Tag: historical Page 4 of 5

Interview with Sarah Dahl: Monk

On October 6, 2017

In Blog, Fiction, Historical fiction, Interview

I’m delighted to welcome Sarah Dahl back to my site to enjoy a cuppa and a chat about her latest historical romance (with spice); Monk.

Why not grab a slice of cake and join is?

What inspired you to write your book?

It has never been clearer than in this case: “Monk” was created out of mild frustration and the question “What if?”. There’s this scene in the first series of History Channel’s Vikings where Ragnar brings home an attractive young monk, Athelstan, who makes the couple curious. They enter his room and ask him to join them in bed. The audience doesn’t get to know if that is a test of Ragnar’s, to check if the “new man in the house” will be a threat to his marriage. Or if they just want to have their own version of fun with the man of God who seems so stressed out by their love-making. We know the Vikings had a very relaxed attitude towards phyical aspects, including sex. The scenario is not too far-fetched. But: in the series, the monk shies away. The atmosphere is sizzling and tense, you literally hold your breath before he answers “no, I can’t” – although you see his eyes and body saying the opposite. That didn’t leave my mind. I wondered if the producers were shying away from his “yes” out of realistic thinking or just Hollywood-esk prudery. We couldn’t know then how the monk’s answer would affect the coming plotlines.

But from that day I pondered the question “What if the monk had said yes? He wanted to. The temptation was too much, he was overwhelmed. He was close to a “yes”. But was it realistic? I thought: Heck, I can do this. I’ll write what would have happened, and make it just as sizzling …

So I did my very own version of a monk being seduced by his Viking captors.

Do you model any of your characters after people you know?

In this case: see above. I bluntly admit to stealing the main characters’ basics from the series, then made them my own people in my own story and setting. I go very much deeper into their minds and world views. All three, Yngvarr, his wife Runa, and the monk Alistair, are very vivid and accessible on several levels. So concerning your question:

Which Point of View do you prefer to write in and why?

I went bold and brave with this one, and made it three points of view. Which is a first, for such a relatively short piece. This way, readers can dive into every character separately and feel with them, make it a tight and direct experience. Eliminate the guessing and questions. You can’t do that with TV-series’ characters, whose feelings and thoughts are guess-work after all. But in “Monk” I play with the three views and how the actions unfolding affect every one of the three – and ultimately change them.

Yes, it’s carnal, but also: very emotional, a revelation, a turmoil, life-changing. All three of them hand themselves over to the situation and come out differently, not having anticipated what this “game” would do to them. So maybe I modelled my characters after what inspired me, but I very much made them my own material and went deep with them. Through their shy monk – despite him being very much at their mercy – my Vikings are suddenly not so fierce and confident anymore 😉

What type of research did you have to do for your book?

This is especially funny for “Monk”. I’m quite solid concerning Viking research and reality and am very aware of staying realistic and true to the period in every detail. To then be extra-sure I always give the stories to my researcher-friend, John, who then double-checks for any flaws that distort the reality of the era. I was very sure that by now I’m firm enough, and he won’t find anything major, but then came the discussion of “the rope”, haha. He said no sane Viking would just cut the rope that lay around the captives neck. They used iron collars, for one, and then would never cut a valuable rope when freeing the slave. It would be a strange act to destroy the thing. My problem was that the Viking should scare the monk a little with the swift movement of the knife, make him flinch and graze his Adam’s apple; make him aware that he is, from now on, at their mercy. It should break the confident gaze of the captive and display the mortal danger he is in. There’s so much to that brief moment! But could that work with iron collars the Viking would have to fiddle with? Would him forcing these open in slow motion have the same effect for monk and readers as a fast-moved knife? Surely not. My monk would have impatiently rolled his eyes at some point, haha. So: even though my researcher was right, technically, I overruled his verdict and stuck with my fast and threatening knife-movement. I needed to shock the monk, not bore him to death before the real action had even started 😉

Links:

Author homepage and buy links: https://sarah-dahl.com/book/monk

Publisher Pronoun with buy links: https://books.pronoun.com/sarahdahl

Goodreads: https://www.goodreads.com/author/show/16341241.Sarah_Dahl

Facebook page: https://www.facebook.com/sarahdahl13

Twitter: @sarahdahl13

Bio:

Sarah Dahl lives on the edge of the rural German Eifel and writes historical fiction (novels and short stories) primarily set in the Viking age. She also works as an editor, translates, and coaches new writers in German and English. She is interested in everyday life in bygone centuries and the human stories that may have occurred behind the hard, historical facts. Her author page is: sarah-dahl.com

***

Many thanks Sarah for dropping by today hun. Good luck with your new story.

Happy reading everyone,

Jenny x

End of the month round up with Nell Peters

By Jenny Kane

On September 30, 2017

In Blog, Contemporary fiction, crime, Fiction

OK- I am in denial. It is not the end of September! It can’t be…except, it is…

Over to Nell!

Good grief! We’ve reached the end of September already – how did that happen? Anyway, let’s not waste any time as I’m sure you have better things to do, like giving your pet rhino a pedicure, or similar.

Red-headed actress Rula Lenska was born seventy years ago today as Róża Maria Leopoldyna Łubieńska – wow, pity her poor teachers calling the register. And she must have had custom-made, extra-long name tags for her school uniform. The family claim membership of the Polish aristocracy, with her parents being a count and countess – I wonder how impressed the good folk of St Neots were by that, because that’s where Rula was born. Perfectly nice town though it is, St Neots doesn’t quite conjure the same mental image as Warsaw, Krakow, Gdansk or even Radomsko, does it?

Early on in her career and certainly by the time she hit thirty, Lenska had renounced her countess title. She said at the time, ‘In England it doesn’t count, if you’ll excuse the pun.’ Oh, how very droll. However, a good few years afterwards in January 2006, when she signed up for Celebrity Big Brother, she justified her decision to take part with the words, ‘I’m a crazy Polish countess who likes a challenge’. Do make up your mind, dear.

I’ve never seen CBB – a fact that horrified near-neighbour Peter, who is a designer on the show, when we were chatting at a party locally. Even I, though, knew about RL cavorting with MP George Galloway in a role-play task where he pretended to be a cat licking milk from her cupped hands, and Lenska stroked his ears and moustache. Eew … or perhaps mew. Apparently, she also managed to lock herself in the toilet during her time in the house, giving late singer Pete Burns the golden opportunity to quip, ‘Oh dear, what can the matter be, clapped-out actress stuck in the lavatory.’ How brutal – made me laugh when I read it, of course, but rather mean. I’m hanging my head in shame … really.

My mother also managed to lock herself in the downstairs toilet, a few days before my dad’s funeral. I got a call from the Bluebird lunch carer saying Mum had been in there quite some time and seemed to have forgotten how to slide back the basic lock in order to get out. When Sally (said carer) tried to relay instructions through the door, my mother said she didn’t know what she was talking about and became abusive. So, Sally rang her office and some bright spark there told her to contact me. What sensible advice, when they were in Twickenham and I was at home in Norfolk – a buck expertly passed if ever there was one.

