Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

Tag: historical

Blowing the Dust Off: Rachel Brimble’s The Temptation of Laura

It’s Day 5 of my Blowing the Dust Off series. Today we are in the company of the fabulous Rachel Brimble. She is taking a peck at her Victorian romance, The Temptation of Laura.

Go grab a cuppa, sit down, and enjoy…

 

The Temptation of Laura…

Despite the title of my second Victorian romance, The Temptation of Laura is not so much about the temptation of Laura herself, but the temptations life throws at her, the hero and many of the secondary characters. Temptation is all around us and more often than not, that temptation could be perceived as opportunity. It’s fear that holds us back from surrendering or resisting.

The book is set against the backdrop of Bath’s theatre world during the late 19th century. There were many changes happening, socially, economically and sexually during this time. The first whispers of the women’s revolution had begun to circulate…not that many men noticed until around 1903 when The Women’s Social and Political Union was founded.

The leaders and supporters of the group began to cause a stir––marching and petitioning for their right to vote. This is marked as a hugely significant and rightly respected time for women at the time. Men had no choice but to sit up and take notice when so many women banded together and refused to be ignored.

This leads me to the question of temptation…I love exploring this theme and all the imaginings it conjures. Each of us is faced with temptations (or decisions) every day and I, for one, am hugely guilty of making the easy, expected, even socially acceptable decision. My books tend to be about the women who do the exact opposite. What better way to earn a living than to create a woman you admire and want to see succeed in her chosen vocation, romance or spiritually satisfying path?

Laura’s story began in book one of my Victorian series with eKensington when she appeared as a secondary character in The Seduction of Emily. It wasn’t long before I knew she deserved a richer, more in-depth story of her own. As a prostitute struggling for a better life…a dreamer who longs to be onstage, I sensed Laura would be a joy to write and spend some time with over the course of 85,000 words. She didn’t let me down J

Hope I’ve ‘tempted’ you to read the book!

 

Here’s the blurb & buy links:

Laura Robinson has always been dazzled by the glamour of the stage. But perhaps acting and selling one’s favors are not so different—for Laura must feign pleasure with the men she beds to survive. Now, with her only friend at death’s door and a ruthless pimp at her heels, escaping her occupation seems impossible. Hoping to attract a gentleman, she attends the theater. Yet the man Laura captivates is no customer, but a rising star and playwright…

Adam Lacey has been driven to distraction since the moment he saw Laura. She is his ideal leading lady come to irresistible life—and so much more. Certain they can make the perfect team on and off stage, he is determined to win her heart—and discover her story. But that is precisely what Laura fears. And she has no idea that Adam harbors shameful secrets of his own. Will the truth free them to love—or destroy all their dreams…?

 Amazon US

 Amazon UK

 Barnes & Noble

 

Bio:

Rachel lives with her husband and two teenage daughters in a small town near Bath in the UK. After having several novels published by small US presses, she secured agent representation in 2011. Since 2013, she has had seven books published by Harlequin Superromance (Templeton Cove Stories) and an eight coming in Feb 2018. She also has four Victorian romances with eKensington/Lyrical Press.

Rachel is a member of the Romantic Novelists Association and Romance Writers of America, and was selected to mentor the Superromance finalist of So You Think You Can Write 2014 contest. When she isn’t writing, you’ll find Rachel with her head in a book or walking the beautiful English countryside with her family. Her dream place to live is Bourton-on-the-Water in South West England.

She likes nothing more than connecting and chatting with her readers and fellow romance writers. Rachel would love to hear from you!

Links:

 Website

Blog

Twitter

Facebook

Facebook Street Team – Rachel’s Readers

Amazon Author Page:

https://www.amazon.com/Rachel-Brimble/e/B007829ZRM/ref=sr_ntt_srch_lnk_1?qid=1490948101&sr=8-1

Goodreads:

https://www.goodreads.com/author/show/1806411.Rachel_Brimble

 Many thanks Rachel, fabulous stuff.

Don’t forget to come back tomorrow to see what Jane Jackson is tempting us with.

Happy reading,

Jenny xx

 

 

 

Sarah Dahl: The Awakening

Today I’m delighted to welcome Sarah Dahl to my blog to help celebrate the launch of her latest book, The Awakening.

OUT TODAY, The Awakening is a passionate romance inspired by our Viking past.

Over to you Sarah…

Inspiration for my book:

“The Awakening – Embrace beyond Passion” is a story I wrote some time ago and now had to considerably edit to make it more like my current ‘voice’ and in keeping with the other stories in my Tales of Freya collection. Therefore it was hard to recall the exact inspiration for this story – I get inspiration from many things and then let my mind play with it. For my characters, I’m often very visual and discover someone on Pinterest or TV. Then I imagine them as a person from the early medieval – what if I made them a ‘Viking’ character. I have an inspirational mood board on my wall right opposite my desk that I look at to let my mind wander. Most stories just start with the idea of an interesting character or an event, or both. From there I let it all flow and try different directions for a theme. In “The Awakening” the theme is “liberation begins in the mind” and “follow your passions”. As the Tales of Freya stories are short, I don’t have to plot much but can just write from the heart and then edit. Which brings me to:

Plot or flow:

I’m a pantser as they say, and find plotting a long story from beginning to end very hard to pull off. Naturally, I’d just write from scene to scene and develop as I go, often not knowing the ending myself. For the stories in the Tales of Freya collection it was easier, as for short stories the plot and character arcs can be more straightforward. I always just start with an idea, something I want to happen, and then write with the flow until I’m happy.

