Jenny Kane & Jennifer Ash

Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

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Opening Lines from Morwenna Blackwood: The (D)evolution of Us

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On May 4, 2020

In Blog, crime, Fiction, News, Opening Lines Blog, thriller

It is with the greatest of pleasure that I bring you this week’s Opening Lines from Morwenna Blackwood.

Not only is this Morwenna’s debut novel – but it is also a novel written during my very first set of #novelinayear workshops. To say I’m proud of the work Morwenna has produced is an understatement.

So, put your feet up with a cuppa, and take a look at The (D)evolution of Us.

Over to you Morwenna…

Once upon a time, I heard about a writing workshop run by best-selling author, Jenny Kane.  It was held in my local café, and as ’twas a dark and stormy day and I’d just been given a pen in the shape of a cactus, I thought I’d go.  I loved it, and at the end, Jenny mentioned that she was thinking of running a Novel in a Year course as part of Imagine Creative Writing.  I signed up there and then (with my new pen).  Over the year, I wrote The (D)Evolution of Us, and with the support of Jenny, my local writers’ group and my brilliant husband, I submitted my manuscript to darkstroke, it was released on Star Wars Day, and we all lived happily ever after…?

***

I spent most of my childhood and teenage years hiding in libraries; now, I carry my own personal one around in my pocket wherever I go.  This doesn’t mean I don’t still stop and lose track of time in bookshops and bookstalls, though.  In fact, this morning, on my lockdown-permitted-exercise walk, some lovely person had left a storage container full of books at the end of their front garden, with a note on it inviting passers-by to pick one, or leave one for others who might be in need of a random lockdown read.  I couldn’t help myself – I paused for a look.

The thing I love most about reading second-hand books is finding bits of other stories inside them: forgotten bookmarks; ticket stubs; Biro-ed dedications; and best of all, notes scrawled in the margins.  In the books I own, I am a margin-scrawler.  My husband says this is defacing someone else’s work, but to me, it’s adding to it.  Stories are inextricably linked, and in any case, what one reader gets from a book will be different to the next, and that’s the beauty of it.  Perception is everything.

The (D)Evolution of Us is an exploration – or explanation – of those ideas.  The novel is a noir existential thriller, set in a small Devon town at the turn of the 21st century, and is told from the view points of the three protagonists, Richard, Kayleigh and Catherine.  The girls are best friends.  Catherine is dead.

Mental illness, personal history, personality and perception drive the actions of all three as they struggle to make sense of their lives and their agency; whilst living in a town where everyone appears to know everything about everyone else, and the days roll away in a work-pub-work-pub cycle.

This is my debut novel, and its origins lie in my own existential dread.  In the end, I decided to wholeheartedly pursue the only thing I’ve ever wanted to do – write – and if there’s ever a starting point to anything, the story of Richard, Kayleigh and Catherine is it for me.

If you come into possession of the paperback, feel free to write in the margins.

***

Blurb

… the water was red and translucent, like when you rinse a paint brush in a jam jar.  The deeper into the water, the darker the red got.  No, the thicker it got.  It wasn’t water, it was human.  It was Cath.

Cath is dead, but why and how isn’t clear cut to her best friend, Kayleigh.  As Kayleigh searches for answers, she is drawn deeper into Cath’s hidden world.  The (D)Evolution of Us questions where a story really begins, and whether the world in our heads is more real than reality.

First 500 words

Prologue

PRIVATE AND CONFIDENTIAL

Dear Dr Farefield,

I reviewed Catherine at The Meadows today. She reported that her OCD was less ‘loud’ than when we last met in November, after the Crisis Team was called. This improvement has coincided with the resuming of clomipramine, which seems likely to have been helpful, as it has been in the past. Catherine agreed to the suggestion that this dose be increased to 200mg: 100mg morning and evening.

Catherine is coping well with life and states that her relationship with Richard is good. However she refuses to tell him about restarting the clomipramine, which is of concern to me. She has also resumed her writing.  I again offered Catherine a course of CBT, but she was resolute that she found it ‘useless’.

Catherine has now found employment in a health food shop but struggles with her OCD when closing down the tills and locking up at the end of the day, though she admits that she recognises that her rituals are entirely irrational.

Overall, in spite of her very significant persisting difficulties, I think that Catherine’s life has improved with the reintroduction of clomipramine.

Yours sinc,

Dr E Whittle

Consultant Psychiatrist

PRIVATE AND CONFIDENTIAL

Dear Dr Farefield,

I met with Kayleigh at The Meadows this morning, where she revealed to me that she is in the first trimester of pregnancy. She had requested the appointment (we were not due to meet again for another six weeks), in order, primarily, to discuss her medication, with regards to her new condition.

I found the fact that she did this encouraging, as I did her general demeanour. She was casually, but neatly, dressed, maintained good eye-contact throughout our interview, and appeared to have a good understanding of her mental health, and how it could impact on her (unborn) child.

We decided together that it would be prudent for Kayleigh to remain taking her lithium for the duration of her pregnancy, with close monitoring from her midwife and the Perinatal Team.

In spite of Kayleigh’s reports of having been ‘stable’ for the last few months, I have suggested that we meet at The Meadows every six weeks for the foreseeable future. I have also asked her to make an appointment for bloods to check her lithium levels as soon as possible – it is critical that she maintains a therapeutic dose.

Yours sinc,

Dr E Whittle

Consultant Psychiatrist

Richard

I’m half-listening to the radio, running a bath for my girlfriend, Cath. She’s sitting on the toilet seat, staring at me. I’m standing in the doorway, staring at her. Then I start to laugh. They’re playing that song by Marillion – Kayleigh – the one her hippy twat of a best mate likes to say she was named for, even though she’s too bloody old. I say she’s a hippy twat – I’d still shag her. She needs a good seeing to – and a good slap. She dots her ‘i’s with hearts, for fuck’s sake! And then the phone rings. Bloody witches. I…

You can buy The (D)evolution of Us from all good retailers, including…

mybook.to/devolution

Bio – When Morwenna Blackwood was six years old, she got told off for filling a school exercise book with an endless story when she should have been listening to the teacher/eating her tea/colouring with her friends.  The story was about a frog.  It never did end; and Morwenna never looked back.

