Jenny Kane: Coffee, cupcakes, chocolate and contemporary fiction / Jennifer Ash: Medieval crime with hints of Ellis Peters and Robin Hood

Category: Fiction Page 21 of 69

Opening Lines with Jon Hartless: Rise of the Petrol Queen

For this week’s Opening Lines, I’m delighted to welcome Jon Hartless, to my blog.

Sit back and enjoy the first 500 words of his steampunk novel, Rise of the Petrol Queen; Book 2 in the Poppy Orpington Chronicles.

Over to you Jon…

The Poppy Orpington Chronicles is a Steampunk adventure featuring a young, working-class heroine fighting to survive in a society which dismisses her for her sex, class and disabilities. The saga was inspired by the real-life era of the Bentley Boys, 1920s motor-racing playboys who had the reputation of racing all day and partying all night. The media and public loved them, but reading up on their lives and the time they lived in, all I could see was the elitism, the unfair advantages and opportunities given to those with high birth and money, and the complete invisibility of all those who were not wealthy, titled white men. From that came Full Throttle, the first in the series, followed by the sequel Rise of the Petrol Queen. Book 3, Fall of the Petrol Queen, is almost finished, book 5 is written but nowhere near complete, while book 4 seems to have broken down somewhere….

Blurb:

Poppy Orpington is going racing. With or without your approval.

Following a controversial loss at the Purley Cup, Poppy Orpington and her petrol-fuelled race car, Thunderbus, are dominating the headlines. But not one article is complimentary, or even unbiased.

In spite of these daily slanderous reports on her character, Poppy is determined to make something of herself. She continues racing, she starts up her own factory hoping to sell her father’s patented petrol-run cars, she buys her own house and speaks up for the down-trodden. But all the while she is still seen as just a woman.

A woman unwilling to squeeze into the female mould created by men of power – and so the mould must be broken.

FIRST 500 WORDSRise of the Petrol Queen, book 2 of the Poppy Orpington Chronicles.

Preface

James Henry Birkin, editor

Writing this second book on Poppy Orpington has proved somewhat problematic, not least because a biography demands a traditional linear structure of cause and effect – from birth to success and from success to death. Volume I, Full Throttle, covered Poppy’s early years up to her stunning debut on the Purley racetrack, but despite her tragically curtailed life we are not yet ready to focus upon her passing.

Volume II, Rise of the Petrol Queen, instead concentrates upon the months of February to November 1904 – a time encompassing Poppy’s first full season as a racing driver and also the founding of her famous car company, Thunderbolt Motors. 1904 also witnessed the first sustained outpouring of hatred toward her from the popular press, of which the worst offender was the Daily Post, founded by Lord William Wrohan to propagate his loathing of the poor, the working class, women and foreigners.

Sadly, the paper still operates to the same values today. Not once have the proprietors admitted their culpability in libelling Poppy, nor have they ever admitted to the criminal actions against her by their editor of that time, Harvey McArdle. His behaviour at Poppy’s cottage has been an open secret within the newspaper industry for years, yet this volume – astonishingly – is the first account of the attack ever put before the public.

It was the Post, incidentally, which hung the disparaging nickname of the “Petrol Queen” upon Poppy – a mocking label repeated across many other newspapers. I have included several contemporary articles to demonstrate the media’s attitude toward Poppy and the inevitable strain this placed upon her.

A far better view into Poppy’s character can be gleaned from her numerous letters and diary entries, all vital resources in my attempt to rehabilitate Poppy’s reputation. Unfortunately, this is the last time I can offer a definite insight into her state of mind as Poppy became far more circumspect about recording her feelings after her traumatic encounter with McArdle. For Volumes III and IV, legitimate guesswork coupled with external sources such as letters from third parties, press reports and other publications from the era will have to suffice.

In conclusion, I hope the reader enjoys this return visit to Poppy’s world – her life, her victories and her defeats – and will come away with a little more sympathy and understanding of a most wronged woman whose worst days sadly lay ahead of her.

Chapter One

‘Can my father return home?’ enquired Poppy of the specialist, Doctor Joseph Baxter.

‘Good Lord, no. Although he has been quite lucid this morning, on other days he will suffer a relapse and will be quite helpless in looking after himself – and he then potentially becomes dangerous to others.’

‘Is he still having violent episodes?’ asked Poppy, anguish showing on her face. She had been asking the same question for weeks. As she sat in the hard button-back chair across from Baxter’s polished desk, she hoped today’s answer would be different.

‘There have been a…

***

Buy Links:

https://www.amazon.co.uk/gp/product/B07TKLDQ3G/ref=dbs_a_def_rwt_hsch_vapi_taft_p1_i1

https://www.amazon.co.uk/Full-Throttle-Jon-Hartless-ebook/dp/B06X95NQ6V/ref=pd_sbs_351_1/258-5208768-1596127?_encoding=UTF8&pd_rd_i=B06X95NQ6V&pd_rd_r=d7b731a9-9e6d-40df-a3d4-0866c1e574d0&pd_rd_w=JQHAV&pd_rd_wg=Yh1gl&pf_rd_p=2b420a2f-6593-478e-8b5f-cb43865ff16f&pf_rd_r=84VFM718S960WN0NWNJZ&psc=1&refRID=84VFM718S960WN0NWNJZ

Bio:

Jon Hartless was born in the 1970s and has spent much of his life in the Midlands and Worcestershire. His latest novels, a steampunk motor racing adventure examining the gulf between the rich and the poor, the powerful and the dispossessed, started with Full Throttle in August 2017 and continued with Rise of the Petrol Queen in 2019, both published by Accent Press.

Social media:

Twitter: https://twitter.com/JHartlessauthor?prefetchTimestamp=1569265278580

Facebook: https://en-gb.facebook.com/jonhartlessauthor/

***

Many thanks for your fabulous starting words, Jon.

Happy reading everyone,

Jenny

 

End of the Month: So long September

I swear time speeds up every month!

It’s time to hand my blog over to the fabulous Nell Peters…Where did September go?

Hello, my sweeties! Here we are already at the end of September – yikes. The children are back at school and there is no end of Christmas tattiness infiltrating every available space in the shops – even worse, antique Slade CDs have been dusted off in preparation for their annual warble. Since around Easter, each time I log on to internet banking, they’ve been advising me to start saving for Christmas – and the Christmas Shop in Selfridges has been open for weeks, for goodness sake. Any minute now the clocks will go back an hour so we will be groping around in the dark from about 3 pm. Depressing stuff.

But not so depressing as 30th September was in 1551 for a certain Japanese gentleman. A coup staged by the military faction of Japan’s Ōuchi clan forced their overlord to commit suicide, and their city was burned. Ouchy indeed.

Seppuku

Seppuku is what we more commonly know as hara-kiri, or harakiri, the Japanese form of ritual suicide, meaning to slice the belly, or abdomen – in short, disembowelment. Mega ouchy. Originating with the samurai, it enabled men to die with honour rather than fall into the hands of their enemies and be tortured, or as a form of capital punishment for those who had committed serious offences. Similarly, it was a culturally acceptable exit for warriors who had somehow brought shame upon themselves, and later practiced by other Japanese folk to restore honour to themselves or their families.

