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Opening Lines by Janet Few: Barefoot on the Cobbles

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On March 21, 2019

In Blog, Fiction, Historical fiction, history, Jenny Kane, Opening Lines Blog

This week’s opening lines comes from fellow Devon based author, Janet Few.

Pop your feet up for five minutes, and take a read of the first 500 words of Barefoot on the Cobbles…

Barefoot on the Cobbles – a Devon tragedy by Janet Few

In the euphoria of the armistice a young woman lay dying. Daisy had grown up, barefoot on the cobbles, in a village on the rugged North Devon coast; she was mindful of the perils of the uncertain sea. Her family had also been exposed to the dangers of disease and the First World War but for Daisy, it was her own mother who posed the greatest threat of all. What burdens did that mother, an ordinary fisherman’s wife, carry? What past traumas had led, inexorably, to this appalling outcome?

Vividly recreating life at the dawning of the twentieth century, Barefoot on the Cobbles is based on a real tragedy that lay hidden for nearly a hundred years. Rooted in its unique and beautiful geographical setting, here is the unfolding of a past that reverberates unhappily through the decades and of raw emotions that are surprisingly modern in character.

More details about the novel, including information about how to obtain a copy, can be found at http://bit.do/bfotc; alternatively, visit the publisher’s website https://bluepoppypublishing.co.uk.Opening Lines

The magistrate was saying something. Polly, with throat tightening and heat rising, struggled to focus. He repeated his question but she was transfixed, unable to answer. Images and incidents from the past kaleidoscoped before her eyes. She saw her childhood home in the secluded Devon valley, her courtship with Alb, her firstborn being put into her arms. Her daughter, Daisy, skipping barefoot down the Clovelly cobblestones, living, loving, laughing. Daisy, bone thin and dying. Daisy, whose passing had somehow, in a way that Polly couldn’t comprehend, led to her being here in this crowded, claustrophobic courtroom, with every eye upon her. She must compose herself, pay attention, escape from this nightmare. All she wanted to do was dream of the past, both good and bad times but somehow more certain, safer, predictable. Times before everything began to spiral terrifyingly out of control.

Mr Lefroy, the solicitor, had assured her that she wouldn’t hang; this was a manslaughter charge not murder. Nonetheless, phantom gallows haunted Polly’s restless nights. Even when she calmed and the hangman’s noose receded, there was still prison. Prison meant Holloway. Polly’s hazy and fragmented impression of Holloway was gleaned from the terror-ridden stories of suffragettes’ force-feeding, that the pre-war newspapers had revelled in. Or would they say she was mad? Echoes of insanity had touched her in the past. There were barely acknowledged tales of people she knew who had been locked away. When compared to the prospect of prison, the asylum at Exminster was somehow more familiar but no less formidable.

Polly knew she must concentrate, breathe slowly, think about what she should say. Mr Lefroy had explained that all she needed to do was to keep calm and tell the truth, so difficult in this alien environment with all these well-to-do folk looking on. Faces. Faces whirled and blurred in front of her. There was Alb, shuffling in his chair and running his finger round the restrictive collar that she had helped him to fasten only this morning. He looked lost and bewildered, barely recognisable without his beloved trilby hat. Faces of the villagers, reproachful and remote. Mr Collins, her accuser, cold and self-possessed. Mrs Stanbury, gossiping neighbour, once a friend maybe but now here as a witness for the prosecution. Then, overlaying all of these, the vision of Daisy. Daisy looking like a young lady in her new hat, proudly setting off for her first job beyond the security of the village. Daisy fighting, screaming, twisting her head away from the spoon that held the broth that might save her. Daisy dying.

Was it really her fault, as they were saying? Polly wondered. Could she have done any more? She was a mother; mothers should protect their children. She had tried, she really had, struggled in vain to shield them all from harm. The enormity of her many failures consumed her. There was Bertie, not quite the full shilling, Violet and her troubles, the worry over Leonard while he’d been away at sea during…

***

You can find Janet at https://thehistoryinterpreter.wordpress.com/

Many thanks for sharing your first 500 words today Janet,

Happy reading everyone,

Jenny x

Opening Lines with Sonja Price: The Giants Look Down

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On March 14, 2019

In Blog, Fiction, Jenny Kane, Opening Lines Blog, Romance

I’m delighted to welcome friend and fellow Romantic Novelist Association member, Sonja Price, to my place today.

Sit back and enjoy her opening lines from The Giants Look Down.

Driving to work one day, my imagination was ignited by a report on the radio about the Great Earthquake of 2005. In addition to news of the devastating tragedy, I discovered that the Vale of Kashmir is breathtakingly beautiful. Some of the highest mountains in the world cradle a valley lush in sycamore woods and fields of saffron interspersed with a necklace of lakes. A spectacular place to set a story, it also boasts a rich history of maharajas, princes and princesses. But this paradise has been spoilt by strife since the mostly Muslim Vale of Kashmir chose to become part of its Hindu neighbour, India.

There must be a story in there somewhere, I thought. What would happen if a 10-year-old Hindu girl called Jaya decided to become a doctor much to chagrin of her mother and the patriarchal society of 1960s Kashmir? My aim was to entertain and amuse the reader and not want to take sides. At the same time, I tried to depict the situation as sensitively and genuinely as possible. Drawing attention to the plight of Kashmiris could surely not be a bad thing in itself, could it?

I love to write about unfamiliar terrain and going to Kashmir, if only in my mind with the help of online resources, picture books and interviews with Indians, has been a wonderful journey that started in my car!

First 500 words from The Giants Look Down

Kashmir 1967

When I was ten, I found out what I wanted to be. In fact, I can remember the very day I decided to become a healer. On that late summer’s morning, I could still see my breath when I climbed up into our battered old Land Rover. You know what those kinds of vehicles are like. I was up high, and I felt so much bigger anyway because I was in the front next to Pa. If I shut my eyes and concentrate, I can still smell his pipe smoke lingering on the leather seats. The radio was on that morning because Pa, being such a huge cricket fan, had started listening to the Ashes long before the sun cut the peaks of the Nun Kun. In India, you hear talk of three things on every village corner: cricket, movies and politics. The Vale of Kashmir was no exception.

The tiny red figure of Lord Vishnu, the protector, bobbed about under the rear-view mirror as I scanned the skies for golden eagles. I spotted one, riding the winds, soaring and circling before dropping hundreds of feet to pluck a groundhog from the mountain slopes. All around us, tiny mauve and yellow flowers danced in the breeze as the snowy summits of Pir Panjal meditated in the early morning sun. Beneath them, rocks gave way to forests, emerald green valleys and the glint of the Jhelum River. In the far distance, Wular Lake slumbered peacefully under its blanket of mist. Above us, the Thajiwas glacier sparkled ice blue beside the cone-like peak of Gwash Brari where settlements hugged its foothills. All Pa’s territory, because he was the only doctor for miles. The crowd roared and the man on the radio was getting terribly excited when a posh voice cut in:

‘News has just reached us that a suicide attack in Indian-administered Kashmir has killed three people, including the bomber, and injured more than seventeen. The explosion occurred in the Nowgam area on the outskirts of Srinagar, the region’s summer capital. A Pakistan-based Islamic militant group has claimed responsibility for the explosion in a telephone call to local news agency Current News Service.’

