Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

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Seasoning

Regular readers of contemporary fictions/ romcoms/romances can’t have failed to notice that there are a great many  novels out there  with a reference to a season of the year in the title. My recent novels have formed part of this trend.

As #thepottingshed series is set in and around a garden centre, it made sense to make the novels seasonal, to fit in with the gardening year. Book one, Frost Falls at The Potting Shed, is based in winter, book two, Bluebell Season at The Potting Shed takes place in the spring. For book three, Misty Mornings at The Potting Shed, I’ve skipped summer – when most plants are happily growing away – and have taken Maddie and her team into autumn, when it’s time to tend the polytunnels and to ensure the ongoing success of the growing business.  

However, it isn’t just #thepottingshed novels that have a seasonal theme to them.

My previous #series of novels, #MillGrange, also has seasonally inspired titles. In this case however, the summer, autumn, spring and winter connections were less deliberate.

The first novel, Midsummer Dreams at Mill Grange, was so called as the lead character, Thea Thomas, was dreaming of a new start to her life during the months of Midsummer – so far, so obvious.  It’s sequel, Autumn Leaves at Mill Grange, was so titled because it was decided (by my publisher’s marketing team) that the reference to the season in book one had worked so well, they wanted to keep the time of year concept running. So the die was cast, and the following novels continued the seasonal theme – hence Spring Blossoms at Mill Grange and Winter Fires at Mill Grange.

In all honesty, I wasn’t sure I wanted so many of my novels to have the linking theme of seasons. However, there is no arguing with the popularity of the stories which state, upfront, when in the year they are set.  We like books with a declared summer background in the summer months – and in the winter months, when we need mentally ‘warming up’, a great many of us reach of a summer or spring read. In the winter time we like a festive read – and oddly – in July there is often a wave of winter themed sales as folk use fiction to escape from the heat, and dream of winter jumpers and roaring fires.

Fiction gives us the chance to have the seasons we expect to have – cold in the winter, sun in the summer, new growth in the spring, life crunching in the autumn… At a time when out weather is all over the place and the fears of climate change are fast becoming a reality, we seek the reassurance of what we know – or want to know – within our fiction.

 

It is this thinking that led to the title of my next book including another seasonal flag.

Summer at Sea Glass Cove is a traditional romance/romcom tale. Obviously set in the summer, it will – hopefully – let you feel the sun on your skin, even if our sadly unpredictable new seasons means it’s actually raining hard despite it being June!

If you fancy a seasonal read, and you can’t wait until next year for the release of Summer at Sea Glass Cove, then all of my other spring, summer, autumn, and winter based novels, are available from all good bookshops and e-retailers.

Happy seasonal reading,

Jenny x

Thank you Robin Hood

It is said that everyone has one book in them. This isn’t the case with me- so far I’ve taken part in the creation of over 200 books. Having said that however, one book always needed to be released from my imagination – and that book was Romancing Robin Hood.

This novel sat in my mind for decades, just waiting for the moment to be right.

So, why did this book need writing more than any of the others?

Many many many years ago, when I was a teenager, I was a bit- shall we say unusual? I suspect the words ‘odd’ and ‘eccentric’ would be more accurate, but I’ll let you make your own mind up on that!!!

I never did the pop or film star crush thing. Never had pictures of Duran Duran or Wham on my wall. Adam Ant didn’t look up at me from my pencil case, and I did not wake up to see a life sized poster of Morrissey’s backside complete with gladioli (or whatever flower it was) sticking out of his backside!!

Nor was I into the Pac Man craze (I am so giving my age away here!), and the background to Manic Minor drove me nuts! I didn’t buy Jackie, or indulge in spending my money on Cosmopolitan.

It wasn’t that I didn’t like music or playing the odd game of tennis on the Atari- but I had a different sort of fascination.

RH- RoS 2

Cast of Robin of Sherwood

Robin Hood!!

I know what you’re thinking- you’re thinking that I had a crush on Jason Connery or Michael Praed- but nope. Sorry- neither of those lovely boys are my type at all.

