransom was my very first title under the name of Jennifer Ash.

Blurb

The first in an exciting new series by acclaimed author Jenny Kane writing as Jennifer Ash.

When craftsman’s daughter Mathilda is kidnapped by the notorious Folville brothers, as punishment for her father’s debts, she fears for her life.  Although of noble birth, the Folvilles are infamous throughout the county for disregarding the law – and for using any means necessary to deliver their brand of ‘justice’.

Mathilda must prove her worth to the Folvilles in order to win her freedom. To do so she must go against her instincts and, disguised as the paramour of the enigmatic Robert de Folville, undertake a mission that will take her far from home and put her life in the hands of a dangerous brigand – and that’s just the start of things…

The Outlaw’s Ransom (which originally saw life as part of my contemporary fiction/medieval mystery timeslip novel, Romancing Robin Hood), is a book that’s very close to my heart.  Anyone who follows this blog will know that it is my love of all things Robin Hood which led to me researching the real life criminal gang, the Folville brothers, and considering how they might have been influenced by the outlaw ballads that would have been circulating at the time.

It was interesting to be able to give, what I imagine, the Folville family’s perspective on the Robin Hood stories might be.

rh-and-the-monk

Extract

…Eustace de Folville continued, ‘You know something of us, Mathilda, from living in these parts. And, I have no doubt, my dear brother has explained to you our beliefs on maintaining our lands and beyond, keeping a weather eye on the dealings of all men in this hundred.’

Mathilda bit her tongue in an effort to remain demurely mute, trying to concentrate on what Eustace was saying and not on the unknown fate of her younger brother.

‘He has also, I believe, told you of his fascination with stories,’ Eustace gave Robert a blunt stare; leaving Mathilda to wonder whether it was his brother’s passion for the minstrels’ tales, or the fact he’d shared that belief and interest with a mere chattel, that Eustace disapproved of.

‘The balladeers have become obsessed of late with the injustices of this land. Often rightly so. Naturally the fabled Robyn Hode has become a hero. An ordinary man who breaks the law, and yet somehow remains good and faithful in the eyes of the Church, is bound to be favoured. In years past such a character’s popularity would have been unthinkable, but these days, well …’

Eustace began to pace in front of the fire, reminding Mathilda of how his brother had moved earlier, ‘Now we are empowered by the young King, the Earl of Huntingdon, and Sheriff Ingram, to keep these lands safe and well run, and by God and Our Lady we’ll do it, even if we have to sweep some capricious damned souls to an earlier hell than they were expecting along the way.’

Eustace was shouting now, but not at her. His voice had adopted a hectoring passion, and Mathilda resolved that she would never willingly disappoint this man; it would be too dangerous.

‘Many of the complaints of crimes and infringements that reach my family’s ears are not accurate. Far more felonies are alleged out of spite or personal grievance than are ever actually committed. We require more eyes and ears, girl. Accurate, unbiased eyes and ears.

‘The sheriff of this county is not a bad man. No worse than the rest anyway; but Ingram is sorely stretched. He has not only this shire, but Nottinghamshire and Derbyshire within his writ. The man cannot be everywhere at once. No man can.

‘We are believed to have a band of criminals under our control, Mathilda. This is not true. I’m no Hode, although I am lucky to have the respect of the immediate population, and although I know that respect is because they go in fear of me, I’d rather have that than no respect at all. Hode’s principles I embrace, as I do other outlaw heroes’ who have flouted a law more corrupt than they are. Those such as Gamelyn can give a man a good example to follow. What was it he declared, Robert, to the Justice at his false trial?’

Moving into the light of the table, Robert thought for a second before reeling off a verse he’d probably known by heart since childhood, ‘Come from the seat of justice: all too oft Hast thou polluted law’s clear stream with wrong; Too oft hast taken reward against the poor; Too oft hast lent thine aid to villainy, And given judgment ’gainst the innocent. Come down and meet thine own meed at the bar, While I, in thy place, give more rightful doom And see that justice dwells in law for once.’

Eustace nodded to his brother, who’d already shrunk back into the shadows of the nearest wall, ‘I do not have such a band at my beck and call, Mathilda. When I need help I have to pay for it.’