Pa switched off the radio. ‘Madmen! Outsiders! Trying to turn us against each other! Sufi, Hindu, Sikh, what does it matter? We’ve been smoking beedi together in the teahouses of Dal Lake for centuries. Long before the British came. Long before Partition. Now they make us play the Great Game and fight like cockerels. Should I not attend to Mrs Durrani because she is a Muslim? And Kaliq? Should we throw our beloved servant out? How could the gods tolerate bloodshed in our beautiful vale?’

I certainly didn’t understand. How could grown-ups fight and kill each other when we children were always being told to be nice to each other? Diwali, our festival of light, includes their Muslim god Ali and Ramadan includes our Lord Ram, so how were we so different? It didn’t make any sense.

About the author: Sonja lives in Somerset with her family and dog. She’s a member of the Romantic Novelists’ Association and her short stories have appeared in Stories For Homes, the Shelter Anthology of Short Stories and In these Tangles, Beauty Lies, an anthology in aid of the Beanstalk Trust for children with reading difficulties. Her debut novel The Giants Look Down (2016) made her a finalist for the Joan Hessayon Award. She’s currently working on the story about a widow’s quest to resolve the mysterious circumstances surrounding her husband’s death out in the Canadian Wilds.

Links:

Website:                      www.sonja-price.com

Twitter:                       @PriceSonja

Facebook:                   Sonja Price Author

You can find The Giants Look Down as a paperback or e-book on:

AMAZON UK: https://www.amazon.co.uk/Giants-Look-Down-Sonja-Price/dp/0719819954 

 

Many thanks Sonja,

Happy reading everyone,

Jenny xx

Opening Lines with K.M. Pohlkamp: Apricots and Wolfsbane

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On March 7, 2019

In Blog, Fiction, Historical fiction, Opening Lines Blog

This week’s opening lines comes from the amazing K.M. Pohlkamp; an aerospace engineer who works in Mission Control no less! In contrast to her up to the minute profession, she has written a fascinating historical novel…Apricots and Wolfsbane.

Over to you…

The world’s first known serial killer was a woman.

That fact struct me after reading an article about forgotten females from history. Locusta was a female poison assassin from Rome (Gaul) who discovered it was more lucrative to use her knowledge of herbs to kill than heal. As a female engineer, I relate to the struggle of going against traditional gender stereotypes. Locusta must have faced challenges, but her gender would have been an asset in a field where surprise provided an advantage. There is not much known about Locusta, which incited my imagination. And the more I thought about her life, a story began to weave in my mind.

At the same time, my priest gave a sermon about the ease of falling into a cycle of sin and penance. How often we realize our actions are incorrect and then feel guilt but after awhile the guilt wears and it becomes easy to commit the sin again. Of course he was talking about minor offenses, but as a matter of reductio ad absurdum, I applied this concept to a murderer and placed Locusta’s inspiration at the height of the Catholic Church in Tudor England.

Synopsis of Apricots and Wolfsbane

Lavinia Maud craves the moment the last wisps of life leave her victim’s bodies—to behold the effects of her own poison creations. Believing confession erases the sin of murder, her morbid desires are in unity with faith, though she could never justify her skill to the magistrate she loves.

At the start of the 16th century in Tudor England, Lavinia’s marks grow from tavern drunks to nobility, but rising prestige brings increased risk. When the magistrate suspects her ruse, he pressures the priest into breaking her confessional seal, pitting Lavinia’s instincts as an assassin against the tenets of love and faith. She balances revenge with her struggle to develop a tasteless poison and avoid the wrath of her ruthless patron.

With her ideals in conflict, Lavinia must decide which will satisfy her heart: love, faith, or murder—but the betrayals are just beginning.

Apricots and Wolfsbane was shortlisted for the 2017 Chaucer Historical Fiction Awards and received 5-stars from Readers’ Favorite.

***

And the first 500 words of Apricots and Wolfsbane:

The violent display of convulsions lasted longer than I anticipated.

With my boots propped on the table, I remember watching beads of wax roll down the candle, marking time between my victim’s spasms. The brothel room was sparse, and the bed in the corner remained undisturbed. I had assumed the role of temptress that evening, but delivered a different climax.

I savored the fear on my victim’s face as much as my own unlaced mead. The sweetness of both danced on my palate. His repulsive gagging, however, I endured with patience.

My target focused upon me. His hand shook, reaching out in a misplaced plea for aid. Instead, I raised my goblet in a final toast while he turned purple. He glanced towards his spilled glass, and then studied my face with new understanding. With his last remnants of life, he pieced together what I had done. Those little moments made the act so delicious. And as his body collapsed upon the floor, I added one more success to my mental tally.

Murder just never got old.

The scratching of my chair sliding across the uneven floor broke the sudden, serene silence of the room. Driven by curiosity, my boots echoed with each step towards my victim.

The man’s eyes contained a lingering remnant of vibrancy despite the departure of the soul they once served. White froth percolated from his open mouth, overflowing the orifice to trail down his neck. It was not an honorable death, but my client had paid for certainty, not dignity.

Curious, I examined the large ruby on the victim’s pointer finger which matched the client’s description — an ornate setting with a coat of arms on one side of the gem and a mare’s head on the opposite. The worked piece of silver did not seem important enough to procure my service, but as a professional, I had not asked for justification, only payment. Material significance so often motivated patrons to fill my coffers. I recognized the inherent sin, but I never judged a client’s reason. I was not qualified to cast the first stone.

I did admire my victim. After all, he was a fellow criminal. I believed his talents as a thief must have been remarkable to pilfer the ring unnoticed from the finger of its owner. I often boasted of my own sleight of hand, but admittedly, I could not accomplish such a feat. Though in my defense, assassin clearly trumped thief.

After donning the black leather gloves concealed within the lacings of my bodice, I returned to business. I pushed the tipped chair out of the way and pulled on the ring, but my motion abruptly halted.

Caught at the knuckle, the gem did not budge.

I stared at his limp hand, dumbfounded, before a flame of focus burst through my body. How I craved and savored that rush. That high, and the feeling of power, motivated my ghastly craft all those years. Despite the stress, I never lost control of my…

 

About the author

K.M. Pohlkamp is a blessed wife, proud mother of two young children, and an aerospace engineer who works in Mission Control. She operated guidance, navigation and control systems on the Space Shuttle and is currently involved in development of upcoming manned-space vehicles. A Cheesehead by birth, she now resides in Texas for her day job and writes to maintain her sanity. Her other hobbies include ballet and piano. K.M. has come a long way from the wallpaper and cardboard books she created as a child. Her debut historical fiction novel, Apricots and Wolfsbane, was published by Filles Vertes Publishing.