A short blade is stabbed into the belly and drawn from left to right, slicing it open – if the wound is deep enough it will sever the descending aorta (the section of the aorta which runs from chest to abdomen, the aorta being the largest artery in the body), resulting in rapid death through blood loss. Call me squeamish, but I’m pretty sure I could live with any dishonour I’d brought upon myself, given the gory alternative…

But long before the emergence of the bushi (samurai class), Japanese fighters were highly trained to use swords and spears. Women learned to use naginata, kaiken, and the art of tantojutsu in battle and their training ensured protection for communities whose male contingent had toddled off to battle elsewhere. One of these women, Empress Jingū, used her skills to promote economic and social change and was the onna bugeisha (female martial artist) who led a bloodless invasion of Korea in 200 AD, after her husband Emperor Chūai, the fourteenth emperor of Japan, was killed in battle. Her image was the first of a woman to be featured on Japanese banknotes – designed to stop counterfeiting, her picture was printed on oblong paper. Ah, so.

On the family front, we’ve had a couple of birthday weekends away – the first in London for the OH’s on 31st August. #4 son and his family had been to Legoland the day before and met up with us, along with #2, who lives near where we stayed. We didn’t do anything wildly exciting, but it was a good time and went some way to stave off the feelings of impending doom I tend to experience on 31/8, anticipating the slippery slope to cold weather, endless dark and the elongated run up to the dreaded festive shenanigans. Bah humbug!

The ma-in-law celebrated her ninetieth mid-September, for which a sister-in-law flew in from Australia and #3 son from India – the sister-in-law who lives in South Africa was a no-show as she hadn’t renewed her passport. Doh! During the lead up to the great day, there were a few anxious moments concerning the threat of BA pilot strikes, but most of us managed to turn up more or less on time. Sherborne in Dorset, being something of a quiet backwater with a predominately OAP demographic, probably didn’t know what hit it – especially the Italian restaurant we invaded on the Saturday evening.

On 4th September, there was a whopping ‘how on earth did that happen?’ moment, when oldest GD, started senior school. From scary beginnings – premature, low birth weight and weeks spent in SCBU (mum is diabetic, which can cause problems), she’s grown into a tall, very together young lady, who looked super-smart in her kilt-type skirt and blazer, which naturally she hates. She should think herself lucky – in my day, it was ghastly regulation indoor shoes, equally ghastly regulation outdoor shoes, gymslips, wool blazers and velour hats, all in regulation puke brown. Even the blouses were cream, so just looked like distressed white. And don’t get me started on the summer dresses in luminous flame which could be spotted from outer space, worn with a jaunty boater.

In 1977, because of NASA budget cuts and dwindling power reserves, the Apollo programme’s ALSEP experiment packages left on the Moon were shut down on 30th September. Apollo Lunar Surface Experiment Packages comprised of a set of scientific instruments placed by the astronauts at the landing site of Apollo missions 12-17 inclusive, while Apollo 11 left a smaller package called the Early Apollo Scientific Experiments Package, or EASEP. The instruments were designed to operate after the astronauts had left and to make long-term studies of the lunar environment. They were positioned around a central station, which supplied power generated by a radioisotope thermoelectric generator (RTG) to run the instruments, plus communication equipment to relay data to Earth.

This was on the same day that the final assembly stage of the ill-fated Space Shuttle Challenger got underway at Rockwell International’s Space Transportation Systems Division, in Downey, California. The orbiter was launched and landed successfully nine times, before breaking apart seventy-three seconds into its tenth mission STS-51-L off the Florida coast, on January 28th 1986. All seven crew members, including a civilian schoolteacher, (Sharon) Christa McAuliffe, perished.

Christa McAuliffe

She would have been seventy-one on the second of this month – and eighty years ago on 2/9/1939, the state of emergency in Poland was upgraded to a state of war. At 19.44 that evening, PM Neville Chamberlain addressed the House of Commons, ‘His Majesty’s Government will…be bound to take action unless the German forces are withdrawn from Polish territory.’ As we know, no such withdrawal took place.

Barbara Radding Morgan, Christa’s very fortunate first reserve, became a professional astronaut in January 1998, and flew on Space Shuttle mission STS-118 to the International Space Station on August 8th 2007 aboard Endeavour, the orbiter that replaced Challenger.

Sticking with 30/9/77 a wee while longer, Northern Ireland goalkeeper and manager, Roy Eric Carroll was born on that day. He represented NI forty-five times at international level, gaining his first cap aged nineteen, and also played for Olympiacos, where he won the Greek Super League three times and the Greek Cup twice. Sharing his date of birth was American singer-songwriter, guitarist and record producer, Nick Curran. Sadly, his versatile and successful career was cut short in 2012, when he died of oral cancer on October 6, aged just thirty-five.

Finally, another American vocalist and guitarist, Mary Ford (born Iris Colleen Summers on 7 July 1924) died on this day in 1977, after eight weeks in a diabetic coma, brought on as a result of alcohol abuse. This was six weeks after Elvis Presley died. Ford was half of the husband and wife musical duo, Les Paul and Mary Ford, who had sixteen top ten hits between 1950 and 1954. In 1951 alone, they sold six million records, but the couple went on to divorce in 1964.

Les and Mary Ford

What/who else can I find in my box of tricks? Step forward suave actor, playwright and novelist, Ian Ogilvy, who will be expecting to blow out seventy-six candles on his cake today. He took over the role of Simon Templar from Roger Moore in the TV series, Return of the Saint (from 1978-9) and there was talk that he might also step into Moore’s James Bond shoes – although this didn’t happen because Moore kept changing his mind about hanging up his 007 credentials, rather like current Bond, Daniel Craig, it seems. Incidentally, Ian’s mother – actress Aileen Raymond – had previously been married to Sir John Mills, and they died within days of each other in 2005. Sharing Ogilvy’s date of birth are English organist and composer, Philip Moore, German-American biochemist, biophysicist and Nobel Prize laureate, Johann Deisenhofer and American singer, Marilyn McCoo (I first read that as McGoo, as in Magoo – which might have been slightly more entertaining).

I was never a huge fan of Mr Quincy Magoo, the fictional cartoon character created at the UPA animation studio in 1949. Voiced by Jim Backus, Mr. Magoo was a wealthy, short, retired gent who got into a series of ludicrous situations as a result of his extreme near-sightedness, compounded by his stubborn refusal to admit to the problem. However, my fondest memory of the oddball was a real life situation when a mate and I were on a Greyhound bus from Ottawa to Montreal – a distance of well over six hundred miles. Sitting behind us was an old guy who didn’t stop talking for the whole journey – and he sounded so much like Mr Magoo it was uncanny. Sadly, we giggled helplessly like idiotic schoolgirls for the whole distance.