***

The values that – in my mind at least- the Folville brothers see in the stories of Robin Hood form an important undying theme to this tale- and to Mathilda of Twyford they will make the difference between life and death.

lytell-geste

If you’d like to read my first medieval mystery, then The Outlaw’s Ransom is available in the UK for your Kindle here –

https://jennykane.co.uk/historical-fiction/the-outlaws-ransom/ 

Happy reading everyone,

Jennifer (aka Jenny!!) xx

 

Interview with Morwenna Blackwood

By

On May 18, 2020

In Blog, crime, Fiction, Imagine, Interview, Jenny Kane

Today I’m chatting with new novelist, Morwenna Blackwood.

So, grab a cuppa and a slice of cake, put your feet up, and join us for five minutes chatter.

Was The (D)Evolution of Us your first attempt at novel writing?

It was and it wasn’t!

I’ve always written, and have always – and only ever – wanted to be a novelist. However, for a myriad reasons it stayed as a daydream, although I have taken writing courses and been involved in writers’ groups wherever I’ve lived, and I even have an MA in Creative Writing.

I found out about self-publishing and decided to have a go, in my mid-30s. I rushed out a melange of all my surviving notebooks; as my intention was to convey mental breakdown, I’d written sections of it in stream-of-consciousness, and much of it without capital letters and punctuation. I asked a friend to read it, and then hit ‘publish’. I don’t know what I expected, and after a while I pulled it off the internet!

The (D)Evolution of Us was my first serious, well-thought-out attempt. I had it edited professionally; I submitted it to publishers and agents; made a marketing strategy. All this thanks to being on Imagine’s Novel in a Year course!

Which POV works for you?

Writing in the first person comes naturally to me. I like the intensity of it, and I find it more compelling to read. It also serves my purpose as the main themes of my writing are mental illness and existential dread. A first person narrative helps me to get into my characters’ heads, too – I write as they think.

Which three people you like to meet on a desert island?

This is a difficult one! I have three sets of threes:

  • Matt Bellamy, Dom Howard and Chris Wolstenholme. I am a Muser!
  • Jack Kerouac, Allen Ginsberg and William Burroughs. I fell in love with the Beat writers in my teens, and I think they’d make a desert island feel like Alaska!
  • James Bond, Ford Prefect and Gandalf. For the survival skills.

Okay, I have to select three, so I’ll go for Dom, Jack, and James Bond.

So, where is this desert island, anyway, and when can I get a flight?!

Do you plot your stories or go with the flow?

A combination of both!

Generally the process is that I have an idea and write it out by hand. As I write, things change and develop. After a while, the characters are so real in my head that they start doing their own thing. And that’s before all the rewrites and edits. So, yeah – a combination of both.

What is your writing regime?

It’s ironic, really, because I’ve started to write seriously at a time in my life when I have never been busier! Maybe it’s like exercise – the more you do, the more energy you have…

Anyway, I just take every free moment to write: when my little boy has gone to bed; in my lunch break at work – before lockdown, obviously!; the hours in the night when I can’t sleep; and sometimes (again, before lockdown) I take days off and spend the day writing in my local café. I always used to write my best in the early mornings, but am finding that you have to adapt to your circumstances, or it doesn’t get done. I’m really lucky in that I have a very supportive and understanding husband!

My friend told me a great quote from Oscar Wilde the other day: “People are verbs, not adjectives,” and that sums things up pretty well.

What advice would you give to a new writer?

  • Write what comes out and just get it down – you can polish it later, and you need something to work with.
  • Write everyday.
  • If it’s something that you really want to do, prioritise it. It’s so easy to put it off and do all the seemingly more important day-to-day things, or think, ‘Oh, I’m really tired, I’ll just go to bed and start tomorrow.’
  • Don’t underestimate your need for an editor or a beta-reader. When you’re really close to the story, it’s easy to see what you think is there, rather than what is.
  • Never give up!

Many thanks Morwenna. xx

Here’s the blurb to The (D)evolution of Us

… the water was red and translucent, like when you rinse a paint brush in a jam jar. The deeper into the water, the darker the red got. No, the thicker it got. It wasn’t water, it was human. It was Cath.

Cath is dead, but why and how isn’t clear cut to her best friend, Kayleigh. As Kayleigh searches for answers, she is drawn deeper into Cath’s hidden world. The (D)Evolution of Us questions where a story really begins, and whether the world in our heads is more real than reality.