It all started because I was ill for ages and ages when I was 14. I missed a lot of school. But as always in life, timing is everything- and I was saved by an instant and unshakeable love for the series of Robin of Sherwood that was being aired on ITV at the time. It was the third series- I hadn’t seen either of the first two. (I have now- lots!) As I was at home so much, my parents rented one of those new- fangled video recorders from Radio Rentals so I could record stuff and watch it when I liked. (Thanks Mum and Dad- still grateful for that!!)

The VCR arrived the same day as the episode of Robin of Sherwood called Adam Bell was aired- I recorded it and watched it 8 times the next day- and then again, and again and again. Now- over 20 years later- I can still quote the script!! (Okay- that’s nothing to be proud of- see- I’m a bit odd!!)

It wasn’t the tight tights that had captured my heart though- it was the story. The whole story. All of it. I wanted to know everything- EVERYTHING- that could possibly be known about Robin Hood. No film, book (nonfiction or fiction), was safe from me.

RH- E Flynn

Errol Flynn- The Adventures of Robin Hood

 

My walls disappeared under posters of RH- any posters- from Errol Flynn, to Richard Greene, to the statue up in Nottingham, to the gorgeous Ray Winstone who played Will Scarlet (Okay- you have me there- I had – still have  – a ‘thing’ for Ray Winstone- there is such a twinkle in those eyes!!!)

The interest became an obsession (In RH not Ray Winstone). When I was better my parents took me to Sherwood- I learnt archery, I read medieval political poems and ballads- I wanted to know the truth- did he exist or didn’t he?

I did a project on RH for my A’ level History. Then I went to university and did a specialist course in Medieval Castle and Ecclesiastical Architecture…I was a medieval junky!! It seemed only natural to do a PhD on the subject- and that is exactly what I did!

Robin Hood Statue- Nottingham

Robin Hood Statue- Nottingham

By this time of course, I was pretty certain how and why the RH legend had begun- but I wanted to know who had influenced it into the form we know today, and how the real recorded crimes and daily life of the thirteenth and fourteenth century had affected those stories… (forget thinking RH was around with Richard I or King John- it ain’t happening!!)

It was my PhD that taught me to write- (a tome of epic proportions that is still knocking around my old Uni library gathering dust, while e-versions of it are scattered around many American Universities). Rather than finish off my love of RH- my PhD polished it to perfection!! (Although nothing could make me like the latest BBC series or the Russell Crowe or Taron Egerton films.)

I guess it was only a matter of time before I decided to write a novel about a Robin Hood obsessed historian.

Blurb-

Dr Grace Harper has loved the stories of Robin Hood ever since she first saw them on TV as a girl. Now, with her fortieth birthday just around the corner, she’s a successful academic in Medieval History, with a tenured position at a top university.

But Grace is in a bit of a rut. She’s supposed to be writing a textbook on a real-life medieval gang of high-class criminals – the Folvilles – but she keeps being drawn into the world of the novel she’s secretly writing – a novel which entwines the Folvilles with her long-time love of Robin Hood – and a feisty young girl named Mathilda, who is the key to a medieval mystery…

Meanwhile, Grace’s best friend Daisy – who’s as keen on animals as Grace is on the Merry Men – is unexpectedly getting married, and a reluctant Grace is press-ganged into being her bridesmaid. As Grace sees Daisy’s new-found happiness, she starts to re-evaluate her own life. Is her devotion to a man who may or may not have lived hundreds of years ago really a substitute for a real-life hero of her own? It doesn’t get any easier when she meets Dr Robert Franks – a rival academic who Grace is determined to dislike but finds herself being increasingly drawn to.

You can buy this crime/romance/modern/medieval novel from all good retailers, including-

Amazon – mybook.to/Romancing

 

My Robin Hood writing – unbeknownst to me at the time – was far from over.  Not only did Romancing Robin Hood lead to me writing four crime novels, The Folville Chronicles, by some miracle, thanks to the success of Romancing Robin Hood, I was asked to help write the new audio stories for Robin of Sherwood, thirty years after the series ended.