Jim and Henny Backus

Staying with the entertainment industry, Pinewood Studios (where the Bond films, amongst many others, are made) were built on the estate of Heatherden Hall, a large Victorian country house in Iver Heath, Bucks. Owned by Dr Drury Lavin in the late 19th Century, who then sold it to the famous cricketer K.S. Ranjitsinhji, it was later owned by Canadian financier and MP for Brentford and Chiswick (how does that work, if he was a Canadian?), Lt Col Grant Morden (1880-1932), who added a ballroom, Turkish bath and indoor squash court – and because of its then off-the-beaten-track location, it was used as a hush-hush meeting place for politicians and diplomats: the agreement to create the Anglo-Irish Treaty was signed there.

On Morden’s death, the property was bought at auction by property tycoon, Charles Boot, who turned the mansion into a country club for the rich and famous, although his main aim was always to build film studios. Boot officially renamed Heatherden Hall Pinewood, because, ‘the number of trees which grow there…seemed to suggest something of the American film centre in its second syllable.’ To achieve his ambition, Boot went into business with J. Arthur Rank – a  move that ultimately led to the development of the Rank Organisation, incorporating not only film production and distribution at home and abroad, but also catering, leisure activities and a wide field of manufacturing interests which at its height, employed more than thirty thousand people. The completion of building works at Pinewood was rapid and the studios were opened officially on 30 September 1936 – the day upon which two American politicians were born; Butler Derrick, Democrat for South Carolina from 1974, and James R Sasser, Democrat for Tennessee from 1977.

And now, on this 273rd day of the year, as Brexit staggers back/forth/back/forth and politicians of all flavours continue to behave like recalcitrant toddlers, it’s time for me to say adios – or sayounara (さようなら)as Empress Jingū might say.

Appropriately enough, September 30th is International Translation Day – celebrated on the feast of St Jerome, who translated the Bible and is regarded as the patron saint of all translators.

St Jerome

The day has been observed by the International Federation of Translators (FIT) ever since its inception in 1953. There you go.

Cheers, Jenny and toodles to all. NP

***

Many thanks for another fabulous blog.

See you in November, Nell!!

Happy reading,

Jenny xx

Opening Lines with Richard Gould : Jack & Jill Went Down Hill

Opening Lines is with us once more.

This week I’m welcoming fellow romance writer, Richard Gould to my place to share the first 500 words from his novel,

Jack and Jill Went Down Hill.

 

Thank you, Jenny, for inviting me onto your blog. I write Romance. In case people haven’t noticed, there aren’t that many males writing (nor for that matter, reading) this genre. I didn’t set out to be a romantic fiction author, I just got placed there because I explore relationships, particularly second-chance ones. I use humour to describe my protagonists’ tragi-heroic journeys in pursuit of love, carrying cartloads of baggage as they struggle to balance the pressures of work, friends and families with the search for romance.

Jack & Jill went Downhill starts on Freshers Big Party Night at university. With Jack falling down and Jill tumbling after him, the choice of title became obvious. When they first met, the couple shared the joke that their names matched those of the nursery rhyme, but they fail to recognise that their lives are playing out the plot.

 

Blurb

When Jill terminates the call, she watches as Jack and Sophie walk off, holding hands just as they had done in what seems like a very distant past.

Jack and Jill had experienced fireworks on the night they met – their first night at University. Despite being raised with very different backgrounds, they seem to be the perfect couple. Mutual love can be seen by everyone around them. When they graduate and are thrust into the real world, the cracks start to show. Pressure from work reduces their time together. Family struggles test their loyalties. And inner demons become visible.

Jack is struggling to maintain his focus at work. Succumbing to peer pressure, the late night drinking with colleagues becomes a regular occurrence. Too regular in Jill’s opinion… Can Jill reignite the passion that seems to have withered? Or is Jack too far gone to be rescued? Should Jill walk away to save herself? Whilst dealing with her crumbling marriage, Jill’s own life begins to collapse. Despite the picture-perfect start to their relationship, it becomes clear that the cliché ‘happily ever after’ requires more than just love to make it everlasting.

First 500 words…

For Jack it is love at first sight.

For Jill it is love at first sight.

Freshers Big Party Night at university. The hall is jam-packed with several hundred first year students, alcohol-fuelled to obliterate apprehension. The pre-party big news is that predatory second and third year boys have been banned following the previous year’s behaviour which had been fully exposed in the local press. Britney blasts out of two giant speakers. A floodlit rotating silver ball, suspended from the ceiling, covers the dancers in a shower of white sparkle. Little pairing is yet apparent, this being the first evening. It’s mainly girls dancing with girls, with the boys leaning against walls or by the bar. Looking on, weighing up the talent.

Jill has come along with the girls she’s met on her corridor in the hall of residence. That afternoon they’d reached the kitchen within minutes of each other and had nattered and drunk tea for an hour or so, planning their itinerary for the weekend. The party is a must do and the four of them are now swaying as they karaoke to Craig David’s Fill Me In.

Jack has come alone, uncomfortable, weighing up whether it is the place he wants to be, the ‘it’ referring to the university as well as this event. Earlier that day, having unloaded his car, he’d remained in his room sorting his things, aware of the buzz in the nearby kitchen but unwilling to join his new housemates. That is, of course, assuming he stays.

Freshers Big Party Night is turning out to be a tacky affair. Standing by the bar, he looks down at his plastic beaker and swills the cloudy lukewarm lager before downing the remains and crushing the empty container. Commoners, that’s the unpleasant word he can’t help thinking of to describe the people around him. He watches as they jump up and down on the dance floor, dressed in tasteless cheap clothes. Probably from Primark or H&M or New Look.

Jack catches sight of Jill, who picks up his gaze and their eyes fix. There follows the type of chemistry that no scientist has ever been able to explain, the instant drawing together of a man and woman without having spoken a word.

Jill abandons her newfound friends and approaches Jack. Unsure whether he is her target, he remains slouched against the bar.

“Dance?” she mouths, never shy when it comes to talking to strangers.

“I don’t really,” Jack shouts in a vain effort to be heard above the volume of Pink’s Don’t Let Me Get Me.

“Come on,” she urges, extending her hand. Jack inadvertently presents her with the crumpled bit of plastic. He drops it to the floor then takes hold of her.

They dance and dance some more, bumping against a growing number of embryonic couples.

Their attempt to chat is futile.

“Something, something, something, something.”

“What?”

“Something, something, something, something.”

“Sorry, can’t hear you.”

“What?”

“LATER!” this yelled down Jack’s ear.

The absurdity…

***

Buy link

Amazon           mybook.to/JACKANDJILL

Bio

I should start with a confession – my name is Richard and I’m a coward. Since I’m usually placed in Romance or Contemporary Women’s Fiction genres, an agent suggested I use a female pseudonym to increase readership. “No way!” I declared with bold pride, “people are going to have to accept me for who I am.” That evening I considered Rebecca, Rosemary, Rachel and Rita before opting for the cowardly compromise of using R J instead of Richard.