Links:

Watch the book trailer

Visit GoodReads and see what others are saying

Amazon.com

Amazon UK

Google Play 

***

Many thanks for some great opening lines.

Happy reading everyone,

Jenny

Opening Lines: Walking Wounded by Anna Franklin Osborne

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On February 28, 2019

In Blog, Fiction, Historical fiction, history, Opening Lines Blog

This week’s ‘Opening Lines’ come from the pen of Anna Franklin Osborne, who is sharing the beginning of her wartime novel,

Walking Wounded.

I have always worked in health care, and more recently in education, and like so many other parents, hit a tiny crisis a few years ago when I felt that my purpose in life had narrowed to not an awful lot more than dashing between my two jobs and being a mummy taxi.

I managed to find time to begin singing with a choir, and that helped me feel that I might have a more creative side to myself. One evening, my husband was out and, quite suddenly, I decided to Start Writing. I immediately hit the first obstacles of terrible handwriting and a broken laptop, so my writing career began that night in bed, typing into the note section of my smart phone, with no clear idea of what I wanted to say but resulting in a severe case of RSI and several short stories over the next few nights.

My husband was delighted that I had suddenly found this passion and kept encouraging me to write a novel, which I really felt I did NOT have in me. Later that summer, however, we were walking along a D-Day beach for no other grander reason than our ferry home from France being late, and I began telling our kids about my three great-uncles who were part of that day, and my grandmother who sewed parachutes for the paratroopers jumping over Normandy. Neil looked at me and smiled and said, ‘you do actually have a story there, you know….’

Walking Wounded was written over a period of a year, on a tiny tablet which I bought specifically because it fitted into my handbag – as I said, ‘if it’s not with me at all times, this just won’t happen.’ I wrote every day in 10 minute bursts while I sat in the school car-park waiting for my daughter to emerge from school, I wrote parked outside ballet lessons and maths lessons, I wrote early in the mornings  while everyone was asleep.

Walking Wounded is a war story and family saga, focusing on those left behind whilst their men folk went to war, how they survived and how their relationships evolved through periods of violence, loss and reunion. The main story is about May, a young woman struggling to find her own identity as the youngest in a large family, forced into a stormy marriage through a mistake she is too proud to admit, and explores the web of loyalty, guilt and duty that shaped the decisions of the women awaiting the return of their men-folk as WW2 draws to a close. Spanning the period from the Armistice of the Great War to the exodus of the Ten Pound Poms to Australia in the 1950s, its internal violence is mirrored by the world stage upon which it is set.

So many of you can find this history in our relatives, but not, sadly, for very much longer. But if you look at your own upbringing, your family’s catch phrases, your own family folk-lore – it doesn’t take much insight to recognise that we have all been shaped, for better or for worse, by these seismic world crises.

First 500 words

1918, Mons, Belgium, 5 a.m.

He awoke with a shock as an icy rivulet of water finally penetrated

the gap between his collar and his neck and trickled

down inside his sodden greatcoat.

With a sigh, Sergeant Edward Peters leant back against the

boards, squinting up with resignation into the rain dripping endlessly

into the deep trench. The rain had woken him from a fitful

sleep, punctuated by the sound of snores from his fellow soldiers,

the occasional muffled curse. He shifted his long frame uncomfortably,

and shuddered with disgust as he felt a rat scuttle across

his legs and drop into the stinking mud next to him. No matter

how many trenches he dug, how many wounds he patched up,

how much blood he saw, he reflected grimly, he would never get

used to the rats. He vowed to himself silently that he would never

tolerate one in the house again when he got back home to London,

that he would fill the house with cats and wage his own tiny

and very personal war against the rodents which had plagued his

life for the past four years.

He smiled as he thought how much Edie would love that. She

loved animals but couldn’t have any in the crowded house she

lived in in Muswell Hill, but, one day, he thought firmly, one day,

they would start afresh and fill their own home with pets and

children. He fumbled in the pocket of his greatcoat then, trying to

extricate something with his clumsy fingers, numbed with cold.

Finally, his fingers alighted on the little photo, and he sat drinking

in the sight of his girl, smiling shyly at him all those miles away but

so close he could feel her.

His eyes filled with tears suddenly, and he had to catch his

breath in that bitter November morning to steady himself.

Then the captain stirred and stumbled out of his shack at the

end of the trench.

‘Time to be up, lads,’ he said quietly passing along the line of

men still sleeping in the bottom of the trench, just inches from the

foul mud, ‘time to get ready.’

Edward gazed one last time at the picture in his hand, then

stuffed it carefully back into his pocket. He blew on his hands and

caught the captain’s eye, nodded grimly at what he saw there.

At 6 a.m. he blew the whistle.

 

1918 London 11 a.m.

Florence Johnson stood stiffly to attention, clutching the hand

of her eldest daughter, Edie, as she listened to the bells pealing

out the Armistice on that cold, wintry morning.

As the sound of the last chime died away, it seemed that all of

London erupted at last into cheers, the sounds of laughter and

joy mingling with the echoes of the great bells. Feeling disorientated

and utterly disconnected with the crowd surging around

them, Florence half-turned towards Edie, immediately saw the

tears running down her cheeks and pulled her close, hugging her

tightly.

***

Buying links:

https://www.amazon.co.uk/Walking-Wounded-Anna-Franklin-Osborne/dp/0993569005/ref=tmm_pap_swatch_0?_encoding=UTF8&qid=1520597578&sr=1-3

http://www.goosewingpublications.com/buy

Website:

http://www.goosewingpublications.com/

Social media:

Facebook: @GooseWingPublications

Twitter: @HomeOsborne

Many thanks Anna.

Happy reading everyone,

Jenny x

 

 

Opening Lines: Little Pink Taxi by Marie Laval

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On February 21, 2019

In Blog, Contemporary fiction, Contemporary Romantic Fiction, Fiction, Opening Lines Blog, Romance

It’s with great pleasure that I invite Marie Laval to my site with her ‘Opening Lines,’ from Little Pink Taxi!

Thank you so much Jenny for welcoming me on your blog today and share the first 500 words of my romantic comedy LITTLE PINK TAXI, which was released a year ago – already! – by Choc Lit.

People often ask me where I find my ideas, and what inspired me to write LITTLE PINK TAXI. Was it a holiday in the Cairngorms of Scotland, a stay in a beautiful old castle, or perhaps a past experience of driving a taxi?

I can say straight away that my inspiration was not driving a taxi! I have never driven a taxi, although ferrying my children between school, home and various friends and activities often felt like it indeed. Regretfully, I have never stayed in an old castle like Raventhorn, although it would be one of my dreams to do so one day.