Under the name, Jennifer Ash, I’ve written a fair number of those new stories now – and I still can’t believe my luck!

I never dreamt when I was fourteen years old, how my life would come full circle! Here I am, writing words for my favourite TV show of all time!! Magic!!

You can find all of the ‘new’ Robin of Sherwood audio episodes and books here.

I’ll leave you in peace now, while I nip off to do some more Robin Hood thinking…

Happy reading

Jenny

xxx

 

 

 

The Guilt Monster

This week I’m returning to Northmoor House on Exmoor, where I co-run the annual Imagine writing retreat.

As I enjoy the stunning countryside that surrounds Northmoor – an unspoilt Victorian manor house – I can’t help but recall one of our previous retreats, when we were joined by the fabulous Kate Lord Brown.

Novelist, and all round lovely person, Kate Lord Brown, gave a fabulous talk and workshop on the theme of inspirations. She also got us to think about our inner critics- including asking us to write down what they looked like.

I’ve never known a writer who was without an inner critic sitting on their shoulder. Most authors I’ve met have at least some level of imposter syndrome. But I had never considered turning these ‘critics’ into beings that we could- once personified- vanquish to the far corners of our minds.

As my fellow writers began to jot down descriptions of their critics, I was hit by two sensations. The first was that I don’t have an inner critic- I have an outer one- Me- and I never stop giving myself a hard time. The second realisation was that it isn’t so much criticism, as guilt.

I have an inner Guilt Monster. (Deserving of the capital letters.)

It’s voice never stops arguing with me…

You should work harder (I work 14 hr days – I overwork- but then I love my job)

You ought to be doing the job I trained for and earn a proper wage (I was never confident as a lecturer- I always assumed I knew nothing- yes, even historian me had an inner critic…)

You’re too nice to make it in the cut and thrust world of book sales (I have been conned by past publishers a lot because I’m so trusting- so can’t argue with my Guilt Monster on that one)

Even working as a trolley collector in the local supermarket would more than treble your hourly rate (I love my job, and I’m not into “owning stuff.”)

You aren’t good enough to make it (I’ve had 16 Amazon bestsellers)

I could go on….

I’m not sharing this with you to play for sympathy (I hate the poor-bugger-me syndrome that can go with this stuff), but to say how thankful I am (again) to Kate Lord Brown for making me stop and think about this, frankly, ridiculous self-imposed, situation.

I think it would be unrealistic to ask myself to lose the insecurity factor. I honestly think I need it – I need to get nervous before a gig or anxious before a workshop – it drives me on- stops me being complacent, and so keeps me primed to always work my hardest to deliver the best I can for the people who rely on me- and to write the best books I can.

The Guilt Monster however, has to go.

I can see him now – and it is a him (I have no idea why, it really ought to be female – I can’t even get that right!!!)

He’s sort of green and has shaggy hair all over. He’s wearing a silly red and blue hat…I don’t know why. And he looks cross…and disappointed.

If you’ll excuse me, I’m going to go out for a walk- with luck he’ll fall off my shoulder as I go. If he doesn’t look like he wants to let go, then I think I might give him a push

The Imagine retreats are always amazing and – as you can tell- thought provoking…

Happy reading,

Jenny xx

Sshhh- Guess what… it’s OK to write erotica

Several years ago I wrote an article for the Romance Matters magazine (the Romantic Novelist Association’s magazine), entitled I Want to Write Erotica; Sshhh- Don’t Tell Anyone…

The situation at the time was that, writing erotica was something to be slightly ashamed of – as if it wasn’t real writing.

Since then, attitudes have improved – but only a little. That some people don’t want to read or write erotica is perfectly normal – I wouldn’t want to read or write horror. However, I’d never give someone a hard time if they did want to read or write horror.