​Following selection onto the New Writers programme of the Romantic Novelists’ Association, two novels have been published by Accent Press – ‘A Street Café Named Desire’ (short-listed for the Joan Hessayon Award) and ‘The Engagement Party’. ‘Jack & Jill went Downhill’ is my first novel published by Endeavour Media. ​I’ve worked in schools, universities and for a national educational charity and have been published in a wide range of educational journals, newspapers and magazines. Although I enjoy writing non-fiction, my true love is as an author of novels that make the reader reflect on the idiosyncrasies of everyday life.

Social Media

Website:          http://www.rjgould.info

Twitter:           https://twitter.com/RJGould_author

Email:              rjgould.author@gmail.com

Facebook:        https://www.facebook.com/richard.gould.14418

Many thanks for joining us today Richard,

Happy reading everyone,

Jenny x

 

 

 

Opening Lines by Lucy V. Hay: Do No Harm

Opening Lines time is upon us.

This week I’m delighted to welcome bestselling author, award winning blogger, writing guru, and owner/manager of the brilliant Bang2Write website, Lucy V. Hay to my place.

Lucy is sharing the first 500 words of debut dark crime/thriller, Do No Harm

BLURB

Till death do us part… After leaving her marriage to jealous, possessive oncologist Maxwell, Lily and her six-year-old son have a second chance at happiness with headteacher Sebastian. Kind but vulnerable, Sebastian is the polar opposite of Maxwell, and the perfect match for Lily. After a whirlwind romance, they marry, and that’s when things start to go wrong… Maxwell returns to the scene, determined to win back his family, and events soon spiral out of control. Lily and Sebastian find themselves not only fighting for their relationship, but also their lives… Chilling, dark and terrifying, Do No Harm is a taut psychological thriller and a study of obsession, from one of the most exciting new voices in crime fiction. ‘Well written, engrossing and brilliantly unique’ – Heat. ‘Prepare to be surprised’ – Closer. ‘A claustrophobic and complex read’ – Culture Fly. ‘Sharp, confident writing’ – Peter James. ‘Original, daring and emotionally truthful’ – Paul Burston.

FIRST 500 WORDS…

I’m early.

I regard the hotel in the wing mirror of my car. I see my own reflection  – my nostrils flaring as I take in the venue. If you’d listened to me, you could have had so much more than this. Modern build on an industrial estate? Ugh.

Behind me I can see the gawdy, fluorescent signs for a chain cinema, a bowling alley, various fast-food restaurants, one of which offers an ‘all you can eat’ buffet bonanza. It’s what the Staceys and Chads like to call an ‘entertainment park’, though I cannot for one second imagine what’s so entertaining about these places. Give me a low-key, low-lit restaurant

with a ludicrously expensive wine list any day.

Oh no, this is no good. If it had been up to me, I would have found you somewhere far more flash to celebrate your nuptials. But that ship has sailed. For now.

I might be down, as they say – but I’m not out.

A group of people appear behind my car. I watch their reflections. They’re in frocks and suits – two couples, the women tottering on high heels, holding on to their men’s elbows. They must be going to your wedding. Then behind them, a tired-looking family: the man is in a shirt and tie, an incongruous pink cloth over one shoulder. He carries a sleeping baby girl in a flowery dress with an overly large bow on the back. The woman wears a trouser suit, the jacket just a smidge too small across her bust. Two little boys in bow ties run ahead of her; she holds her arms out to them as if she’s shepherding geese.

A woman in a purple beautician’s tabard stops next to the wedding party. She smiles and laughs, beckoning them with her. She’s diminutive and young-looking, orange panstick caked on her pale skin. There will be a subterranean salon somewhere in the hotel’s depths. The smell of stale sweat will be masked by scented candles, vanilla or patchouli, but the tang

of human musk will persist. You can scrub the masseuse tables, the floors, the jacuzzi; you can launder the towels, spray liberal amounts of deodorant and air freshener, strip away our clothes, our pretensions. But it’s always there. Flesh – animal, predatory. Demanding domination, submission.

It’s what we all are, underneath it all.

I look at my watch. In just one and a half hours you will be married. I suppose I ought to have prepared myself for this day. I felt sure you would wander – as you claimed you needed to – then return, certain you could do no better. I guess I never thought you would leave me so finally, splashing about in your wake.

I’m such a fool.

***

BIO:

Lucy V Hay is an author of fiction and non-fiction. Publishing as LV Hay, Lucy’s debut crime novel, The Other Twin, is out now and is to be adapted by Agatha Raisin producers Free@Last TV. Her second crime novel, Do No Harm, was a finalist in the Dead Good Books Readers’ Awards 2019. Her next title is Never Have I Ever for Hodder Books, out this December.

***

Many thanks Lucy. Cracking opening lines, from a very clever story.

Happy reading everyone,

Jenny

Another Cup of Coffee: Amy’s Adventure Begins

Another Cup of Coffee is the story of Amy Crane’s quest to get her life back on track.

This is how her adventure begins…

 

…Once her impulsive decision to go home to England had been made, she’d barely stopped for a break in the haste to work her notice period, sort out the ending of the lease on her rented flat, and arrange somewhere to stay in London. Now that stillness was about to be forced upon her, Amy had to face the reality of what she’d done by throwing in a good job and a nice flat for no job and a rented room in a shared house in London that she’d never even seen.

‘I need coffee,’ she muttered to herself. Hoisting her tatty fabric handbag higher onto her shoulder in a bracing gesture, she headed for the café located next to the departure checkpoint.

Aberdeen airport

…It was only once she’d checked in at Aberdeen airport, her luggage safely stowed, that Amy finally stopped moving. Slumped on a bench, looking around at the people rushing by, she realised that this was the first time she’d been inactive for weeks.

Having successfully managed to purvey her order to the Chinese-speaking assistant via a mixture of words and semaphore, Amy sat down on one of the fiendishly uncomfortable steel seats. Ignoring the unsightly build-up of used cups, half-eaten meals and spilt fizzy pop, Amy briefly allowed herself to contemplate her situation. Almost instantly her nerves regrouped in her gut, and Amy decided to put off any serious thoughts about the future until she was on the plane. That way, any possible temptations to chicken out and stay in Scotland after all would no longer be an option. Major life planning could wait. For now she would just indulge in her drink and watch the world go by. Then she’d have a wander around the meagre collection of shops, and perhaps buy a book or magazine for the flight, putting reality off for a bit longer.

Unable to put off the moment, Amy picked up her backpack and headed over to the departure gate. As she passed the newsagents’ her eyes landed on a copy of one magazine in particular- it had the appropriate headline, New job, New home, New life.

Amy muttered the words over and over in her head like a mantra, as she purchased the magazine fate seemed to have left for her before joining the queue of people who were also turning their back on the Granite City, for to business commitments, holidays, or in her case, for ever.