I have however holidayed in Scotland, and loved the wild landscapes, lochs and forests, as well as the breathtaking architecture and atmosphere of Edinburgh where I went on a couple of city-breaks.

What really inspired me to write LITTLE PINK TAXI was a series I very much enjoyed watching on television a few years ago. You may remember it, because it was a big success at the time. It was called ‘Monarch of the Glen’, and was set in Glenbogle Castle in the magnificent Cairngorms National Park, in Scotland. In my mind, Raventhorn castle – Rosalie Heart’s childhood home – is very similar to Glenbogle. There is a loch and a forest nearby, and of course, the dramatic backdrop of Cairngorms.

My other source of inspiration was a pink taxi I saw a few years ago in Manchester city centre. I know that they are quite common these days, but at the time, it was the first I had ever seen, and I thought it would be fun to have my heroine drive one of them. It gave me ideas about Rosalie’s personality too. She is fun and bubbly, very loyal to her friends and family, and she loves singing but can’t carry a tune! The story developed from there.

First 500 words…

‘I believe you’re waiting for me. I’m Petersen.’

Startled by the deep voice with the hint of a French accent, Rosalie spun round, and tilted her face up to meet a pair of serious grey eyes.

‘Welcome to Scotland, Monsieur Petersen.’

She gave him what she hoped was her most dazzling smile, but Petersen only looked down at her and said, ‘I was expecting McBride.’

Rosalie tucked the heart-shaped board on which she’d written Petersen’s name in pink under her arm. ‘I’m afraid Geoff was taken ill. I shall be driving you to Raventhorn.’

Petersen frowned. ‘I’m sorry to hear that. I hope it’s nothing serious.’

It was nothing that a cup of tea, a couple of headache tablets and a few days away from the malt whisky wouldn’t cure, but Rosalie couldn’t tell him that.

‘A head cold, that’s all. He will have recovered by this evening, I’m sure.’ Her cheeks grew warm. Lying had never come easily to her, but it was even harder when a giant of a man with eyes as cool and uninviting as the winter sky stared down at her.

She pointed at his leather holdall and laptop case. ‘Would you like me to carry your bags to the cab?’

Arching his eyebrows, he gave her a sardonic stare, which made her feel even smaller than her five foot one. ‘No. I don’t think so.’

‘Ah. Very well. Shall we go then? The weather is horrendous today. At least I found a space near the terminal so we won’t get too wet.’

Her last words were drowned in gusts of icy wind and rain as the terminal sliding doors opened. She pulled her key fob out of her pocket and strode towards the cab. ‘Here we are.’

‘Is this McBride’s idea of a joke?’

Droplets of rain clung to Petersen’s dark blond hair and the broad shoulders of his navy coat. He gestured to the bright pink metrocab on which Love Taxis was painted in large letters, then to her matching anorak.

‘I hope you’re not planning to take your clothes off and squirt whipping cream all over me.’

Although his voice was quiet, there was a steely edge to it that made his French accent more pronounced.

She started to laugh. ‘Take my clothes off, in this weather? No thank you! You don’t seriously think I am one of those strip-o-grams people hire to embarrass their colleagues at birthday parties, do you?’

He didn’t smile. No spark of humour lit his eyes. He’d meant what he’d said. The laughter died on her lips, and she pulled the zip of her pink anorak right up to her chin.

‘You have the wrong idea about me. I’m your taxi driver, nothing else. And for the record, the only way I like my whipping cream is on a chocolate brownie or a very large ice-cream.’

Although she tried to sound blasé, her face felt like it was on fire and she stumbled over the last words…

Blurb

Take a ride with Love Taxis, the cab company with a Heart … 
Rosalie Heart is a well-known face in Irlwick – well, if you drive a bright pink taxi and your signature style is a pink anorak, you’re going to draw a bit of attention! But Rosalie’s company Love Taxis is more than just a gimmick – for many people in the remote Scottish village, it’s a lifeline.

Which is something that Marc Petersen will never understand. Marc’s ruthless approach to business doesn’t extend to pink taxi companies running at a loss. When he arrives in Irlwick to see to a new acquisition – Raventhorn, a rundown castle – it’s apparent he poses a threat to Rosalie’s entire existence; not just her business, but her childhood home too.

On the face of it Marc and Rosalie should loathe each other, but what they didn’t count on was somebody playing cupid …

Author Bio

Originally from Lyon in France, Marie has lived in the beautiful Rossendale Valley in Lancashire for a number of years. A member of the Romantic Novelists Association and the Society of Authors, she writes contemporary and historical romance. Her native France very much influences her writing, and all her novels have what she likes to call ‘a French twist’!

LITTLE PINK TAXI is Marie’s second contemporary romance and is published by Choc Lit. It is available here.

You can get in touch with Marie on Facebook and Twitter, and why not check the beautiful photos of Scotland and Denmark on the special Little Pink Taxi Page on Pinterest?

***

Many thanks for your great opening lines, Marie.

Happy reading everyone,

Jenny x

Opening Lines: Sophia’s Secret by Julie Ryan

By

On February 14, 2019

In Blog, crime, Fiction, Opening Lines Blog

It’s opening lines time again. This week, Julie Ryan is taking us on a Greek mystery…

Sophia’s Secret is the second book in the Greek island mystery series but can be read as a standalone. I never intended to write a series but having created the setting in Jenna’s journey, I was reluctant to leave it alone. My books, whilst always having romance at their core, deal with the dark side of Greece that tourists rarely see so be prepared for murder and suspense too!

Blurb for Sophia’s Secret

Kat has never understood why she was sent at the age of seven from Greece to live in England with her Aunt Tigi. When she receives an email from her grandmother, the first contact in over twenty years, informing her of her mother’s death, she knows this could be her last chance to find out the truth. Little by little she finds out the shocking facts as her grandmother opens her heart. It seems everyone has a secret to tell, not only her grandmother, as Manoli, her school friend, also harbours a guilty secret. Then there’s a twenty-year-old mystery to solve as well as a murder and what happened to the missing Church treasure?

FIRST 500 WORDS

The boy knew he shouldn’t be out so late on his own but a dare was a dare! His best friend, Vasilli, had dared him to meet up at midnight in their den in the woods. He’d been so excited he could barely sleep. His mother had come to tuck him in—not that a boy of nearly eight needed tucking in he’d reminded her as they went through the usual nightly ritual.

“Night night.”

“Sleep tight, mind the bugs don’t bite.”

Then when she’d gone, he forced himself to stay awake until he heard his parents come back up the stairs to their room.  He waited for the light to go out and gave it a few more minutes to be on the safe side. The luminous watch that he’d asked for on last birthday was showing nearly 11.30. There would be plenty of time to get there. He peered out of his bedroom window. It was dark out. There were no streetlights in his village. It was lucky that he’d remembered to pack a torch. He crept silently down the stairs, careful not to wake either his parents or the sleeping twins, put a jacket on over his pyjamas, slipped his trainers on and spying the fruit bowl on the table, put a couple of apples in his pocket in case he got hungry.