The research for “The Awakening”:

Of course, as a historical fiction writer I have to be firm and confident in the Viking environment and era. I read all the books and see as many sites as I can. My fave non-fiction is “Vikings at War” by Hjardar/Vike; it has brilliant detail and is the most extensive and visual book on the era I have seen. Also, every year I go to at least Haithabu/Hedeby here in Germany for a few days, to this once huge, Danish Viking trading town that is now a museum and open-air site by the Slien. The atmosphere of the reconstructed houses and pier just sparks creativity and a sense of the time. Soaking it all up, I just let my feet and mind wander, focussing on the big picture and then the details, imagining what stories could have happened in those narrow streets and houses. This year I became aware of the harsh winds, the never-ending gusts that penetrate the streets and houses, so much so that roofs don’t need smoke holes … the smoke from the fires just disappears through the walls and roof of the Viking town houses. So I tried to incorporate the harsh elements and their effects more in my story “The Awakening”, too.

I take great pride in being authentic and never use the era as mere stage props. I did several blog posts about authenticity: how every author should do their thorough homework and really know what they are writing about, especially if using a historical time period. Read it all until you don’t have to look stuff up anymore (ideally, but there’s always something …) Once my first draft is written and I checked details myself, I let my Viking reenactor-friends read it for authenticity and plausibility, and also discuss with beta-readers. “The Awakening” is set in a rural village by the fjord, so in smaller Viking houses, not the huge rural longhouses readers might first depict. More the kind you find in villages and towns like Hedeby. So naturally, when I went there this year, I focussed on the layouts of houses and daily tasks my characters would need to do in the story, because something secret and daring is hidden in Ingrid’s little farmhouse. Most things I don’t have to research anymore, but what about details such as how someone undresses? In which order would they do it and would the jewellery clang? How loudly? These are the things my reenactors then have to discuss with me, and go through step by step as I see it happening before my inner eye 😉

Preferred POV:

That’s a good question … I can do both; it all depends on the story and which character should tell the story, through whose eyes we should see and feel things. It doesn’t matter if it’s a man or woman, and I use both first person POV or deep third depending on what works best. In the Tales of Freya stories, I mostly use deep third. The view points can be that of men or/and women. For some reason I can work really well from a male POV. “The Current – A Battle of Seduction” is told from the warrior’s perspective on this seductive shield maiden, and I found it easy to slip into his skin. Whereas “The Awakening” is Ingrid’s story, and the next one, “Monk”, will even be told from three different POVs … I guess it’s all about gut feeling. With experience and craft comes a gut feeling for whose story I want to tell and how.

Most exciting about book for me:

For “The Awakening” the most exciting has to be that a story that I’ve worked on for so long finally gets to see the light – I get it ‘off my desk’ and out to people – and it starts its own life now, can be read by everyone, like a child that grows up and after tender care leaves the house. Which is frightening, of course, because one grows so attached to the story-baby over time. After the great success and many positive reviews of “The Current” I’m very excited and anxious to see what people will make of this very different story. “Awakening” really can’t be compared to the first one, “Current”, in the collection. The first spans several weeks whereas the latter covers only a few hours. The whole plotline and tone are different and the themes of course … so, yeah, we will see. Deep breath and fingers crossed 🙂

Blurb – “The Awakening – Embrace beyond Passion”

 The second in the collection of sensual short stories set in the Viking age, the Tales of Freya:

In a world of crackling fires and rough landscapes, long winters and bloody raids, the immediacy of life and death ignites undeniable passions. Warriors and monks, healers and housewives – all follow the call of their hearts and bodies to indulge in pleasures that may forever change their lives …

Ingrid leads a quiet, joyless life with a husband who is oblivious to her needs. Every time the dragon boats carry him away, she resigns herself to the solitude of her modest hilltop farm by the fjord. But her uneventful world is shaken to the core when the shadows of her house reveal a secret that sets her passions afire.

***

Release date: July 21, 2017, by Pronoun

Buy links:

https://books.pronoun.com/the-awakening3/

http://amzn.to/2tyak9p

Author homepage: sarah-dahl.com

Mailing list for Book Alert: https://mailing.sarah-dahl.com/?p=subscribe&id=2

Facebook: https://www.facebook.com/sarahdahl13/

Twitter: @sarahdahl13

***

Bio

Sarah Dahl lives on the edge of the rural German Eifel and writes historical fiction primarily set in the Viking age. She also works as an editor, translates, and coaches new writers in German and English. She is interested in everyday life in bygone centuries and the human stories that may have occurred behind the hard, historical facts. Her author page is: sarah-dahl.com

***

Many thanks Sarah – and congratulations on your brand new book!

Happy reading,

Jenny xx

Interview with Steven. A. McKay: Robin Hood and Beyond

Today I am delighted to welcome Steven A McKay to my site for a natter. A fellow lover of myths, legends, and things historical; Steven is one of the most successful self-published authors in the UK. He also likes Robin of Sherwood…Enough said!!

So why not go and grab a drink and join us for a quick chat?

When did you first become interested in the Robin Hood legends?