Sadly, the same isn’t always be said for erotica. It’s OK to be relaxed about being able to write about scaring someone to death, or a mutilating serial killer, but it’s not OK to be relaxed about fictional people enjoying an imaginative sex life. (Obviously, erotica that crosses legal boundaries is NOT welcome- and that is another story).

It never ceases to amaze me, when I’m at conferences or writer meetings, how often I’m sidled up to by other romance or contemporary fiction writers and asked in hushed tones, ‘Um, I’d um…, like to write erotica. Could you give me a few tips? You won’t tell anyone will you?’

Erotica is frequently seen as either ‘the easy option,’ ‘the poor woman’s romance’, or worse still, as ‘seedy’. The only way to combat these three misconceptions is to write the best erotica possible, and to remind ourselves that writing it is not only great fun, but nothing to be ashamed of.

Lovers of erotica have similar expectations to romance readers; a strong storyline that includes attraction, a plot twist with obstacles to overcome before the leading characters ultimately get together. In erotica however, you have the freedom to delve further into the emotions involved; moving from the feelings of the heart to our basest desires – often sidestepping relationship issues altogether.

The sexual content of any erotic story must be integral to the plot from the beginning. While a love story will drive a romance, and the solving of a murder will be the focus of a crime novel – sex (and the force behind it in each individual case) has to drive the plot of erotica.

In recent years there has been a temptation to take previously written romances and add sex scenes at will.  This “sex sells so let’s shove in some kink” policy rarely makes for a satisfying read.

No erotic story should include a sex scene that doesn’t move the story forward. It may seem odd to say it, but gratuitous sex rarely enhances the erotic read experience; nor does it add weight to the plot. If you want sex for the sake of sex then read porn. (Which, I’m pleased to say is largely  of a higher quality than it used to be.)

Erotica done well is far from the easy option. Having said that, it is easy to write erotica badly. Amazon is littered with low grade hot-romance (this is romance with sex thrown in- usually of the BDSM variety), along with books by authors who have had one successful erotic story, and then have rewritten it over and over again; changing only the characters names and location each time.  (This latter policy might make you money- but at the cost of quality and professional pride.)

The beauty of writing romance is that you can leave what goes on in your characters private moments behind closed doors. Conversely, the joy of erotica is that you can open those doors, and create stories that push both your own and your reader’s boundaries by writing words you’d probably never say, about things you’d probably never do.

Erotica is nothing to be afraid of or ashamed of. But, like any other genre, it is only something you should write it if you want to- not because you think it’ll help sell your books. Trust me- it won’t.

Erotica should be treated with as much respect by writers as when they are approaching the genres of crime, thrillers, romance, paranormal, and so on.

Above all, the golden rule of writing erotica is that (like with any book in any genre), it is your audience’s imagination you need to turn on- anything else you turn on is merely a bonus!

Happy writing,

Jenny  (a.k.a Kay Jaybee – over 18’s only)

 

 

 

 

 

 

Tackling the Marketing Resentment Loop

I was recently chatting about ‘what happens after a novel is published’, to one of my #novelinayear groups – and it was generally agreed that a major hurdle in making it as an author- whether you are self published or not- is marketing.

Often it isn’t the marketing itself that’s the problem, but finding the time or inclination to do it in the first place.

Most writers, whether they craft short stories, novels, scripts or poems, are not natural marketers. Let’s face it, marketing means sticking your head above the parapet and shouting ‘Hey, look at me! Look what I’ve done!’ And while not all authors are shy and retiring, many have confidence issues and live far more comfortably in the world of make believe than in the ‘real’ world of commerce.

Okay, so I’m generalizing, but the point is, most writers want to write. They (we!) resent the time required to market their existing books when they’d far rather be creating a new one.

12_hrs

In a world where the majority of authors squeeze writing time in between working, looking after families, and doing all the other things that everyone has to do, it is hard not to resent the time spent writing blogs, or on social media, thinking up new ways to advertise our wares.