The gang had built the den during the long summer holidays when they were allowed to play out until late provided that they told an adult where they were. This was different. The summer had given way to autumn and there was a chill in the night air. He wrapped his arms round himself for extra warmth or maybe just to give himself courage. He thought fleetingly of turning back but he knew he wouldn’t be able to stand Vasilli’s taunts of ‘chicken’ the next day. All he had to do, he reminded himself, was cut through the woods at the back of his house and meet his friend in the den. Just then, as if giving him a signal, the moon came out from behind the clouds illuminating the woodland path. He set off at a run, not wanting to be late. Once he reached the safety of the den, they’d have a good laugh about what a great game it had been.

An owl hooted in the branches above him almost scaring him silly. It felt so different at night. Every sound was magnified a thousand times, making him alert to every eerie sound. Little creatures scurrying around made the leaves underfoot rustle. Twice now he’d thought he heard someone following him but when he stopped there was no one. Only a few more metres to go and he’d be safe.

Not wanting to cut through the churchyard, he kept to the wall until he reached the woods. The moonlight showed him the den, just as he’d left it. He rushed inside, breathing heavily, surprised to see that Vasilli hadn’t arrived yet…

***

Buy links

JENNA’S JOURNEY
SOPHIA’S SECRET
PANDORA’S PROPHECY
CALLIE’S CHRISTMAS COUNTDOWN

Bio

Julie Ryan’s roots are in a small mining village in South Yorkshire. After a degree in French Language and Literature, wanderlust kicked in and she lived and worked in France, Poland, Thailand and Greece. Her spirit enriched, her imagination fired, Julie started a series of mystery romances, thrillers set in the Greek Isles.

Jenna’s Journey is the first novel in Julie Ryan’s Greek Islands Series, a series she did not set out to create but which took on its own life and grew, rich and fascinating. This is the first of three published so far and promises to delight readers looking for the hidden dark sides of dream vacations in the Greek Isles.

In a new venture, Julie’s latest book is a short rom-com called Callie’s Christmas Countdown.

A prolific and well-known book review blogger, Julie does her writing and reviewing from rural Gloucestershire, where she lives with her husband, son and dippy cat with half a tail.

You can find Julie on her websites:

Website/blog for book reviews

Blog

Facebook https://www.facebo ok.com/julie.ryan.3114

Twitter @julieryan18

***

Thanks for visiting today, Julie.

Come back next week to read some more opening lines.

Happy reading,

Jenny

Opening Lines: The Case of the Missing Bride

By

On February 7, 2019

In Blog, crime, Fiction, Historical fiction, history, Opening Lines Blog

Today I’m delighted to welcome Carmen Radtke to my place, with the first 500 words from her novel, 

Over to you Carmen…

It started with a conversation in a museum, with an elderly immigrant talking about her voyage as an imported bride.

In an idle moment, I typed a few words into Google, and found a few lines in an old article about a bride transport from Australia to Canada in 1862 that hadn’t gone according to plan.  A story full of possibilities slowly unfolded in my mind. What mattered most to me though was that these girls really existed and deserved to be remembered.

They grew up in Victoria, in Australia, struggling with poverty in a country that was both incredibly modern and yet strictly clinging to the values of the British empire they simply called Home. The few well-to-do, like my heroine Alyssa’s family, had a lifestyle that could have come straight out of Jane Austen’s novels, with balls, country visits and parties. For the poor, and their numbers grew rapidly after the gold rush in 1851 had fizzled out, survival was a never-ending struggle. No wonder that my brides leaped at the chance of marrying well-off men, no matter how far away.

How lucky they must have felt when they boarded the ship, their few possessions stowed carefully in their wooden boxes.

They would spend months at sea and endure storms huddled under deck, or being thrown around like a sack, but they endured it together, and with visions of a good future ahead. Until they disappeared in San Francisco. A Canadian newspaper at the time blamed the Californians for having the brides seduced away with money. I wish I could believe that…

The Case of the Missing Bride is my attempt to honour these women and write a cracking yarn about them. The novel was a finalist in the Malice Domestic competition in a year without a winner and nominated for a CWA Historical Dagger.

Blurb:

When a girl goes missing on board of an ocean liner, only one person is convinced that the disappearance is no accident.

Alyssa has found herself with a group of impoverished girls who are embarking from Australia to Canada in the hope of marriage. As the daughter of a senior official, Alyssa doesn’t share this goal. She hopes to return to England via Canada.

But the girls all share one problem. Their presence on the ship is not known to many of its passengers but their worlds collide when one of the gentlemen discovers them. Then Emma, one of the intended brides, goes missing. Alyssa is convinced the disappearance is no accident and will risk her own life to search for the killer.

What happened to Emma? Is there a murderer on board the ship?

Alyssa is about to discover that there is more to her voyage than she bargained for.

FIRST 500 WORDS

Alyssa Chalmers shifted her weight from one foot to the other. How long could it take to read out 22 names, match them each to a face and tick them off a list? She watched Matron McKenzie’s slow progress. If she kept on at this pace they might all be here by nightfall.

Black sateen rustled as Matron came nearer. “Louisa Jane Sinclair?” A sparrow of a girl curtsied, her brows nearly disappearing into her fair bangs as her eyes grew wide. She shouldn’t be here, Alyssa thought with a pang, she is only a child.

“Where is your box? Nothing missing from the items on your list?” Louisa Jane’s eyes widened more, her pupils two dark disks in the paleness that was her face. She bent down to rummage in the patched cardboard case she carried instead of the regulation wooden box. “Yes, Ma’am,” she finally mumbled. Matron made a note on her list before she called out the next name. “Emma Sayce?”

By the time the pen scratched over the paper for the last time, the train station lay deserted, its outlines barely visible in the gas-lights that illuminated Port Phillip.

Matron clapped her plump hands to get everyone’s attention. “Now listen, girls. No dawdling or gossiping on the way. We shall proceed speedily and as quiet as mice.” She waved her right hand. “Off we go. I’ll be in front, and dear Father Pollock will bring up the rear until he sees us safely off.”

The girls obeyed, trudging in silence towards a new life.

The air smelt of salt, dead seaweed and sadness, Alyssa thought, with the gulls screeching like banshees in the all-enveloping darkness. The sea, so full of promise for a better life and a fresh start by daylight, was nothing but a miserable graveyard at night. She shivered. She must be coming down with something. Otherwise there was no explaining this feeling of doom in someone as sensible as she was.

The girls marched on until Matron came to an abrupt halt. “Ouch,” a girl cried out. “Can’t you watch what you’re doing, you daft cow?”