You can buy this #psychologicalthriller at mybook.to/devolution

Bio

When Morwenna Blackwood was six years old, she got told off for filling a school exercise book with an endless story when she should have been listening to the teacher/eating her tea/colouring with her friends. The story was about a frog. It never did end; and Morwenna never looked back.

Born and raised in Devon, Morwenna suffered from severe OCD and depression, and spent her childhood and teens in libraries. She travelled about for a decade before returning to Devon. She now has an MA in Creative Writing from the University of Exeter, and lives with her husband, son and three cats in a cottage that Bilbo Baggins would be proud of. When she is not writing, she works for an animal rescue charity, or can be found down by the sea.

She often thinks about that frog.

Amazon Author Central: amazon.com/author/morwennablackwood

FB Page: https://www.facebook.com/morwennablackwood

Twitter: @MorwennaBlackw1

Instagram: morwennablackwood_

Many thanks for taking the time to chat today.

Happy reading everyone.

Jenny x

Opening Lines with Anna Legat: A Conspiracy of Silence

By

On May 14, 2020

In Blog, crime, Fiction, Jenny Kane, News, Opening Lines Blog, thriller

Today I’m delighted to welcome Anna Legat to my blog. She is not just here to share her Opening Lines, but to reveal the cover for her latest DI Gillian Marsh, detective novel, A Conspiracy of Silence, which you can pre-order now!

Blurb:

When a body is found in the grounds of a prestigious Wiltshire private school, DI Gillian Marsh takes on the case. The young groundsman, Bradley Watson, has been shot dead, pierced through the heart with an arrow.

As the investigation gathers pace, DI Marsh is frustrated to find the Whalehurst staff and students united in silence. This scandal must not taint their reputation. But when Gillian discovers pictures of missing Whalehurst pupil, fifteen-year-old Rachel Snyder, on Bradley’s dead body – photos taken on the night she disappeared, and he was murdered – the link between the two is undeniable.

But what is Whalehurst refusing to reveal? And does Gillian have what it takes to bring about justice?

First 500 words 

Sarah Snyder was waiting in her car. She tapped her blue fingernails in close proximity to the horn, but she held back from sounding it. To kill time, she checked her lipstick in the rear view mirror and rubbed her front teeth to remove a red smudge. She turned on the radio only to hear the part of the news she wasn’t interested in: sport, followed by the weather. She was restless but she was pleased: Rachel was taking her sweet time.

Rachel was chatting to her friends ‑ Rhiannon and a couple of other girls. Only once did she steal a glance in the direction of her mother’s car – just to check Sarah was there, waiting. Reassured, she turned back to her chums and whispered something into Rhiannon’s ear. Whatever she said, it made Rhiannon laugh. Rachel laughed too.

It was an immeasurable relief to see her child happy, having a conversation with other people, and laughing. She was laughing! Sarah was so relieved she wanted to cry.

Only three days ago the picture had been very different. Head down, eyes boring a hole in the ground, Rachel would clutch her bag to her chest and run for the car as if the hounds of hell were after her. She would slump in her seat and mutter under her breath, Drive, Mum, just drive, and not speak for the rest of the day. She would lock herself in her room and brood.

Sarah winced at the memory and pushed it out of her mind. She waited and counted her blessings, of which there were many. She decided she would cancel the GP appointment. There was nothing wrong with Rachel, just the usual growing pains of puberty.

At last Rachel parted company with her friends, waved to someone hidden inside the school, and headed for the car. Her face, still beaming and full of bounce, appeared in the wound-down window.

‘Hi, Mum.’

‘I take it you had a good day?’ Sarah pulled her sunglasses to the tip of her nose and produced an expectant grin.

Rachel made a non-committal noise. She pecked her mother on the cheek and slid into the passenger seat. She was still smiling, addressing her smile to the windscreen and to the view of the tarmac in front of the car, but that was enough for her mother to flick her sunglasses up her nose and start the engine.

‘That good!’

The front right wheel stumbled over the kerb while the rear one rubbed against it as the car lurched sharply across the road to join the line of traffic leaving the school. Were it not a big and sturdy four-wheel-drive, it would have been written off a long time ago. Sarah did not treat it well. She used it more like a bulldozer than a means of transportation.