We all know that books are invisible if you don’t market them- but how much PR is the right amount? If you go an hour without tweeting about your latest epic will all your hard work become suddenly pointless?

arrowed circle

This is how the marketing resentment loop begins-

You write a book-

You discover it doesn’t sell by magic-

You want to write another book but the first needs marketing….but you only have 2 hours a day to wrote- so you market and don’t write-

You start to resent the marketing-

You start to lose the joy of writing-

You throw your hands in the air and give up.

Six weeks later you are desperate to write-

You write a book-

You discover it doesn’t sell by magic…AND ROUND YOU GO AGAIN.

break-the-cycle

So how do you break the loop?

  1. Set aside a small fraction of your writing time each day to market. Don’t go over that time period.
  2. Take you mobile phone to the bathroom! Yes- I know- but you’re just sat there- tweet/post on Facebook while you’re unable to do anything else anyway! Basically use any dead time in your day to your advantage, from being sat on the loo, to waiting for the kettle to boil.
  3. Immediately after you have finished your novel/script bite the bullet and use your precious writing time to create a series of guest blogs. Once you have them done you can simply adapt and rewrite them as required, saving you time in the long run. Blog tours are an excellent marketing tool, and if you don’t know enough bloggers to ask to host you, then a large number of services exist to provide this service, such as http://www.writermarketing.co.uk/
  4. If you find marketing is killing the joy of creation for you, then don’t do it. Remember, writing is supposed to be fun. If you’re only in it for the money, then I strongly advise you to try your hand at something new instead!

marketing

 

At the end of the day, like in so many professions, marketing is a necessary evil. By simply accepting it as part of the job, then it will soon become routine, and – of course- there is the added bonus that you’ll sell more books.

Happy marketing,

Jenny x

The importance of book reviews

Over recent years I’ve been blessed with some lovely reviews for my novels. I’ve also had some stinkers – but you can’t please everyone. (Although, I try very hard to do just that.)

Reviews are vital to an author – the more you have (especially 4 and 5 star reviews) the better your chances are of being asked to write another book. So, if you have enjoyed a book by an author, write a review- that way, there is a higher chance of that person being asked to write another one.

If a book has over 100 reviews on Amazon, it is automatically given some promotion on their targeted email advertising.  As most authors can’t afford to pay for advertising – this is a big deal.

Not only that, reviews are the only way an author can tell if he or she is ‘hitting the spot’ or not. Obviously high book sales can tell you if your book is successful – but sale figures can do no more than reflect how good your marketing is. It is feedback from your readership that tells you if your stories are actually working.

If you wrote a thriller- did it thrill?

If you wrote a romance- did it melt the heart?

If you wrote a horror- did it give your reader nightmares?

Obviously this is a simplistic set of questions, but the point is- authors need to know – and the way to tell them is via reviews.

Good reviews improve our standing and our professional reputations. They improve our ratings on Amazon and equivalent book selling platforms. The more good reviews an author has, the better their overall sales will become.

I’m not saying that you should only give good reviews. If a book has disappointed, let you down and so on, then some constructive criticism can help an author- even though it might be difficult to swallow sometimes!

But you should not give a poor review because…

… of damaged delivery packaging. (That is nothing to do with the author)

…the book isn’t the one you meant to purchase.

…the book was a gift, and wasn’t something you wanted to read, etc etc….

My favourite 1 star review was for Another Cup of Coffee – it was complaining about all the sex in it.  This really confused me as, although there is a suggestion that sex might happen on two occasions within that 97,000 word book, there is no actual sex.  I dread to think what might have happened if that reviewer had accidentally purchased one of my Kay Jaybee books!!!

So – in short – if you enjoy a book – PLEASE review it.

It takes up to a year of hard work to write a book that you’ll read in a matter of days. Any positive feedback you can give helps us author types a great deal.

Whether you leave a review on the Amazon, WHSmith, Waterstones, Goodreads – or any other retailer/book promotion platform – every single one helps.

Every single one.

 

And with that…I have reviews to write for some books I’ve recently enjoyed!

THANK YOU

Happy reading,

Jenny x

 

So, you want to be a writer

So, you want to be a writer.