Sally decided a chisel to jimmy the lock was the way to go and so I guided her through the idiosyncratic locked door system of the ground floor – each lock with ever more weirdo-shaped keys that need to be persuaded into action – out into the back garden and around the house to the potting shed. My father was always one for ‘we’ll get a man in’ but did have some basic tools and I was pretty sure that was where they’d be, along with various lawn mowers and other garden machinery, an ancient bicycle or two, a zillion disused flower pots and industrial strength spider webs. After she managed to get the shed door open, Sally quickly located a chisel and squealed with delight when she saw an axe. I persuaded her (with much difficulty) to leave that where it was.

While she was attempting her breaking and entering, she had to hang up the phone, promising to call back when the prisoner had been sprung. An hour passed and I was beside myself with worry, when she finally rang back. Mission aborted. She’d called the Fire Brigade. We had to end the call once again, as she was expecting them to ring. By the time I heard from her again, I was (even more of) a basket case – but job done. Not impressed by three hunky firemen setting her free with a strategically placed crowbar, my mother had spat harsh words at Sally for letting strangers into her house and insulted the poor guys loud and long – nothing to do with dementia, that’s how my mother rocks.

Going back to aforementioned Rula Lenska, Marc Bolan shared her date of birth, but died just two weeks short of his thirtieth birthday when the Mini being driven by his girlfriend hit a tree on Barnes Common – I passed the spot on many an occasion when I lived in London, and there were always flowers placed there. The singer/songwriter/poet/musician was actually born Mark Feld and tried out stage names Toby Tyler and Mark Bowland along the way, before settling on Marc Bolan. Through his father Simeon’s bloodline, he shares Rula Lenska’s Polish (plus in his case, Russian) ancestry, but does not appear to lay any claim to the nobility – so, just dead common like the rest of us.

While at school (from which he was expelled at fifteen for bad behaviour), he played guitar in the trio Susie and the Hula Hoops, with vocalists Helen Shapiro, twelve at the time, and Helen’s cousin the appropriately-named Susie Singer. I can remember Helen’s hit, Walking Back to Happiness – boy I’m old, but not as old as her, because she was born on 28^th September 1946, the year before Lenska and Bolan.

The glam rock band T. Rex recorded Ride a White Swan in 1970 with producer Tony Visconti (who also managed David Bowie) – it was the single that changed Bolan’s career, and was inspired by Mungo Jerry’s success with In the Summertime, tempting Bolan away from predominantly acoustic to a more electric sound. Friends Bolan and Bowie both inflicted pretty awful names on their sons – Rolan (although he was named as Rolan Seymour Feld on his birth certificate) and Zowie, who wasn’t so lucky but is now rather more prosaically known as film director Duncan Jones.

The band were originally known as Tyrannosaurus Rex, named after one of the largest carnivorous dinosaurs – a ferocious beastie capable of the ultimate in bone-crushing action. Ouch. These prehistoric predators were approx 40’ long and up to 20’ tall, with strong thighs and long, powerful tails built for speed, plus a 5’ skull which drilled into prey. They suffered from a bit of a design fault, though – while the two-fingered forearms could seize prey, they were too short to reach the mouth and deposit the poor unfortunate victim. Doh! That’s when their serrated, conical teeth came in handy (sorry!) – to pierce and grip flesh, and then rip it away from the body of their quarry. That could become the latest diet craze – tie up your arms somehow to make their reach shorter! Because we don’t have T. Rex-type teeth, no food would make it as far as the lips, ergo no calories consumed – sorted! I may yet become rich and famous …

On this day in 1955, another young man died as the result of a car crash – one James Dean, twenty-four year old American actor and cultural icon of teenage disillusionment, angst and social estrangement, as portrayed in arguably his most famous film, Rebel Without a Cause. American teens of the era easily identified with the dilemma of his character, Jim Stark, who feels that no one, not even his peers, can understand him.

A keen participant in motor racing, Dean was driving his Porsche 550 Spyder to a race meeting when the accident happened, having been stopped less than two hours earlier for speeding. The crash occurred at an intersection, when a 1950 Ford Tudor driven by Donald Turnupseed (I kid you not!) turned in front of the Porsche. Because he was driving too fast, Dean was unable to stop, colliding side-on with the other car. The actor died instantly, while Donald walked away with minor injuries. A subsequent coroner’s jury delivered a verdict that Dean was entirely at fault due to his speed, and found Turnupseed innocent of any criminal act. Fellow actor Humphrey Bogart observed about JD’s image and legacy: ‘Dean died at just the right time. He left behind a legend. If he had lived, he’d never have been able to live up to his publicity.’ Harsh, but possibly true. Unbelievably, according to Forbes Magazine (a US bi-weekly business publication, maxim The Capitalist Tool), James Dean’s estate still makes around $5M annually. Not too shabby …

This year, the Day of Atonement, or Yom Kippur is observed on 30^th September, being the 10th of Tishri in the Hebrew calendar, or the tenth day of the seventh month, and is regarded as the ‘Sabbath of Sabbaths’. It is considered the most important holiday in the Jewish faith. Falling in the month of Tishri (variably September or October in the Gregorian calendar), it marks the culmination of the Ten Days of Awe, a period of introspection and repentance that follows Rosh Hashanah, the Jewish New Year.

I wonder quite how that sits with International Blasphemy Day, observed annually (mostly in North America and Europe) on 30/9 since 2009, after a student contacted the Centre for Inquiry in New York proposing the idea, which the CFI supported. Ronald Lindsay, president and CEO of the CFI said of Blasphemy Day, ‘We think religious beliefs should be subject to examination and criticism just as political beliefs are …’ For those who – like me – haven’t heard of the CFI, they are a non-profit educational organization, their primary mission to foster a secular society based on science, reason, freedom of inquiry, and humanist values. In January 2016, Richard Dawkins hitched his foundation’s wagon to the CFI. Probably enough said.

Today is also Chewing Gum Day (a lot of blaspheming going on when folk tread in the damned stuff?), International Lace Day and Family Health and Fitness Day USA – the latter two taking place on the last Saturday in September rather than a specific date. And then there’s National Mud Pack Day, also an American affair. The blurb says, ‘This holiday is for learning and appreciating the use of mud on the face or really any part of the body. Mud packs have been popular for years for facial treatments to keep the skin young, soft and supple, so let today be the day you learn how to nourish your skin with mud.’

No sooner said than done – it has been raining, so I’m off to dig up the garden (or maybe I’ll get a man in) and then luxuriate with a homemade concoction slathered over all the wrinkles. You may not recognise the youthful creature who guest blogs next month – plus, of course, I will be super-skinny from trying out and perfecting The T. Rex Short Arm Diet! May have to work on the name …

Thanks, as always, for having me, Jenny!

Toodles.

Many thanks to Nell for another entertaining and fascinating blog. I will never look at Rula Lenska in the same way again!

Happy reading everyone.

Jenny x

New Cover: The Outlaw’s Ransom

By Jenny Kane

On August 26, 2017

In Blog, crime, Fiction, Historical fiction, Jennifer Ash, medieval

To my surprise and delight I have a new cover for The Outlaw’s Ransom!

Check it out. I rather love it.