Accustomed to her mother’s driving antics, Rachel didn’t as much as blink. She bent forward in her seat and began tampering with the radio in search of a…

***

What readers are saying about Anna Legat:

‘Brilliant. I didn’t want to put it down!‘

‘It’s a rare author who can keep me guessing until the end – and the ending was a shocker‘

‘Plenty of twists and turns’

‘A brilliantly complex spaghetti of unrelated sub-plots to challenge any armchair sleuth‘

‘I thoroughly enjoyed this book, reading it cover to cover in a weekend’

‘I shall look out for more from Ms Legat’
***

Bio

Anna Legat is a Wiltshire-based author, best known for her DI Gillian Marsh murder mystery series. A globe-trotter and Jack-of-all-trades, Anna has been an attorney, legal adviser, a silver-service waitress, a school teacher and a librarian. She read law at the University of South Africa and Warsaw University, then gained teaching qualifications in New Zealand. She has lived in far-flung places all over the world where she delighted in people-watching and collecting precious life experiences for her stories. Anna writes, reads, lives and breathes books and can no longer tell the difference between fact and fiction.

To find out more: https://annalegatblog.wordpress.com/
Good luck with your new novel Anna.
Happy reading everyone
Jenny xx

Opening Lines from Morwenna Blackwood: The (D)evolution of Us

By

On May 4, 2020

In Blog, crime, Fiction, News, Opening Lines Blog, thriller

It is with the greatest of pleasure that I bring you this week’s Opening Lines from Morwenna Blackwood.

Not only is this Morwenna’s debut novel – but it is also a novel written during my very first set of #novelinayear workshops. To say I’m proud of the work Morwenna has produced is an understatement.

So, put your feet up with a cuppa, and take a look at The (D)evolution of Us.

Over to you Morwenna…

Once upon a time, I heard about a writing workshop run by best-selling author, Jenny Kane.  It was held in my local café, and as ’twas a dark and stormy day and I’d just been given a pen in the shape of a cactus, I thought I’d go.  I loved it, and at the end, Jenny mentioned that she was thinking of running a Novel in a Year course as part of Imagine Creative Writing.  I signed up there and then (with my new pen).  Over the year, I wrote The (D)Evolution of Us, and with the support of Jenny, my local writers’ group and my brilliant husband, I submitted my manuscript to darkstroke, it was released on Star Wars Day, and we all lived happily ever after…?

***

I spent most of my childhood and teenage years hiding in libraries; now, I carry my own personal one around in my pocket wherever I go.  This doesn’t mean I don’t still stop and lose track of time in bookshops and bookstalls, though.  In fact, this morning, on my lockdown-permitted-exercise walk, some lovely person had left a storage container full of books at the end of their front garden, with a note on it inviting passers-by to pick one, or leave one for others who might be in need of a random lockdown read.  I couldn’t help myself – I paused for a look.

The thing I love most about reading second-hand books is finding bits of other stories inside them: forgotten bookmarks; ticket stubs; Biro-ed dedications; and best of all, notes scrawled in the margins.  In the books I own, I am a margin-scrawler.  My husband says this is defacing someone else’s work, but to me, it’s adding to it.  Stories are inextricably linked, and in any case, what one reader gets from a book will be different to the next, and that’s the beauty of it.  Perception is everything.

The (D)Evolution of Us is an exploration – or explanation – of those ideas.  The novel is a noir existential thriller, set in a small Devon town at the turn of the 21st century, and is told from the view points of the three protagonists, Richard, Kayleigh and Catherine.  The girls are best friends.  Catherine is dead.

Mental illness, personal history, personality and perception drive the actions of all three as they struggle to make sense of their lives and their agency; whilst living in a town where everyone appears to know everything about everyone else, and the days roll away in a work-pub-work-pub cycle.

This is my debut novel, and its origins lie in my own existential dread.  In the end, I decided to wholeheartedly pursue the only thing I’ve ever wanted to do – write – and if there’s ever a starting point to anything, the story of Richard, Kayleigh and Catherine is it for me.

If you come into possession of the paperback, feel free to write in the margins.

***

Blurb

… the water was red and translucent, like when you rinse a paint brush in a jam jar.  The deeper into the water, the darker the red got.  No, the thicker it got.  It wasn’t water, it was human.  It was Cath.