This is a list of the 8 questions I would encourage you to ask yourself before you start to write.

Who are you writing for?

Yourself? Friends? Family?

If the answer isn’t for yourself – then take a deep breath and think very carefully.  However much fun it is, writing is hard work. If you aren’t doing it because you want to, it’ll be even harder.

What are you writing for?

Money? Fun? To make a point? To leave something of yourself behind after your death? Because you simply have to write?

Once you’ve decided to take the plunge, you need to ask yourself…

What genre are you going to write?

Are you going to write in a given genre. If so – which one?

Crime, romance, paranormal, steampunk, fantasy, erotica, contemporary fiction, goths, thrillers….The list is huge, and expanding all the time.

Which age group/gender are you targeting?

Adults? Teenagers? Children? Everyone?

It is vital to know your audience. Make sure you read as much as you can in the genre/audience group you hope to write for.

Let’s get practical!

Where will you write?

At home, in the local café, the library, or a hired office?

If you are not comfortable in your writing place, the words will not come easily.

What medium will you chose?

Paper, computer, tablet, phone, dictation?

There is no right or wrong way to produce a story. Go with what works for you – not what you think ought to work for you.

Will you approach an agent, a publisher, or self publish?

Each avenue has advantages and disadvantages. Whatever you decide to do – get as much advice as you can about your preferred option first.

And- most boringly and practical of all- can you manage your own marketing?

Don’t forget, if you don’t market your writing, then all your hard work will have been wasted. No one will know your book exists if you don’t wave your flag! So, love it or hate, you will need to get to grips with social media, whether you are traditionally published or self published.

 

***

Happy questioning!

Jenny xx

 

 

5 Tips: Progressing from short story writing to novels

So, you’ve had an idea?

You’ve woke up in the middle of the night with a title that just screams to be the name of the next bestselling novel, or a plot line that is leaping around your head with such ferocity that it has to hit the bookshelves.

You’ve already written short stories, but a novel – that’s a hell of a lot of words…

1. Think of short story writing as your novel writing apprenticeship – Short stories are a brilliant way for any writer to learn their craft. By learning to write to a word limit you can build your literary skill and finesse your writing. Too many people are in a rush to write a novel without taking the time to learn the skills needed. Creating short stories can teach you how to write in such a way that not a single word is wasted. Every word- every single one- has to count in a short story. The same applies to a novel- pages of waffle and repetition are boring to read and boring to write.

2. You need instant impact – In a short story all you have to grab your reader’s attention is the first one or two sentences. When writing their first novel, new writers often relax, thinking the lengthier word count means they have the luxury of spending pages to grab their reader’s interest- wrong!

When you write a novel the same instant impact rule applies as for short pieces. You have one to three paragraphs at the most to hook them. If a reader’s interest isn’t piqued by the end of the first page you’ve lost them- and then they are less likely to look at any further work you might produce. Once you have hooked them of course, then you can coax them into the story and work to keep them with you until they reach the last page – desperate to read more.

3. Don’t push that plot – Once you’ve started writing your novel, if you find your dream plot isn’t going to stretch to a whole novel (usually btw 70-100,000), then pause. Take a step back. There is nothing worse than reading a story that’s had its plot watered down just so it’s the required length. Take a walk. Think it through. Can the storyline take an extra twist to the plot? Can the interest in your characters be sustained? If not- make it a novella. Novellas (generally accepted to be anything from 20-60K), are very popular, great fun to write and wonderful writing practice.

4. Climb that word count– Addressing a word count of c.90,000 after having previously only completed pieces that are 5-10,000 words long can seem like a mammoth task. So why not build up slowly? Think of it like mountaineering. No one would tackle Everest without climbing a few lesser mountains first. So grab the crampons and the ropes and tackle a 15,000 word story – then add a crash helmet and a few rations and go for a novella. Then, as your confidence builds and you’ll soon be ready to strap on the oxygen tank, grab a pick and go for that novel!