You can buy The Outlaw’s Ransom on Kindle via all good online retailers- including-

https://www.amazon.co.uk/Outlaws-Ransom-Jennifer-Ash-ebook/dp/B01LZDKPQM/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1475660907&sr=1-1&keywords=The+Outlaw%27s+Ransom+Jennifer+Ash

https://www.amazon.com/Outlaws-Ransom-Jennifer-Ash-ebook/dp/B01LZDKPQM/ref=sr_1_1?ie=UTF8&qid=1475660990&sr=8-1&keywords=The+Outlaw%27s+Ransom+Jennifer+Ash

Blurb-

The first in an exciting new series by acclaimed author Jenny Kane writing as Jennifer Ash.

When craftsman’s daughter Mathilda is kidnapped by the notorious Folville brothers, as punishment for her father’s debts, she fears for her life. Although of noble birth, the Folvilles are infamous throughout the county for disregarding the law – and for using any means necessary to deliver their brand of ‘justice’.

Mathilda must prove her worth to the Folvilles in order to win her freedom. To do so she must go against her instincts and, disguised as the paramour of the enigmatic Robert de Folville, undertake a mission that will take her far from home and put her life in the hands of a dangerous brigand – and that’s just the start of things…

A thrilling tale of medieval mystery and romance – and with a nod to the tales of Robin Hood – The Outlaw’s Ransom is perfect for fans of C.J. Sansom and Jean Plaidy.

The Outlaw’s Ransom from Amazon UK and Amazon US.

A few nice words from my readers…

“I first read this story when it appeared in a lesser form as a ‘story within a story’. (Romancing Robin Hood)
I have really enjoyed reading the expanded version – complete with historical references.
Mathilda is kidnapped by local highborn landowners/outlaws as a way of ensuring her family repay a loan. Too clever for her own good she soon realises that they wish to use her to pass messages to another family – who would ever think to question a young lady, but is very quickly embroiled in the murder of a local business man….A very cleverly written medieval who dunnit.”

“Jennifer’s research is clear and gives the story a well developed sense of time and place, always key for me. Looking forward to her next full length novel”

“Can’t wait to read Mathilda’s next adventure.”

***

Mathilda will carry on her adventure’s in The Winter Outlaw. Sadly – although it was due to be published in November this year- for reasons beyond anyone’s control, it won’t now be published until May 2018. Hang in there though…cos the Winter oUtlaw is coming….

Happy reading,

Jennifer/Jenny

Blowing the Dust Off: Jane Jackson’s Eye of the Wind

By Jenny Kane

On August 19, 2017

In Blog, Fiction, Historical fiction, Jennifer Ash, Romance

It’s Day 6 of my ‘Blowing the Dust Off’ series of blogs. Today the lovely Jane Jackson is reminding us about her excellent novel, Eye of the Wind.

Grab a cuppa and enjoy…

Thanks so much for inviting me onto your blog, Jenny. Your brief was that guests should choose one of their books published at least two years ago. I have chosen ‘Eye of the Wind.’ I’m passionate about the characters, story and background in every book I’ve written, but this one is a special favourite. Why? Because Melissa and Gabriel have no choice but to keep secrets, from their families and each other. As the attraction between them grows, this creates enormous tension which is tough for them, but makes a gripping story.

As a professional writer for over four decades with thirty-two books published, I’ve learned a lot about my craft. A strong plot is important. But for me character comes first. The characters drive the story and if they don’t grab and hold your interest, you’re not likely to read on. There are so many new books published every week all begging for your attention.

One thing I learned to do (and passed on to my students when I was teaching the craft of novel writing) was give main character/s something to hide, something to protect, and something to overcome. This gave them greater depth, made them more real, while adding tension and conflict to the story. Something else I learned as a people-watcher –not nosiness but vital research – is that the reason someone gives for choosing a particular course of action might seem reasonable and logical. But that’s never the full story. Look deeper and you’ll see that there’s more behind it, a pay-off that gives them something they want and feel they don’t have.

e.g. Jo buys a lottery ticket every week and tells her family all the things she would do for them if she won. Taken at face value Jo’s reason for doing the lottery is so she can be generous. But her underlying motive is to control her family by making them grateful to her. And this is because she feels unappreciated, taken for granted. I’m not suggesting that every time you meet someone you should second-guess their actions and behaviour, but occasionally looking a bit deeper can give you some terrific ideas for aspects of character.

Writers are often asked where they get their ideas from, what inspires them. Mine come from where I live – a creek-side village close to the third largest natural harbour in the world. Cornwall is an island within an island and has a long and varied history. When copper mining was at its height, tiny Gwennap parish was the wealthiest area in the world. The Packet Service based in Falmouth carried mail all over the globe and brought back bullion from British-owned sugar, coffee and tobacco plantations. News of victory against the French at Trafalgar, and the death of Admiral Lord Nelson, was carried ashore at Fish Strand Quay in Falmouth by Lt Lapenotiere, who hired a post chaise to take him to London. The first trials of nitro-glycerine, invented by Alfred Nobel, took place at Falmouth docks. William Bickford, a leather currier living in Truro, invented the first safety fuse for use in Cornish mines and quarries. These backgrounds, and more, have featured in my books.

I hope you enjoy this excerpt from ‘Eye of the Wind.’

Her gaze was clear and candid, and a tiny frown puckered her forehead. ‘You sound different.’

He smiled briefly. ‘Not used to talking.’

‘No, I don’t mean your voice: I mean your mode of speech.’

He bent his head, clenching his teeth as tension cramped his gut. In France, speaking only Breton, his disguise a matter of life and death, it had been easy to remain in character. But here in his home county and with her… Looking up he shrugged. ‘You’re right, miss. I used to work closely with the master and I wanted to better myself. Picked up his way of talking. No offence intended.’

‘No, no, I didn’t mean – it was not a criticism, Gabriel, merely an observation. But one I should not have made.’ Embarrassment had smothered her suspicion.

Torn between relief at avoiding potential danger and anger at his carelessness, he deliberately steered the conversation away from the past. ‘May I wish you well for tomorrow?’

She drew a deep breath then blurted, ‘I’ll be glad when it’s over.’

‘No need to be nervous. You know what you’re doing.’

‘I hope so.’ It was heartfelt, anxious. After a moment she admitted, ‘My uncles don’t share your confidence.’

‘You know why, don’t you?’ He saw concern cloud her face. ‘You are attempting something men believe can – should – only be done by another man.’ One corner of his mouth lifted in brief irony. ‘This is a severe threat to their dignity.’

She was silent then tossed her head. ‘If their dignity is so fragile it must rest on very shaky foundations.’

‘It does,’ he confided. ‘And that is a secret all men would prefer to remain hidden.’

‘Her eyes widened. ‘Really? No, you are not serious.’

‘Indeed I am.’

Seeing his rueful smile, she gasped and blushed, covering her mouth with her fingertips. ‘You should not say such things.’

‘Perhaps. But there will be occasions when you find that knowledge helpful.’

Watching her visible struggle as she recollected herself and withdrew from his unexpected and startling candour he realized that, despite being out in society, she had not acquired the usual veneer of arch sophistication he would have expected in a young woman of her background. And found himself fiercely glad.