Cath is dead, but why and how isn’t clear cut to her best friend, Kayleigh.  As Kayleigh searches for answers, she is drawn deeper into Cath’s hidden world.  The (D)Evolution of Us questions where a story really begins, and whether the world in our heads is more real than reality.

First 500 words

Prologue

PRIVATE AND CONFIDENTIAL

Dear Dr Farefield,

I reviewed Catherine at The Meadows today. She reported that her OCD was less ‘loud’ than when we last met in November, after the Crisis Team was called. This improvement has coincided with the resuming of clomipramine, which seems likely to have been helpful, as it has been in the past. Catherine agreed to the suggestion that this dose be increased to 200mg: 100mg morning and evening.

Catherine is coping well with life and states that her relationship with Richard is good. However she refuses to tell him about restarting the clomipramine, which is of concern to me. She has also resumed her writing.  I again offered Catherine a course of CBT, but she was resolute that she found it ‘useless’.

Catherine has now found employment in a health food shop but struggles with her OCD when closing down the tills and locking up at the end of the day, though she admits that she recognises that her rituals are entirely irrational.

Overall, in spite of her very significant persisting difficulties, I think that Catherine’s life has improved with the reintroduction of clomipramine.

Yours sinc,

Dr E Whittle

Consultant Psychiatrist

PRIVATE AND CONFIDENTIAL

Dear Dr Farefield,

I met with Kayleigh at The Meadows this morning, where she revealed to me that she is in the first trimester of pregnancy. She had requested the appointment (we were not due to meet again for another six weeks), in order, primarily, to discuss her medication, with regards to her new condition.

I found the fact that she did this encouraging, as I did her general demeanour. She was casually, but neatly, dressed, maintained good eye-contact throughout our interview, and appeared to have a good understanding of her mental health, and how it could impact on her (unborn) child.

We decided together that it would be prudent for Kayleigh to remain taking her lithium for the duration of her pregnancy, with close monitoring from her midwife and the Perinatal Team.

In spite of Kayleigh’s reports of having been ‘stable’ for the last few months, I have suggested that we meet at The Meadows every six weeks for the foreseeable future. I have also asked her to make an appointment for bloods to check her lithium levels as soon as possible – it is critical that she maintains a therapeutic dose.

Yours sinc,

Dr E Whittle

Consultant Psychiatrist

Richard

I’m half-listening to the radio, running a bath for my girlfriend, Cath. She’s sitting on the toilet seat, staring at me. I’m standing in the doorway, staring at her. Then I start to laugh. They’re playing that song by Marillion – Kayleigh – the one her hippy twat of a best mate likes to say she was named for, even though she’s too bloody old. I say she’s a hippy twat – I’d still shag her. She needs a good seeing to – and a good slap. She dots her ‘i’s with hearts, for fuck’s sake! And then the phone rings. Bloody witches. I…

You can buy The (D)evolution of Us from all good retailers, including…

mybook.to/devolution

Bio – When Morwenna Blackwood was six years old, she got told off for filling a school exercise book with an endless story when she should have been listening to the teacher/eating her tea/colouring with her friends.  The story was about a frog.  It never did end; and Morwenna never looked back.

Born and raised in Devon, Morwenna suffered from severe OCD and depression, and spent her childhood and teens in libraries.  She travelled about for a decade before returning to Devon.  She now has an MA in Creative Writing from the University of Exeter, and lives with her husband, son and three cats in a cottage that Bilbo Baggins would be proud of.  When she is not writing, she works for an animal rescue charity, or can be found down by the sea.

She often thinks about that frog.

Amazon Author Central: amazon.com/author/morwennablackwood

FB Page: https://www.facebook.com/morwennablackwood

Twitter: @MorwennaBlackw1

Instagram: morwennablackwood_

***

Many thanks Morwenna- wishing you huge success.

Happy reading Jenny

PS- She really did turn up with a cactus pen xx

Opening Lines: Tales from Deepest Darkest Devon

By

On April 16, 2020

In Blog, Contemporary fiction, Contemporary Romantic Fiction, crime, Fantasy, Fiction, ghost story /gothic, Historical fiction, Jenny Kane, News, Opening Lines Blog

This week’s Opening Lines blog features a brand new anthology of stories  – put together by the Exeter Author’s Association – of which I am a tiny part.