Honestly, it was only when I decided to write a book about him. I have always been interested in King Arthur and I wanted to write something with a similar character and similar setting. You know: the green fields and woods of Britain with hard men drinking and fighting and loving! Bernard Cornwell had already done King Arthur so I had to look elsewhere and Robin Hood was the obvious choice. When I started researching the character I realised he, and the whole legend around him, was much richer and more interesting than I’d ever thought. It really made Wolf’s Head, and the following books, a joy to write.

What type of research did you have to do for your book?

First and foremost I had to learn about the legend. The elements that everyone knows, such as the characters and the golden arrow Robin wins in the Sheriff of Nottingham’s archery tournament. Then I had to really find out about my period (14th century in this case) because to write about a certain time you need to know the tiniest details.

Most of my research was done from books or the internet but I bought the entire Robin of Sherwood TV series on DVD and had a blast watching them. The friendship displayed by those characters, and even the actors portraying them, was a big influence on my novels.

I was very lucky to have Phil Rose, who played Friar Tuck in that show, write a foreword for one of my novellas and even read it out for the Audible version in that wonderful voice of his!

  

Do you prefer to plot your story or just go with the flow?

Well, as I mentioned, most people already know many of the elements of the Robin Hood legend so for those books I had certain things that had to happen. But I was able to put my own spin on the whole thing and, in general, although I have an idea for how to start and end a book, I don’t plan very far ahead. Normally I just write a few scenes and see where it takes me.
I think some people might work best by planning everything out in advance but, to me, letting a book develop organically leads to a much more dynamic, interesting read. I mean, if even the writer doesn’t know what’s coming next how can it be predictable?

Of course, that doesn’t stop people leaving reviews on Amazon saying they always knew what was coming next which is really weird since I didn’t even know myself when I was writing the books…!

You are one of the most successful self published writers I’ve come across. What would be your top three tips for a self published writer?

I think, first and foremost, you need a decent product that can stand up against the big guns in the publishing world. That means having a decent text that isn’t littered with errors, an exciting blurb, and a good cover image with – and this is hugely important for me – decent fonts. So many times I see good cover art on self-published books but the fonts are the standard ones that come free with Paint or whatever and it just looks amateurish. Hire a cover designer and an editor if you can afford it.

Second, even before you publish a book, try and find people to read it. Send them advance copies and ask them to post reviews on Amazon so as soon as it hits the virtual shelves potential buyers can find out what others thought of it.

Finally, if you’re going to run promotions such as the KDP Countdown deals, you need to tell people! There’s no point in making your book 99p for a week then complaining no one bought it – you need to tell them it’s on sale and that means using paid ads. Places like Bookbub, Freebooksy, Kindle Nation Daily etc are all worth using. I occasionally post tips about self-publishing on my website so do take a look if you’re interested.

Tell us about your latest book. What excites you the most about it?

Well, I’ve finished my Robin Hood books now – the final novella (The Abbey of Death) has actually found a publisher which is really exciting for me but it means I’ve been able to start work on an entirely new series.

This one is about a warrior-druid in post-Roman Britain and I am loving writing it. It was nice having readymade characters like Friar Tuck and Little John who I simply needed to flesh out and bring to life but this time around I’m coming up with my own creations and its strangely liberating!

The setting is really interesting to research since not much is known about 5th century Britain, especially Scotland, but most exciting for me is my main character. A six foot six, handsome, muscular druid who fights like a hero from legend, on a quest that will take him all around this great island meeting all sorts of weird and wonderful folk along the way…Honestly, it’s just huge fun to write, I’m so lucky to have a job like this.

If you were stranded on a desert island with three other people, fictional or real, who would they be and why?

Obviously my family but for the sake of making this a little more interesting I’ll come up with a different answer. Besides, now I think about it, why would I want to strand my wife and kids on an island just to make my own loin-cloth clad, bearded, pitiful existence more bearable?!

So…we’d need some laughter out there in the middle of nowhere and I reckon Sir Terry Pratchett would have been the ideal companion. I loved his Discworld books and it would have been great to spend time with him talking about writing and just general silliness.

 

Next we’d want some music to keep our spirits up so I’d probably pick fellow Glaswegian Angus Young of AC/DC. I’m assuming he’d have rescued a battered old acoustic guitar from the shipwreck so he’d be able to keep us entertained with folk renditions of “Thunderstruck” and “Hell or High Water”. Maybe I’d get a chance to play the guitar myself although if it came to a fight about it he’d win, even if he is just five inches tall.

 

Finally, I’d choose my own new character, the warrior-druid Bellicus. Not only would he protect the rest of us from wild animals with his martial prowess, but he’s a trained musician and spent many years learning the skills of a druid. He’d heal our wounds, talk for hours about the gods and their foibles, show me and Angus a new chord or two on the shared guitar, and give us the last rites if one of us died in a freak gardening accident.

Actually it sounds like a pretty fun place – where do I sign up?

*** 

Buy Links

viewAuthor.at/SA-McKay

Social Links

Twitter – @SA_McKay

Facebook – www.Facebook.com/RobinHoodNovel

Website with link to my mailing list and a FREE, exclusive Forest Lord story, only available to subscribers! https://stevenamckay.com/mailing-list/

 

Bio

Steven A. McKay was born in Scotland in 1977. His first book, “Wolf’s Head”, came out in 2013 and was an Amazon UK top 20 bestseller. “Blood of the Wolf” is the fourth and final book in the Forest Lord series which has over 95,000 sales so far. Steven is currently working on a brand new tale set in post-Roman Britain.