Born and raised in Devon, Morwenna suffered from severe OCD and depression, and spent her childhood and teens in libraries.  She travelled about for a decade before returning to Devon.  She now has an MA in Creative Writing from the University of Exeter, and lives with her husband, son and three cats in a cottage that Bilbo Baggins would be proud of.  When she is not writing, she works for an animal rescue charity, or can be found down by the sea.

She often thinks about that frog.

Amazon Author Central: amazon.com/author/morwennablackwood

FB Page: https://www.facebook.com/morwennablackwood

Twitter: @MorwennaBlackw1

Instagram: morwennablackwood_

***

Many thanks Morwenna- wishing you huge success.

Happy reading Jenny

PS- She really did turn up with a cactus pen xx

Opening Lines with Jan Baynham: Her Mother’s Secret

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On April 30, 2020

In Blog, Fiction, Opening Lines Blog

This week, I’m delighted to welcome Jan Baynham to Opening Lines, to talk about her debut novel, Her Mother’s Secret.

Over to you, Jan…

‘Her Mother’s Secret’, with its sub-heading of ‘the Summer of ‘69’, is my debut novel. It is the first of three I’ve been contracted to write for Ruby Fiction. All three novels involve secrets and forbidden love, explore mother and daughter relationships and are mainly or partly set in countries other than Britain. ‘Her Mother’s Secret’ was published on April 21st as an ebook and most of it is set on Péfka, a fictional island off the coast of southern Greece. The story opens in 1991when a young Welsh woman, Alexandra Davies, is grieving after the untimely death of her mother. Elin has left her diary to her daughter and on reading it, Alexandra discovers a part of Elin’s life she knew nothing about. She is shocked as the secrets from Elin’s past are revealed and realises she didn’t know her mother as well as she thought. I tried to put myself in Alexandra’s shoes. Having had a very close relationship with her mother, how must she have felt finding out that her mother had kept such secrets from her?

The diary takes us back to 1969. Elin Morgan leaves Wales after finishing art college to spend the summer months studying at a painting school in Greece.  She records everything about her summer on the island but, while there, something happens that causes her to never paint again.  The secrets of that summer remain with her until she dies twenty-two years later.

Alexandra makes her own journey to Greece, following in her mother’s footsteps. She arrives on the same beautiful island that made such an impression on her mother. Once there, she sets about uncovering what really happened to Elin in that summer of ’69 and why it was never mentioned again. Will she understand why her mother closed down that part of her life?

Why Greece? Having had several holidays there now, I first visited the country in the seventies when we stayed with my aunt and Greek uncle. I fell in love with the climate, the vibrancy of the colours of the sea and flowers and the warmth of its people. It seemed to be an ideal place for a young artist to spend her summer. I enjoyed getting to know my Greek characters, some named after or based on people I’ve met and observed on visits over the years. Dimitra, the host at the taverna where Elin stays, is named after a lovely waitress from the hotel we go to in Crete. On a trip to a Cretan village, I watched a woodturner working at his lathe on pieces of olive wood and he became the inspiration for Yiannis who figures largely in Alexandra’s story. Vassilis is named after an elderly Greek who led me onto a taverna dance floor. He tried to teach me traditional dancing and had the bruised toes to prove it! He appears in both Elin’s and Alexandra’s story. I hope I’ve done justice to the country and its people by giving the reader a glimpse of life on my fictional island.

***

BLURB:

A secret left behind in the summer of ’69 …

It’s 1969 and free-spirited artist Elin Morgan has left Wales for a sun-drenched Greek island. As she makes new friends and enjoys the laidback lifestyle, she writes all about it in her diary. But Elin’s carefree summer of love doesn’t last long, and her island experience ultimately leaves her with a shocking secret …

Twenty-two years later, Elin’s daughter Alexandra has inherited the diary and is reeling from its revelations. The discovery compels Alexandra to make her own journey to the same island, following in her mother’s footsteps. Once there, she sets about uncovering what really happened to Elin in that summer of ’69.

FIRST 500 WORDS

Prologue

1969, The Peloponnese, Southern Greece

Sofia Simonides let out a scream and tottered backwards. Her pulse struggled to force blood around her veins. The body was slumped against the gnarled trunk of an ancient olive tree, head hanging to one side and resting on the left shoulder.

The man had a blue-grey pallor, his skin a candle-wax translucency. Sofia bent over and touched his cheek. It was icy cold; she gasped, drawing back her hand. Blood from a gash on one wrist had seeped over his thigh and there was a deep red stain in the sand. A long-bladed knife caked in dried blood lay by his side. Sofia eased out the piece of paper he clutched in one fist, unfolded it and read the message.

Falling to her knees, she sobbed.

‘Andreas, no-o-o! No! What have you done?’

A piercing howl from deep inside her shattered the cool, still air of the dawn.

Chapter One

Alexandra

1991, A market town in the heart of rural mid-Wales
The sky was lead-grey, heavy with blue-black rain clouds threatening a downpour. The dreariness of the day reflected my mood as I turned the Mini into the cul-de-sac. A shiny red two-seater was parked in the drive behind my father’s Audi. I pulled up alongside the kerb, took a deep breath, trying to avoid a downpour of my own, and entered the house. There was laughter coming from the kitchen.

‘What’s she doing here?’

My father and his friend turned to face me. His mouth gaped open.

‘Alexandra. Apologise, straight away. Sally, I’m very sorry. She has no right to speak to you like that.’

‘It’s all right, Richard. Alexandra’s upset. I’ll go now. The food’s almost done, anyway. You just need to serve it straight from the oven once the timer rings. Shall I call Claire down on my way out?’

I glared at the woman who stood there taking off Mam’s apron. My heart quickened. Mam? My mind was playing tricks on me. It wasn’t Mam, was it? She should be the one standing there, greeting me, cooking dinner. Not her. I struggled to breathe. How dare she? How dare he?

My father accompanied Sally outside, and I heard the throaty roar of the sports car signal that she’d gone. I braced myself for the row that would ensue, but I wasn’t being unreasonable, was I?