5. Still feel like heavy going?- A lot of issues connected with getting through a novel for the first time are psychological. Don’t be afraid to address each chapter like an individual short story, but with a more open ending. After all, you already know you can write short tales of fiction. Allow yourself rewards for every 1000 words- an extra cup of coffee, a chocolate bar, a ten minute walk. Take one word at a time.

Remember- it’s supposed to be fun!

Happy writing!!

Jenny

(Check out my short story and general fiction writing workshops at www.imaginecreativewriting.co.uk  )

Why Did I Write Romancing Robin Hood?

It is said that everyone has one book in them. This isn’t the case with me- so far I’ve taken part in the creation of over 200 books. Having said that however, one book always needed to be released from my imagination – and that book was Romancing Robin Hood.

This novel sat in my mind for decades, just waiting for the moment to be right.

 

Many many many years ago, when I was a teenager, I was a bit- shall we say unusual? I suspect the words ‘odd’ and ‘eccentric’ would be more accurate, but I’ll let you make your own mind up on that!!!

I never did the pop or film star crush thing. Never had pictures of Duran Duran or Wham on my wall. Adam Ant didn’t look up at me from my pencil case, and I did not wake up to see a life sized poster of Morrissey’s backside complete with gladioli (or whatever flower it was) sticking out of his backside!!

Nor was I into the Pac Man craze (I am so giving my age away here!), and the background to Manic Minor drove me nuts! I didn’t buy Jackie, or indulge in spending my money on Cosmopolitan.

It wasn’t that I didn’t like music or playing the odd game of tennis on the Atari- but I had a different sort of fascination.

RH- RoS 2

Cast of Robin of Sherwood

Robin Hood!!

I know what you’re thinking- you’re thinking that I had a crush on Jason Connery or Michael Praed- but nope. Sorry- neither of those lovely boys are my type at all.

It all started because I was ill for ages and ages when I was 14. I missed a lot of school. But as always in life, timing is everything- and I was saved by an instant and unshakeable love for the series of Robin of Sherwood that was being aired on ITV at the time. It was the third series- I hadn’t seen either of the first two. (I have now- lots!) As I was at home so much, my parents rented one of those new fangled video recorders from Radio Rentals so I could record stuff and watch it when I liked. (Thanks Mum and Dad- still grateful for that!!)

The VCR arrived the same day as the episode of Robin of Sherwood called Adam Bell was aired- I recorded it and watched it 8 times the next day- and then again, and again and again. Now- over 20 years later- I can still quote the script!! (Okay- that’s nothing to be proud of- see- I’m a bit odd!!)

It wasn’t the tight tights that had captured my heart though- it was the story. The whole story. All of it. I wanted to know everything- EVERYTHING- that could possibly be known about Robin Hood. No film, book (nonfiction or fiction), was safe from me.

RH- E Flynn

Errol Flynn- The Adventures of Robin Hood

 

My walls disappeared under posters of RH- any posters- from Errol Flynn, to Richard Greene, to the statue up in Nottingham, to the gorgeous Ray Winstone who played Will Scarlet (Okay- you have me there- I had – still do- have a ‘thing’ for Ray Winstone- there is such a twinkle in those eyes!!!)

The interest became an obsession (In RH not Ray Winstone). When I was better my parents took me to Sherwood- I learnt archery, I read medieval political poems and ballads- I wanted to know the truth- did he exist or didn’t he?

I did a project on RH for my A’ level History. Then I went to university and did a specialist course in Medieval Castle and Ecclesiastical Architecture…I was a medieval junky!! It seemed only natural to do a PhD on the subject- and that is exactly what I did!

Robin Hood Statue- Nottingham

Robin Hood Statue- Nottingham

By this time of course, I was pretty certain how and why the RH legend had begun- but I wanted to know who had influenced it into the form we know today, and how the real recorded crimes and daily life of the thirteenth and fourteenth century had affected those stories… (forget thinking RH was around with Richard I or King John- it ain’ happening!!)