***

Many thanks for taking the time out to join us today Steven. I’m very much looking forward to reading your Robin Hood stories (my Kindle is loaded and ready to go), and indeed your post Roman stories in the near future.

Happy reading everyone,

Jenny (Well, I’m Jennifer really, as I have my medieval hat on today!) x 

Interview with Oliver Tooley: Devon writer at work!

It’s interview time again!

Today I’m joined my Devon based writer, Olli Tooley. Why not grab a cuppa, take a seat for five minutes, and have a read?

coffee and cakeWhat inspired you to write your book?

The original inspiration was when my boys were looking round a cheesy gift shop on holiday. You know? The kind where you can buy gemstones and seashells, and crystal swans, and resin models of fairies with sparkly wings.

Each of my three boys had a favourite colour; blue, red, and green, respectively, and eventually we relented and bought them a little dragon each. It was so long ago now I can’t recall if I suggested it, or one of them did, but the idea was born to write a story featuring the three brothers. There was “a legend of a magical stone” which had been shattered by an ancient powerful wizard and the three parts had been scattered in different directions.
Each boy would fight a different coloured dragon to recover a different part of the stone. Red, green, and blue, would then be reunited to repair the magical stone and save the blah-de-blah-de-blah, it was AWFUL. It still gives me goosebumps just thinking about how cheesy it would have been.

It sat in a computer file for years untouched while I worked on other ideas.

Do you model any of your characters after people you know? If so, do these people see themselves in your characters?

Well naturally, the original basis for the main three boys in the book were my three sons. Their sister was based on my younger daughter, who was tiny when we bought those dragons.  
Their father was based on me, but all of them have developed differently, for example my counterpart is as hard as nails; while I am a complete wimp.

Almost every character I write has elements of real people, but none of them are closely based on any one person. Of course a few are real people from history, and for those, I need to be careful not to ignore known facts.  children-of-wise-oak

What type of research did you have to do for your book?

I research to a ridiculous degree but I regret, I am not in the luxurious position of being able to fly off to Rome, or join an archaeological dig, to get first-hand knowledge. I have managed to go to Celtic re-enactment days, and did visit Pompeii once so It’s not all armchair knowledge. I spend a lot of time on the internet, using everything from Wikipedia to expert forums, as well as reading specific books that promise to give me more details. Some of the books I have read are insanely expensive, but my local library is a lifesaver for this.

I am a bit of a dilettante with a passing interest in all sorts of subjects including; comparative linguistics, history, folklore, politics, human relationships, and more. Even when I know broadly what I am writing about, I constantly check the precise details to ansure I don’t get a fact wrong.

The hardest thing for me, writing fiction set in a real historical setting, is knowing when I can allow my imagination to take over. For example, I wrote a passage in which a Celtic warrior stabbed a sword through the walls of a roundhouse into the back of a man outside. It was only a few months after publication that I met up with the Dumnonika reenactment group and was shown an authentic reproduction Celtic sword. The demonstrator explained how Celtic swords were always rounded off and could only be used for slashing. Spears were used for stabbing and thrusting. As a writer, I feel like I want to burn every copy of the book that retains the mistake, but most are in the hands of satisfied readers and who knows, perhaps one day they will be worth money?

Which Point of View do you prefer to write in and why?

Would it shock you to know that I have never really thought about this properly?

Now I think about it, I believe I usually write from the point of view of a camera. I certainly know that, despite the microscopic chances of it ever happening, I tend to visualise the film or TV version of a scene as I write. I suppose it doesn’t hurt to dream?
Recently, I have been writing a story in the first person. That is because it is based on a real memoir of a Victorian lady.

Do you prefer to plot your story or just go with the flow?

I am definitely a “pantser” but there is always a skeleton of a plot that guides my writing. Currently, I am constrained by historical events as the redoubtable and slightly sardonic Gwenn, attempts to follow the early life of Gaius Julius Caesar. He has to go to Bythnia to secure a fleet from Nicomedes, and he has to be captured by pirates in the Aegean. All I have to do is write a plausible narrative as to why and how Gwenn goes with him. “All I have to do!”

What is your writing regime?

Hang on, “regime”? I’m just looking it up….

Oh, no. I don’t have one of those. Most days I will write two or three thousand words. More if somebody is being really stupid on Facebook. On a good day, more than half of those words will end up in my book. On a bad day they will all be on social media.

Sometimes I wake up at three in the morning with an idea that won’t wait. Other times, I will be writing at sic in the evening and not stop until well after midnight. Then I can go weeks stuck on a difficult part of the story. Fortunately, I also have other writing projects on the go. Sometimes I have two or three different stories open in Word and will dabble in all of them in the space of an hour or two.

What excites you the most about your book?

Umm, oh, err. Well, I’ve read it already, so I sort of know what happens now. I get more excited about other author’s books. Loving the Ruso series by Ruth Downie, and just getting into Troy by Ben Blake. But there are loads of fantastic books, I could go on to write a ridiculously long list.

If I had to pick something that really pleased me about my own book, I’d say the cover art by Iver Klingenberg, the cover design by Andy Jones, and the proof reading by Sarah Dawes. (Ha ha! Modest or what?) All local Devon and Somerset people. The printers are in Exeter as well, so yes, the very strong local team effort to produce it, is a big deal for me.

If you were stranded on a desert island with three other people, fictional or real, who would they be and why?