During the seventy-minute flight, Amy had managed to concoct enough excuses to delay any plan of action as to what to do next for a little longer. She’d examined the flight safety card thoroughly, had uncharacteristically engaged her fellow passengers in mindless conversation, and flicked through her magazine. Amy had read the occasional relevant passage, but had been disappointed not to find an article entitled You’ve Ditched Your Life – So Now What?

Now, trudging down the gloomy concourse at Heathrow to retrieve her luggage and trying to ignore the patina of perspiration on her palms, Amy was suddenly aware that someone was talking to her.

‘You OK?’

The man striding next to her spoke with a soft Irish lilt, ‘You’ve been chatting to yourself ever since we landed.’

‘Oh, God, have I?’ Amy’s face flushed. ‘I’m sorry; I’m always talking to myself. You must think I’m nuts.’

‘No!’ His eyes twinkled at her as he spoke. ‘Well, maybe just a bit.’

Amy wondered how old he was. Roughly her age perhaps; she always found it difficult to tell with men in suits. Amy didn’t want to think about it, or she’d get onto thinking about how much time had passed since she’d last smiled at a man of her own age, let alone spoken to one, and that way lay madness. ‘You’re probably right. I’ve just chucked in my life, so perhaps I’m insane.’

‘A lot on your mind then,’ he nodded his bespectacled head.

Amy carried on rambling. ‘No job, a home I’ve only seen from a brochure, and I’m getting a serious case of cold feet.’

They reached the dimly-lit baggage collection area as the carousel sparked into life. The whole room spoke of transitory lives, and the dank atmosphere made Amy shiver inside.

The man had obviously noticed her growing unease. ‘Look, I know I’m a total stranger, and it’s none of my business; but if it helps, I think it sounds fantastic. Exciting and brave.’

rucksack

Spotting her luggage heading towards her, Amy grimaced. ‘I don’t feel very brave.’ She grabbed her heavy bag before it lumbered out of reach.

‘You have a blank page. A new canvas to start from. I’d swap what I’ve got for that, and so would most of this lot.’ He gestured to the anonymous crowds that surged around them. ‘Go with the flow, have fun, be yourself, and smile. You have a nice smile.’ Then he scooped up his navy executive wheeled case, extended the handle, and rapidly disappeared, his grey suit merging with hundreds of others in the crush.

Amy stood there, oblivious to the fact that she was in everybody’s way. A blank page. For the first time in days excitement overtook the fear, as she hurried off to hail a taxi to transport her into the uncharted wilds of Richmond…

***

Obviously I don’t want to ruin the story for you- so for the really meaty bits you’ll have to buy a copy!!

***

Buy links

Another Cup of Coffee is available as an e-Book and in paperback from all good bookshops/book retailers

Happy Reading,
 
Jenny xx

Cover Reveal Tour for SHADOWS OF HEMLOCK by K.M. POHLKAMP

Today I’m delighted to be part of the cover reveal tour for K. M. Pohlkamp’s forthcoming release, Shadows of Hemlock.

This novel, the sequel  to the Historical Novel Society’s Editors’ Choice Selection, Apricots and Wolfsbane, will be out this coming November.

And here it is…

Blurb:   Regret is a bitter poison.
In a desperate grasp for prestige, Aselin Gavrell betrayed her master to the execution block for the advantage of the onyx pendant now around her neck. Shelter from her master’s crimes comes with an unwanted allegiance and a list of innocents to murder. But the Guild of poison assassins will not be so easily pacified and charge Aselin to develop an antidote as retribution for her betrayal.
Unprepared for the independence she craved, Aselin is forced to seek aid from a fickle contact who wants only one means of payment: a ruby ring with a mare’s head. To save herself from her master’s fate, Aselin must navigate a growing list of debtors eager to toss her aside and confront her guilt in this fast-paced tale of growth and redemption in Tudor England.

 

Shadows of Hemlok is produced by Filles Vertes Publishing (Facebook: @FVpublishing; Twitter: @FillesVertesPub; Instagram: @fillesvertespub; website: www.fillesvertespublishing.com 

Bio: K.M. Pohlkamp is a blessed wife to the love of her life, proud mother of two young children, and a Mission Control flight controller. A Cheesehead by birth, she now resides in Texas for her day job and writes to maintain her sanity. Her other hobbies include ballet and piano. K.M. has come a long way from the wallpaper and cardboard books she created as a child. Her debut novel, Apricots and Wolfsbane, was published October 2017 and was designated an Editors’ Choice Selection by the Historical Novel Society, among other accolades. She can be found at www.kmpohlkamp.com or @KMPohlkamp.

 

Meet The Winter Outlaw

As I’m on my travels at the moment, I thought I’d leave you a little something to read from The Folville Chronicles – Book Two

The Winter Outlaw .

Blurb

1329:  It is the dead of winter. The notorious Folville brothers are on edge. There are rumours of an unknown outlaw terrorising the Leicestershire countryside—a man who has designs on the Folville family’s criminal connections.

Determined to stop this usurper in his tracks, Robert Folville unearths a man hiding in one of Ashby-Folville’s sheep shelters. A steward from far-off West Markham in Nottinghamshire, the cold, hungry Adam Calvin claims he knows nothing of any threat to the Folville family. He has troubles of his own, for he is being pursued by vengeful sheriff, Edmund de Cressy, for a crime he did not commit.

Mathilda of Twyford, newly betrothed to Robert de Folville, believes Adam’s story, but with rumours about a vendetta against the family growing, the Folville brothers are suspicious of every stranger.

***

Here’s the prologue to whet your appetite…

Prologue: Winter 1329

Adam Calvin’s vision blurred as his eyes streamed in the cold. His breath came in wheezing puffs. He needed to rest, but he daren’t. Not yet.

It was only as the vague outline of a cluster of homes and workshops came into view in the distance that he realised where his legs had been taking him. Slowing his pace, but not stopping, Adam risked a glance over his shoulder. He’d expected to see dogs, horses and men chasing him, but there was nothing. No one.

Scanning the scene ahead, making sure he wasn’t running into trouble as well as away from it, Adam exhaled heavily and aimed for a building he hoped was still standing.

The last time he’d visited the tiny village of Walesby there had been an old grain store on its outskirts. Built too close to the point where the frequently flooding Rivers Maun and Meden merged, the grain store had paid the price of a poor location. Long since abandoned in favour of a superior bake house, it was a perfect temporary hiding place for a man on the run.

Adam had no breath left with which to sigh for relief when he saw the neglected grain store. Uttering a prayer of thanks to Our Lady for the fact the building hadn’t been pulled down, he lifted the worn latch. He eased his way into the damp space, which was stuffed with rotting sacks containing all manner of rubbish.

Scrabbling awkwardly over the first few rows of musty sacks, Adam made himself a man-sized gap at the back of the room. Sinking down as far as he could, hoping both the sacks and the dark would shield him long enough for his cramped limbs to rest, he did his best to ignore the putrid stench and allowed his mind to catch up on events.

Only a few hours ago everything in Adam’s life had been as it should be.

He’d been fast asleep in his cot in the small private room his status as steward to Lord John de Markham gave him.