Matron turned around to confront the speaker. “Be quiet,” she hissed. “And watch your words, girl. I’ll have none of that language, thank you very much – Nellie, isn’t it?”

“What on earth is going on?” a long-suffering voice asked.

“Nothing, Father,” Matron said. “It seems we have arrived. There’s a man waving a lantern over there. Can you make out the name of the ship next to the small barge?”

Father Pollock peered through his spectacles. “I can’t be sure, but it does seem to be made up of two words. Surely you can read it? You’re much closer to it than I am.”

Alyssa suppressed a smile. Matron’s eyesight must be less keen than she might care to admit. The name “Artemis’ Delight” was written in large enough letters to be deciphered, with the gas-lights casting their glow onto the ship’s massive brown hull…

***

Buy the book: myBook.to/MissingBride

***

Bio

Carmen has spent most of her life with ink on her fingers. She has worked as a newspaper reporter in Germany and New Zealand, but now has swapped the newsroom for a cramped desk in her spare room in the UK She loves history, travel, animals and has convinced herself that day-dreaming is considered work. When she’s not writing, she can be found watching TV series and films (1930s to 1940s screwball comedies and film noir to blockbusters from the Marvel universe) and planning her next trip, although the cat prefers her to stay home.

She also writes historical fiction as Caron Albright.

Connect with her on twitter: @CarmenRadtke1 or Facebook: Carmen Radtke

***

Many thanks for your great opening lines, Carmen.

Happy reading everyone,

Jenny x

 

Opening Lines: Unbroken

By

On January 31, 2019

In Blog, Opening Lines Blog

Today, I’m delighted to welcome Madeleine Black to my site, with the ‘Opening Lines’ from her stunningly powerful memoir, Unbroken.

Over to you, Madeleine…

 

Unbroken is my memoir and tells my story of being gang raped at aged thirteen by two American teenagers and it follows my journey of survival, healing, forgiveness, transformation and hope.

Blurb

For many years after that night, my memories of what happened after he held the blade to my throat and threatened my life were fragmented… difficult to piece together. It was too extreme, too violent for me to understand.

Violently gang-raped when she was thirteen years old, and raped three more times before the age of eighteen, Madeleine has experienced more trauma in her life than most ever will.

Living in a state of shock and self-loathing, it took her years of struggle to confront the buried memories of that first attack and begin to undo the damage it wrought, as men continued to take advantage of her fragility in the worst possible way.

Yet, after growing up with a burden no teenager should ever have to shoulder, she found the heart to carry out the best revenge plan of all: leading a fulfilling and happy life. But the road to piecing her life back together was long and painful. For Madeleine, forgiveness was the key. True forgiveness takes genuine effort. It takes a real desire to understand those who have done us so much harm. It is the ultimate act of courage.

In Unbroken, Madeleine tells her deeply moving and empowering story, as she discovers that life is about how a person chooses to recover from adversity. We are not defined by what knocks us down – we are defined by how we get back up.

The first 500 words 

Chapter One – One Night

Author’s note: The names used in this account have been changed for personal and legal reasons.

It happened in May, 1979, in north London, where I grew up. The exact date was something I had never tried to establish. Some of what happened to me was very clear in my mind, but most details were hazy, disjointed, or gone all together. It took many years and a lot of hard work to unravel and examine all the details from that night. For decades, I shut the memories out, burying them in my mind beneath a mountain of guilt, fear, and self-preservation. And yet even though I didn’t consciously think about or remember most of the violence done to me, all of my consequent actions were shaped and influenced by it. I was 13 years old.

Like many girls I knew, the priorities of my life were pretty straightforward: friends, fun, school, and boys.  My parents were loving and supportive and most of the time I got on well with my older brother and three younger sisters. I tried to help out at home as much as possible and I kept quiet. I was a shy girl, never one to bring a lot of attention to myself. My grades were average and by all means, I was pretty “normal”. But my friend Kelly was something different all together.

Almost everyone has that one person in their class that they look up to and want to be like. For me, it was Kelly. She seemed so different from the rest of us and in many ways, she was. Her parents were divorced and I had never met anyone from a single-parent family before. Her Dad was an American, which seemed exotic at the time, and she wore makeup. She had Farrah Fawcett flicks in her hair and wore far cooler clothes than anyone else in school. She was outgoing and flirtatious with boys and was far more mature and physically developed than most girls in my class. She seemed so bold, so fearless. I was on the other end of the spectrum from Kelly. But being friends with her made me cool.

My dad was always unsure of Kelly and didn’t like our friendship for all the same reasons that I found her so intriguing. He felt she was a bad influence on me. I just thought she was fun. The fact that my dad didn’t approve of our friendship appealed to the rebel in me. I was, after all, a teenager.

Even though our family got along well, the dynamic in our home at that time was quite difficult. My mum was ill with neck and back problems and had to spend a lot of time in hospital, having operations and recuperating. When she came home she was often in her bed for weeks or even months. There was a rotation of nurses in the house looking after my mum and between my siblings, my father, and I, we did what needed to be done around the house, but it was very stressful.

Perhaps all of those…

***

Amazon link  https://www.amazon.co.uk/Unbroken-Journey-Shattered-Violence-Survival/dp/1786062763

Bio

After many years of keeping quiet, Madeleine Black decided in September 2014, to share her story on The Forgiveness Project’s website and she completely underestimated what the response would be.

Many women and men got in contact and explained how reading her story gave them strength, hope, and a different perspective of what’s possible in their lives. The founder of The Forgiveness Project, Marina, often refers to the various people on her website as  “story healers” rather than “storytellers” and now she completely understood why.

In March 2015, Jessica Kingsley Publishers released a book called The Forgiveness Project: Stories for a Vengeful Age, by Marina Cantacuzino. It’s a collection of 40 stories from the TFP website, including hers and has forewords by Desmond Tutu and Alexander McCall Smith.

The sharing of her story also opened many doors for her in ways she never imagined and after that the invitations started to pour in.

Her memoir, Unbroken, was published by John Blake Books on April 4th 2017

Twitter www.twitter.com/madblack65

Facebook www.facebook.com/madeleineblackunbroken

Instagram www.instagram.com/madblack65

Website www.madeleineblack.co.uk

***

Many thanks to Madeleine for sharing her powerful first 500 words with us today. 