She cleared her throat. ‘About – about the wood…’

It was a deliberate if reluctant retreat from an intimacy he should have resisted. Gabriel knew he must let her go. He turned away and set the basket on the ground. ‘Why don’t you take a day or two to think about it, miss?’

‘But what you said – about the other trees being more valuable. Would they really raise a lot of money quickly?’

Watching her blush deepen and her lashes flutter down as she realized how much her question revealed, Gabriel wondered just how desperate a financial crisis her father had left her to deal with. Picking up the last stone he began tying it onto a corner of the canvas, careful not to look at her.

‘They would, miss. And with proper management these woods will still be generating income a hundred years from now.’

‘Truly?’ She sounded stunned. ‘Thank you, Gabriel. Thank you very much.’

His hands grew still as he watched her walk quickly away up the path, her long stride peculiarly graceful, self-consciousness forgotten now she had so many more important matters to occupy her.

That evening after washing himself and his filthy shirt, he shaved carefully. With no mirror he had to work by touch alone. It took a long time, and he did not dare go too close to the wound on his throat. But the honey had done its work and healing had begun. Smearing a fresh cloth with the sweet-smelling salve he bound up his throat once more. Passing a hand over his almost-smooth jaw when he had finished, he smiled. No doubt Berryman would shudder at his efforts. But not only did he feel cleaner than he had for months, he also felt ridiculously proud.

When the men assembled at midday, the overnight rain was just a memory. The sun shone from a sky the colour of cornflowers dotted with thistledown clouds. Word that Francis Tregonning was dead and his wife ill had spread like flames in a gale. All were anxious about the yard and their jobs.

Melissa rode into the yard on Samson. Wearing her black habit and a small beaver hat with narrow rolled brim over her upswept hair, she was very pale but appeared calm as she dismounted. Standing near the back, his arms folded, Gabriel watched her fasten the rein to an iron ring, her fingers trembling. Remaining here was sheer madness. If he cared now in just this short time…Was he not in enough peril?

‘Eye of the Wind’ by Jane Jackson. Accent Press 2013. £1.99.

Kindle link: http://amzn.to/2qiGcOw

Paperback available from third party sellers.

Reviews: ‘A first-class historical novel … coupled with a gripping story-line.’ Western Morning News.

‘Satisfying on many levels, well-written and pleasurable to read.’ Historical Novels Review.

Author bio: Jane Jackson’s first book was published in 1976. She wrote fourteen romances for Harlequin, ten romantic historical novels, and will soon complete the eighth of her Polvellan Cornish Mysteries writing as Rachel Ennis. She has been shortlisted for five major awards.

She taught the craft of novel writing for twenty years and was delighted and privileged to see eleven former students become professional novelists. Happily married to a Cornishman, with children and grandchildren, she has lived in Cornwall all her life finding inspiration for her books in the county’s scenery, history and people. Her hobbies are reading, coastal walks, baking, vintage vehicle rallies – and reading.

www.janejackson.net

www.facebook.com/PolvellanCornishMysteries

Twitter: @JJacksonAuthor

***

Thanks every so much Jane. Great blog!

Come back tomorrow to discover which book Alison Rose is blowing the dust off.

Happy reading,

Jenny xxx

Blowing the Dust Off: Rachel Brimble’s The Temptation of Laura

By Jenny Kane

On August 18, 2017

In Blog, Fiction, Historical fiction, Jenny Kane, Romance

It’s Day 5 of my Blowing the Dust Off series. Today we are in the company of the fabulous Rachel Brimble. She is taking a peck at her Victorian romance, The Temptation of Laura.

Go grab a cuppa, sit down, and enjoy…

The Temptation of Laura…

Despite the title of my second Victorian romance, The Temptation of Laura is not so much about the temptation of Laura herself, but the temptations life throws at her, the hero and many of the secondary characters. Temptation is all around us and more often than not, that temptation could be perceived as opportunity. It’s fear that holds us back from surrendering or resisting.

The book is set against the backdrop of Bath’s theatre world during the late 19^th century. There were many changes happening, socially, economically and sexually during this time. The first whispers of the women’s revolution had begun to circulate…not that many men noticed until around 1903 when The Women’s Social and Political Union was founded.

The leaders and supporters of the group began to cause a stir––marching and petitioning for their right to vote. This is marked as a hugely significant and rightly respected time for women at the time. Men had no choice but to sit up and take notice when so many women banded together and refused to be ignored.

This leads me to the question of temptation…I love exploring this theme and all the imaginings it conjures. Each of us is faced with temptations (or decisions) every day and I, for one, am hugely guilty of making the easy, expected, even socially acceptable decision. My books tend to be about the women who do the exact opposite. What better way to earn a living than to create a woman you admire and want to see succeed in her chosen vocation, romance or spiritually satisfying path?

Laura’s story began in book one of my Victorian series with eKensington when she appeared as a secondary character in The Seduction of Emily. It wasn’t long before I knew she deserved a richer, more in-depth story of her own. As a prostitute struggling for a better life…a dreamer who longs to be onstage, I sensed Laura would be a joy to write and spend some time with over the course of 85,000 words. She didn’t let me down J

Hope I’ve ‘tempted’ you to read the book!

Here’s the blurb & buy links:

Laura Robinson has always been dazzled by the glamour of the stage. But perhaps acting and selling one’s favors are not so different—for Laura must feign pleasure with the men she beds to survive. Now, with her only friend at death’s door and a ruthless pimp at her heels, escaping her occupation seems impossible. Hoping to attract a gentleman, she attends the theater. Yet the man Laura captivates is no customer, but a rising star and playwright…

Adam Lacey has been driven to distraction since the moment he saw Laura. She is his ideal leading lady come to irresistible life—and so much more. Certain they can make the perfect team on and off stage, he is determined to win her heart—and discover her story. But that is precisely what Laura fears. And she has no idea that Adam harbors shameful secrets of his own. Will the truth free them to love—or destroy all their dreams…?

Amazon US

Amazon UK

Barnes & Noble

Bio:

Rachel lives with her husband and two teenage daughters in a small town near Bath in the UK. After having several novels published by small US presses, she secured agent representation in 2011. Since 2013, she has had seven books published by Harlequin Superromance (Templeton Cove Stories) and an eight coming in Feb 2018. She also has four Victorian romances with eKensington/Lyrical Press.

Rachel is a member of the Romantic Novelists Association and Romance Writers of America, and was selected to mentor the Superromance finalist of So You Think You Can Write 2014 contest. When she isn’t writing, you’ll find Rachel with her head in a book or walking the beautiful English countryside with her family. Her dream place to live is Bourton-on-the-Water in South West England.

She likes nothing more than connecting and chatting with her readers and fellow romance writers. Rachel would love to hear from you!

Links:

Facebook Street Team – Rachel’s Readers

Amazon Author Page:

https://www.amazon.com/Rachel-Brimble/e/B007829ZRM/ref=sr_ntt_srch_lnk_1?qid=1490948101&sr=8-1

Goodreads:

https://www.goodreads.com/author/show/1806411.Rachel_Brimble

Many thanks Rachel, fabulous stuff.

Don’t forget to come back tomorrow to see what Jane Jackson is tempting us with.