The anthology, Tales from Deepest, Darkest Devon, features 19 different stories from 13 authors, all living in and around the county; from Brixham, to Tiverton, Ottery St Mary to Bampton, and many places in between. The stories cover a wide range of genres, and offers a story for every literary taste.

Part of the sales from this book will go to the Devon Air Ambulance Trust

Blurb

Devon; a land of beauty, of moors, villages and coasts. A place of stories, told by the people who live there.

Take a look beneath the surface of Devon with the Exeter Authors, nineteen tales from thirteen of the county’s finest writers.

Contains some adult (18+) material.

Bobbing. Discover why revenge is a dish best served with cider,

Make a wish. Devon is the place to spend the rest of your life.

The Dartmoor Dragon. Discover the magic on the moor.

Cutty Dyer. Quiet villages can hold deadly secrets

Winter Snow.  The old ways are the best

The Padding Horror. On the moors, an ancient evil is stalking its latest prey.

Under the Hunters Moon. You’re never truly alone on the moor

The Fairmile Green Man. Has Swampy and his protest been forgotten? A green man carving brings a much older story back to life.

Guardians. A peaceful little village hides a dark secret.

And many more.

Contributors: Jenifer Braund, Richard Dee, Maura Beckett, Chip Tolson, Brian Willis, Janet Few, John Hall, K. Y. Eden, Richard Lappas, Tracey Norman, Mark Norman, P.J. Reed and Jenny Kane.

Part of the sale price goes to the Devon Air Ambulance Trust.

Here are the opening lines from my own story, Bobbing.

Feeling like a malevolent Eve slithering through the Garden of Eden, Libby did a slow twirl in the centre of the old cider barn.

The gauze dress was thin. It caressed her skin with a teasing arousal.

She was fertility herself.

If Robert hadn’t wanted her before, he’d definitely want her now. But then, if she was honest, that had never been a problem. Robert always wanted her. He always wanted everyone. And her boss usually got what he wanted.

The scrumpy’s pungent presence accosted Libby’s nostrils as she ascended the ladder propped against the eight foot high cider barrel. Empting two boxes worth of apples into the liquid, she watched as the fruit bobbed across the foamy alcoholic surface.

Smiling into the vat depths, Libby counted the apples, making sure there were enough for all the guests to have a go at capturing one with their teeth. Then, balancing carefully, she reached up to the ceiling. A stick was hanging horizontally from ropes above the barrel. Tying a beeswax candle to one end and an apple on string to the other, Libby gave the stick a gentle push. She watched with satisfaction as it swung back and forth over the barrel of bobbing cider.

Returning to the ground, Libby checked the collection of silk ties next to the steps. Each one waited patiently to fasten hands behind their backs of potential bobbers; thus eliminating their temptation to cheat.

Libby experienced an unexpected flash of power as she heard Robert’s distinctive footsteps approaching. It was difficult not to grin too widely when she remembered how pleased he’d been when she’d suggested he had the honour of being the first to attempt the ancient apple catching ritual.

Fingering her pentagram shaped pendent, Libby’s mind filled with images of ancient Pagan fertility rites she’d seen in history books.

‘You wanted a traditional Pagan celebration boss, and this is it. There’s alcohol soaked bread to be offered to the trees in the orchard, cider ready to be poured onto the roots to toast the crops health, apple bobbing, and of course, the apple stick.’

Allowing Robert to slip his arms around her waist, Libby wasn’t surprised when he shuffled close enough for her to feel his crotch against her butt.  Rather than examine the beauty of the Celtic scene she’d created, Libby knew Robert would be checking to make sure no one else was in the barn.

He glided his hands from her waist to her tits. She let him. As the moment to execute her plan grew ever closer, Libby’s body had been on the cusp of an increasing impatient sexual high.

As Robert pushed her back against the barrel, he peered up at the hanging stick. ‘It looks impossible! And dangerous.’

Easing away from his grasp, Libby climbed the ladder and lit the end of the swinging candle. Her eyes flared with the fizz of the wick as it caught…

***

You can buy Tales from Deepest Darkest Devon in paperback or as an eBook from Amazon via…

Happy reading everyone,

Jenny x

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