Captain Carrot Ironfoundsperson – for his indefatigable good humour and strength of character.

Leonardo Da Quirm – for his inventive genius.

Rincewind – because if he’s with me, at least I will know which way to run to avoid death

Anything else you’d like to share with us?

My little publishing imprint Blue Poppy Publishing is interested in teaming up with other self-publishing authors to try and create a sort of local co-operative publisher.
There is no money yet, and so it only applies to self-publishers who see a benefit to them of being under the Blue Poppy umbrella.

 blue-poppy-web

I am also the author of four short books for junior school (middle grade) readers.

tttlcovertn

The Time Tunnel series features the adventures of David Johnson who stumbles across a series of holes which allow him to visit different periods of history. The first two; “Time Tunnel to Londinium” and “Londinium Revisited” obviously look at Roman Britain, “Time Tunnel at the Seaside” visits World War Two, and “Time Tunnel to West Leighton” covers the Anglo Saxons. All these aim to cover aspects of Key-Stage Two school history, while also being enjoyable stories.

 lrcovertnttatsscovertn

More books are planned for the series, including “Time Tunnel to Ironbridge” which will look at Victorian England.

 

 

Links

www.bluepoppypublishing.co.uk

www.facebook.com/ollitooley

www.twitter.com/OTooleyAuthor

Bio

Oliver was born in London where he grew up next to a bombed out church.  At the time he never thought it odd that there was a world war two bomb site still there in 1965. He was usually described by teachers as brilliant but lazy, and they said he would forget his head if it wasn’t screwed on. After attempting to unscrew his own head, he decided that most teachers were stupid but bigger than him. It was long after leaving school that he found out he had undiagnosed mild autism.

He had always hated writing at school because he found holding a pen for longer than the time it took to write “Happy birthday, from Olli” was painful. In addition, he would almost invariably lose any homework before being able to submit it.

The advent of modern computers was a turning point; allowing him to write at length and not lose documents. His first ever paid writing job was a contribution to “The Great Explorers” Robin Hanbury-Tenison (Thames and Hudson) 978-0500251690

He now lives in Devon with his wife, four offspring, and a demented spaniel.

***

Thanks for a great interview Olli – love the Terry Pratchett choices for your desert island!

Happy reading,

Jenny 

 

The Seven Ages of Writing

I’m delighted to be joined by fellow writer and historian, Janet Few today. Take a seat and enjoy this excellent blog about a life in writing.

Over to you Janet…

Early in 2016 I entered my seventh decade. Throughout all those years, words have skittered, swirling and whirling, dervish-like through my brain. Sometimes, they have made it from brain to paper, or, more recently, keyboard. Each of those seven decades has seen me embark on a new phase of writing. As a small child, I crafted Blytonesque adventure stories, populated with improbable numbers of characters and involving tortuous plots that were rarely resolved. My very early education was in an old-fashioned private school which encouraged ‘compositions’ scribed with a quaint, Victorian turns of phrase. I find stealthy reflections of this technique creeping into my writing still.

My teenaged years were characterised by angst-ridden prose, leavened with a smattering of blank verse. It is probably just as well that most of this never emerged from my graffiti- emblazoned notebooks. One ability that I did acquire as a school-girl was the facility for writing in very different styles. We had two English teachers. One was the archetypal ‘school marm’; bespectacled, with chunky ankles encased in lisle stockings and a bun scraped back from a moon-shaped face. Essays for Miss P*** were full of verbose language that verged on the Shakespearian and convoluted sentences in the dreaded passive voice. Her colleague was daringly modern. Miss S***, it transpired, even lived with her boyfriend. This was the early 1970s; we never did know how she slipped through the interviewing net of our ultra-conservative school. Work for her demanded snappy phrases and a contemporary vocabulary.

books

As a student, my output was circumscribed. Academic essays meant that fiction writing was consigned to a forgotten corner of my life. In pre-computer days, writing techniques were so very different. Cutting and pasting involved, quite literally, hacking pieces of paper into strips, arranging them in a suitable order and praying that no one created a draught before you had laboriously copied them out in the desired sequence. In my fourth decade, my life was filled with nappies, building-blocks and modelling clay; I barely had time to write a shopping list. Although I wrote little at this time, my writing garnered a new dimension. My husband died suddenly. He had worked away from home and we had exchanged lengthy letters. Unlike me, he had a dry and pithy, darkly humorous style. After his death I found that, unintentionally and by osmosis, this had, on occasions, become grafted on to my own.

Children grown and it was ‘me time’. So, in my forties, I embarked upon a PhD. As I hewed an 80,000 word thesis from the stony gleanings of my research, I sometimes doubted the wisdom of this endeavour. Magnum opus submitted, I went on a well deserved overseas trip. Strangely, as part of the re-acclimatisation process, I found myself unable to stop writing. This led to the first of a series of lengthy travel diaries, the later ones of which appear on my blog.

It is only comparatively recently that I have become a published author and my output is non-fiction evidence of both my academic leanings and a life long obsession with the past. I believe good history is for everyone. As The History Interpreter, I aim to bring history alive in a variety of ways. I am passionate about encouraging young people to become interested in the past, especially through living history or family history. I therefore shared many of my ideas in the booklet Harnessing the Facebook  Generation:  ideas for involving young people in family history and heritage. I spend part of my time as my alter ego, Mistress Agnes, living in the sixteenth and seventeenth centuries, managing the Swords and Spindles team of historical interpreters. My social history book Coffers, Clysters, Comfrey and Coifs: the lives of our seventeenth century ancestors, emerged out of this experience.