Happy reading,

Jenny xx

Sarah Dahl: The Awakening

By Jenny Kane

On July 21, 2017

In Blog, Fiction, Historical fiction, Jenny Kane, Romance

Today I’m delighted to welcome Sarah Dahl to my blog to help celebrate the launch of her latest book, The Awakening.

OUT TODAY, The Awakening is a passionate romance inspired by our Viking past.

Over to you Sarah…

Inspiration for my book:

“The Awakening – Embrace beyond Passion” is a story I wrote some time ago and now had to considerably edit to make it more like my current ‘voice’ and in keeping with the other stories in my Tales of Freya collection. Therefore it was hard to recall the exact inspiration for this story – I get inspiration from many things and then let my mind play with it. For my characters, I’m often very visual and discover someone on Pinterest or TV. Then I imagine them as a person from the early medieval – what if I made them a ‘Viking’ character. I have an inspirational mood board on my wall right opposite my desk that I look at to let my mind wander. Most stories just start with the idea of an interesting character or an event, or both. From there I let it all flow and try different directions for a theme. In “The Awakening” the theme is “liberation begins in the mind” and “follow your passions”. As the Tales of Freya stories are short, I don’t have to plot much but can just write from the heart and then edit. Which brings me to:

Plot or flow:

I’m a pantser as they say, and find plotting a long story from beginning to end very hard to pull off. Naturally, I’d just write from scene to scene and develop as I go, often not knowing the ending myself. For the stories in the Tales of Freya collection it was easier, as for short stories the plot and character arcs can be more straightforward. I always just start with an idea, something I want to happen, and then write with the flow until I’m happy.

The research for “The Awakening”:

Of course, as a historical fiction writer I have to be firm and confident in the Viking environment and era. I read all the books and see as many sites as I can. My fave non-fiction is “Vikings at War” by Hjardar/Vike; it has brilliant detail and is the most extensive and visual book on the era I have seen. Also, every year I go to at least Haithabu/Hedeby here in Germany for a few days, to this once huge, Danish Viking trading town that is now a museum and open-air site by the Slien. The atmosphere of the reconstructed houses and pier just sparks creativity and a sense of the time. Soaking it all up, I just let my feet and mind wander, focussing on the big picture and then the details, imagining what stories could have happened in those narrow streets and houses. This year I became aware of the harsh winds, the never-ending gusts that penetrate the streets and houses, so much so that roofs don’t need smoke holes … the smoke from the fires just disappears through the walls and roof of the Viking town houses. So I tried to incorporate the harsh elements and their effects more in my story “The Awakening”, too.

I take great pride in being authentic and never use the era as mere stage props. I did several blog posts about authenticity: how every author should do their thorough homework and really know what they are writing about, especially if using a historical time period. Read it all until you don’t have to look stuff up anymore (ideally, but there’s always something …) Once my first draft is written and I checked details myself, I let my Viking reenactor-friends read it for authenticity and plausibility, and also discuss with beta-readers. “The Awakening” is set in a rural village by the fjord, so in smaller Viking houses, not the huge rural longhouses readers might first depict. More the kind you find in villages and towns like Hedeby. So naturally, when I went there this year, I focussed on the layouts of houses and daily tasks my characters would need to do in the story, because something secret and daring is hidden in Ingrid’s little farmhouse. Most things I don’t have to research anymore, but what about details such as how someone undresses? In which order would they do it and would the jewellery clang? How loudly? These are the things my reenactors then have to discuss with me, and go through step by step as I see it happening before my inner eye 😉

Preferred POV:

That’s a good question … I can do both; it all depends on the story and which character should tell the story, through whose eyes we should see and feel things. It doesn’t matter if it’s a man or woman, and I use both first person POV or deep third depending on what works best. In the Tales of Freya stories, I mostly use deep third. The view points can be that of men or/and women. For some reason I can work really well from a male POV. “The Current – A Battle of Seduction” is told from the warrior’s perspective on this seductive shield maiden, and I found it easy to slip into his skin. Whereas “The Awakening” is Ingrid’s story, and the next one, “Monk”, will even be told from three different POVs … I guess it’s all about gut feeling. With experience and craft comes a gut feeling for whose story I want to tell and how.

Most exciting about book for me:

For “The Awakening” the most exciting has to be that a story that I’ve worked on for so long finally gets to see the light – I get it ‘off my desk’ and out to people – and it starts its own life now, can be read by everyone, like a child that grows up and after tender care leaves the house. Which is frightening, of course, because one grows so attached to the story-baby over time. After the great success and many positive reviews of “The Current” I’m very excited and anxious to see what people will make of this very different story. “Awakening” really can’t be compared to the first one, “Current”, in the collection. The first spans several weeks whereas the latter covers only a few hours. The whole plotline and tone are different and the themes of course … so, yeah, we will see. Deep breath and fingers crossed 🙂

Blurb – “The Awakening – Embrace beyond Passion”

The second in the collection of sensual short stories set in the Viking age, the Tales of Freya:

In a world of crackling fires and rough landscapes, long winters and bloody raids, the immediacy of life and death ignites undeniable passions. Warriors and monks, healers and housewives – all follow the call of their hearts and bodies to indulge in pleasures that may forever change their lives …

Ingrid leads a quiet, joyless life with a husband who is oblivious to her needs. Every time the dragon boats carry him away, she resigns herself to the solitude of her modest hilltop farm by the fjord. But her uneventful world is shaken to the core when the shadows of her house reveal a secret that sets her passions afire.

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Release date: July 21, 2017, by Pronoun

Buy links:

https://books.pronoun.com/the-awakening3/

http://amzn.to/2tyak9p

Author homepage: sarah-dahl.com

Mailing list for Book Alert: https://mailing.sarah-dahl.com/?p=subscribe&id=2

Facebook: https://www.facebook.com/sarahdahl13/

Twitter: @sarahdahl13

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Bio

Sarah Dahl lives on the edge of the rural German Eifel and writes historical fiction primarily set in the Viking age. She also works as an editor, translates, and coaches new writers in German and English. She is interested in everyday life in bygone centuries and the human stories that may have occurred behind the hard, historical facts. Her author page is: sarah-dahl.com

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Many thanks Sarah – and congratulations on your brand new book!

Happy reading,

Jenny xx

Interview with Steven. A. McKay: Robin Hood and Beyond

By Jenny Kane

On June 26, 2017

In Audio, Blog, Fiction, Historical fiction, Interview, Jennifer Ash, Jenny Kane, medieval

Today I am delighted to welcome Steven A McKay to my site for a natter. A fellow lover of myths, legends, and things historical; Steven is one of the most successful self-published authors in the UK. He also likes Robin of Sherwood…Enough said!!

So why not go and grab a drink and join us for a quick chat?

When did you first become interested in the Robin Hood legends?

Honestly, it was only when I decided to write a book about him. I have always been interested in King Arthur and I wanted to write something with a similar character and similar setting. You know: the green fields and woods of Britain with hard men drinking and fighting and loving! Bernard Cornwell had already done King Arthur so I had to look elsewhere and Robin Hood was the obvious choice. When I started researching the character I realised he, and the whole legend around him, was much richer and more interesting than I’d ever thought. It really made Wolf’s Head, and the following books, a joy to write.