Claire entered the kitchen first. She was four years younger than me, tall and slim with long auburn hair and sage-green eyes. She took after my father’s side of the family. He idolised her.

‘What was all that about and where’s Sally?’ she said.

By then, my father had joined us and they both stared at me. ‘Well?’

‘That woman’s here all the time, wheedling her way in. She’s even taken to wearing Mam’s things.’ I twisted the cotton apron into a ball in my hands and heard my voice rise.

Claire moved to switch off the timer and reached for the oven gloves…

***

 ‘Her Mother’s Secret’ is available on Amazon:

https://www.amazon.co.uk/s?k=her+mother+s+secret+jan+baynham&ref=nb_sb_noss

Bio

After retiring from a career in teaching and advisory education, Jan joined a small writing group in a local library where she wrote her first piece of fiction.  From then on, she was hooked! She soon went on to take a writing class at the local university and began to submit short stories for publication to a wider audience. Her stories and flash fiction pieces have been longlisted and shortlisted in competitions and several appear in anthologies both online and in print. In October 2019, her first collection of stories was published.  Her stories started getting longer and longer so that, following a novel writing course, she began to write her first full-length novel. She loves being able to explore her characters in further depth and delve into their stories.

Originally from mid-Wales, Jan lives in Cardiff with her husband. Having joined the Romantic Novelists Association in 2016, she values the friendship and support from other members and regularly attends conferences, workshops, talks and get togethers. She is co-organiser of her local RNA Chapter and a member of the Society of Authors.

You may find out more about Jan here:

Twitter: @JanBaynham  https://twitter.com/JanBaynham

Facebook: Jan Baynham Writer  https://www.facebook.com/JanBayLit/

Blog: www.janbaynham.blogspot.co.uk

***

Many thanks Jan,

Happy reading everyone.

Jenny x

 

The Power of Three: New and Exclusive Robin of Sherwood story

By

On April 20, 2020

In Blog, Fiction, Historical fiction, Jennifer Ash, medieval, Robin of Sherwood

There are many questions an author gets asked on a regular basis.

The top three are-

  1. Where do you get your ideas from?
  2. Have you done everything you write about? (Usually reserved for my erotica books – and no, of course I haven’t!)
  3. How do you actually write a book?

I can add one other question to this list- and I would say it would rank at number 2 on my ‘most asked questions’ list.

When are you going to write another Robin of Sherwood story?

Answer – just done one!

I’m delighted to announce that the lovely folk at Spiteful Puppet (with permission from Chinbeard Books and the Richard Carpenter estate), have commissioned me to write the very first Robin of Sherwood story, that isn’t based on a television episode or an audio recording.

Yep- it’s the very first standalone novel.

Blurb

Why had Herne called Marion to his cavern and not Robin? And why was she afraid to tell him what the Lord of the Trees had shown her?

Forced to face his personal nightmares and his darkest secret, the Hooded Man needs his friends more than ever, but the outlaws are afraid… and no one knows who to trust.

To make matters worse, an old enemy is stalking Sherwood – but which one?

***

It will be available from 22nd May.

You can pre-order from…

https://spitefulpuppet.com/product/the-power-of-three-paperback/?fbclid=IwAR3OsPY4WgeLBkEjvpP-n5IGgXOymfs4_ZtC14UtrhyIcGYmC6aBAU04xdE

Hope you like it!

Happy reading,

Jen x

Opening Lines with Carol McGrath: The Silken Rose

By

On April 1, 2020

In Blog, Historical fiction, history, medieval, Opening Lines Blog

Today I’m delighted to welcome Carol McGrath to my blog, as she goes on tour with her brand new historical novel, The Silken Rose.

Why not sit and relax for five minutes, while you enjoy a little background to this, the first of The She Wolf Trilogy – as well as the first 500 words.

Over to you Carol…

The Silken Rose is the first novel in The She Wolf Trilogy, three standalone novels about three medieval queens set during the thirteenth and fourteenth centuries. Ailenor of Provence, Eleanor of Castile and Isabella of France were considered she wolves by later writers but they were reviled by many barons during their reigns because of the influence the exercised over their husbands. Ailenor was guilty of nepotism, Eleanor grabbed lands and built up a property empire and, as for Isabella, say no more, she simply deposed her husband and set up her son Edward III as king in his stead. Their thrilling and intriguing stories are intersected with those of three ordinary women, ordinary in rank but independent and from the merchant class. The first appears in The Silken Rose. She is an embroiderer and Rosalind’s story intersects with that of Queen Ailenor.  Enjoy the short blub and extract. The book is published on 2nd April as an e book and as a paperback on 23rd July. The audio is currently available too.

It is 1236

Ailenor of Provence, cultured and intelligent, is thirteen when she marries Henry III. She is aware of the importance of providing heirs to secure the throne. She will protect England’s throne from those who would snatch it away. She is ruthless in her dealings with Henry’s barons.

Beautiful Ailenor’s shrewd and clever Savoyard uncles can support her, until her power is threatened when Henry’s half-siblings also arrive at court.

Henry and Ailenor become embroiled in an unpopular, expensive war to protect the last English territories in France, sparking conflict with warrior knight, Simon de Montfort, the King’s seneschal. It is the final straw.

Caught in a web of treachery and deceit, ‘she-wolf’ Ailenor’s courage is tested to the limit. Can she control her destiny and protect her family?

First 500 words…

Canterbury, January 1236

The road from Dover to Canterbury was mired with mud so progress was slow. Ailenor, Princess of Provence, had never seen such weather. She tugged back the oiled canvas and peered from her long, box-like carriage into the January landscape. A collection of gaunt faces stared back; figures huddled in heavy cloaks, watching the golden lions of Savoy and Provence pass through Canterbury’s gate into the cramped lanes of the city.

Domina Willelma’s rhythmic snores competed with the splashing of hooves moving laboriously through the gateway, the roll of wheels belonging to sumpter carts, the cracking of whips and the protesting snorts of an escort of three hundred horsemen. All the way from Dover, thirteen year-old Ailenor had listened to rain rattling on the curved roof of the carriage. With a hiss, it dripped through a minute crack onto the box of hot charcoal that warmed her feet.