I enjoy dissecting small, rural communities and trying to understand how they functioned in the past; a branch of research that is known as a One-Place Study. I have written a guide to that peculiar blend of local and family history: Putting Your Ancestors in their Place. I also research my own family history, with an emphasis on putting the lives of my ancestors into a wider context. I am responsible for the latest edition of the classic family history handbook Family Historian’s Enquire Within. I am particularly interested in the role of women in the past. When I was writing Coffers, Clysters, I regretted that I did not know more about the lives of the ordinary women of the time and that I could not ask them questions. I thought that perhaps now was the time to capture the period 1946-1969, whilst there were still first hand accounts to work with. I recruited eighty lovely ladies and helped them to recall their memories of this pivotal period. These have been merged together in Remember Then: women’s memories of 1946-1969 and how to write your own.

Realistically, the change of direction that my writing has taken since my ‘big’ birthday earlier this year can scarcely be called a ‘mid-life’ crisis but it is certainly a watershed. I have been persuaded, after over forty years, to return to fiction writing. Unsurprisingly, the novel that I a working on does have an historical slant. It is based on the true story of a mother accused of killing her child and it unravels the psychological twists to characters who struggle with surprisingly modern anxieties. I do hope that it won’t take me the whole of my seventh decade to finish. My self-imposed deadline for publication is November 2018, which will be the centenary of the death of my heroine. Who knows what my eighth decade will bring?

Janet Few

mistress-agnes-sepia

Janet’s website is The History Interpreter: resenting and preserving the past. She can be followed on Twitter @janetfew but beware, she has no idea where she is going.

***

Wonderful blog! Thanks you Janet.

Happy reading everyone,

Jenny x

Guest Post from Jane Jackson: Being Mysterious as Rachel Ennis

Today I am welcoming the lovely Jane Jackson back to my site. On this visit Jane is chatting about her latest book, The Loner, which was written by the ‘other her’- Rachel Ennis!

Over to you Jane (or should that be Rachel?)…

For the past fifteen years I have been writing historical romantic fiction. I’m fascinated by life in the past, especially my chosen period of 1795 – 1905. Momentous changes were taking place in every aspect of life: the Napoleonic wars with France, railways that spread like tentacles across the length and breadth of the country, physician Edward Jenner’s development of a smallpox vaccine saving thousands of lives, the Falmouth-based packet service transporting mail all over the world, dispatches to theatres of war, and bringing back gold bullion from the sugar plantations of Jamaica.

The Loner

Society was changing too. The industrial revolution brought a massive exodus from countryside to cities and jobs in the new factories whose prosperous owners were the basis of a new middle class.

The fun and frivolity of the Regency was crushed beneath the repression and hypocrisy of Victoria’s reign. I’d need another lifetime to write all the books I have ideas for.

Then in November 2014 I was offered the chance to contribute to an anthology of Christmas stories published by Accent Press entitled ‘Wishing on a Star.’

Wishing on a Star

This was a great opportunity to write a contemporary story. But as I was stepping outside my comfort zone I decided to set it in a location familiar to me – a Cornish coastal village. I named it Polvellan (translation from Cornish is top – or head – of the mill, because there is an old mill at the back of the quay) and the story featured the birth of a baby during a carol concert, but with a very contemporary twist.

I loved writing it. My editor enjoyed it and suggested a series. That was how ‘Polvellan Cornish Mysteries’ and my new name of Rachel Ennis came into being.

Several authors published, like me, by Accent Press write murder mysteries and they are excellent. But this wasn’t a direction I wanted to take. Then I had my lightbulb moment. I would make Jess Trevanion – my main character – an amateur genealogist. Asked to find people’s ancestors she makes unexpected, shocking, remarkable, and occasionally tragic discoveries. And I get to explore more recent history!

Born and brought up in Polvellan, Jess returned to live there after her husband’s unexpected death left her in desperate financial straits. Because she is known and trusted, people confide in her.

Each of Jess’s friends: Annie, Gill, Morwenna and Viv, has their own story gradually revealed throughout the series, as are Jess’s past and current problems. She and childhood sweetheart, Tom Peters, are rebuilding their romance but both carry baggage from the past.

I never take people from real life as characters. Yet the villagers in Polvellan are as real to me as my family. In some ways I know them better, because in each story they reveal more about their secrets, fears and hopes.

As Jess’s reputation spreads she is asked to undertake more investigations. But some people aren’t happy, afraid of what might come out.

‘The Loner’ is the third in the series. Calling at the cottage of recluse John Preece to give him some tomato plants, Jess finds him dead on the floor.

Police and Coroner deem it an accident: he tripped on the rug and hit his head on the granite hearth.

When talk turns to the funeral arrangements Jess’s sadness becomes resolve when she realises that, like herself, very few people knew the real John Preece. Though he lived in the village for many years, his background is a mystery. Using her investigative skills to research John’s family, she is surprised and horrified by what she finds out.

Meanwhile, she is also investigating the history of Marigold’s, a famous local venue recently inherited by the new heir to the Chenhall estate. Who was Marigold and what was her claim to fame?