Had given him.

Adam wasn’t sure what time it had been when he’d been shaken to his senses from sleep by Ulric, the kitchen boy. He suspected it hadn’t been much more than an hour after he’d bedded down for the night.

Ulric, who’d frantically reported that a hue and cry had been called to capture Adam, had urged his master to move quickly. The sheriff had unexpectedly arrived and there had been a brief meeting between him, the Lord Markham and one other unknown man. An anxious Ulric had said that rumours were flying around like snowflakes in the wind.

Some of the household staff were saying Adam had stolen something, some that there had been a death; a murder.

Either way, for his own safety, Steward Calvin had to leave. Fast.

Confused, scared and angry that his good name was being questioned; without having time to find out what was going on or defend himself, Adam had grabbed his scrip. Pulling on his boots and cloak, with Ulric’s help he’d headed through the manor via the servants’ walkways.

The only item Adam hadn’t been able to find to take with him was his knife. Contenting himself with lifting one from Cook’s precious supplies as he ran through the kitchen, he’d left the manor that had been his home for the past twenty years.

With a fleeting nod of gratitude to his young helper, Adam had fled into the frosty night. Only minutes later he’d heard the calls of the hue and cry; echoes of the posse’s footfalls thudding against the hard, icy earth.

Now, wiping tears of exhaustion away with the back of his hand, Adam strained his ears through the winter air. All he could hear was the busy work of the mice or rats who were taking as much advantage of the building as he was.

Glad of the water pouch Ulric had stuffed in his scrip, Adam took a tiny sip. He didn’t know how long it would have to last him. Closing his eyes, he rested his head against the sacks that boxed him in and tried to think.

Had he outstripped the hue and cry? If they were nearby, taking the chance to rest while waiting for him to run again, then Adam was sure he’d have heard something ‑ but there were no muttered voices, no horses panting and no hounds barking at his scent.

Adam managed to get his breathing under control. He’d been part of the hue and cry on occasions himself, and he knew such groups didn’t tend to chase their quarry far, or for long. Especially not on a cold winter’s night, when they could be tucked up in bed before the demands of the next working day.

With growing confidence that he’d chosen his bolthole well, Adam allowed himself to relax a fraction. Few people lived in Walesby since the most recent of many destructive floods, and its location meant he was only a few steps from the edge of Sherwood Forest. A desperate man could easily disappear into the woodland’s depths.

As the hours ticked on, Adam became convinced that the pursuit had stopped. However, he knew that by the morning the hue and cry would be replaced with soldiers if the sheriff barked the order. His bolthole wouldn’t stay safe for long.

Yet that wasn’t what concerned Adam the most. He wanted to know what he was supposed to have done that warranted his midnight flight. How could he even begin to go about clearing his name if he didn’t know what he was accused of?

In the meantime, where was he going to go?

***

Ever since I did my PhD (on medieval crime and its portrayal in the ballad literature of the fourteenth century), I have wanted to use what I learnt to tell a series of stories. Although I’ve written all sorts of things between 1999, when my PhD finished, and now – I still wasn’t sure it would ever happen.  Yet, here I am! The first three novels – one short – two long – are out in the world – and book four is in the planning stages!

You can buy The Winter Outlaw from Amazon and all good book retailers-

UK: http://ow.ly/RsKq30j0jev 
US: http://ow.ly/EvyF30j0jfk  

Happy reading,

Jen xx

Opening Lines with Chris Chalmers: Dinner At The Happy Skeleton

This week’s opening lines features the latest novel by Chris Chalmers.

I have to say, Dinner at the Happy Skeleton, sounds a hell of a lot of fun!

Over to you Chris…

Dinner At The Happy Skeleton – The Blurb:

Dan is the kind of gay man for whom the Noughties might have been named. Warm, witty and serially promiscuous, his heart melts at the sight of a chocolate brown Labrador — but with men it’s a different matter. He’s thirty-nine and as single as ever, not counting the couple he just met online. An arrangement that looks oddly like it’s going somewhere, until Dan gets fired from his job in advertising. With time-out and a payoff in his pocket, summer presents a world of possibilities; just as the memories surface of the ex he blames for the thinly-veiled chaos of his life.

From London to Ljubljana, a yen for closure sets Dan on the trail of the man who fed his ego into a shredder. Through an eerie encounter at the home of the Olympiad and a sleepover at the Dutch Embassy, run-ins with a fading porn star and the celestial manifestation of Margaret Thatcher, he ultimately confronts his past. Until, with his Big Four-O rapidly approaching, destiny beckons from where he least expects it.

‘In Dan, Chris Chalmers has created his most appealing protagonist yet … An eye-opening, always entertaining romp through modern sexual mores, with a sweet beating heart of true feeling at its core.’ SUZI FEAY, literary journalist

YOU MIGHT AS WELL ASK THE DONALD…

If you’re planning a late summer getaway, here’s a suggestion for a poolside page-turner with a difference.

Literary critic and Booker Prize nominee Philip Hensher called Dinner At The Happy Skeleton, ‘the perfect novel for a sunny afternoon. Full of charm and vim and sauce…’ And unless it’s the last white-chocolate Magnum in the shop, I’m not about to argue with him about anything.

Expect mid-life crises, bed-hopping, fun and adventures off the tourist trail, as Dan the out-of-work advertising man blows his latest redundancy cheque on a hedonistic summer of self discovery. What begins as the chance to take time out from his career turns into a quest to trace the ex that serial-singleton Dan blames for the smouldering ruins of his love-life.

Working on the principle that asking any author for an objective view of their novel is like asking Donald Trump to recommend a skyscraper, I’ll say no more. Try the first 500 words of Dinner At The Happy Skeleton for yourself. And if you like them, get in quick because the ebook is 99p till the end of August.

I call that sauce for your sun-lounger and a bargain to boot.

FIRST 500 WORDS…

CHAPTER ONE

I love waking up next to Jack. He is five foot five, comedy small, so not what you’d call any of my types. But his skin is naturally smooth as a baby’s; a bonus in a man of thirty-four. I nuzzle his head under my chin and try not to think of the spider-legs running amok over my own shoulders. The red lights on his ceiling say 07:18. Another seven minutes till we are officially behind schedule.

‘I need a slash,’ he growls, in a voice cracked by dawn.

‘Do Thunderbird Four,’ I say. ‘If you loved me you would …’

Jack is cute, with chipmunk eyes and cheeks you want to bite. He is a living Action Man, compact and perfectly proportioned with hair like a tennis ball. But he doesn’t love me really.

Thank God.

He tuts as his head disappears. The hummock under the duvet shifts and deflates until his feet appear at the bottom of the bed. The rest of him follows as he folds into a heap on the carpet and crawls for the door … It lacks the smooth entry and splosh of the little yellow submarine exiting the belly of Thunderbird Two. But it makes me laugh, every time.

At that moment there’s a clink of china and a swish of designer silk as the bedroom door opens, narrowly missing Jack’s head.

‘Brew,’ says Phil, stepping over him.