Happy reading everyone,

Jenny xx

 

 

 

Opening Lines: Cast a Horoscope by Suzi Stembridge

By

On January 24, 2019

In Blog, Fiction, Jenny Kane, Opening Lines Blog

Thursday is here once more, which means more ‘Opening Lines,

This week I’m pleased to welcome Suzi Stembridge to my site. Let’s ‘Cast a Horoscope’…

Although this book is inspired by my four years as an air hostess in the early 1960s it is not autobiographical. CAST A HOROSCOPE has been awarded a Chill With A Book Readers’ Award in August 2018. It is volume One in the Quartet “Coming of Age” and the fifth volume for readers reading the whole JIGSAW series in chronological order. All books can be read independently of the others in the series but do combine as one long family saga. CAST A HOROSCOPE begins when Rosalind (Roz), the great-great-grand-daughter of the main protagonist in the first two volumes of “Greek Letters Quartet, starts her career as an air hostess full of excitement and hope. It continues into her life as a young woman in the seventies when the old Victorian mores of marriage and starting a family were still strong. This is an era when memories of WW2 are still fresh, when the pilots had either been World War 2 pilots or trained in the tradition of the RAF. There was a very different and much more casual attitude to training based on common-sense rather than formal examinations. Aircrew and passengers alike were living in a time before mass travel and enjoying a new sense of freedom. Shorthaul flights at this time were typically in Vickers Viking or Dakota aircraft with two pilots and a stewardess. It was unusual for an aircraft to travel say as far as Athens without a touch down to refuel at Lyons or Rome. Most holidaymakers travelled not just to lie on the beaches, but to see ancient sites and museums or absorb the culture of a country. People were happy to enjoy the new sense of peace but with traditional attitudes still prevailing life was not perhaps as liberating or as easy in the sixties and seventies as young people assumed.

Blurb:

Rosalind Peters, known as Roz, is an air-stewardess in the early 1960’s; in the days when they were called air-hostesses. With a one hour induction, a training flight to Paris and an afternoon swotting from her manual, she is embarking on her first flight at night and she is solely responsible for thirty-six passengers on a Viking aircraft. The chief pilot of the small Yorkshire-based charter airline is her captain and in these days of fledgling package holidays her passengers are businessmen going to Hamburg to play hockey. It doesn’t take long for the sardonic captain, ex RAF and Berlin airlift, and seeming to the youthful Roz as middle-aged and corpulent, to size up the rooky learner. But rather than suffering the agonies of initiation Roz is won over by the Captain’s winning smile and the joy of flying. The whole glamorous Mediterranean world is opened up to Roz. Greece: Athens when one could walk inside the Parthenon on the Acropolis, Lindos on Rhodes with pristine beaches, Crete when airplanes landed on grass airstrips, Cyprus: Kyrenia before its annexation to Turkey, Cairo: when you could touch the Sphinx and Jerusalem: when the airport was in the Jordanian quarter, not to mention Tangier: city of blackmail and torture, and all before the days of mass tourism. But Rosalind’s middleclass background is conditioned to preserve her virginity and allow her to make a good marriage; these are days when strict rules govern life outside marriage and young people are expected to abide by what is acceptable in respectable society. Do her Northern roots compete to draw her back from the heat and dust of a Europe fast recovering from, but still affected by, the horrors of two world wars? In an era when sex outside marriage, worse illegitimacy and adoption carry such stigma will Rosalind find true love and be able to resist the temptations and excitement on offer in this liberated life style? Will the consequences of her actions affect other lives?

First 500 words…

August 1960

With a buoyant step Roz Peters entered an aircraft for only the second time in her life. Uppermost in her mind was the knowledge that she, as the sole airhostess, would be entirely responsible for all the thirty-six passengers of a Vickers Viking aircraft. She had been told the night flight would be full. Once through the door in the tail she walked up towards the cockpit which was on stand-by lighting. She stopped where two small steps took her up over the wheel axle. Although there were passenger seats in the forward section before the cockpit door she felt inhibited to go further.

As the Ferryair Captain climbed on board, using the same and only entrance to the dark aircraft Roz was facing him. She welcomed him and introduced herself, lighting the entrance from the galley at the back with a standard issue torch. She had thought that if she switched on the cabin lights at night she would harm the aircraft, much as using the headlights in a stationary car flattens the battery. Roz was confident that her Captain would have been told that his regular hostess had gone sick and she was taking her ‘stand-by’ place, after completing only one training flight instead of the prescribed six.

However, without attempting to reply to the young hostess’ welcome or to reassure her, the stocky short Captain merely put down a switch marked ‘cabin lights’ and strode up to the cockpit.   ‘We are on ground power now,’ he snapped as he marched up the aisle, with the tall first officer silently following him. They then shut the forward door to the cockpit leaving Roz in the empty cabin nervously replacing the torch and awaiting the arrival of her passengers from the departure hall. A ground hostess led out the passengers, all men.

To her amazement, Roz found her nervousness quickly evaporating and she was able to remember the procedure she had been taught the previous day, particularly when it came to demonstrating the emergency procedures. She was glad she had spent all that afternoon swotting up from her manual, although the expression  ‘if the aircraft has to ditch it may float’ was reverberating through her head, but she was not going to alarm the passengers by telling them that. It was midnight and she didn’t feel ready for bed, just for work.

‘How long have you been in this job?’ one passenger asked her as she helped him fasten his seat belt.

She replied ‘half an hour!

He laughed, ‘that makes two of us…. I’ve never flown in a chartered plane before.’

Rosalind remembered sitting in the London flat, fed up after a hard day’s shorthand and typing, and that was little more than a month ago. On her application form she had given her full name, Pandora Rosalind Peters, and made a split second decision to be known henceforth as Rosalind or if pushed simply Roz. ‘This will be truly a new beginning,’ she said…

***

Buy links:

http://amzn.to/ZSpdvZ  ebook

https://amzn.to/2RLcXRh Paperback

We live on the Pennine hills in West Yorkshire between Halifax and Huddersfield but my heart is often in Greece.

I write historical and contemporary fiction, most of which has a Greek bias, either being set or partly set in Greece, with other scenes in the UK, particularly Northern England and Wales. Many of my characters like to travel, so much of Europe has been covered in the whole series which I have called JIGSAW. Jigsaw comprises two Quartets, THE GREEK LETTERS QUARTET which starts towards the end of the Greek War of Independence in 1827 and finishes in the present decade around 2011, and a second Quartet THE COMING OF AGE with a time span from 1960 to the present decade. The protagonists in these Quartets make up a family saga, with Rosalind, her son and her great-great grandfather, who was a Philhellene, being the main characters.

Because these 8 books are actually one long family saga, seven generations from 1827 to the present day, I have had to keep my mind very well organised to remember who is related to who, keep the dates tidy, and it has been quite a challenge. Despite this massive link I have also had to work hard to keep each book as an independent and different read.

As the books developed I realised they captured an age, a time from the industrial revolution but before the digital age. I love planning out a book and particularly the research. It has been a passion to check the facts, making sure that they are accurate. Studying for my Open University degree taught me the importance of primary and secondary sources. If I say it was sunny on a certain date – it was! It is a great pleasure to work at my desk in Yorkshire with windows over-looking the hills or alternatively by the sea in Greece and have time to write.