***

You can buy ‘The Loner’ 3rd of the Polvellan Cornish Mysteries as an Ebook Pub. for 99p from- http://www.amazon.co.uk/Loner-Polvellan-Book-3-ebook/dp/B01613GQNO/ and all good eBook retailers.

***

Jane Jackson TTH pic

You can find more about the work of Jane Jackson (aka Rachel Ennis) at-

Facebook: www.facebook.com/PolvellanCornishMysteries

Blog: http://writethepast.co.uk

Website: www.janejackson.net

***

Many thanks for a great blog Jane.

Happy reading everyone,

Jenny x 

Guest Blog from Marie Laval: One night under the stars

I’m delighted to welcome fellow Accent Press author, Marie Laval, back to my site to talk about her new release, The Lion’s Embrace. I have to say, it sounds fascinating.

Over to you Marie…

Thank you very much Jenny for welcoming me on your blog today to talk about my latest release. THE LION’S EMBRACE is my second historical romance and takes place mostly in North Africa, in Algeria to be exact, in 1845. Lucas Saintclair is hired as a guide by Harriet Montague to rescue her father, a British Museum archaeologist, who she believes was captured by a gang of Tuaregs in the far South of the country.

ML Blog Lion'sEmbraceAccent

Writing THE LION’S EMBRACE was a fascinating process, not only because I got to fall in love with my hero (I know, it sounds very, very corny, but it’s true!), but also because I discovered the beautiful landscapes Lucas and Harriet travelled through on their way to Tamanrasset, and the culture of the people they encountered. One particular group of people are at the centre of the plot: the Tuaregs, also called ‘The People of the Veil’ or the ‘Blue Men of the Desert’ because of the indigo veil all men have to wear from around the age of fifteen.

ML Blog touareg2

I surrounded myself with photos of the Sahara, of oases and the magnificent Hoggar mountain range. I read Tuareg poems and stories and listened to music so that I could get a real ‘feel’ for the place and the people since I couldn’t travel there myself.

Hoggar Mountains

Hoggar Mountains

One song in particular caught my imagination and I played it over and over again as I wrote THE LION’S EMBRACE. It’s a modern song and I have no idea what they are singing about, but I find the melody poignant and haunting, especially the monochord violin, the imzad, which can be heard throughout.

ML Blog imzad2

The imzad is a traditional Tuareg instrument only played by women. It is at the heart of the Tuareg culture and society because of its link to the Achak, the code of honour every Tuareg must live by. Those who stray from the path and commit dishonourable acts are said to have lost the ability to ‘hear the imzad’ in their heart and are therefore cast out of their family and their tribe.

Here is the link to the song:

http://www.youtube.com/watch?v=E5z7AcjE-YI

As they travel across the Sahara desert, Lucas Saintclair and Harriet Montague spend a few days with a Tuareg caravan. Every evening, they sit under the stars and listen to musicians playing the imzad and to stories and poems. The story-teller pulls out round pebbles out of his ‘bag of tales’, which is a skin pouch. Each pebble represents a different story and he tells the stories in the order the pebbles were drawn from the bag.

This is an excerpt from THE LION’S EMBRACE when Lucas and Harriet are at the Tuareg camp. The tale is based on a genuine Tuareg story.

The women played their instruments all along, drawing long, monochord sounds that at times sounded almost like laments and perfectly matched the mood of the audience, silent and attentive under the starry sky.

            By the end of the evening, Harriet shivered with cold. Lucas wrapped his arm around her shoulders to keep her warm.

‘The brave is reaching the end of his journey,’ he translated, his voice low and a little hoarse. ‘After wandering in the desert for weeks, he finally finds his beloved’s camp, but it is empty under the stars. Only the cruel wind answers his prayers, and as the cool moonlight kisses his lips, the vast spaces full of solitude chill his heart. So he lies on the sand and waits to die.’ He paused. ‘And that’s love for you. Brings you nothing but pain.’

            Despite his slightly mocking tone, the words made her dreamy.

            ‘It’s beautiful, and so sad.’ She found his hand, squeezed a little. ‘Love isn’t all pain, you know. It can be the most wonderful feeling in the world.’

            She should know.

***

Thank you again Jenny for welcoming me on your blog.

Here is the blurb for THE LION’S EMBRACE

Algiers, 1845

Arrogant, selfish and dangerous, Lucas Saintclair is everything Harriet Montague dislikes in a man. He is also the best guide in the whole of the Barbary States, the only man who can rescue her archaeologist father from the gang of Tuareg fighters that has kidnapped him. As Harriet embarks on a perilous journey across Algeria with Saintclair and Archibald Drake, her father’s most trusted friend, she discovers a bewitching but brutal land where nothing is what it seems. Who are these men intent on stealing her father’s ransom? What was her father hoping to find in Tuareg queen Tin Hinan’s tomb? Is Lucas Saintclair really as callous as he claims—or is he a man haunted by a past he cannot forgive?

Dangerous passions engulf Harriet’s heart in the heat of the Sahara. Secrets of lost treasures, rebel fighters, and a sinister criminal brotherhood threaten her life and the life of the man she loves.

Does forever lie in the lion’s embrace?