She let the curtain drop and withdrew into her furs. It’s so different to my golden Provençal fields on which sun shines winter and summer.

A tear slid down her cheek. She instinctively drew her mantle closer. This was not what she imagined after Richard of Cornwall, King Henry’s brother, had visited their castle of Les Baux last year and she had listened to his thrilling tales of romance. England was not the magical land she visualised when she wrote her best poem ever, set in Cornwall, verse Prince Richard admired. Nor was it the green country filled with wild flowers she dreamed of when Henry, King of England, sent for her to become his bride.

She shivered in her damp gown. She had not wanted woollen gowns and underskirts. Rather, she desired velvets, silks and satins, and the finest linen for under-garments. But after two days’ travel over the Narrow Sea and on waterlogged roads she understood the need for warmth. She was now to dwell in a land where winter never ended and summer was but a distant prayer.

The carriage jolted to a halt. Uncle William, the Bishop, thrust his head through the heavy hanging.

‘We are approaching the palace. Prepare to descend.’ He almost fell off his horse as he pushed his neck further into the carriage to waggle a long finger at Ailenor’s senior lady. ‘Waken that woman at once. Order her to tidy your dress.’ With a grunt, he withdrew before Ailenor could reply.

‘Domina Willelma, wake up.’ Ailenor gently shook her lady’s shoulder. ‘Uncle William says ‑’

‘By our sainted Lady, my child, forgive me. Why have you permitted me to sleep?’ Lady Willelma sat straight up, her dark eyes wide awake.

‘Because, dear Willelma, you have hardly slept since we left Vienne and that was three weeks ago.’

‘I’m neglecting my duty to your mother.’ Willelma opened the tassels of a velvet bag. My mother, Ailenor thought. If only she were here. She would make jests and have me laugh at it all. How can I face this awful land alone?

***

Buy Link –  https://tinyurl.com/ssdrk28 

Make sure you don’t miss a single stop on this amazing blog tour!

Bio

Following her first degree in English and History, Carol McGrath completed an MA in Creative Writing at The Seamus Heaney Centre, Belfast, followed by an MPhil from University of London.  Her fifth historical novel, The Silken Rose, first in The Rose Trilogy, published by the Headline Group, is set during the High Middle Ages. It features Ailenor of Provence and will be published on April 2nd 2020. Carol was the co-ordinator of the Historical Novels’ Society Conference, Oxford in September 2016.  Visit her website:

Carol’s links are all on her website: www.carolcmcgrath.co.uk

***

You can join in with Carol’s ‘virtual’ book launch tomorrow, on Twitter, from 3pm!

Many thanks fro visiting today Carol.

Good luck with your new novel and the rest of your blog tour.

Jenny x

 

 

 

 

 

Opening Lines with Jules Hayes: The Walls We Build

By

On March 26, 2020

In Blog, Fiction, Historical fiction, Opening Lines Blog

I’m delighted to welcome Jules Hayes to this week’s Opening Lines, with her new novel, The Walls We Build.

Over to you Jules…

Thank you for having my new book, and me, over on your blog, Jenny.

The Walls We Build is my debut historical novel and written under my pseudonym, Jules Hayes. I also write contemporary thrillers as JA Corrigan.

The Walls We Build, part love story, part thriller, and part mystery, is a sweeping generational dual timeline tale and set in the period between 1928 and 2004. The narrative boldly draws on the figure of Winston Churchill, who takes a small but important cameo role in this labyrinthine story of three childhood friends.

I was inspired to write the story after seeing a photograph of Winston Churchill – Britain’s pugnacious but passionate wartime Prime Minister – addressing battle-weary troops in Libya, North Africa, and only days after the Allied victory in the desert war campaign.

This powerful image compelled me to write a story about one of the men listening to Mr Churchill’s victory speech that day in April 1943. The idea took root, and once I began to write the story became so very clear, as did the characters, settings, and the themes. I wanted to write a mystery, I wanted to write a love story, I wanted to write about relationships, and I wanted Winston Churchill in a cameo role, mirroring my main male protagonist – Frank: An ordinary man and an extraordinary man. How do their paths continue cross over the years?

Blurb

Set against the stunning backdrop of Chartwell, Winston Churchill’s country home, and reverberating through three generations comes a tragic story of misguided honour, thwarted love and redemption.

Three Friends

Two Secrets

One Hidden Life

Growing up around Churchill’s estate, Frank, Florence and Hilda are inseparable, but as WW2 casts its menacing shadow their friendships become more complex and strained. Following Frank’s death in 2002, Florence writes to his grandson, Richard, hinting at a dark past.

On investigation, disturbing secrets come to light that have not only haunted his grandfather’s life but will now impact on Richard’s too. When a pivotal encounter between Frank and Churchill is revealed and a mystery relative in a psychiatric hospital discovered, just how much more does Florence dare disclose, and is Richard ready to hear?

For readers who enjoy the work of Kate Morton, Rachel Hore, Lucinda Riley, Katherine Webb and Juliet West.

***

First 500 words…

~ Out of intense complexities, intense simplicities emerge

1.

Frank

February 2002

Frank lifted his head a fraction and listened to his wife shuffling around in the bedroom above. She was keeping out of his way, just as she’d been doing for more years than he wanted to admit. He slumped further into the armchair that she’d placed strategically so he could look outside, and not bother her. With his chin resting on his chest, he scrutinised his useless body, knowing he’d never achieve the miraculous recovery his old employer had managed fifty years before.

Finally, Frank turned, his line of vision settling on the glass panels of the patio doors, and through those, towards the silver birch that stood as an arboreal chandelier in the harsh morning frost. He clocked the untidiness of the garden; bushes not pruned, last summer’s bedding plants long dead, and the grass was a bloody mess. He hated to think what was happening down at his allotment, although Richard would happily sort it, the garden too. Frank would love to see more of his favourite grandson, but instead, here he was, confined to this one room, hearing the familiar creak of footsteps on the stairs as Hilda made her way down. He could gauge every one of her movements around the house, always knowing exactly where she was. Now, she’d be loitering on the other side of the sitting room door. Waiting for him to die.