It was my PhD that taught me to write- (a tome of epic proportions that is still knocking around my old Uni library gathering dust, while e-versions of it are scattered around many American Universities). Rather than finish off my love of RH- my PhD polished it to perfection!! (Although nothing could make me like the latest BBC series or the Russell Crowe or Taron Egerton films.)

I guess it was only a matter of time before I decided to write a novel about a Robin Hood obsessed historian.

Blurb-

Dr Grace Harper has loved the stories of Robin Hood ever since she first saw them on TV as a girl. Now, with her fortieth birthday just around the corner, she’s a successful academic in Medieval History, with a tenured position at a top university.

But Grace is in a bit of a rut. She’s supposed to be writing a textbook on a real-life medieval gang of high-class criminals – the Folvilles – but she keeps being drawn into the world of the novel she’s secretly writing – a novel which entwines the Folvilles with her long-time love of Robin Hood – and a feisty young girl named Mathilda, who is the key to a medieval mystery…

Meanwhile, Grace’s best friend Daisy – who’s as keen on animals as Grace is on the Merry Men – is unexpectedly getting married, and a reluctant Grace is press-ganged into being her bridesmaid. As Grace sees Daisy’s new-found happiness, she starts to re-evaluate her own life. Is her devotion to a man who may or may not have lived hundreds of years ago really a substitute for a real-life hero of her own? It doesn’t get any easier when she meets Dr Robert Franks – a rival academic who Grace is determined to dislike but finds herself being increasingly drawn to.

You can buy this crime/romance/modern/medieval novel from all good retailers, including-

Amazon – mybook.to/RomancingRH

Happy reading

Jenny

xxx

 

 

 

 

16 years… and counting…

This week marks the start of my 16th year as a published author!

I’m not at all sure how I got this far. It’s a constant source of surprise to me that so many people want to read my books – whether of an erotic, romantic or historical lilt.

The publishing world – and the world in general – has changed so much since my first kinky short story, was taken up by Cleis Press (under the pen name Kay Jaybee). I had no idea sixteen years ago, that that initial publication would lead to anymore. I did know however, once I’d had that first story acceptance, that I wanted to try for another one. The feeling I get when a book, short story or script is accepted by a publisher is a hit like no other – not even extra strong coffee with a side order of chocolate, can touch it!

So- here I am, 200+ short stories, 6 scripts and 29 novels/novellas later, with a brand new novel at the starting gates!

Autumn Leaves at Mill Grange will be published this week!!

Autumn Leaves at Mill Grange

‘I am a big fan of Jenny Kane’ Katie Fforde.

At Mill Grange, the work – and the fun – never stops! As autumn brings coolness and colour, change is in the air for all at the manor…

Sam Philips’ time in the forces changed him forever. Supported by his friends, Sam is keen to help make beautiful Mill Grange a safe retreat for injured army personnel… but his crippling claustrophobia means Sam is living in a tent on the grounds! Enlisting the help of charming village stalwarts Bert and Mabel Hastings, Tina Martins is determined to find a way to help him conquer his fears. But why does she feel like he is keeping a secret?

After discovering evidence of a Roman fortlet on the manor’s grounds, Thea Thomas is thrilled at the chance to return to her archaeological roots and lead the excavation. She spent the summer with handsome celebrity archaeologist Shaun Cowlson – but now he’s off filming his Landscape Treasures show in Cornwall, and Thea can’t help but miss his company. Especially as someone else is vying for his attention…

Welcome back to Mill Grange and the beautiful village of Upwich, full of larger-than-life characters you can’t  help but adore.

Available from Nook, Kobo, as well as Amazon UK and Amazon US

I’d like to say THANK YOU to everyone who has supported my writing journey – whether you’ve bought a book, left a nice review, or simply given me support, encouragement, or made me smile – it all helps – and it is always appreciated.

I’m so lucky to be able to write for a living – and while the hours are long and the pay is bad, to be able to spend my days in fiction of my own creation, or helping my Imagine students to develop their own fiction, is a joy and a privilege.

Happy reading everyone – and thank you.

Jenny xx

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