***

THE LION’S EMBRACE is available from

http://www.amazon.co.uk/Lions-Embrace-Marie-Laval-ebook/dp/B013GSVJJI/ref=asap_bc?ie=UTF8

and in paperback from Áccent Press

You can find me at http://marielaval.blogspot.co.uk/

https://www.facebook.com/marielavalauthor?fref=ts

https://uk.pinterest.com/laval0232/

MarieLaval (2)

Author Bio

Originally from Lyon in France, I have been living in the lovely Rossendale Valley, Lancashire, for the past few years. I spend most of my spare time dreaming up romantic stories. A SPELL IN PROVENCE, my first contemporary romantic suspense, was released by Áccent Press earlier this year. ANGEL HEART, my debut historical romance and THE LION’S EMBRACE have just been re-released by Áccent Press too. And watch out for DANCING FOR THE DEVIL, another historical romance, which will be published in the autumn …

***

Many thanks to Marie for such an interesting blog. Another book to add to my ‘to read’ list!

Happy reading,

Jenny x

 

Romancing Robin Hood: Final Pre-Publication Edit Time!

I always await the arrival of the pre-publication edits from my publisher with a sense of trepidation. Until that point, there is no way of knowing if my work has reached the standard they expect- and I admit, paranoia does set in a little while I’m awaiting my editors verdict!

It is with a sense of relief however then, that my editor declared Romancing Robin Hood a great read- I hope you agree once the time comes!!

This is my last chance to get my novel just as I want it. It’s a buffing up, polishing, and tweaking process that I enjoy very much. The final chance to play with my brand new novel before I hand it over to be enjoyed, criticised, and reviewed…

romancing robin hood

If you want to check out the blurb- just follow this link.

And if you fancy reading a little bit of the introduction- just follow this link.

So, I’m off to make a start- while I’m gone, why not enjoy a few Robin Hood pictures!

RH- Michael and Judi

RH- E Flynn

RH- RoS 2

Lytell Geste

Happy reading everyone- I’ll be back with a publication date for you soon.

Jenny xx

Location Research Time

I’ve never been a big researcher. Okay, that’s not entirely true- I used to be a researcher- therefore, when it came to writing the novel Romancing Robin Hood (out late summer 2014), I didn’t have to do any research- because I’d done it all before! Presenting Exhibit A- my PhD!!

PhD page

What I should have said was, I’ve never been big on research when I’m writing my novels, novellas, and short stories. When it comes to my erotica work I’ve always had the knack of knowing what I need to write (I can’t decide if this is a good thing or not, as I certainly don’t have any first hand experience of the BDSM I’d renown for- it’s all instinct!!!), but with my romance work it is a little different.

Anyone who follows my blog will know that I am a serial coffee drinker, and that cafe’s and coffee shops are my home from home. This meant that when it came to writing Another Cup of Coffee and Another Cup of Christmas creating and describing the main location was fairly straight forward. Plus, I shamelessly stole from my own life, people I grew up with, and experiences of life that needed very little research at all.

JK facebook banner

Now however, as I’m about to dive into writing my fourth romance, I can no longer cheat on the research front- I’ve run out of personal experiences to totally and exploit, and consequently I find myself with a list of points to check and double check.

This new novel is to be set in Cornwall, the location of nearly every one of my childhood holidays (okay, so I’m using a tiny bit of real life again), but I am beginning to doubt my memory (old age I suspect!!).

Sennen

So here  I’m sat – on my sofa- wading through old photographs, double checking Google to make sure I have got all the villages, towns, pubs and seaside names I remember from my youth in the right geographical places…and then once I’ve sorted out that, I have to check up how to dismantle a cobblers shop…yes, really…

And the name of this new novel I’m researching?

I’m not telling!! Not yet- you’ll just have to wait and see….

wink

Happy reading everyone!!

Jenny xx

Blurb Reveal- Romancing Robin Hood

I’m delighted to be able to announce that the writing of my next Jenny Kane, Romancing Robin Hood, novel is well under way!

KayJayBee-27

This time I’m taking a step away from the Pickwicks’ Coffee Shop setting in Richmond, that has been the home to my last two works (Another Cup of Coffee and Another Cup of Christmas), and am moving northwards to the Midlands of England- specifically Leicester, Nottingham, and Sherwood forest…

Blurb

What happens when your love is stuck in the past…

Dr Grace Harper has loved the stories of Robin Hood ever since she first saw them on TV as a girl. Now, with her fortieth birthday just around the corner, she’s a successful academic in Medieval History, with a tenured position at a top university.

But Grace is in a bit of a rut. She’s supposed to be writing a textbook on a real-life medieval gang of high-class criminals – the Folvilles – but she keeps being drawn into the world of the novel she’s secretly writing – a novel which entwines the Folvilles with her long-time love of Robin Hood – and a feisty young girl named Mathilda, who is the key to a medieval mystery…

Meanwhile, Grace’s best friend Daisy – who’s as keen on animals as Grace is on the Merry Men – is unexpectedly getting married, and a reluctant Grace is press-ganged into being her bridesmaid. As Grace sees Daisy’s new-found happiness, she starts to re-evaluate her own life. Is her devotion to a man who may or may not have lived hundreds of years ago really a substitute for a real-life hero of her own? It doesn’t get any easier when she meets Dr Robert Franks – a rival academic who Grace is determined to dislike but finds herself being increasingly drawn to…

****

Robin Hood Statue - Nottingham

Robin Hood Statue – Nottingham

Part contemporary romance, and part historical mystery adventure, Romancing Robin Hood should (I hope!!), raise a smile, warm the heart, and keep you on the edge of your seat all at the same time!!!

More news soon!

Happy reading,

Jenny xx

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