He should call Richard. Do it now. There were secrets he needed to share with his grandson. Where was his mobile? On the table in the hall? Frank pushed himself into standing, but his knees collapsed as a sharp pain ricocheted throughout the front of his skull. Excruciating. Just like the last time, although this was worse. Much. He couldn’t see his wife but sensed she’d crossed the threshold into the room; he tried to call out. No sound came from his lips and in the lull that came before the real tornado he managed to move his head. There she stood, red hair now white and wispy, her face expressionless. He tried again, tried to say the words, Richard and phone. She turned away.

Frank didn’t want this to be the last thing he saw. The back of a woman he’d once loved so much but whom he’d come to despise. Instead, he found what he wanted to see, the full and vibrant image of a life half shared and of a woman so different to his wife, in every conceivable way.

2

Florence

Westerham, Kent

May Day 1928

With her legs splayed out and her back leant against the biggest oak in the village, which was conveniently situated at the rear of the church and away from prying eyes, Florence finished the last puff of her cigarette. She placed it on the parched ground and used the scuffed heel of her boot to extinguish it properly. The countryside’s like a tinderbox, her dad had told her; the last thing she wanted was to start a fire …

***

Buy Links:

Amazon: getbook.at/TheWallsWeBuild

Waterstones: https://www.waterstones.com/book/the-walls-we-build/jules-hayes/9781916338005

Biography

Jules Hayes lives in Berkshire with her husband, daughter and a dog. She has a degree in modern history and holds a particular interest in events and characters from the early 20th century. As a former physiotherapist and trainer – old habits die hard – when not writing Jules likes to run. She also loves to watch films, read good novels and is a voracious consumer of non-fiction too, particularly biographies.

Jules Hayes’ second historical novel, which is due for publication in late 2020 is another dual timeline story.

Jules also writes contemporary thrillers as JA Corrigan.

***

Website: http://www.jules-hayes.com

Social Media:

Twitter: @JulesHayes6

http://www.twitter.com/JulesHayes6

Facebook Author Page: JulesHayesAuthor

http://www.facebook.com/JulesHayesAuthor

Instagram: JulesHayes6

http://www.instagram.com/juleshayes6

Writing thrillers as JA Corrigan.

Website: http://www.jacorrigan.com

Twitter: @juliannwriter

http://www.twitter.com/juliannwriter

Facebook Author Page: JACorrigan

http://www.facebook.com/jacorrigan

Instagram: corriganjulieann

http://www.instagram.com/corriganjulieann

***

Many thanks Jules,

Happy reading everyone,

Jenny x

A sip of champagne

By

On March 12, 2020

In Audio, Blog, Contemporary fiction, Contemporary Romantic Fiction, Fiction, Jenny Kane, Romance

 

I’ve been so busy lately, that I’ve been neglecting my blog. I promise the neglect has been for good reasons- which will result in 4 new novels over the next 12 months.  (Yes- I am insane).

Talking of neglect – one of my novels often gets forgotten about when I’m waving my marketing flag – and that’s Another Glass of Champagne. Which is a shame- because I loved every second of writing it. As the last in a series of books (the Another Cup of… range), I frequently forget to shout about it, even though it stands up as a book in its own right, without you having to read the rest of the series first.While Another Cup of Coffee very much involved the figure of bad-boy Jack, in Another Glass of Champagne  he takes the staring role.

 

The novel opens with, after an absence of a few years from his friend’s lives, Jack is heading back to London, with new opportunities, a new skill set, a determination to avoid romance at all costs, and fresh adventures well within his grasp- all of which could be celebrated with a glass of champagne.

The trouble is, knowing Jack, he might well mess it all up…

Blurb

A warm-hearted, contemporary tale about a group of friends living in a small corner of busy London, by bestselling author Jenny Kane.

Fortysomething Amy is shocked and delighted to discover she s expecting a baby not to mention terrified! Amy wants best friend Jack to be godfather, but he hasn’t been heard from in months. When Jack finally reappears, he s full of good intentions but his new business plan could spell disaster for the beloved Pickwicks Coffee Shop, and ruin a number of old friendships…

Meanwhile his love life is as complicated as ever and yet when he swears off men for good, Jack meets someone who makes him rethink his priorities…but is it too late for a fresh start?

 Author Kit has problems of her own: just when her career has started to take off, she finds herself unable to write and there s a deadline looming, plus two headstrong kids to see through their difficult teenage years…will she be able to cope?

Extract

Staring out of the train window, Jack exhaled a long, slow breath. Was this how Amy had felt when she had first come to Richmond after her years of self-imposed exile in Scotland? Sort of excited, but absolutely terrified at the same time? 

Jack wondered if, once he’d worked up the courage to go and see her, Amy would notice the parallels between their situations. A smile crossed his face. However she reacted, she would forgive him for not being in touch over the past few years. Amy always forgave him. For everything.

In his mind, he’d left Richmond for a good reason. Although he knew Amy accepted he’d needed to leave, he was less sure she understood why – which was why he’d decided to break off even phone and email contact with her. It was also why he hadn’t told any of his friends where he was; just to see if that helped.

It wasn’t that Jack wasn’t happy for Amy and Paul to be living the fairytale, but the fact that they were together, while he was still alone, was sometimes hard to take – especially when he knew Amy’s love could have been his if only he’d been prepared to risk it all those years ago. This nagging thought – one he accepted was utterly ridiculous, as he knew that he’d never have been able to ignore his sexuality, even for Amy – made him a rather less kind human being than he would have liked. He knew that until he could get past feeling he was missing out on something that all his friends took for granted, they were better off without him and the chip on his shoulder. Amy would understand, he was sure. Kit, on the other hand, might not be as understanding…

Jack’s smile disappeared. Years ago, back when they were dating, Kit would have forgiven him anything – but since Amy had come back into his life, and both women had become good friends in their own right, Kit had become much stronger. Jack had learnt that Kit had always hated how he could make her doubt her strength and resilience. These days she was so much more equipped to deal with him and his bullshit – and he knew it.