What type of research did you have to do for your book?

First and foremost I had to learn about the legend. The elements that everyone knows, such as the characters and the golden arrow Robin wins in the Sheriff of Nottingham’s archery tournament. Then I had to really find out about my period (14^th century in this case) because to write about a certain time you need to know the tiniest details.

Most of my research was done from books or the internet but I bought the entire Robin of Sherwood TV series on DVD and had a blast watching them. The friendship displayed by those characters, and even the actors portraying them, was a big influence on my novels.

I was very lucky to have Phil Rose, who played Friar Tuck in that show, write a foreword for one of my novellas and even read it out for the Audible version in that wonderful voice of his!

Do you prefer to plot your story or just go with the flow?

Well, as I mentioned, most people already know many of the elements of the Robin Hood legend so for those books I had certain things that had to happen. But I was able to put my own spin on the whole thing and, in general, although I have an idea for how to start and end a book, I don’t plan very far ahead. Normally I just write a few scenes and see where it takes me.
I think some people might work best by planning everything out in advance but, to me, letting a book develop organically leads to a much more dynamic, interesting read. I mean, if even the writer doesn’t know what’s coming next how can it be predictable?

Of course, that doesn’t stop people leaving reviews on Amazon saying they always knew what was coming next which is really weird since I didn’t even know myself when I was writing the books…!

You are one of the most successful self published writers I’ve come across. What would be your top three tips for a self published writer?

I think, first and foremost, you need a decent product that can stand up against the big guns in the publishing world. That means having a decent text that isn’t littered with errors, an exciting blurb, and a good cover image with – and this is hugely important for me – decent fonts. So many times I see good cover art on self-published books but the fonts are the standard ones that come free with Paint or whatever and it just looks amateurish. Hire a cover designer and an editor if you can afford it.

Second, even before you publish a book, try and find people to read it. Send them advance copies and ask them to post reviews on Amazon so as soon as it hits the virtual shelves potential buyers can find out what others thought of it.

Finally, if you’re going to run promotions such as the KDP Countdown deals, you need to tell people! There’s no point in making your book 99p for a week then complaining no one bought it – you need to tell them it’s on sale and that means using paid ads. Places like Bookbub, Freebooksy, Kindle Nation Daily etc are all worth using. I occasionally post tips about self-publishing on my website so do take a look if you’re interested.

Tell us about your latest book. What excites you the most about it?

Well, I’ve finished my Robin Hood books now – the final novella (The Abbey of Death) has actually found a publisher which is really exciting for me but it means I’ve been able to start work on an entirely new series.

This one is about a warrior-druid in post-Roman Britain and I am loving writing it. It was nice having readymade characters like Friar Tuck and Little John who I simply needed to flesh out and bring to life but this time around I’m coming up with my own creations and its strangely liberating!

The setting is really interesting to research since not much is known about 5^th century Britain, especially Scotland, but most exciting for me is my main character. A six foot six, handsome, muscular druid who fights like a hero from legend, on a quest that will take him all around this great island meeting all sorts of weird and wonderful folk along the way…Honestly, it’s just huge fun to write, I’m so lucky to have a job like this.

If you were stranded on a desert island with three other people, fictional or real, who would they be and why?

Obviously my family but for the sake of making this a little more interesting I’ll come up with a different answer. Besides, now I think about it, why would I want to strand my wife and kids on an island just to make my own loin-cloth clad, bearded, pitiful existence more bearable?!

So…we’d need some laughter out there in the middle of nowhere and I reckon Sir Terry Pratchett would have been the ideal companion. I loved his Discworld books and it would have been great to spend time with him talking about writing and just general silliness.

Next we’d want some music to keep our spirits up so I’d probably pick fellow Glaswegian Angus Young of AC/DC. I’m assuming he’d have rescued a battered old acoustic guitar from the shipwreck so he’d be able to keep us entertained with folk renditions of “Thunderstruck” and “Hell or High Water”. Maybe I’d get a chance to play the guitar myself although if it came to a fight about it he’d win, even if he is just five inches tall.

Finally, I’d choose my own new character, the warrior-druid Bellicus. Not only would he protect the rest of us from wild animals with his martial prowess, but he’s a trained musician and spent many years learning the skills of a druid. He’d heal our wounds, talk for hours about the gods and their foibles, show me and Angus a new chord or two on the shared guitar, and give us the last rites if one of us died in a freak gardening accident.

Actually it sounds like a pretty fun place – where do I sign up?

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Buy Links

viewAuthor.at/SA-McKay

Social Links

Twitter – @SA_McKay

Facebook – www.Facebook.com/RobinHoodNovel

Website with link to my mailing list and a FREE, exclusive Forest Lord story, only available to subscribers! https://stevenamckay.com/mailing-list/

Bio

Steven A. McKay was born in Scotland in 1977. His first book, “Wolf’s Head”, came out in 2013 and was an Amazon UK top 20 bestseller. “Blood of the Wolf” is the fourth and final book in the Forest Lord series which has over 95,000 sales so far. Steven is currently working on a brand new tale set in post-Roman Britain.

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Many thanks for taking the time out to join us today Steven. I’m very much looking forward to reading your Robin Hood stories (my Kindle is loaded and ready to go), and indeed your post Roman stories in the near future.

Happy reading everyone,

Jenny (Well, I’m Jennifer really, as I have my medieval hat on today!) x

Interview with Oliver Tooley: Devon writer at work!

By Jenny Kane

On December 30, 2016

In Blog, Books For Children, Interview, Jenny Kane

It’s interview time again!

Today I’m joined my Devon based writer, Olli Tooley. Why not grab a cuppa, take a seat for five minutes, and have a read?

coffee and cake What inspired you to write your book?

The original inspiration was when my boys were looking round a cheesy gift shop on holiday. You know? The kind where you can buy gemstones and seashells, and crystal swans, and resin models of fairies with sparkly wings.

Each of my three boys had a favourite colour; blue, red, and green, respectively, and eventually we relented and bought them a little dragon each. It was so long ago now I can’t recall if I suggested it, or one of them did, but the idea was born to write a story featuring the three brothers. There was “a legend of a magical stone” which had been shattered by an ancient powerful wizard and the three parts had been scattered in different directions.
Each boy would fight a different coloured dragon to recover a different part of the stone. Red, green, and blue, would then be reunited to repair the magical stone and save the blah-de-blah-de-blah, it was AWFUL. It still gives me goosebumps just thinking about how cheesy it would have been.

It sat in a computer file for years untouched while I worked on other ideas.

Do you model any of your characters after people you know? If so, do these people see themselves in your characters?

Well naturally, the original basis for the main three boys in the book were my three sons. Their sister was based on my younger daughter, who was tiny when we bought those dragons.
Their father was based on me, but all of them have developed differently, for example my counterpart is as hard as nails; while I am a complete wimp.

Almost every character I write has elements of real people, but none of them are closely based on any one person. Of course a few are real people from history, and for those, I need to be careful not to ignore known facts. children-of-wise-oak

What type of research did you have to do for your book?