He puts three mugs on the bedside table. Then he slips out of his dressing gown and climbs back into the bed.

*

A threesome isn’t something you go looking for. No, scratch that – it’s exactly what you go looking for when you’ve been around the block as many times as I have. You just don’t expect it to turn into anything.

I met Jack and Phil online the previous August. We chatted, suggestively, two or three times. I enjoyed the frisson of not knowing which of the two guys in the photos I was talking to, and since for once they were both quite tasty,it didn’t matter.

As for the day we met – well, that was all quite Cynthia Payne …

So I’m sweaty and hungover, eager for fun if knackered from the night before, as I trudge up Denmark Hill with a rucksack full of sex toys. It takes me a while to find the address in a neat and tidy street that feels (no pun intended) anally suburban. Multi-hued children on tricycles clatter over paving stones, and though the net curtains don’t actually twitch like flamenco hems it feels like they should.

The taller one answers the door and shows me into the kitchen, where the shorter one is emptying the dishwasher from Sunday lunch. A tiny telly plays on the granite worktop as I tear a can of Fosters from the four-pack I picked up at Sainsbury’s.

‘I didn’t know what to bring,’ I say, my rucksack betraying otherwise as it thuds on the terracotta flags.

BIO and SOCIAL LINKS:

Chris Chalmers lives in South-West London with his partner, a quite famous concert pianist. He has been the understudy on Mastermind, visited 40 different countries, and swum with iguanas. Aside from his novels, his proudest literary achievement is making Martina Navratilova ROFLAO on Twitter.

You’ll find him on Facebook @chrischalmersnovelist, on Twitter @CCsw19, and at www.chrischalmers.net

BUY LINK, paperback and ebook:

https://www.amazon.co.uk/Dinner-Happy-Skeleton-Chris-Chalmers-ebook/dp/B076X98C31/ref=tmm_kin_swatch_0?_encoding=UTF8&qid=1566576917&sr=8-1 

***

Another fabulous set of opening lines!

Thanks Chris.

Happy reading everyone,

Jenny x

Opening Lines with Jane Risdon: Undercover Crime Shorts

For this week’s Opening Lines, I’m delighted to welcome a great friend to my blog, the fabulous author, Jane Risdon.

Over to you Jane…

Hi Jenny,

Thanks for asking me back to your fab Opening Lines which I enjoy reading so much and contributing towards.

My 500 Opening Lines come from the opening story in my very first collection of short crime stories under one cover for the first time: Undercover: Crime Shorts

Undercover: Crime Shorts features seven short stories which satisfy most fans of crime fiction and its sub-genres (not my words but those of a reviewer) and it was hard to put the collection together when you consider I have over one hundred short stories from which to choose.

These stories are designed to keep you on the edge of your seat and to be read during a train/bus journey perhaps or before bed. When you want read something you can finish in under an hour with more twists and turns than Spaghetti Junction.

I was so pleasantly surprised when upon release the collection shot into the Amazon Best-seller ratings at #18 in the UK and #333 in the USA – the first day!  Sadly, it coincided with me being in Facebook jail for a week at the same time, so promoting was a nightmare. I have no idea of which crime I was being convicted, but they have their own rules.

I chose Sweet Sable – The Red Siren, as my opening chapter in the book. It is set in Hollywood in 1939 at the height of the night-club age, when clubs were where singers got to show off their talents and where they stood a chance of hooking a ‘Sugar Daddy,’ and ‘Stage Door Johnnies,’ were on the hunt for a conquest and a quick lay.

A Great Grandfather was a ‘Stage Door Johnnie,’ in London, back in the day – my inspiration comes from so many sources!

Back to my story: The Mafia has a hold on Las Vegas and Hollywood and nearly everyone is in hock to them one way and another, even politicians. Corruption is rife in 1939.

Sable is a nightclub singer with another string to her bow and she uses her good looks, her sexy voice, and diva performances to snare rich men whose egos need stroking – this is how she makes her ‘additional’ living; snaring, hooking, and then stinging her male lovers – enriching herself by blackmailing them and adding to her ‘retirement fund.’

If any play rough, well, she can play rough too…

Before she is about to go on stage with the nightclub’s resident band she has a visit to pay and we meet her as she breaks into the offices of one of her ‘marks,’ before rushing back to prepare for her performance.

I’ve used Hollywood for this story because it ties into some research I had to undertake a while back when writing another Hollywood-based story about the apparent suicide of an up-and-coming young starlet. It’s called Cue Murder, and features in an anthology I contributed towards – Cons, Dames and G-Men published by Stab in the Dark Crime Writers.

Elisabeth Risdon

I used my husband’s late, great aunt, movie actress Elizabeth Risdon, for my research into the era of the silver screen in the late 1930s and I was able to go back to this research for Sweet Sable. Elizabeth’s career was long and successful. She began on stage in England and then Broadway, moving with ease into the Silent Movie era and later starred with many screen greats such as John Wayne and Cary Grant in over 100 movies during the Golden Age of Hollywood, until her death in the mid-1950s.

Lupe Velez

It was her roles with Lupe Velez – The Mexican Spitfire – which inspired Cue Murder and subsequently Sweet SableThe Red Siren.

Elizabeth Risdon: https://en.wikipedia.org/wiki/Elisabeth_Risdon

Lupe Velez: https://en.wikipedia.org/wiki/Lupe_V%C3%A9lez

FIRST 500 WORDS from the Opening Chapter:

Sweet Sable – The Red Siren

Closing the safe door quietly and with an expert spin of the dial the black-clad woman straightened up, slinging the grip with her haul over her shoulder. She stood listening intently before moving towards the office door. Again she waited, her ears straining, before gently prising the door open and stepping silently into the corridor of darkened offices; she eased the door closed calculating she had barely two minutes before the night-watchman made his rounds, trying the doors and checking the building was secure.

The woman headed for the fire escape where she’d made her entrance to the three storey building some ten minutes earlier. Gently raising the window she climbed out on to the metal staircase with the athletic grace of a ballet dancer, giving the dark alley below a quick once-over to ensure no-one was around she hastily made her way down the rusting stairs. Her tar- toned unremarkable and unmemorable automobile was parked across the street, hidden in the gloom of another narrow alleyway. Glancing at her wrist-watch – an expensive pay-off from a married lover – she knew she’d better step on the gas. She’d less than fifteen minutes to get back to the night-club, park her car at the darkest end of the outside lot, and leg it back to her dressing-room with enough time to change into her gown for her last set of the evening.

The red-head chuckled to herself as she repaired her lipstick pouting seductively at herself in the mirror, waiting for the stagehand to knock on her door with her final call. She was buzzing. She’d done it again, she’d pulled it off. It was better than any sex she’d ever had, and that was saying something. She chuckled, puckered her ample lips and blew herself a huge wet kiss.

*****

As the spotlight found its mark the band-leader nodded to the scarlet-clad shapely figure who took up position in front of the microphone. Her hips swayed in time to the jazz trumpet and she took her cue.  Her sultry sable-clad tones sucked her audience into her lair.