Perhaps he shouldn’t be coming back. After all, he knew he was as emotionally messed-up as ever – but he had to go somewhere, and anyway, whether he wanted to admit it or not, he’d been getting homesick.  Plus he’d had to get away from Kent…

Opening his eyes, Jack sighed as the train’s sudden slowing announced that they were arriving at St Pancras. Here he was again. Back in London, fleeing from yet another cock-up in his love life, and with nowhere to call home. He wished he hadn’t so rashly sold his place in Mortlake – he’d got far less than it was worth, too, in his haste to make a clean break.  

There were several Tube connections to Richmond Jack could have chosen to see his old friends straight away, but as he stood in the bustling station, he found himself unable to move a step further.  It wasn’t like him to be assailed by doubt, but this time it was different. Whatever he did, he always managed to upset people. He never meant to; usually he never even saw his offences coming.

On this occasion however, he knew that if he was going to go ahead with his latest plan and really make it work, he was going to cause trouble for some of his friends…

***

If you’d like to find out if Jack finally finds the person of his dreams, and how his latest escapade impacts on the lives of the Pickwicks crew, then you can buy Another Glass of Champagne from all good bookshops and from online retailers including-

Happy reading,

Jenny x

PS- Please note that the paperback and ebook covers are different- the inside is the same!

Opening Lines with Richard Gould: Mid Life Follies

By

On February 13, 2020

In Blog, Contemporary fiction, Contemporary Romantic Fiction, Fiction, Jenny Kane, Opening Lines Blog, Romance

After a break in January, Opening Lines is back!

Kicking off the first blog of the series for 2020 is Richard Gould, with his brand new novel, Mid Life Follies.

Over to you Richard…

Thank you, Jenny, for inviting me onto your blog.

Although I didn’t set out to be categorised as a Romantic Fiction novelist, that’s what I am. In case people haven’t noticed, there aren’t that many blokes writing (nor for that matter, reading) this genre, despite the fact that around 50% of those in relationships are likely to be men. I think the lack of male authors is a pity because a male take on romance can provide fresh insights into the ups and downs of starting, sustaining and ending relationships. I focus on second chance ones, using humour to describe tragi-heroic journeys in pursuit of love, while struggling to cope with cartloads of baggage.

Mid-life follies is well and truly about second chances. Following the early retirement of Hugh, the male protagonist, panic sets in for his wife, Liz. All the old clichés come to the fore – feeling trapped, needing space, fearing ageing – and she takes flight from the comfort of the family home.

My first thoughts about how to cover this theme were centred on the humour as the couple compete for who can have the most embarrassing mid-life crisis. Once I started writing, I recognised that there was considerable poignancy and home truths to add to the humour.

 Blurb

‘When you look in the mirror, do you see someone young and vibrant like you used to be,’ Liz asks her husband, ‘or old and decrepit like you’re going to be?’

This question is the trigger for Liz’s decision to leave the comfortable family home in Cambridge after twenty-three years of contented marriage. A brisk walk to clear her head of the feeling of being trapped doesn’t work. On a brief escape to the seaside, a wholly out of character one-night fling makes things worse.

A baffled Hugh is left to figure out why his wife has abandoned him. Is she suffering a mid-life crisis? Is he experiencing the same affliction?

A succession of twists and turns prevents a restoration to the normality that the couple increasingly crave as their children, parents and friends discover that immaturity is not solely the preserve of the young.

“This tale of self-doubt, adultery and forgiveness is shot through with humour and compassion. A most enjoyable read.” 

David Lister, The Independent 

***

First 500 words…

Soon after my fifty-ninth birthday, a lifelong interest in reading obituaries took a perverse turn for the worse. I began to ignore the parts about inspirational achievements and headed straight for statements about age of death. A vague insecurity arose if someone had passed away around the sixty mark. I would scrutinise the photo to assess whether, compared to me, they had been overweight, balding, wrinkled or showing any other sign that they hadn’t aged well. That all important sentence citing cause of death was of particular interest. I was content if a sixty-year-old had been hit by a bus or murdered by a jealous ex-lover. A long-standing debilitating disease was reasonable too, but what I didn’t want to see was reference to those sudden things that imperil older people, like a heart attack or a stroke. Because that could be my fate next year, next week or even tomorrow.

I was neither ill nor a hypochondriac, in fact a recent annual check-up had revealed that I was remarkably healthy for a fifty-nine year old. Instead, the cause of my anxiety was that a mid-life crisis had been activated. I use the word “activated” because I’m convinced I would never have suffered one had it not been for Liz’s conduct. Men can suffer them at a significantly younger age than my own, but quite simply I’d never seen the need because I’d been more than happy with life – my family, my job, my health, my friendships.

I know the exact date when it all started: 21st July.

The eighteenth of July had been the last day of the academic year and my farewell to teaching at Legends Academy – I was taking early retirement. I’d worked there for almost thirty years, just two since the daft new name had been selected by the governors following a poll to parents that had produced thirty-eight voters out of a school population of over a thousand. “Where Legends are Nurtured” became the school motto.

It would take a brave or even foolhardy person to challenge my opinion that the school had never nurtured a legend and was unlikely to ever do so. Our most successful ex-pupils achieved their fame through notoriety. Des Robins was the City trader who didn’t quite manage to bring down the bank where he worked, but it was a jolly close thing. Dino Stringer made his fortune drug dealing, his fleet of cars and lavish mansion the envy of many in the locality. It all came to an end with a car chase around the M25 and he’s still inside five years after the trial. Hazel Broad, aka Flightchick, had some success as a singer, but being smashed on stage diminished her popularity with promoters despite raising it for her audience. Those in the staff room with some interest in her well-being indicated that now she was spending her time opening supermarkets. I’d had high hopes for one of our lads, a promising footballer, but alas, Shane Hughes got no further…

Buy link

e-book             http://myBook.to/midlifefollies

Paperback     https://www.feedaread.com/books/Mid-life-follies-9781839451874.aspx

Bio

R J Gould is published by Endeavour Media and Headline Accent and is the author of four novels:  A Street Café Named Desire, The Engagement Party, Jack & Jill Went Downhill and Mid-life follies. He is a (rare male) member of the Romantic Novelists’ Association. Having been selected for the organisation’s New Writers Programme, his first novel was short-listed for the Joan Hessayon Award. Ahead of writing full time, R J Gould led a national educational charity. He has published in a wide range of educational journals, national newspapers and magazines and is the co-author of a major work on educating able young people, all rewarding, but his passion is writing fiction. He lives in Cambridge, England.