I research to a ridiculous degree but I regret, I am not in the luxurious position of being able to fly off to Rome, or join an archaeological dig, to get first-hand knowledge. I have managed to go to Celtic re-enactment days, and did visit Pompeii once so It’s not all armchair knowledge. I spend a lot of time on the internet, using everything from Wikipedia to expert forums, as well as reading specific books that promise to give me more details. Some of the books I have read are insanely expensive, but my local library is a lifesaver for this.

I am a bit of a dilettante with a passing interest in all sorts of subjects including; comparative linguistics, history, folklore, politics, human relationships, and more. Even when I know broadly what I am writing about, I constantly check the precise details to ansure I don’t get a fact wrong.

The hardest thing for me, writing fiction set in a real historical setting, is knowing when I can allow my imagination to take over. For example, I wrote a passage in which a Celtic warrior stabbed a sword through the walls of a roundhouse into the back of a man outside. It was only a few months after publication that I met up with the Dumnonika reenactment group and was shown an authentic reproduction Celtic sword. The demonstrator explained how Celtic swords were always rounded off and could only be used for slashing. Spears were used for stabbing and thrusting. As a writer, I feel like I want to burn every copy of the book that retains the mistake, but most are in the hands of satisfied readers and who knows, perhaps one day they will be worth money?

Which Point of View do you prefer to write in and why?

Would it shock you to know that I have never really thought about this properly?

Now I think about it, I believe I usually write from the point of view of a camera. I certainly know that, despite the microscopic chances of it ever happening, I tend to visualise the film or TV version of a scene as I write. I suppose it doesn’t hurt to dream?
Recently, I have been writing a story in the first person. That is because it is based on a real memoir of a Victorian lady.

Do you prefer to plot your story or just go with the flow?

I am definitely a “pantser” but there is always a skeleton of a plot that guides my writing. Currently, I am constrained by historical events as the redoubtable and slightly sardonic Gwenn, attempts to follow the early life of Gaius Julius Caesar. He has to go to Bythnia to secure a fleet from Nicomedes, and he has to be captured by pirates in the Aegean. All I have to do is write a plausible narrative as to why and how Gwenn goes with him. “All I have to do!”

What is your writing regime?

Hang on, “regime”? I’m just looking it up….

Oh, no. I don’t have one of those. Most days I will write two or three thousand words. More if somebody is being really stupid on Facebook. On a good day, more than half of those words will end up in my book. On a bad day they will all be on social media.

Sometimes I wake up at three in the morning with an idea that won’t wait. Other times, I will be writing at sic in the evening and not stop until well after midnight. Then I can go weeks stuck on a difficult part of the story. Fortunately, I also have other writing projects on the go. Sometimes I have two or three different stories open in Word and will dabble in all of them in the space of an hour or two.

What excites you the most about your book?

Umm, oh, err. Well, I’ve read it already, so I sort of know what happens now. I get more excited about other author’s books. Loving the Ruso series by Ruth Downie, and just getting into Troy by Ben Blake. But there are loads of fantastic books, I could go on to write a ridiculously long list.

If I had to pick something that really pleased me about my own book, I’d say the cover art by Iver Klingenberg, the cover design by Andy Jones, and the proof reading by Sarah Dawes. (Ha ha! Modest or what?) All local Devon and Somerset people. The printers are in Exeter as well, so yes, the very strong local team effort to produce it, is a big deal for me.

If you were stranded on a desert island with three other people, fictional or real, who would they be and why?

Captain Carrot Ironfoundsperson – for his indefatigable good humour and strength of character.

Leonardo Da Quirm – for his inventive genius.

Rincewind – because if he’s with me, at least I will know which way to run to avoid death

Anything else you’d like to share with us?

My little publishing imprint Blue Poppy Publishing is interested in teaming up with other self-publishing authors to try and create a sort of local co-operative publisher.
There is no money yet, and so it only applies to self-publishers who see a benefit to them of being under the Blue Poppy umbrella.

blue-poppy-web

I am also the author of four short books for junior school (middle grade) readers.

tttlcovertn

The Time Tunnel series features the adventures of David Johnson who stumbles across a series of holes which allow him to visit different periods of history. The first two; “Time Tunnel to Londinium” and “Londinium Revisited” obviously look at Roman Britain, “Time Tunnel at the Seaside” visits World War Two, and “Time Tunnel to West Leighton” covers the Anglo Saxons. All these aim to cover aspects of Key-Stage Two school history, while also being enjoyable stories.

lrcovertn ttatsscovertn

More books are planned for the series, including “Time Tunnel to Ironbridge” which will look at Victorian England.

Links

www.bluepoppypublishing.co.uk

www.facebook.com/ollitooley

www.twitter.com/OTooleyAuthor

Bio

Oliver was born in London where he grew up next to a bombed out church. At the time he never thought it odd that there was a world war two bomb site still there in 1965. He was usually described by teachers as brilliant but lazy, and they said he would forget his head if it wasn’t screwed on. After attempting to unscrew his own head, he decided that most teachers were stupid but bigger than him. It was long after leaving school that he found out he had undiagnosed mild autism.

He had always hated writing at school because he found holding a pen for longer than the time it took to write “Happy birthday, from Olli” was painful. In addition, he would almost invariably lose any homework before being able to submit it.

The advent of modern computers was a turning point; allowing him to write at length and not lose documents. His first ever paid writing job was a contribution to “The Great Explorers” Robin Hanbury-Tenison (Thames and Hudson) 978-0500251690

He now lives in Devon with his wife, four offspring, and a demented spaniel.

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Thanks for a great interview Olli – love the Terry Pratchett choices for your desert island!

Happy reading,

Jenny

The Seven Ages of Writing

By Jenny Kane

On December 9, 2016

In Blog, Historical fiction, Jennifer Ash, Jenny Kane

I’m delighted to be joined by fellow writer and historian, Janet Few today. Take a seat and enjoy this excellent blog about a life in writing.

Over to you Janet…

Early in 2016 I entered my seventh decade. Throughout all those years, words have skittered, swirling and whirling, dervish-like through my brain. Sometimes, they have made it from brain to paper, or, more recently, keyboard. Each of those seven decades has seen me embark on a new phase of writing. As a small child, I crafted Blytonesque adventure stories, populated with improbable numbers of characters and involving tortuous plots that were rarely resolved. My very early education was in an old-fashioned private school which encouraged ‘compositions’ scribed with a quaint, Victorian turns of phrase. I find stealthy reflections of this technique creeping into my writing still.

My teenaged years were characterised by angst-ridden prose, leavened with a smattering of blank verse. It is probably just as well that most of this never emerged from my graffiti- emblazoned notebooks. One ability that I did acquire as a school-girl was the facility for writing in very different styles. We had two English teachers. One was the archetypal ‘school marm’; bespectacled, with chunky ankles encased in lisle stockings and a bun scraped back from a moon-shaped face. Essays for Miss P*** were full of verbose language that verged on the Shakespearian and convoluted sentences in the dreaded passive voice. Her colleague was daringly modern. Miss S***, it transpired, even lived with her boyfriend. This was the early 1970s; we never did know how she slipped through the interviewing net of our ultra-conservative school. Work for her demanded snappy phrases and a contemporary vocabulary.

books

As a student, my output was circumscribed. Academic essays meant that fiction writing was consigned to a forgotten corner of my life. In pre-computer days, writing techniques were so very different. Cutting and pasting involved, quite literally, hacking pieces of paper into strips, arranging them in a suitable order and praying that no one created a draught before you had laboriously copied them out in the desired sequence. In my fourth decade, my life was filled with nappies, building-blocks and modelling clay; I barely had time to write a shopping list. Although I wrote little at this time, my writing garnered a new dimension. My husband died suddenly. He had worked away from home and we had exchanged lengthy letters. Unlike me, he had a dry and pithy, darkly humorous style. After his death I found that, unintentionally and by osmosis, this had, on occasions, become grafted on to my own.