The figures outlined in the flickering candle-light adorning circular tables dotted around the smoke-hazed, expectant venue, stopped talking and turned their heads towards the elevated stage where Desi Garcia’s Syncopators went into full swing behind Sweet Sable, also known as the Red Siren – neither was her real name but no-one cared. When her song ended there was a moment’s silence before they pounded their tables shouting, ‘more, more.’

Sweet Sable wiggled her slender but shapely hips, leaned over the stage giving more than an eye-full of her full bosom on display in her tight-fitting strapless gown and blew huge smackers into the air, aimed at no-one in particular but the full-blooded men in the audience got the message and so did their partners who silently seethed.

Her set over for the evening Sweet Sable made her way back to her dressing room, accepting compliments and congratulations on her ‘wonderful performance,’ smiling, blowing kisses…

***

Undercover: Crime Shorts is available from Waterstones in Paperback: ISBN 9780359397839

And from most digital platforms including Amazon, Barnes & Noble etc for Kindle, Phone and Tablet and from Lulu in Paperback too.

Buy links:

https://books2read.com/b/4jD0wo

https://www.barnesandnoble.com/w/under-cover-crime-shorts-jane-risdon/1130007355

https://www.amazon.co.uk/dp/B07RFRVL4P

http://www.lulu.com/…/under…/paperback/product-24082039.html

Social Media:

https://www.facebook.com/JaneRisdon2/

https://janerisdon.com

https://www.amazon.co.uk/Jane-Risdon/e/B00I3GJ2Y8

https://accentpressbooks.com/collections/jane-risdon

https://twitter.com/Jane_Risdon

https://www.instagram.com/janerisdonwriter/

https://www.pinterest.co.uk/janerisdon2/

mewe.com/i/janerisdon

Author Interview on The Authors Show.com:

https://www.wnbnetworkwest.com/ 

Many thanks for visiting today Jane,

Happy reading everyone,

Jenny xx

How to Write Short Stories by Ashley Lister

I’m honoured to have the brilliant Ashley Lister with me today, to talk about his forthcoming creative writing book, How to Write Short Stories.

I’ve had the pleasure of being taught by Ashley – and having taught him in return. He is a wonderful writer, poet, creative writing lecturer, and a right good chap…

Over to you Ashley…

To my mind, short stories are different from any other kind of writing.

Not only is the short story shorter than the novel, but the novel is allowed to ramble and take the reader on digressions. A short story can’t get away with that. If we’re reading Charlotte Perkins Gilman’s ‘The Yellow Wallpaper’, we’re reading a story where every word must count. There is no scope for the main character to have thoughts on the weather, local politics, or the imagined shoe sizes of indigenous otters. The main character can’t take a trip to B&Q and study wallpaper swatches in the hope of redecorating. Every syllable in the short story needs to stay focused on the purpose of that narrative.

Poetry shares this specificity of restrained vocabulary, where every syllable is vital to the message being conveyed. But poetry is invariably shorter, and to my mind, unlike short stories, good poetry usually has a rhyme such as the one below:

There was an old woman from Hyde
Who ate rotten apples and died
The apples fermented
Inside the lamented
And made cider, inside her insides.

All of which is my way of saying that the short story is unlike any other form of literature out there. I say this with fondness in my voice because I genuinely love the short story. I’ve written hundreds of short stories; I’ve obtained a PhD based on a thesis I wrote about short stories; and now I’ve published a book explaining how to write short stories.

How to Write Short Stories and Get Them Published is the essential guide to writing short fiction. It takes the aspiring writer from their initial idea through to potential outlets for publication and pitching proposals to publishers.

Along the journey this guide considers the most important aspects of creative writing, such as character, plot, point of view, description and dialogue. All of these areas are illustrated with examples of classic fiction, and accompanied by exercises that will help every writer hone their natural skill and talent into the ability to craft compelling short stories.

How to Write Short Stories and Get Them Published is due out in December of 2019. It’s published by Little Brown and you can pre-order your copy using this link: https://www.amazon.co.uk/dp/1472143787/ref=cm_sw_em_r_mt_dp_U_fpDlDbM5CS66H

Today, because my good friend Jenny invited me to write a blog post about my forthcoming book, I thought it would be prudent to share five tips for short story writing.

  1. Read good stories. Read people who know what they’re doing with a pen. If you’re reading this blog, it’s likely that you’re already familiar with the writing of Jenny Kane/Jennifer Ash: read her books and watch how she demonstrates her mastery of the craft. There is a balance between description and action. There is a strong use of character and dialogue. Watch how she does this, make notes, and try to emulate this sophisticated style of writing.
  2. Read rubbish stories. Like a lot of parents people, I’ve sat through some bloody awful films that my child thought would be entertaining (such as Theodore Rex, and The Cat in the Hat). Rather than grumbling about this, or trying to sleep or better my score on Candy Crush, I’ve used this as a learning experience. What don’t I like about the film? Is the dialogue too stilted? Am I having difficulty empathising with the characters? Is the plot too outrageous? Is the whole thing too dull? I make mental notes as I’m watching and I silently vow to avoid these mistakes in my own writing.
  3. Practice. Writing is a skill. We only develop our skills through practice: therefore it makes sense to practice. Aim for an hour a day if possible. If family, work, or life get in the way of that, steal whatever minutes you can find, and use them to help develop your craft. (I should also mention that my forthcoming book, How to Write Short Stories and Get Them Published, includes lots of writing exercises to act as spurs for creativity).
  4. Be honest with yourself. Once you’ve written a story, read through your work and assess whether or not it did what you wanted. If it was a horror story, do you think it frightens? If it’s a romance, will it make your readers feel satisfied in their belief of the power of love? Is it cohesive? Are there parts that work and parts that don’t work? Does it need a little editing or a lot of editing? Being honest is not simply a matter of saying, “That’s brilliant,” or “That’s rubbish.” It’s a matter of saying, “Does this story do its job?” And if not: “What I can do to amend it so that it does do its job?”
  5. Write the stories. Polish the stories. Send the stories out to potential publishers. And, when you get rejected, send the stories out again and again. Writing is not easy. Publishing is even harder. And remaining positive in the face of rejection is damned near impossible. However, if you believe in your writing, and if you approach the market intelligently, there’s no reason why every capable writer shouldn’t be able to get their work to the audience that needs them.

As I mentioned before, How to Write Short Stories and Get Them Published is due out in December of 2019. It’s published by Little Brown and you can pre-order your copy using this link: https://www.amazon.co.uk/dp/1472143787/ref=cm_sw_em_r_mt_dp_U_fpDlDbM5CS66H

***

Bio

Ashley Lister is a prolific writer, having written more than fifty full length books and over a hundred short stories. Aside from regularly blogging about poetry and writing in general, Ashley also lectures in creative writing.

***

Many thanks Ashley,

This looks like a must read for any creative writer.

Happy reading- and writing- everyone,

Jenny x

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