Social Media

Website:          http://www.rjgould.info

Twitter:           https://twitter.com/RJGould_author

Email:              rjgould.author@gmail.com

Facebook:        https://www.facebook.com/richard.gould.14418 

Many thanks Richard.

Wishing you much success with your new novel.

Jenny x

Interview with Jill Barry: The House Sitter

By

On December 16, 2019

In Blog, Contemporary fiction, Fiction, Interview, thriller

Today I’m delighted to welcome Jill Barry to my place today to chat about her new novel, The House Sitter.

“A chilling and page-turning psychological thriller that is impossible to put down and perfect for fans of Lisa Jewell, C. L. Taylor and Shari Lapena.”

Why not put your feet up for five minutes, grab a cuppa, and come and join us?

Welcome Jill, let’s start with the obvious question, what inspired you to write The House Sitter?

After years of writing romance, I opted for a challenge. A friend’s move from the area sparked an idea and the house sitter walked on to the page. I found it surprisingly refreshing to write Ruth’s flawed – no, let’s say, evil – character. And the sales negotiator doing her utmost to sell the house is a good match for her adversary.

What type of research did you have to do for your book?

The mid-Wales setting prompted me to think whether to use real place names or fictitious ones. I looked at lots of real names and did a kind of pick and mix then asked a Welsh speaker to approve them. While writing, I always had the actual towns and villages in mind as the characters played out their story. Having lived in the area helped me create the weather conditions needed for some of the scenes.

Do you prefer to plot your story or just go with the flow?

For a novella, I usually have a story outline in place. The House Sitter is character driven so I was happy to go with the flow. I knew where the story was leading but didn’t know exactly how it would end.

What excites you most about your book?
I know that many of my friends and family don’t have a Kindle. Headline have made The House Sitter available as both paperback and eBook, so it’s easy for readers to order both versions on line. I’m thrilled to say it’s also available from independent bookshops.

If you were stranded on a desert island with three other people, fictional or real, who would they be and why?

Except for my second victim, I’m avoiding those who would be practical choices. For mental stimulation, I’d choose Victoria Coren Mitchell who’d also probably devise some way of playing poker and distilling gin. Tom Booker of The Horse Whisperer is used to outdoor living and would be a calm and comforting presence. Stephen Mangan is a brilliant entertainer and hopefully would help us see the funny side of things!

Anything else you’d like to share with us?

I love to entertain my readers, whether by romantic fiction or this, my first venture to the dark side. My aim is to keep on keeping on, so many thanks, Jenny, for giving me the opportunity to show another side to my writing.

Many thanks for dropping by today, Jill.

Here’s an extrat from The House Sitter to whet your appetite

Early in the novel, Eddie and Suzanne invite their friend and house sitter round for morning coffee. As she approaches the house, to Ruth’s disgust, she discovers the couple have already put their house up for sale, without informing her. From here on, a sequence of disturbing events is set in motion…

“I imagine I’m here so you can tell me why you’ve put your house on the market?”

Ruth dragged out a chair, not missing the surprised glances the couple exchanged. Eddie hunched his shoulders. Shuffled his feet. Glanced at his wife a second time, his expression uneasy.

“How, er. how did you find out? Eddie and I decided to keep our decision secret from people until the sale was publicised.”

“Really?” Ruth kept her voice calm, almost nonchalant. “Surely the clue is in the signboard?”

Suzanne groaned. “Oh, no. I didn’t realise they’d stuck that up already.”

***

Buy link for The House Sitter   https://tinyurl.com/t7pq7l3 

Social media links:

Facebook    www.facebook.com/JillBarryBooks/

Twitter                   @barry_jill

Website       www.jillbarry.com

***

 

Many thanks for popping over today Jill.Good luck with your new novel.

Happy reading everyone,

Jenny x

Opening Lines with Lynne Shelby: There She Goes

By

On November 21, 2019

In Blog, Contemporary fiction, Contemporary Romantic Fiction, Fiction, Jenny Kane, Opening Lines Blog

Opening Lines time is here!

This week Lynne Shelby is with me, sharing the first 500 words- exactly- of her latest romance, There She Goes.

Blurb

When aspiring actress Julie Farrell meets actor Zac Diaz, she is instantly attracted to him, but he shows no interest in her. Julie, who has yet to land her first professional acting role, can’t help wishing that her life was more like a musical, and that she could meet a handsome man who’d sweep her into his arms and tap-dance her along the street…

After early success on the stage, Zac has spent the last three years in Hollywood, but has failed to forge a film career. Now back in London, he is determined to re-establish himself as a theatre actor. Focused solely on his work, he has no time for distractions, and certainly no intention of getting entangled in a committed relationship… 

Auditioning for a new West End show, Julie and Zac act out a love scene, but will they ever share more than a stage kiss?

FIRST 500 WORDS…

On shaking legs, I took one step and then another, until I was standing directly in front of the guy. His mouth lifted in a smile, and he put his arms around me, holding me close against his hard chest. My heart started beating so furiously that I felt sure he must be able to hear it. Telling myself firmly that I could do this, that it wasn’t as if it were the first time, I tilted up my face and looked directly into his eyes. He bent his head and kissed me on the mouth, softly at first, just a brush of his lips, but then more firmly, his hands moving smoothly down my back to settle on my hips. When we came up for air, he led me to the bed and drew me down beside him. We lay facing each other on the bare mattress, our bodies pressed together, and kissed for a long time. I tried, unsuccessfully, to remember his name.

I thought, there can be few professions apart from the obvious that require you to simulate desire for a stranger on a regular basis.

The director said, ‘Cut.’

The guy stopped kissing me, and we both sat up. While the director conferred with his assistant, who’d videoed our audition, I stole a glance at my fellow actor’s profile. He was a few years older than me, I thought, in his mid- to late-twenties, and extraordinarily good-looking, with his dark hair falling over his forehead and just the right amount of stubble on his tanned face. I wondered if he might be Italian, or maybe Spanish.