More than 30 years in the Travel industry has introduced me to many wonderful places in the world, but our extensive travel around mainland Greece and its remote islands when we founded and ran our two travel companies for 25 years has taken us to remote and stunning areas of coastal and mountain Greece. In addition, we built a small house in the foothills of Mt. Parnon in the Peloponnese, overlooking the sea, where we learned to appreciate a lovely local community.

Social Media links: 

Twitter Name: WriterOfGreekNovels@zaritsi

Website Link: www.greco-file.com

Facebook links:

Facebook: Suzi Stembridge

Pennine Writers & Landscape Artists Capturing Greece

GREECE IS THE THEME

Jigsaw: Greek letters & Coming of Age – Two Quartets

Instagram: suzi.stembridge.writer

WordPress: authorofgreeknovels.wordpress.com

                     suzistembridge.wordpress.com

 Linkedin: Suzi Stembridge at Freelance Author and Writer

***

Many thanks for such a great blog, Suzi.

Come back next Thursday to read 500 words from Madeline Black.

Happy reading,

Jenny x

Opening Lines: Light From Other Windows by Chris Chalmers

By

On January 17, 2019

In Blog, Contemporary fiction, Fiction, Opening Lines Blog

Opening Lines time is here! This week Chris Chalmers is with me to share the first 500 words of his novel, Light From Other Windows.

Light From Other Windows — Blurb

How many secrets can a family hide?

19-year-old Josh Maitland is at the end of a gap-year trip round the world when the tsunami hits the Canary Islands. His family are devastated at the loss of someone they thought would outlive them all: mother Diana, advertising executive and shatterer of glass ceilings; older siblings Rachel and Jem, each contemplating a serious relationship after years of sidestepped commitment; and stepfather Colin, no stranger to loss, who finds himself frozen out by his wife’s grief.

Only with the discovery of the private blog Josh was writing for his friends does the significance of his travels become clear. It reveals secrets he knew about everyone in his family — and one about himself that will change the way they think of him forever.

“Can bring tears to your eyes on one page and make you laugh the next.” SUZI FEAY, literary journalist

“Once again Chris Chalmers combines sensitivity and wit in his observation of human behaviour with a cracking storyline. Unputdownable.” PENNY HANCOCK, bestselling author of Tideline

You can choose your friends but…

How I was inspired to write Light From Other Windows — by Chris Chalmers

In every novel I’ve written, there’s been someone or something I can point to and say ‘Yep — that’s me!’ In the case Light From Other Windows, it’s not a character so much as a position within the family.

Nineteen-year-old Josh Maitland is the youngest child of three by a good decade. His older brother and sister feel more like secondary parents than siblings — and that was certainly the case when I was growing up. I was always “the little one”, which was nice in a way when I was very young; when I was eight or nine, my big sister was earning a living and kind enough to give me pocket money. And since she and my brother had long since left home I was ostensibly an only child, with all the advantages of full parental attention that can bring.

The trouble is, roles within the family have a habit of sticking. In my case until I was in my thirties, with a successful career and home of my own, when I realised my siblings still saw me just as they always had. It wasn’t malicious. Far from it, they’re both lovely people. But it took a flashpoint to end it; an argument in which the worm turned and told them he’d had enough of being treated like a man-child. My brother and sister were very contrite. In their defence, I don’t think either of them knew they had been doing it.

So that’s the dynamic I was working with in this book. The events are fiction. Unlike Josh, I didn’t go on a gap-year trip round the world, and mercifully I’ve never been caught in a tsunami. But the subtle way the members of the Maitland family perceive each other is very much based on personal experience.

Accidents of birth have a lot to answer for — and so do accidents of promotion (excuse the clunky segue). Light From Other Windows has been out for a while, but with the support of Amazon and its inscrutable algorithms, it has found a very healthy readership. If it’s new to you and you’d like to know more, here are the first 500 words:

 

First 500 words…

PROLOGUE

Funny. The bedroom still had his smell.

She paused in the doorway. The room was bathed in a milky January light; utterly lifeless, like someone had pulled the plug. It was never this quiet when he was here. The little blue chest of drawers was on the desk, just like he said. She left the door ajar and kept to the rug, avoiding the bare boards.

A wad of papers was tucked inside the bottom drawer, and as she yanked it out the drawer came with it. She pushed it back as she unfurled the papers. Licking her thumb, she flicked through for the right one… Ripped-out page from a glossy mag — something about the next iPad… Three old greetings cards (— one from her, ah!)… Flier for some club they’d never been to –  And something else, creased into quarters…

One glimpse of the lion-and-unicorn crest in the corner was enough.

Gotcha!  

She folded up the birth certificate, tucked it into the waistband of her skirt and slipped the rest back in the drawer. As she turned, his posters stared back at her from the wall. A couple of them — more of those god-awful rappers — were new, but some of those rugby pics had been there since they were twelve or thirteen. Mad…

Mad, but typical. He didn’t care! Even his ancient teddy was still there, wedged between the wardrobe and the wall, one paw sticking out like it was hitching a ride from the Teletubbies. When was he going to get rid of —

Laughter! Seeping up from downstairs. Four strides and she was back on the landing. A quick peep over the banister —

All clear. She nipped into the bathroom and flushed.

The casement window on the turn in the stairs sparked a memory: a circular rainbow. She could see the bracelet of sherbet sweets looped over the latch so clearly she could still taste its plasticky fizz… They’d been playing Treasure Hunt at one of his birthday does, his big bro and sis roped in to organise party games and hating it…

The house was shabbier back then.

As she reached the bottom stair, she slid the paper out of hiding and into the pocket of her jacket hooked over the banister. Her hand was on the kitchen door as she checked her watch.

Best not hang around too long. She just had time for a cup of tea if she was going to catch the Post Office.                                                       

CHAPTER ONE

“And finally –” said Diana Maitland, “Brad and Dan?”

Johnnie Grange, her deputy in the advertising agency’s Creative Department, was lounging with his bony knees splayed in a chair on the other side of her desk. The tongue of his ever-present raffia belt dangled tumescently.

“Doing enough to get by, I guess,” he said. “Though that last viral for Nissan kicked the budget into touch…”

Diana looked up from her list. Her ash-blonde bob and Moschino jacket suggested the kindlier judge on a reality show…

Chris Chalmers lives in South-West London with his partner, a quite famous concert pianist. He has been the understudy on Mastermind, visited 40 different countries, and swum with iguanas. Aside from his novels, his proudest achievement in writing is making Martina Navratilova ROFLAO on Twitter.

You’ll find him on Facebook @chrischalmersnovelist, on Twitter @CCsw19, and at www.chrischalmers.net

BUY LINK, paperback and ebook:

https://www.amazon.co.uk/Light-Other-Windows-Chris-Chalmers-ebook/dp/B013GNUDD6/ref=asap_bc?ie=UTF8 

***

Many thanks Chris.

Come back next week to read 500 words from Suzi Stembridge.

Happy reading,

Jenny xx

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