Children grown and it was ‘me time’. So, in my forties, I embarked upon a PhD. As I hewed an 80,000 word thesis from the stony gleanings of my research, I sometimes doubted the wisdom of this endeavour. Magnum opus submitted, I went on a well deserved overseas trip. Strangely, as part of the re-acclimatisation process, I found myself unable to stop writing. This led to the first of a series of lengthy travel diaries, the later ones of which appear on my blog.

It is only comparatively recently that I have become a published author and my output is non-fiction evidence of both my academic leanings and a life long obsession with the past. I believe good history is for everyone. As The History Interpreter, I aim to bring history alive in a variety of ways. I am passionate about encouraging young people to become interested in the past, especially through living history or family history. I therefore shared many of my ideas in the booklet Harnessing the Facebook Generation: ideas for involving young people in family history and heritage. I spend part of my time as my alter ego, Mistress Agnes, living in the sixteenth and seventeenth centuries, managing the Swords and Spindles team of historical interpreters. My social history book Coffers, Clysters, Comfrey and Coifs: the lives of our seventeenth century ancestors, emerged out of this experience.

I enjoy dissecting small, rural communities and trying to understand how they functioned in the past; a branch of research that is known as a One-Place Study. I have written a guide to that peculiar blend of local and family history: Putting Your Ancestors in their Place. I also research my own family history, with an emphasis on putting the lives of my ancestors into a wider context. I am responsible for the latest edition of the classic family history handbook Family Historian’s Enquire Within. I am particularly interested in the role of women in the past. When I was writing Coffers, Clysters, I regretted that I did not know more about the lives of the ordinary women of the time and that I could not ask them questions. I thought that perhaps now was the time to capture the period 1946-1969, whilst there were still first hand accounts to work with. I recruited eighty lovely ladies and helped them to recall their memories of this pivotal period. These have been merged together in Remember Then: women’s memories of 1946-1969 and how to write your own.

Realistically, the change of direction that my writing has taken since my ‘big’ birthday earlier this year can scarcely be called a ‘mid-life’ crisis but it is certainly a watershed. I have been persuaded, after over forty years, to return to fiction writing. Unsurprisingly, the novel that I a working on does have an historical slant. It is based on the true story of a mother accused of killing her child and it unravels the psychological twists to characters who struggle with surprisingly modern anxieties. I do hope that it won’t take me the whole of my seventh decade to finish. My self-imposed deadline for publication is November 2018, which will be the centenary of the death of my heroine. Who knows what my eighth decade will bring?

Janet Few

mistress-agnes-sepia

Janet’s website is The History Interpreter: resenting and preserving the past. She can be followed on Twitter @janetfew but beware, she has no idea where she is going.

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Wonderful blog! Thanks you Janet.

Happy reading everyone,

Jenny x

Guest Post from Jane Jackson: Being Mysterious as Rachel Ennis

By Jenny Kane

On October 5, 2015

In Blog, Fiction, Historical fiction, Romance

Today I am welcoming the lovely Jane Jackson back to my site. On this visit Jane is chatting about her latest book, The Loner, which was written by the ‘other her’- Rachel Ennis!

Over to you Jane (or should that be Rachel?)…

For the past fifteen years I have been writing historical romantic fiction. I’m fascinated by life in the past, especially my chosen period of 1795 – 1905. Momentous changes were taking place in every aspect of life: the Napoleonic wars with France, railways that spread like tentacles across the length and breadth of the country, physician Edward Jenner’s development of a smallpox vaccine saving thousands of lives, the Falmouth-based packet service transporting mail all over the world, dispatches to theatres of war, and bringing back gold bullion from the sugar plantations of Jamaica.

Society was changing too. The industrial revolution brought a massive exodus from countryside to cities and jobs in the new factories whose prosperous owners were the basis of a new middle class.

The fun and frivolity of the Regency was crushed beneath the repression and hypocrisy of Victoria’s reign. I’d need another lifetime to write all the books I have ideas for.

Then in November 2014 I was offered the chance to contribute to an anthology of Christmas stories published by Accent Press entitled ‘Wishing on a Star.’

This was a great opportunity to write a contemporary story. But as I was stepping outside my comfort zone I decided to set it in a location familiar to me – a Cornish coastal village. I named it Polvellan (translation from Cornish is top – or head – of the mill, because there is an old mill at the back of the quay) and the story featured the birth of a baby during a carol concert, but with a very contemporary twist.

I loved writing it. My editor enjoyed it and suggested a series. That was how ‘Polvellan Cornish Mysteries’ and my new name of Rachel Ennis came into being.

Several authors published, like me, by Accent Press write murder mysteries and they are excellent. But this wasn’t a direction I wanted to take. Then I had my lightbulb moment. I would make Jess Trevanion – my main character – an amateur genealogist. Asked to find people’s ancestors she makes unexpected, shocking, remarkable, and occasionally tragic discoveries. And I get to explore more recent history!

Born and brought up in Polvellan, Jess returned to live there after her husband’s unexpected death left her in desperate financial straits. Because she is known and trusted, people confide in her.

Each of Jess’s friends: Annie, Gill, Morwenna and Viv, has their own story gradually revealed throughout the series, as are Jess’s past and current problems. She and childhood sweetheart, Tom Peters, are rebuilding their romance but both carry baggage from the past.

I never take people from real life as characters. Yet the villagers in Polvellan are as real to me as my family. In some ways I know them better, because in each story they reveal more about their secrets, fears and hopes.

As Jess’s reputation spreads she is asked to undertake more investigations. But some people aren’t happy, afraid of what might come out.

‘The Loner’ is the third in the series. Calling at the cottage of recluse John Preece to give him some tomato plants, Jess finds him dead on the floor.

Police and Coroner deem it an accident: he tripped on the rug and hit his head on the granite hearth.

When talk turns to the funeral arrangements Jess’s sadness becomes resolve when she realises that, like herself, very few people knew the real John Preece. Though he lived in the village for many years, his background is a mystery. Using her investigative skills to research John’s family, she is surprised and horrified by what she finds out.

Meanwhile, she is also investigating the history of Marigold’s, a famous local venue recently inherited by the new heir to the Chenhall estate. Who was Marigold and what was her claim to fame?

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You can buy ‘The Loner’ 3^rd of the Polvellan Cornish Mysteries as an Ebook Pub. for 99p from- http://www.amazon.co.uk/Loner-Polvellan-Book-3-ebook/dp/B01613GQNO/ and all good eBook retailers.

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