‘We’ve got all we need for today,’ the director said. ‘Thank you.’

The guy (what was his name?) got off the bed and said, ‘Thank you. Good to have met you.’

I swung my legs over the side of the mattress and stood up. I tried to think of

something, anything, to say that might persuade the director to cast me, but decided that throwing myself at his feet and begging (please, please, please, give me the job. I’m an out of work actress, and my rent’s due next week) would be unprofessional. The dark-haired actor was already heading towards the door of the studio, so I echoed his ‘thank you’, snatched up my bag and coat, and hurried after him.

We’d just stepped out into the corridor when the director’s voice drifted after us quite clearly: ‘Like watching paint dry. Absolutely no sexual chemistry between those two.’ Seriously? At nine a.m. in a cold studio, it hadn’t been easy to act like a girl and boy madly in love – or in lust, as the director had put it – but until that moment, I’d thought the dark-haired guy and I had done pretty well. Apparently, I was mistaken.

The guy shut the door and rolled his eyes. I followed him across the reception area, where a crowd of actors were still waiting to audition, and out into the car park…

***

Buy link for There She Goes:

https://www.amazon.co.uk/There-She-Goes-Lynne-Shelby/dp/1786156555/ref=sr_1_1?crid=R9A40JQVD91D&keywords=there+she+goes+lynne+shelby&qid=1573928576&s=books&sprefix=There+She+Goes+lynn%2Cstripbooks%2C326&sr=1-1 

Bio

Lynne Shelby writes contemporary women’s fiction/romance. Her debut novel, French Kissing, was published when it won a national writing competition. Her latest novel, There She Goes, is set in London’s Theatreland. She has worked at a variety of jobs from stable girl to child actor’s chaperone to legal administrator, but now writes full time. When not writing or reading, Lynne can usually be found at the theatre, or exploring a foreign city –  Paris, New York, Rome, Copenhagen, Seattle, Athens – writer’s notebook, camera and sketchbook in hand. She lives in London with her husband, and has three adult children who live nearby.

Facebook: https://www.facebook.com/LynneShelbyWriter/

Twitter: @LynneB1

Instagram: lynneshelbywriter

Website and Blog: www.lynneshelby.com

***

Many thanks for sharing your great opening lines today Lynne.

Happy reading everyone,

Jenny x

Opening Lines: Dark Magic by Tom Williams

By

On October 31, 2019

In Blog, crime, Fantasy, Fiction, Jenny Kane, Opening Lines Blog, thriller

This week’s Opening Lines is just perfect for Halloween.
Please welcome Tom Williams, with the first 500 words of his latest novella, Dark Magic.
Over to you Tom…
Here’s a Halloween treat – the first 500 words of my novella, Dark Magic. It’s a big change from the historical fiction I usually write. I’m not sure quite how to describe it. It’s part thriller, part supernatural horror story (don’t worry, it’s not scary), and part (I hope) comedy. It grew out of an evening spent with a bunch of magicians and a few drinks and it just sort of grew by itself. It’s being published today, as Halloween seems a particularly appropriate launch date. I hope you love it.
Blurb
Two magic shows: the Maestros of Magic touring the country, playing provincial theatres; the Carnival of Conjurors successful in the West End. When the Maestros learn that the Conjurors are using real magic – Black Magic – to do their tricks they decide that they must use their own, distinctly unmagical, stage skills to stop them. Soon people are dying on stage – but can the Maestros really beat a team that has the devil on their side?
FIRST 500 WORDS
“Baby’s blood?”

“That’s what it says. Mix in baby’s blood and use that to mark the pentagram.”

There were six of them, and Claudia looked from face to face waiting for someone to say that this was a ridiculous idea. She could, she supposed, have said it herself, but it was not as if anybody would have listened. Nobody ever listens to the magician’s beautiful assistant.

In fairness, they didn’t exactly rush to agree with the plan either. When Jerry spoke, he had the decency to sound embarrassed.

“Does it have to be a human baby?”

Jerry’s role in their conjuring show was to do the tricks that appealed mainly to children. It brought in family audiences, but the other magicians secretly – or, to be honest, not that secretly – despised him. Still, Claudia thought that one or two might have taken his side here, but Daniel didn’t allow time for any of them to join Jerry in questioning his plan.

“It’s true that it doesn’t specify human.” Daniel smiled. It was an unconvincing smile and Claudia thought he did it mainly to show off his teeth. They were quite startlingly white, though marred, in her opinion, by rather over-developed canines. “But human seems fairly clear from the context.”

“Well, could we try it with something else first?”

Daniel’s smile vanished. It was as if someone had flipped a switch. Where there had been a big white smile, all you noticed now was a very square jaw and full, but rather sulky, lips. And, if you raised your eyes to his, something about his irises that made you look away again very quickly.

“It’s hardly as if the other ingredients were easily come by. We don’t want to mess it up and have to do it again.”

They were quiet at that. Claudia had the impression that they were all thinking of different things. She reckoned they would say the worst was the virgin’s tears. Despite all the tired old jokes, finding a virgin had been the easy bit. It was keeping her crying for long enough to collect a vial of tears that had been wearing on their nerves.

After a pause, long enough for all of them to remember details they would rather have forgotten, Daniel spoke again.

“Baby’s blood, then.”

There was an uncomfortable nodding of heads.

“How much blood are we talking about?” That was Tor – almost certainly not his real name but there was something about the way he looked at you if you questioned him which discouraged you from asking twice. He was an illusionist, constantly fretting about the mechanical details of his act. “And what about clotting? Are we going to add an anti-clotting agent?” Claudia remembered an illusion that involved an arm being cut off. Tor had been dissatisfied with the stage blood most magicians used and had experimented with various concoctions of his own. Claudia had never enquired as to what they were, but one had clotted and spoiled the act and…

***

Links
Bio
TOM WILLIAMS has published six books of historical fiction but this is his first contemporary story and his first novella (33,000 words). He has spent far too much time hanging round with magicians.

***
Many thanks Tom.
Happy reading everyone,
Jenny x

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